#Nick Ciontea

[thejoyofviolentmovement]

New Video: FACS Shares Menacing and Uneasy "Constellation"

New Video: FACS Shares Menacing and Uneasy "Constellation" @wearefacs @trouble_in_mind @another__side__

In 2013, Chicago-based post-punk act Disappears — founding member Brian Case (vocals, guitar) along with  Noah Leger (drums), Jonathan van Herirk (guitar) and Damon Carruesco (bass) — released two somewhat related yet very different efforts that have remained in my album rotation — the atmospheric and tempestuous Kone EP and the tense, raging Era.  Carruesco left the band in 2017. The remaining…

[nofatclips]

Black Fly by Circuit des Yeux from the album Reaching for Indigo

[burlveneer-music]

Bitchin Bajas - Bajascillators - back to original material on this new album of four long tracks

Bajascillators rolls four unique numbers that act on their own AND as extensions of each other, phases in perfect flow...wave after wave of analogue synth tones and zones extending into a stratospheric arc. Each time, as the needle cradles into the playout groove, you the listener are becalmed, in stasis, forever changed. Until you flip the side — and forever changes again… Bitchin Bajas: Cooper Crain Rob Frye Daniel Quinlivan with Mike Reed on cymbals Nori Tanaka on cymbals Rex McMurry on drums Parts of "Amorpha" were created using Laurie Spiegel's Music Mouse software. Artwork by Nick Ciontea

[aquariumdrunkard]

CAVE :: Beaux -- https://aquariumdrunkard.com/2018/11/27/cave-beaux

They’re back. Released last month, CAVE’s 2018 platter, Allways, continues to ride the vibe. Recorded in Chile and Chicago, the group infuse a medley of disparate influences throughout the album’s 40 minute runtime…all the while remaining steadfast to their sonic DNA. This is a CAVE record – you either dig this shit or you don’t.

Enter: “Beaux“. This latest taste comes complete with a video homage to Germany’s Beat Club with visuals reminiscent of vintage Old Grey Whistle Test. Directed by Krzys Piotrowski, with effects from Nick Ciontea, the audio portion of the video was recorded live to tape, with no overdubs, all in one take. The groove is on lock.

[fingerrate9-blog]

Singer-guitarist Haley Fohr hunts for a path forward with a colorful Hideout residency

Since fall 2017, Haley Fohr has been on the road playing songs from Reaching for Indigo (Drag City), the sixth full-length by her primary musical project, Circuit des Yeux. The singer-guitarist is finishing the tour and the year with a three-night weekly residency at the Hideout entitled Intentions of Sociable Creativity Through Light & Sound, which will retire the album's material, celebrate Fohr's relationship to Chicago's experimental- and improvised-music communities, and point toward the music she'll make in 2019.

When Fohr moved to Chicago in 2012, she rebooted the music she made and the way she made it. A native of West Lafayette, Indiana, she'd already spent around five years touring and recording, mainly solo as Circuit des Yeux. Even at that early stage, her well-trained and extraordinarily deep voice set her apart from her counterparts on the underground noise and punk circuits, imparting an air of authority to even her most rudimentary home recordings. Once Fohr settled here, her studio output evolved from grainy DIY snapshots to colorful panoramas that matched the dramatic potential of her singing, thanks in part to input from local musicians such as Matchess, Bitchin Bajas, Ryley Walker, and Moon Bros., with whom she developed working relationships.

Fohr's collaborative engagement with other Chicago artists also led to collaborations outside Circuit des Yeux. Fohr recorded and toured with Mind Over Mirrors, worked with members of Bitchin Bajas to develop the alter ego Jackie Lynn (which she used to explore a hybrid of country and electro), and played low-profile improvised gigs at venues such as Cafe Mustache and the Hideout with cellist Lia Kohl, vocalist Carol Genetti, and drummer Ben Baker Billington. During these encounters she set aside song structures and even words in order to explore what her voice could do in unfettered settings.

The three unique programs that Fohr has planned for her Hideout residency will celebrate the adventuresome, spontaneous spirit of those low-profile shows. She has associated each one with a different color, and they'll all feature light environments provided by Brownshoesonly, aka Chicagoan Nick Ciontea. The first evening consists of a first-time improvisational encounter with percussionist Hamid Drake and a piece for voice and horns played with Will Miller and Liz Deitemyer. For the second, Fohr will tell stories with Joan of Arc singer Tim Kinsella, then submit her voice to electronic settings and treatments created in collaboration with composer Olivia Block. And on the final night, an eight-piece version of Circuit des Yeux will play the songs from Reaching for Indigo using string arrangements that Fohr wrote with her closest collaborator, producer and multi-instrumentalist Cooper Crain (of Bitchin Bajas and Cave).

Calling from Prague on a travel day during her recent European tour with Circuit des Yeux, Fohr spoke about the residency and what's next on her agenda.

Bill Meyer: Each night of the residency is going to have a color theme? Haley Fohr: Each one is inspired by a frequency, which corresponds to a color and also a signature. The first night is orange, which is creative openness and sociability. The second night is green, which is the heart chakra, which lends itself to openness and self-love. The third night is indigo, which is in the spirit of Reaching for Indigo, the record I did on Drag City. Cooper Crain helped me arrange sheet music to be played with the Netherlands Chamber Orchestra this last weekend (at Le Guess Who? festival, Utrecht, Netherlands), and it's pretty much the same songs that are on Reaching for Indigo but expanded to an eight-piece ensemble that features a string quartet, timpani, and vibraphone. We'll be performing that music, but I'll be utilizing my people in the Chicago music scene instead of some work-for-hire chamber ensemble. I'm really looking forward to it.

Attendants and participants are encouraged to wear the celebrated color of each night! I hope that people are excited and have a good time with the idea behind it, which is Intentions of Sociable Creativity Through Light & Sound. The idea is that Chicago is kind of weird in the winter, and I just hope that it encourages people to come out, enjoy the company, and have a good time.

Besides your concerts as Circuit des Yeux, you've played shows at the Hideout, Cafe Mustache, and elsewhere with Ben Billington, Carol Genetti, and others. Were those shows conceived as experiments? Most of those collaborations came within a very specific period of time between 2015 and the beginning of 2018. I had a very intentional goal of collaborating as much as I could, and the idea was to enjoy the resources of being in an urban environment in which many great musicians reside. In the process I did learn a lot—I think I kind of spread myself a little thin at times, but mostly just learning to see how people work and trying to pick up on their language. Truthfully I don't think I'm really that great of an improviser when it comes to working with other people—I find it still to be a challenge. But because it's a challenge, it's what I want to do.

One thing I took from those shows was that it seemed like you were finding new things that you could do with your voice. Can you say more about that? It's like a meditative thing for me. In some ways it's like I'm trying to find new places in my voice. I've found a comfort with this idea of newness and letting moments fall as they happen. Just because I live in Chicago, people invite me to do things. I honestly enjoy doing solo vocal sets in a more nontraditional or sort of casual environment, because it's not a performance, you know. It's just about, like, me going into a state and celebrating my own body. It could be really universal if you're open to that idea of just getting rid of context of any one situation and just, like, being real for a moment and saying we're all here, we have a body, and we've chosen to congregate in this moment and here we are.

You're performed under several guises. What's the difference between Haley Fohr and Circuit des Yeux? Circuit des Yeux is for my mental health—it's really more emotional. It's more whatever I'm feeling at that moment. And I think with Haley Fohr, I'm more of a composer.

What do you have ahead in 2019? Reaching for Indigo: Gaia Infinitus is saying good-bye to this record. It's sort of like putting to rest the Circuit des Yeux cycle that I've been in for the last year and a half. In 2019 I'm doing solo vocal shows under my name, Haley Fohr, in several cities. I'm doing Pitchfork Midwinter in February, and then I'm going to do San Francisco. It's called Wordless Music, and it's pretty much what I've been doing in Chicago for the last year and a half at these small venues. The idea is just to tap in with what it means to have a body and just to be able to physically exert myself, yeah, to open up this other world.

Haley Fohr Hideout residency Intentions of Sociable Creativity Through Light & Sound Light environments by Brownshoesonly All shows 9 PM, $7, 21+

Wed 12/5: Orange Set one: Hamid Drake & Haley Fohr Set two: Piece for Voice and Horn in the Key of G, featuring Will Miller and Liz Deitemyer

Wed 12/12: Green Set one: "Storytime with Tim Kinsella & Haley Fohr" Set two: Piece for Voice and Electronics, featuring Olivia Block

Wed 12/19: Indigo Circuit des Yeux Presents Reaching for Indigo: Gaia Infinitus, plus DJ Cheryl Bittner

Source: https://www.chicagoreader.com/Bleader/archives/2018/12/03/singer-guitarist-haley-fohr-hunts-for-a-path-forward-with-a-colorful-hideout-residency

[altobrandy31-blog]

Singer-guitarist Haley Fohr hunts for a path forward with a colorful Hideout residency

Since fall 2017, Haley Fohr has been on the road playing songs from Reaching for Indigo (Drag City), the sixth full-length by her primary musical project, Circuit des Yeux. The singer-guitarist is finishing the tour and the year with a three-night weekly residency at the Hideout entitled Intentions of Sociable Creativity Through Light & Sound, which will retire the album's material, celebrate Fohr's relationship to Chicago's experimental- and improvised-music communities, and point toward the music she'll make in 2019.

When Fohr moved to Chicago in 2012, she rebooted the music she made and the way she made it. A native of West Lafayette, Indiana, she'd already spent around five years touring and recording, mainly solo as Circuit des Yeux. Even at that early stage, her well-trained and extraordinarily deep voice set her apart from her counterparts on the underground noise and punk circuits, imparting an air of authority to even her most rudimentary home recordings. Once Fohr settled here, her studio output evolved from grainy DIY snapshots to colorful panoramas that matched the dramatic potential of her singing, thanks in part to input from local musicians such as Matchess, Bitchin Bajas, Ryley Walker, and Moon Bros., with whom she developed working relationships.

Fohr's collaborative engagement with other Chicago artists also led to collaborations outside Circuit des Yeux. Fohr recorded and toured with Mind Over Mirrors, worked with members of Bitchin Bajas to develop the alter ego Jackie Lynn (which she used to explore a hybrid of country and electro), and played low-profile improvised gigs at venues such as Cafe Mustache and the Hideout with cellist Lia Kohl, vocalist Carol Genetti, and drummer Ben Baker Billington. During these encounters she set aside song structures and even words in order to explore what her voice could do in unfettered settings.

The three unique programs that Fohr has planned for her Hideout residency will celebrate the adventuresome, spontaneous spirit of those low-profile shows. She has associated each one with a different color, and they'll all feature light environments provided by Brownshoesonly, aka Chicagoan Nick Ciontea. The first evening consists of a first-time improvisational encounter with percussionist Hamid Drake and a piece for voice and horns played with Will Miller and Liz Deitemyer. For the second, Fohr will tell stories with Joan of Arc singer Tim Kinsella, then submit her voice to electronic settings and treatments created in collaboration with composer Olivia Block. And on the final night, an eight-piece version of Circuit des Yeux will play the songs from Reaching for Indigo using string arrangements that Fohr wrote with her closest collaborator, producer and multi-instrumentalist Cooper Crain (of Bitchin Bajas and Cave).

Calling from Prague on a travel day during her recent European tour with Circuit des Yeux, Fohr spoke about the residency and what's next on her agenda.

Bill Meyer: Each night of the residency is going to have a color theme? Haley Fohr: Each one is inspired by a frequency, which corresponds to a color and also a signature. The first night is orange, which is creative openness and sociability. The second night is green, which is the heart chakra, which lends itself to openness and self-love. The third night is indigo, which is in the spirit of Reaching for Indigo, the record I did on Drag City. Cooper Crain helped me arrange sheet music to be played with the Netherlands Chamber Orchestra this last weekend (at Le Guess Who? festival, Utrecht, Netherlands), and it's pretty much the same songs that are on Reaching for Indigo but expanded to an eight-piece ensemble that features a string quartet, timpani, and vibraphone. We'll be performing that music, but I'll be utilizing my people in the Chicago music scene instead of some work-for-hire chamber ensemble. I'm really looking forward to it.

Attendants and participants are encouraged to wear the celebrated color of each night! I hope that people are excited and have a good time with the idea behind it, which is Intentions of Sociable Creativity Through Light & Sound. The idea is that Chicago is kind of weird in the winter, and I just hope that it encourages people to come out, enjoy the company, and have a good time.

Besides your concerts as Circuit des Yeux, you've played shows at the Hideout, Cafe Mustache, and elsewhere with Ben Billington, Carol Genetti, and others. Were those shows conceived as experiments? Most of those collaborations came within a very specific period of time between 2015 and the beginning of 2018. I had a very intentional goal of collaborating as much as I could, and the idea was to enjoy the resources of being in an urban environment in which many great musicians reside. In the process I did learn a lot—I think I kind of spread myself a little thin at times, but mostly just learning to see how people work and trying to pick up on their language. Truthfully I don't think I'm really that great of an improviser when it comes to working with other people—I find it still to be a challenge. But because it's a challenge, it's what I want to do.

One thing I took from those shows was that it seemed like you were finding new things that you could do with your voice. Can you say more about that? It's like a meditative thing for me. In some ways it's like I'm trying to find new places in my voice. I've found a comfort with this idea of newness and letting moments fall as they happen. Just because I live in Chicago, people invite me to do things. I honestly enjoy doing solo vocal sets in a more nontraditional or sort of casual environment, because it's not a performance, you know. It's just about, like, me going into a state and celebrating my own body. It could be really universal if you're open to that idea of just getting rid of context of any one situation and just, like, being real for a moment and saying we're all here, we have a body, and we've chosen to congregate in this moment and here we are.

You're performed under several guises. What's the difference between Haley Fohr and Circuit des Yeux? Circuit des Yeux is for my mental health—it's really more emotional. It's more whatever I'm feeling at that moment. And I think with Haley Fohr, I'm more of a composer.

What do you have ahead in 2019? Reaching for Indigo: Gaia Infinitus is saying good-bye to this record. It's sort of like putting to rest the Circuit des Yeux cycle that I've been in for the last year and a half. In 2019 I'm doing solo vocal shows under my name, Haley Fohr, in several cities. I'm doing Pitchfork Midwinter in February, and then I'm going to do San Francisco. It's called Wordless Music, and it's pretty much what I've been doing in Chicago for the last year and a half at these small venues. The idea is just to tap in with what it means to have a body and just to be able to physically exert myself, yeah, to open up this other world.

Haley Fohr Hideout residency Intentions of Sociable Creativity Through Light & Sound Light environments by Brownshoesonly All shows 9 PM, $7, 21+

Wed 12/5: Orange Set one: Hamid Drake & Haley Fohr Set two: Piece for Voice and Horn in the Key of G, featuring Will Miller and Liz Deitemyer

Wed 12/12: Green Set one: "Storytime with Tim Kinsella & Haley Fohr" Set two: Piece for Voice and Electronics, featuring Olivia Block

Wed 12/19: Indigo Circuit des Yeux Presents Reaching for Indigo: Gaia Infinitus, plus DJ Cheryl Bittner

Source: https://www.chicagoreader.com/Bleader/archives/2018/12/03/singer-guitarist-haley-fohr-hunts-for-a-path-forward-with-a-colorful-hideout-residency

[flauntpage]

TOP V. WEEKEND PICKS (3/28-4/3)

1. Throw-Ups and Night-Moves: A Herstory of Chicago’s Synergy Crew

March 29th, 2019 7-9 Work by: Isela Estrada, Delilah Salgado, Gloe One, Rocio Vargas Rootwork Gallery: 645 W 18th St, Chicago, IL 60616

  2. Tomorrow Never Knows

March 30th, 2019 8-10PM Work by: Adam Sekuler The Nightingale: 1084 N Milwaukee Ave, Chicago, IL 60642

  3. I Like Dirt

April 3rd, 2019 6-8PM Presentation by: Shannon Lee Dawdy, Daniel Zox, and Andrea Ford Gray Center for the Arts and Inquiry: 929 E 60th St, Chicago, IL 60637

  4. The Practical Applications of Networks to the Body

March 29th, 2019 6-8:30PM Work by: Jon Chambers International Museum of Surgical Science: 1524 N Lake Shore Dr, Chicago, IL 60610

  5. Activity Apparatus

March 30th, 2019 8-11PM Work by: Judith Lindbloom, Bill Nace, Meghan Remy, Emily Winter, Nick Ciontea, Kim Alpert, Carlson Garcia, and Haley Fohr Soccer Club Club: 2923 N Cicero Ave, Chicago, IL 60641

  Hey Chicago, submit your events to The Visualist here: http://www.thevisualist.org.

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TOP V. WEEKEND PICKS (3/28-4/3) published first on https://footballhighlightseurope.tumblr.com/

[sinceileftyoublog]

Live Picks: 5/22-5/23

U2

BY JORDAN MAINZER

Stuck not knowing what to see tonight or tomorrow? None of these shows are sold out.

5/22: Dirty Projectors, Thalia Hall

It’s impossible to hope for the Dirty Projectors of Swing Lo Magellan, let alone opus Bitte Orca. Since Dave Longstreth has essentially returned the project to a solo affair with features, it just hasn’t been the same. Last year’s self-titled LP/uncomfortable breakup album had moments of unmistakable brilliance, like Dawn collaboration “Cool Your Heart”, but suffered from insularity and self-aggrandizement. The project’s upcoming album Lamp Lit Prose sports even more collaboration--Syd, Empress Of, Fleet Foxes’ Robin Pecknold with Rostam, Amber Mark, and Dear Nora--but if harmonica-laden and overcooked first single “Break-Thru” is anything like the rest of the album, it will be another disappointment for Longstreth. It’s hard to believe that will be the case, though, considering not only the pedigree involved but Longstreth’s decade of composition genius, in the past knowing when to pull back just as much as when to propel forward. Dirty Projectors have been playing lots of the new tracks live, so hopefully a show at the immaculate Thalia Hall will shed some light on the composition and lyrics.

Buzzy Lee, the project of Nicolas Jaar collaborator Sasha Spielberg, opens.

5/22: Todd Rundgren’s Utopia, Chicago Theatre

It’s the first tour in 32 years for Utopia, the prog rock band founded by Todd Rundgren, due to popular demand. The band is a far cry from the much beloved pop smarts of albums like 1972′s Something/Anything, though the experimentalism of Rundgren’s A Wizard, a True Star is more in line with what he would later explore in the decade. Still, for Rundgren die-hards--the type of people who spent upwards of $70 on a limited-edition CD box set of the band back in April--this show is a must-see. He may even pull a solo track or two out of the bag.

5/22 & 5/23: U2, United Center

Who goes to a U2 show to hear new U2 songs? In fact, who goes to a U2 show to hear U2 songs at all? I’m only half-joking. The Dublin band’s songs have always been built for stadiums, from the opening ringing riffs of “Where The Streets Have No Name” to even recent asinine singles like “You’re The Best Thing About Me” and “Get Out Of Your Own Way”. The eXPERIENCE + iNNOCENCE tour is a sequel to their tour surrounding 2015’s iNNOCENCE + eXPERIENCE Tour (just like last year’s Songs of Experience is a companion to 2014’s Songs of Innocence.) That tour, unlike the associated album, got rave reviews for its theatrics. This tour, too, should not disappoint--believe it or not, on opening night, the band played Achtung Baby’s “Acrobat” for the first time ever. If you’re going, download the augmented reality eXPERIENCE app being used in the show.

5/23: Brett Naucke, Constellation

Though it came out two months ago, tomorrow marks the official record release show for local composer/recording artist Brett Naucke's The Mansion. The album is an emotional and personal narrative, an essential treatise on memory; the sounds he conjures are broad enough to be accessible by all, concrete enough to be personally adaptable. It features Natalie Chami (TALsounds and Good Willsmith) and Whitney Johnson (Matchess). This performance will be a full-band recreation of the record, featuring Chami and Johnson in addition to visuals by Nick Ciontea, aka Brownshoesonly.

Bill MacKay & Ryley Walker, because they don’t already grace us with their talents enough, open.

[halfgifts]

BRIAN CASE - Shipbuilding

Video directed by Nick Ciontea From the album "Spirit Design", out on 25th August Hands In The Dark - 2017

[aresburas]

CAVE - Shikaakwa

[burlveneer-music]

Rob Frye - Exoplanet - my favorite from Good Willsmith’s Twitter thread on music in the vein of Jon Hassell

On Exoplanet, Rob Frye generates an atmosphere in which drummers and improvisers orbit synthesizers, inhabiting a Goldilocks zone of electronic and biotic components. Some of the tracks were created spontaneously or composed of strict loops, but two of the arrangements are melodic adaptations of the song of Musician Wren. After working as a field biologist with the Institute for Bird Populations in California from 2012-2016, Frye began to slow down and transcribe birdsong, eventually developing a performative lecture called Hearing Hidden Melodies. "XC175020" and "XC222182" are not potential earth-like planets in another solar system, indeed they are individual birds recorded by Peter Boesman in the Amazon. This bird, known as Uirapuru in Brazil and La Flautista in Peru, reminds us of the mysterious sonic knowledge threatened on our very own home planet. On this, his first album for Astral Spirits and his first as a leader, Rob played woodwinds and synthesizers and directed a specialized crew, recruiting Bitchin' Bajas (Drag City) bandmates Cooper Crain and Dan Quinlivan on engineering and electronics. Ben Lamar Gay's cornet (International Anthem) and Macie Stewart's violin (OHMME) pitch and roll, fueled by the dual propulsion of drummers Quin Kirchner (Astral Spirits) and Tommaso Moretti (Amalgam), while Nick Ciontea (brownshoesonly) consults on modular synthesizer. Like the Uirapuru, Edbrass Brasil (Sê-Lo!) also searches through fallen leaves in some of his own work, though for sound not insects. On "Innercosmos" we he hear his unconventional wind tubes, and on "XC222182" his voice calling as instruments gather, playing the bird's melody.

ROB FRYE - compositions, woodwinds, synthesizers COOPER CRAIN - electric organ, synthesizers DANIEL QUINLIVAN - synthesizer, electronics, wurlitzer BEN LAMAR GAY - cornet and wurlitzer TOMMASO MORETTI - drums (right channel) QUIN KIRCHNER - drums (left channel) MACIE STEWART - violin on tracks 2, 5, and 7 NICK CIONTEA - synthesizer on tracks 3 and 4 EDBRASS BRASIL - wind instruments and voice track 3 and 5

[voltagecontrolled-blog]

Robert Aiki Aubry Lowe/Nick Ciontea - Alpha Crucis

[notesandboltsrex-blog]

099: Nick Ciontea, of brownshoesonly

In episode 099, of Notes and Bolts, we're veering off a bit from talking to the musicians to talking to one of the dudes creating the visuals at many of the shows you've likely seen in the last several years. Nick Ciontea, aka brownshoesonly, is the man behind the visuals that have come to be synonymous with folks running the gamut from Shape Shoppe bands like Chandeliers, Deep Sleep, and Songs For Gods, onward to venerable events like Chicago Psych Fest. Listen in and get fascinated.

Download from itunes by clicking here. 

Complete Playlist: Chandeliers - Maldonado Nitemoves - Tertre Rouge Big Black Delta - The Zebrah SONOIO - 8-Houdini Zaid Maxwell - Don't Go To Sleep Herb Alpert - Lollipops and Roses Robert A.A. Lowe - Tercikauita Amaso Elusive Parallelograms - 8 Bit Chandeliers - Maldonado _older chandos track off of "The Thrush" .. I made a short video doodle for this track that you can watch here https://vimeo.com/55832791 Nitemoves - Tertre Rouge _ Nitmoves is the solo project of Tycho and Com Truise drummer Rory O'Connor.. I have come to know him thru Com Truise and picked this album recently upon release. Here's a doodle I made for another track off the album.. One Take https://vimeo.com/57039950 Big Black Delta - The Zebrah _ There are big things on the horizon for Jonathon Bates, the man behind BBD. A wonderful fusion of hard hitting rock and epic synth leads. Former projects include Mellowdrone and touring member of m83 Here's a short clip with us collaborating at the Empty Bottle https://vimeo.com/48218181 SONOIO - Houdini This is the solo project of Alessandro Cortini (NIN). Alessandro has become a wonderful long distance friend of mine over that past few years.. And I've had the honor of doing a few shows with him. Jonathon Bates of BBD also provides backup vocals. some bad angle live footage from one of my first gigs ever .. https://vimeo.com/30215941 Oscillator Bug - Don't Go To Sleep With an upcoming release due for this spring/summer. Zaid Maxwell (Lasers fast and shit, Shapers) puts down some wonderful solo tracks. Also has an upcoming flexi on Notes and Bolts, and I have a video in the works. Herb Alpert - Lollipops and Roses _classic Robert A.A. Lowe - Tercikauita Amaso Robert Lowe (lichens) is one of the most inspiring musicians I have ever seen. He pushes such emotion with a wonderful voice. This track is off a largely instrumental synthesizer album Elusive Parallelograms - 8 Bit My fuzzed out Milwaukee friends. showing their poppier side.

[ardaakay]

Com Truise - Hyperlips

(visuals by Nick Ciontea)

[flauntpage]

TOP V. WEEKEND PICKS (3/28-4/3)

1. Throw-Ups and Night-Moves: A Herstory of Chicago’s Synergy Crew

March 29th, 2019 7-9PM

Work by: Isela Estrada, Delilah Salgado, Gloe One, Rocio Vargas

Rootwork Gallery: 645 W 18th St, Chicago, IL 60616

  2. Tomorrow Never Knows

March 30th, 2019 8-10PM

Work by: Adam Sekuler

The Nightingale: 1084 N Milwaukee Ave, Chicago, IL 60642

  3. I Like Dirt

April 3rd, 2019 6-8PM

Presentation by: Shannon Lee Dawdy, Daniel Zox, Andrea Ford

Gray Center for the Arts and Inquiry: 929 E 60th St, Chicago, IL 60637

  4. Jon Chambers: The Practical Applications of Networks to the Body

March 29th, 2019 6-8:30PM

Work by: Jon Chambers

International Museum of Surgical Science: 1524 N Lake Shore Dr, Chicago, IL 60610

  5. Activity Apparatus

March 30th, 2019 8-11PM

Work by: Judith Lindbloom, Bill Nace, Meghan Remy, Emily Winter, Nick Ciontea, Kim Alpert, Carlson Garcia, Haley Fohr

Soccer Club Club: 2923 N Cicero Ave, Chicago, IL60641

  Hey Chicago, submit your events to The Visualist here: http://www.thevisualist.org.

TOP V. WEEKEND PICKS (6/21-6/27)

TOP V. WEEKEND PICKS (2/22-2/28)

TOP V. WEEKEND PICKS (1/11-1/17)

TOP V. WEEKEND PICKS (10/26-11/2)

TOP V. WEEKEND PICKS (10/12-10/18)

TOP V. WEEKEND PICKS (3/28-4/3) published first on https://footballhighlightseurope.tumblr.com/