#Omg omg Crowley finally posted something on Tumblr for once

[hellocrowley]

Hello Rb battles fandom! :DD

Do you guys fw my pinkleaf design?? :333

[davidtennantgenderenvy]

On David Tennant and Aging

So, I’ve seen a lot of posts in response to Tumblr users’ habit of affectionately calling their favorite middle aged dudes “old men”, David Tennant in particular, saying things like “clearly you’ve never met an actual old person”, “omg you talk about these guys like they’re 80”, “please be normal about people aging”, etc. And on one hand, all of these statements are objectively right and true! But as someone who’s always been really fascinated by and found a lot of beauty in getting older (which I’ve explored in some of my writing on A03 because nobody else is going to do it for me), I’d like to provide a bit more nuance on how I think this label applies to David in particular.

David, obviously, in literal terms, is not “old”, at least not to me- I don’t personally consider people old until they get past 60. 52 is middle aged, simple as that. And yet, when I see David stuck with the “old man” label, it still somehow feels weirdly right, for a number of reasons.

It annoys me so much when people say David “hasn’t aged a day since Doctor Who”, because, well…

He clearly has. A lot. He’s got forehead creases, deep crows’ feet and eyebags, and I think that post-Fourteen we’re gonna see him rocking the grey temples a LOT more. He also has the voice of an older man now, his upper range is still there but the default is much more deep and rich, with a gravelly, rumbling quality that just goes straight through you. I personally think Broadchurch was when David finally started to embrace looking his age- Alec Hardy just wouldn’t have been served by Ten’s fresh-faced boyishness.

Obviously, these are the kinds of changes you’d expect any 52-year-old man to have, but something about David just makes it all seem a bit more… intense? The expressiveness of his face combined with his almost gaunt frame makes his wrinkles very prominent, and when he works his voice to its emotional extremes, his lower register can sound positively ancient, to devastating effect.

David, I think, is someone with an old soul- I don’t think he could be as good as he is at playing ancient characters like Crowley and The Doctor if he weren’t. He has lived so many lives, given so much of himself to so many characters, often incredibly tragic ones, and I think it wears on him. David also has five kids. FIVE. Do you know how exhausting it is to be one of the hardest working actors alive and be a present, loving father to even ONE child? But David somehow does it anyway! Nowadays I see him and my heart breaks because he looks so tired, so weary and fragile. But he’s all the more beautiful for it to me because I know that that is because he is kind. He’s a deeply empathetic person who feels and lives to the absolute fullest, and that story is written so clearly on his face, along with every other story he has ever been a part of.

There’s other things about David that make the label endearingly fitting- his utter hopelessness when it comes to technology, for instance. And he’s just got that warm, wise, grandpa energy too sometimes- look at that above Fourteen picture and tell me I’m wrong!

I once showed my friend who’d only seen David in Doctor Who and Harry Potter a picture of David from Around The World in 80 Days. It was a particularly emotional scene, and his face had just the most beautiful expression of compassion and sadness, every wrinkle on full display. And she said, in a less than complimentary fashion, “he looks so old!” Which, of course, offended me quite a bit at first. But to me, referring to David as old almost feels like a badge of honor, something he’s earned by living fully and selflessly, working hard and being wise and compassionate beyond his years. I think David himself is secretly more than a little insecure about the fact that he’s getting older. There’s sadness behind every jovially self-depreciating remark he’s made about his age in the past year, particularly in comparing himself to Ncuti Gatwa. I know how much David struggles with his impostor syndrome and how people perceive him, and I can clearly see in his eyes the fear of being discarded, the anxiety he feels about if he’ll still be as loved as he was back in 2007 now that he’s closer in age to King Lear than he is to Romeo. So I hope David knows it’s a privilege to watch him grow older, to watch his soul and talents deepen with the crinkles around his eyes. If I, in my silly goofy tumblr girl-ness, call David Tennant an old man, it’s because it’s a label that suits him beautifully- even if it isn’t TECHNICALLY an accurate one yet.

[itsclydebitches]

Hi! I was just watching good omens and I came up with some questions, but I didn't know whom to ask, so I was digging around for go analysis blogs and found you. *takes a breath* So, I was wondering if you had any thoughts on why Heaven's camera angles are the way they are. I noticed that, in heaven, the camera tends to focus on the characters' heads specifically, so they fill most of the screen. Either it's a meta reason or a reference to something (like Newt with the Office) that I'm not getting. That's the main thing, but I've also wondered why exactly Aziraphale uses the verb "fraternize" in the 19th century. It seemed an odd pivot from caring about Crowley's safety to Heaven's rules. Thanks so much!

Hello! Omg yes, let's talk Good Omens cinematography.

First, the obligatory Analysis Disclaimer: I doubt there's a specific interpretation that you're just not getting, some singular, "correct" reading of the scene(s). Two years past release, I'm positive the fandom as a whole has come up with plenty of ideas (I mostly hang on the periphery. I'm far from up to date with GO meta), but any and all of it will, by nature, be subjective. Thus, all I can offer is my own, personal interpretation.

So for me? It's about intimacy.

Not intimacy in the sense of friendship, but rather the broad idea of closeness. Confidentiality. Emotion. Knowledge. Understanding by means of literally getting into the thick of these conversations. I love the camerawork in Heaven (and elsewhere) because the camera itself acts like a person — an additional party to these interactions. And, since we're the ones watching this show via the camera, it makes it feel as if we're peeking into scenes that are otherwise private. Obviously all cinematography does this to a certain extent, the camera is always watching someone or something without acknowledging that we're doing the watching (outside of documentary-esque filmmaking), but GO uses angles and closeups to mimic another person observing these scenes, someone other than the characters involved.

The easiest example I can give here is when Michael makes their call to Ligur. Here, the camera is positioned up on the next landing of the staircase, as if we're sneaking a look down at this otherwise secret call. There's even a moment when the camera pans to the right to look at them through the gap in the railing, briefly obscuring Michael from our view.

Here, a standard expectation of any scene — keep your character in focus — is done away with to instead mimic the movements of someone actually hiding in the stairwell, listening in on the conversation. It creates that feeling of intimacy, as if we're really there with Michael, not just watching Michael through a screen. The camerawork acts like a person overhearing an illicit conversation prior to falling back on mid/closeup shots. We're spying on them.

To give a non-Heaven example, the camera helps us connect with Aziraphale during Gabriel's jogging scene. It's hard to show through screenshots, but if you re-watch you'll see that the camera initially keeps them both in the frame with full body shots, allowing us to compare things like Gabriel's unadorned gray workout clothes with Aziraphale's more stylish outfit; one's good jogging form and the other's awkward shuffle. However, this distance also creates the sense that we're jogging with them, we're keeping pace.

That is, until Aziraphale begins to lag. Then the camera lags too, giving them both the chance to catch up, so to speak.

Until, finally, Aziraphale has to stop completely and the camera, of course, stops with him. We're emotionally attuned to Aziraphale, not Gabriel, and the camerawork reflects that. Even more-so when we cut to a low shot of Gabriel's annoyed huff at having to stop at all, making him appear larger and more imposing. Because to Aziraphale, he is.

This work carries over into Heaven's other scenes. The closeups are pretty much a given since, whether it's Gabriel realizing Aziraphale has been "fraternizing" with Crowley (more on that below!), or Aziraphale choosing to go back to Earth, the scenes in Heaven are incredibly important to the narrative. Closeups allow the viewer to get a good read on each character's emotional state — focusing on minute facial changes as opposed to overall body language — and that fly-on-the-wall feeling is increased as we literally get an up close and personal look at these pivotal moments.

Compare a shot like this one of Gabriel to the line of angels ready for battle. We don't get closeups on any of their faces because their emotions aren't important. Yes, that's in part because they're background characters, not main characters, but a lack of emotion — their willingness to enter this war without question — is also the point of their presence in this scene. So they remain a semi-identical, nearly faceless mass that runs off into infinity down that hallway, not any individual whose inner life we get a peek at via a closeup.

I particularly like Aziraphale's conversation with the angel... general? Idk what to call this guy. He's just gonna be Mustache Angel. But, getting back on track, his scene has a lot of over the shoulder shots which, admittedly, are pretty common. From a practical perspective they're used to help the audience situate both characters in the scene — you're here, you're there, this is how you're spaced during this conversation — but it can also help emphasize that closeness between them. Keeping both characters in the shot connects them and though Aziraphale and Mustache Angel definitely aren't on the same page here, those shots help cue us in to the unwanted intimacy of this moment. They're both angels... even though Aziraphale no longer aligns himself with them. They're both soldiers in a war... but Aziraphale will not fight. This angel has a list of Aziraphale's secrets, including that he once had a flaming sword and lost it... but Aziraphale doesn't want to admit those circumstances to him. This angel wouldn't understand, even if he did. Intimacy here, connection and closeness, is something discomforting because Aziraphale can no longer embrace those similarities. They put him (and us) out of sorts, so when we get them both in frame, that connection creates tension, not relief.

And many of those over the shoulder shots are given sharp angels, or the camera is placed too close to the "off screen" party. Compare a shot like Luke and Rey to Aziraphale and Mustache Angel. Here, Luke is a clean, solid line on the left side of the screen, just enough there to cue us in to where he is in relationship to Ray, In contrast, Mustache Angel's mustache is Too Close and proves rather distracting. Rey and Luke are connecting here over being Jedi with responsibilities to uphold (or at least, Luke will acknowledge that connection later lol); Mustache Angel is forcing a connection with Aziraphale that makes everyone uncomfortable.

We are too close to him here. He feels too close to Aziraphale too. This whole conversation is upsetting and discomforting, pushing Aziraphale to finally choose which side he's on (his own with Crowley). The shots aren't meant to subtly keep the audience from getting lost and then otherwise be unobtrusive, we're supposed to be Very Aware of this angel's body and how close he's getting to the character we've come to identify with — both literally (he's leaning in) and in terms of forcing Aziraphale to finally make his choice.

When Mustache Angel marches forward and gets all up in Aziraphale's face, the camera positions itself behind Aziraphale in a way that makes it feel like we're hiding behind him, with Aziraphale taking up far more of the screen than Luke does. Like the scene with Michael or running with Gabriel, the camera often likes to mimic a "realistic" response to these events. This angry, shouty angel is getting closer, best take a step back and stay out of sight behind Aziraphale, holding his ground.

These closeups also serve as a nice contrast to the wide and longshots we get of Heaven. It's an imposing place with skyscrapers in the distance, lots of steel, immaculate floors, and endless white. It's overwhelming and it's cold. But then we cut to those mid-shots of Gabriel and Michael, telling us that they're in control of it all.

Aziraphale? Aziraphale is not in control. Not now, anyway. When he appears in Heaven we get a longshot to show off this endless void and he's just another, tiny speck in it. If he weren't flailing around — an acting move that likewise helps sell how out of his depth he is — it's unlikely you'd even notice him. Aziraphale's clothing and hair blends in perfectly with the background. He's forgettable. Easily overlooked. Someone to underestimate. And when he moves, he has to come to the camera. We don't cut to Aziraphale to establish control like we do with Gabriel. He's left to awkwardly shuffle up to Mustache Angel until he's finally come into view.

Yet when Aziraphale makes his decision, he aligns himself with the brightest, most colorful, most interesting thing in the room: Earth. Earth, with all its messy individuality, is the antithesis to Heaven's controlled uniformity and a bright blue orb hanging in the midst of all this white helps remind us of that. Aziraphale rejects becoming one of the identical soldiers and instead literally reaches out for the one thing in Heaven that doesn't fit in.

When he leaves, we get an extreme closeup for the first time. Mustache Angel is pissed and as such we not only get a good look at his face in the aftermath of Aziraphale's choice, but that extreme closeup on his mouth as he's shouting too. It's like he's shouting directly at us, the viewer who is currently cheering on Aziraphale's decision. There's a war, dammit... but we don't care. Not in the way he cares, anyway.

So there's a lot! And I could probably go on, but apparently I'm only allowed to add 10 images per post now (tumblr what the actual fuck if anyone knows a way around this please share!) and I've already had to merge a bunch of images like an animal. So let's awkwardly finish up with the duck pond scene.

...without a GIF because they apparently count as images too 🙃

Simply put, I don't think Aziraphale bringing up fraternizing is a pivot from one to the other — from caring about Crowley to caring about Heaven's rules. I mean yes, Aziraphale is lagging behind Crowley in terms of rebellion and a part of him is, at this point, absolutely concerned with how he'll come across to the higherups, but that worry doesn't stem solely from a (now very shaky) desire to obey for the sake of obeying. The thing is, Aziraphale's disobedience is, by default, also Crowley's disobedience. If they're friends and they're ever found out, they'll both get in trouble. Which, we know from the end of Season One, basically means being wiped from existence. That's horrifying! And it's a horror that threatens them both. I don't think Aziraphale cares about rules for the sake of rules; after all, he started off by giving away his sword, lying to God, is currently meeting with Crowley anyway... this angel has always ignored/bent the rules — established and implied — that don't suit him. Rather, he cares about the rules if he thinks they have a chance of being enforced. If there will be consequences for breaking and bending them. This is still about caring for Crowley (as well as saving his own, angelic skin). If they're found out, Crowley dies. And, as we the viewer learn, Heaven was indeed observing them that whole time. There was always legitimate risk attached to this relationship. Aziraphale's fear, hesitance, and at times forceful pleas to stop this stem as much from Aziraphale worrying about Crowley's safety as they do a learned instinct to obey the rules without question. He pushes to end the relationship because the relationship threatens the only thing Aziraphale cares about more than that: Crowley himself.

As for the term "fraternizing," that's a loaded one! I won't go into a whole history lesson here, but suffice to say it has military roots: to sympathize as brothers with an opponent. That is literally what Crowley and Aziraphale are doing. They are an angel and a demon, supposedly innate enemies, supposedly poised for an inevitable war... yet they've formed an incredibly strong kinship. They've both learned to love their enemy, the thing every army fears because, well, then your army won't fight (just as Aziraphale won't). However, beyond the enemy implications, "to fraternize" eventually took on a sexual meaning: to not merely love as a brother, but to lay with the enemy too, usually women from enemy countries (because, you know, heteronormativity). Nowadays, "to fraternize" often implies a sexual component. I've been rewatching The Good Wife lately and in one subplot, the State's Attorney cracks down on fraternization in his office. He doesn't mean his employees are forming bonds with assumed enemies, he means his employees are having sex on his office couch. So Aziraphale's phrasing here carries a LOT of weight. He's both reminding Crowley of their stations in the world — you are a demon, I am an angel, us meeting like this can have formal, irrevocable consequences for us both — as well as, given the fact that this is a love story, drawing attention to the depth of this relationship. They love one another, as more than just friends. Though whether Crowley's scathing "Fraternizing?" is a response to Aziraphale falling back on the technicalities of their positions, or acknowledging a love he's yet to overtly admit and commit to — or both! — is definitely up for debate.

[stevethehairington]

Tagged by: the lovely @scimitar-and-longsword  💕💕

Name(s): my name is Mack, and if this also includes like usernames too then my ao3 is macksdramaticshenanigans and obviously yall can see my tumblr url lol. i have a fandom twitter but i hate twitter so i barely go on it lmao.

Fandom(s): oh boy haha this is a loooong list. as of right now, the main fandoms i’m involved in are The Old Guard and Trust FX, but in the past i’ve written for Skam, Marvel, Good Omens, Love Simon/Simon vs., Shameless, and IT. and ofc there are some fandoms i have not written for that i casually enjoy as well.

Where you post: all my fics are posted on ao3! or are sitting in my wips folder lol. i’ve ocsasionally posted some snippets of writing here to tumblr, but none of those are like full on, proper fics, mostly just me rambling off some thoughts i had about whatever characters in whatever scenarios

Most Popular One Shot (by kudos): Imagine Being Loved By Me (918 kudos) ((so close to 1k holy shit!!!! if it got to 1k i think i’d actually die of happiness omg)) this is my Good Omens smut fic lmfao, crowley is fantasizing and aziraphale makes it a reality skgjsd. i’m actually pretty damn pleased with how this one turned out, and i never expected it to get that many kudos so that makes me ridiculously happy sfjgfg. (and also podfixx made a podfic of this fic which made me INSANELY happy like that is the coolest thing ever)

Most Popular Multi-Chapter (by kudos): I Have Hella Feelings For You (697 kudos) ahhh this one!! this one is actually my very first ever chaptered fic!! it’s a skam fic, and i have the most distinctive memory of me sititng in my dorm bed freshman year of college, furiously typing away at my laptop everyday for a week because i somehow managed to post a chapter every day until it was finished, which meant i was writing a new chapter everyday. like damn, i really peaked with that huh? lmao

Favorite story you’ve written so far: ahh okay not to like. toot my own horn kgfldg but this question is HARD bc i have a lot of favorites. i’m going to pick a favorite from each of my main fandoms i’ve written for because i’m an Indecisive Hoe okay fdjdf.

- From Marvel: Just Called To Say I Love You this one is my wrong number stucky fic and i actually adore this one so much, and also it actually ended up being WAY more popular than i expected it to? like i was lowkey shook by how many people liked it 

- From Skam: If You Love Me, If You Hate Me so. about this one. it’s probably my favorite skam fic that i’ve written. but. it also is the utter bane of my existence bc this is the one and only fic i have ever written and posted that i haven’t fnished gskgjfdlfs. it’s going on soon to be a little over 2 years of sitting on my account as an unfinished wip, but i REFUSE to mark it as abandoned bc i really genuienly DO want to finish it, i just havent written for this fandom in a while and inspiration/motivation is tricky yknow? but anyways. this fic is my soccer au!! it was a gift for a secret santa exchange i believe to a dear friend of mine and i still feel awful that i never finished it but. one day!!

- From Love Simon/Simon vs.: Where I Like You Best i am actually obsessed with this one. is that weird to say about your own fic? i enjoy reading a good soulmate au, but writing them has always been SO daunting to me bc i never feel like my ideas are original enough or like things that havent been done a lot for that trope. but for this one!!! omg i found the BEST prompt for it and it fit these characters SO well and i wrote it and i ended up absolutely loving how it turned out, and i was so proud of myself for writing a pretty successful soulmate au.

- From Shameless: Wooden Floors, Walls, and Window Sills so this one was my second ever gallavich fic, and it’s probably my favorite because i think it’s the best characterization i got of them in all of my fics, and good characterization is one of the most important things to me when i write fic. 

- From IT: To What We Might Do is my favorite reddie fic i’ve written! i definitely projected onto richie a teeny tiny bit in it for some parts lmfao, but yeah idk i just love how this one turned out a whole lot, and i enjoyed how i ended it too (esp since endings can be very difficult for me lol). ((BUT also a special shoutout to my fic Imagine Me and You, I Do bc that one is just pure fluff and i adore the concept of someone being just so absolutely in love with someone doing something so incredibly simple and it just rocks their world)

- From Good Omens: I Want To Know What Love Is (did i use the most cheesy title ever? absolutely. do i love it? absolutely.) anyways this fic is one where crowley the demon experiences love and promptly thinks he’s dying. 

Fic you were nervous to post: ooh, i mean i’m always pretty anxious about any fic i post because i never know if it’s going to be recepted well or if people are going to like it or hate it or if anyone is even going to read it or repsond to it. especially if the fic is a gift for someone, because i just really want that person to like it yknow? but yeah idk if theres one in particular i was more nervous to post than any others... i guess maybe any smut fic? just bc i never know if the smut is even any good lol

How do you choose your titles?: eaaaaasy, i usually pick song lyrics lol, ocassionally i’ve used lines from a poem, and a few times i’ve gone with a pun, but mostly it’s song lyrics. i usually find a song with lyrics that i think will fit, or if there’s a particular song that vibes well with the fic or that i listened to repeatedly while writing the fic i’ll try to pick the best lyric from that one.

Do you outline?: yes and no lol. it honestly depends. sometimes i outline extensively, but other times i just sit in front of a doc and let whatever happens happen.

Complete: on my ao3 account i have 80 works completed (will be 81 once i finally finish that one single unfinished wip i have posted gahhh). but i know in my wips folder i have a at least one finished fic that i have not and probably will not post. there are also some other things in my wips folder that like technically could be conisdered finished too, but it’s not up to my posting standards so until i fix it so it is it’ll just sit there lol.

In-Progress: honestly there are too many to count lol. i have a shiiiiiit ton of wips (as yall will know if you saw that one ‘tell us about ALL your wips’ tag game post that was going around that i did lol). 

Coming soon/not yet started: tbh see above answer bc it’s pretty much the same lol. 

Prompts?: so the thing about prompts is that i would LOVE to take them, but it’s very very tricky bc i’m a super specific kind of gal and if i don’t vibe with the prompt it’s very difficult for me to write anything for it. but then there’s also the fact that inspiration/motivation are fickle bitches and they come and go as they please and so taking prompts is hard bc i never know if the stars will align and all that jazz for me to be in the ~ right mood ~ to work on a prompt. this is the exact reason why i have SO MANY sitting in my inbox right now, and i feel so bad for just letting them sit there but ughhh brain function?? how?? lol

Upcoming work you’re most excited about: sooooo i don’t necessarily have any specific works in progress right now (i’ve been so busy lately that writing has been the last thing on my mind and so i haven’t touched anything in weeks) but. i guess if i can ever get my shit together and finish the primo fic i’m close to finishing i’m pretty excited to post that! or honestly if i can actually get myself to finish any of the tog wips i have i’d be suuuper excited to post any of those bc i have not yet posted any tog fics!!

anways!! if you made it to this point thanks for sticking w me and reading through my long winded rambly answers lmao

Tagging: @peachykoya @wandering-scholar-lad @raynertodd @cluelessheroes @pinesboi @thewolvesrunwild @1derspark