#OBC community

[newsmrl]

MP CM OATH : पीएम नरेंद्र मोदी और गृहमंत्री अमित शाह की मौजूदगी में मध्य प्रदेश के नए मुख्यमंत्री मोहन यादव ने ली पद और गोपनीयता की शपथ

MADHYAPRADESH:  सोमवार को मुख्यमंत्री नामित होने के बाद यादव ने राज्यपाल मंगूभाई पटेल से मुलाकात की और अगली सरकार बनाने का दावा पेश किया। जिसके बाद बुधवार को प्रदेश के नए मुख्यमंत्री के रूप में मोहन यादव ने पद और गोपनीयता की शपथ ली। लाल परेड ग्राउंड में राज्यपाल मंगुभाई पटेल ने शपथ दिलाई। मोहन यादव को राष्ट्रीय स्वयंसेवक संघ (आरएसएस) का करीबी माना जाता है और उन्हें शीर्ष पद के दावेदार के रूप में…

[novaazurite]

Asked a few friends of mines in some discord servers, this was the result.

[mido-d67]

S-s-SCARY!

Stay determined ❤️🙂

[swordy-da-goat]

haha, funny show

[fallen-featherz]

I like this guy. He is doopid…

[relivethisdream]

Hi everyone here from that post I made about musical F/Os being in butt and ass quality bootlegs. Glad we can trauma bond. Allow me to speak from experience

^ my beautiful Princess who is no more than three apples tall

[korpsejester]

Cording to my hypothesis they are gay

[hi-pie-bi-liy]

Twelve Feet Under - Object Battle City 5

[vincentlopez]

Just like I did in the previous art I've made, but I drew myself in a werewolf form. Tons of object shows fanarts related to werewolves gave me an idea to draw about my human characters (not most likely ALL humans) in the object show universe. Hope you guys enjoyed this piece! Go check the BONUS one if you're curious to see me wearing Clout Goggles like Kurt Cobain does

[rightnewshindi]

राहुल गांधी की नारनौल यात्रा: कपड़ा उद्योग में बहुजनों की उपेक्षा पर सवाल, विक्की सैनी की फैक्ट्री में देखा कारीगरों का हुनर

Rahul Gandhi: लोकसभा में विपक्ष के नेता राहुल गांधी एक बार फिर कामगारों के बीच पहुंचे। इस बार उन्होंने हरियाणा के नारनौल में युवा उद्यमी विक्की सैनी की फैशन डिजाइनिंग फैक्ट्री का दौरा किया। यहां उन्होंने न केवल कारीगरों के हुनर को करीब से देखा, बल्कि कपड़ा और फैशन उद्योग में बहुजन समुदायों की उपेक्षा और उनकी चुनौतियों पर भी गहरी चिंता जताई। राहुल ने इस मुलाकात का एक वीडियो शनिवार, 12 अप्रैल 2025…

[tnsfrbc]

HAPPY BIRTHDAY SIR, "Honoring B.P. Mandal, a brief non-Congress Bihar CM and unsung advocate of reservations, whose legacy advances social justice".

[hamletthedane]

Hello, would you be able to explain why wicked bootlegs are called slime tutorials? It's very clever but I'm curious as to the origin. Thank u!

Ha! I actually can, though you could probably guess the answer:

So back around ~2016, Universal was in pretty serious talks to make a Wicked movie, as they were a little jealous of the Les Mis movie’s popularity in 2012 and Menzel’s resurgence of popularity after Frozen. As part of this, they got really aggressive about copyright and began blasting the best Wicked bootlegs off the internet left and right. They apparently even sent C/D takedown letters to people who ran bootleg blogs listing the recordings they had for trade.

Around that same time, the genre of ASMR “how to make slime” tutorials was starting to get really popular on YouTube. There were approximately 8 million of them being posted every day by anybody with a camera. So people who filmed broadway performances began uploading them under names like “Wickedly Cool Green Slime Tutorial - O/B/C Full” and “Pink Slime and Green Slime Tutorial - SJB/AA” , or even “As Long As You’re Slime - Aaron Tveit” to bury them in a sea of uploads and avoid their removal.

Fans did this for a variety of different broadway performances - the term DEFINITELY wasn’t exclusive to Wicked, by any means. I’m actually pretty sure the term was first used for the Hamilton OBC performances that circulated back then, since those were still hush-hush.

However, Wicked performances in particular are among the most highly sought-after in the bootleg community (mostly bc each set of actresses creates a pretty different viewing experience, and there’s tons of weird lore). Plus Universal’s aggressive takedowns were making them harder and harder to find on the open web.

Thus, the term “slime tutorial” (or “slimes”) is commonly used for all musical recordings, but it became very highly associated with Wicked performances in particular!

[mido-d67]

GEDDAN!(Get down) BFB/BFDI animation meme

Stay determined ❤️🙂

[incorrectmahabharatquotes]

I see so many hindutva wadis arguing that caste system is a foreign concept and hinduism only had the varna system. As if the varna system was fair? Also isn't caste derived from the varna system? Like brahmins and Kshatriyas became upper castes, vaishyas became obc and shudra were dalits?

I had the impression that the caste system was the documentation of people who already belonged to the varna system. Do correct me if I'm wrong.

It's a little more complicated than that. Currently, we live under the jaati(or jāti) system broadly speaking. When people talk about the caste system in modern India, it is this system superimposed on the varna system that they are referring to. Functionally, the caste system now is a hybrid of the two systems.

The Varna system and the Jaati System are both systems of social hierarchy.

As everyone is already aware, under the varna system, the society is divided into four categories(i.e. brahmins, kshatriyas, vaishyas and shudras) which are hierarchical in nature and mentioned in the various ancient religious texts. Crucially important to this system is the existence of a fifth category, the untouchables(I assume you're already aware of the practice of untouchability) and the outsiders(often termed as "mlechhas", which is now a derogatory xenophobic{and casteist!} slur coming back into popular use thanks to the resurgence of regressive ideas under hindutva politics). These are important to mention because the marginalization of these people was based on them being an out-group i.e. not part of the varna system. People claim the varnas were mutable based on a handful of examples in said texts but I would like to point out that those examples are said to be exceptions rather than the rule.

The Jaati System would be more familiar to you in terms of lived experience. Under this system, society is divided into socio-ethnic endogamous groups or communities and each of the groups have different socio-economic standing in society. The practice of endogamy(marriage limited to within a social group) is important to this system as there is emphasis on one's birth. This is why people say that intermarriage is the most significant step towards dismantling the entire system, but I digress. Prior to the colonization of India, these groups worked on a purely social basis of privilege and exclusion. Villages and cities were(and still are!) segregated based on these jatis. One's occupation was defined by their birth as long as they lived in their specific society.

I would like to emphasize that this system existed and thrived even before the colonisers ever came knocking on the subcontinent's doors. We can find mentions of the system in the historical accounts of both people of the subcontinent and travellers from outside. A study of people's DNA by some scholars claims that the endogamous groups can be traced back to as far as the Gupta Empire(mid 3rd century to mid 6th century CE).

The assertion that the caste system is a purely colonial fabrication is absurd. People point to the term "caste" as being of foreign origin but the term "jaati" already existed and was in use. "Caste" is just another way of referring to jaatis.

Now on to some legitimacy hidden in the nonsensical claims, in the 1901 census of the subcontinent, the British bureaucracy fit the various jatis under the broad classification of the four varnas. It was not a clean fit, leaving many in an awkward position of having been classified wrongly. This is their fault. Not the construction of the system but rather the wrongful categorisation of it.

Officially, there are over 3,000 castes and 25,000 sub-castes in India. Take these numbers with a grain of salt because there are many unregistered castes and sub-castes to this day fighting their own battles of legal recognition.

The castes do not cleanly map onto the varnas. There are many castes who are in the upper strata of the hierarchy in one region and the lower strata in different regions. The system is incredibly nuanced and complex and our current legal systems have not caught up to the sophistication required to deal with it because of the people in power's adamant insistence of ignoring the system simply because they profit off of the oppression of others.

I don't want to add to the miscategorization but I feel like I should correct you on the fact that broadly speaking shudras are classified more under OBCs. (Please keep in mind that this not a clear category and there can be some castes who are said to be shudra who can be other categories as well.) There's much to be said about that because there's no distinction made between the land owner castes and the landless castes. And no, the creamy layer is not a good marker either.

There are some castes(1,108 of them to be exact) who were listed as scheduled castes(SC) in the Constitution of India for affirmative action. This was done to socially reform the country and help those in the marginalized sections of society to gain social mobility. The hope was to remove caste discrimination. As we know, it wasn't successful because caste discrimination still exists and caste based violence is on the rise again.

The term dalit is a contemporary word for the untouchable castes who were and are subjected to despicable discrimination in society.

The reason that I say that we now function under a hybrid of the two systems is that the superimposition of the varna system over the jaati system has been accepted and in many cases, embraced by the people now. You will find many a "upper caste" people proudly flaunting their Brahmin or kshatriya identities. The varna system is now interlinked with the jaati or the caste system whether we like it or not.

The system is complicated and fucked. We should get rid of it, guys. And with your help, you can make that dream a reality.

-Mod S

[greasebabexpress]

Small Town AU (Greaseball)

Greaseball was on her way to be a pro athlete but ended up tearing her ACL during a practice and the recovery process was not kind to her.

Since she lost out on potential contracts and she’s not sure what to do if it’s not something physical or sports related she ended up moving back home a few months after her surgery.

In this AU I want to include some of the obc stex characters so in my mind the original male greaseball is her dad and CB is like her weird neighbor/family friend that no one is sure as to how he wormed into their life and is just a bit stranger every time he visits.

Greasedad is a train operator for long haul freight so it’s a toss up on whether he’s home or not. When he is home he’s either sleeping or doing an odd job or two.

CB calls girl greaseball GBJ (Greaseball Jr) and she fucking hates it but he’s been calling her that since she was a tyke so there’s no reasoning with him.

Somehow after moving home she got roped into coaching youth sports at the community center.

Initially she was checking to see if there were any fitness classes to sign up for but she ran into Dinah (who teaches a cooking class at the community center) and when she was flirting with her lied and said she was an instructor as well and that she could “be Dinah’s personal trainer” and have some “one on one sessions”

Momma who was passing by overheard Greaseball, instead of calling her out on her lie roped her into the empty youth sports coordinator position.

So now every Saturday morning and Wednesday evening Greaseball either has to coach snot nosed kids or call other towns in the county to set up scrimmage matches.

Greaseball would never admit it but she does enjoy it when the kids win or make a good play in the game. Makes her feel like she’s actually doing something worthwhile

[eye-may]

A Post Where I Clumsily Trundle Through An Incoherent Web Of Thoughts On The Discrepancies Between OLC (Wayne Sleep) Mistoffelees and OBC (Timothy Scott) Mistoffelees, Specifically Regarding Their Vocal Tracks

I sit in a ✨rapt contemplation✨ of how much I do and don't think Mistoffelees should sing, based on the interpretation of the character I have scrunged together after two months' worth of obsessing over the subject, trying to make sense of the expansive history, and all the variations, of CATS. It doesn't help that, as far as I can tell, the most enigmatic (read: inconsistent as fuck, affectionately) fixture on the franchise is its own Conjuring Cat.

Read below the cut if you're at all interested in me trying to transliterate my thoughts! I promise you it will be confusing. ❤️

The gentle, vaguely mysterious way Mistoffelees sings "Have you been an alumnus of heaven or hell?" in the OLC recording is actually so beautiful and so personal to me. I could rationalize ad infinitum why it just makes sense for the inexplicably magical cat to have this line, but suffice to say: it just works. And of all the London-based productions in which I've heard this specific arrangement, my favorite delivery of that line still belongs to Sleep. His airy, almost pensive (?) inflection stands out so much from the rest of the cast, in a way that I think really befits the character.

Then he goes on to sing Jenny's number, again, with such conspicuous gentleness and sweetness. Everything he sings sounds almost like a lullaby, a trapping that works well for a song about a cat that lazes about and sleeps all day. it's a stark contrast to Munkustrap's operatic, romantic grandiosity. to say nothing of the fact that the Mr. Mistoffelees instrumental motif is what LEADS UP to the first line of that song; in my opinion, that's a vestigial indication of the original intention to have Mistoffelees narrate this part of the show.

When it's time for Old Deutoronomy to arrive, Mistoffelees opens up the lyrical announcement, again, with a voice that is soporific, melodic, gentle, sweet. He sounds youthful and unassuming, and yet is clearly a member of the tribe who is knowledgeable of its hierarchy and its history, and one who is so intimately trusted that its leadership bequeaths him the responsibility of making introductions, of musically guiding all and sundry through various beats and developments. I've heard others refer to this version of Mistoffelees as something of an 'assistant' to Munkustrap (shout out to this post, which singularly kept me from going insane while I tried to write this), a righthand cat as it were. I think later on, the closest we have to such an entity is Alonzo, the Secondary Protector; but this, in my opinion, is an incomparable archetype. Wayne Sleep's Mistoffelees is (I think) the most physically diminunitive version of the character there has ever been in a professional production. (Maybe except for Dane Wagner, whose actual height I cannot find anywhere on the internet, so jury's out). He doesn't cut the figure, per se, of a trusty backup during a violent altercation. Rather, his position on the community ladder is attributed to his acuity, which he conveys in his lilting, unaffected explanations. There's not exactly a pretense of showmanship, and Mistoffelees doesn't seem to come off esteemed as an entertainer. Rather, he's a member of the tribe who, although he's small and sweet-sounding...proverbially missable in a crowd...there's something about him that gives the rest of the tribe the impression that he's worth listening to. As much as, even, the tall and dignified Munkustrap, or the barely-hinged Rum Tum Tugger.

This Mistoffelees, despite all that, is not above casual comingling. He's not sanctimonious or high-flown...at least not if his adorably repulsed line delivery during Tugger's number is anything to go on.

I feel like when the roles were changed for Broadway (something something contracts something something principals), and Mistoffelees's narration was shuffled to the Mungoteazer number, the beat of Mistoffelees mistakenly attempting to lead the song and then getting chastised by Munkustrap was a cheeky nod to the original arrangement. In a metacontextual way, we DO expect Mistoffelees to sing Jenny's song. Even if you're not familiar with the OLC version, his motif still cues him in for it. Subsequently, it became his motif teasing his cue...only for him (and the audience) to realize that he was mistaken.

Obviously I have no way of knowing if that beat was, in fact, acted out in the original Broadway production with Timothy Scott (I suspect that it was not, and that Valentin Baraian was the trailblazer in the original Vienna run, and Lindsay Chambers's seemingly de-aged Mistoffelees in the early 90s further cemented the Woobie-fied awkward version of the character) but either way, this makes it so that the audience is acquainted with Munkustrap as a revered narrator, thitherto without much of an impression either way of how Mistoffelees is regarded by the rest of the cats.

In taking on the Puppet Show sequence, Mistoffelees's air of leadership and wisdom is abated, and filled in with an image of an eccentric showman. This isn't the least bolstered by Timothy Scott's cryptoid make-up, and his express desire to play Mistoffelees as bombastic and fascinating, rather than cute. His animation of piles of trash into dirigible puppets is the most ostentatious foreshadowing of his magic that there has ever been in any replica version; therefore, rather than the audience feeling as though Mistoffelees should be listened to, and that he's an unassuming and affable guide...they're given the impression that they should be mystified. Scott's Mistoffelees is replete with showmanship and grandiosity, in a more literal and traditional sense than Munkustrap or Tugger. He introduces himself before Tugger ever gets a chance to, resoundingly clapping himself on the back for his aptitude as a magician (the greatest magicians have something to learn...etc). In my opinion, this doesn't come off as egoism so much as it does a collateral feature of trained stage presence. He has bits. He's a professional.

Too much of a professional, even, to tease Tugger during the latter's number. I suppose the "bore" line is sung by Munkustrap and Alonzo at least, like it usually is in Broadway-based adaptions. In some productions, I think, Mistoffelees joins them for the delivery to form a trio. But, again, no way for me to know whether that's the case with Scott. I assume that he isn't just because it seems like his version of Mistoffelees is a touch too turgid to be bothered with Tugger at all.

The way he BANGS out Mungojerrie and Rumpleteazer in the OBC recording...his voice and inflection so dynamic, using his magic to bolster his showmanship, to entertain, to be a storyteller...it feels very proper for the self-proclaimed magician to present his abilities with such aplomb. (He sings with equally stratospheric energy during Invitation, which Wayne Sleep did not sing in the OL version...and I almost feel like it's too high-energy and playful a tune for the 'gentle guiding' version of the character). He has none of Wayne Sleep's timidity. He is no longer gentle. He's hyper, florid, dynamic, and loud, singing in an unhesitating, playful baritone that takes on a growl during his most dramatic deliveries. Wayne Sleep's and Timothy Scott's versions of Mistoffelees seem almost incomparable.

I think about the characterization of Mistoffelees as vague and aloof, and, you would think there was nobody shyer. I could see that, yes, with Wayne Sleep's Mistoffelees; while he's seemingly comfortable with being the center of attention amid his group of friends, and while he's all too happy to come in clutch very flashily during the eleventh hour, he still gives the impression of softness that one could construe as timidity. He's able and willing to assist Munkustrap, to elucidate in front of a group, to be heard and seen, but it's not too difficult to imagine him reverting to a state of unassuming quietness in any other contexts. It may just be me, but I feel that two "Presto!"'s during his number are almost formative, or at least uncharacteristic and something you'd only hear in such an extenuating context. It's like watching the peaceful, wise mentor abruptly kick ass when the hour is nigh. Is Wayne Sleep...Trojan Horse Mistoffelees...?

Anyway. Timothy Scottfelees, on the other hand, is more difficult to brand as a supposedly avoidant and coy character. He can be aloof, maybe, if the magnitude of his specialness ends up making him truly peerless. But this is the version of the character often called the "consummate showman," and an evidently eager one at that. After dynamically spinning the Mungoteazer yarn, he then goes on to sing about himself for part of his own number, ironically delivering lyrics that are antithetical to the idea of their own subject conveying them. (This is partly why it's fucking stupid that Mistoffelees sings his entire ass own song in the 2019 movie but that's neither here nor there).

But I get it, again, with the contracts and the him needing to sing two songs to have a principal contract blah blah blah blah. I guess the director didn't want him to sing Gumbie Cat and Mungoteazer. I wonder why, if they had him perform the latter to get around casting two additional actors for the mischief twins (and instead had the psychic twins dress up as garbage), that they couldn't simply have him sing Old Deutoronomy like the OLC Mistoffelees did. Instead they initiated the tradition of having Tugger and Munkustrap duet it, when Tugger didn't need that extra singing credit to fit the criteria for a principal contract because he already sings his own number and also Mistoffelees's number. I know it makes sense for Tugger and Munk to be singing it if you subscribe, as seemingly most do, to the interpretation that the two of them are Deutoronomy's sons. But I don't think Mistoffelees's original part precludes that implication. I think it would be neat, even, for the three of them so sing it.

Tangentially, I cannot figure out why John Chester (OLC George) is credited in the studio recording for Old Deutoronomy. When I listen to it, it just sounds like Mistoffelees and Munkustrap alternating, and then the ensemble, and then Brian Blessed (Deut) singing his part. Maybe George is the one to escort him? (Weird that he would be given a track credit for that). Or maybe his voice sounds remarkably similar to either Sleep's or Shankley's and I'm just not able to discern when he is, in fact, singing.

I got all into these mental gymnastics because lately I've been bouncing between the two eras, trying to make sense of the directorial adjustments, and also trying to decide the implications for Mistoffelees's character and which tracks I prefer for him. Incidentally, it's wild to me how inconsistent and evolved the Mistoffelees character is in the grand scheme of CATS. He has a plethora of roles, personalities, and tracking variations the extent to which no other character compares. All of the cats have been interpreted and played differently, of course, depending on the company and the direction. But it seems to me like Mistoffelees is far and away the most varied.

All right. So these are my (barely) conclusive thoughts, formatted handily to mimic the inane back-and-forth constantly beleaguring my internal monologue. Buckle up for some unsolicited, worthless opinions!

Should Mistoffelees sing "The Pied Piper's Assistant," (Broadway), or "Have you been an alumnus of Heaven and Hell"? - The latter! No matter the character's vibe! The inexplicably magical and visually demon-coded character should have this line. It just ✨makes sense.✨

Gumbie Cat - I have grown rather fond, after listening to Wayne Sleep's version, of the idea that Mistoffelees sings this number. That is, however, in no small part due to how well Sleep's lullaby-ish voice works for the tune --- better than, I think, the deeper and more powerful registers you typically hear from Munkustraps. That being said, Mistoffelees singing this demystified him pretty quickly, and arguably ages him up just because you're given the impression that he's privy to, and comfortable with, the tribe's alumni, and furthermore is in a position to express his opinions this way. So all that being said, while I enjoy Wayne Sleep singing Gumbie, in the alternative blip of spacetime where I direct CATS, I'd go the typical route of having Munk sing it.

I think it may be interesting, though, to see a version where Munkustrap and Mistoffelees duet it; and this could be done in a way similar to the Munk/Misto combination for OLC Old Deutoronomy, but in a way where you don't get the impression that Mistoffelees is a peer to Munkustrap. The Broadway Revival seemed to restore bits of the OLC's impressing upon the idea that Mistoffelees is something of an Assistant Director to Munkustrap, just not by singing. (It's stuff like helping her out of her coat, pushing the mop off the stage, moving things around, etc). I really like the idea of Mistoffelees being an adolescent hopeful, sort of shadowing Munkustrap, bottomlessly eager to be helpful, and perhaps even being set up to lead the tribe one day.

All that, granted...I also do like the beat of him getting embarrassed. I could do without it, but I like how it contributes to the interpretation of the character as young and sometimes awkward. God I don't know. o(-<

"The Rum Tum Tugger is a TERRIBLE BORE!" - Mistoffelees should absolutely be the one to have this line. Primarily because it adds that extra vitriolic and playful layer to the supposed relationship between the two characters. And it is also, I think, funny to suggest that Mistoffelees, of all cats, is the one who is not impressed by such prurient behavior, because we see later that he's objectively more impressive and worthy of adulation. (Tugger would agree with me). I honestly think that part of the reason Terrence Mann had so little to contribute to the expansive "Tuggoffelees" discourse is because Mistoffelees wasn't the one to deliver this line in the OBC version. And, secondarily, I prefer a Mistoffelees that isn't peerless, and isn't immune to kiddish ribbing. I have my opinions about how this line should be delivered but that's frankly a whole other post.

Mungojerrie and Rumpleteazer - I think we need the OBC version of this somewhere in the CATS ether, but modified. I agree with this post that is does create an issue where the foreshadowing of his magic is too conspicuous, to the point that it knocks the grandiosity of his Hero Moment down a notch when it's time for his big number. I war with this, however, because I love the idea of Mistoffelees using his magic to be an entertainer and a storyteller. I'd love to figure out some kind of synergistic version where Mistoffelees presents the legend of Mungoteazer in song, incorporating his magic, in a way that doesn't preclude the actual existence/presence of Mungojerrie and Rumpleteazer. I saw a post floating around recently proffering the possibility of the three of them singing it as a trio...I'm a huge supporter of that idea.

Given currently extant versions of the song, I'd forego the puppet show and have the titular characters sing it, in keeping with the tradition.

So now I'm going right ahead and taking away Mistoffelees's expositions after all that. 😩 Let's continue.

Invitation - He should sing it. I don't feel super strongly about this one, but I simply like it better when Mistoffelees sings it versus Munkustrap. Even when we have the quieter, more kiddish versions of Mistoffelees, it doesn't disrupt those elements of his character. It feels like an exciting moment for an inchoate showman. It also seems to give him a "reason" to burst onto the stage amidst an orchestral explosion and pull Victoria into a step.

Old Deutoronomy - Mistoffelees can and should sing at least that first part that Wayne Sleep sings, and maybe the first chorus with both Munkustrap and Tugger. I have the impression already that the three of them form a trifecta of Jellicles who are specially favored by Old Deutoronomy. However...I also think Mistoffelees (rather than Skimble) should be the one to escort Deutoronomy to the stage...so I'd have him sing the first bit, then get signaled by Munkustrap to leave, and then the rest of the song is left to Tugger and Munk, and then of course the ensemble. Perhaps continuing to forego the verse about flatulence.

And then, finally:

Mr. Mistoffelees - Tugger should be the one singing the entire song, full stop. I feel very strongly about this because I want there to be as much emphasis as possible on the astronomical estimation Tugger, in spite of his apparent egoism, has of Mistoffelees. It's also silly, to me, when a character sings about himself being quiet and shy. I do need him, however, to say "Presto!" which, as far as I can tell, he pretty much always does. Timothy Scott is something of an outlier unless we're talking about the Mutestoffeli.

I end this diatribe...not much more resolute than when I began. Obviously this hemming and hawing did not even really touch the Mute Mistoffelees phenomenon and all my feelings about that. I guess all I'll say in conclusion is that I love all versions of Mistoffelees, and I love that his evolutions, interpretations, eras, and iterations are so different and so dynamic. I love that so many amazing performers have been able to have so much fun and creative freedom with the character over the years.

I just want yall to know that up to this very moment I keep looking shit up and re-reading posts and wiki pages and I'm only getting infinitely more confused about which Mistoffeli did what thing which way at whatever time, so I'm going to give my brain a break before it liquifies. <3