#OC SPREE GALORE ONE DAY

[seyaryminamoto]

Rejoice! Long-Winded Anon is here with another question. You have dedicated a lot of time and chapter space developing the side characters more than many fics usually would because most authors focus much more on the main characters, bending or even sacrificing other in-universe elements to fit their preferred vision, as shipping fics often do. But you take much more care writing other characters. Was that planned? Or spontaneous in the flow of plotting and world building?

On great measure it’s spontaneous, but it’s mainly because the story has required it. I will say, I did have a lot of canon characters presence when the story started out. Often readers seemed to be just thrilled to recognize old characters in new roles, and I had been working, up until then, with the notion that the more canon characters I used, the happier I’d keep everyone, pretty much.

So, all the way back in the first arc we had Shoji, a one-time character in canon, from the Headband, taking up a recurring role in the story as clerk in the Grand Royal Dome. Likewise, Song was a one-time canon character and she took on a role that turned her into a constant presence in the story, with her own development and relationships with the main characters. Smellerbee has only featured for one chapter, but she was there anyhow. Piandao trains Sokka, same role he had in canon, but for a longer period of time and eventually vanishes for yet-to-be-revealed plot reasons. Chan and Ruon Jian had roles too, Chan a relatively brief one so far, Ruon Jian a constant but background role nonetheless: marrying Mai off to a completely unknown character could have been an easier way out, but offering a one-time canon character further relevance actually might intrigue certain readers, I guessed. There’s June’s very controversial role from early on in the story too, Toph’s first sponsor is the same guy who was hired by her parents to track her down in canon, Xin Fu. Jet’s initial appearance is brief, even if his hypnosis might have helped many readers guess he’d come back for more eventually. Even Haru, who yes, is relevant in canon but he only shows up in a few episodes regardless, gets a bigger role here as Ty Lee’s gladiator. The hammer-wielding earthbender from Zuko Alone? He’s the Twin Hammer, the earthbender Sokka fights in Garsai’s Arena, and the first earthbender he defeats.

Yeah, there were lots of less important characters even at the early stages of the story, and several OCs who didn’t amount to much. Smellerbee’s sponsor? Literally got his name from a brand of eggrolls that they used to sell in my country XD Hosang bite-sized eggrolls were so nice… and as I needed a name, that came to mind and he was her sponsor. The Spawn of the Volcano is also an OC, as is the Hallowed Rock and frankly nearly every gladiator who’s not easily identifiable. But many unfamiliar and new characters, like Kuan, Aonu and Renzhi, Kino, Tiang, Seethus, the homeless people Azula helps, Haiyan and Yang, the entirety of the Blue Pack, Hina, most gladiators introduced after Haru…? Practically all of them are outright OCs, and that’s because I really felt I would have been stretching believability past an excessive point if somehow I kept choosing to repurpose characters who had showed up in canon at some point.

To put things simply… Miyuki and the Herbalist couldn’t have showed up if I didn’t have Sokka and Azula traveling to the Herbalist Institute. Aunt Wu as well, along with Meng, couldn’t have showed up believably in the story if they didn’t go to Makapu. Even Jeong Jeong is very deliberately operating in the northwestern Earth Kingdom because that is where Aang finds him in canon. If I’d featured them in locations that were completely incompatible with who they were established to be in canon, I would have been hurting the story rather than enriching it.

So I can’t, for instance, have Onji and Hide and Shoji and basically all of Aang’s classmates from the Headband moving to the Capital when they all lived in an island in the outskirts of the Fire Nation, because yeah, maybe some would have moved away (like Shoji did)! But would they all travel and move away to the same places? Would they all choose professions that coincidentally would align with whatever Sokka and Azula are up to at the moment, so that they’re relevant to the story somehow? Seems like a stretch, doesn’t it?

I really think I just reached a point where I couldn’t stretch believability so far without risking the story’s integrity. I couldn’t just make Hide Azula’s Guard Captain, for example, when all logic dictates that there should be lots of competent firebenders and soldiers in the Fire Nation who would be far more suited for the role than a completely common boy who showed no special aptitudes in canon other than being an annoying teacher’s pet. Hide apparently would have grown to be in the military, says the Wikia, but how many soldiers does the Fire Nation military have? Soooo many… and why would we not get to know them? Why should we only stick to the ones we met through canon, when there are already so few of those  and most of them wouldn’t suit the role of Azula’s Guard Captain anyhow?

That logic steered me towards OCs over canon characters in the later stages of the story. Kino, Aonu, Renzhi, Yang, Haiyan, the entire Blue Pack, Hina, Rhone, Seethus… they’re all new characters, but as long as they fit in the roles the story needs them to fulfill, there’s no real reason for them to feel out of place the way they could if I was forcing them in, the way some writers do with overpowered OCs who break all logic in the setting they’re written into. Rhone, in particular, received far from a warm welcome when I introduced his character, but his character is an answer to a question canon brought up but didn’t really address at all: Yon Rha confirmed in the Southern Raiders that there WAS a leak of information in the South Pole that enabled them to figure out there was one last waterbender there. Canon never addressed this. I’m not going to pretend my way of addressing it is the one way to go… but it’s something. Likewise, Sokka’s increasing popularity would only logically result in him developing a fanclub like the one we saw for Suki early on in the story: why should the characters in that fanclub be anyone we already knew? There are so many people living in the Capital, lots of them unknown in canon, but they’re there. Is it more reasonable for common people who live in a city to be part of this club, or for people like, I don’t know, Star, to move all the way from Ba Sing Se only to fawn all over Sokka in the Fire Nation Capital? Which option makes more sense, ultimately?

And that’s really where my logic went in the end. ATLA did a decent job at showing us the common, ordinary folk who make a living in their world despite the chaotic war. Those are the people Aang helped often, and they didn’t all need some insanely exaggerated reason to be where they were, or to be who they were. Had I dragged them out of their natural living spaces, like for instance making Jin into a gladiator? It would have been ridiculous to no end. Her role and story work in Gladiator because it feels plausible within what canon established for her. And that’s how I’ve tried to keep it for all the canon characters I use. If there are no canon characters who can fulfill a certain role? Then an OC it is!

I admit, it was a lot of fun repurposing characters, but stories like mine reach a point where you can’t really do that believably anymore. I think starting off with as many canon characters in relevant roles as possible did help a lot with capturing the interest of readers who were intrigued by how much the world they knew from ATLA had changed in this setting, but it wasn’t sustainable to do that forever.

As for focusing more on canon characters than on OCs, I’m pretty sure I’ve done that, on the most part. Perhaps the only exceptions for it are characters like Rui Shi, Xin Long and Kino, but other than them I think the core cast of the story is comprised by canon characters. I guess I might be forgetting someone important, I don’t know anymore xD but as to why OCs get attention where they would just be standing in the background in many other stories… I guess because I’m not a big fan of static characters with little to no personality. Not to say all my OCs have personalities, pretty sure I have some terribly flat ones xD but I do want my characters to feel like real people with lives of their own, whether OCs or not. So when Dong cries a river because his girlfriend Yumiko dumped him, he feels like a character whose life didn’t just begin as soon as Azula stepped into his room to inspect it. When Kino airs his grievances to Aang and Katara about how his fellow soldiers ignore him no matter what he does, he also feels like someone who’s had struggles, however ridiculous they were, before he got to know them. When Haiyan and Yang have no money because they eloped and have been struggling to get on their feet ever since, it’s clear they’re going through their own problems too. Rui Shi may not have any issues of that magnitude, but he has a very obvious difficulty: his charge makes his life unnecessarily difficult ever since she got it into her head to get a gladiator :’D And there’s next to no reason for him to be pleased for that.

Ultimately, writing an OC is no different from writing a canon character as long as you let them have lives of their own, even if simple lives. And that’s what has guided me into writing this story and the characters featuring in it as I have.