#OH AND theres the fact that im not even using the tools as intended

[unteriors-in-house-flipper-2]

I am losing my mind at this blog

this, this is peak art

I really mean it

it's honestly so amazing and layered, taking a game about fixing up homes, cleaning them up, making them attractive and sellable

then purposefully doing the opposite to create dirty, lived in spaces is such a raw thing to do

gosh that's amazing

YOU GET IT 🧡 and thank you for your kind words :)

playing the sims ive always been a builder babe, and i loved house flipper 1 but neither of those games really let me create the interiors i actually find interesting.

the trash generator and dirt/stain painting tools are very straightforward, but combined with the overhauled build mechanics they give me just the right combination of complexity and limitations to finally let me try to replicate the aura or atmosphere these spaces carry! everything from the choice of furniture to the wear and tear and even the framing of the photos themselves tell a story and its a fun challenge to push the engine and see how close i can get.

[wszczebrzyszynie]

3, 9, and 26 for the ask game :D

9. What are your file name conventions

ouhh i name them whatever. song lyrics im currently listening to, character names, actual illustration titles, random messages to myself. nothing funny enough to show im afraid just a bunch of polish and polonisations (apparently i refuse to title scar drawings with anything but skar)

26. What's a piece that got a wildly different interpretation from what you intended

i dont think i have such piece. its much more common for people not to know the extent of themes/metaphors used in the drawing; not a bad thing by any means, whenever i try to have some more hidden meaning in my art its with oc drawings, and theres often just no way people could guess that not knowing about my ocs as much as i do. Oh and also people love to take my anniversary 3rd life art and interpret it in ways i wouldnt even dream of but theyre all so correct its sad to say i didnt plan that. Like the fact that the border breaks around Grian but allows Scar to leave without tearing is... im so dissapointed i didnt plan that i just drew whatever fitted the vibe. aah

(this one will be long and also probably weird to read soo im putting it under the read more thing. sorry bout that its about one of my favourite oc drawings)

Matka is one of the drawings of mine that come to mind when i think of a drawing that no one but me can possibly get fully and its only because i just dont share everything i have in my brain. Probably because there was a person who actually tried to analise this one as a challenge they had for themselves, and while they werent incorrect, there was a lot they were lacking.

The patterns on the side are meant to resemble both belarusian embroidery (important culturally for both characters, since the story takes place durning the 19th century belarusian cultural revival and they are belarusian, even if to some degree polonised, because 19th century western Belarus) and candle holders (item i associate with Mikita, its the tool that lets him navigate the manor after all, and plays into the ghost idea people have of him); the black and white contrast of a nightgown (Mikitas signature look durning the first part of the story (i like to call it the ghost part, since it mostly deals with Mikita (and also Przemek but this isnt about him) relearning how to be a person after everything that happened to him) It symbolises his need to live in the past, his inability to esentially become human again, he plays into the idea of a ghost as much as he can, even if unnkowingly) and a mourning dress (both in a cultural sense - it was used as a protest against russian occupation durning the january uprising, as well as the general sense - Apolonia is dead and this is the dress she would have worn if she could get a proper funeral. This is an idea of her that Mikita as her son can only imagine). The pose is self explainatory and reveals a lot about their relationship already. The text zwróć że do nas jasne swe matczyne dłonie / okaż swoim dzieciom swą bezdenną litość (turn your pale motherly hands towards us / show your children your neverending mercy ) is actually a lyric from the song Marzanna, which is stylised like a prayer to the slavic goddess of winter of the same name; a comparison way more fitting for Apolonia than Mother Mary. And in the background theres a willow tree, literally called the mourning/crying willow in polish, a very simple symbol of death and mourning.

[graffitibible]

PLEASE dig more into the intricacies of ghoul and gogo's relationship I'd LOVE to hear more!!

OH THANK GOD, i have SO MANY THOTS about this relationship

im putting this under a cut because it got. ridiculously long lmao. im sorry you can indulge me if you want

one of the hardest things about writing ghouls pov is that he is, consistently, a ridiculously unreliable narrator. their awareness of themself and other people is on so many different levels of disordered thinking and his sense of self is so distorted by a chemical cocktail of neuroses, compartmentalized trauma, and a lifetime of severe self-loathing. they’re like ten layers deep into this mental bullshit and don’t have the tools to unpack it. whenever ghoul meets someone new, theres a fundamental paranoia and fear regarding what their motives might be in regards to him. thats why they approach everything with so much defensiveness and the general assumption that someone has an ulterior motive. this is actually pretty common coming from kids with roughed up backgrounds like ghoul’s. unprompted kindness absolutely terrifies him because they assume theres some kind of trick there - historically, all the people in his life who were supposed to be “safe” weren’t so this is one of the rules of the world that ghoul’s internalized as fact. and because ghoul is scared basically all the time they tend to grab that fear and channel it into being angry instead because that nets him more control of the situation.

basically: ghoul is two thousand tons of radioactive maladaptive coping mechanisms packed into a five foot two goblin who hates the idea of being scared all the time and has chosen instead to channel all that fear into being An Absolute Nightmare.

narratively, i needed ghoul to have at least one positive relationship in his life so that there was a basis for some good relationships in the fabulous four collective. i needed ghoul to have some kind of context of “this is what it’s like to trust someone, this is what it’s like to love someone so goddamn much you’d do unspeakable things to keep them safe, this is what it’s like to have someone in your life who has your back unconditionally.” granted, thats not how this relationship ended, but at least for a minute there, gogo and ghoul had each other’s backs. that was important because i needed ghoul to have some experience in navigating a positive relationship. 

it wasn’t originally gonna be newsagogo, but i did know that gogo was gonna cross paths with ghoul prior to their run-in with poison and kobra - this was something i settled on sometime while i was writing part two of “starry-eyed.” gogo was meant to be a) one of the ways to contextualize a lot of the Shit in the zones that ghoul didn’t have an opportunity to learn about on their own time and b) one of the key ways that ghoul gets to cement a real genuine sense of justice. prior to that, ghoul had this unfocused hatred of bli the way most people in the zones do but didn’t have a real big picture understanding of how best to chip away at that kinda construct. the closest thing to it was gangs that were super bloodthirsty and liked to hunt dracs for sport but these groups weren’t interested in dismantling the institution of bli, just the catharsis of blasting dracs to hell and back. so when i got to this run-in proper, there were enough similarities in their characters (both tech-heads, both with some deep-seated vendettas against bli, both prone to couching their Real Problems in humor and deflection, etc.) for me to go “hang on.....what if....” and i could kill 2 birds with one narrative stone.

that being said oh man i did not expect writing that relationship to hurt the way it did. 

because on a lot of levels, these two really got each other! ghoul can read gogo’s expressions and body language so easy. ghoul, like jet, is an extrovert; he recharges best around people they trust. gogo’s the same. like, one thing i feel like i didn’t do well enough in that chapter was cement that, objectively speaking, gogo didn’t strictly need ghoul’s help. newsagogo is fully capable of setting up and running that station all on their own. ghoul suspected this from the start, sure, but gogo has a good grasp of tech and could probably do most of the setup herself. BUT she offers this hand to him because she doesn’t like running this station alone. she likes people and likes being around people - hence why she’s so desperate to get herself really networked into the desert and capable of calling up other dj buddies of hers. it’s pretty common practice for a dj to have a partner or team to back them up (in case they need a runner, in case they need to pack their stuff and go, in case they need someone to spot them, etc.) so gogo was in the market for that - and ghoul was a good candidate. a tech-brain, someone good with radios and obscure gear? that’s ideal runner material, and gogo doesn’t have to do this shit on her own.

and newsagogo was a really good influence on ghoul in a lot of ways. she’s the first person to go “hey let’s just do shit for fun” without any ulterior motive. takes them out drinking for fun, likes to drink soda on the roof for fun (this did not always end well but the intention was in the right place). that’s a new thing for ghoul, who’s always felt fundamentally unwanted. in every group and crew and relationship he’s had prior to this one, there was always the undercurrent of “they’re using me. they’re using me and once they’re done using me they’re gonna ditch me or kill me.” so while gogo’s doing these casual bonding activities ghoul is like WHAT IS THE ULTERIOR MOTIVE HERE and their paranoia is eating away at him and theres really honestly no other shoe that needs to drop here but thats not something that registers on ghoul’s radar.

even with that rocky start ghoul was picking up a lotta stuff from gogo, like that aforementioned sense of justice. and it was with a positive relationship like that one that i could bring out just how person-oriented fun ghoul is. like, the way i write the fab four, someone like party poison is task-oriented. fun ghoul (and jet star, actually) are both person-oriented. that’s why fun ghoul becomes so ride-or-die for newsagogo. this is actually like...their default state of being if allowed to get close to people lol. fun ghoul has a distorted sense of self that causes him to rank their own safety and self-worth way below everyone else’s along with a default propensity to love people...deeply. ghoul loves people ungently. they love people with everything they are. will easily put himself in a position to die if it means that the people they love are safe. part of this is setting up just how easy it was for the fab four and ghoul in particular to make that suicidal, sacrificial call in “SING” but part of this is just who fun ghoul is as a person. so when gogo gets hurt, ghoul goes ahead and conjures up every scrap of leverage he has against tommy chow mein and basically sets it on fire because that’s what ghoul loving someone is like. it’s ghoul trying to take apart anything that threatens the people they give a shit about and being wholly capable and willing to set himself on fire to keep the people they love warm.

they complimented each other incredibly well in a way that surprised me. like, ghoul gets people in a way gogo doesn’t, and vice versa. gogo has the attack plan and knows how they intend to set about dismantling bli with careful, calculated movements, but ghouls the one that suggests “hey, you know that if youre a dj you actually have a lot of political capital in the zones, technically??” like not with those words but thats the basic gist behind what they suggested. prior to that it didn’t occur to gogo to use DJing as a route to get what they needed but DJs have a lot of clout in the zones with the right crowds and ghoul’s hunch turned out to be correct. gogo’s the person who can do the face-to-face interactions in a clear and concise way, who can sell good headlines on the airwaves, but ghouls the one who comes at those interactions with the requisite suspicion to realize when things could be off - it’s that paranoid initiative that saves gogo’s life when that bomb goes off.

ofc once ghoul realized that they gave this much of a shit about newsagogo he immediately tried to stop thinking about it because this kind of unconditional caring for someone? that’s brand new. and it terrifies the shit out of him. because all of a sudden, ghoul doesn’t have the handy back door that they’ve always had. if shit really gets bad, he tells himself consistently, they can just leave. they can ditch whoever they’re with and it’ll be fine. but when ghoul gives this much of a shit about someone, the idea of leaving feels like trying to carve your heart out with a spoon. every time gogo expressed this casual affection ghoul does his best to brush it aside or willfully forget it - but they dont, really. subconsciously that’s always there. and no matter what kind of bad blood manages to end up between them, ghoul can’t forget that this is the first person who he actually wanted to call a friend; they keep that pendant gogo gave him for the rest of their life.

but ultimately, the pair of them fell apart because they both grew in such a way that they couldnt be in each other’s lives forever. gogo prioritizes the cause over her interpersonal relationships; that’s just the kind of person they are in this stage of rebellion against bli. gogo can look at her personal happiness and acknowledge that something like that is secondary to their goals. war is about sacrifice and gogo understands this. newsagogo knows that she might not survive to the end of it, knows full well that their agents might not survive to the end of it, and has accepted these consequences. losing some of their agents doesn’t shake gogo the same way it does ghoul.

because ghoul’s the kind of person who can’t accept that. this is the first positive relationship he’s had in their life and he doesn’t wanna lose it. he doesn’t wanna lose newsagogo over a big blanket cause. the seeds for that kind of “will die bleeding for this cause” are there, but ghoul is a socially-oriented person and very person-oriented in general. and fundamentally, fun ghoul is a deeply compassionate person who can’t help but empathize: the micro will always supersede the macro. it’s easier for ghoul to charge into battery city to save a little girl than it would to charge into battery city for a vaguely defined reason that might further a broader cause.

unfortunately, because gogo and ghoul had two such different approaches to this and because ghoul is a volatile person, they did that thing where uh. again, this is pretty common in abuse survivors, but ghoul did that thing where he detonates their positive relationships because this was always a foregone conclusion to someone ensconced in so many paranoid maladaptive coping mechanisms and at least this way, with ghoul going off, the relationship gets to detonate in a way that ghoul can control. a lot of those moments where ghoul acts like an absolute little nightmare have to do with that notion of control; this way, fun ghoul gets to decide when and how the relationship ends and for someone who did not get a lot of control over anything in their early life, this is how he compensates.

i wrote this fuckin. tragic “friends who drifted apart, who didn’t see the cracks in the foundation of their relationship until they were using them to splinter themselves away from each other” with no basis in anything canon and fucked myself up over it and why did i do this?

this was an essay and a half but yeah feel free to yell at me about newsagogo and fun ghoul cause THATS a niche fucking friendship i didnt expect to mess me up the way it did

[comicteaparty]

February 4th-February 10th, 2019 CTP Archive

The archive for the Comic Tea Party week long chat that occurred from February 4th, 2019 to February 10th, 2019.  The chat focused on Offshore Comic by Stefan Gasic.

Featured Comment:

Chat:

RebelVampire

COMIC TEA PARTY- WEEK LONG BOOK CLUB START!

Hello and welcome everyone to Comic Tea Party’s Week Long Book Club~! This week we’ll be focusing on Offshore Comic by Stefan Gasic~! (http://www.offshorecomic.com/)

You are free to read and comment about the comic all week at your own pace, so stop on by whenever it suits your schedule! Remember, though, that while we allow constructive criticism, our focus is to have fun and appreciate the comic. Below you will find four questions to get you started on the discussion. However, a new question will be posted and pinned everyday (between 12:01AM and 6AM PST), so keep checking back for more! You have until February 10th to tell us all your wonderful thoughts! With that established, let’s get going on the reading and the chatting!

QUESTION 1. What has been your favorite strip in the comic so far? What specifically did you like about it?

QUESTION 2. At the moment, who is your favorite character? What about that character earns them this favor?

QUESTION 3. Given the comic’s focus on financial markets and all that composes them, what is something this comic has taught you about the subject? Alternatively, what is something you wished you understood better to understand the comic’s comedy?

QUESTION 4. How do you think the comic’s illustrative style and choices help the comedy of the comic? What is one moment where a particular design or image really stood out to you and helped the point the strip was trying to convey?

QUESTION 5. The comic features several recurring subjects like the legitimacy of IQ scores, LLCs, and more. Which of these recurring topics did you like the most? What about it caught your interest?

Stefan G

Hello everyone, 1) Just updated www.offshorecomic.com with a new strip. Check it out. 2) RebelVampire, are your questions intended for me or any new reader? Ciao, Stefan the creator of #Offshorecomic

snuffysam

They're intended for both (still working through the archive)!

keii4ii

Is there a way to get permalinks for individual strips, so I can come back to specific ones at a later time?

Stefan G

Thanks & okay, snuffysam keii4ii, unfortunately there’s no way to get permalinks for individual strips ... I coded the website myself as a side project and am not that good a coder

keii4ii

Oh man, I can relate to that... If I ever get rich, comic website coding and maintenance stuff is the first thing I'll hire someone to do for me

I do like how it loads and makes it easy to read through the archive, for what it's worth.

Stefan G

Thanks for the feedback ... and I totally, totally agree. One could spend a fortune for a coder to take care of all the fixings and stuff ... now I’m learning on the side whenever there’s time left over from work & family.

Stefan G

Answer to Q1 => readers have found the “happiness” strip the best. It’s also one of my favourite ones [succinct & clever & relatable] ...I truly don’t have a favourite strip, but the attached Reto & Urs -strips make me chuckle whenever I read them [I appreciate below-the-waist-humour and/or humour where people are really, really selfish].

lomcia (princess_lom)

1. The newest one is so funny

2. Trader

3. i dont work in office but i cant find nothing to improve that comic, i think the design of characters and humor is on really high lvl 12/10 for me

4. Style is perfect ffor that comic, i wouldnt change it

Stefan G

Answer to Q2 => at the moment my favourite character is the Economist. He’s a genuine IYI [intellectual-yet-idiot] ... which the world is full of and the finance industry in particular. The Economist is easy to write for because I’ve discovered a never ending source of humorous material called the daily financial newspaper ... please find attached also one of my favourite strips

Thank you, lomcia (princess_lom) for your feedback.

lomcia (princess_lom)

your welcome I hope i didnt misunderstood question 3 xD

Stefan G

I think you got everything just right

lomcia (princess_lom)

cool

Stefan G

Answer/comment to Q3 => I’ve spend my professional life in finance, hence, I know every nuance of the industry. However, for the layperson the finance industry [money, banking, insurance, etcetc...] is a big black box of unnecessary complication. My humble attempt with #Offshorecomic is to untangle this complexity and make money related topics more accessible/understandable to anyone ... using humour as my main tool. Finance is more stupid than you think; trust me

I’ll answer the rest tomorrow. Gotta go to now. is like in a totally different time zone and all that Thx again y’all !

RebelVampire

QUESTION 6. Which joke not related to finance did you enjoy the most? What about it made it stand out to you among all the others?

RebelVampire

1) i really enjoyed the life coaching strip about facing reality and lying to yourself. i just really enjoy the bluntness and simplicity by which the self-deception line is delivered. A+ comedy right. 2) i like p-bird because i consider him a much needed counter balance to many of the other characters. he at least has more feet planted in reality. 3) hedge funds. not that i understand them perfectly from the comic, but now theyre more than just a financial word i see tossed around. and despite the very negative absurdist humor regarding them, was still interesting to get some insight into what they actually involved. 4) i think the style overall really balances well with the comedy. a lot of the comedy is reliant on the dialogue, so keeping the illustrations clean, bold, and somewhat simple really helps direct attention to the words. i also really just enjoy the character designs cause every single one really hits that idiot or absurdist mark that needs to be hit. 5) actually i really liked the address of IQ scores. because literally these characters seem like the type whod wind up on r/iamverysmart and use their IQs to talk about how cool they are. so it was kind of nice to see some evidence for that with the subject. that and i always like seeing the concept of IQ being torn apart. 6) i actually liked a lot of the jokes that pertained to the academic sphere in regards to things like publishing and teaching. selfishly it most just stood out to me because academia is something im more familiar with in regards to its simultaneous setup of worthless class structures and cutthroat profs trying to further their careers.

Stefan G

Thank you, RebelVampire, for your thoughtful analysis & feedback I believe that the writing is the most important part in comics ... and the best humorous writing is often blunt & simple [you hit the nail on the head with that comment]. Furthermore, I intentionally designed the strip in a simplistic style in order to A) highlight the writing/gag, B) to save time and C) cuz simple drawings are funny I love to make fun of pompous, self righteous folks ... academics are thus some of my main targets [due to the same reasons I make fun of financial professionals].

Stefan G

Answer to Q4 => My childhood inspiration and spark for cartoons/drawing came from F.Ibanez [Clever & Smart] ... very funny yet simple style. Nowadays I enjoy Dilbert by Scott Adams or the political cartoons from cartoonist Jari Elsilä; also both of them are hilarious without wasting unnecessary lines. I believe a straightforward style highlights the writing and that’s what I’m trying to achieve. Moreover, I love to have backgrounds in my comics [to steer the reader to a particular thought or mood] but hate to draw them and/or dislike it when they clutter the cartoon ... I’m rather happy with a style that I’ve developed over time where I draw the background but reduce the opacity to 25 %. I think that works pretty nice

Stefan G

Answer to Q5 => My favourite themes are 1) anyone predicting the future, 2) mistaking luck for awesome skill and 3) incompetent yet pompous professionals ... there is so much hilarious material right there

Answer to Q6 => I often use the characters Reto und Urs for jokes/strips that are not necessarily financial because they are so endearingly stupid [well, mostly Urs is]. This one makes me chuckle

RebelVampire

QUESTION 7. In what ways have any of the strips changed the way you think about life, finances, or any other topic covered in them? Alternatively, what have the strips portrayed that you wish more people knew?

RebelVampire

(the archive for the chat on Poco Adventures is now available https://comicteaparty.com/post/182650076295/january-28th-february-3rd-2019-ctp-archive)

RebelVampire

QUESTION 8. Of all the parodies and jabs at financial markets and life, which do you consider the most on the nose as far as its representation in the comic goes?

RebelVampire

7) the strips have made me realize in a way that this is another industry where basically theres lots of ridiculous junk going on in the background cause you can never remove human faults completely. cause when it comes to finance theres lots of advanced vocabulary and concepts being thrown around usually, so for someone untrained it can sound intimidating and hard to follow. i think these strips do a great job of humanizing things tho and showing that the concepts arent all that alien cause at the end they were created by humans and reflect the desires of humans in a way. 8) one of my faves that i think is totally on the nose is this one where the economist is telling p-bird about ppl on twitter debating him being ignorant. and that his facts and stuff will prevail but p-bird points out that wouldnt even work on the economist. and the economist goes home confused. i think this is way too true for what its like to argue on the internet and how facts and logic get infinitely buried for the sake of narrative.

Stefan G

Excellent analysis/comments, RebelVampire really constructive. The human element is everywhere and money is such an emotionally laden topic that it’s easy to get confused even without the unnecessary complicated vocabulary ...which is often misused even by so-called “professionals”. If my strip has helped you understand all of that and un-demonised the beast, you’ve made me a very happy man Yeah, the Twitter-Fact-Confusion strip is one of my more relatable strips ... I’ve given up on trying to change people’s minds with facts; if changing minds is possible, it can only be achieved through via emotions. It sounds more logical the other way around but that’s not how we work. Here’s a special academically oriented strip just for you, RebelVampire Enjoy

snuffysam

haven't been able to get all the way through the archive yet, but my answer to both #2 and #8 is the Regional Manager. I love all the characters, but there's something to be said for the simplicity of having a guy literally run around headless.

Stefan G

Thanks , snuffysam. I almost forgot about the regional manager. I have to bring him back to life; I also like him ... by the way, there are 308 strips in total.

Answer to Q7 => I can’t claim that any one strip has changed the way I think about life and/or other things ... however, I do believe that writing & drawing Offshore strips has reinforced in me some of the main ideas from my favourite author, Nassim Nicholas Taleb, who’s books have influenced me deeply [e.g. Black Swan, Antifragile, etc etc] ... luck versus skill, thinking about risk and stuff like that. I regularly come back to his books for inspiration and recommend his books & Twitter -feed. Here are two strips that highlight my point ...sort of

Answer to Q8 => wow tough question ... with 99 % of my strips I genuinely try to convey some message about basic human quirks and/or outright stupidities that actually take place on a regular basis when handling money + and then I add my own personal humours twist to it. Here are a few strips with the message never to buy something you don’t understand [a hint: they always have complicated names]...

RebelVampire

QUESTION 9. What other finance related topics are you hoping to see the comic explore? Which characters are you hoping to see involved with the topic?

Stefan G

Answer to Q9 => As the creator of the strip I’m obviously biased to answer this question, but I’d love to hear what the new readers have to say. I don’t have a particular preference for any topic [except make fun of pompous forecasters ] ... but I feel myself wanting to write & draw more strips for the Markets-Weasel and Reto und Urs. And that’s surprisingly hard to do; forcing it doesn’t work [at least not for me] ... Offshore’s main characters were supposed to be Reto und Urs and somehow P-Bird and the Economist and the trader stole the show. I guess that happens when you get to know your characters better. Funny how that happens ... here’s one nostalgic strip from my early work that I really enjoy

Stefan G

Addition to Q9 => ... I’ve steadily build up an audience on Twitter [@NonMeek] which consist mainly of likeminded financial and/or other professionals ...hence, hearing the viewpoints from anyone outside that sphere would be awesome

RebelVampire

QUESTION 10. What are you most looking forward to in the comic? Also, do you have any final thoughts to share overall?

RebelVampire

9) idk about specific topics, but id like to see the CEO who i think appeared in like one strip. I'm really interested to see the CEO dynamic with the other characters in terms of finance. learn how they view what theyre doing, how they view what the others are doing, etc. but im all for bringing the regional manager back too cause i enjoyed that character as well. a lot of great humor picking fun at how some managerial positions are kind of ridiculous to even exist to a degree. 10) learning more, mostly. overall its nice to see a harder to cover topic in comics. ive enjoyed how approachable and humanized the strips make finances, and how they remind you that professionals can be like this and actually have no clue what theyre doing. @Stefan G that academic oriented strip you shared was actually one of my faves. not necessarily in college, but i see this a lot in the blogosphere where ppl do a thing once and try to pass themselves as qualified experts to deliver advice. XD

Stefan G

@RebelVampire Thanks again for your opinions. Those really help with the development of the strip ... finance is a hard topic indeed and there are no really finance oriented strips out there [that I know of anyway], which is funny cuz the industry is filled with emotions and mind blowing mental errors. I guess people still believe finance & investing is some sort of scientific discipline which it’s really not ... there are hardly any black & white answers to anything even though there’s lots and lots of historical data ... it’s time to fix that myth with Offshore I’m glad you enjoyed that academic strip. It resonated rather well on Twitter too

@RebelVampire [adding to my previous answer] ... I agree that the managers need to be reanimated and given another chance. I’ll try to do that and see how they resonate. I never know beforehand which characters will work and which will fizzle out; e.g. der Compliance Offizier is one of my favourite characters, yet, resonates weakly outside the banking circles ‍♂️ [I love the strip below ].

keii4ii

I would like to see more strips that cracks jokes about this very specific context of finances! Things like that strip about funds blowing up on day 252. I think that gives this comic its own flavor. Readers get to laugh about not just any kind of incompetent people, but incompetent people in this specific field. Readers with no background in finances don't know the context, so more strips that shed light on the context of the jokes would be great.

Stefan G

@keii4ii All valid and excellent points ... I genuinely try to write & design my cartoons in such a way that the joke is understandable even though you don’t know the context. It’s a hard thing to do ... my wife is my toughest critic and she tells me the same as you ... but keep following Offshore and I promise to come up with more stuff like that 252 strip

Answer to Q10 => My ambition with Offshore is to 1) amuse myself first and see if anyone shares my sense of humour [if a cartoon doesn’t amuse me, I don’t publish it]. It’s a splendid way of letting out some frustration from work ... and 2) to make investing & finance more approachable to the layperson by infusing some humour into it in the form of cartoons ... which by the way nobody thought of doing on a serious basis. Weird. However, to produce material on a semi-regular basis I figured that writing only gags/jokes is too much work and/or too shallow of an approach, hence, the characters in the strip need to be interesting/relatable enough in order to create humorous material by mere interaction with each other. That’s easier said than done. I’m quite satisfied with my characters so far but am continuously looking for new interesting characters to add to the strip [either permanently or impermanently]. Like Scott Adams once told me: “The trick with comics is to reflect the reader's own experience. To allow people to say, "That's me!" I’ll conclude with this sneak peek strip [only for you guys] that should relate to the experience of anybody working in a big corporation.

RebelVampire

COMIC TEA PARTY- WEEK LONG BOOK CLUB END!

Thank you everyone so much for reading and chatting about Offshore Comic this week! Please also give a special thank you to Stefan Gasic for volunteering the comic and creating it! If you liked Offshore Comic, make sure to continue to support it via some of the links below!

Read and Comment: http://www.offshorecomic.com/

Stefan’s Twitter: https://twitter.com/NonMeek