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What are Jeeva Swaras and Nyasa swaras in Carnatic music?

’Music is a Discipline and a Mistress of Good Manners, she makes the people milder and gentler, more Moral and more Reasonable’’ – Martin Luther King.

When we talk about Indian classical music, especially Carnatic music or Carnatic singing, one can analyze that it is a beautiful creation of God with a profound meaning. When you compare Western and Indian classical music, you will notice that the fundamental foundations of these two types of music are very different. Raga and its various characteristics form the basis of Indian classical music, especially Carnatic and Hindustani.

There is a list of ragas in Carnatic music that plays a critical role in making this music genre intoxicating. Now let’s have a look at these two swaras of Carnatic classical music.

What Is Jeeva Swaras in Carnatic music?

Many ragas have their own set of Jeeva Swaras. The Jeeva Swaras in Carnatic singing is the raga's life, as the Sanskrit word Jeeva implies. Two Jeeva Swaras are defined in the Hindustani music system, one primary and the other secondary; Vaadhi Swara is the primary anchor, while Samvaadhi Swara is the secondary anchor.

What Is Nyasa Swaras in Carnatic music?

If we talk about Nyasa Swaras in Carnatic classical music, then the word `Nyasa' means 'to settle down,' so basically, Swaras can be employed as the last notes of an alapana or a composition are known as 'Nyasa Swaras.' Nyasa swaras might make up the majority of the swaras in the arohanam-avarohanam. In Kalyani, for example, all swaras except 'Ma' are Nyasa Swaras.

What is the relationship between Jeeva Swara and Raga?

Jeeva Swara is, in a sense, the raga's life. Jeeva is a Sanskrit word that signifies "life." There are two Jeeva Swaras, one primary and the other secondary; the primary anchor is Vaadi Swara, while the secondary anchor is Samvaadhi Swara. 

As a result, the raga is centered on these two. In the full presentation, Vaadi and Samvaadi swaras would rank first and second, respectively. The musician will rest at the Vaadi and Samvaadi swaras, whether in motion or alap; for example, Raga Bhairavin's Jeeva Swaras will be Komal R and Komal D.

What is the relationship between Nyasa Swara and Raga?

If we talk about the relationship between Nyasa Swaras and Ragas in Carnatic music, then we can say that the Nyasa Swara will be where the composition rests. The Nyasa swaras E-G Raga Bhairavin is komal G.

Conclusion

If you want to take Carnatic classical music classes, you must not look beyond Kafqa Academy. They have expert music teachers who put in every effort to train students and help them adopt this music genre in their lives. 

Contact Kafqa Academy to book a trial class today.