#ONe city Hamlet
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onegroupmohali · 3 months ago
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official-english-major · 4 months ago
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*grabs you by the shoulders while frothing at the mouth* all great works of literature feature themes of love and loss
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staloysius · 9 days ago
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Trauma? No! My life is simply written by esteemed 70's mangaka Takemiya Keiko!
Just...minus the beautiful flower backdrops and neoclassical motifs.
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moonlarked · 2 years ago
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Characters I have had connections/hyperfixations on throughout my life (aka my blorbos) in chronological order:
Firestar (warrior cats)
Moonwatcher (wings of fire)
Peril (wings of fire)
Percy Jackson (pjo)
Sophie Foster (kotlc)
Wanda Maximoff (mcu)
Sophie Foster (kotlc)
Horatio (hamlet)
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Here's THE masterpost of free and full adaptations, by which I mean that it's a post made by the master.
Anthony and Cleopatra: here's the BBC version, here's a 2017 version.
As you like it: you'll find here an outdoor stage adaptation and here the BBC version. Here's Kenneth Brannagh's 2006 one.
Coriolanus: Here's a college play, here's the 1984 telefilm, here's the 2014 one with tom hiddleston. Here's the Ralph Fiennes 2011 one.
Cymbelline: Here's the 2014 one.
Hamlet: the 1948 Laurence Olivier one is here. The 1964 russian version is here and the 1964 american version is here. The 1964 Broadway production is here, the 1969 Williamson-Parfitt-Hopkins one is there, and the 1980 version is here. Here are part 1 and 2 of the 1990 BBC adaptation, the Kenneth Branagh 1996 Hamlet is here, the 2000 Ethan Hawke one is here. 2009 Tennant's here. And have the 2018 Almeida version here. On a sidenote, here's A Midwinter's Tale, about a man trying to make Hamlet. Andrew Scott's Hamlet is here.
Henry IV: part 1 and part 2 of the BBC 1989 version. And here's part 1 of a corwall school version.
Henry V: Laurence Olivier (who would have guessed) 1944 version. The 1989 Branagh version here. The BBC version is here.
Julius Caesar: here's the 1979 BBC adaptation, here the 1970 John Gielgud one. A theater Live from the late 2010's here.
King Lear: Laurence Olivier once again plays in here. And Gregory Kozintsev, who was I think in charge of the russian hamlet, has a king lear here. The 1975 BBC version is here. The Royal Shakespeare Compagny's 2008 version is here. The 1974 version with James Earl Jones is here. The 1953 Orson Wells one is here.
Macbeth: Here's the 1948 one, there the 1955 Joe McBeth. Here's the 1961 one with Sean Connery, and the 1966 BBC version is here. The 1969 radio one with Ian McKellen and Judi Dench is here, here's the 1971 by Roman Polanski, with spanish subtitles. The 1988 BBC one with portugese subtitles, and here the 2001 one). Here's Scotland, PA, the 2001 modern retelling. Rave Macbeth for anyone interested is here. And 2017 brings you this.
Measure for Measure: BBC version here. Hugo Weaving here.
The Merchant of Venice: here's a stage version, here's the 1980 movie, here the 1973 Lawrence Olivier movie, here's the 2004 movie with Al Pacino. The 2001 movie is here.
The Merry Wives of Windsor: the Royal Shakespeare Compagny gives you this movie.
A Midsummer Night's Dream: have this sponsored by the City of Columbia, and here the BBC version. Have the 1986 Duncan-Jennings version here. 2019 Live Theater version? Have it here!
Much Ado About Nothing: Here is the kenneth branagh version and here the Tennant and Tate 2011 version. Here's the 1984 version.
Othello: A Massachussets Performance here, the 2001 movie her is the Orson Wells movie with portuguese subtitles theree, and a fifteen minutes long lego adaptation here. THen if you want more good ole reliable you've got the BBC version here and there.
Richard II: here is the BBC version. If you want a more meta approach, here's the commentary for the Tennant version. 1997 one here.
Richard III: here's the 1955 one with Laurence Olivier. The 1995 one with Ian McKellen is no longer available at the previous link but I found it HERE.
Romeo and Juliet: here's the 1988 BBC version. Here's a stage production. 1954 brings you this. The french musical with english subtitles is here!
The Taming of the Shrew: the 1980 BBC version here and the 1988 one is here, sorry for the prior confusion. The 1929 version here, some Ontario stuff here, and here is the 1967 one with Richard Burton and Elizabeth Taylor. This one is the Shakespeare Retold modern retelling.
The Tempest: the 1979 one is here, the 2010 is here. Here is the 1988 one. Theater Live did a show of it in the late 2010's too.
Timon of Athens: here is the 1981 movie with Jonathan Pryce,
Troilus and Cressida can be found here
Titus Andronicus: the 1999 movie with Anthony Hopkins here
Twelfth night: here for the BBC, here for the 1970 version with Alec Guinness, Joan Plowright and Ralph Richardson.
Two Gentlemen of Verona: have the 2018 one here. The BBC version is here.
The Winter's Tale: the BBC version is here
Please do contribute if you find more. This is far from exhaustive.
(also look up the original post from time to time for more plays)
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cressidagrey · 3 months ago
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Stars all aligned - Chapter 7
Summary:
If there was one thing that both Azriel and Zahra Archeron had in common, it was that they were both very good at blending into the background.
They just never thought that their family were going to be the ones who never saw them at all.
Warning:
I'll keep the warnings, even though there is no outright mention in this part: Bashing of like...every IC member? Especially the Archeron Sisters, discussion of chronic pain, discussion of Infertility, Implied/Referenced Child Abuse, Implied/Referenced Underage Prostitution, Underage Rape/Non-con, Implied/Referenced Sexual Assault
If any of this triggers you or makes you uncomfortable, please, take care of your own mental health and don't read it.
(Lovely dividers thanks to @sweetmelodygraphics)
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"I want you out of Velaris, when I have a talk with them," Azriel broached the topic a few days later. Zahra just stared at him.
"I have nowhere else to go," she said drily. 
She had the cottage and that was it. And her tries at winnowing…let’s just say she did not trust herself to winnow anywhere she didn’t know very well. 
Azriel’s face was unreadable, but there was a tension in his shoulders, a tightness in his wings.
He was clearly on edge...but then, he had been for quite a while, whenever the topic of their family came up. 
Whenever she told him about her life in the cottage and later as a maid at the Archeron Estate…he had looked murderous.
"I have a small cottage by the sea you can...stay in," Azriel suggested softly.
Zahra just stared at him. "You have a cottage by the sea," she echoed, amused besides herself.
Azriel moved to stand behind her, where she was washing dishes in the sink and he pressed a kiss against her cheek.
"I am just paranoid," he promised her. "Nothing bad will happen...But I would feel better if you are out of the city, if I get into a fight with Cassian and accidentally level it."
"That's not funny," she told him drily, but bit back a smile, especially as she leaned back against his broad chest, the dishes forgotten in the soapy water in the sink.
"At the coast?" she asked him softly. The coast sounded…nice.
"Rosehall," he explained. "It's...It's where my mother lives."
"Your mother?" she echoed, surprised.
Azriel nodded, his hands resting on her hips as he leaned down and buried his face in her neck.
"I bought it for her a long time ago," he murmured as his lips brushed against her skin. "It's...right there by a little hamlet we turned into a haven for displaced Illyrians. You can stay there...just until my brothers get the stick out of their asses and come to their senses."
Zahra let out a snort of laughter. “Sure, I will just wait around until your brothers come to their senses,” she said with a little smile, turning around and reaching up to brush away the stray strands of his dark hair from his forehead. “And how long do you think that is going to take?”
"Not long," he promised her. "And then I'll get started on your sisters," he promised her, pressing a kiss against her forehead and Zahra melted.
She loved the easy attention, the sweet little forehead kisses he dished out to her so often, nearly absentmindedly. The touch of his hands on hers…
She loved the way he smiled at her...just at her.
And yet…and yet she couldn’t help but feel a pang of guilt at the mention of her sisters, even if she tried her best not to let it show.
“You are so sure of yourself,” she teased him, trying to keep her voice light as she rested her hands on his chest.
Azriel just smiled down at her, the expression in his eyes gentle, his wing shifting to wrap around her body as he pulled her against the hardness of his chest.
“We’ll get things figured out,” he murmured as one large hand moved up to run through her braid, smoothing back some of the messier strands. “You don’t need to worry.”
“You sound so confident,” she said, a smile playing on her lips despite herself as she took a moment to admire his handsome face, so close to hers.
His smile was a rare sight, his features so often schooled into a careful mask of neutrality, but as she studied his face she could see the warmth in his dark eyes, and she loved the way his lips curled up in their corners so slightly.
“If I didn’t know better, I’d think you are arrogant.”
He chuckled at that, and the low sound of his laughter vibrated through his chest.
“Are you calling me arrogant?” he asked, his wings shifting around them again, pulling her just a little bit closer to his body, the powerful muscles of those wings pressing against her back.
“Yes, I think I am,” she said with a smile, tilting her head up to look at him, her eyes flicking between the different shadows on his face.
His gaze held hers for a long moment, the corner of his lips still curled up, a teasing expression in his dark eyes.
“Arrogant and overconfident and insufferable,” she added jokingly and she felt the rumble of a silent laugh in his chest.
"Don't worry," he repeated. "It will be fine," he promised her evenly.
Zahra wished she only had one bit of his confidence
“And if it’s not?” she asked him quietly.
The tension was back in his shoulders, in the hands that were still resting on her hips.
His whole body grew taut in that second but his voice was even as he spoke. “This isn’t the first time we are having a heated disagreement. They’ll get over it.”
“Maybe,” she agreed grudgingly.
But something inside of her didn’t feel so sure, and her stomach was tied into knots at the thought of her sisters catching wind of what was going on between her and Azriel.
Still, if it calmed him...she filled a bag with clothing and toiletries, not that she owned much, and locked the door of her cottage after herself, just as Azriel offered her his hand...and then she dragged him to one of the flower stalls in the city, because she was not going to show up to meet his mother empty-handed.
“Flowers?” Azriel asked her, a smirk on his face as he looked at her with that amused look in his eyes.
She shot him a glare. “I am not going to pay a visit to your mother without carrying anything, and I don’t own a single bottle of wine, so flowers will have to suffice.”
He just shook his head at her, a look of exasperated fondness on his face as he let her lead him towards a stall with a colorful display and an array of wildflowers.
Flowers acquired, Zahra was ready to go to Rosehall.  
"It's going to feel different than winnowing," Azriel warned her. "Just hold onto me."
Zahra just squeezed her eyes shut and clenched her fingers around his...and a second later, she could taste sea salt in the air and feel icy illyrian air on her skin.
Even when summer had already arrived in Velaris, the same couldn’t be said here. 
The icy cold air was a shock to her system as she was suddenly assaulted by the brutal cold, the sharp wind and the thick cloud cover.
Zahra stumbled on her feet as her knees nearly buckled from under her and she found herself clinging instinctively to Azriel’s arm, trying to find her footing as she took in her surroundings, blinking as the cold air was slapping against her face.
It was icy there.
She’d known that the coast was chilly, but she was not prepared for that kind of cold.
“You didn’t mention it was this cold,” Zahra said through chattering teeth.
"Let's get you inside," Azriel said quickly, pulling her from the forest where they had appeared, towards a grey stone cottage, nestled in the harsh terrain. If she stood on her tiptoes, she could just see the sea down over the cliffs...a couple more houses dotted around, as Azriel pulled her towards the one with smoke happily puffing out of the chimney.
Zahra had no chance to truly study it, before Azriel was pushing the door open wide and ushered her into the house.
The air inside was warm, a heavy sort of warmth that made it clear a fire had been lighting for a while in the stone fireplace that stood in one of the corners of the room.
Zahra was so relieved to get out of the biting chill of the air and she was about to take a look around, when a voice startled her. 
"Azriel?" A  female’s voice called, and just a moment later she appeared in the doorway of the kitchen. 
For one moment Zahra was struck by how young she looked. If Zahra hadn't known better, she would have thought this was Azriel's sister and not his mother. 
The dark hair, braided and pinned to her head, the same hazel brown eyes... the planes of her face were different though. Azriel must resemble his father more than her. But she was beautiful...even with a vicious, gnarly scar that destroyed the left side of her face.
“Hello, Ma,” Azriel said warmly. 
"And you brought a guest," she said with a smile as her eyes settled on Zahra, studying her.
Zahra shifted, feeling suddenly very self-conscious and nervous, especially as the woman's eyes, so much like Azriel's, slowly appraised her from head to toe.
Azriel just stepped closer to her and placed his hand on the small of her back.
"Ma, I'd like you to meet Zahra Archeron, my Mate. Zahra, my mother Esmeray," he introduced them and a smile stretched over Esmeray's face, so bright and beautiful that her scar was forgotten. Surprised but…pleased.
​​Esmeray's eyes filled up with tears and she made a quick move forward, that nearly made Zahra flinch, but then she had already wrapped her arms around Zahra's shoulders, pulling her into a tight bear hug that nearly had Zahra stumbling from her feet again.
She got a whiff of a scent that had the same fresh and clean scent of Mist that Azriel must have inherited from her. 
"Your Mate!" Esmeray exclaimed, as she pulled back and beamed at Zahra. "I'd given up hope of him ever finding his Mate,” she told Zahra conspiratorially. “But here you are!” 
Azriel rubbed the back of his neck in that familiar nervous gesture, a slight flush in his face and a small smile on his lips.
Zahra, meanwhile, was still struck dumbfounded and all she could do was to give Esmeray a weak smile, when the female suddenly let go of her and turned to her son.
"I cannot believe it!" Esmeray said, her voice nearly a whisper, as she threw her arms around Azriel's neck.
He looked stiff for a moment, like he wasn’t quite used to being hugged, but then a smile appeared on his face and he relaxed in her embrace as he hugged her back.
She pulled back a few seconds later, still smiling up at him, her eyes wide, before she turned back to Zahra.
"It's a pleasure to meet you," Zahra said quickly, as the woman's attention turned back to her.
Esmeray's smile only grew bright. "The pleasure is all mine. But look at me, I am being a terrible host," she said, before she took a step back and gestured towards the chairs around the fireplace. "Come, please sit down."
"I brought flowers," Zahra said hesitantly.
Esmeray's attention fell on the flowers and another smile appeared on her face. "How thoughtful," she said, a soft edge in her voice. "Such a sweet girl. But you didn't need to do that."
"She insisted," Azriel said drily.
That just made Esmeray chuckle, a sound that filled the room, warm and low.
“She has very good manners,” Esmeray told her son drily as she stepped to the small table to search for a vase.
Azriel just shot Zahra a little smile as he guided her to one of the chairs around the fire, and pulled out one of the chairs for her to sit down.
Zahra shot him a thankful look, even as her mind was still processing the fact that she had just met his mother. His lovely, kindhearted mother.
Zahra couldn't remember her own mother. At least not really. And Mrs. Archeron…she had hated the very air Zahra breathed. But Esmeray...
Azriel must have caught the look in her eyes, because he gave her an encouraging smile as he sat down beside her and took her hand in his.
His mother soon turned from the kitchen, the vase of wildflowers clutched in her hands as she set in on the table.
“They’ll look lovely on the windowsill,” she said as she took a seat at the table, that smile still on her face as she regarded them.
Zahra bit her lower lip. She had no idea how to handle this kind of situation. So much warmth inside this little house, so much love...she could feel the energy rolling off of Esmeray in waves.
Azriel squeezed her hand, his expression soft, as his mother observed them intently.
"So," Esmeray said a few seconds later, her eyebrows raising slightly. "You found your  Mate."
Azriel inclined his head. 
Zahra shifted uncomfortably in her chair, her stomach tying into all kinds of knots, as his mother's eyes moved between her and her son.
"You want to tell me the rest of what is going on?" Esmeray asked, her voice softer now. "I can see it on your face."
"I need to get back," Azriel said quietly. "Can Zahra stay with you for the night?"
"What happened?" Esmeray asked. "And of course, she can stay with me. What kind of question is that?" She said with a snort. “She’s your mate, she’s always welcome here.”
"We have a few...family problems," Azriel said drily. "I imagine that Rhysand will be ill-pleased with the mating bond snapping and her sisters are...being...difficult."
That was the understatement of the century.
Zahra sat there, shifting awkwardly in her seat as he spoke, but his mother’s attention remained on Azriel.
“Rhysand will get over himself, you know that,” Esmeray said with a shrug, as though waving away a minor inconvenience. "He always does, and he’s smart in many ways."
Azriel smiled at that, but the shadows in his eyes told a different story.
“And the sisters?” Esmeray asked.
There was a pause, then Azriel shifted uncomfortably. "They’re...adjusting," he said, his voice carefully level, his fingers tightening around Zahra’s.
"I am only their half sister," Zahra said carefully. "I am their father's bastard daughter."
Esmeray mustered her with dark eyes. "You do not need to say more," she said drily. “I can imagine the rest.”
It was strange how a feeling of acceptance washed over her at Esmeray’s words and Zahra stared at the female, speechless for a second before she got her bearings.
“You are not bothered by that?” she asked, the words slipping out before she could think about them, her voice shaking. 
Esmeray let out a little scoff. “Of course not. Why would I be?”
The female picked up a cup of the table and took a sip of from it, those dark eyes studying Zahra with a sort of intensity to them. "I gave birth to a bastard myself," Esmeray said, her voice even. "I can probably imagine better than most what exactly your mother went through...what you went through. I would hope that you were treated better than my son, but if your sisters are being difficult about a mating bond for you...I imagine that hope is without reason."
Zahra swallowed, hard. Her throat felt dry all of a sudden, as an aching sort of feeling settled over her at Esmeray's words. The same sort of aching that appeared whenever she thought of her own mother.
She didn't want to think about the past, about any of that, especially not here, in this house filled with warmth and welcome and an overwhelming sense of acceptance.
Esmeray must have sensed her turmoil, because a soft smile appeared on her face. “You are safe here, Zahra,” she said quietly. “I would never judge you for the failings of your parents. Or for what you yourself may have done in a bid to simply survive.”
Zahra just swallowed. There was a lump in her throat and all she could do was to nod, not trusting her voice. Somehow she felt...strangely stripped down. Like Esmeray could see straight through every mask she put up. She wondered how much she had simple picked up on by meeting her for a few minutes.
It was too much, and she had to look away, because she didn't feel like she could handle the kindness in Esmeray's words.
"But enough of that," Esmeray said after a moment's pause. "Do you like cooking? I was going to make some beef jerky."
"I do like cooking," Zahra agreed with a smile.
“Then come into the kitchen when you have seen Azriel off,” Esmeray said simply. 
She got up gracefully and made her way to the kitchen and Zahra was left staring at her in awe for a few seconds before she felt Azriel's hand squeeze hers again.
He met her gaze and her heart gave a lurch at the shadows in those eyes and the look on his face. "Are you going to be okay here?" he asked softly.
"Please be careful," she blurted out.
Azriel just smiled at her, the look in his eyes turning soft at her words as he pulled her a little closer. "I will be," he said softly. "And I will be back as soon as I can. I promise."
He leaned towards her and pressed his lips against her forehead, lingering for a few seconds, his hand curling over the side of her face. He inhaled, taking in the scent of her hair, and Zahra leaned into the touch.
She wanted...no...she...she needed...she caught his face in her hand, gently stroking his cheek, and then tipped up her chin.
If...If gods forbid...if...She wanted to feel this. At least once. She wanted....
Azriel froze underneath her touch for half a second, then he seemed to realize what she was going to do and a smile appeared on his face.
He chuckled, the sound a soft thing that made her heart flutter, before he leaned down and captured her lips with his.
Zahra let her eyes flutter shut at the feel of his lips against hers, the kiss gentle and soft as he ran his thumb along the curve of her jaw, still holding her steady. For just a moment, all that existed was Azriel.
He gently cupped her face in his hands like she was something fragile and breakable, and then he pulled back, gently pressing his forehead against hers and taking a deep breath.
Gods, Zahra wanted nothing more than just...stay. Right there at his side.
"Nothing will happen," he promised her. "I swear."
"I know," she breathed, opening her eyes to look at him.
He swallowed at the look in her eyes, then he smiled softly. "I will see you soon," Azriel said, the words a promise and a vow all at once.
***​​
Feyre couldn’t get her mind of it.
She couldn’t.
The idea was running through her head on constant repeat.
Over and over, the thoughts just kept circling her mind.
As she lay in bed with Rhys, as she went about her day, as the sun rose and then set, over and over, she just couldn’t seem to get her mind off…off one simple question.
Had Zarah actually had an affair with a married man…or had it been something far worse than that?
She couldn’t get that question out of her head. And so she twisted and turned that night as well, until she finally turned to face Rhys.
He still slept, blissfully unaware of her tossing and turning, of the heavy feeling in her chest. Slowly, she ran her fingers over his features, watching the way he slept. Peaceful and relaxed, a sight that usually made something clench in her chest.
He was everything she had ever wanted. She wished Zahra would have the same one day.
But right now….the sight only made the thoughts in her head whirl faster.
This was her mate, the male she was completely and utterly in love with. And she knew, without a doubt, that he would never…he would never force himself on a female. Would never touch a female for any other reason than mutual consent and desire.
But there were other males out there…males who…who didn’t share the same feelings as Rhys. Males who would see a female trapped in a situation th ast had been…dire like Zahra’s, and see it as nothing more than….than an opportunity.
She thought back to these years trapped in the cottage. Thought back to Zahra cooking and cleaning…
Thought about the long hours spent in the kitchen, mending and cooking…
Thought about the bony and skinny girl with the messy dark braid…these green eyes, the way she stayed quiet and in the corner, never raising her voice, never drawing attention to herself.
Feyre had never seen her disappear but then Feyre had often been off in the forest.
She wouldn’t have really noticed the times Zahra snuck off. She’d been so tired after her hunts, too focused on staying alive and keeping her family alive to pay attention to the things going on around her. Had her sister…had she…had she been meeting someone?
Had she snuck out to meet with…with a male?
Had her sister…had Zahra had an affair with that apothecary?
She tired to remember him…tried to remember the long suffering wife of his…her ash blond hair pulled back from her face, their gaggle of three kids…all of them wide eyed and quiet.
He was one of the richer man in the village…with beady eyes and hair struck through with grey…
She remembered the way he’d leer at females who came into his shop for supplies, the way he would look at them as if they were a piece of meat to be bought.
She could remember the way he'd sneer at poor female who'd come in, bartering and scrounging for every copper coin they had, and the way he'd look so smug when he charged them for every little thing…
Zahra had had an affair with him?
There was nothing attractive about him.
Feyre had always hated the way he’d leered at her. The way he'd looked at her as if she was a piece of meat.
There was nothing about him that was appealing in any way.
He was old, cold, calculating and cruel. And to think that a young, pretty female like Zahra…who, despite the way she tried to dress to blend in, was still gorgeous, would have anything to do with him…
Rhys stirred, his face scrunching up in a frown and his eyes slowly blinked open.
Violet eyes met hers, and Feyre forced herself to push her worries aside.
“What’s wrong?” Rhys’s voice was heavy with sleep, his words slow and mumbled.
Feyre let out a shaky breath, running her fingers through his black hair, trying to calm her thoughts.
“Nothing,” she said, shaking her head. “Go back to sleep.”
Rhys grumbled, shifting his head to bury his face into her neck, making a sound of disagreement from deep in his throat.
His arms wrapped around her middle, pulling her tightly against his side.
“Something’s on your mind, Feyre Darling,” he mumbled against her neck, planting a kiss on the skin there. “I can tell.”
“Did you ever…did you ever get anything from Zahra’s mind about…” Feyre trailed off.
A beat of silence fell, and Rhys’s breath against her neck paused, his body stilling against hers.
A long moment passed, before Rhys inhaled, pulling his head back to look at her. “No,” he finally said. “But then…I never even tried to get into her head. She’s as bad as Nesta. Even trying to look at her shields is like staring at a brick wall.”
“But you’ve never looked?” Feyre pushed on, looking into his eyes. Searching for something, anything, any hint of deception.
Rhys’s face softened, a small smile on his face. “The only thing I ever got from Zahra, as a human,  was protectiveness about you, Darling,” he said drily.
A small exhale left Feyre at his words, and she fell back against the pillows.
Rhys shifted, rolling over to lie half on top of her, propping his head on his folded arms that he rested on her stomach. A soft smile on his face. “Is that what’s keeping you up?” he wondered aloud. “Worries about Zahra?”
“I…I need to know if…why she did it,” Feyre said weakly. “I can’t…Zahra would have never taken the risk of having a bastard born child herself, Rhys. Not when she knew exactly how…how that life was. Living in two worlds and belonging to neither,” Feyre said with a grimace.
Rhys’s eyes softened at that, and his fingers ghosted over her stomach, tracing small, gentle patterns. “You’re worried that it wasn’t a choice,” he filled in.
“I don’t know,” Feyre whispered. “I can’t see her…I can’t see her do it willingly but I am wrecking my head and I can’t…if he hurt her…she hid it so well.”
Rhys’s face darkened at her words. It wasn’t hard to see the same thoughts circling in his mind, the same anger and disgust.
“You think the apothecary might have forced himself on her?” he asked quietly, a hard look on his face.
Feyre felt a pit in her stomach at the question. Felt nausea creeping up, bile rising in the back of her throat. The idea of something so…so vile happening to a young, innocent girl…it filled her with horror and sickened her.
“I…I don’t know,” she whispered. “But I can’t… I just can’t see her… taking that risk willingly. She’s too smart for that.”
"Maybe you should try to talk to her," Rhys said carefully. "But Feyre...if she...if she didn't do it willingly...if she had a reason for it, be it she was forced or she did it in exchange for something...she may not want to talk about it," he warned her.
She could see it on his face...could see the memories that she had…
“I…I know,” Feyre said softly. “If…if it’s true, she might not want to talk about it. But…I don’t know. I can’t stop thinking about it. I need to know. And if it’s true...I can’t just sit back and do nothing."
Rhys was quiet for a moment, his fingers still tracing small patterns on her stomach.
His face was taut, “And if she truly has had an affair with him…willingly?” he asked quietly.
Feyre let out a shaky breath, closing her eyes. The thought of that being true…it just didn’t seem possible.
She just couldn’t see Zahra doing something like that. Not when she was so well aware of what would happen if she made such a mistake.
It just didn’t seem right.
Could she have really seen something in the apothecary, enough to want an affair with him, at the risk of being saddled with a bastard child?
"She must have had some reason," Feyre said quietly. "Even when it was just...wanting comfort of some kind."
Rhys was quiet, his dark eyes searching her face.
Slowly, a soft sigh escaped him, and he pulled himself up, pulling Feyre into his arms as he sat back against the headboard of the bed.
Feyre buried her face in his neck, inhaling the scent of his familiar, comforting scent.
His fingers combed through her hair, the touch soothing her frazzled nerves.
"I just want you to think about...if you do pull on that thread, you don't know what you are going to unravel," Rhys said carefully. "You need to be prepared that you maybe won't get the answer you think you will."
A shuddery breath left Feyre, and she closed her eyes.
She didn’t even know what she wanted to hear. Both options were horrible in their own way. 
"I know," she said softly. "But I...but I have to try."
And so the next morning...she sat out to find her sister's apartment. She had never gone there before. There had been no reason for it. Even when Zahra had moved out of the townhouse and into her apartment, she had still showed up for Solstice and for Starfall, had still come to dinner. Zahra seemed to have made the best out of her life in Velaris. Had found herself a job and an apartment...just as Feyre walked the streets she realised that...she knew nothing about her sister's life but these two facts.
The realisation hit her hard, and a wave of guilt crashed over her, making her nauseous as she walked down the street.
It had never occurred to her before...but now she realised that she knew almost nothing about her sister’s life now. Nothing about the people in her life, or her dreams, or any hobbies...nothing except the fact that she had an apartment and a job, and that she still came to dinners.
Feyre didn't know about her sister's friends, didn't know about any hobbies she may had taken up...because whenever Zahra had come over, seemingly all they had talked about was whatever went on in Feyre's life. Feyre's worries, Feyre's problems. Zahra's problems hadn't ever been a topic of conversation. And Feyre also weakly admitted herself that the fact that Nesta and Elain wanted to spent time with her now...it was such a rare treat that...that maybe she had forgotten the older sister that had always been there for her for that.
She had been so elated that her sisters were spending time with her, and she had soaked up the attention like a dry sponge.
But now, with the sickening realisation that she hadn’t asked about Zahra’s life hit, a wave of guilt hit her.
Had her sister felt neglected by her? Had Zahra ever felt like a forgotten afterthought?
Feyre felt nauseous, and her steps slowed as she approached the building where Zahra lived.
The realisation that...that while she had been so happy to hang out with her elder sisters, she hadn’t even asked Zahra about her life...she didn’t even know what kind of apartment she lived in, what her home was like…
And apparently it wasn't an apartment at all.
Feyre blinked twice at the cottage in front of her.
A cottage?
The word echoed in her head, over and over, while she stared at the small building before her.
Zahra lived in a cottage.
A cottage that had clearly seen better days.
The exterior of the house was badly in need of a new coat of paint.
A pang of worry hit Feyre as she looked at the home, an anxiety filling her stomach.
How could Zahra possibly be living in such a place…?!
Though it was obvious that Zahra had put time and money into making it her home. It was clean, the windows were sparkling...the door had been painted bright blue.
She had done some work.
And the small garden in the front had clearly been tended and cared for meticulously.
But it was clear that her sister had a limited budget.
The paint job only really covered the worst of the blemishes rather than giving the home an actual makeover, and the windows sparkled, but they still looked old and worn.
It was a tiny cottage, barely more than a two-room house, but it was in the outskirts of Velaris and the next neighbours clearly were far away.
"Seems like I wasn't the only one who had this idea," drawled a voice behind her.
Feyre almost jumped, nearly letting out a shriek as a voice suddenly spoke up from behind her. A voice that she recognized far too well.
She didn't even need to turn around to know who had spoken.
"What are you doing here?" she demanded, turning around to face Cassian.
Cassian didn't look the slightest bit guilty.
Instead, a broad smirk was on his face, his wings folded neatly behind him and his arms crossed in front of his armoured chest.
"The same thing you are, clearly," he drawled as he looked at the cottage in front of them.
"You want to speak to Zahra as well," Feyre said more as a statement rather than a question.
Cassian didn't deny it, simply shrugged.
"Why?" she demanded.
Cassian sighed, unfolding his arms and letting his hands fall loosely to his sides. "I need some answers," he said shortly. "Answers, because I am pretty sure that Nesta is wrong about her having just an affair. And if she is wrong..." Cassian grimaced. "The fallout is not going to be pretty."
"And if she’s right? If Zahra did a stupid, young mistake? Then what?" Feyre asked.
Cassian shrugged, a nonchalant look on his face.
"It's not like I haven't done the same," he said drily. "Or worse at that matter. She'll not get judgment from me."
Feyre felt a flicker of surprise at his words.
Cassian was…far more blunt and straightforward than Rhys…but, she thought as she studied his face, he actually didn’t look entirely comfortable.
His features were schooled into a look of nonchalance, but there was a tension in his face and body that hinted that the situation had him on edge, as well.
Still, Feyre walked up the step of the porch that had seen better days and knocked at the door. "Zahra?" she called loudly.
"She isn't here," Cassian said helpfully. "I can't hear a heartbeat. It's empty.”
Feyre’s heart sank at the words, and a curse fell from her lips.
She’d come all the way here…and Zahra wasn’t even home.
“Then where is she?” Feyre bit out.
"Probably at work, I'd guess," Cassian said, a small shrug on his shoulders.
He eyed the house, his lips pressed together in a thin line.
"I’m going to look inside," he said then, making a step towards the door.
"You can’t-" Feyre hissed at him, but Cassian cut her off.
"If you have a better idea, I’m open to suggestions," he said, looking back at her. "But if we’re here already, I want to see if there is anything inside that will give us a clue. Something, anything."
Feyre held his gaze for a long moment.
She knew he had a point, and she knew she wouldn’t win this argument.
"Fine," she gritted out. "But you leave everything as it is. No messing with anything."
Cassian shot her a smirk, before he grabbed the door handle and with a sharp twist, he had opened the door.
Without pause, he stalked into the house, leaving Feyre to follow him.
"You'll better fix this before we leave," Feyre snapped at him, following behind, into her sister's living room.
It was clean...tidy. A couch that had seen better days...and an absolute monstrous plaid chair that looked like it was made for wings. Feyre wasn't the only one who stared at that.
Cassian did too.
A long moment passed.
Cassian, the Lord of Bloodshed, a hulking, tall, intimidating figure, stood in the small living room and stared at the chair as if he was struck mute.
Just staring.
A long moment passed, before he let a shudder run down his spine. "That thing is an abomination," he said gruffly.
​​Feyre watched as Cassian’s nostrils flared, and his eyes widened, like a cat scenting something in the air.
A frown appeared on his face, and he took a quick, short sniff again.
"What is it?" Feyre demanded.
"Az was here," Cassian said, surprise colouring his voice. "More than once."
Feyre’s eyes widened at that, and she sniffed the air.
Cassian was right.
A familiar scent was lingering in the air. So subtle that she wouldn’t have sensed it if it wasn’t pointed out to her, but it was there.
Azriel’s mist and cedar scent, lingering in the room.
"Why was Az here?" Feyre wondered.
Cassian just shook his head as he continued to sniff.
"Not just here," he said, making a step into the kitchen. "In there, as well. And in the bedroom. "
Feyre wasn’t even surprised to find that he was right.
Azriel’s scent was all over the small house, lingering in the air in every single room.
Even in the bathroom.
"What in the Cauldron...?" Feyre breathed as she followed Cassian into the bedroom.
The scent was even stronger in the small room, clearly having clung to the bedding and lingered on the furniture.
"Azriel has clearly been frequenting this place," Cassian said slowly, an intense look on his face as he glanced around the bedroom. "And more than once. It's all over the house."
"He wouldn't...right?" Feyre asked. Had her sister and Azriel been...together?
"I...I don't know," Cassian said slowly.
A pensive look was on his face, his gaze sharp as he looked at the matress.
"We all know how...discreet Azriel is about these things," he said, a grimace on his face. "But Azriel...and Zahra...?"
Cassian shook his head, his nostrils flaring again, clearly trying to scent the room.
"They...I mean, it doesn't smell like sex. But that doesn't mean anything," he said with a shrug. "Maybe they haven't had sex in a few days. Maybe they just have friendly sleep overs and nothing else," he suggested and Feyre snorted.
"Sure, Azriel just uses my sister as his own personal teddy bear and nothing else," she said darkly. "I am going to have words with both of them when they come over for dinner. What in the cauldron is going on?!"
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ambxtxo · 4 months ago
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donna tartt’s reading list
In an interview, Tartt lists her favorite authors and the names of a few works. I have listed the most popular works from each author and the specific ones she recommended as well.
Homer
The Iliad
The Odyssey
Greek Poets and Tragedians
Argonautica
Antigone
Prometheus Bound
The Oresteia
Medea
Oedipus Rex
The Bacchae
The Frogs
Dante
Inferno
Purgatorio
Paradiso
Shakespeare
“I went back and read Macbeth and Hamlet during the pandemic”
Macbeth
Hamlet
Dickens
“Dickens was a part of my familial landscape, the air I breathed.”
A Tale of Two Cities
Great Expectations
Nabokov
Pale Fire
Lolita
Proust
In Search of Lost Time
Swann’s Way
Dostoevsky
Crime and Punishment
The Brothers Karamazov
Yeats
The Collected Poems of W.B. Yeats
Irish Fairy and Folk Tales
Borges
Labyrinths: Selected Stories and Other Writings
Edith Wharton
The House of Mirth
Ethan Frome
Evelyn Waugh
Brideshead Revisited
Helena
Salinger
Catcher in the Rye
Virginia Woolf
Mrs. Dalloway
Orlando
Edward St. Aubyn
The Patrick Melrose Novels
Haruki Murakami
Kafka on the Shore
Norwegian Wood
Olga Tokarczuk
Drive Your Plow Over the Bones of the Dead
Don DeLillo
White Noise
Underworld
W.G. Sebald
Austerlitz
The Rings of Saturn
Joan Didion
The Year of Magical Thinking
The White Album
Other Specific Books
Memoirs d’Outre-Tome by Chateaubriand
Jigsaw by Sybille Bedford
All for Nothing by Walter Kempowski
A Balcony in the Forest by Julien Gracq
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writingwithfolklore · 11 months ago
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How to Nail your School Essays
                Not to brag, but I’m kind of a big deal when it comes to essays at my school. Since I started highschool I haven’t received a grade less than 90% on an essay—so I’m here to share my secret. This works for the classic essay, but you can also use the same advice and fit it to formal reports or other academic writing.
1. Your essay is about 2 things, demonstrated 3 or more times
This is how I’ve always thought about essays. They’re about two ideas, demonstrated as many times as you need to fill the wordcount. Shakespeare + Feminism, Media + Truth versus Misconception, etc. etc. If you’re lucky, your teacher or prof will give you one of your elements. You’ll get assignments like, “write an essay about Hamlet” or “write an essay about the American dream” lucky you, that’s your first thing—now you need to connect it with another.
This connecting idea is my favourite part because you just get to choose a concept or idea you’re interested in. Here’s a tip, if your first/given topic is something concrete, choose an abstract connecting idea. If your given topic is something abstract, choose a concrete.
So, Hamlet (concrete) could be paired with any abstract concept: Loyalty, Truth, Feminism, etc.
However, if your prof gives you something like, “truth” or “race theory”, you’ll find it much easier to connect that with a more concrete thing, like a book, movie, or other piece of media, or even a specific person.
If you are luckiest, your prof will give you both things, “write about the American Dream in The Great Gatsby” in this case, you’re onto the next stage.
2. Stick to the formula
Tried, tested, true. Nothing wrong with a formula, especially not when it gives you A+ grades. Typical essay structure is:
Intro with thesis
2. 1st Body
2a. Evidence that proves it 1
2i. Justify its relevance
2b. Evidence that proves it 2
2ii. Justify its relevance
Etc.
3. 2nd Body
3a. Evidence that proves it
3i.Justification
Etc.
4. 3rd Body
4a. Rise and repeat, you know where this is going.
5. Some may argue…
6. Conclusion
Let’s break it down.
Thesis:
                Thesis completely outlines all your points, or the three+ places you’re demonstrating your connection, and why it matters.
                Here is an intro + thesis I wrote a couple years ago:
“This literature review will explore the impacts influencer marketing has on the children that regularly consume social media content. Specifically, this review will focus on how influencers can impact children’s brand preferences, dietary choices, and lastly, the influx of children taking advantage of this system and becoming influencers themselves.”
Or
“Burned discusses the human aspect of sex work and reverses reader’s expectations on sex workers, while Not in My Neighbourhood discusses prostitutes as victims of a system created against them. Both challenge readers’ perceptions of sex workers, effectively drawing attention to the ethics of displacing sex workers from their cities.”
                So you have your connection (children and social media)/(Burned and Not in My Neighbourhood and sex work), and the different ways you plan on exploring or proving that idea (children’s brand preferences, dietary choices, children becoming influencers.) etc.
                You may also have a more specific stance in your thesis. Such as, “In Macbeth, ambition is shown to be Macbeth’s ultimate downfall in these three ways.”
The Body Paragraphs
                You start out every body paragraph with the point of the paragraph, or what it’s aiming to prove. Such as, “Influencers often include advertisements within their content, which can encourage children to feel more amiably to certain brands their favourite content creators endorse frequently more than others.”
                After this claim, you spend the rest of the paragraph further proving it through examples. This will look like citing a specific source (a book, academic journal, quote, etc.) such as, “The authors claim likeable influencers can associate their likeability with the products they use, influencing children’s perception of brands, referred to as ‘meaning transfer’ (De Veirman et al. 2019)” (super important to always cite these sources!)
                The last part is after each example/proof--you need to justify why this proves your point/is important. So, “This proves children are more influenced towards certain products depending on how close of a relationship they perceive to have with the influencer.”
                Typically, your evidence will all lead into each other so you can transition to the next piece of proof, then the justification, rinse and repeat until you’re finished your paragraph. You can have as many pieces of evidence as you want per paragraph, and the longer your word requirement, the more you’ll want to fit into each point (or the more bodies you want to have.)
                Piece of evidence + why it matters, rinse and repeat.
Some May Argue:
                This is a small paragraph just before your conclusion where you anticipate an argument your readers may have, and disprove it. So, for example, you’d start with, “Some may argue that with parent supervision, the impacts of influencers on children could be lessened or moot. However…” and then explain why they’re wrong. This strengthens your argument, and proves that you’ve really thought out your stance.
Conclusion:
                Lastly, you want to sum up all the conclusions you came to in a few sentences. Your last line is one of the most important (in my opinion). I call it the mic drop moment. Leaving a lasting impact on your reader can bring your essay from an A to an A+, so you really want to nail this final sentence.
                My final sentence was, “Ultimately, it is hard to know in advance how technology and social media will impact the development of children who have always grown up with some form of screen, but until they grow up, parents and caregivers need to take care in the content their children consume, and their very possible exploitation online.”
This sentence is backed by the entirety of the essay that came before it, and usually leaves a little something to chew on for the readers.
Any other tips I missed?
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stumpyjoepete · 3 months ago
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Thinking a bit more about Megalopolis (see prev post). It's not really the case that the script is as disjointed or schizophrenic as my post makes it out to be. The central plot is pretty simple: an egotistical city planner has an ambitious and futuristic vision for redeveloping the city, and he butts heads with the Mayor and others who oppose him in this. He ultimately succeeds in building his utopian "megalopolis". Everyone is happy, the end.
And yet.
There's this... intense centrifugal force that prevents everything from cohering into a unified whole. It's like a puzzle where all the pieces are cut from the same picture, but upon closer inspection, no two pieces quite fit together. Or like that collection of nonsensical objects. A fork where the tines and the handle are connected by a chain. A watering can with the spout facing the wrong way. A quick glance leaves you confused, and that confusion is only deepened by further contemplation.
I think this is especially clear in the pseudo-intellectualism of the title cards, narration, monologues, and quotations/references:
Laurence Fishburne does this heavy-handed narration at the beginning and end of the movie (and several random points in between). And there are these associated title cards that look like they were made by applying an "Ancient Rome" theme to some PowerPoint slides. "Or will we too fall victim, like old Rome, to the insatiable appetite for power of a few men?" My brother in Christ, you are making a movie where the hero is named Cesar, and the happy ending is when he successfully pulls a Robert Moses. This is not a story about power corrupting or good intentions going awry. What are you doing???
Cesar Catilina interrupts Mayor Cicero's speech (where he is introducing a plan to build a casino) in order to lay out an early plan for "megalopolis", which is an ambitious and long-term alternative to the (short-term) casino plan. He prefaces his megalopolis pitch by reciting the Hamlet soliloquy. What exactly does Coppola think "To Be Or Not To Be" is about? He must thinks it means, "I am a dark and brooding bad-boy intellectual", since it's hard to see how "I'd like to kill myself, but I fear death" fits into an argument about the importance of long-term thinking in urban planning.
Cesar says several negative things about "civilization". "[Imagine] humanity as an old tree with one misguided branch called civilization... going nowhere." (Shot of notebook shows an illustration with 'war' and 'cruelty' offshoots from said branch.) "Emerson said the end of the human race will be that we'll eventually die of civilization." (Note: unsourced, probably fake quote.) "Civilization itself remains the great enemy of mankind." Umm... you're an urban planner! You're doing a high modernism. What exactly does it mean for you to call civilization the enemy? Is "megalopolis" somehow anti-civilization because it looks like a Georgia O'Keefe painting instead of a bunch of straight lines and right angles? Will the "war" and "cruelty" branches wither and die when buildings have labia?
Also, there's this amazing line read that completely inverts the meaning of a fake Marcus Aurelius quote (the quote was attributed to him by Tolstoy but is not actually something he said). "The object of life is not to be on the side of the majority, but to escape... finding yourself in the ranks of the insane." Why did you put in that pause??? Fake Marcus Aurelius is turning in his grave! You're supposed to be fleeing FROM the ranks of the insane! I suppose this isn't really inconsistent with the characterization of Cesar, it's just such a fucking batshit thing to say.
All of the cargo-cult intellectualism listed above could perhaps be excused if the vision that the film is supposedly about had any content whatsoever. Or, alternatively, if the movie was about something more substantive, and the vacuous megalopolis vision took place off-screen in an epilogue, like the "happily ever after" of a children's story. But no! The movie repeatedly interrupts the plot to grab you by the shoulders and scream in your face: "I have a vision! For the future!". And then--now that it has your undivided attention--it shits the bed like a man who has just polished off an entire bag of sugar-free gummy bears and washed them down with a fistful of Ambien:
"Conversation isn't enough. It's the questions that lead it to the next step. But initially, you have to have a conversation. The city itself is immaterial, but they're talking about it for the first time. And it's not just about us talking about it. It's the need to talk about it. It's as urgent to us as air and water."
"Mr. Catalina, you said that as we jump into the future, we should do so unafraid. But what if when we do jump into the future, there is something to be afraid of?" "Well, there's nothing to be afraid of if you love, or have loved. It's an unstoppable force. It's unbreakable. It has no limits. It's within us. It's around us. And it's stretched throughout time. It's nothing you can touch. Yet it guides every decision that we make. But we do have the obligation to each other to ask questions of one another. What can we do? Is this society, is this way we're living, the only one that's available to us? And when we ask these questions, when there's a dialogue about them, that basically is a utopia."
After the revolution, we won't have conflicts anymore; we'll have dialogue instead. We won't have a need for the "jobs" and "sanitation" of "now"; we'll have the "imperishable" "dreams" of "forever". We won't have problems that need solving; we'll all be too busy asking each other questions. Now, if everyone could just shut up and get the hell out of the way and let Cesar implement his vision, then "everyone" will soon be "creating together, learning together, perfecting body and mind." A chorus of children's voices gradually morphing into Laurence Fishburne's, chanting, "One Earth, indivisible, with long life, education and justice for all." It's eschatological anti-politics made entirely from cotton candy. Please, for the love of God, stop making Adam Driver monologue at me! Let's get back to Aubrey Plaza stepping on horny fascist Shia LaBeouf!
The incoherence of Megalopolis's vision is compounded by how anachronistic its depiction of our fallen world is. There are some half-hearted (and ham-fisted) gestures in the Clodio sub-plot towards the dangers of Trumpian populism, but the script was first written in the 80's, and it's extremely obvious that Coppola is writing about New York City in the preceding several decades. The city's finances are in dire straights. (There's literally a "Ford Tells City: Drop Dead" reference!) The city is full of slums, the streets are full of crime, and the elites are all decadent. (For Coppola, decadence means that ladies are doing cocaine and smooching each other in the cluh-ub.) The main character is Neo-Roman Robert Moses, and the conflict of the film is about urban renewal. In case you, like Mr. Coppola, have not been made aware, slum clearance is not a major political issue in 2020's Manhattan.
Two thirds of the way through the movie, a falling Soviet satellite provides a deus ex machina, blowing up the financial district and clearing space for megalopolis to take its place. Ironically, a previous attempt to produce the film came to its abrupt end when two planes flew into some buildings in the financial district. Perhaps you heard about it. The financial backers of the film at the time considered Megalopolis's plot a bit too close to current events for comfort and withdrew their support.
But Coppola's depiction of Manhattan was already decades out of date by then. Moses stepped down in '60. Jacobs' book railing against urban renewal came out in '61. The Power Broker came out in '74. One presumes popular opinion of Robert Moses soured in the following years. The crisis of the city's finances that peaked in '75 was over by '81 when NYC balanced its budget and reentered the bond market. The crime wave of the 70's and 80's had receded by the year 2000. The demand for housing in NYC proper is as high as it ever has been, and it's only getting higher. Megalopolis imagines America as an incoherent mishmash of several decades of mid-century NYC, dressed up in the toga of the late Roman Republic, calling out for (Robert) Moses to part the slums and take us into a promised land that is literally beyond any description, and whose only concrete feature seems to be glowing people-movers.
A Robert Moses with the power to stop time, at that!
Oh, did I forget to mention that part? Cesar discovers he has the power to stop time in the opening scene of the film. I forgot because it's literally irrelevant to the plot. Time stops a few times, and then it starts back up again, and the events of the film just plod inexorably forward. For a movie as temporally dislocated as Metropolis, perhaps that's just as well.
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pampushky · 2 months ago
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i hate the air he breathes his foolish decrees
Alpha! Lando Norris/Omega! Lauda! Reader - chapter 2 - 5k
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woooo welcome to part 2 my loves! sorry for the slight wait. I've been doing hot bitch shit (my actual job). but now we're back. enjoy the fuck out of it. TW: no mention of abuser other than as him. mentions of abandonment and severe physical trauma in the form of a house fire. lore drop on the main character too!!
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Mid-March 2005. Los Angeles.
Niki gets a call from an unknown number that wakes him up from a deep slumber, and he hardly has any time to think as he’s pulling a sweater over his head and forgoing a hat entirely. It’s his third day in as your legal guardian, and you’re already transferred to a state-of-the-art hospital in Los Angeles, across the country from where you’d lived previously. A newer set of mountains. A city to the hamlet you’d once known, hidden away in the foggy mountains of North Carolina.  
As he blearily walks into the hospital lobby, there’s already a small team of doctors waiting for him, explaining rapidly what's happening to you as they walk him up to your room in the burn ward. You’re in the best hospital for burns on the continent— Niki had made sure of it. Had paid for the flight over here two days ago, with a medical staff on board to keep you stable during the five-hour flight. 
The doctors swarming around your unconscious form resemble vultures. The burn center director explains everything to him when they finally get to your room. The rapid medical treatment nearly made you present early. Freakishly early, by all standards. It’s understood to have been a panic response by your body— because you're on the brink of death in the burn ward, your hormones so out of whack that for whatever reason, your brain had gone, ‘Oh, yes, it’s time to do that now.’
Studies had shown that those in areas where the risk of death was high often presented much earlier, with other cases that also supported something known as “panic presentation”. You’re an extreme example of the latter. But it had never been seen to this degree. You need to be knocked out for several days, going comatose while a team of doctors works around the clock to save your life while it seems likely you will melt away like the first snowfall on a sun-warmed road as it seems new complications get piled onto your case file every day. The way the doctor talks about you makes Niki feel like you’re more of a specimen meant for study, and not a pup who’d just lost her Dam. 
Marlene has already decorated the sterile room to reflect more on a child’s room. And wherever there’s an empty space on a table, she’s placed down vases full of fresh flowers. Flowering dogwood. That’s what the state flower was of North Carolina, and however early in the season for blooming it was, she managed to find fresh ones every day. Now, Marlene was back at the hotel, settling a new wave of interest about your identity while Niki tried to figure out what he was going to do with you when he's lead into the room.
You’re already on several new medications to prevent you from presenting early, having them inserted in through an IV and eventually, to be taken as a pill when you could swallow. You'll be on these same medications until you’re seven or eight, when they can start to consider weaning you off of them to let you present then because it’ll be safer. Niki hates the idea of you presenting even then. You should be almost fully grown when you present. Not— not still a pup. With baby teeth still in your mouth. You should be wrestling. Learning to access your canine form, and causing mayhem like his sons had. 
So he does what he’s been doing for the past five days. Niki sits quietly by your side in your private room. Holding your tiny hand while a machine breathes for you, not even five years old, and fighting for your life. Completely unaware of the complications your existence has thrown straight into Niki’s lap, dredging up old, old wounds that his sons have yet to recover from.
Because the great complication is that you’re his biological grandchild. 
Through a son, a beta, that neither Lukas nor Mathias had gotten to know. Or Niki, for that matter. But here you are. The only link to that son. To the ultimate undoing of his marriage and mating, his infidelity thrown back in his face in the form of a sedated, traumatized pup that can’t understand him through his accent.
Left without a dam, your mother. Lost to the roaring flames of a housefire that you’d somehow survived. Part of Niki wants to know how his son had ended up in the area, and if there are any other new descendants he should know about. So he petitions the court to gain access to your files before he legally adopts you, and he stares down at them before finally lifting the cover of the manila folder and starts to read.
All the files seem to stare right on back at Niki as he continues to pour through them, officially five minutes and nine seconds into being your legal guardian. They’re meticulous, just as expected— it had become standard for anyone who’d had so much as a visit to a hospital to create a DNA profile, especially after they presented. His affair child’s profile stares back at him, with what he can only assume is an up-to-date photo. Male. Beta. Signed away parental rights before birth. Austrian nationality. That’s all you have to go on for your biological father’s identity. 
That’s all that linked Niki to you, and how the social worker had managed to contact him. All other positive matches from your father’s side are his former mistress as your biological grandmother and his two sons with Marlene as your uncles. There are no other pups listed for his affair child. No other grandchildren that he has to worry about. Your dam’s profile is more complete. A smiling picture of her holding you as an infant, left by her family.
Female. Omega. Deceased. American nationality, born in Banner Elk, North Carolina. 
And under that:
Dam’s pack signed away pack and next of kin rights to the pup. Relevant health history is accessible through the International UN DNA database. Pack requested no contact order until the pup has reached legal age, or unless the pup does not survive her time in hospital, so they may bury her in the family plot with her Dam.
This makes a chill run down Niki’s spine. Your pack had… signed you away? The only people who had been familiar to you— and they had signed away their rights as though you were more of a burden than anything, only asking for you back if you were dead. It makes him shudder, as he looks down at your tiny body again, for what must have been the thousandth time since he’s been introduced to you. Since he’d so quickly agreed to become your legal guardian, your legal sire. Covered in bandages and hooked up to dozens of wires. 
The social worker explained that signing you away was them not wanting to pay for the massive medical bill, along with the scandal your birth had caused in the small community. Your Dam was unmated, and even worse, unmarried, raising you on her own in a less-than-up-to-code cabin her late father had left her, further out in the mountains, a thirty-minute drive into town. 
The matriarch of her pack had been well-regarded in the area— it was an open secret that she was looking for any excuse to remove you from the picture. This just happened to be the perfect excuse. How was she going to be able to pay for your medical costs on her own when it was just her? All the advanced treatments you’d need— it would be too much in her old age.
When told about the Children’s Health Insurance Programs that could easily provide care for you, your grand-dam had just made a sour face and told the Social Worker she was still signing away her rights. Her surviving children were quick to follow her lead.
What a backward system. Niki had growled to himself, pacing in the room. Reading the reports from the insurance company he’d managed to legally bully his way into receiving from your biological family. 
The cabin had burnt down in nearly an hour. You’d been trapped under a metal bed frame when the roof collapsed in on itself. When they’d found you, it had been a recovery effort for bodies. And despite it all, you’d survived, your whimpering and crying alerting the firefighters that you were alive. Severely burnt, with the old mattress and polyester blankets having melted and dripped across your little body as the embers settled. Half of your body severely burnt from where the flames could still reach you. Crying out for your Dam even as you were airlifted to the nearest hospital with a functioning burn ward.
Going over your files has become a habit for first past three days. Ever since Marlene had gone silent when Niki told her that he was going to adopt you, before brusquely starting to order furniture and calling countless contractors that a new pup-friendly room be added to his house in Hof. He’s lucky to at least be considered a friend of his former mate, otherwise, he would be stumbling through his second round of parenting. He looks down at the newest addition to his pack. You. Four and a half. With burns covering an incredible amount of your body. Nearly 45% percent of your torso, completely mangling one of your legs, crawling up your neck and dancing across your jaw. Now lying in a medically-induced coma to conserve your energy. 
You wake up nearly two days later. Five days into Niki’s tenure as your legal sire. Unable to scream. Eyes fixed on Niki as your little chest heaves with the effort it takes to breathe. You pull at your IV and try to snap at a nurse who tries to stop you. But your eyes are still fixed on Niki, likely horrified by his burns. You were glancing at your own bandaged arms and body as if to gauge how you would one day look. 
There is a wild look in your eyes as you look at him. The way you tremble as the doctors try to explain everything. It hurts Niki’s heart, especially with the gasping noise you let out before they sedate you again when you’re still not responding well to anything. Niki wants to wrap you up in his arms and never let you go. You mumble something out as you drift away again, tears in the corners of your eyes. Foggy eyes on the extravagant bouquets of flowers on the tables beside your bed and across the room.
Where is my Dam? 
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Early February 2024. Woking.
Your left leg was acting up again. It always did when you were stressed. The fire had mangled it— and that was putting it lightly. Not bad enough to amputate, because that would be too easy, and they didn’t want to send your body into even more shock. So you had your crispy, chicken-fried, useless leg. You could put some weight on it now, after nearly twenty years of intense therapy and correcting surgeries. But it was still incredibly weak. All twisted, mottled skin and a full knee replacement.
That’s what had made it so easy for him. That’s what had made it easy for him to chase you down as you tried to leave every situation that saw him near you. Easily able to keep pace with your shambling, stress-induced walk as you choked on his scent. 
Your upper thigh twinges. The needle pierces your skin all over again. That was the only reason you’d been able to walk away without experiencing a true heat from whatever drug he’d hit you with. The bad, mangled leg of yours. Your downfall and savior. 
The halls are winding, but you can vaguely follow the way to your office from previous talks. You call Lewis the moment you get to the room. There’s already a brand-new mini fridge sitting on your desk, likely from the accommodations you’d listed in the countless documents you’d had to sign when you got hired. 
There’s a few people unboxing your items and they look a bit shocked to see you back from what was supposed to be a much longer meeting.
“Ms Lauda—”
“Leave, please,” you whisper while pacing across the room, trying to calm yourself down. You can feel your scent-blocking, adhesive strips tingling. Your scent glands, especially the damaged ones, threatening to blister from the stress of what just happened. You were going to be sacked for certain. Not only had you yelled at the driver you were meant to work with, you’d also thrown an empty can at him. “I’d like some space.”
The workers, your new assistants, you realize, hurry out, not even catching your mumbled thanks as you tuck yourself into a corner where you can’t be seen from the door. So much different than Williams. So much more support. Lewis doesn’t pick up immediately, but just as you’re about to call again, his contact photo appears on your screen. 
“What’s wrong? Are you okay—” Is the first thing you hear, like the protective older brother he’s always situated himself as in your life. “What room are you in? I still haves ways to get into the classified parts of the MTC—” 
“I’m going to fucking kill Lando Norris,” You growl into the phone, and Lewis lets out a relieved noise, before breaking off into a fit of laughter, his voice more distant as if he’s trying to muffle himself. “Don’t laugh! That fucking brat, I should box his goddamn ears, showing up nearly an hour late to what was supposed to be our initial meeting—” 
“Ah, yeah, sounds like Lando!” 
“Fuck off, Lewis,” You whine, and he has the audacity to laugh even harder, because your accent slips, as it always seems to do when you’re with your immediate pack. You can hear him shuffle a bit. “I’m gonna kill him.”
“No, you won’t.”
“No, I won’t,” You concede to him with a soft sigh. You hear the chortling barks of Roscoe in the background of Lewis’s call. “I’m gonna do my job. But I’m gonna hate it. Unless I get switched to Oscar.”
“Don’t sound too hopeful.” Lewis chides on the other side of the phone, and you hear the doorknob jiggle, followed by a soft knock. “Sounds like you have some work to do.” 
He hangs up before you can say something in response to him, leaving the gentle knocking on the door to slowly drive you insane. Likely Andrea or Zak, telling you that you were going to be let go for committing a minor assault against their star driver. 
And you're right, it is Zak. But he looks more concerned than angry with you, immediately putting his hands up in a placating manner when you open the door as if you’re the one with all the power and he’s not the CEO of McLaren Racing, your ultimate boss. Your boss’s boss. The one who bulldozed his way into getting you on the team because he’d seen your work to get at least a modicum of respect back to Williams, and, in his own words, got a good vibe from you.
(And maybe Niki had been in his ear a little bit about it, but when Niki Lauda spoke, people had a habit of listening rather closely to whatever he said.)
“Mr. Brown,” You start formally, leaning down in a way that is traditionally seen as submitting and a very, very formal way to apologize before he starts to squawk in surprise at it all. 
“Don’t– What are you submitting for— are you alright?!”
The last thing you expect is Zak fretting over you like you’re a pup. He’s gently squishing your cheeks with his hands, checking you over, and you can see his nose twitching, as if he’s checking your scent for any signs of distress. Only to look confused by how… clean, you smell.
“Are you— are you still hurt from everything?”
“No, I just,” You take a step backward, and hold up your hands just like he had just been doing for you a few seconds ago. “It’s easier to hide my designation when I smell like this.”
He just looks confused at your explanation but doesn’t seem to question it.
“And you… want to continue hiding it?”
“Preferably.”
Even as you say it, you can see a bit of pity in his eyes. You know his mate is an omega. He has a pup who’s an omega. Both of which he supports wholeheartedly. You’d seen all the articles. Part of you is jealous. Another part just wants everyone to stop caring about what your designation may be. Why should anyone care what you are? 
You’re proud of yourself, regardless of your designation. You’re not some prize to be won! You can stand on your own two feet, you can take care of yourself. You had more than shown that—
Zak is hugging you. Rumbling softly like any parent would do for a distressed pup.
“You don’t have to justify it. I just need to know so I can make sure that no one else is told, aside from our medical people.” He whispers, and you sag against him. Relief fills your mind. “What— what do people think you’ve presented as?”
“Alpha. Like Vati. They think I’m an Alpha.” 
“We can work with that,” Zak pulls away, looking at you. There’s only worry in his eyes. “Can I ask one more thing?”
“Yeah,” You sniffle, not realizing you’d starting to tear up as you look at him. “What is it?”
“Why…. did you throw an empty can of Red Bull at Lando? You’re not in trouble, I just want to know why.”
You flush, and Zak just starts to laugh. 
McLaren is much, much different than Williams.
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Lando has been sitting in a chair while Oscar screams at him. Andrea has disappeared. It’s been ten minutes and all he wants to do is curl up and die and apologize for commenting on your voice and being late and not charging his phone and really, every other thing that he’d done wrong, ever.
Yes. He is technically the older one. No, he shouldn’t be acting like such a pup over this.  
Yes. He should know better than to comment on things that people can’t change or help about themselves.
Yes, Oscar, Lando was aware that you had survived a very traumatic house fire that nearly killed you. No, it’s not okay that he called you a robotic bitch. No, he didn’t read the email about the apparent triggers that you had from this event. Frankly, he wasn’t even aware that they had emailed those to him. That seemed like a bit much.
“I mean seriously, Lando! This is ridiculous! Fucking calling her that!” 
It feels like he’s being lectured by his Dam again, her words blending English into Flemish until he can’t tell what she’s saying, just that she’s pissed at him. Instead, it’s just Oscar’s accent getting thicker and thicker until Lando’s certain he’s never heard anyone sound so furious with him, and that’s really saying something. 
“I get it,” Lando whines, letting his head slip so that he can press his forehead against the table. And he does feel bad! Really! “I didn’t know she’d respond like that!”
“Wonderful excuse to be a fuckhead, champ,” Oscar drawls, eyes narrowed. His arms are folded. He looks unimpressed. He smells more, now than ever, of rotting oranges. Lando can imagine the maggots. “I’m shocked you didn’t comment on her designation as well.”
“She’s an alpha! And she smells so medicine-y,” Lando wrinkles his nose, lifting up his head enough to glare at the omega in front of him. Oscar’s face is a blank mask of annoyance, with a flicker of some other mystery emotion. But he can at least tell what he’s thinking because he can smell his displeasure from across the room. It’s all rotten oranges, burning rubber, and singed hair. “C’mon! I didn’t know it’d set her off that much, man!”
“Commenting on traumatic events tends to do that to people.”
“How was I supposed to know it was traumatic?!”
“Wow, you really didn’t read any of the emails,” Oscar lets out a low huff, sitting across from Lando in one of the plush office chairs. “We’ve been in talks with her for weeks!”
“You were in talks with her, maybe,” Lando says snidely, narrowing his gaze at the omega across from him, “I didn’t think I needed a new race engineer, yet here we are. But you seemed awfully interested when you heard she was looking for a new team.”
Oscar scoffs. His cheeks turn slightly pink. “No, I wasn’t. She’s a good friend. I thought she’d be a good fit for the team.”
“Oh, so this has nothing to do with the fact that you have such an obvious crush on her? I bet Logan even helped set you up,” Lando knows he’s been a dick again. But he’s frustrated. He’ll get lectured by his therapist for this later, and he’s okay with that. He just needs to make Oscar squirm a little for his high-and-mighty attitude. “You want her pups, I bet. Already have the first three named.”
“Fuck off,” Oscar snarls, and Lando decides to keep digging a bit more. “It’s not like that! Besides— I’m courting someone!”
An awkward silence settles between the two. Oscar’s flushed pink. And Lando starts to grin. All evil like, in Oscar’s opinion. Gleefully, in his own. 
"Oh, but it is!” Lando chimes, his voice all sing-songy. He’s in full older brother mode. He knows exactly what to do to push Oscar’s buttons now that his teammate has shown his weakness. He’s done this with his sisters. And Oscar’s probably used to being the one doing the tormenting, as his family’s oldest pup. “You like her!” And then, with a very dramatic gasp, “Oh, you’re probably courting her! No wonder you wanted her here!”
Without so much as a warning, the Australian driver leaps at him with a snarl the moment the words are out of his mouth. They’re both tussling on the ground, before it turns into the two of them in their canine forms, snapping and snarling at each other. This is when Andrea decides to make a reappearance, looking a bit startled to see a mousy-brown wolf and a dark-brown wolf rolling around on the floor of the conference room. Oscar is large for an omega in his canine form, but still smaller than Lando. Lando is wirey, not as bulky as many would expect an Alpha to be. It’s rather evenly matched, considering how often the two of them are training. 
One moment, Lando has Oscar pinned. Another, Oscar has him pinned. Snarling and biting and kicking until the door opens again, and now it’s Andrea, Zak, and yourself watching the two of them wrestle until you fearlessly walk into the fray and grab Oscar by one of his hind legs.
Oscar turns human again immediately, hitting the ground with a loud ‘oof’ while Lando scurries away, watching as you start to lecture the other driver as he stands up. Your tone is hushed, but it’s clear that this seems to be a common occurrence between the two of you. You’re leaning over him, and the rumblings of annoyance and displeasure are clear as day.
Lando can’t help but smirk as the other man makes fleeting eye contact with him as you sit on his side of the table, taking your place as his engineer, despite your obvious contempt for him. 
“Now, let's get to business…” Andrea sighs. You keep your eyes ahead. Hands folded neatly in front of you. Letting his words blur until you feel Oscar gently tugging on your arm. He looks concerned, and you smile tiredly at him. Only just remembering the promise of cuddling in his nest with him when this was all done. 
You don’t even care if you look or act nothing like the Alpha that Lando thinks you are. You just slump against Oscar with a grumpy half-whine as he hoists you over his shoulder. The other driver lets out a loud snort at that, and your friend only glares at him, about to say something else before you bring one of your hands to tap his cheek lightly.
“Just get to th’nest,” You mumble, leaning against him. Your leg aches. You don’t want to walk. “Wanna get th’blockers off.”
“Yeah, yeah,” Oscar sighs, glaring at Lando over his shoulder before walking past with you in his arms. You don’t care about how it looks. You’ll deal with it later. And before you know it, you’re curled in the world’s comfiest nest, all in shades of orange and black. With the comforting scent of sweet tangerines and charcoal. Oscar hands you a nice little bottle of micellar water to help get the sticky adhesive of the blockers off, much more gentle with your skin than you ever are with yourself. He’s even soaked cotton rounds to make it a bit easier to apply, gently rubbing them across your scarred glands to clear any remnants of the adhesive off of your skin.
The smells of mountain rain and fresh baked peach cobbler mix with Oscar’s scent as you stretch, rubbing your cheeks tiredly.
You let yourself relax then. Sinking deep into the soft pillows as Oscar comes to spoon you from behind. A commonplace action, and had been since he started to get more and more bold with you in his attempts to court you. 
You can hear Oscar start to Facetime someone, probably Logan. But you honestly don’t care all that much— he’s there, and you’ll give your friend a full debrief, of course, after you’ve fully rested. 
“Your leg acting up?”
Oscar nudges you, and you grumble, trying to press your face further into the plushness of the nest, voice muffled by pillows. “Who cares if it is?”
“I do.”
“So do I!” Logan chimes in from the phone, and you roll over enough to glare at him. “Did you take all your meds, mouse?”
“Unfortunately, yes. So I’m afraid you’ll just have to put me down at this point—”
You don’t even have time to respond as Oscar cuffs your ear. You let out a dramatic whine, actually letting yourself act on your instinctual noises. Nothing hurts, of course. Oscar’s always been gentle, making sure nothing actually hurts when he wrestles with you or cuffs your ears. 
“Did you have to get my bad ear?” You whine, looking accusingly at the Aussie who just grins down at you, cuffing the same ear once again. “I’m gonna tell Lewis.”
“He doesn’t scare me, and besides, he’d probably agree with me! All, ‘C’mon, Mousey, that’s not how your therapist said to cope with your trauma—”
“That’s a bit scary, how accurate that was,” You prop yourself up to glare at your dear friend, only to smile broadly at him. You can’t help it, really. He manages to make you smile, even when you feel like shit. And even when he cuffs your bad ear by mistake, after swearing he won’t do it again.
In truth, the ear looks almost melted. It’s usually carefully hidden by your personal stylist, with hair masterfully combed over it. The skin around it— luckily missing your scalp— was mottled and pink. What was left of your ear was little more than a small ridge of skin and cartilage at this point, and was much the same in your canine appearance, just more dramatic without all the fur. The upper half of your ear was utterly gone, along with most of the lobe. It was the ear you were deaf in. 
“Can it even hurt if you’re deaf?”
“Yeah! Doesn’t mean it’s gone numb to the feeling,” you pout, looking at him as he sets his chin on your shoulder. Logan giggles from FaceTime. He’s set up somewhere, Williams blue all around him that makes you avert your gaze but continue talking to him nonetheless. “Ugh. Logan, I almost killed Lando.”
“She threw a can of Red Bull at him,” Oscar clarifies, to his rather shocked-looking boyfriend and courting partner. To his credit, it takes a few seconds before Logan starts to cackle.  
“It was empty!” You protest back, but there’s a wide smile on your face as you hazard a glance at your former partner. “He was being a little bitch!”
“Should I be offended I didn’t get the same treatment my first day?” Logan’s voice crackles and his face is frozen on the screen with a mix of a confused look and smirk, before serenading both of you with a jumbled, robotic mess before the call abruptly ends. 
“Stupid wifi,” Oscar mumbles, pulling the phone away to text his boyfriend to see what happened. You just settle back into your side of the nest, closing your eyes and letting yourself drift off while Oscar’s comforting scent wafts over in you waves. You could just about fall asleep when there’s a gentle knock at the door, followed by Andrea poking his head in. 
He blinks at the two of you. You blink back at him, already knowing you won't be able to take a much-needed like you had originally planned.
“Ah! Ms Lauda— can I speak with you for a second?”
“Can I do it from here?” you try to press yourself deeper into Oscar’s nest. You’d need to find a place to make one here— a nice, private room. Somewhere you can easily reapply your scent blockers and can fully surrender to your instincts until you were comfortable with more people knowing about your designation. “Took off my blockers.”
“Of course. I just wanted to check in, make sure everything was alright after… how the meeting went.”
There’s a hearty pause. As if he can tell you’re thinking over your words carefully.
“It certainly… went.”
“Ah. And… no other comments?”
“I meant what I said. You baby Lando.” You shift slightly. Tiredly. Giving the team principal the trademark Lauda stare from where you’re comfortably curled into the nest. So soft, yet so harsh at the same time.
“Then it’s a good thing you’re here to fix that,” Andrea smiles politely at you, and ducks out of the room without another word. You just settle deeper into Oscar’s nest, wondering what in the hell you’d gotten yourself into. The only thing on your mind when you finally manage to fall asleep is how much you miss your mother's fresh peach cobbler.
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tags: @the-holy-trinity-l @laura-naruto-fan1998 @amalialeclerc @st0rmzi3 @poppyflower-22 @hiireadstuff @seonghwaexile @mrsmelinda
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onegroupmohali · 3 months ago
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diamondseed345 · 3 months ago
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Humans don't care for the laws of the Galactic community
Tiro shivered as he pulled his threadbare coat tighter around his small frame, his breath visible in the frigid air. He stood near the base of the massive generator, a towering machine that loomed over the city like a dying giant. Steam hissed from its vents, billowing clouds of warmth into the freezing air. Around him, the bustling streets were filled with bundled figures moving like ghosts through the snow-covered ruins of what had once been a vibrant city. The old world was gone, buried beneath endless layers of ice and snow.
The generator was their lifeline. Without it, the cold would consume them, as it had consumed so many already. The remnants of the Kestari civilization had to thank their industrial revolution for their survival. Otherwise all those who remained would be frozen under the countless layers of ice and snow, along with their bretheren.
No one could forget the day the sun dimmed, and the snow began to fall, never to stop. It seemed as if the wheels of progress would never stop. Small hamlets became prosperous towns, and small towns became sprawling cities, all thanks to the industrial revolution that swept their once temperate world decades earlier.
The Kestari civilization, once rich with sprawling cities and technological wonders, had been reduced to huddled enclaves of survivors struggling to stay warm. Tiro had heard stories of the old days, of the warmth and color that had once filled the streets, but those days were long gone. Now, survival was all that mattered. He was a member of the new generation that never knew the greenery of the old world, that only knew the endless cold of their frozen world. The avian Never got to see their towns rise into cities through industrialization.
The new generation didn't sem to care much about the past. The snow was all they knew.
Warmth was all they had to look forward to.
"The city must survive," the elders always said, but even they no longer seemed to believe it.
Tiro trudged through the snow toward one of the food distribution stations, his talons sinking into the powder with each step. Around him, the other Kestari, adults and children alike, were huddled in lines, waiting for their daily rations. Hunger was a constant companion. Some said it was better to be hungry than to freeze, but Tiro wondered if there was really much difference. His stomach growled, but he pushed the thought aside. Hunger was normal now.
Yet up in the stars... the gears of change were turning. The surrounding interstellar nations were well aware of the Pre-ftl species within a hundred light year radius of their territory, yet... they couldn't lift a finger, or tentacle to aid the poor Kestari. They had Minimar Specialized industries to thank for that. MSI had prevented the Kestari from being invaded in a way, due to their own twisted actions. Once a Pre-ftl civilization managed to reach a certain threshold, they would "intercept" said civilizations path, as they would put it.
They would contact the civilization, and make what could only be called a Faustian deal. What the Pre-ftls would gain would be irresistible. Gene-medcare, resources, answers to the mysteries of the universe, would be right in their grasp! All they would have to repay MSI with would be "installments." It would only be when the realization that the demand for energy MSI had made in the contract, would outstrip what could be produced for centuries to come. Henceforth, MSI would suggest the species work for them. On an indefinite term.
When the leaders would protest, the blue bastards would turn violent and turn the pre-ftls into "indentured servants." We all know what they really were.
It was only when another race of coincidentally also avian species repelled the megacorp and took the fight to the stars were the crimes of MSI revealed to the wider Milky-way.
After the megacorp was defeated, interaction with pre-ftls was strictly prohibited by the Galactic community. They couldn't have the suffering inflicted by MSI happen again. At least... that's what they told themselves.
One species however, couldn't stand idly by while the Kestari slowly froze to death. Something had to be done.
Damn the Galactic community and their laws, they would act!
_________________________________________________
As Tiiro stood in line for daily rations, he glanced up at the sky. It was always gray, always filled with swirling snowflakes that never seemed to settle. But today, something was different. There was a sound—a faint hum, almost like the wind, but not quite. Tiro squinted, his sharp avian eyes scanning the sky. He froze, his heart racing, as he saw it. A ship. Not one of their own that was seafaring- it was far too sleek, too advanced. Not to mention it soared through the air like the great Sunbird.
The murmurs began around him, others noticing the strange craft descending from the clouds. It was unlike anything they had ever seen. It moved silently, gliding down toward the city, its lights casting an eerie glow through the falling snow. The Kestari around Tiro stopped what they were doing, standing in awe, fear, and disbelief.
The ship landed outside the city walls, its smooth surface gleaming with frost. For a long moment, nothing happened. Then, the ramp lowered, and figures emerged—strange, alien figures, tall and upright, walking on two legs like the Kestari, but without feathers. They wore strange, metallic suits, and their faces were hidden behind helmets. The cold didn't seem to bother them. Why? Said suits didn't look insulating in any way. Not only that, but on their shoulders, were emblems of what looked like a stylized planet with foreign words underneath. "United Nations of Earth.''
Silvery and glowing blue in certain places, they resembled the angels of the Great Sunbird. Henceforth, some of those older than Kiro dropped to their knees, groveling before said "angels." Others meanwhile, the guards of the settlement, drew their rifles defensively, ordering the civilians to stay back.
Yet... Tiro's eyes widened as one of the figures, taller than the others, removed its helmet. Its face was unlike anything he had ever seen. Smooth skin, with eyes that glimmered in the light of the generator. The figure—the human—looked around, meeting the wide-eyed stares of the Kestari with calm assurance.
The adults stepped back, unsure of how to react, but Tiro couldn't help himself. He stepped forward, his curiosity outweighing his fear. The human saw him and knelt down, extending a hand in a gesture that Tiro didn't fully understand, but felt was kind.
"You don't have to be afraid," the human said, the voice strange but gentle, filtered through the translator. "We are here to help."
Tiro blinked, his heart pounding. The city was dying. The Kestari were dying. But this... these beings from the stars... could they really save them?
More humans emerged from the ship, carrying strange devices that emitted warmth like he had never felt before. They set up portable heaters, distributing them among the Kestari as they gathered in astonishment. The cold seemed to retreat as the humans worked, the unbearable chill fading with each passing moment.
"The city must survive," Tiro whispered to himself, his breath no longer freezing in the air. For the first time in his life, he believed it.
The humans had come from the stars, and with them, they had brought hope.
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minty364 · 11 months ago
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DPXDC Prompt #61 part 1
Danny didn’t like thinking about his old life. He was born to a family of assassins and as soon as he was out he never looked back. He had to fake his death and he changed his name, as far as anyone knew Damian Al Ghul had died on a mission to America. He was determined to keep this secret to the grave. Of course he knew who his dad was, Bruce Wayne was a prominent figure and he knew if we went there his secret would get out and he never wanted to be forced to be an assassin again. Once was enough. 
Danny knew he had a soft heart, his adoptive parents, the Fentons and Jazz had told him so. Jazz knew he didn’t have the greatest childhood or past but she never pried, she understood his business was his and wouldn’t let her own curiosity get the better of her. The only issue their family had was their parents obsession with ghosts. Damian never believed in ghosts, the entire thing sounded like a hoax. He probably never would have believed in them but then life happened. 
Danny believed, but it was kind of hard not too after everything that happened. When he had turned 14, his parents finished their biggest project yet. A portal to the ghost zone, of course it doesn’t work at first and his parents were very disappointed. Danny felt conflicted about the whole thing. On one hand he wanted his parents to succeed and he wanted them to be happy, on the other the portal was the reason he ate alone with his sister at night. He wanted a normal family life, something he was never allowed back at the league. 
He did something so stupid that night.
After his parents along with his sister were asleep, he crept down to the basement and stood in front of the empty hole in the wall. He looked around the outside of it first but nothing seemed to be out of place. Then he stepped into it and before he got too far into it something happened. He knew there were a lot of cords on the floor and thought he had avoided them all, but as he realized he was quickly being acquainted with the floor, he out of instinct held his hand out to catch himself on the wall. Right onto the ON button.
He didn’t remember much but pain after that.
A lot happened in the year after the portal was turned on but Danny thought he was taking things well. His sister found out about everything sooner than he liked but having someone to help him was something he didn’t realize he really needed until then. The ghost attacks were frequent and Danny was having trouble finding the time for school, friends, and fighting ghosts that the assistance helped a lot. 
Danny sat at as desk in Mr. Lancers class, who was going on about the play Hamlet. Danny was only half paying attention, he was preoccupied thinking about the latest conversation he had with Clockwork. Danny was recently crowned prince after his victory over Pariah Dark. He didn’t want the crown, ancients knew what Grandfather would do if he ever found out, but he had no other option but to accept. The conversation left him rather drained and it felt like every word his teacher spoke bled together. 
He eventually made his way to lunch and before he could make it to his destination a blue mist wafted out of his mouth. Sighing he ran out of the room to find a place to transform. Once he was Phantom he wasted no time finding the ghost. Of course it was Boxie. 
Before he had time to even fight though a portal opened up right besides Danny and he was kicked in by the Box Ghost. The world seemed to swirl around him until he landed harshly onto some pavement. The pavement was a roof and he appeared to be in a city. 
Not just any city he soon realized as he looked over to a bank that had the words ‘Gotham Bank’ brightly plastered on the front.
Shit… Danny wanted to avoid something like this, unfortunately the portal was already gone. 
After taking a moment to think about his predicament he decided the best course of action was to call Jazz.
He took a look around the rooftop he was on and when he didn’t see anyone he transformed back. 
Pulling out his cell from his pocket he pulled up his sister's contact on it and hit the call button. 
His sister took a bit longer than usual to answer but the hesitation in her voice caused him to pause, “H-hello?”
“Jazz, it’s Danny, we’ve got a code green,”  he knew setting up code colors with his sister would come in handy. Red meant he was gravely injured, yellow meant the ghost got away and he was in pursuit, blue meant he caught the ghost, and green meant he fell through a portal or something similar. 
There was silence on the other line for a moment and Danny was almost going to say something else but she spoke, “How do you know my name?”
Master Post:
Next:
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moonlarked · 2 years ago
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favourite scene from the au so far
It’s too early to have a serious favorite scene but here’s a quick little doodle of Stina on the balcony!
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Tagged: @dizzythegreat
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mesetacadre · 3 days ago
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The soviet and chinese constitutions do (did) have seperation of powers tho
There is a difference between different organs being assigned different tasks largely corresponding to the three powers, and the supposed ideological adherence to the principle that those three powers should be independent of each other, and that the judicial branch in particular should be unaffected by "politics". I'll use the USSR's 1936 consistution because it's the one im familiar with, I'm sure there are many people who could talk about China's constitution.
In the USSR, the legislative power is vested in the Supreme Soviet, made up of the Soviet of the Union and the Soviet of Nationalities
ARTICLE 32. The legislative power of the U.S.S.R. is exercised exclusively by the Supreme Soviet of the U.S.S.R.
ARTICLE 33. The Supreme Soviet of the U.S.S.R. consists of two chambers : the Soviet of the Union and the Soviet of Nationalities.
ARTICLE 38. The Soviet of the Union and the Soviet of Nationalities have an equal right to initiate legislation.
ARTICLE 39. A law is considered adopted if passed by both Chambers of the Supreme Soviet of the U.S.S.R. by a simple majority vote in each.
The Supreme Soviet elects a Presidum, a sort of commission which rules inbetween sessions of the Supreme Soviet.
ARTICLE 48. The Supreme Soviet of the U.S.S.R. at a joint sitting of both Chambers elects the Presidium of the Supreme Soviet of the U.S.S.R. [...] The Presidium of the Supreme Soviet of the U.S.S.R. is accountable to the Supreme Soviet of the U.S.S.R. for all its activities.
ARTICLE 49. The Presidium of the Supreme Soviet of the U.S.S.R. : [...] b) Interprets laws of the U.S.S.R. in operation, issues decrees; [...] h) Exercises the right of pardon [...]
Let's take a look at a few more articles pertaining to the legislative branch.
ARTICLE 52. A member of the Supreme Soviet of the U.S.S.R. may not be prosecuted or arrested without the consent of the Supreme Soviet of the U.S.S.R., and during the period when the Supreme Soviet of the U.S.S.R. is not in session, without the consent of the Presidium of the Supreme Soviet of the U.S.S.R.
At the level of the republics it's very similar, each with its own Supreme Soviet and Presidium, including the right to pardon
ARTICLE 60. The Supreme Soviet of a Union Republic: [...] d) Exercises the right of amnesty and pardon of citizens sentenced by the judicial organs of the Union Republic.
Onto the executive:
ARTICLE 64. The highest executive and administrative organ of state authority of the Union of Soviet Socialist Republics is the Council of People's Commissars of the U.S.S.R.
ARTICLE 65. The Council of People's Commissars of the U.S.S.R. is responsible to the Supreme Soviet of the U.S.S.R. and accountable to it; and in the intervals between sessions of the Supreme Soviet it is responsible and accountable to the Presidium of the Supreme Soviet of the U.S.S.R.
ARTICLE 70. The Council of People's Commissars of the U.S.S.R. is appointed by the Supreme Soviet of the U.S.S.R. [...]
And it's once again replicated at the level of the Republics. For now it is somewhat similar to liberal democracies. The legislative branch (the Supreme Soviet) is elected, and the executive branch is appointed by it. Although this isn't the case at the local level:
ARTICLE 94. The organs of state authority in territories, regions, autonomous regions, areas, districts, cities and rural localities (stanitsas, villages, hamlets, kishlaks, auls) are the Soviets of Working People's Deputies.
ARTICLE 95. The Soviets of Working People's Deputies of territories, regions, autonomous regions, areas, districts, cities and rural localities (stanitsas, villages, hamlets, kishlaks, auls) are elected by the working people of the respective territories, regions, autonomous regions, areas, districts, cities or rural localities for a term of two years.
ARTICLE 101. The executive organs of the Soviets of Working People's Deputies are directly accountable both to the Soviets of Working People's Deputies which elected them and to the executive organ of the superior Soviet of Working People's Deputies.
Onto the judicial branch:
ARTICLE 102. In the U.S.S.R. justice is administered by the Supreme Court of the U.S.S.R., the Supreme Courts of the Union Republics, the Territorial and the Regional courts, the courts of the Autonomous Republics and the Autonomous Regions, the Area courts, the special courts of the U.S.S.R. established by decision of the Supreme Soviet of the U.S.S.R., and the People's Courts.
ARTICLE 103. In all courts cases are tried with the participation of people's assessors, except in cases specially provided for by law.
At all levels except the local level, the courts are appointed by the Supreme Soviet:
ARTICLE 105. The Supreme Court of the U.S.S.R. and the special courts of the U.S.S.R. are elected by the Supreme Soviet of the U.S.S.R. for a term of five years.
ARTICLE 106. The Supreme Courts of the Union Republics are elected by the Supreme Soviets of the Union Republics for a term of five years.
ARTICLE 107. The Supreme Courts of the Autonomous Republics are elected by the Supreme Soviets of the Autonomous Republics for a term of five years.
ARTICLE 108. The Territorial and the Regional courts, the courts of the Autonomous Regions and the Area courts are elected by the Territorial, Regional or Area Soviets of Working People's Deputies of the Autonomous Regions for a term of five years.
ARTICLE 109. People's Courts are elected by the citizens of the district on the basis of universal, direct and equal suffrage by secret ballot for a term of three years.
ARTICLE 112. Judges are independent and subject only to the law.
ARTICLE 113. Supreme supervisory power over the strict execution of the laws by all People's Commissariats and institutions subordinated to them, as well as by public servants and citizens of the U.S.S.R. is vested in the Procurator of the U.S.S.R.
ARTICLE 114. The Procurator of the U.S.S.R. is appointed by the Supreme Soviet of the U.S.S.R. for a term of seven years.
And lastly, let's take a brief look at the role of citizens:
ARTICLE 136. Elections of deputies are equal : each citizen has one vote; all citizens participate in elections on an equal footing.
ARTICLE 139. Elections of deputies are direct : all Soviets of Working People's Deputies from rural and city Soviets of Working People's Deputies to the Supreme Soviet of the U.S.S.R., inclusive, are elected by the citizens by direct vote.
ARTICLE 141. Candidates for election are nominated according to electoral areas. The right to nominate candidates is secured to public organizations and societies of the working people: Communist Party organizations, trade unions, cooperatives, youth organizations and cultural societies.
ARTICLE 142. It is the duty of every deputy to report to his electors on his work and on the work of the Soviet of Working People's Deputies, and he is liable to be recalled at any time in the manner established by law upon decision of a majority of the electors.
So there is a clear differentiation between these powers, with a heavy emphasis on local democracy, and recall of any deputy at any time. Before making any conclusions, let's go back to the first articles of the constitution.
ARTICLE 1. The Union of Soviet Socialist Republics is a socialist state of workers and peasants.
ARTICLE 2. The Soviets of Working People's Deputies, which grew and attained strength as a result of the overthrow of the landlords and capitalists and the achievement of the dictatorship of the proletariat, constitute the political foundation of the U.S.S.R.
ARTICLE 3. In the U.S.S.R. all power belongs to the working people of town and country as represented by the Soviets of Working People's Deputies.
These articles aren't empty platitudes, they constitute a dictatorship of the proletariat, the unilateral application of one class's interests over all others. This is what legally and practically defined the USSR. Every other aspect of the state is ultimately subordinated to this. And like I said in the other post, this is also the case in liberal democracies, except it's not legally recognized and the class dictatorship is hidden behind smoke and mirrors of idealist notions. It's not that the actual, legal, separation of powers exists or not, because this will be entirely dependent on the development of socialism and the concrete conditions. It's that we don't take the separation of powers as an ideological reclamation, and we don't pretend the state is more or less democratic because of it. If anything, when socialism is developed enough, and the threat of a counter-revolution is dissipated enough, so that the repressive functions of the stage begin to wither away (and therefore stop being a state at all), the separation of these "powers" will become even less significant, as what is left after the state ceases to exist as such is the simple administration of resources and society-- communism. Until then, the state will be used as a tool by the proletariat, and will take whichever form it deems most convenient, including or excluding a separation of powers.
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allieebobo · 1 year ago
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Do you have any if recommendation?
Ooh! I have really, really bad memory(!!) but these are current faves that I have played/replayed recently that I can think of. A lot of the authors are also THE BEST HUMAN BEINGS EVER. So, double recommendation.
I probably missed a bunch out, so take this as a non-exhaustive list! In no particular order:
(Edit: Added some descriptions but yeah I got a little unhinged so I'm sorry nothing makes sense or if the quality of the write-up went down over time/did not actually give you any useful info)
WIPs with demos
Citadel, @bouncyballcitadel (I think of all the IFs on this list, this one makes me sweat the most. And I've said it once and I'll say it again: the dialogue is so snappy and well-written, and characters are SO DAMNED LOVEABLE.)
Infamous, @infamous-if (I've been manifesting Band/Musician IFs for the longest time, and then this popped up! I've even played Choice of a Rockstar, that's how desperate I was... Anyway, this is legions better than that. Angsty ex routes are my kryptonite, and Seven is just. Inevitable.)
Defiled Hearts: The Barbarian, @defiledheartsblog (I went into this wanting something juicy and fun/historical—and it's all of those things, but I didn't expect it to be so damned funny, too. The ROs are all impeccable.)
Raiders of the Caravan and Apartment 3-3, @leftski-if (A'ight listen, fantasy slice-of-life is my fave genre, and these are IT. Like, everything I never knew I needed in my life, and SO cozy/wholesome, with a cast of characters that I want to befriend in real life.)
The Adventures of Sherlock Holmes: An Affair of the Heart @doriana-gray-games (First off, the customization in this game is INSANE, and the branching too. I've replayed a couple of times and the little variations I discover each time just blows my mind. Secondly, it's so funny and written so well. Ngl I'm not a Sherlock fan but that's just testament to how amazing this IF is.)
When Life Gives You Lemons, @when-life-gives-you-lemonssss (Modern slice-of-life with an adorable kid, a bunch of hot ROs, CC. Hill's humor, what can I say?)
Golden @milaswriting (Really interesting world-building, one of the coolest fictional cities I've read in an IF, AND I'm obsessed with the ROs, in particular K de la Renta. Also Mila is such an awesome writer, I'm beyond excited for @beyondthegame.)
A Tale of Crowns @ataleofcrowns (This game is beautiful, polished, and SO exciting. Honestly, it looks like the kind of game created by a whole-ass game studio and would cost $50 to buy, it's that good. I really got swept up by this IF—probably played it all in one go.)
Rougi @rougi-if (Again, another game with scrumptious visuals/UI and also is just so well-crafted. I love the premise too, it's so original and fresh.)
Scout: An Apocalypse Story @anya-dev (Unfortunately this one might be on hiatus but I am/was really, really obsessed.)
Wayfarer @idrellegames (Love the game mechanics of this one, and the visuals. Probably controversial, but I like the D&D / random dice effect. And I also like the fact that it feels like an old-school RPG.)
Chop shop @losergames (The premise is all I needed to be sold, really—I'd always wanted to buy GTA as a kid but my parents were like NO WAY. Anyway, this IF did not disappoint, and let me live all my childhood dreams.)
Edit: AHH! How could I forget, one of my recent faves, Folksaga @folksaga-if (Lush atmospheric writing, super unique premise—norse mythology, plus I'm head over heels for Katla).
Completed IFs
Butterfly Soup 1 and 2 @brianna-lei (these are completed and I will never not promote them. Honestly the most adorable, wholesome, funny sports/coming-of-age IF I've read)
Elsinore: After Hamlet @lapinlunairegames (Insanely cool premise, insanely cool execution)
The Thick Table Tavern @manonamora-if (I love bar/tavern games, and this one actually lets you mix drinks! Instant fave.)
Other HGs/COGs I love: Slammed, Tin Star, Fallen Hero, If it pleases the court, A Player's Heart (these last two are so underrated, though I guess cause it's mainly wlw)
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