#Olivia Waldron
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Olivia paused at Deacon's comment, goosebumps forming on her arms at the shock and sting of his words. She'd come out to the front of the bar to say hi and check in with him, but it had quickly turned into a conversation she didn't expect. She knew he was in pain and that relationships weren't easy on him since his partner passed away. But there was a line he'd stepped over with that last comment, and she wasn't sure how to handle it.
"I won't be anywhere near your bed tonight, D," she crossed her arms against her chest, shaking her head as she looked at the ground. "You know that isn't fair."
OPEN: anyone
muse: Deacon Hobbes. 30. Bisexual. artist.
plot: Deacon is a widower that has been sleeping with your muse and ends up being a bit more jealous/possessive than he thought he’d be
“Nah, it’s whatever. Wasn’t trying to interrupt anything. If you want to go be with them then go do it.” He should have stopped it there but couldn’t help the comment that slipped out. “We both know you’re going to end up in my bed anyway.”
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SummerDanse, in Pittsburgh (May 22nd, 2005):
6 & Under Solo:
Madison Hohman - “Springtime” (Acrobatic) - 1st Place / Gold
6 & Under Lines:
“Parade” (Musical Theater) [Abigail Waldron, Sarah Restano, Kassidy Leon, Gianna Palmieri, Mikayla Lovas, Simone Jhan, Ionie Banner, Nadia Liberto, Greta Parr, Regan Check, Nicole Weaver, Avery M, Jakiya F, Alena, Angela Mammats, Victoria V, Tatum, Samantha, Paige Neid, Brianna, Emily Stoken & Emilee J] - Did Not Place / Silver
7-8 Solo:
Jessica Restano - “Mousetrap” (Acrobatic) - 1st Place / Gold
Emily Stoken - “Pajama Jamin” (Tap) - Did Not Place / Gold
Jordan Thomas - “Respect” (Jazz) - Did Not Place / Diva Award / Gold
Olivia Ice - “Little Egypt” (Jazz) - Did Not Place / Silver
Brooke Hyland - “Inchworm” (Acrobatic) - Did Not Place / Silver
7-8 Groups:
“Body Shop” (Jazz) [Jordan Thomas, Claudia Peterman, Mia, Brooke Hyland, Emily Stoken, Natalie Secola, Quinton, Gabrielle Kemp, Gabrielle Casarcia, Madison Hohman & Taylor Breen] - Did Not Place / Gold
“Hey Daddy” (?) [Jordan Thomas, Claudia Peterman, Brooke Hyland, Emily Stoken, Natalie Secola, Gabrielle Kemp, Gabrielle Casarcia, Madison Hohman & Taylor Breen] - Did Not Place / Gold
“At The Copa” (Jazz) [Olivia Ice, Jessica Restano, Ashley Galore, Alysha Matarazzo, Gina Gionta, Nicole Johnson, Essence Kimes, Brittany White, Jackie McKowski & Brandon Pent] - Did Not Place / Gold
“Wake Me Up” (Jazz) [Essence Kimes, Jessica Restano, Nicole Johnson, Gina Gionta, Brittany White, Olivia Ice, Jackie Mackownski, Ashley Galore, Alysha Matarazzo & Gina Chiapelle] - Did Not Place / Silver
9-10 Solo:
Izumi Presberry - “Bad Bad Leroy Brown” (Tap) - 1st Place
Mackenzie Meixner - “Superstition” (Jazz) - Did Not Place / Gold
Brandon Pent - “G.I Blues” (Hip Hop) - Did Not Place / Gold
Alexa Kacin - “Just A Spoonful Of Sugar” (Ballet) - Did Not Place / Gold
Nina Linhart - “Lila Tremaine” (Musical Theater) - Did Not Place / Gold
Stephanie Pittman - “Little Fairy” (Ballet) - Did Not Place / Gold
Brittany White - “Home” (Contemporary) - Did Not Place / Stage Presence Award / Gold
Alexis Rectenwald - “Public Enemy” (Jazz) - Did Not Place / Gold
Dominique Wright - “Ease On Down The Road” (Acrobatic) - Did Not Place / Gold
Alicia Gelifuss - “The Roof Is On Fire” (Acrobatic) - Did Not Place / Gold
Micha McGee - “In My Front Parlour” (Musical Theater) - Did Not Place / Gold
Cassidy Gusallus - “Ocean” (Acrobatic) - Did Not Place / Gold
9-10 Duet/Trio:
Natalee Bailey, Mackenzie Meixner & Alicia Gelifuss - “Three Way Stop” (Hip Hop) - Did Not Place / Gold
Josh Ice & Olivia Joy “Beat Me Daddy” (Tap) - Did Not Place / Silver
9-10 Group:
“Goodies” (Hip Hop) [Ebony Kimes, Dominique Wright, Alexis Rectenwald, Jesse Johnson, Brandon Pent & Izumi Presberry] - 1st Place / Gold
“All The Boys Around me” (Jazz) [Jessica Ice, Andrew, John Michael Fiumara, Izumi Presberry, Dante Wright, Brandon Pent, Quinton, Jesse Johnson & Josh Ice] - Did Not Place / Gold
9-10 Lines:
“Daisy Dukes” (Specialty) [Nina Linhart, Alexis Rectenwald, Mackenzie Meixner, Savanna Carrozzi, Natalee Bailey, Alexa Kacin, Cassidy Gullus, Micha McGee, Stephanie Pittman, Dominique Wright & Alicia Gelifuss] - 1st Place / Gold
“Tickle Me” (Jazz) [Brittany White, Jackie Mckowski, Nicole Johnson, Essence Kimes, Jessica Restano, Ashley Galore, Alysha Matarazzo, Gina Chiapelle, Gina Gionta, Olivia Ice, Micha McGee, Alexa Kacin, Alicia Gelifuss, Maria Gionta & Natalee Bailey] - Did Not Place / Gold
11-12 Solo:
Miranda Maleski - “Hernando’s Hideaway” (Acrobatic) - 1st Place / Gold
Natalee Bailey - “It’s Good To Be Back Home” (Musical Theater) - Did Not Place / Gold
Alex McGee - “Hostess With The Monsters” (Jazz) - Did Not Place / Gold
Jessica Ice - “Lady of 29 Palms” (Jazz) - Did Not Place / Gold
Brianne Smail - “Secondhand Rose” (Contemporary) - Did Not Place / Gold
Savanna Carrozzi - “I’ve Got A Penny” (Acrobatic) - Did Not Place / Gold
Erika Maruca - “The Raven” (Acrobatic) - Did Not Place / Gold
John Michael Fiumara - “Spider-Man” (Tap) - Did Not Place / Gold
11-12 Groups:
“Steppin’ To The Bad Side” (Jazz) [Mackenzie Meixner, Brianne Smail, Alexandra Salerno, Alexandra McGee, Kelly Monteleone, Erika Maruca, Alivia Shoop, Miranda Maleski, Hannah Opalko, Jessica Ice & Nina Linhart] - 1st Place / Gold
“The Door On The Floor” (?) [Erika Maruca, Nina Linhart, Alexandra Salerno, Hannah Opalko, Alexandra McGee, Savanna Carrozzi, Brianne Smail, Jessica Ice, Natalee Bailey, Brittany White & Mackenzie Meixner] - Did Not Place / Gold
11-12 Lines:
“Disco Inferno” (Jazz) [Alexandra, Rebecca Hudek, Brittany Pent, Janel Moriarty, Lisa Hulker, Erika Maruca, Alíe, Dominique Wright, John Michael Fiumara, Mackenzie Meixner, Olivia Joy, Ebony Kimes, Brianne Smail, Emily Stoken, Cassidy Gusallus, Donnaya Presberry, Alexandra Salerno, Stacey, Jesse Johnson & Jessica Manza] - Did Not Place / Gold
13-14 Solo:
Kaitlyn Reiser - “Once Upon A Time” (Lyrical) - 1st Place / Gold
Alexandra Salerno - “Rodeo” (Ballet) - Did Not Place / Gold
Cydney Miller - “No Good Deed” (Acrobatic) - Did Not Place - Gold
Kelly Monteleone - “Cool” (Hip Hop) - Did Not Place / Gold
Hannah Opalko - “Kiss Me In The Rain” (Acrobatic) - Did Not Place / Gold
Jessica Manza - “Preakness” (Tap) - Did Not Place / Gold
13-14 Groups:
“Hot Chocolate” (Tap) [Alexandra Salerno, Hannah Opalko, Kelly Monteleone, Brianne Smail, Jessica Manza, Melinda Jennings & Jessica Ice] - 1st Place / Gold
13-14 Lines:
“Giggles” (Jazz) [Gianna Martello, Jennine Wedge, Crystal Jennings, Kaitlyn Reiser, Miranda Maleski, Alivia Shoop, Theresa Moio, Emily Shoop, Leah Pivorotto, Nina Pivorotto, Amanda Stelluto, Romana Henson, Kristina Pendleton, Alexandra Opalko, Bethany Flora, Marissa Mechling, Alisha Boranoti, Kelly Monteleone, Cydney Miller, Cheri Davis, Loren DeMarco] - Did Not Place / Gold
“Ladders” (Contemporary) [Theresa Moio, Alisha Boranoti, Marissa Mechling, Loren DeMarco, Nina Pivorotto, Miranda Maleski, Hannah Opalko, Alexandra Opalko, Jessica Ice, Kelly Monteleone, Kaitlyn Reiser, Jennine Wedge, Emily Shoop, Gianna Martello, Amanda Stelluto, Leah Pivorotto, Alivia Shoop, Romana Henson, Kristina Pendleton, Cydney Miller, Bethany Flora & Crystal Jennings] - Did Not Place / Gold
15-16 Solo:
Alivia Shoop - “Oh Susannah” (Jazz) - 1st Place / Gold
Loren DeMarco - “Woman’s Work” (Lyrical) - Did Not Place / Beautiful Costume Award / Gold
Emily Shoop - “It’s A New Day” (Contemporary) - Did Not Place / Gold
Gianna Martello - “Look At Me” (Lyrical) - Did Not Place / Gold
Romana Henson - “Wild” (Contemporary) - Did Not Place / Gold
Alisha Bonaroti - “Like Ya Used To” (Jazz) - Did Not Place / Gold
15-16 Duet/Trio:
Jennine Wedge & Crystal Jennings - “In Her Shadow” (Contemporary) - 1st Place / Best Dynamic Award / Gold
Gianna Martello & Amanda Stelluto - “A Bottle Of Red” (Contemporary) - Did Not Place / Beautiful Technique Award / Gold
15-16 Groups:
“Sharp Dressed Men” (Tap) [Jennine Wedge, Amanda Stelluto, Gianna Martello, Crystal Jennings, Alisha Bonaroti, Leah Pivorotto & Nina Pivorotto] - 1st Place / Gold
“Cherries” (Musical Theater) [Kaitlyn Reiser, Gianna Martello, Jennine Wedge, Amanda Stelluto & Emily Shoop] - Did Not Place / Gold
17-19 Solo:
Jennine Wedge - “Gotta Move” (Jazz) - 1st Place
Marissa Pampena - “Take Off” (Musical Theater) - Did Not Place / Gold
Bethany Flora - “Sorry Seems To Be The Hardest Word” (Lyrical) - Did Not Place / Gold
Novice Division:
Teens - “I’m So Excited” (Jazz) [Katelyn, Samantha, Loren, Lyndsey Garret, Jennifer, Megan, Jessica Manza, Cydney, Kasey, Marissa Pampena, Danielle & Sydney] - 1st Place / Gold
Unknown Division Routines:
The Letting Go - Did Not Place / Gold
Irish - Did Not Place / Silver
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Black Theatre Troupe of Upstate NY Teams Up with Siena College for Original Play About Albany Abolitionists World Premiere of Yours for the Oppressed, an original play produced by the Black Theatre Troupe of Upstate New York and Siena College about Albany abolitionists Harriet and Stephen Myers.
#Albany NY#Albany Vigilance Committee#Black Theatre Troupe of Upstate NY#Dr. Krysta Dennis#Harriet Myers#Heather Frederick#Hunter Frederick#Jean-Remy Monnay#Krysta Dennis#Mary Liz and Paul Stewart#Mary Liz Stewart#Myers Residence Historic Site#Olivia Waldron#Paul Stewart#Phillip Kilian#Russell Sage College#sccc#Siena College#Stephen and Harriet Myers#Stephen Myers#The Stephen and Harriet Myers Residence#Underground Railroad History Project#Underground Railroad History Project of the Capital Region#Yours for the Oppressed
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It wasn't very often that Olivia woke up in an unfamiliar place, especially one as cozy and well-decorated as this. She was cuddled up in perhaps the fluffiest duvet she'd ever slept in and clad in a large white t-shirt she knew wasn't hers. Glimpses of the previous evening filled her head as she continued to come to: feeling nervous about making new friends and taking two shots with her office mate... Victor (whom she'd only just met through one of her colleagues) holding her up as she giggled and asked him about his favorite color on repeat... drinking water before crawling into bed when he held up the covers. She knew she was at Victor's place now -- they'd started the evening there due its proximity to the bar.
After pulling on her jeans from a nearby chair, she walked out still in the t-shirt that felt much cozier than the thin top she'd worn the previous day. She gasped when she saw Victor sitting at the kitchen table, wincing a bit from the bright light coming through the windows. When he spoke, she realized he was trying to ensure her that she was not taken advantage of, but admittedly it never crossed her mind. She felt very safe there with him, and maybe she should've been more concerned, but she was too hungover to question it.
"I trust you," she admitted, a tired sigh escaping her lips. When he asked if she wanted a warm drink, she nodded as she crossed her arms against her chest. "A cup of coffee would be great, if that's okay." Her voice was soft and quiet as she approached the open seat across from his, sitting down and holding onto her self to ground her body as best she could.
"Tell me honestly," she started, rubbing her eye as she watched him wander around the space. "How bad was I last night and how many apologies do I owe?"
"NO, NOTHING HAPPENED. YOU WERE half-dead, and I'm not that kind of person," Victor explained, taking a sip of his coffee. He didn't need any prompting to answer that question. The dubiousness was already written all over their face. "You still look knackered. You want any coffee or tea?"
open to: f / nb
#m: olivia waldron#decadentias#ship: olivia x victor#//hi! i hope this is ok. it's a little much -- sorry! x
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Hello
Welcome to my blog
I am a writer, I currently have 4 running series, and I love answering questions about them
The series in question are
Draganok, a modern fantasy about Caelan, a teenage boy of the titular draganok, a species of draconic humanoids, going on various adventures with his best friends and older brother. His friends are Olivia (a trans gorgon girl), Goran (a himbo orc), and his older brother is Aidan (marine biology student (also a draganok of course)). Oh also Caelan is the reincarnated form of one of the three gods that created the universe. But he doesn't know that yet so keep quiet about it.
Enchanted Arcana, a high fantasy about five young adults doing Magic Things. The protagonist with the most main character energy would probably be Waldron, an ace wizard who may or may not have made some kind of deal with a grim reaper and may or may not fully understand the ramifications of that deal yet. Then there's Pura, his pan bestie who was a wizard, until she got the shit smacked out of her by a shadow monster. Now she's potentially part shadow monster? Definitely not fully human. At what would be a significant turning point in their lives, Waldron and Pura met Draco, Annbi, and Kiretsu. Draco is a bi knight and self proclaimed dragon hunter (tho tbf he is very good at it) who kind of sort of accidentally turned himself into a half-dragon amalgam unlike which this world has ever seen. Annbi is a mute, genderfluid frost giant who's kinda just here to make sure their friends don't die. And last but most certainly not least, Kiretsu Kogeki. Kiretsu is a transfem kitsune samurai, and also Pura's girlfriend. She also entered into a pact with Raijin, the shinto god of thunder, that says he can take over her body for an hour at a time whenever he pleases, and in return she can access his strength at any time she needs. But it's fine. I'm sure he won't take advantage of this deal in any way
Rhinoan Roots, a high fantasy that kind of only exists as a backstory for my minecraft OC, but I still think it's cool. The protagonist is a young man who has named himself Knight, due to lacking any memory of his life before waking up surrounded by the corpses of his people. He is the last of the Ceroterans, a race of humanoid rhinos. As he left his fallen homeland, he met two merchants, a turtle man named Pago and a raven woman named Siara, plus their dragon Lucien. Since meeting them, Knight has traveled with them, hoping to see something, anything that might jog his memory of his past.
Not only do I welcome and encourage questions about my work, I request them! It helps me develop the worlds and characters and I just like talking about them
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Isobel Elsom.
Filmografía
Teatro
1917-1918 : The Freaks, de Arthur Wing Pinero, con C.V. France y Leslie Howard (Londres)
1920-1921 : Up in Mabel's Room, de Wilson Collison (Londres)
1922-1923 : Sweet Lavender, de Arthur Wing Pinero (Londres)
1923-1924 : The Green Goddess, de William Archer, con George Arliss, Ivan F. Simpson (Londres)
1926 : The Ghost Train, de Arnold Ridley, con Eric Blore, Claudette Colbert
1927 : The Mulberry Bush, de Edward Knoblauch, con Claudette Colbert
1927 : People don't do such Things, de Lyon Mearson y Edgard M. Schoenberg, con Stanley Logan
1928 : The Silver Box, de John Galsworthy, con Mary Forbes
1928 : The Behavior of Mrs. Crane, de Harry Segall, con Walter Connolly y Charles Trowbridge
1928 : The Outsider, de Dorothy Brandon
1938-1939 : American Landscape, de Elmer Rice, con Charles Dingle y Charles Waldron
1940 : Ladies in Retirement, de Reginald Denham y Edward Percy, con Flora Robson
1942 : The Flowers of Virtue, de Marc Connelly, con Frank Craven, Thomas Gomez y Vladimir Sokoloff
1944-1945 : Hand in Glove, de Charles K. Freeman y Gerald Savory, dirección de James Whale
1950 : The Innocents, de William Archibald, con música de Alex North
1950 : The Curious Savage, de John Patrick, con Lillian Gish
1951 : Romeo y Julieta, de William Shakespeare, con Olivia de Havilland y Jack Hawkins
1952 : The Climate of Eden, de Moss Hart
1954m : The Burning Glass, de Charles Langbridge Morgan, con Cedric Hardwicke y Walter Matthau
1957 : Hide and Seek, de Roger McDougall y Stanley Mann, con Barry Morse y Basil Rathbone
1957 : The First Gentleman, de Norman Ginsbury, con Walter Slezak.
Cine
1915 : A Prehistoric Love Story, de Leedham Bantock (corto)
1916 : Milestones, de Thomas Bentley
1918 : The Man who won, de Rex Wilson
1918 : The Way of an Eagle, de G.B. Samuelson
1918 : The Elder Miss Blossom, de Percy Nash
1919 : Hope, de Rex Wilson
1919 : Quinneys, de Maurice Elvey y Herbert Brenon
1920 : Aunt Rachel, de Albert Ward
1921 : For her Father's Sake, de Alexander Butler
1922 : A Debt of Honour, de Maurice Elvey
1922 : The Game of Life, de G.B. Samuelson
1923 : The Harbour Lights, de Tom Terriss
1923 : The Wandering Jew, de Maurice Elvey.
1924 : Who is the Man ?, de Walter Summers
1924 : The Love Story of Aliette Brunton, de Maurice Elvey
1925 : The Last Witness, de Fred Paul
1925 : Le Réveil, de Jacques de Baroncelli
1926 : The Tower of London, de Maurice Elvey
1927 : Tragödie einer Ehe, de Maurice Elvey
1927 : Dance Magic, de Victor Halperin
1931 : The Other Woman, de G.B. Samuelson
1932 : The Crooked Lady, de Leslie S. Hiscott
1933 : The Thirteenth Candle, de John Daumery
1934 : The Primrose Path, de Reginald Denham
1941 : Ladies in Retirement (El misterio de Fiske Manor), de Charles Vidor
1942 : Eagle Squadron, de Arthur Lubin
1942 : Laugh your Blues away, de Charles Barton
1942 : Seven Sweethearts, de Frank Borzage
1942 : You were never Lovelier (Bailando nace el amor), de William A. Seiter
1943 : Forever and a Day (Siempre y un día), de Edmund Goulding y Cedric Hardwicke
1944 : Between two Worlds (Entre dos mundos), de Edward A. Blatt
1944 : Casanova Brown, de Sam Wood
1945 : The Unseen (Misterio en la noche), de Lewis Allen
1946 : Two Sisters from Boston, de Henry Koster
1946 : Of Human Bondage, de Edmund Goulding
1947 : Addio Mimi !, de Carmine Gallone
1947 : The Two Mrs. Carrolls (Las dos señoras Carroll), de Peter Godfrey
1947 : Monsieur Verdoux, de Charlie Chaplin
1947 : El fantasma y la señora Muir, de Joseph L. Mankiewicz
1947 : Ivy, de Sam Wood
1947 : Escape Me Never, de Peter Godfrey y LeRoy Prinz
1947 : The Paradine Case, de Alfred Hitchcock
1948 : Smart Woman, de Edward E. Blatt
1949 : The Secret Garden, de Fred M. Wilcox
1954 : Desirée, de Henry Koster
1954 : Deep in my Heart, de Stanley Donen
1955 : The King's Thief, de Robert Z. Leonard
1955 : La colina del adiós, de Henry King
1956 : Over-exposed, de Lewis Seiler
1956 : 23 Paces to Baker Street (A 23 pasos de Baker Street), de Henry Hathaway
1956 : El loco del pelo rojo, de Vincente Minnelli
1957 : The Guns of Fort Petticoat, de George Marshall
1958 : Rock-a-bye Baby (Yo soy el padre y la madre), de Frank Tashlin
1959 : The Young Philadelphians (La ciudad frente a mi), de Vincent Sherman
1959 : The Miracle (Promesa rota), de Irving Rapper
1960 : The Bellboy, de Jerry Lewis
1961 : The Errand Boy.
1961 : The Second Time Around (Sola ante el peligro), de Vincent Sherman
1963 : Who's minding the Store ? (Lío en los grandes almacenes), de Frank Tashlin
1964 : My Fair Lady, de George Cukor
1964 : The Pleasure Seekers, de Jean Negulesco.
Créditos: Tomado de Wikipedia
https://es.wikipedia.org/wiki/Isobel_Elsom
#HONDURASQUEDATEENCASA
#ELCINELATELEYMICKYANDONIE
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RULES: name your top 10 favorite characters from 10 DIFFERENT FANDOMS and then tag 10 however many people you want.
beth cassidy - dare me
nell crain - the haunting of hill house
gina linetti - brooklyn nine nine
izzie no last name - atypical
maddy perez - euphoria
toni shalifoe - the wilds
connell waldron - normal people
love quinn - you
yasmina ait omar - wtfock
olivia moon - tell me a story s2
tagged by: @orchidtale ty bb!!!
tagging: i have like -1 friends on here so anyone who wants to do this pls do and tag me in it bc i love seeing these things <3
#out of gang signs ╱ talks.#i said i hate all men except connell waldron#also victoria pedretti supremacy!!!
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52 Films By Women: 2019
(actually 54, because I’m extra and women directors killed it this year)
1. The Edge of Seventeen (2016) dir. Kelly Fremon Craig
2. Desperately Seeking Susan (1985) dir. Susan Seidelman
3. Bombshell: The Hedy Lamarr Story (2017) dir. Alexandra Dean
4. Yentl (1983) dir. Barbra Streisand
5. 6 Balloons (2018) dir. Marja-Lewis Ryan
6. Never Goin’ Back (2018) dir. Augustine Frizzell
7. The Spy Who Dumped Me (2018) dir. Susanna Fogel
8. The Party (2017) dir. Sally Potter
9. My First Mister (2001) dir. Christine Lahti
10. Woodshock (2017) dir. Kate and Laura Mulleavey
11. The Miseducation of Cameron Post (2018) dir. Desiree Akhavan*
12. Mary Queen of Scots (2018) dir. Josie Rourke
13. Bird Box (2018) dir. Susanne Bier
14. Destroyer (2018) dir. Karyn Kusama*
15. Unicorn Store (2017) dir. Brie Larson
16. A Vigilante (2018) dir. Sarah Daggar-Nickson
17. Woman Walks Ahead (2017) dir. Susanna White
18. Captain Marvel (2019) dir. Anna Boden & Ryan Fleck
19. Wild Nights with Emily (2018) dir. Madeleine Olnek
20. The Nightingale (2018) dir. Jennifer Kent
21. The Trials of Cate McCall (2013) dir. Karen Moncrieff
22. Tell it to the Bees (2018) dir. Annabel Jankel
23. Someone Great (2019) dir. Jennifer Kaytin Robinson
24. Aniara (2018) dir. Pella Kågerman & Hugo Lilja
25. Go Back to China (2019) dir. Emily Ting*
26. What Walaa Wants (2018) dir. Christy Garland
27. Pigeon Kings (2019) dir. Milena Pastreich
28. Booksmart (2019) dir. Olivia Wilde
29. Honeyland (2019) dir. Tamara Kotevska & Ljubomir Stefanov
30. Fast Color (2018) dir. Julia Hart
31. Can You Ever Forgive Me? (2018) dir. Marielle Heller
32. Ghost Fleet (2018) dir. Shannon Service & Jeffrey Waldron
33. The Breadwinner (2017) dir. Nora Twomey
34. Vita & Virginia (2018) dir. Chanya Button
35. Little Woods (2018) dir. Nia DaCosta*
36. The Farewell (2019) dir. Lulu Wang*
37. Them That Follow (2019) dir. Britt Poulton & Daniel Savage
38. Mary Shelley (2017) dir. Haifaa Al-Mansour*
39. Ophelia (2019) dir. Claire McCarthy
40. Blinded by the Light (2019) dir. Gurinder Chadha*
41. One Child Nation (2019) dir. Nanfu Wang & Lynn Zhang*
42. Nancy Drew and the Hidden Staircase (2019) dir. Katt Shea
43. Hustlers (2019) dir. Lorene Scafaria
44. My Days of Mercy (2017) dir. Tali Shalom Ezer
45. The Falling (2014) dir. Carol Morley
46. Braid (2018) dir. Mitzi Peirone
47. Honey Boy (2019) dir. Alma Har’el
48. Harriet (2019) dir. Kasi Lemmons*
49. Tank Girl (1995) dir. Rachel Talalay
50. Paradise Hills (2019) dir. Alice Waddington
51. The Body Remembers When the World Broke Open (2019) dir. Elle-Maija Tailfeathers & Kathleen Hepburn*
52. Frozen II (2019) dir. Jennifer Lee & Chris Buck
53. Charlie’s Angels (2019) dir. Elizabeth Banks
54. Little Women (2019) dir. Greta Gerwig
bold = my faves
* = directed by a woman of color
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Loki: Best Shows to Watch If You’re Missing the God of Mischief
https://ift.tt/eA8V8J
The God of mischief might be off in a different timeline prepping for a second season but we still need something to put in our eyes. Assuming you’ve already binged the MCU shows WandaVision and The Falcon and the Winter Soldier, we’ve rounded up some other great series that could scratch that Loki-shaped itch. Some of these are spiritually similar, some are great showcases of Loki’s cast and others explore similar themes. All are crackers though and well worth setting your tempad for.
Flowers
This Brit black comedy which aired on Channel 4 in the UK ran for two seasons, each equally special. Is it similar to Loki? Not at face value, but it does feature a stand out turn from Sophia Di Martino who stole the show as female Loki, Sylvie. Written by Will Sharpe, it’s the story of a highly dysfunctional family, with Julian Barrett and Olivia Coleman as parents on the verge of separation and Di Martino and Daniel Rigby as their troubled twins. Flowers is surreal, magical realistic, gothic and often bleak while remaining funny and moving at all times. Not a big world-hopping show like Loki, then, but it does tackle existential crisis head on, and it’ll only make you love Di Martino more. RF
Lovecraft Country
Like many Marvel projects, the Loki TV series has a deep bench of impressive acting talent. One of the most undersung (and honestly underutilized) members of the first season’s cast was Wunmi Mosaku, aka Hunter B-15, who was asked to depict a deep and abrupt change in loyalties over the course of six episodes. Mosaku pulls it off, mostly because she is a phenomenal actress. If you’re looking to see more of her work, look no further than HBO’s Lovecraft Country (but also watch In the Flesh, in which Mosaku plays the Season 2 antagonist), which also features He Who Remains’ Jonathan Majors in the main cast. (A two-fer!) Mosaku plays Ruby Baptiste, a Black singer living in 1950s Southside Chicago in this social horror. Come for Wunmi Mosaku and Jonathan Majors, stay for… Wunmi Mosaku and Jonathan Majors, but also for a TV series that has more supernatural twists than even the most bonkers episode of Loki. KB
Rick and Morty
If your favorite part of Loki was the existence of a thriving multiverse, then we’ve got some good news. Beloved Adult Swim series Rick and Morty (that also admittedly can have an overzealous fandom) is all about the storytelling joy that multiverses can provide. Mad scientist Rick Sanchez and his grandson Morty Smith reside in a plane of infinite universes and therefore infinite possibilities for bizarre adventure. Rick and Morty alum Michael Waldron served as Loki‘s head writer and the writing staff consisted of several more vets of the animated hit. Fans of Loki’s many variants will certainly enjoy encountering the countless versions of Rick, Morty, and their family. Just wait until you meet Lawyer Morty. Look at the little guy go! AB
Doctor Who
Not an original comparison, but one that absolutely stands up. After all, what was Loki episode three if not Doctor Who gifted a Disney budget? Nexus Events, the Sacred Timeline, doomed moons, memory reactivation… almost everything about Loki has one foot in the world of Doctor Who. The Marvel series may have had Time Keepers instead of Time Lords, variants instead of regenerations, and an alligator in place of… well, which Doctor would be the most likely to eat a cat? (Troughton’s, obviously), but there’s common DNA here. The really good news for the Loki fan who hasn’t already travelled with the Doctor(s) through space and time is that instead of just six episodes, there are roughly 10 billion of them plus novelisations, audio adventures, comic strips, videogames and a TV movie. Allons-y! LM
The Night Manager
Tom Hiddleston’s bum. But also this is an excellent series adapted from the novel of the same name by John le Carré and directed by Oscar winner Susanne Bier. Hiddleston plays Jonathan Pine, manager of a luxury hotel who gets recruited to infiltrate the inner sanctum of Hugh Laurie’s violent and volatile arms dealer. Olivia Colman co-stars once again (Hiddleston, Laurie and Colman all won Golden Globes for their performances) with a supporting role for Elizabeth Debicki which was very much a precursor for her part in Tenet. Post-Night Manager, Hiddleston was top billed to be the next Bond, so given Tenet basically was Bond but on another timeline, and featured time travel as an integral part, Loki and The Night Manager are basically the same show… RF
Timeless
If you wish Loki had been a bit more of a time-hopping procedural, then we have a show for you. Timeless, which aired on NBC for two too-short seasons from 2016-2018, stars Abigail Spencer as Lucy Preston, a historian who gets recruited by a secret department within U.S. Homeland Security in order to stop a mysterious organization that has stolen a time machine. Lucy teams up with scientist Rufus and soldier Wyatt, and the three unlikely bedfellows must learn to work together in high-stakes settings like the Hindenburg, Ford’s Theatre, and the Alamo. Co-created by The Boys showrunner Erik Kripke, Timeless has tons of character-driven twists that make the time travel personal, tying together these characters and settings in unexpected ways. KB
Legion
Loki is such a bold, creative superhero series that it’s hard to imagine that there’s every been anything quite like it. Believe or not – that’s not entirely true! While Loki is one of the Marvel Cinematic Universe’s first big heady sci-fi TV swing, it’s not Marvel’s first overall on television. From 2017 to 2019, Marvel-adjacent property Legion enjoyed a bizarre, colorful three-season run on FX. This series is based on the X-Men character David Haller a.k.a. Legion. Diagnosed with schizophrenia at a young age, David also just happens to be a mutant with nigh-omnipotent powers. This show from Fargo‘s Noah Hawley revels in the strange potential of its premise. Legion is often confusing, but always intriguing. It’s a show that largely replaces superhero battles with dance offs. It’s well worth watching the entire run while you wait for Loki season 2. AB
The OA
Very different to Loki in tone but very similar in head-messing inter-dimensional WTF-ness, The OA is a strange and beautiful beast. If you could follow the Marvel show’s timeline hopping, then you’ve a strong chance of grasping the madness at play in Netflix’s The OA. It starts off as a story about the return of a woman (played by co-creator Brit Marling) who’s been missing for seven years, and ends up as a story about… parallel dimensions, arcane rituals, experimental physics, sci-fi magic and a kind-of-haunted house. It’s a total trip, in short, and should scratch any itch Loki fans are experiencing for TV of the weird variety. Speaking of which, give us season three, Netflix, you cowards. LM
Quantum Leap
Before the TVA there was Doctor Sam Beckett. Played by puppy-faced Scott Bakula, Sam is a scientist who invented a “quantum accelerator” (time machine) that randomly transports him back in time to put right events which once went wrong. In each episode of Quantum Leap, Sam wakes up in the body of someone else at a distinct point in history and has to figure out his mission with the help of his best mate, in hologram form, Al (Dean Stockwell). Sam is essentially maintaining the sacred timeline at the expense of his own life and free will, which would make Al…. Miss Minutes? Either way, it’s a hugely good natured show which ran for five seasons and it’s well worth a visit. RF
Continuum
Continuum protagonist Kiera (Rachel Nichols) has serious Sylvie energy. While they might not have much in common when it comes to their background—Sylvie is trying to take down the time authorities while Kiera, a cop from the corporate-controlled future, is an authority—they’re both incredibly focused women who will do what they have to in order to achieve their goals. Continuum follows Kiera, when she is unexpectedly stranded in our present. Desperate to get back to her family and her life in the future, Kiera teams up with a teen genius, as well as local detective Carlos Fonnegra. Filled with complex character arcs and alternate timelines, Continuum is a must for any fan of time travel TV. KB
Life on Mars
Loki’s crime procedural/time-hopping/fantasy cocktail may have been made famous by Quantum Leap, but it achieved its apotheosis (that’s right, five syllables, count ‘em) in BBC One’s Life on Mars. That’s the story of Sam Tyler (John Simm), a Manchester police officer who’s hit by a car in 2006 and wakes up in 1973. Like Loki, Tyler has to piece together what’s really going on behind-the-scenes while running his own investigations. Tyler may not be a God, or have magical powers and other planets to visit, but Life on Mars still took him to some odd and captivating places. It ended prematurely after two seasons (at the request of Simm, who said he wanted to spend more time with his family), after which the tale continued with sequel Ashes to Ashes starring Keeley Hawes. Currently, plans are afoot for a belated third series. LM
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A satire about Los Angeles as a...VACUUM “Hansel & Gretel” meets “Less Than Zero” Written & Directed by Ace Norton Produced by Martha Davis, Ace Norton, Lars Ruch, & Kevin Dalit Executive Producer Joe Care, Jackson Morton, Pedro De Oliveira @JOJX Associate Producer Micah Levin DOP Alexander Alexandrov Production Designer Ali Isaken Edit by James Rose @ CUT & RUN Edited by Micah Levin @ MMM VFX by JOGGER Music by Le Chev & Chrome Canyon Wardrobe by Laura Francis Sound Mix by Josh Ascalon Color by Seamus O’kane Production Supervisor Cameron Mcmillan 1st AD Mathieu Aquinto 2nd AD Olivia Tripp 1st AC Eric Waldron 2nd AC / Media Manger Terra Gutman Gonzalez Gaffer Brady Turner Key Grip Ben Blum Leadman Jake Brady Set Decorator Bobbi Rich Set Dresser Manuel Mancilla Make up Ken Calhoun Location Manager Johnnie Glystrand Sound TJ Yoshi THE CAST: Evan Shields, Gregg Christie, Makena Hammond, Alexander Hathaway, Andrew Lindh, Elaine N, Dan Spector, Lisa Starrett, Gary Sugerman, Seyna Van Der Linden, Mirela Silemovic, & Margartita Shestitko
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If You Thought Connell’s Chain Was Hot, Wait Until You See Regé-Jean Page Wearing One
When I first prepared to watch Normal People, I had a lot of expectations. I’ve read the book many times; my copy is tattered and covered in notes to prove it. And while sartorially, most of the series played out the exact way on-screen as it did in my head, I did not expect to be as enticed by one detail: Connell’s chain.
I wasn’t alone in feeling that way. The thirst surrounding the silver chain that Paul Mescal’s character wears throughout the series was so strong that five days after Normal People premiered, it got its own Instagram account @connellschain, which has since garnered over 175,000 followers. A year after the show’s release, and the hype around Connell’s chain has died down, leaving me on the lookout for another fashion chain to thirst over. This week, I found one when TV’s newest leading man, Bridgerton’s Regé-Jean Page, wore a silver necklace of his own.
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A post shared by Connell Waldron’s Chain (@connellschain)
On Thursday, Page, who plays the impossibly sexy Duke of Hastings on the Regency-era Netflix series, was in Manhattan ahead of his February 20 SNL appearance. Photos showed him wearing an oatmeal-coloured cardigan, black jeans, and a mask that benefits the ACLU. Being the chain-obsessed tracker that I am, I zeroed in on the barely noticeable silver piece immediately. The chain was perfectly understated — the length landing just right.
Upon further investigation, I discovered that isn’t even the first time that Page has worn a chain. A December photoshoot in InStyle saw the actor wearing a larger, chunkier version of the necklace. A simpler style made an appearance when Page was a guest on The Graham Norton Show earlier this month.
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A post shared by The Duke of Hastings (@thedukesspoon)
This also isn’t the first time that Page made us feel a certain way about something so innocuous. After the scene of the Duke licking a silver spoon seductively on Bridgerton went viral, an Instagram account dedicated to it, @thedukesspooon, launched. Just over a month after its first post, the account has more than 23,000 followers. “Normal People gave us Connell’s chain necklace, then Bridgerton said hold my beer, and gave us the Duke and that silver spoon,” wrote Simone Law on Twitter, describing my feelings exactly.
As we wait for more Page appearances in a chain, will someone just make @pageschain already? And petition to have the Duke wear one in the next season of Bridgerton, too.
Like what you see? How about some more R29 goodness, right here?
Father Of The Bride II Is Full Of Lockdown Fashion
Olivia Wilde Wore A Harry Styles-Approved Necklace
Where Were The Queer Relationships In Bridgerton?
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72nd Primetime Emmy Awards announced…
The 72nd Primetime Emmy Awards announced the best in U.S. prime time television programming between June 1, 2019 – May 31, 2020, as chosen by the Academy of Television Arts & Sciences.
The show was originally to be held at Microsoft Theater in Los Angeles, but the COVID-19 pandemic reasons, it was instead held at the Staples Center, while winners gave speeches by webcam from their homes.
The ceremony was held on September 20, 2020, and broadcast in the U.S. by ABC. It was preceded by the 72nd Primetime Creative Arts Emmy Awards on September 14, 15, 16, 17, and 19. The ceremony was hosted by Jimmy Kimmel.
The nominations were announced on July 28, 2020, by Leslie Jones, Laverne Cox, Josh Gad, and Tatiana Maslany. Watchmen led the nominations with eleven, followed by Succession with ten and Ozark with nine.
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_ Here is the nominees and awards; _
Outstanding Comedy Series
Schitt’s Creek (Pop TV) – winner
Curb Your Enthusiasm (HBO)
Dead to Me (Netflix)
The Good Place (NBC)
Insecure (HBO)
The Kominsky Method (Netflix)
The Marvelous Mrs. Maisel (Prime Video)
What We Do in the Shadows (FX)
_
Outstanding Drama Series
Succession (HBO) – winner
Better Call Saul (AMC)
The Crown (Netflix)
The Handmaid’s Tale (Hulu)
Killing Eve (BBC America)
The Mandalorian (Disney+)
Ozark (Netflix)
Stranger Things (Netflix)
_
Outstanding Limited Series
Watchmen (HBO) – winner
Little Fires Everywhere (Hulu)
Mrs. America (FX)
Unbelievable (Netflix)
Unorthodox (Netflix)
_
Outstanding Variety Talk Series
Last Week Tonight with John Oliver (HBO) – winner
The Daily Show with Trevor Noah (Comedy Central)
Full Frontal with Samantha Bee (TBS)
Jimmy Kimmel Live! (ABC)
The Late Show with Stephen Colbert (CBS)
_
Outstanding Competition Program
RuPaul’s Drag Race (VH1) – winner
The Masked Singer (Fox)
Nailed It! (Netflix)
Top Chef (Bravo)
The Voice (NBC)
_
Outstanding Lead Actor in a Comedy Series
Eugene Levy as Johnny Rose on Schitt’s Creek (Episode: “The Pitch”) (Pop TV) – winner
Anthony Anderson as Andre “Dre” Johnson, Sr. on Black-ish (Episode: “Love, Boat”) (ABC)
Don Cheadle as Maurice “Mo” Monroe on Black Monday (Episode: “Who Are You Supposed to Be?”) (Showtime)
Ted Danson as Michael on The Good Place (Episode: “Whenever You’re Ready”) (NBC)
Michael Douglas as Sandy Kominsky on The Kominsky Method (Episode: “Chapter 12: A Libido Sits in the Fridge”) (Netflix)
Ramy Youssef as Ramy Hassan on Ramy (Episode: “You Are Naked in Front of Your Sheikh”) (Hulu)
_
Outstanding Lead Actress in a Comedy Series
Catherine O’Hara as Moira Rose on Schitt’s Creek (Episode: “The Incident”) (Pop TV) – winner
Christina Applegate as Jen Harding on Dead to Me (Episode: “It’s Not You, It’s Me”) (Netflix)
Rachel Brosnahan as Miriam “Midge” Maisel on The Marvelous Mrs. Maisel (Episode: “A Jewish Girl Walks Into the Apollo…”) (Prime Video)
Linda Cardellini as Judy Hale on Dead to Me (Episode: “If Only You Knew”) (Netflix)
Issa Rae as Issa Dee on Insecure (Episode: “Lowkey Happy”) (HBO)
Tracee Ellis Ross as Dr. Rainbow “Bow” Johnson on Black-ish (Episode: “Kid Life Crisis”) (ABC)
_
Outstanding Lead Actor in a Drama Series
Jeremy Strong as Kendall Roy on Succession (Episode: “This Is Not for Tears”) (HBO) – winner
Jason Bateman as Martin “Marty” Byrde on Ozark (Episode: “Su Casa Es Mi Casa”) (Netflix)
Sterling K. Brown as Randall Pearson on This Is Us (Episode: “After the Fire”) (NBC)
Steve Carell as Mitch Kessler on The Morning Show (Episode: “Lonely at the Top”) (Apple TV+)
Brian Cox as Logan Roy on Succession (Episode: “Hunting”) (HBO)
Billy Porter as Pray Tell on Pose (Episode: “Love’s in Need of Love Today”) (FX)
_
Outstanding Lead Actress in a Drama Series
Zendaya as Rue Bennett on Euphoria (Episode: “Made You Look”) (HBO) – winner
Jennifer Aniston as Alex Levy on The Morning Show (Episode: “In the Dark Night of the Soul It’s Always 3:30 in the Morning”) (Apple TV+)
Olivia Colman as Queen Elizabeth II on The Crown (Episode: “Cri de Coeur”) (Netflix)
Jodie Comer as Oksana Astankova / Villanelle on Killing Eve (Episode: “Are You From Pinner?”) (BBC America)
Laura Linney as Wendy Byrde on Ozark (Episode: “Fire Pink”) (Netflix)
Sandra Oh as Eve Polastri on Killing Eve (Episode: “Are You Leading or Am I?”) (BBC America)
_
Outstanding Lead Actor in a Limited Series or Movie
Mark Ruffalo as Dominick and Thomas Birdsey on I Know This Much Is True (HBO) – winner
Jeremy Irons as Adrian Veidt on Watchmen (HBO)
Hugh Jackman as Dr. Frank Tassone on Bad Education (HBO)
Paul Mescal as Connell Waldron on Normal People (Hulu)
Jeremy Pope as Archie Coleman on Hollywood (Netflix)
_
Outstanding Lead Actress in a Limited Series or Movie
Regina King as Angela Abar / Sister Night on Watchmen (HBO) – winner
Cate Blanchett as Phyllis Schlafly on Mrs. America (FX)
Shira Haas as Esther “Esty” Shapiro on Unorthodox (Netflix)
Octavia Spencer as Madam C. J. Walker on Self Made (Netflix)
Kerry Washington as Mia Warren on Little Fires Everywhere (Hulu)
_
Outstanding Supporting Actor in a Comedy Series
Dan Levy as David Rose on Schitt’s Creek (Episode: “Happy Ending”) (Pop TV) – winner
Mahershala Ali as Sheikh Ali Malik on Ramy (Episode: “Little Omar”) (Hulu)
Alan Arkin as Norman Newlander on The Kominsky Method (Episode: “Chapter 14: A Secret Leaks, a Teacher Speaks”) (Netflix)
Andre Braugher as Captain Ray Holt on Brooklyn Nine-Nine (Episode: “Ransom”) (NBC)
Sterling K. Brown as Reggie on The Marvelous Mrs. Maisel (Episode: “Panty Pose”) (Prime Video)
William Jackson Harper as Chidi Anagonye on The Good Place (Episode: “Whenever You’re Ready”) (NBC)
Tony Shalhoub as Abe Weissman on The Marvelous Mrs. Maisel (Episode: “Marvelous Radio”) (Prime Video)
Kenan Thompson as Various Characters on Saturday Night Live (Episode: “At Home #2”) (NBC)
_
Outstanding Supporting Actress in a Comedy Series
Annie Murphy as Alexis Rose on Schitt’s Creek (Episode: “The Presidential Suite”) (Pop TV) – winner
Alex Borstein as Susie Myerson on The Marvelous Mrs. Maisel (Episode: “Marvelous Radio”) (Prime Video)
D’Arcy Carden as Janet on The Good Place (Episode: “You’ve Changed, Man”) (NBC)
Betty Gilpin as Debbie “Liberty Bell” Eagan on GLOW (Episode: “A Very GLOW Christmas”) (Netflix)
Marin Hinkle as Rose Weissman on The Marvelous Mrs. Maisel (Episode: “A Jewish Girl Walks Into the Apollo…”) (Prime Video)
Kate McKinnon as Various Characters on Saturday Night Live (Episode: “Host: Daniel Craig”) (NBC)
Yvonne Orji as Molly Carter on Insecure (Episode: “Lowkey Lost”) (HBO)
Cecily Strong as Various Characters on Saturday Night Live (Episode: “Host: Eddie Murphy”) (NBC)
_
Outstanding Supporting Actor in a Drama Series
Billy Crudup as Cory Ellison on The Morning Show (Episode: “Chaos Is the New Cocaine”) (Apple TV+) – winner
Nicholas Braun as Greg Hirsch on Succession (Episode: “This Is Not for Tears”) (HBO)
Kieran Culkin as Roman Roy on Succession (Episode: “Tern Haven”) (HBO)
Mark Duplass as Charlie “Chip” Black on The Morning Show (Episode: “The Interview”) (Apple TV+)
Giancarlo Esposito as Gus Fring on Better Call Saul (Episode: “JMM”) (AMC)
Matthew Macfadyen as Tom Wambsgans on Succession (Episode: “This Is Not for Tears”) (HBO)
Bradley Whitford as Commander Joseph Lawrence on The Handmaid’s Tale (Episode: “Sacrifice”) (Hulu)
Jeffrey Wright as Bernard Lowe on Westworld (Episode: “Crisis Theory”) (HBO)
_
Outstanding Supporting Actress in a Drama Series
Julia Garner as Ruth Langmore on Ozark (Episode: “In Case of Emergency”) (Netflix) – winner
Helena Bonham Carter as Princess Margaret on The Crown (Episode: “Cri de Coeur”) (Netflix)
Laura Dern as Renata Klein on Big Little Lies (Episode: “Tell-Tale Hearts”) (HBO)
Thandie Newton as Maeve Millay on Westworld (Episode: “The Winter Line”) (HBO)
Fiona Shaw as Carolyn Martens on Killing Eve (Episode: “Management Sucks”) (BBC America)
Sarah Snook as Siobhan “Shiv” Roy on Succession (Episode: “The Summer Palace”) (HBO)
Meryl Streep as Mary Louise Wright on Big Little Lies (Episode: “I Want to Know”) (HBO)
Samira Wiley as Moira Strand on The Handmaid’s Tale (Episode: “Sacrifice”) (Hulu)
_
Outstanding Supporting Actor in a Limited Series or Movie
Yahya Abdul-Mateen II as Calvin “Cal” Abar on Watchmen (Episode: “A God Walks into Abar”) (HBO) – winner
Jovan Adepo as Young Will Reeves on Watchmen (Episode: “This Extraordinary Being”) (HBO)
Tituss Burgess as Titus Andromedon on Unbreakable Kimmy Schmidt: Kimmy vs. The Reverend (Netflix)
Louis Gossett Jr. as Will Reeves on Watchmen (Episode: “See How They Fly”) (HBO)
Dylan McDermott as Ernest “Ernie” West on Hollywood (Episode: “Meg”) (Netflix)
Jim Parsons as Henry Willson on Hollywood (Episode: “Outlaws”) (Netflix)
_
Outstanding Supporting Actress in a Limited Series or Movie
Uzo Aduba as Shirley Chisholm on Mrs. America (Episode: “Shirley”) (FX) – winner
Toni Collette as Det. Grace Rasmussen on Unbelievable (Episode: “Episode 6”) (Netflix)
Margo Martindale as Bella Abzug on Mrs. America (Episode: “Bella”) (FX)
Jean Smart as Laurie Blake on Watchmen (Episode: “She Was Killed by Space Junk”) (HBO)
Holland Taylor as Ellen Kincaid on Hollywood (Episode: “Jump”) (Netflix)
Tracey Ullman as Betty Friedan on Mrs. America (Episode: “Betty”) (FX)
_
Outstanding Directing for a Comedy Series
Schitt’s Creek (Episode: “Happy Ending”), Directed by Andrew Cividino and Dan Levy (CBC / Pop TV) – winner
The Great (Episode: “The Great”), Directed by Matt Shakman (Hulu)
The Marvelous Mrs. Maisel (Episode: “It’s Comedy or Cabbage”), Directed by Amy Sherman-Palladino (Prime Video)
The Marvelous Mrs. Maisel (Episode: “Marvelous Radio”), Directed by Daniel Palladino (Prime Video)
Modern Family (Episode: “Finale, Part 2”), Directed by Gail Mancuso (ABC)
Ramy (Episode: “Miakhalifa.mov”), Directed by Ramy Youssef (Hulu)
Will & Grace (Episode: “We Love Lucy”), Directed by James Burrows (NBC)
_
Outstanding Directing for a Drama Series
Succession (Episode: “Hunting”), Directed by Andrij Parekh (HBO) – winner
The Crown (Episode: “Aberfan”), Directed by Benjamin Caron (Netflix)
The Crown (Episode: “Cri de Coeur”), Directed by Jessica Hobbs (Netflix)
Homeland (Episode: “Prisoners of War”), Directed by Lesli Linka Glatter (Showtime)
The Morning Show (Episode: “The Interview”), Directed by Mimi Leder (Apple TV+)
Ozark (Episode: “Fire Pink”), Directed by Alik Sakharov (Netflix)
Ozark (Episode: “Su Casa Es Mi Casa”), Directed by Ben Semanoff (Netflix)
Succession (Episode: “This Is Not for Tears”), Directed by Mark Mylod (HBO)
_
Outstanding Directing for a Limited Series, Movie, or Dramatic Special
Unorthodox, Directed by Maria Schrader (Netflix) – winner
Little Fires Everywhere (Episode: “Find a Way”), Directed by Lynn Shelton (Hulu)
Normal People (Episode: “Episode 5”), Directed by Lenny Abrahamson (Hulu)
Watchmen (Episode: “It’s Summer and We’re Running Out of Ice”), Directed by Nicole Kassell (HBO)
Watchmen (Episode: “Little Fear of Lightning”), Directed by Steph Green (HBO)
Watchmen (Episode: “This Extraordinary Being”), Directed by Stephen Williams (HBO)
_
Outstanding Writing for a Comedy Series
Schitt’s Creek (Episode: “Happy Ending”), Written by Dan Levy (CBC / Pop TV) – winner
The Good Place (Episode: “Whenever You’re Ready”), Written by Michael Schur (NBC)
The Great (Episode: “The Great”), Written by Tony McNamara (Hulu)
Schitt’s Creek (Episode: “The Presidential Suite”), Written by David West Read (CBC / Pop TV)
What We Do in the Shadows (Episode: “Collaboration”), Written by Sam Johnson and Chris Marcil (FX)
What We Do in the Shadows (Episode: “Ghosts”), Written by Paul Simms (FX)
What We Do in the Shadows (Episode: “On the Run”), Written by Stefani Robinson (FX)
_
Outstanding Writing for a Drama Series
Succession (Episode: “This Is Not for Tears”), Written by Jesse Armstrong (HBO) – winner
Better Call Saul (Episode: “Bad Choice Road”), Written by Thomas Schnauz (AMC)
Better Call Saul (Episode: “Bagman”), Written by Gordon Smith (AMC)
The Crown (Episode: “Aberfan”), Written by Peter Morgan (Netflix)
Ozark (Episode: “All In”), Written by Chris Mundy (Netflix)
Ozark (Episode: “Boss Fight”), Written by John Shiban (Netflix)
Ozark (Episode: “Fire Pink”), Written by Miki Johnson (Netflix)
_
Outstanding Writing for a Limited Series, Movie, or Dramatic Special
Watchmen (Episode: “This Extraordinary Being”), Written by Damon Lindelof and Cord Jefferson (HBO) – winner
Mrs. America (Episode: “Shirley”), Written by Tanya Barfield (FX)
Normal People (Episode: “Episode 3”), Written by Sally Rooney and Alice Birch (Hulu)
Unbelievable (Episode: “Episode 1”), Written by Susannah Grant, Michael Chabon, and Ayelet Waldman (Netflix)
Unorthodox (Episode: “Part 1”), Written by Anna Winger (Netflix)
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ISOBEL ELSOM.
Filmography
Theater
1917-1918 : The Freaks, by Arthur Wing Pinero, with C.V. France and Leslie Howard (London)
1920-1921 : Up in Mabel's Room, by Wilson Collison (London)
1922-1923 : Sweet Lavender, by Arthur Wing Pinero (London)
1923-1924 : The Green Goddess, by William Archer, with George Arliss, Ivan F. Simpson (London)
1926: The Ghost Train, by Arnold Ridley, with Eric Blore, Claudette Colbert
1927: The Mulberry Bush, by Edward Knoblauch, with Claudette Colbert
1927 : People don't do such Things, by Lyon Mearson and Edgard M. Schoenberg, with Stanley Logan
1928: The Silver Box, by John Galsworthy, with Mary Forbes
1928: Harry Segall's The Behavior of Mrs. Crane with Walter Connolly and Charles Trowbridge
1928: The Outsider, by Dorothy Brandon
1938-1939 : American Landscape, by Elmer Rice, with Charles Dingle and Charles Waldron
1940: Ladies in Retirement, by Reginald Denham and Edward Percy, with Flora Robson
1942: The Flowers of Virtue, by Marc Connelly, with Frank Craven, Thomas Gomez and Vladimir Sokoloff
1944-1945 : Hand in Glove, by Charles K. Freeman and Gerald Savory, directed by James Whale
1950: The Innocents, by William Archibald, with music by Alex North
1950: The Curious Savage, by John Patrick, with Lillian Gish
1951: Romeo and Juliet, by William Shakespeare, with Olivia de Havilland and Jack Hawkins
1952: The Climate of Eden, by Moss Hart
1954m : The Burning Glass, by Charles Langbridge Morgan, with Cedric Hardwicke and Walter Matthau
1957: Hide and Seek, by Roger McDougall and Stanley Mann, with Barry Morse and Basil Rathbone
1957: The First Gentleman, by Norman Ginsbury, with Walter Slezak.
Movies
1915: A Prehistoric Love Story, by Leedham Bantock (short)
1916: Milestones, by Thomas Bentley
1918: The Man Who Won, by Rex Wilson
1918 : The Way of an Eagle, by G.B. Samuelson
1918: The Elder Miss Blossom, by Percy Nash
1919: Hope, by Rex Wilson
1919: Quinneys, by Maurice Elvey and Herbert Brenon
1920: Aunt Rachel, by Albert Ward
1921: For her Father's Sake, by Alexander Butler
1922: A Debt of Honour, by Maurice Elvey
1922 : The Game of Life, by G.B. Samuelson
1923: The Harbor Lights, by Tom Terriss
1923: The Wandering Jew, by Maurice Elvey.
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Polubione na YouTube: THE F*CKBOY SONG https://youtu.be/_2wLsD4zZuY There's a subculture of Internet-famous young men who write vague, romantic tweets to appeal to their boy-crazy audiences. What if a song were constructed using nothing but their tweets for lyrics? GET THE SONG HERE! ►►http://ift.tt/2jsZFoE BEHIND THE SCENES ►► COMING SOON SUBSCRIBE for more Smosh ►► http://www.youtube.com/smosh CAST Ian Hecox Anthony Padilla Jon Cozart Noah Grossman Keith Leak Jr. Courtney Miller Olivia Sui Shayne Topp Dave "Lasercorn" Moss Amra Ricketts Mari Takahashi BACKGROUND Stephanie Lugo Rachel Fogarty Makena Smith Danielle Carrillo Jessica Green Annie Hsu Ana Sofia Fehn Jennifer Newshan Danielle Griffin Joshua Madrid CREW Directed by Ryan Todd Written by Various F*ckboys of the world Produced by Ryan Todd and Anthony Padilla & Ian Hecox Music by Peter de Leon Smosh Co-Founded by Ian Hecox & Anthony Padilla Smosh Creative Director: Joe Bereta Director of Photography: Nick Giomuso Editor: Michael Barryte Producer: Alex Hluch Line Producer: Michelle Holman Associate Producer: Rebecca Doyle First Assistant Director: Tanner Risner Second Assistant Director: Andy Garwig Art Director: Steven Smyka Production Designer: Carly Larson Camera: Billy Yates First Assistant Camera: Nick Goto Gaffer: Spencer Smith Key Grip: Nate Robinson Grip and Electric Swing: Trent Turner Grip and Electric Swing: Demetrios Katsantonis Sound: Ivan Harder Makeup: Lisette Santana Wardrobe: Lindsay Hamilton Wardrobe Assistant: Courtney MacWilliams DIT/Media Management: Zach Butler Script Supervisor: Alyssa Lana Assistant Editor: Katie Reed Behind-the-Scenes: Phil Mohr Post-Production Supervisor: Michael Barryte Colorist: Mike Burton Production Assistant: Garrett Palm, Katie Waldron, Jasmine De La Fuente ORIGINAL MUSIC “Fuckboi Song” Arranged and Melody by Ian Hecox, Anthony Padilla, and Ryan Finnerty Performed by Anthony Padilla, Ian Hecox, Jon Cozart Produced by Peter de Leon
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13 Various Ways To Do Benjamin Moore Beach Plum | benjamin moore beach plum
NEW CANAAN, CT — Hundreds of aggressive New Canaan High Academy acceptance accomplished third division High Honors and Honors status, academy admiral announced.
To accomplish High Honors status, a apprentice charge advance a 90 boilerplate during the quarter, according to academy officials. To accomplish Honors status, they charge advance an 85 average.
Below is the abounding account of names, alphabetically by grade. Congratulations to all the students:
Grade 12 High HonorsRiana Afshar, Fallon Arnone, Maria Estelle Asker, Alexis Axon, Brooke Barber, Claire Batchelor, Ryan Benevento, Audrey Bloom, Olivia Bognon, Caitlin Bradley, Claire Brunner, Alexandra Budnick, Brian Campe, Jackson Camporin, Alexandra Carlson, Isabelle Carpenter, Christopher Carratu, Mario Castaldo, Tara Chugh, Naomi Cimino, Bartholomew Codd, Helen Culpepper, Sophie Curcio, Elise Curren, Leila Dann, William Dantini, Griffen Dayton, Elizabeth DeMarino, Vivian Ding, Heather Doherty, Elizabeth Dolan, Emma Dunlap, Katherine Dunn, Mia Fedeli, Tessa Fieldman, Kiera Joanne Finnerty, Taylor Frame, Charlotte Gardner, Paula Graham, Liam Griffiths, Drew Guida, Amanda Hall, Alexandra Harte, Brian Hartz, Grace Higgins, Elizabeth Hirai, Nicholas Hoge, Steven Hoge, Sofia Ippolito, Andrew Jameson, Alyssa Khoo, Emily Knight, Cella Kove, Elizabeth Kuchinski, Zachary LaPolice, Allison Leopold, Katherine Lisecky, Natalie Lopez, Ryan Lytle, Thomas Marshall, Jordan McDonald, Anna Thérѐse Mehra, Alexander Meintzer, Andrew Mihailoff, Andrew Morse, Hudson Neleman, Theodore Nelson, Teresa Oliveira, Bennett Ong, Sophia Palamenti, Cortland Parrott, Dylan Pescatore, Martina Pincione, Alexa Pittaro, Lucy Potter, Sophie Potter, Olivia Prazenka Moor, Kristen Raffaele, John Renda, Charles Richardson, Megan Rigione, Skyler Risom, Colin Russo, Karoline Sauan Gregorian, Luciana Savini, Riley Seelert, Katharine Shaughnessy, Mark Silber, Fiona Stevens, Georgia Stewart, Maggie Streinger, Hannah Suthons, Thomas Suthons, Andrew Symon, Isha Teredesai, Caroline Tuffy, Michael Turiano, Emma Uzgiris, Dustin Valenti, Sofia Vallejo Luna, Colin Vetterli, Meredith Waldron, Thomas Welch, Justin Wietfeldt, Eric Wills, Sophia Yee, Emma Youngman
Grade 11 High HonorsAshley Abate, Chloe Adams, Pahal Ahuja, Saimanish Akavaramu, Alexis Angermueller, Harrison Appelt, Oliver Arrix, Matthew Balkun, Julia Bazata, Evan Beiles, Matthew Benevento, William Besgen, Gabriella Bisesi, Aidan Blair, Charles Borthwick, William Bozzella, Gavin Bramwit, Caroline Brooks, Charles Brossy, Reid Brown, Blaine Burke, Nicolas Butler, Colin Byrne, Emma Caione, Ryan Caione, Bryce Campbell, Christopher Canet, Henry Cannon, Steven Capelo, Julia Carpi, Alexa Carrillo, Darby Carroll, Christian Carson, Annabelle Catlin, John Catlin, Alexandra Cioffi, Benjamin Clay, Wesley Cloud, Lydon Cooney, Ryan Corbett, Gretchen Crane, Daisy Crystal, James Dathan, John Dayton, Edmund DeClue, Sarah DiCosmo, Hannah Doka, Noah Dorfsman, Mason Dorman, Demetria Dresser, John Eccleston, Marina Forni, Charlotte Frank, Andrew Frederick, William Galvan, Boden Gammill, Charlotte Gelhaus, Edward Gentner, Eren Geray, Emma Gibbens, Riley Gibbons, Alexandra Gillespie, Ava Gjertsen, John Goetz, Benjamin Graham, Andrea Gravereaux, Madison Grenauer, Meghan Griffiths, William Grigsby, Elyssa Grogan, Jack Grogan, William Haddad, Maddie Haley, Lindsay Hall, Addison Hanrattie, McKenna Harden, Oliver Harris, John Harrison, Sophie Havens, Fiona Hickey, Anna Higgins, Shea Hobbs, Annika Holmberg, Colton Howe, William Hynes, Samuel Ives, Ethan Jones, Shannon Jordan, Sophia Karimnejad, August Kelliher, Dylan Kortman, Neya Krishnan, Alexandra Kurz, Dhiraj Kuttichirayil,
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Goldman Sachs is looking to invest in high-growth startups outside of Silicon Valley (GS)
REUTERS/Gary Cameron
Goldman Sachs, like many Wall Street banks, has seen its trading revenues decline in recent quarters.
The investment bank is now looking at doing more private-equity deals.
Goldman Sachs Group Inc is ramping up its private-equity investments and going after smaller, high-growth targets as part of a broad plan to offset recent trading declines, three people familiar with the effort told Reuters.
Goldman's investment bank, which typically focuses on advising large companies on mergers and raising capital, is now looking to use Goldman's own funds to finance a handful of small, promising companies in the near-term, the people said.
The initiative is led by senior investment banker Kathy Elsesser, who earlier this year took on the project in addition to her role as global chair of consumer, retail, and healthcare investment banking. She will be responsible for looking for deals in these sectors.
The goal is to repeat Goldman's past success with early-stage investments in tech companies such as Uber Technologies Inc. The latest effort, however, would target industries outside of Silicon Valley, said the people, who declined to be named because the strategy they were discussing was not yet public.
It is one of several initiatives Goldman has launched to add $5 billion to annual revenue after a slump in bond trading. Among those are efforts to lend more, come up with creative deals to pitch to big clients, and convince more corporations and investors to trade with Goldman Sachs.
The private-equity plan may not be a slam dunk. Investments could be duds, especially because fierce competition has made it more difficult to produce strong returns from private equity. Bankers will also have to be careful not to anger Goldman's investor clients chasing the same deals.
Even a successful effort is unlikely to make up for the billions of dollars' of trading revenue Goldman has lost since 2009, analysts said.
"They've admitted there is a potential problem long-term with revenue growth so they need to do something about it," said Brian Kleinhanzl, a bank analyst with Keefe, Bruyette & Woods. "But it's rare for things to move the needle too much with Goldman."
Those involved with the strategy characterized it as one of many ways Goldman is trying to use its own capital to boost returns, even if it is on a small scale.
Smaller Commitments
It is unclear how much capital Goldman will ultimately devote to the effort, but individual investments will be in the tens of millions of dollars, people familiar with the plan said. The capital will come from the investment bank's allocated balance sheet, they said.
Commitments will be much smaller than those made by Goldman's merchant banking arm or the private-equity funds it mostly manages for clients, where investments can top $800 million.
Goldman has been reducing its own investments in those funds due to the Volcker rule, which was implemented after the 2007-2009 financial crisis to prevent banks from making big market bets with their own capital. The rule limits commitments to private-equity funds, but not how much banks can invest directly in individual companies through loans or merchant banking-style equity deals.
Elsesser's new role showcases the growing importance of Goldman's investment bank, which is central to many of its new revenue initiatives.
Under the leadership of co-heads Gregg Lemkau, Marc Nachmann and John Waldron, the business has strengthened its presence in cities such as Atlanta and Dallas, hired more senior dealmakers from Wall Street rivals, created a new team to pitch innovative ideas to big clients, and invested in technology.
The new initiative aims to not only profit from investments in the startups, but to make it easier forGoldman to handle public offerings or sales down the line because bankers will already have relationships with management, the people said.
It could be difficult, however, for analysts and investors to track progress.
While the team works within Goldman's investment bank, any income generated from its equity stakes will flow into Investing & Lending, which is not a business but a reporting category that shows the results of Goldman Sachs employing its own capital.
Since the bank began reporting earnings that way, annual revenue from Investing & Lending has varied widely, from $2.1 billion to $7.5 billion.
ReutersThrough the first nine months of this year, Goldman's Investing & Lending revenue has soared 90 percent. Private-equity gains helped the bank beat Wall Street third-quarter estimates even as trading revenue slumped.
Some analysts are more optimistic about Goldman's private-equity push than other initiatives, such as consumer lending or corporate hedging, where it has little to no experience.
"Part of Goldman's core business is its ability to take equity stakes in companies they're working with," said Marty Mosby, an analyst with Vining Sparks. "It may create more volatile outcomes, but ultimately it's more within their competency than other businesses they're trying to get into."
(Reporting by Olivia Oran in New York; Editing by Lauren Tara LaCapra and Tomasz Janowski)
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