#Ornamental Cornices Services

[brisbanewideplasteringservice]

Brisbane Plastering Service

For reliable Brisbane Plastering Service, look no further than Brisbane Wide Plastering Service. Their expert team offers a comprehensive range of Brisbane Plastering Services tailored to meet your needs, whether for residential or commercial projects. With a focus on quality and precision, their Plastering Services in Brisbane cover everything from repairs to complete installations, ensuring…

[krunaldigitalads]

Interior Decoration Services Company — Interior Designing Company in Abu Dhabi

Alwan Al Ebdaa is a leading Interior Designing company providing best architect and Interior decoration solutions. Interior Designing company Company is definitely one of the top contenders. With their expertise and experience with commitment to excellence, and track record of successful projects, We have earned a reputation as one of the best in the Interior Designer in UAE, Dubai, Sharjah and Abu Dhabi. Complete Guide to Residential Interior Design

Our Interior Decoration Services

Interior decoration is the exceptionally remarkable ornamentation of interior spaces. It is mind-blowing manner you can give your existing spaces a noteworthy lift up Interior Decoration Company in Abu Dhabi, UAE, Sharjah and Dubai.

Luxury Interior Designing Services

Luxury Interior Designing Service is an art form that embraces elegance, quality, and individuality and give a premium to luxury market, creating opportunities for interior designers to work on high-end projects

Muse Interior Designing Company

Muse Interior is creating a extraordinary designing residential, commercial, and institutional projects. Muse Interior includes creative space planning, 3D rendering, project supervision, and creating both modern and luxury interior styles.

Residential House & Home Interior Designing Company

If you are thinking about where to get the best House Interior Designing services,Home Interior Designing services in you are in Abu Dhabi, UAE, Sharjah and Dubai.

Villa Interior Designing Company

We are specializing in crafting bespoke villa interior designs, Discover Redefined Elegance of Premier Villa Interior Designing Company in Abu Dhabi, UAE, Sharjah and Dubai.

Acoustic Solutions & Partitions Solutions

Acoustic solutions and Partitions Solutions is to divide your space into two or more parts with Gypsum Ceiling Partition, Gypsum Tile Ceiling Partition, Gypsum Cornice Partition, Perforated Ceiling Partition, Metal Ceiling Partition, Wooden Ceiling Partition, Glass Partition and CNC Partition solutions in Abu Dhabi, UAE, Sharjah and Dubai.

Joinery and Fitout Services

We specialize in providing high-quality Joinery and Fitout Services tailored to meet the unique installation of the floors, ceilings, partitions, and furnishings.

Restaurant, Hotel & Resorts, Interior Designing Company

If you are looking for Resort interior, Restaurant interior, or Hotel interior designing company in Abu Dhabi, UAE, Sharjah and Dubai.

Gym Interior Designing Company

We are reputable, internationally recognized, and one of the most successful Gym Interior Designing Company in Abu Dhabi, UAE, Sharjah and Dubai.

Floor Finishes Solutions

We are specialized in providing top-quality Floor Finishes to elevate the look and feel of your comfort with our premium flooring solutions includes Carpet Flooring, Carpet Tiles, Vinyl Flooring, Parquet Flooring, Sports Flooring, Raised Access Flooring and Tile and Marble.

Exhibition Canopy Design Company

We are a top-rated Exhibition Canopy Design Company in Abu Dhabi, UAE, Sharjah and Dubai providing solutions Canopy for Outdoor activation, Portable Tents, Exhibition stall fabricator.

For more Details Click here : https://www.alwanalebdaa.com

[contractorsplastering]

Unveiling The Crucial Role Of Plastering Contractors In Sydney's Construction Industry

Plastering contractors play a pivotal role in Sydney's construction landscape, contributing to the structural integrity, aesthetics, and functionality of residential, commercial, and industrial buildings. Beyond the surface level, these skilled professionals are instrumental in transforming architectural designs into tangible structures. This article delves into the multifaceted role of plastering contractors in Sydney, highlighting their expertise, responsibilities, and the value they bring to construction projects of all scales.

Surface Preparation and Repair

1. Surface Smoothing: 

Plastering contractors are adept at preparing surfaces for finishing by smoothing out imperfections, filling cracks, and levelling uneven areas. Their meticulous attention to detail ensures that surfaces are primed and ready for the application of plaster or other finishes.

2. Repair Work: 

In addition to surface preparation, plastering contractors specialise in repairing damaged or deteriorated plaster surfaces. Whether it's patching holes, fixing water damage, or restoring historic plasterwork, their expertise ensures seamless repairs that blend seamlessly with the surrounding area.

Installation of Plaster Systems

1. Traditional Plastering: 

Plastering contractors in Sydney are skilled in the art of traditional plastering techniques, including the application of wet plaster to walls and ceilings. This method results in a smooth, durable finish that enhances the visual appeal of interior spaces.

2. Drywall Installation: 

Drywall, also known as plasterboard or gypsum board, is a versatile building material used extensively in modern construction. Plastering contractors excel in the installation of drywall systems, including framing, hanging, and finishing, to create sturdy and fire-resistant partitions.

Decorative Plasterwork

1. Ornamental Mouldings: 

Plastering contractors possess the expertise to create intricate ornamental mouldings, such as cornices, ceiling roses, and architraves, that add architectural interest and elegance to interior spaces. These decorative elements enhance the aesthetic appeal of homes, offices, and heritage buildings.

2. Custom Designs: 

From intricate patterns to bespoke motifs, plastering contractors can bring custom designs to life using plaster. Whether replicating historical motifs or creating contemporary accents, their craftsmanship adds a touch of sophistication and uniqueness to any space.

Project Management and Coordination

1. Collaboration with Other Trades:

Plastering contractors collaborate closely with architects, designers, builders, and other trades to ensure seamless integration of plastering work within the overall construction project. Effective communication and coordination are essential to meet project timelines and quality standards.

2. Quality Assurance: 

Plastering contractors oversee all aspects of the plastering process, from material selection and application to finishing and cleanup. They adhere to industry standards and best practices to deliver high-quality results that meet or exceed client expectations.

Compliance and Regulations

1. Building Codes: 

Plastering contractors in Sydney are well-versed in local building codes, regulations, and standards governing plastering work. They ensure compliance with relevant requirements to ensure the safety, durability, and performance of plaster systems.

2. Occupational Health and Safety: 

Plastering contractors prioritise the health and safety of their workers and adhere to strict safety protocols on construction sites. This includes providing personal protective equipment (PPE), implementing safe work practices, and conducting regular site inspections to identify and mitigate hazards.

Plastering contractors are indispensable contributors to Sydney's construction industry, providing essential services that enhance the quality, functionality, and aesthetics of buildings. From surface preparation and installation to decorative finishes and fire protection, their expertise encompasses a wide range of specialised skills. As custodians of the built environment, plastering contractors play a vital role in shaping the architectural landscape of Sydney, ensuring that structures are not only visually appealing but also safe, durable, and compliant with regulatory requirements.

[directscaffoldau]

A Best Option to Paint Your Home

 You may believe that it is a simple decision and that the height of the home should govern whether you use scaffolding or ladders, but you would be incorrect if you jumped to this decision without thorough consideration.

Factors Influencing Decision Making

Because Mobile Scaffold Hire Brisbane service is quite expensive, the bulk of two-story house exteriors are coated with extending ladders. However, there are situations when you should consider the additional charges, such as:

Whenever the surfaces to be coated necessitate substantial preparation or extensive burn off prior to painting; when the ground is sloped or covered with obstructions that pose a risk to the painter; When the building is in a location where it is exposed to pedestrian or vehicular activity.

In the latter case, you are no longer permitted to put a ladder in a high street, for example, to do a shop front without always keeping someone at the foot of the ladder. Given the expense of having someone always hold the ladder, you may want to contemplate hiring the service of Mobile Scaffold for Sale Brisbane for these types of operations.

Aluminium Scaffold Brisbane is required on bigger houses with rendered paintwork, painted stucco, painted ornamental cornice, or dentil work to guarantee that the work be done safely and to a higher standard. You should not get discouraged because you will obtain a significantly superior work employing Mobile Scaffold for Sale. All painters understand this because it is practically the same as working on ground level. Clearly, if their surfaces are better prepared and painted, they will likely last an additional decade or two before needing to be repainted. If you recalculate the costs, you may discover that the usage of Mobile Scaffold Brisbane has actually put you ahead.

Another consideration is that ladders swinging around the exterior of buildings harm the sills, tear up the brickwork, and, of course, take off a bit of pointing at every chance they get.

Try Mobile Towers to Complete the Task

There will always be instances when the facility of Aluminium Scaffold Hire Brisbane is simply too inconvenient to use, such as when installing windows on upper floors or performing a minor repair that must be done safely.

The benefits of a Temporary Edge Protection Hire over Aluminium Scaffolding Brisbane are that it is lightweight aluminum and requires little skill to erect and steady for use. When the ground at the bottom is sufficiently flat, you can also move your tower around on wheels, which can be incredibly handy in some scenarios.

Conclusion

Aluminium Scaffold for Sale or hire, working platforms, access hiring, and towers available in a variety of shapes and sizes and are a wonderful resource for enabling work to be completed safely and to a better degree than regular ladder hire. It is typically money well spent, and as long as all health and safety regulations are followed, it is just as safe as operating on the ground.

[luxturs]

Discover the Allure of Heritage Plaster | Luxture

Heritage plaster, an age-old craft that has stood the test of time, continues to mesmerize with its timeless beauty and artistry. From historical landmarks to modern interiors, the allure of heritage plasterwork is undeniable. In this article, brought to you by Luxture, we delve into the captivating world of heritage plaster, shedding light on its history, techniques, and the reasons why it remains a sought-after choice for interior design and restoration projects. Embark on a journey that celebrates the elegance and sophistication of heritage plaster, as we explore its remarkable versatility and the distinctive charm it brings to architectural spaces.

The Artistry of Heritage Plaster: A Melding of Tradition and Craftsmanship

Heritage plastering is an exquisite art form that combines traditional craftsmanship with meticulous attention to detail. Skilled artisans employ time-honored techniques to create breathtaking finishes that evoke the splendor of bygone eras. These plastering methods often involve the use of lime-based plasters, which not only offer exceptional durability but also allow for intricate sculpting and ornamental designs. From intricate cornices and ceiling roses to elegant friezes and decorative wall panels, heritage plaster work is an expression of unparalleled artistry. Each piece is meticulously handcrafted, showcasing the mastery of skilled artisans who have honed their craft over generations.

Applications of Heritage Plaster: Elevating Spaces with Timeless Elegance

Heritage plaster is a versatile medium that can enhance a wide range of architectural spaces. Whether it's a historic building restoration, a luxury residence, or a contemporary design project seeking a touch of timeless elegance, heritage plaster offers an array of applications. Ceilings adorned with ornate cornices and ceiling roses exude grandeur and sophistication. Elaborate wall panels and friezes can transform a plain wall into a work of art, adding depth and visual interest. Furthermore, heritage plaster is an excellent choice for creating decorative niches, arches, and columns that evoke a sense of classical aesthetics. The seamless integration of heritage plaster into both traditional and modern environments highlights its versatility and ability to elevate any space to new heights of elegance and refinement.

The Enduring Appeal of Heritage Plaster: Timeless Beauty for Generations to Come

One of the remarkable qualities of heritage plaster is its enduring appeal. Unlike contemporary finishes that may come and go with passing trends, heritage plasterwork stands the test of time. Its classic designs and organic textures transcend eras, creating an everlasting charm that can be enjoyed for generations. Heritage plaster possesses a unique ability to complement various architectural styles, whether it be Georgian, Victorian, Art Deco, or contemporary designs seeking a touch of heritage-inspired elegance. The natural patina that develops over time further enhances its allure, giving each piece a sense of character and authenticity. By choosing heritage plaster, homeowners and designers are making a long-term investment in beauty and sophistication that will continue to captivate and inspire for years to come.

Reviving Heritage Plaster:

At Luxture, we are passionate about preserving and promoting the art of heritage plaster. With our team of skilled artisans and restoration experts, we aim to revive and rejuvenate this exquisite craft. From consultation to installation, we provide comprehensive services to bring the elegance of heritage plaster to life in your architectural projects. Our commitment to quality, attention to detail, and respect for tradition ensure that every piece we create exudes the essence of heritage plaster. Whether you are embarking on a restoration project or seeking to infuse your space with timeless allure, Luxture.com is your trusted partner in bringing the artistry and sophistication of heritage plaster to your doorstep.

Conclusion:

Heritage plaster continues to captivate the hearts of design enthusiasts and homeowners alike. Its timeless beauty, versatility, and enduring appeal make it an ideal choice for those seeking to create spaces of unparalleled elegance and sophistication. Luxture.com celebrates the artistry and craftsmanship of heritage plaster, offering a gateway into a world where tradition meets innovation. From ornate cornices to intricate wall panels, heritage plaster brings a touch of timeless splendor to architectural spaces, enriching them with a sense of grandeur and charm. Embrace the allure of heritage plaster and embark on a journey that celebrates the artistry and everlasting beauty it offers.

[bajwa-builders]

House Extension in Hounslow | House Extension in Hillingdon | Builder in Hounslow 07886160656

Bajwa House Extension in Hounslow

Lack of space in your home may get an important issue. House extensions in Hounslow are the ideal solution for everyone, who's looking to extend their living space and comfort. Extending your house will surely reflect in the value of your property, too. Extending a log home or cabin.

Extending your log home will help insure it’s a place that suits your changing requirements and life events. We believe any house that has kept its occupants warm, sheltered them from the rudiments and housed times of good recollections should be treated with the respect it deserves. That’s why erecting an extension or making introductory advancements should always be done with respect for the original style of the structure.

In principle, all types of log houses can be extended, whether it’s a log cabin, vacation house, sauna or private home. As long as the pre-existing structures are salvageable, anything is possible.

Our house extension services are designed to help you and your family get the most out of your log home. Extending your home is a great way to get further space, and it can fluently be done right alongside an addition design.

There are many world- class metropolises where you can enjoy your own house and convert it for your requirements, and none as instigative as London. The megacity’s rich stock of domestic casing has great eventuality for improvement. However, revamping and extending your being property may be the right move for you, if you formerly enjoy property in the capital and can’t justify the costs of moving house. Stylish of all, you ’ll be suitable to stay in the neighborhood you know and love.

Strict planning regulations in neighborhoods rich with heritage casing make house extensions in Hillingdon  a challenge for some. Seeking the help of a mastermind, rather than going directly to a standard- issue builder or home- extension specialist, means the specific character of your home will be admired and enhanced. A mastermind will unleash implicit and use accoutrements in an original way that can round your home’s major appeal.

Once you ’ve set up a mastermind whose style and personality balance your own, the process of transubstantiating your home will fall into place. Together you can unite on acclimatizing the original bones to your particular life with detailed specifications, starting from the party walls inward. Indeed, if planning regulations are strict in your neighborhood, you ’ll generally be suitable to extend outwards at least enough for a redundant room or two – taken from wasted out-of-door space, eaves in a pitched roof or awkward corners you didn’t indeed know you had.

Want to extend your home?

You could extend a room with kitchen fitter in Hounslow to incorporate an eat- in breakfast room, add a suite restroom, a bedroom for a new child or a home office. In a neighborhood with newer casing stock, like a London exurb or brownfield development, more involved home extensions may be possible, like wraparounds incorporating a side return and reverse, an alternate Storey, garage crusher or double- height hinder extension. House extensions are carried out in a further compassionate way moment than they’ve ever been, and a good mastermind will strive to save original architectural rudiments – like ornamental cornicing, ceiling roses, skirting boards, dada rails and picture rails – while giving your home the ultramodern openness so numerous desires. rotating doors and Crystal- style sword windows are brilliant complements to period decorations and antique slipup.

Once you ’ve committed to the process, a house extension will make fresh changes lightly and less clumsy, like new girdle windows, flooring or a fresh makeup job. They could be done coincidently with the structural work, pull everything together and help you get a good- as-new home that works with your unique way of life.

“Extending your garage is also going to be a great time to touch up the areas you may have been neglecting. However, you may find that after times of abuse the garage is n’t in the state you ’d relatively like it to be, if you’ve bought your home and are upgrading. Take your time to not only plan your garage extension duly, but seal your concrete, paint the walls and indeed consider adding air exertion to make it habitable space” – Roy, Hack My Garage.

Builder in Hounslow

We're passionate about construction. With over 20- time experience and 100s satisfied guests, we can make your dream come true also of having a new addition done to your property. We're completely ensured FMB registered builder which gives you guarantee of quality work. All our work is carried out by veritably professional tradesmen and comes with bond, so that you can relax and choose the stylish.

Your house extension design script is an exchange armature plant concentrated on perfecting homes with commodious, contemporary extension systems across London and beyond. Through our bespoke armature service, we attack systems of every scale and complexity, from modest single- Storey extensions to side- return extensions design, basement extensions, garret extensions and hinder house extensions design. Our largely professed engineers can take you step- by- step through the challenge of erecting a house extension. We ’ll unite nearly with you from the original delineations, detail design and planning, guiding you through the tender and construction process and completing your house extension on time and on budget. Early adopters of the rearmost drafting and structure technologies, we use innovative 3D design and visualization tools as a standard for all our house extensions. Our experience has shown that real- time visualizations and virtual reality are extremely effective tools for choosing homestretches, institutions and fittings, and bluffing natural light.

We use 3D structure information modelling (BIM) to produce dependable construction information, so all our design data comes from an accurate 3D model. Using this technology collaboratively with advisers and contractors is proven to save our guests time and plutocrat. This Chartered Institute of Building case study featuring a script design demonstrates the benefits of this advanced technology for house extension systems. Scenario Architecture is a RIBA Chartered Practice. We misbehave with all the criteria of the Royal Institute of Chartered Engineers, covering insurance, health and safety and quality- operation systems.

Contact for further inquiries- 07886 160 656 Visit our website: 

House Extension Renovation | Builder in Hounslow Hillingdon near me (bajwarenovation.co.uk)

We're specialized in Extension, Garret Conversion. New Build Refurbishment & all other structure work. My aim is to make with quality, icing your design is completed on time and within budget. You will have a detailed citation, time schedules, fixed payment plans and shall be informed of what we are doing from starting root to the last roof pipe. Thanks for reading.

[puffinet]

i know walter pater is not A Source you can depend on but his prose about dionysian religion is soooo...

The religion of Dionysus takes us back, then, into that old Greek life of the vineyards, as we see it on many painted vases, with much there as we should find it now, as we see it in Bennozzo Gozzoli's mediaeval fresco of the Invention of Wine in the Campo Santo at Pisa- -the family of Noah presented among all the circumstances of a Tuscan vineyard, around the press from which the first wine is flowing, a painted idyll, with its vintage colours still opulent in decay, and not without its solemn touch of biblical symbolism. For differences, we detect in that primitive life, and under that Greek sky, a nimbler play of fancy, lightly and unsuspiciously investing all things with personal aspect and incident, and a certain mystical apprehension, now almost departed, of unseen powers beyond the material veil of things, corresponding to the exceptional vigour and variety of the Greek organisation. This peasant life lies, in unhistoric time, behind the definite forms with which poetry and a refined [21] priesthood afterwards clothed the religion of Dionysus; and the mere scenery and circumstances of the vineyard have determined many things in its development. The noise of the vineyard still sounds in some of his epithets, perhaps in his best-known name—Iacchus, Bacchus. The masks suspended on base or cornice, so familiar an ornament in later Greek architecture, are the little faces hanging from the vines, and moving in the wind, to scare the birds. That garland of ivy, the aesthetic value of which is so great in the later imagery of Dionysus and his descendants, the leaves of which, floating from his hair, become so noble in the hands of Titian and Tintoret, was actually worn on the head for coolness; his earliest and most sacred images were wrought in the wood of the vine. The people of the vineyard had their feast, the little or country Dionysia, which still lived on, side by side with the greater ceremonies of a later time, celebrated in December, the time of the storing of the new wine. It was then that the potters' fair came, calpis and amphora, together with lamps against the winter, laid out in order for the choice of buyers; for Keramus, the Greek Vase, is a son of Dionysus, of wine and of Athene, who teaches men all serviceable and decorative art. Then the goat was killed, and its blood poured out at the root of the vines; and Dionysus literally drank the blood of goats; and, being Greeks, with quick and mobile sympathies, [22] deisidaimones,+ "superstitious," or rather "susceptible of religious impressions," some among them, remembering those departed since last year, add yet a little more, and a little wine and water for the dead also; brooding how the sense of these things might pass below the roots, to spirits hungry and thirsty, perhaps, in their shadowy homes. But the gaiety, that gaiety which Aristophanes in the Acharnians has depicted with so many vivid touches, as a thing of which civil war had deprived the villages of Attica, preponderates over the grave. The travelling country show comes round with its puppets; even the slaves have their holiday;* the mirth becomes excessive; they hide their faces under grotesque masks of bark, or stain them with wine-lees, or potters' crimson even, like the old rude idols painted red; and carry in midnight procession such rough symbols of the productive force of nature as the women and children had best not look upon; which will be frowned upon, and refine themselves, or disappear, in the feasts of cultivated Athens.

[bluenachogoatee]

Near MeEvery plastering task we begin, we consummate with excellency and pride.

<iframe width="560" height="315" src="https://www.youtube.com/embed/SPBLlBA2Q_w" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

From the original quotation to the job site training and product covering, our skills volition transcend your expectations

and meet industry standards . Our experience and expertness in the industry volition secure that the plaster is done properly

and that our work standards will impress.

Plastering For Homes - Smooth Walls For A Smooth Finish

Until you have a fresh painted wall, you do not see imperfectnesses or uneveness .

<iframe width="560" height="315" src="https://www.youtube.com/embed/Vmd2wlvKegM" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>

Choosing a plasterer who deeds

not but chop-chop but skillfully can be a challenge . Many plasterers do get lazy and volition take shorter cuts or they do not keep up to date with the Australian guidlines.

We see this a lot when we are doing overhaul jobs.

If you are after the best local plasterer team ? You have come to the mighty home.

The Plastering services we provide are:

1 . Gyprock installs

2 . Plasterboard Installation

3 . Cornices including Decorative

4 . P50 Shadow Lines

5 . Suspended Ceilings

6 . Office Tile Ceilings

7 . Bulkheads and Pelmets

8 . Sound Proofing Solutions

9 . Partition Stud Walls

10 . Professional Plastering

Modern Or Minimalist Or Statement and Heritage

Which appeals to you?

We surpass in restoration and ornamental plastering skills, as it takes a highest grade of experience to create a flawless ornamental outcome

So if you care a square cornice style or a stunning cornice style and ceiling with tail lines, then we are the right nonpareils for you.

A talented plasterer can get a smoothen wind up on the broader wall or ceiling . Thus, the palisade volition take a seamless look after house painting.<br />

<a href='https://plasteringnearme919.blogspot.com/2022/11/plastering-near-me.html'>https://plasteringnearme919.blogspot.com/2022/11/plastering-near-me.html</a><br />

<a href='https://coastplastering.com.au/'>Plasterers </a><br />

<a href='https://qldinteriorlinings.com.au/'>Plasterers </a><br />

<a href='https://brisbaneplasterpro.com.au/'>Plasterers </a><br />

<a href='https://plasteringcentral.com.au/'>Plasterers </a><br />

<a href='https://persianrugrepairwarnersprings722.blogspot.com/2022/11/persian-rug-repair-garden-grove_0784126926.html'>https://persianrugrepairwarnersprings722.blogspot.com/2022/11/persian-rug-repair-garden-grove_0784126926.html</a><br />

<a href='https://persianrugrepairdelmar482.blogspot.com/2022/10/persian-rug-repair-del-mar.html'>https://persianrugrepairdelmar482.blogspot.com/2022/10/persian-rug-repair-del-mar.html</a><br />

<a href='https://littlestpersimmon.tumblr.com/post/684619384191336448/the-prince-of-fortune/'>https://littlestpersimmon.tumblr.com/post/684619384191336448/the-prince-of-fortune</a><br />

<a href='https://howdoigetdivorcedinjamaica544.blogspot.com/'>https://howdoigetdivorcedinjamaica544.blogspot.com/</a><br />

<a href='https://employeeretentioncreditforhot303.blogspot.com/2022/11/employee-retention-credit-for-hotels.html'>https://employeeretentioncreditforhot303.blogspot.com/2022/11/employee-retention-credit-for-hotels.html</a><br />

<br />

[brisbanewideplasteringservice]

Plastering in Brisbane

When you need quality craftsmanship, look no further than Brisbane plasterers from Brisbane Wide Plastering Service. Our skilled professionals are dedicated to delivering exceptional results for all your plastering needs. Whether you’re renovating your home or building from scratch, our team of expert plastering contractors in Brisbane is here to help every step of the way. At Brisbane Wide…

[krunaldigitalads]

Our Interior Decoration Services Company — Interior Designing Company in Abu Dhabi

Alwan Al Ebdaa is a leading Interior Designing company providing best architect and Interior decoration solutions. Alwan Al Ebdaa is a leading Interior Designing company providing best architect and Interior decoration solutions. We believe that our great designing aspects help our valuable clients to achieve aesthetic touch for functional and inspiring spaces that enhance the lifestyle or business.

Our Interior Decoration Services

Interior decoration is the exceptionally remarkable ornamentation of interior spaces. It is mind-blowing manner you can give your existing spaces a noteworthy lift up Interior Decoration Company in Abu Dhabi, UAE, Sharjah and Dubai.

Luxury Interior Designing Services

Luxury Interior Designing Service is an art form that embraces elegance, quality, and individuality and give a premium to luxury market, creating opportunities for interior designers to work on high-end projects

Muse Interior Designing Company

Muse Interior is creating a extraordinary designing residential, commercial, and institutional projects. Muse Interior includes creative space planning, 3D rendering, project supervision, and creating both modern and luxury interior styles.

Residential House & Home Interior Designing Company

If you are thinking about where to get the best House Interior Designing services,Home Interior Designing services in you are in Abu Dhabi, UAE, Sharjah and Dubai.

Villa Interior Designing Company

We are specializing in crafting bespoke villa interior designs, Discover Redefined Elegance of Premier Villa Interior Designing Company in Abu Dhabi, UAE, Sharjah and Dubai.

Acoustic Solutions & Partitions Solutions

Acoustic solutions and Partitions Solutions is to divide your space into two or more parts with Gypsum Ceiling Partition, Gypsum Tile Ceiling Partition, Gypsum Cornice Partition, Perforated Ceiling Partition, Metal Ceiling Partition, Wooden Ceiling Partition, Glass Partition and CNC Partition solutions in Abu Dhabi, UAE, Sharjah and Dubai.

Joinery and Fitout Services

We specialize in providing high-quality Joinery and Fitout Services tailored to meet the unique installation of the floors, ceilings, partitions, and furnishings. 

Restaurant, Hotel & Resorts, Interior Designing Company

If you are looking for Resort interior, Restaurant interior, or Hotel interior designing company in Abu Dhabi, UAE, Sharjah and Dubai. 

Gym Interior Designing Company

We are reputable, internationally recognized, and one of the most successful Gym Interior Designing Company in Abu Dhabi, UAE, Sharjah and Dubai. 

Floor Finishes Solutions

We are specialized in providing top-quality Floor Finishes to elevate the look and feel of your comfort with our premium flooring solutions includes Carpet Flooring, Carpet Tiles, Vinyl Flooring, Parquet Flooring, Sports Flooring, Raised Access Flooring and Tile and Marble.

Exhibition Canopy Design Company

We are a top-rated Exhibition Canopy Design Company in Abu Dhabi, UAE, Sharjah and Dubai providing solutions Canopy for Outdoor activation, Portable Tents, Exhibition stall fabricator.

For more Details Click here : https://www.alwanalebdaa.com/

[gabstreetview]

Architect: Duiliu Marcu

Year Built: 1914

Building Type: Villa

Beautiful building in Bucharest, Romania

“The house that is situated on Dimitrie Onciul Street no. 31 in Bucharest was designed by Romanian architect and academician Duiliu Marcu, in his first years of activity and it is illustrative of the academism style with French neoclassical influences. The conception of the plan as well as the taste for certain artistic elements indicate a house specific to the social elite of that time and this type of architecture was well represented in the capital and the big cities of the country at the end of the 19th century and the beginning of the 20th century. The functional solution to the compartments was found in separating the receiving and resting spaces from the domestic one. The artistic details define the architectural style but they are all filtered through the author`s individual vision, the abundance of the ornaments being reduced.” - Alexandra Țânțăreanu

--

“The house on Dimitrie Onciul Street at number 31, built in 1914, according to a project of his, belongs to this stage in the evolution of the author's architectural thinking. As a continuation of classicism, this style was preferred by representatives of the borierim and the bourgeoisie during the late nineteenth and early twentieth centuries, "giving the impression of wealth and having an elegant outfit." Duiliu Marcu designed this house in a period of sunset of the academic current in Romania, in the second decade of the twentieth century, when ideas in architecture fully expressed the enthusiasm the nationalist spirit, the traditionalist or neo-Romanian current, impelled by Ion Mincu.”

“Duiliu Marcu related in his work Architecture, that it was “to give the tenants the opportunity to meet in the central rooms, which are the main parts of the house””

“The plan of the house was obviously influenced by the shape of the plot, which is the same as in the last decades of the 19th century, as we have seen. On the ground floor, on the axis of the entrance, there is a hall with a hall and a small room.”

“On the ground floor, on the axis of the entrance there is a vestibule with a hall and a small room; on the side from the street are the living room with a bay window, the bedroom with its own bathroom and closet; on the side of the courtyard a corridor opens the way to the office and living room, followed by the servants' room, bathroom, then kitchen and pantry. At the end of the corridor are the access stairs to the basement where it is located: cellar, washer, ironing room, radiator room, storage room coal and another bathroom. The plans of the architect Duiliu Marcu lack a plan with the development of the attic and corroborated with the text of the building permit it can be clearly deduced that it was arranged at a later date than 1914 and even 1921 when it was made execution control. The main facade is best defined from an artistic point of view, through a close repetition of decorative elements: well-contoured cornice with small brackets, cartridges with garlands in a delimited register, under the cornice, as well as frames above the windows. The bedroom has access to a French balcony whose very low railing is made of wrought iron. The spectacular part of the façade is it a largely glazed drop, belonging to the living room, in the form of a bay window, for the contour of which the cornice forms an arch in its right.  The facade from the courtyard, where the main entrance is located, is decorated with the same motiveloral motifs under the cornice and above the windows. Unlike the main façade, where the portions immediately below the windows and under the glazed bay window are marked by small wrought iron railings designed to integrate the French balcony into a coherent assembly, on this side, below the windows, rows of decorative columns are inserted in rectangular niches. The entrance is covered with a canopy on the consoles decorative, which together with the door, both made of wrought iron and glass, complete the look elegant, specific to the era. The part generically called "service" enters the shadows by gradually reducing the volume of the house. This is the portion devoid of artistic elements, which suddenly begin with the most prominent side of the courtyard façade, corresponding to the office. The roof is made of tin with attic windows and decorative skylights on the attic. The house has not undergone substantial changes over time, the plan keeping the same configuration along with interior and exterior decorative details. Solution the reception area on the central axis, as delimited by the author of the project, does not involve full separations. The only one of its kind is between the vestibule and the hall, through high doors glass with wooden frames and linings, and from the lobby in a small reception room through a space formed by the opening between two columns placed on cubic bases and finished with Ionic capitals in the “Beaux-Arts” variant. On the side walls of the vestibule, two niches, formed by stepped retreats of the walls, were designed for the placement of two tall mirrors with frames decorated with stucco. In the lower register the walls are paneled, the vestibule also fulfilling the function to dress. In the hallway, the upper register of the walls has a continuous row of small consoles in stucco, very prominent, the general effect being that of imitating a cornice. from the middle of a blue glass skylight, in the shape of a pyramid trunk, descends a chandelier. Above the doors, the walls are adorned with cartridges that include as decoration garlands that unite to form medallions with representations of faces feminine. The lobby, the lobby and the small reception room are the most decorated rooms with mostly gilded stucco. The other rooms: the living room, the bedroom, the office and the living room marked the ceiling finish of the walls with thin stucco belts, as well as gilded medallions and motifs. alelorals in the middle of which the rods of the luminaires descend. In the living room, the edges the sides of the chamber are rounded. This small constructive detail also emerges from his drawings Duiliu Marcu. The windows are wide, high and arched in the basket handle. It is from mentioned as a constructive detail the ceiling of the rooms in the basement which is with vaults of brick on metal beams. The three rooms of the attic, smaller than the height to the roof truss, are separated from the rest of the bridge by masonry doubled by a wall made of wooden perches. Duiliu Marcu's house, through antiquity, style and functional solution, as well as in the virtue of his belonging to a small series of creations of a remarkable architect Romanian, cumulates the values by which it can be recognized as a heritage asset, deserving thus to be nominated in the list of historical monuments. (Fig. 15) In fact, recognizing its historical, architectural and urban values preserved, the area in which it is located is protected, at least in theory, by its inclusion in a large urban territory, conventionally called Site I of architecture, with a unique code in the list historical monuments in Romania.” - Alexandra Țânțăreanu (O CREA��IE MAI PUȚIN CUNOSCUTĂ A ARHITECTULUI DUILIU MARCU)

[whatdoesshedotothem]

Sunday 21 October 1838

6 55

12 ¼

fine morning (must whistling wind early in the night) F62 ½° at 8 ¼ am out before breakfast at 8 25/60 to the porte d’Auguste – so built up to in front, and built up at the back that tho’ close to it, we did not distinguish it till it was pointed out – the ground must be considerably higher now than in the time of Augustus – then to the cathedral – neat small church – pictures (good the books say) round the choir – service – much congregation �� could not examine pictures – then thro’ marchés and narrow streets and came out in the place of the maison Carrée – then direct to the amphitheatre A- found la louve and I the bull’s head – obliged to call the concierge to shew us the gladiator on the garland between the 2nd and 3rd pilasters from the louve – walked twice round the amphitheatre – home at 10 5 breakfast at 10 10 – the phallus on the pilaster next the wolf  towards the Northgate  almost worn out  none of the others to be found    the concierge what I was looking for    I explained (A- knowing nothing of it) he said many ladies asked him but he never shewed them to them   they were gone  the one from the west gate was at the maison Carrée in the interior A- too tired to go to the maison carrée, and as usual would not let me go without her – breakfast in ½ hour – hurried that I might have time to go to the maison carrée before the 1 ½ hour expired at the end of which we were to be off – dawdling over 1 thing or other took ¼ hour after breakfast – A- would go with me – off at 10 55 – a little while at Mr. Perrots’ house – a little bronze lamp, and pot lacrimatoire, and ditto glasses and a glass urn (greenish glass) the workmen had thrown out the bones, were found yesterday in making the railroad and sold to Mr. P- this morning – stood sometime talking in the interior of the maison carrée – the tomb with the male and female ½ length figured male and female Sextus and his wife – Sextus who commanded the 6th legion at York, and brother to the emperor Maximus – got out of Mr. P- all I wanted without A-‘s knowing anything about it   nothing in the interior  the two pieces (to a person entering the maison carrée) on the left side near the far corner close to the large piece of entablature standing over its original sosition [position]  |the first is a largeish piece  white marble?   the face covered with the female organ                         the vagina and two lips traced in a figure something that with which the face of the stone is thickly covered    it would not have struck me what it was if Mr. P- had not told me    | the second is  the female driving one phallus and holding up another etc. as figured in the pen drawing I bought  and taken from the amphitheatre    the first was taken from the temple of Diana at the fountain from under the statue of the goddess   he had seen it mentioned by some author could not recall whom (but vide   les cultes compares)     that Cybele was placed on a chair covered with these female organs and thus carried about to supplicate her protection for the children  they had and her help to get more – the months of September and October very fatal to children at Nîmes – Mr. P- explained to A- the different members of the fine large piece of Corinthian entablature standing over its original situation as a part of the entablature of the forum – on the frieze, the garland of  fruits consisting of pears, figs, pomegranates, des glands (acorns) fir-cones etc. called raies (rayons) de Coeur – filet of perles (pearls) – oves (eggs) – dentelles i.e. pleuriers what we called gouts, guttae, soffits, patêres (paterae) cornice of acanthus leaves, and leaves of the fleur d’eau or lotus, alternately – in fact the rayons de couer    are the unblown lotus  or the female organ  and the five orders of architecture and their ornaments are more or less mythological  emblems of the phallic worship Les cinq orders a work on architecture short and good – Mr. P- forgets by whom   at the maison carrée from 11 5 to 12 5 – home at 12 ¼ - had paid and settled all and off from the hotel de Luxembourg Nîmes at 12 25 – very comfortable there – like Nismes very much, very nice town – the people very civil – the new part of the town handsome and commodious – at the large village of Bellegarde at the poste aux chevaux at 1 52 – all the people well dressed, and in groups, and seeming observant of the Sunday – sandy not good road – not good enough to be like a route royale – off from Bellegarde at 2 3 at 2 9 good stone bridge over the canal de Beaucaire? this canal apparently 20 yards wide like the canal des deux mars (or de Languedoc) and the other canals du midi – fine flat plain here bounded by range of hill (right) and of mountains wally-rock (left) at some miles distance on each side running down towards Arles-Tarnarisk hedges, and tarnarisk trees in them about as large as the transplanted sycamore hanging over the Lodge-road height whitish sandy land – the mules and horses here and throughout le midi hereabouts have the back and upper part of the body clipped

SH:7/ML/E/22/0043

the road from Bellegarde better really very fair – as good as a route royale tho’ not so wide – nor so wide as the rutted road from Nîmes to B- at 2 52 many mud-thatched or rather mud-smeared little straw-stacks, round and square, and the white-washed village of Fourque [Fourques] which we passed thro’ with its old ruined chateau embossed in trees – at 2 57 pass over suspension bridge over the fine broad Rhone – pass thro’ the faubourg of Trinquetaille and at 3 6 pass over the bridge of boats over the Rhone into Arles – Alight at the hotel du nord Chez Pinus at 3 ¼ - settled ourselves – two nice rooms but far apart – mine 2 bedded and large and A-‘s small but airy and comfortable and looking into the place – we took a young man from the hotel as guide (it seeming hopeless to tempt the narrow winding streets of this old town by ourselves) and were out at 3 55 – to the hotel de ville and went to the top of the tower – fine view – the groung and petit Rhone, which front fourche, and form the Camargue bounded by La Crau the high rocky hoary mountains of to the east – ½ hour at the top, and down in 10 minutes (worn baddish steps) at 4 40 – then ¼ hour in the cabinet d’histoire naturelle, chiefly if not entirely birds and fish – 2 rooms of them so much sunk below the street I should fear the humidity – odd enough to have this musée at the hotel de ville – nothing particular – but useful as shewing many of the birds of the Camargue – several beccasseuax – they were beccasseaux we had at Cette [Séte]? – at 4 55 off to the cloister very handsome, of St. Trophime – walked round the church (cathedral) – good church – peeped at the theatre en passant and then to les Arènes, and there 5 20 till 5 ¾ - nothing more done since I was here in 1830 – but this remain of this fine amphitheatre (rather large than that of Nîmes) very interesting – the whole of the atic gone – the ground around the exterior raised above the old level in some places up to the amphitheatre 2 or 3 yards deep – several houses and some hundreds if not thousands square yards of stuff should be moved – above 400 houses in the amphitheatre and 2,000 people up to 1826 when the deblaiement (the clearing out) was begun – 3 or 4 houses still remain numbered 147, 148, 149 but empty – the 3 towers said the infirm concierge who left us to go about by ourselves are of the time of Charles Martel – came straight down from the Northgate of the Arènes and came out by the rue Chiavari upon the Rhone – the look up the river with the gold-red tints of the setting, or set, sun, charming – ½ hour at the booksellers – home at 6 35 – dinner at 7 to 8 – had our landlord – the bateaux à vapeur foes in 6 hours from here to Marseilles when the wind not strong against her – the fine new road over La Crau from here to Marseilles is 12 ½ postes – very good road – can sleep very well at St. Andiol – Roman catacombs lately discovered under this house (the hotel du nord) to see them tomorrow – the Camargue is covered with farm houses and campagnes – no town (said a gentleman at the booksellers) to sleep at but Ste. Marie close upon the sea – the new village says our landlord is merely for the workmen employed to dessécher l’étang – about ½ of it will be dried by the actionnaires de Paris – La Camargue (or the wild cattle) belongs to about ten rich properietaires who have 500 or 600 head of cattle each, and who generally faire lâ ferrade in the month of May, but do not give any notice, or let it be known when, so that it is a great chance to be able to see the ferrade done (marking the cattle with an iron) – A- went to her room about 9 – I at accounts and writing out all but the 1st 8 ¼ lines of today, till 11 35 at which hour F63° – fine day – very warm this morning at Nimes

[classicalmonuments]

South Temple

Si (Seeia), Hauran, Syria

~ 33 BCE - 50 CE

This is a temple of Classical tetrastyle prosrtyle plan, executed in almost purely Nabataean detail. It was built upon a terrace 5 m. above the outermost court, and on the south side of it. It was approached by a broad flight of steps set into the terrace wall. The area about the temple was paved. The plan is prostyle, tetrastyle, with projecting antae, and interior wall-piers for the support of transverse arches. The temple proper was set upon a podium 2.50 m. high, and tall, narrow, parotids flanked the steps. The order of the four columns is substantially like the Nabataean order known at Hegra and in Bosra.

It is the only example of its kind that has been found at Si. The base consists of a flat torus, a fillet and a scotia, another fillet and a narrow bead below a flat cavetto which answers for an apophyge. The shaft is plain and has a slight diminution. The lower member of the capital is an echinus like that in the similar order in Bosra; but it has four plain leaves which curve up below the “horns” of the much exaggerated concave-sided abacus. The caps of the antae are foliate. They have very large abaci, and the leaves spread well to support their angles. The leaves themselves are of the heavy type of acanthus commonly found here at Si.

I found no piece of architrave, and have introduced in the restoration a triple-banded one like that found in the temple at Suweda, and frequently seen in the tombs at Hegra. I have also introduced a plain frieze, as is often found in the monuments named above. The cornice and raking cornice are both represented in the broken details lying about the temple; the angle-antefixes were restored from broken fragments. The cap-mouldings of the parotids which flanked the steps are different in profile from those of the podium; at least one part which appeared to be in situ (Ill. 341) showed a very different treatment. 

This profile is quite unique in Nabataean architecture, and is not found in architecture of the Roman period in Syria; though it is not unlike mouldings that occur in the simas of some of the early Doric buildings in Sicily. The ornament of the doorway is related to that of the portals of the temple of Ba'al Shamin, the grape-vine being the most important motive; but the treatment of the fruit, or the species of grape represented, is quite different. Here the grapes are oblong, like the finest of the grapes that are to be seen to-day in the Djebel Hauran, the leaves, the stem, and the tendrils, are very naturalistically carved. The running vine with bell-like flowers, that forms a narrow band beside the grape-vine was not found elsewhere. This carved decoration appears upon the lintel and jambs of the doorway. At the end of the lintel is an attached console, quite like the other consoles found here in form and scale, but having, as an added enrichment, a cluster of large grapes hanging against its outer face. This is reminiscent of the grape-clusters that depend from the volutes of some of the pilaster-caps of the temple of Ba'al Shamin. 

I did not succeed in finding any remnant of the frieze or cornice that undoubtedly rested upon this lintel and its console. No inscription has as yet been found which can be connected with this temple, and there is little in its ornamental details that is serviceable in determining its date. The little carving that remains seems to have much in common with the early work here at Sic, and there is none that partakes of the character of the work which is known to have been executed under the second Agrippa.

Sources: 1

[wolfliving]

Account of Lord Byron’s Greek residence

*I’m hard put to believe a word of this highly-colored account of Byron’s house in exile, but it’s hard to get more Romantic than this.  Extra points for the lack of paintings and the heaps of books covered with scrawled notes.

ACCOUNT OF LORD BYRON'S RESIDENCE, &c.

"The world was all before him, where to choose his place of rest, and Providence his guide."

IN Sailing through the Grecian Archipelago, on board one of his Majesty's vessels, in the year 1812, we put into the harbour of Mitylene, in the island of that name. 

The beauty of this place, and the certain supply of cattle and vegetables always to be had there, induce many British vessels to visit it—both men of war and merchantmen; and though it lies rather out of the track for ships bound to Smyrna, its bounties amply repay for the deviation of a voyage. 

We landed; as usual, at the bottom of the bay, and whilst the men were employed in watering, and the purser bargaining for cattle with the natives, the clergyman and myself took a ramble to the cave called Homer's School, and other places, where we had been before. 

On the brow of Mount Ida (a small monticule so named) we met with and engaged a young Greek as our guide, who told us he had come from Scio with an English lord, who left the island four days previous to our arrival in his felucca. 

"He engaged me as a pilot," said the Greek, "and would have taken me with him; but I did not choose to quit Mitylene, where I am likely to get married. He was an odd, but a very good man. The cottage over the hill, facing the river, belongs to him, and he has left an old man in charge of it: he gave Dominick, the wine-trader, six hundred zechines for it, (about L250 English currency,) and has resided there about fourteen months, though not constantly; for he sails in his felucca very often to the different islands."

This account excited our curiosity very much, and we lost no time in hastening to the house where our countryman had resided. We were kindly received by an old man, who conducted us over the mansion. 

It consisted of four apartments on the ground-floor—an entrance hall, a drawing-room, a sitting parlour, and a bed-room, with a spacious closet annexed. They were all simply decorated: plain green-stained walls, marble tables on either side, a large myrtle in the centre, and a small fountain beneath, which could be made to play through the branches by moving a spring fixed in the side of a small bronze Venus in a leaning posture; a large couch or sofa completed the furniture. 

In the hall stood half a dozen English cane chairs, and an empty book-case: there were no mirrors, nor a single painting. The bedchamber had merely a large mattress spread on the floor, with two stuffed cotton quilts and a pillow—the common bed throughout Greece.

 In the sitting-room we observed a marble recess, formerly, the old man told us, filled with books and papers, which were then in a large seaman's chest in the closet: it was open, but we did not think ourselves justified in examining the contents. On the tablet of the recess lay Voltaire's, Shakspeare's, Boileau's, and Rousseau's works complete; Volney's Ruins of Empires; Zimmerman, in the German language; Klopstock's Messiah; Kotzebue's novels; Schiller's play of the Robbers; Milton's Paradise Lost, an Italian edition, printed at Parma in 1810; several small pamphlets from the Greek press at Constantinople, much torn, but no English book of any description. Most of these books were filled with marginal notes, written with a pencil, in Italian and Latin. The Messiah was literally scribbled all over, and marked with slips of paper, on which also were remarks.

The old man said: "The lord had been reading these books the evening before he sailed, and forgot to place them with the others; but," said he, "there they must lie until his return; for he is so particular, that were I to move one thing without orders, he would frown upon me for a week together; he is otherways very good. I once did him a service; and I have the produce of this farm for the trouble of taking care of it, except twenty zechines which I pay to an aged Armenian who resides in a small cottage in the wood, and whom the lord brought here from Adrianople; I don't know for what reason."

The appearance of the house externally was pleasing. The portico in front was fifty paces long and fourteen broad, and the fluted marble pillars with black plinths and fret-work cornices, (as it is now customary in Grecian architecture,) were considerably higher than the roof. The roof, surrounded by a light stone balustrade, was covered by a fine Turkey carpet, beneath an awning of strong coarse linen. Most of the house-tops are thus furnished, as upon them the Greeks pass their evenings in smoking, drinking light wines, such as "lachryma christi," eating fruit, and enjoying the evening breeze.

On the left hand as we entered the house, a small streamlet glided away, grapes, oranges and limes were clustering together on its borders, and under the shade of two large myrtle bushes, a marble seat with an ornamental wooden back was placed, on which we were told, the lord passed many of his evenings and nights till twelve o'clock, reading, writing, and talking to himself. "I suppose," said the old man, "praying" for he was very devout, "and always attended our church twice a week, besides Sundays."

The view from this seat was what may be termed "a bird's-eye view." A line of rich vineyards led the eye to Mount Calcla, covered with olive and myrtle trees in bloom, and on the summit of which an ancient Greek temple appeared in majestic decay. A small stream issuing from the ruins descended in broken cascades, until it was lost in the woods near the mountain's base. 

The sea smooth as glass, and an horizon unshadowed by a single cloud, terminates the view in front; and a little on the left, through a vista of lofty chesnut and palm-trees, several small islands were distinctly observed, studding the light blue wave with spots of emerald green. I seldom enjoyed a view more than I did this; but our enquiries were fruitless as to the name of the person who had resided in this romantic solitude: none knew his name but Dominick, his banker, who had gone to Candia. 

"The Armenian," said our conductor, "could tell, but I am sure he will not,"—"And cannot you tell, old friend?" said I—"If I can," said he, "I dare not." 

We had not time to visit the Armenian, but on our return to the town we learnt several particulars of the isolated lord. He had portioned eight young girls when he was last upon the island, and even danced with them at the nuptial feast. He gave a cow to one man, horses to others, and cotton and silk to the girls who live by weaving these articles. He also bought a new boat for a fisherman who had lost his own in a gale, and he often gave Greek Testaments to the poor children. In short, he appeared to us, from all we collected, to have been a very eccentric and benevolent character. 

One circumstance we learnt, which our old friend at the cottage thought proper not to disclose. He had a most beautiful daughter, with whom the lord was often seen walking on the sea-shore, and he had bought her a piano-forte, and taught her himself the use of it.

Such was the information with which we departed from the peaceful isle of Mitylene; our imaginations all on the rack, guessing who this rambler in Greece could be. 

He had money it was evident: he had philanthropy of disposition, and all those eccentricities which mark peculiar genius. 

Arrived at Palermo, all our doubts were dispelled. Falling in company with Mr. FOSTER, the architect, a pupil of WYATT'S, who had been travelling in Egypt and Greece, "The individual," said he, "about whom you are so anxious, is Lord Byron; I met him in my travels on the island of Tenedos, and I also visited him at Mitylene." 

We had never then heard of his lordship's fame, as we had been some years from home; but "Childe Harolde" being put into our hands we recognized the recluse of Calcla in every page. Deeply did we regret not having been more curious in our researches at the cottage, but we consoled ourselves with the idea of returning to Mitylene on some future day; but to me that day will never return.

 I make this statement, believing it not quite uninteresting, and in justice to his lordship's good name, which has been grossly slandered. He has been described as of an unfeeling disposition, averse to associating with human nature, or contributing in any way to sooth its sorrows, or add to its pleasures. The fact is directly the reverse, as may be plainly gathered from these little anecdotes. 

All the finer feelings of the heart, so elegantly depicted in his lordship's poems, seem to have their seat in his bosom. Tenderness, sympathy, and charity appear to guide all his actions: and his courting the repose of solitude is an additional reason for marking him as a being on whose heart Religion hath set her seal, and over whose head Benevolence hath thrown her mantle. No man can read the preceding pleasing "traits" without feeling proud of him as a countryman. 

With respect to his loves or pleasures, I do not assume a right to give an opinion. Reports are ever to be received with caution, particularly when directed against man's moral integrity; and he who dares justify himself before that awful tribunal where all must appear, alone may censure the errors of a fellow-mortal. Lord Byron's character is worthy of his genius. To do good in secret, and shun the world's applause, is the surest testimony of a virtuous heart and self-approving conscience.

THE END

[ultraheydudemestuff]

Trumbull County Court House

161 High Street N.W.

Warren, Ohio 44481

The current Trumbull County Courthouse in Warren, Ohio, is the third temple of justice to occupy Warren's historic public square. Its design is Richardson Romanesque and features Ohio's largest common pleas courtroom. A disastrous fire on March 25, 1895 doomed the county's second courthouse. While the Packard Block on North Park Avenue served as a temporary home for the county, planning began for a new courthouse. The firm of LaBelle and French of Marion, Indiana, was selected as the architects and E.M. Campfield of Findley, Ohio, was awarded the contract to build the new edifice. The cornerstone was laid on Thanksgiving Day, November 28, 1895.

Amherst sandstone had been selected for the building. The giant stones were sawed to specification at a cutting mill erected in the park. Work on the courthouse ceased during the winter months of 1895 and 1896. Stonework on the tower began in August, 1896, with the copper roof installation beginning in September. The tower framework was completed on October 22, 1896, with the American flag flown from the superstructure.,,In November, the courthouse bell, weighing 1500 pounds, arrived, and the tower clocks were put in place. On January 25, 1897, the clocks were started at 4 p.m. - one year and ten months after the fire in the old building. The "statues of justice" arrived in time for the first statue to be placed on the east gable on March 4, 1897 - William McKinley's Presidential Inauguration Day. The county commissioners took possession of the courthouse on April 5, 1897. The courthouse was dedicated on May 10, 1897, at the opening of the Court's May term.

In the beginning of its first century of service, the Memorial Room on the east end of the courthouse’s first floor housed the Grand Army of the Republic, Bell-Harmon Post No. 36, and its auxiliary, the Women's Relief Corps No. 58. The Clerk of Courts office now occupies this space. On the west end, the Assembly Room housed the Warren County Public Library until 1906, followed by the National Woman Suffrage Association until 1909. The Probate Court is located here. The County Surveyor (Engineer) and rented offices originally occupied the remaining rooms.

Various county offices, including the Commissioners, Treasurer, and Recorder had rooms on the second floor. The Auditor's office on the west end was decorated in Empire style with Sea Green effects. It originally had one of the building's two telephones. Common Pleas Courtroom No. 3 is in this renovated space. The east courtroom with Louis XIV style ornamentation in Cerulean Blue and Old Rose was the Probate Court, now Common Pleas Courtroom No. 4. The Commissioner's office is now the Petit Jury room and features an interesting Renaissance frieze with dragons entwined.

The Sheriff, Prosecutor, and Law Library had rooms on the north side of the third floor, while the Clerk of Courts on the south side had a private elevated passageway to Courtroom No. 1, which is Ohio's largest. Olive and Chamois tones dominate the ornamental style of Renaissance decoration in Courtroom No. 1. The judge's oak bench duplicates designs from the exterior stone carvings. Paneled oak wainscotting, oak tables, and the bar rail have been reconditioned to their initial splendor. A beautiful oak screen decorates the west wall. Common Pleas Courtroom No. 2, also in paneled oak, originally served as a circuit courtroom. It is decorated in the Renaissance order with Quiet Green effects. The fireplace showcases an original mantelpiece with green tile. Two original brass thermostats have been restored here. Original courthouse furniture and the original probate bench complement the Magistrate's Room.

The corridors display the Romanesque colors of Terra Cotta tones above the white marble wainscot. The Romanesque stairways feature pink Tennessee marble. The ceilings and cornices of the halls, various offices, and third floor courtrooms are of stamped metal. Gold and aluminum paint highlights this relief work. Doors have knobs bearing the monogram TC for Trumbull County. The hallways retain their original marble mosaic flooring. Combination gas and electric fixtures originally lighted the courthouse. Packard incandescent lamps were used throughout the building. The building was warmed by steam heat piped into the building from the power plant on the north side of High street.

In 1993, current commissioners Angelo and O'Brien and former commissioner Arthuer Magee selected Dijk, Pace, Westlake and Partners of Cleveland as architects. Jack Gibson Construction Company of Warren was the general contractor for the renovation of the structure. Now refurbished with its public rooms restored to their original glory, the courthouse stands ready to serve its twenty-first century occupants. The Trumbull County Courthouse is listed on the National Historical Register of the U.S. Department of Interior.

[babysackville]

Tuesday 5th August 1828

8

11

Bit last night by b-[bugs] yet slept well goodish motion after none yesterday obliged to mend my black petticoat a little - Down stairs to breakfast at 10 - breakfast in about ½ hour till 10 ¾ from about 10 ¾ to 1 ¾ wrote out the journal of yesterday - from 1 ¾ to 2 35/60 wrote out itinerary of yesterday and settled my accounts - great deal of rain fell during last night and early this morning - perpetual showers all the day - very heavy showers from 2 20/60 for ¼ hour - cleaned my [tables] went out at 3 ¼ - to the cathedral, close here - in castle street - afternoon service just began - never heard anyone read in so hurried and careless a manner and so ill as the senior minor-canon - only ½ the service chaunted - the minor-canons cannot chaunt the 4th and 5th verse of the 4th or 5th psalm sung as an anthem - very short - good organ - built 14 or 15 years ago - 1 of the boys has a good voice the service over at 4 40/60 - 

Saw the cathedral - of the abbey and cloisters merely a few arches and bits of walls remaining walled up in the gardens or into the houses of the prebendaries along the other side of the cathedral - the ground here raised several feet - this part still called the abbey - entered by a castle like private gate opening into abbey street and shut by the deans and prebendaries at night - a prebend worth about £500 a year and deanery worth about £1000 a year - the deanery house an old battlemented goodish house but archdeacon Paley’s an old small indifferent house the brick addition built by him having a front of a door and 5 windows must have been necessary - 

The choir of the cathedral built by Mr Rufus, perfect and handsome - its side-aisles quite plain - no old monuments - merely a few plain neat modern ones - 1 ditto for archdeacon Paley put up by his 2nd son - none during the lifetime of his eldest son nor even any inscription on the gravestone till it was done by a sister of the archdeacon’s from Yorkshire - the transept shabby - the south end paving given way a little on both sides on account of the weight of the great tower put on over the centre - great bare wall where the entrance to the nave should be, reminding one of the ruined Scotch churches in fact the nave (built before the conquest) all but 2 arches on each side, was destroyed by Cromwell, who built 3 grand houses in the town of the materials - 1 in the middle of the town (still standing) and 1 at each gate - the 2 gates and guard houses all swept away - these small part of the nave now serves as a parish church very large thick, round columns (something like those at Gloucester) 2 with very little wrought capitals and 2 with capitals not wrought at all saxon arches quite rude unornamented in any way - 

Henry 1 erected this into a bishops seat - the old part of the nave, built of white imperishable stone - all the rest of red sandstone and worn away like that Chester Cathedral - the clerk who shewed me round remembered Archdeacon P-[aley]’s 1st wife Miss Hewitt, and her mother who was then with another person the only one in Carlisle who sold spirits by retail - Mrs P-[aley]’s sister married Mr Hudson (he called him) (Hodgson father of Miss H-[udson] I have met at Lightcliffe) a manufacturer of Dolstone (4 or 5 miles from here near the bishops palace) who was the 1st who introduced the cotton business here and would have done well but laid out too much money in building and was besides taken by a banker here who ruined himself and he died of a broken heart leaving very little behind him - Miss Grisdale now at Lowther castle - always goes while the family comes down - her father Dr G-[risdale] of the free grammar school - her father an inn keeper at Maryfort - he once expected to have been bishop of Carlisle thro’ the Lousdale interest - left his 3 daughters very little - 2 of them comfortably married and Lord Lousdale does not forget Miss G-[risdale] Dr G-[risdal] every warm in politics for the Lowthers - when Broughan was thrown out for Westmoreland, it was in fact a struggle between the Thanet and Lowther interest - the clerk not having the keys of the chapter house did not see it, as he said it was merely a large plain room, gothic roof, but lately done up - he shewed me Miss G-[risdale]’s small house (shut up) as we walked down castle street then pointed to the castle an left me - 

Went to the castle - large pile of building - 3 great towers - a very large area walled in it within it modern erections for barracks and all the old buildings turned into barracks, armory, and storerooms - 4 companies of the 80th foot there and 8 artillerymen from the headquarters at Neurcastle - Col. Ross of the artillery commands the garrison - find view from the flagstaff tower - it was in this tower that Queen Mary was - stood a little while for the view over the town and country - too thick to see very far into the country - look on to the smooth race course and close to it the fine white stone 5 arch-bridge we passed last night over the Eden - 4 or 5 made up small arches and 1 open arch raise the road over the low ground as far as to the town - then walked all round under the castle wall and went and stood up the 3 arched red sandstone bridge (Caldew Bridge) over the rapid Caldew - 

Then turned up and walked all round the sort of rampart wall round the outside of the town to the new jail - 1 of the turn keys shewed me over it - made no notes, for he wrongly told me these were the plans and an account of it published - Nixon, and Barber was it? architects - cost £50,000 - just finished - magnificent building - off red sandstone - very high wall encloses the whole - [HF] ½ round the foot of the wall (within) nice kitchen garden - calls for fellows male and female - ditto for debtors - ditto ditto for house of correction prison - hospital rooms - water closet to each ward - 2 condemned cells for men and 2 ditto for women and water closets belonging to them - hospital kitchen - general kitchen - laundry - wash house - work shops and every possible place that can be useful - goaler’s house in the middle - hexagon? the ground floor 26 smallish rooms - 2nd floor chapel and 22 rooms - the 3rd floor same as ground floor - goaler’s house so built for gentleman debtors to have separate rooms - iron balcony round the 2nd floor of goaler’s house with staircases from the 3?different divisions of the prison (3 divisions? i.e. felons, debtors, and house of correction prisoners) - as little wood used as possible - iron roofing - principal mullions of goaler’s house windows iron so that in case of fire as the light wood frame might be burnt - all the floor joists iron? all the prison rooms stone-arched above and below - hinges iron plate reservoir from Greenwich into that the treadmill (10 people will keep it going) to pump water to supply the prison and the whole town - the men on the treadmill 10 minutes then rest 5 minutes from 6 a.m. to 6 p.m. everyday - saw 10 upon the wheel - 30 or more might work at a time - a young soldier of the 80th in the house of correction for getting a girl with child - the commanding officer cannot resist his being imprisoned till some agreement is made with the parish officers - 

Then went to the court - the crown end in large round tower (battlemented - all the whole building battlemented and castle-like) in the same pile of building with the prison (above the workshops &c joining to the tower is the platform for hanging people) - handsome court room but seems rather small - on the opposite side the street is another handsome tower and pile of battlemented building is the [?] [?] court same plan and size as the crown court - at or round the end of the court is a small crescent of neat sand brick houses called (in the plan of the town court crescent and [?] row) citadel and leading to it is Lowther street - Lord Lousdale’s picturesque in a magnificent gilt frame is to ornament the grand jury room (large handsome plain rather Gothic room - very neat Gothic oak ceiling - good mod? - plain square compartments at top - the cornice being small drops as in Henry 7th chapel) Lawyers room - witnesses ditto - every possible convenience - near to the prison is the Bush Inn or Holmes’s hotel in English street the 1st Inn in the town and 2nd is that where I am, the Crown and Mitre, close to Castle Street - In returning down English street from the prison to the market cross (a column on high large ? with 3 steps round the bottom of it) went down Fisher Street, passed thro’ the Shambles - got some how into Finkle street and up Castle street home and came in at 6 25/60 English street and Castle street - good, handsome streets - the last census (the clerk told me, 16,000 - but now the population 200,000) - 

Dinner at 6 ½ - afterwards will 9 wrote the above of today - vide line 4 of today the weather - very heavy thunder shower at 3 40/60 (while I was in the cathedral) and 3 or 4 loud peals of thunder and saw a flash or 2 of lightning - fair after this and fine evening - no box come at 5 this afternoon - the waiter says it cannot come till 10 ½ p.m. by the Independent coach -at 9 a military band playing past the window for a few minutes cherry ripe - somehow this tune (played on board the steamer as the L-[awton]’s?, and I sailed from Liverpool for the Menai bridge) always soothes me to melancholy  - then settled accounts of the evening - and went to my room at 9 50/60 - sprinkled my bed with vinegar and rubbed over with it my face, neck, hands, arms and unluckily eyes - a little got in, smarted exceedingly and produced a great degree of inflammation that particularly in the right there was a mass of sort of moving jelly that completely enveloped the bloodshot eye - I had just got into wishing rather to have been bit by a hundred than taken such a remedy against them - when the box was announced - in despair to find they had sent the wrong one - desired boots to take me an inside place in the Independent at 3 ½ in the morning to go back to Dumfries in search of my box - got into bed again - could not sleep - afraid of not being awakened in time - called for a light - eight..

[Left margin:  the public buildings red sandstone the houses of Carlisle brick]

(Diary reference: SH7MLE110042 & SH7MLE110043)