#Neil Gaiman's the Sandman Fan fiction

[polywomp]

[dukeofriven]

Judging just by Neil Gaiman's inbox, the most amazing thing about the Sandman/Good Omens fandoms is how they seem to be almost exclusively comprised of people who neither watched the shows nor read the books but sure have a lot of observations and critiques.

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[weclassybouquetfun]

I see dead people and they are in the form of teenagers Edwin Payne and Charles Rowland killed in 1916 and 1989, respectively.

Yes, all eight episodes (too few episodes, I say. A good 13 eps would have been fitting) of DEAD BOY DETECTIVES is available on Netflix.

Series stars George Rexstrew (Edwin), Kassius Nelson (Crystal Palace), Yuyu Kitamura (Niko Sasaki) and Jayden Revri (Charles Rowland)

A bit about the series:

NO SPOILERS

Born out of DC Comics' Vertigo imprint and created by Neil Gaiman with its characters being spun out of the Sandman universe, how divergent is the series from the comics?Not very. They have retained the trio's backstories, but there were story arcs they could not delve into because Netflix's SANDMAN needs to get there first. Other than that, things are twists on canon or new creations.

Of the characters themselves, Neil Gaiman has said Charles was "more or less him" as a boy and in crafting the series characters, the costumes lent a hand. With his buttoned-up attitude, the bespoked suits for Edwin Paine belies his closed off demeanor. Jayden Revri's Charles Rowland had a ska/rude boy looked that was of fashion when he was alive. This was a nod that Revri appreciated as he has explained in the past he's, "half Indian, a quarter Jamaican and a quarter English." Charles also always has red on him as a nod to comics!Charles' red sweater.

While the characters were first introduced in HBO Max's DOOM PATROL, once the plans for a series was announced, it was quickly let known that this incarnation is not in the same universe as DOOM PATROL's characters, despite DOOM PATROL's Ruth Connell reprising her role as Night Nurse in the Netflix series. This series is firmly in the Sandman universe with Kirby (formerly Kirby Howell-Baptiste, briefly reprising her role as Death in the first episode.

Should DEAD BOY DETECTIVES get a second series, Rexstrew and Lukas Gage (who plays Cat King)

have already spoken of their love of Mason Alexander Park's character Desire from the series, with Rexstrew saying he would love to see Edwin's reaction to Desire.

There's no malewife like him.

Other cast members include Briana Cucuo, sister of BIG BANG THEORY's Kaley Cucuo. Briana voices Barbara Gordon and a sundry of other characters on Max's HARLEY QUINN.

Much too hot to be doing voice-work.

Jenn Lyon (Claws), Joshua Colley (Love, Victor) and Max Jenkins and Caitlin Reilly cutting it up in a (literal) small role.

Jayden says he can't wait for fan fiction and edits of Charles and Edwin and says their ship name will likely be Chedwin. Mans don't know what he's asking for!

[ineffable-sideburns]

I’m a bit shaken up still so I apologize for any imperfect wording in this. As someone who has dealt with SA multiple times previously and harassment from much older men who either don’t care about or understand consent, I’m deeply saddened by what I heard about Neil Gaiman today. I came to Good Omens from Terry’s work and both Good Omens and Discworld have changed my life for the better. I just got into The Sandman and really enjoyed it too. I’m always going to be a GO fan and I love the fandom. But I just hope based on the conversations I’ve been seeing that people understand that two things can be true at once…a terf did help put the information out there, but Neil also admitted to the relationships regardless which featured very large age gaps along with power imbalances. Neil has replied to a few of my asks and shared one of my posts (which was about how reading fiction and certain authors have helped my mental health so much) and I really enjoyed his presence on here, so I’m not saying any of that lightly. A lot of my MH conditions come from sexual trauma so this was very painful to see. There’s a good Reddit thread on his subreddit that goes more in depth with more context and allegations. I hope that the fandom can come together and heal from this and I also hope that we can all take a second before brushing allegations aside due to our love for an author and their work.

[sebastianravkin]

A FUNERAL FOR NEIL-GAIMAN

My hyper fixated autistic mind keeps running the Neil-Gaiman allegations around and around in my head and I need to find a way to move past the hero in my mind. Even though I believed Neil-Gaiman when he said ‘you never want to meet your heroes’, even though I am old enough to know better, even though I assumed Neil-Gaiman probably had issues and hangups that didn’t come through in his friendly and wise public persona, I have still been hit hard by the extent that I was wrong. I need ritual, closure, a way to move on. So I WILL BE HOLDING A PRIVATE FUNERAL FOR MY HEAD-CANON NEIL-GAIMAN. Maybe others want to hold their own funerals, maybe it will help, and so I put this out there for you to consider.    

To be clear - and many may disagree and I am fine with that - I do not care in theory if Neil slept with younger women, I slept with older men and think of myself as better for it. I do not care that Neil practices BDSM as long as it is safe and consensual. I do not care if Neil had an open marriage if it was agreed upon by both parties. I believe Neil is autistic, and that can make intimate (or really any) communication difficult sometimes, but I do not think that is an excuse. I believe Neil suffers depression and suicidal ideation, but I do not think that gives him a pass for treating others poorly. 

I care that Neil took advantage of women who were at a disadvantage - financially, professionally, mentally, emotionally. I care that he was proposing sex with women after being married to his first wife for only a year and who was probably obliviously at home with their new baby. I care that Neil is no where near the man I thought he was, I hoped he was, I believed he was and that made the world a slightly better place. 

So, I will be holding a funeral for Neil-Gaiman. For the man who spoke of his own heroes - Terry Pratchett and Gene Wolfe - as polite and kind and wise and (I made the mistake of assuming) as role-models for his own behavior. For the man who appeared to be so kind and funny, with no ulterior motives, on Tumblr to so many fans. For the man who has written the books that I have read and reread to get through various crises in my life and so I assumed he had a deeper wisdom than I about life. For the man that I had a serious crush on since the 1990s. For the man who inspired various aspects of my own writing about, and understanding of, humanity. This man is fictionally dead, because this man was a fiction. His art lives on, and I will continue to love the art because I can not simply turn that off. 

What will this funeral be like? Probably some candles. Probably some tears. Probably burning a photo or two, but never never a book. Comfort food, definitely. Sad music. Maybe watch my favorite moments in Good Omens. Or read my favorite short story in Trigger Warnings. Or maybe just work my way through The Sandman again. I will grieve him like I grieve the end of a good book, or the death of a favorite character in a story, or the loss of a favorite place on the landscape.

The fact that there is some other dude out there that looks like Neil-Gaiman, who I think of as just Neil (because every ‘Neil’ I have known was an ass, which should have been a red flag really), is too bad. Maybe Neil is self-destructive, maybe Neil harms others to harm himself, maybe Neil will find help, find a way back from the depths he has thrown himself into. Or maybe Neil is just a dick; always has been, always will be. You can be autistic and self-loathing and depressive and suicidal and still be kind. But you can also be all of those things, and also just be a dick.

R.I.P. Neil-Gaiman.  I am done. I have no more to say on this.

[neil-gaiman]

Hello Neil Gaiman!! I just finished The Shadow of the Torturer, by Gene Wolfe, and I was reading through the wikipedia page when I came across: "Neil Gaiman, in his list of the three greatest science fiction novels, ranked The Shadow of the Torturer first, ahead of Neuromancer and The Left Hand of Darkness." I just thought that was super cool! The whole first half of the book, I couldn't stop thinking about the Sandman comic at the World's End pub, where the man tells the story about the Necropolis. I actually wondered if you had ever read it. My (first) question is: was that a conscious inspiration, or did it just crop up like that unheeded? Also, I really loved The Left Hand of Darkness, and almost everything William Gibson does (weirdly enough I haven't gotten around to Neuromancer), and it is escaping me a bit how TSOTT gets the top spot. I loved the book, of course. There were bits every other chapter that forced me to stare at a wall for a while to think over, and the strange words that Wolfe uses are like a fun puzzle to figure out every time. The world building is incredible, and the influence it had on the genre and all that, but by the end, boy oh boy. I was struggling. It was mostly because of the 'romance' bits, which also made me stare at the wall for a while, but mostly to mentally recover. Anyway. I guess I am just generally wondering what factored into your decision-making, and why you loved The Shadow of the Torturer so much. I haven't met anyone else who has read it, as far as I know, and it seems shockingly under talked-about, so I am hungry for a second opinion. Thanks very much, Maya  p.s. I'm a very big fan, been reading (or being read) your books since I was a toddler! 

I'd put the Book of the New Sun ahead. Shadow of the Torturer is the first fifth of a book. You've got a way to go on the journey and it will repay rereading in a way that few other books do.

[amaranthine-everlasting]

Huge fan of @neil-gaiman 's Sandman. Thought the concept of attributing a real life mystery illness barely anyone remembers nowadays to a fictional event was brilliant.

Well, I've been working on my family tree on an off for the last few years, and guess what? I just came across my great aunt's death certificate. She died at one and a half years, and the cause of death was encephalitis lethargica.

To recognize that illness because of the Sandman is so surreal.

Not to mention I had 80's synthwave music playing in the background when I came across it.

I don't know how to feel. Such a weird thing, to learn my great grandmother mourned a child that got taken away from due to an illness I read about in comics and thought of as "cool" in the most detached manner as possible.

[eleonore-songeve]

Repair

This is the first story in this collection. I hope you enjoy reading it.

As this is my first post on this site, I'd like to welcome you to my literary imagination. I'm passionate about Neil Gaiman's Sandman, and I weave fan fiction about this universe into a few words. I love writing and I hope you enjoy it as much as I do.

P.S: This is the English version, the French version is on Wattpad (under the same name), where I'll be publishing the story at the same time, but in French. So, being French, I apologise in advance if I make any vocabulary mistakes in English. Please feel free to point them out to me in a socially acceptable way.

----------------------------------------------------------

( y/n )'s life took a dark turn ten years ago, when the evil entity took over her dreams. Formerly lulled by soothing dreams, his nights were now a descent into hell where the shadows of the unconscious triumphed over all hope.

His friends, silent witnesses to his fight, saw the distress in his eyes. To protect herself from judgment, she isolated herself more and more, erecting emotional walls. At work, the nightmare weighed on her, transforming daily tasks into insurmountable ordeals, and her performance plummeted.

Medical visits provided no clarification, leaving doctors perplexed by his unexplained suffering. The family oscillated between compassion and frustration, helpless in the face of ( y/n )'s deterioration.

The nightmare intensified its grip each night, blurring the line between dream and reality. ( y/n ) remembered a disturbing dream where a distorted version of herself tormented her, predicting her failure. After ten years of struggle, exhausted, she gave up all hope, letting despair overwhelm her.

Meanwhile, Dream of the Endless, king of Dreams and Nightmares, freed from his captivity, felt the responsibility to repair the consequences of his absence. One evening, while ( y/n ) was plunged into a new nightmare, Morpheus noticed the anomaly. His coat fluttering behind him, he headed towards the very heart of the nightmare, determined to put an end to the young woman's torment.

Morpheus had discovered that ( y/n ), aged twenty-eight, was tormented every night by one of his nightmarish creations which who was still missing among the residents of Dreamin. This situation had negative repercussions on ( y/n )'s life.

As he plunged into an endless pit, he eventually found the nightmare that tormented ( y/n ). The dreamlike environment abruptly transformed, with moving shadows and nightmarish creatures dancing to the rhythm of ( y/n )'s agony.

The nightmare, taking the form of a distorted silhouette, begged Morpheus for mercy, claiming to be a part of ( y/n ) :

- No... Sir... Don't destroy me... He sobbed. I need to exist, I am a part of her. This is what I was created for, to torture humans and this one... This woman, I got attached to her... To torture her... Please...

The pleas continued, but Morpheus, inflexible, made a gesture with his hand. His creation began to melt into sand.

- I understand your nature, but you have caused too much suffering. You exceeded your rights and continued in your position as a deserter. This human's release cannot wait. He declared in a voice as calm as the whisper of the wind in the night, despite everything, feeling a little pinch when seeing one of his creations disappear.

The evil shadow struggled, its contours twisting in a final effort to resist its impending dissolution. The echoes of ( y/n )'s screams mingled with the chaotic symphony of the disintegrating nightmare.

( y/n )'s liberation was palpable. Even within her troubled dream, the young woman felt the dissipation of the oppressive weight of the nightmare. The nightmarish creatures, once menacing, evaporated like shadows fleeing the light. And as she continued to sleep, finding herself in an empty space, Morpheus stood before her, in a majestic posture.

- The nightmare will no longer disturb your nights, ( y/n ). From now on, your dreams will be filled with sweet dreams as compensation.

( y/n ), mixing terror and wonder in her eyes as she looked at him from head to toe, asked him :

- Who are you ?

Morpheus remained silent, preferring to manipulate ( y/n )'s dream so that she surrendered to a welcome tranquility. When she awoke, it was the first time she felt renewed vigor.

However, despite the victory over the nightmare, the deep aftereffects of the ordeal left indelible scars on ( y/n )'s soul. The peaceful nights, now devoid of the nightmares that once tormented her, were not enough to eradicate the shadows that had crept into the most intimate recesses of her being.

In the flickering dawn, ( y/n ) stood, carrying the burden of a painful past on her shoulders. Distorted memories and echoes of night terrors blended into his daily life, casting unexpected shadows over the simplest aspects of his existence.

Interpersonal relationships remained minefields. The fear of judgment, a legacy of the malicious visions of the nightmare, isolates him more each day. The friendly smiles were tinged with an unintentional distance, and the conversations were laced with unease.

At work, ( y/n )'s performance remained hampered by moments of distraction, fragments of residual nightmares intruding into her thoughts. The torturer's whispers resonated like a distant echo, sowing doubt and apprehension.

Therapy sessions were fragile attempts to heal deep wounds, but healing remained a steep and uncertain path.

The family, witnessing the transformation of their beloved, oscillated between compassion and helplessness. They could only watch in helpless worry as ( y/n ) tried to pick up the pieces and return to her previous life.

Aware of this, Morpheus decided to act under the wise advice of Lucienne, the royal librarian and faithful advisor. So, night after night, Morpheus immersed himself in imagination, creating dreams that went beyond enchantment, true havens of peace and healing for ( y/n ). These luminous visions became a refuge where joy flourished, where love acted as a powerful force of redemption, and where hope guided his heart towards luminous horizons.

The dreams Morpheus conceived increasingly became ethereal tales, vivid landscapes where dark memories faded before splendor. Warm hugs, childish laughter and moments of peace blossomed, creating alternative memories that delicately overlapped with those of the past.

( y/n ), immersed in these healing dreams, found a comfort that began to radiate into her daily life. Smiles, once rare, were more frequent. The echoes of nightmares were pushed away, and she rediscovered the sweetness of the little pleasures of life.

However, at the heart of this metamorphosis, ( y/n ) sometimes felt the enigmatic presence of this man who had been like a hero in his dreams. Even if rationality whispered that he was only a creation of her imagination, a part of her believed in this protective figure.

Time had done its work, and ( y/n ) now lived a life marked by serenity. Noticing this, Lucienne, an attentive observer, made a remark which resonated in the library where Morpheus was reading the book on ( y/n )'s life.

- Sir, if you allow me, this young woman seems to have regained her balance. She is happy, and everything seems peaceful. Maybe you could leave her alone from now on ? Lucienne suggested, her head tilted slightly forward, expressing sincere concern, fearing what could happen.

Aware of the positive changes in ( y/n )'s life, Morpheus recognized the accuracy of Lucienne's words.

- You're not wrong, Lucienne. Maybe it's time for me to step aside, to let ( y/n ) live without my constant supervision. He announced after a few seconds of silence, closing the book.

Ready to leave ( y/n ) tranquil, Morpheus considered leaving her alone with the peaceful dreams he had weaved for her. However, as he walked away, an unexpected revelation dawned on him. He realized that he felt a certain pleasure in being at ( y/n )'s side, a pleasure that went beyond the simple duty of guardian of dreams.

As a result, in the shadow of everyone, particularly Lucienne and Matthew, he made an choice. And despite his resolve to move away completely, Morpheus gave in to temptation and returned, in secret, to the intimate recesses of ( y/n )'s dreams, observing her.

The line between duty and pleasure, between responsibility and emotions, was becoming more and more blurred for him.

A year had passed since her release, and that night ( y/n ) lay in a field of bright flowers with shimmering petals. Morpheus floated in the shadows, scrutinizing with fascination every detail of his face lit by the soft glow of the moon. The wind gently caressed her hair, and her smile evoked peaceful joy.

Then, at one point, she sat up slightly, as if searching for something, her eyes looking all around. A light breeze stirred the flower petals and made her hair wave.

- There's someone there, isn't there ? She whispered softly, a glint of curiosity in her eyes. I'm not wrong ?

Morpheus, usually impassive, stood still in the darkness, observing the scene with a mixture of intrigue and anticipation. No words passed his lips, but his gaze was fixed on her.

( y/n ), perceiving nothing and getting no response, looked at her knees, thinking that perhaps she had made a mistake. She let out a soft sigh, shaking away the thought that something unusual was happening. However, she still felt the weight of an invisible gaze resting on her, as if a mysterious presence was scrutinizing her.

Intrigued and resolute, she rose from the flowery ground. His eyes scanned the surrounding darkness, searching for the origin of this strange sensation. The silence was heavy, barely broken by the murmur of the wind.

Then, suddenly, having noticed a silhouette in the corner of her eye, she turned her head sharply. Morpheus' eyes, glowing with a mystical glow, were revealed, making ( y/n ) jump, captivated by their intensity and infinite depth. His heart beat faster, mixed with astonishment and an indefinable emotion.

Morpheus' intense gaze persisted, riveted on the woman who now stood, spellbound and somewhat disconcerted. ( y/n ), trying to understand this elusive presence, tried to break eye contact. Although she succeeded, she still felt the weight of this presence. The moment of hesitation continued, until she resolved to confront this individual who seemed to be waiting for her.

With determination, she locked eyes with him again. This time, no doubt remained in his mind.

- We both know that I saw you... There's no point in hiding from you. Come closer, come out of your hiding place. She said, a smile both intrigued and shy appearing on her face.

A silence enveloped the landscape as Morpheus, after reflection, stepped forward, revealing his unchanging presence. ( y/n ), far from being frightened, seemed rather attracted by this encounter. She stared at him as before, finding in him, despite his mysterious appearance, a magnificent beauty.

As she slowly approached, her footsteps echoing softly on the invisible ground, he remained stoic, his elusive gaze fixed on her. ( y/n ) stopped a short distance away, and their eyes met again. It was a suspended moment, where time seemed to stretch and fade into the contours of the dream.

Finally, she whispered :

- I don't know who you are, but something inside me tells me that you are important...

After confessing what she wanted to keep, she suddenly realized where she knew him from, her breath catching, before saying :

- I remember... We've seen each other before, haven't we ? Since I saw you, my nightmares have stopped, and I don't know if you have anything to do with it, but... Thank you.

Morpheus was surprised at first, his eyes widening discreetly, not being used to being thanked. He observed every contour of the woman's face, his eyebrows furrowing slightly, wondering if she was being sincere. However, when he realized that she was, he lowered his head slightly in acquiescence.

- Maybe you are a dream, an illusion, but it doesn't matter. You have all my gratitude. Before meeting you, my life was nothing but despair and suffering. Now I'm better and I'm happy about it. I don't know why I'm telling you all this, as if you were real, when you must be my subconscious, but still... Thank you, really.

Morpheus felt the weight of his own immortal emotions, a feeling he knew, but had not tasted in a long time. Realizing what it was, he ended the dream, unable to maintain it any longer.

- This dream is over. He said simply.

Waking up, ( y/n ) remained for a moment ensconced in the soft tranquility of her bed, her heart still resonating with the echoes of her dream. She knew full well that what she had just experienced was only a nocturnal illusion, which would soon dissipate like the others. Pulling herself together with morning grace, she stood up, ready to face the day ahead.

Conscious of every detail, she meticulously chose her outfit, opting for bright hues reflecting the floral blossoming that marked her existence. Leaving his apartment, the morning light delicately caressed the city, promising a radiant day.

Entering his shop was enchanting, the air carrying the captivating scent of flowers and the gentle chime of the bell welcoming his senses. Devoting herself to artistic creation, she created floral arrangements where each gesture revealed the very essence of natural beauty.

As the morning progressed, she devoted herself to making a bouquet for a special order. Her skillful hands, like graceful dancers, intertwined among the flowers, shaping a work capturing the ineffable magic of nature. The bell rang, announcing the arrival of a visitor.

She straightened up with a professional smile, ready to greet anyone who crossed the threshold. However, his smile faded slightly upon seeing his new client. Blinking to clear away an unknown disturbance, ( y/n ) composed herself.

- Sorry... Hello. She articulated, her voice tinged with subtle hesitation. Welcome to my store. How can I assist you today ?

Unmoved, the man delicately bowed his head in greeting.

- I have come to contemplate your floral wonders up close. He replied in a voice that was both attractive and terrifying, imbued with a strange familiarity, although the reason for this feeling was beyond ( y/n )'s understanding.

She tried to hide the feeling of déjà vu, focusing her attention on her role as florist. However, as she guided the man she couldn't help but stare at, finding him magnificent, in the choice of flowers, she couldn't help the questions in her head about knowing him or not.

It was difficult for her to hide the emotion as he explored the flowers, his mysterious aura adding an almost unreal dimension to the atmosphere already imbued with floral magic.

As he selected the flowers for his bouquet, he expressed himself enigmatically :

- Flowers have a unique way of capturing the beauty of the present moment. They are silent messengers of deep feelings, just like the dreams that weave in the darkness of the night.

Captivated by his words, finding the way he spoke unusual and a bit strange, ( y/n ) nodded with a smile.

- Yes, flowers have a unique language, an ability to express emotions without saying a word. This is what makes my job so rewarding.

He nodded, his blue eyes boring into the shimmering petals. He took one, without tearing it from its pot, with his long, slender fingers, which ( y/n ) found herself staring at, finding that every movement he made, even the slightest, was filled with grace and a certain delicacy.

She continued to stare at him secretly, and noticed several things: mysterious and cold appearance, messy ebony hair and a thin pale figure wrapped in black clothes. But what attracted her most were the man's piercing, hypnotic eyes.

- Each petal tells a story, each arrangement is an ephemeral work of art. Creating something that awakens the soul is a beautiful thing.

She jumped a little, surprised to hear the calm, deep voice imbued with a certain serenity of the man she was eyeing without her consent. Recovering herself, she assimilated the man's words which, when she did so, intrigued and moved her. There seemed to be an invisible connection between them, transcending simple exchanges in a flower shop. When he had made his choice, ( y/n ) delicately prepared the bouquet. When she gave it back to him, their eyes met again, and time seemed to stop a second time.

A thrill of anticipation mixed with slight worry ran through his being, wondering if this feeling was a figment of his imagination.

- Excuse me, but... Have we ever met before ? She asked politely, a thrill of anticipation mixed with slight worry coursing through her being.

He replied calmly :

- It could well be.

This response only accentuated ( y/n )'s perplexity. The mystery around this man seemed to be deepening, and she was about to ask more questions when he, as if anticipating her thoughts, cut her off by saying softly :

- I have to leave, but I would like to come back.

( y/n ), still under the spell of the enigmatic presence of the man who had just bought her flowers, couldn't help but murmur a little "yes" before fully realizing the significance of his response. She felt captivated by this man, by this aura emanating from him.

Tilting his head slightly in thanks, his small smile discreetly appeared, something that ( y/n ) noticed, making her heart race.

- Until our next meeting.

He walked out of the store, leaving ( y/n ) alone with her swirling thoughts. She observed the street through the window, trying to untangle the threads of this strange encounter. The flowers seemed more vibrant, the colors richer, as if the presence of this man whose name she didn't know had left a magical imprint on the room.

Still overwhelmed and a little confused, she returned to her work. She couldn't help but think about what had happened, who he could be. Her wondering what the future held for them.

As she continued her work, customers entering and leaving the store, ( y/n ) remained captivated by her morning encounter. Without suspecting for a single moment that this meeting would be the beginning of an unwritten and magnificent story, with an immortal anthropomorphic being embodying the concept of the Dream.

Where destiny would be written between a simple mortal and one of the seven Endless, thus creating one of the most beautiful love relationships. A love that defies even the rules of the universe, uniting them against all cosmic challenges.

The beginning being a story of repair.

----------------------------------------------------------

For this first short story, it ends on a happy note and a little simpletod ( although this is not guaranteed every time, I warn you in advance X) ). Although concise, the writing was enjoyable. Share your thoughts in the comments, and see you soon for a new story ! ^^

[mayamidnightmelody]

The 1990s was a pivotal decade for geek culture, solidifying many of the trends and franchises that continue to influence pop culture today. Here's an exploration of the various facets of geekdom in the 90s:

Video Games

The 1990s were a golden era for video games, seeing the rise of iconic franchises and gaming consoles.

Consoles and Games:

Super Nintendo Entertainment System (SNES) and Sega Genesis were at the forefront of the early 90s gaming scene. Classics like "The Legend of Zelda: A Link to the Past," "Super Mario World," and "Sonic the Hedgehog" became household names.

The mid-90s introduced the Sony PlayStation and the Nintendo 64. Games like "Final Fantasy VII," "Metal Gear Solid," "Super Mario 64," and "The Legend of Zelda: Ocarina of Time" revolutionized the industry with their storytelling and 3D graphics.

PC Gaming:

The rise of PC gaming brought titles like "Doom," "Quake," "Warcraft," and "Starcraft," which laid the groundwork for modern first-person shooters and real-time strategy games.

The introduction of the CD-ROM allowed for more complex and graphically intense games, expanding the possibilities of game design.

Comic Books and Graphic Novels

The 90s was a transformative period for comics, marked by a combination of innovation and market upheavals.

Marvel and DC Comics:

Marvel experienced a surge in popularity with the introduction of new characters like Deadpool and the significant events like the "X-Men's Age of Apocalypse" and "Spider-Man's Clone Saga."

DC Comics shook the world with storylines such as "The Death of Superman" and "Batman: Knightfall."

Independent Publishers:

The formation of Image Comics by former Marvel artists brought a wave of creator-owned series like "Spawn," "The Savage Dragon," and "WildC.A.T.s."

Vertigo, an imprint of DC, produced critically acclaimed titles such as "Sandman" by Neil Gaiman and "Preacher" by Garth Ennis, pushing the boundaries of mature storytelling in comics.

Science Fiction and Fantasy

The 90s were a golden age for science fiction and fantasy, both in literature and on screen.

Television:

"Star Trek" had a strong presence with "The Next Generation" continuing its success, followed by "Deep Space Nine" and "Voyager."

"The X-Files" became a cultural phenomenon, blending science fiction with horror and conspiracy theories.

"Buffy the Vampire Slayer" redefined the fantasy genre on television, combining teenage drama with supernatural elements.

Movies:

Blockbuster franchises like "Jurassic Park," "The Matrix," and "Men in Black" showcased cutting-edge special effects and imaginative storytelling.

The re-release of the original "Star Wars" trilogy in special editions prepared the groundwork for the much-anticipated prequel trilogy.

Anime and Manga

The 90s saw the global explosion of anime and manga, making Japanese pop culture a mainstream phenomenon.

Anime:

Series like "Dragon Ball Z," "Sailor Moon," and "Pokémon" became immensely popular worldwide, introducing many to the world of anime.

Films by Studio Ghibli, such as "Princess Mononoke" and "My Neighbor Totoro," received critical acclaim and international recognition.

Manga:

Manga series like "Naruto," "One Piece," and "Berserk" began their runs, setting the stage for long-lasting popularity.

The publication of "Shonen Jump" in English brought many of these series to Western audiences.

Role-Playing Games (RPGs)

The 90s were a significant decade for tabletop RPGs, with many classic games being developed and popularized.

Dungeons & Dragons:

The release of the second edition of Advanced Dungeons & Dragons (AD&D) in 1989 carried through the 90s, with campaigns like "Planescape" and "Dark Sun" becoming fan favorites.

Other RPGs:

"Vampire: The Masquerade" by White Wolf Publishing introduced the World of Darkness, a setting that offered a dark, gothic-punk alternative to traditional fantasy RPGs.

The cyberpunk genre was well represented by games like "Shadowrun" and "Cyberpunk 2020," capturing the gritty, high-tech, low-life aesthetic.

Collectibles and Trading Card Games

The 90s witnessed the birth and explosion of collectible card games (CCGs), with "Magic: The Gathering" leading the charge.

Magic: The Gathering:

Created by Richard Garfield and released by Wizards of the Coast in 1993, "Magic: The Gathering" became a groundbreaking and immensely popular game, sparking a new industry of collectible card games.

Pokémon:

The Pokémon Trading Card Game, released in 1996, quickly became a massive hit alongside the video games and TV series, contributing to the global Pokémon craze.

Internet and Technology

The rise of the internet in the 90s played a crucial role in shaping geek culture.

Early Internet Communities:

Bulletin board systems (BBS), forums, and newsgroups like Usenet allowed geeks to connect and share their interests in ways that were never before possible.

The creation of fan sites and the use of IRC (Internet Relay Chat) facilitated the growth of online communities dedicated to various fandoms.

Technology:

The proliferation of personal computers and the advent of the World Wide Web democratized access to information and entertainment, allowing geek culture to flourish and expand globally.

In conclusion, the 1990s were a transformative decade for geek culture, characterized by the rise of influential media, the advent of groundbreaking technology, and the growth of vibrant communities. The era laid the foundation for many of the trends and franchises that continue to shape geekdom today.

[rita]

Wait why don't u like Neil gaiman /gen

i wrote this post back in 2019 which outlines some main things. there is also this post which talks about some things i hadn’t considered at the time. mostly, it’s about the way he has conducted himself around fans and in fan spaces (read: not very well) but also racism and him basically defending pedophilia and rape in fiction in the name of free speech (see that first link). i haven’t read all of his work but from memory, he wrote an explicitly trans character in a transphobic way in the sandman (see this tweet) and defends the way the character was treated throughout the story because at the end of the story, another character corrects the name on her gravestone. i personally have problems with a lot of his writing, regardless of his intentions.

aside from all of this, he was (for a long time) married to amanda palmer, noted racist white woman (eg she has multiple times performed her song “guitar hero” which has the n word in it); for more information about amanda palmer, see this video (big tw; pause on the list if you don’t want to see the videos of her) and this article. they divorced in 2022.

[orionsangel86]

Honestly same about the spoiler, here’s the thing…

I NEVER in a million years thought they’d go there I thought it was just gonna be strictly platonic but besties whatever and the fact we even have this has made more happy and invested because Ofc I can ready my fan fictions of this being a conclusion after the show but the fact it’s real?! I’m so happy and I don’t even care that it was spoiled

Yeah exactly. I was kinda really pissed off at Neil reblogging that post that was like "ShOw SoMe ReSpEcT" because it was a stupid post policing and attempting to blame FANS for something AMAZON did. I get Neil was prob angry and upset at the time and he has since tried to clarify, but I still think its a shitty post.

Its a 2 second clip that just so happens to confirm something that the majority of fans have been desperately hoping for for 4 YEARS. Would it have been better to only find out whilst watching the show? Of course! But honestly? I now get to go into the show comfortably happy to watch it without any residual anxiety and fear of disappointment.

Because no matter how many posts people scream on this site about how "we dont need Crowley and Aziraphale to explicitly show us they are in love and together" deep down we know thats bullshit. Deep down we know that for it to actually count towards representation we needed season 2 to give us SOMETHING more than season 1. So that the queer media sites like Pink News could include Gomens in their articles, so that buzzfeed could include it in their canon queer ships listicles. So that heteronormative types could finally say "oh so not just best friends!" So that homophobes could stop screaming "WhY dO yOu PeOpLe HaVe To MaKe EvErYtHiNg GaY" at US and instead scream that at the creators like they did with Sandman whilst we all laugh at them.

People try to downplay the importance of a kiss because they are trying to prevent their own disappointment. So if a kiss doesnt happen they can say "i never needed a kiss. I KNOW it is queer anyway." But we should never downplay the importance of a kiss in queer media. Not when in the real world there are still people trying to make out that queer kissing is gross and explicit and obscene and should be kept hidden from children. Queer kissing needs to be as commonplace as straight kissing and only when THAT happens will I say "nah i didnt need a kiss to know they were queer."

So yes. This spoiler is everything. Not just everything. It's the breath of relief that I've been holding for 4 years. Its the weight of anxiety that has pressed on my shoulders finally being lifted. It's the faith in my favourite author and showrunner finally being rewarded. I was already excited to watch the show, but with the knowledge of the spoiler I am absolutely bouncing off the walls desperate to watch the show, chewing on my own arm desperate to watch the show! I know there are people who REALLY care about not being spoiled, and thats fine. I'll tag everything. I'll tag this post, and hopefully those people have been smart enough to blacklist the tags. Because thats all we can do. I don't think people should stop talking about it and supress their excitement just because Neil Gaiman got angry. Just tag the spoilers and revel in this new knowledge and love the show even more.

[onehundredandeleventropicalfish]

Any thoughts on the theory that Delirium is the only Endless that can break the fourth wall / is aware of their nature as graphic novel characters? I've seen it mentioned as an explanation to why she knows of things outside Destiny's garden.

oh interesting

i've never heard that theory before, but i am perfectly willing to believe it! (at least in the comics universe, dunno about the show)

both because a) delirium has literally broken the fourth wall before, to get back to her realm when she was upset

and b) the reason i say comics more than show, is that the netflix show is standalone. but the comics are dcu. and while it's definitely its own story, the dcu is integrated into sandman - both in small ways, like neil gaiman populating the dreaming with minor forgotten characters from other dc stories, and in large ways, like dream finding himself suddenly in the aspect of the martian dream god in the presence of martian manhunter, and being surprised because he thought this aspect was dead, that there were no green martians left

and while my knowledge of dc is kinda sporadic, i have a friend who's super into it, so i have it on good authority that those kinda fourth wall breaks are not new for dc, i believe one of the superboys was actually from our universe and a fan of the superman comics before he found himself in that world?

so yeah, if we take destiny's book to be the complete respository of sandman comics (which would make sense, given volumes like overture where we get stuff like this)

then yeah, since destiny's book is stated to contain everything in the universe, "there are things not in your book" is good evidence that delirium is very aware that the sandman comics are not the only universe out there, and that in at least one universe, they are fictional characters

(though if that is true that's one hell of a secret for delirium to have to keep to herself, she'd have the most responsibility of any of the endless)

(maybe also with dream, who is the only other endless we know to have definitively crossed universes when he rewrote the old one, it's confirmed even the endless forgot about the old universe, only dream remembers)

(i'd love to see a fic taking this headcanon, because that would mean delirium also knows of the old universe)

but that idea of responsibility brings me to another thing i've been thinking about in regards to delirium, which i think is the most tragic thing about her

there may be only one endless in charge of destiny, but i think the forces of fate act equally through destiny and delirium, just in opposite ways. if the endless represent the most fundamental parts of life, it makes sense that the oldest and youngest kinda bookend things this way

for the most part, she is everything i said in that post, she's a lot more aware than people assume of her

but she has moments of being unaware. times where the delirium takes over. and when she loses herself, fate takes control

like. sure, there were a lot of pieces surrounding dream's tragedy, and yes as any tragedy it does come down to the fact that dream was not the person who could ever have gotten himself out of that situation. but the situation still needs pieces to be moved into place.

destiny starts it off. and destiny gets both the privilege and the tragedy of knowing he has to start it. he calls a family dinner because it has to happen, which kicks off season of mists, which means dream makes that deal with loki, who kidnaps daniel, and now lyta's orchestrating dream's demise

delirium doesn't know what's going to happen. she just gets impulses that overtake her. it's been three hundred years since destruction left, but all of a sudden all she knows is she has to find him now. strongly enough that she's willing to ask every one of her siblings to help, despite admitting they scare her. strongly enough that she'll go on her own if she has to. strongly enough that it's the only thought in her mind, as the chaos within her makes her feel physically sick

coincidentally, this is at the exact moment dream is brooding over thessaly and will take literally any distraction offered, which means he goes with delirium, which kickstarts a chain of deaths destruction accidentally set up centuries ago, which means they need to find destruction to stop it, which means dream has no choice but to get help from orpheus, and there's only one thing orpheus has wanted from dream these last 3000 years

delirium thought if she found destruction it would bring their family back together again. but all it did was make him go even further away, and cement another piece of dream's tragedy

and then there's kindly ones, the next time she loses herself. part of her can sense that something bad is about to happen, but she doesn't know what, she just knows she lost her dog, and has to find him. and she goes to visit destiny to help, and sees that dream's statue is visibly upset, so she goes to visit dream to try and cheer him up and distract him again like last time, but he can't come with her this time, so he just sends a nightmare to help her find barnabas. and then on the way she runs into nuala and tells her dream's in trouble and won't leave the dreaming, which nuala takes to mean the dreaming is the danger and she summons him, and dream can't find it in himself to refuse, which gives the kindly ones control over the dreaming

and from there delirium tries so hard to save dream but everyone she goes to for help just tells her it's too late. and in this instance they're right.

she sees so much and understands so much and in some ways she's actually one of the more stable endless, bc she may be delirium but her current state is resilient and sustainable compared to the knife's edge dream and desire especially are living on, trying not to break by just ignoring the things they can't handle

delirium's seen the deepest depths of what she can't handle and pulled herself back together again

but how much is that knowledge and tenacity worth, if when it comes down to it she causes the things she tries desperately to stop?

i haven't written a meta about this yet bc honestly i think about it and just wanna give del a hug

but this is a good place for it i think, bc like. how does that change, if delirium is aware that she's not in charge of her life?

i can't decide if it would wreck her further (or rather, has already wrecked her further) or if it doesn't change anything at all

[tehamelie]

The memory of hope survives the death and rebirth of the entire universe. Spoilers for a 35 year old comic here.

But this breaks my entire heart. The wonder of it. I actually did not put it together until I reread A Hope in Hell after reading Overture. But she was there all the time. Hope.

Okay, to explain to people who haven't read the comic book Sandman, but who have probably watched the show, or even if you have not. In this early episode/issue, Dream survives a deadly game of make-believe only because on Judgment Day, at the end of all things, he remembers there is such a thing as "hope".

And then, many, many years later, there comes this prequel comic. I'm not generally a fan of prequels. I mean, we already know how it's going to turn out, are you sure there aren't any original stories you'd rather tell than filling us in on some details of a story you already told? Are you sure this isn't just a safe money grab, cashing in on the assumption that most people just want more of the thing they know they like and don't want new, different things? Are you sure you're not in some way going to water down a powerful story to stretch it out?

But it's Neil Gaiman. He's bought a lot of "sure"s from me, especially in regards to Sandman, his magnum opus, and my absolute favorite work of fiction. So you read it and you're blown away by page after page of ridiculously good storytelling, good art, and revelations heaped on revelations in a comic that's almost entirely built on mysteries. And one of the things it reveals is the character Hope Beautiful Lost Nebula, egg-daughter of Clearly, sperm-daughter of Troubling Worlds.

She's great. And then she dies. And it doesn't stop her. And she's one of the people who knowingly sacrifice, not themselves, but every possible memory people may even have that they ever existed, to remake the history of the universe post hoc to preemptively stop it from destroying itself.

But, as it turns out, this comic from 1989 knew exactly what they were going to be doing in 2013. And Dream does remember Hope, just when it matters the most. My mind is blown into another realm and my heart is shattered in a thousand pieces. That is good writing.

[ingravinoveritas]

Hey, it’s me again.. I took a little time off to elaborate all of this, I went through various stages of disappointment, sadness and anger, but now I’m feeling better (even though it left a bitter taste in my mouth).

I did read all of the comments and reblogs to your posts, they made me cry (in a good way!) and I started to feel less alone indeed, a heartfelt thanks goes to them, definitely ❤️ this is what a fandom should be, whether it is Good Omens’ fandom or Neil Gaiman’s fandom (well I hardly see myself becoming part of his fandom now, even though I like some of his works, i.e. The Sandman).

The fact that he’s a writer is the reason why I weighed his words so much, otherwise I would have thought “okay maybe it was a poor choice of words and didn’t mean that”.. He knows exactly what he did instead, he used his skill with words against someone who barely speaks his language. This was unfair and unnecessary on so many levels imo.

About my ask, in my mind this was a point of view that maybe could’ve been useful for him to consider. I asked that in his interest, I mean, at the end of the day it’s his series, not mine. He didn’t even try to understand, instead. The point he’s missing with Staged is that Staged is not any series, it’s a series where the main characters (the two couples, but there’s also Ty in the third season) are supposed to be the actors’ real personalities and relationships (“supposed to”: I know they’re still fictional), so seeing all of them together in a scene of any series (not only Good Omens) would feel like breaking the fourth wall to me. I know it’s not something that everybody would experience, but definitely some people would. The nepotism thing is kind of connected to this, but mostly I’m really concerned about David Tennant being accused of that (the first “joke” was already there at Basingstoke). I mean, if Georgia had accepted the role and Olive had passed the audition, there would have been four members of his family involved (I know Peter Davison is an accomplished actor, but he’s also part of the Tennants family portrait, especially talking about Doctor Who), they’re just two for now, but the fact that Neil said that in a hypothetical season three, he would like to offer Georgia and Anna a part… The risk was there again. Maybe he thought that it would please the fans who always idolise them no matter what; this part of fans is really loud, but that doesn’t mean that they’re the actual majority. Also, this doesn’t mean that I hate them either, I would never do something like this out of hate, I’m not so miserable.

In summary, I just wanted him to read and consider that, I wasn’t really interested in an answer, tbh. It’s not like I was expecting something like “yeah, this is nepotism on my part! Thanks for asking xx” (though… That would’ve been a funnier response). As I said previously, this might have been an impulsive decision, and even a naïve one.

(1/2)

Hello, Anon. I'm back from my work trip and finally not entirely exhausted, so now I can answer your Ask and all of the other Anons still waiting in my inbox.

I'm glad to hear from you again, and that you are feeling better. I very much relate to what you said about having a tendency to blame yourself for everything, because I do the exact same thing. But there is a difference between blame and responsibility, and while you are responsible for choosing to ask Neil that question, you are not to blame for how he chose to respond to it.

You mentioned not being sure what to do now, and thinking about sending him Crowley's line about asking questions (which is also something that I thought of when this whole thing happened). My personal suggestion would be not to message him at all, as there really isn't anything else that can be said and I think it would probably just give you more anxiety worrying about if/how he'd respond again.

The thing to keep in mind is that Neil is who he is. Being a writer does not automatically make someone better or smarter than anyone else--Ernest Hemingway was an abuser and a drunk; Hunter S. Thompson was, well..."LSD-soaked madman" is putting it generously; F. Scott Fitzgerald's relationship with Zelda made Kanye and Kim K. look Amish, and the list goes on--but what I think has happened with Neil is that there is such a hype around who fans perceive him to be...the "image" of Neil Gaiman as opposed to the actual human Neil Gaiman. What we have now had a glimpse of is the actual human, and that for as calm and cool as Neil always seems to come across, there are clearly things that can still ruffle his metaphorical feathers.

I don't know if you've visited Neil's blog again, by the way, but just a few days ago, he responded to this Ask which I and everyone else who read it would most definitely categorize as "creepy"...and yet he answered it and did not call that person out the way he did with you. What that tells me is that what happened with you was not because of anything you did, but because Neil read it the way he did. And there could be so many other factors at play as well--the fact that he is in the middle of a divorce, the effects of the Writers' Strike and what that will potentially mean for GO 2--that ultimately contributed to his mindset while answering.

The other thing I will say is that I've already seen part of your concerns come to life, as following the release of the GO 2 opening credits, some fans were insisting that the order of David and Michael's names in the sequence and David's name supposedly appearing first (as opposed to Michael's in the S1 credits) was a reference to Staged:

In actuality, both David and Michael's names appear at the same time (but Michael's is less visible due to being in the sky). Neil even seemed to confirm this when someone recently asked about it. Not only that, he did not mention anything about Staged at all, which in all likelihood means it was probably not a specific reference. But seeing fans rush to this conclusion seemingly validates what we've been saying all along, and when I saw it, I immediately felt annoyed. For me, Good Omens and Staged are two very different things, as well as entirely separate things, and I categorically do not like the feeling of looking at anything related to GO and thinking of Staged. Only my opinion, of course, but there it is.

Finally, regarding the nepotism situation, one thing I've also noticed is people saying that this is somehow brand new, or that no one cared before GO 2. As I've mentioned previously, I became a fan of Michael's and "got into" him before I did David, so I will fully admit to being less knowledgeable around the nepotism issues there (Ty in ATWI80D, Georgia getting a part in DW because of Peter, then producing YM&H). But I can say with absolute certainty that concerns of nepotism with Anna were being voiced years ago, as far back as the first season of Staged and then right through to her being in Last Train to Christmas in 2021. So this is not remotely anything new, nor related only to GO, but to every role AL has had (Staged, LTTC, and Sandman), all of which she has gotten because of Michael.

I would also encourage people to read this post from last year on @invisibleicewands' blog for some very insightful tea about nepotism. One commenter is a former actor and shared some extremely interesting information in the notes in particular, of which I'd like to share a few:

I'm very willing to bet that all of the above--especially the part about casting directors and casting practices--are things Neil already knows, and are at least part of what caused his disproportionate response to your question. Because if this is something well-known and common to the industry, you are very likely not at all the first person who has brought this up to him, as well as the fact that four members of the same family (David, Ty, Peter, Georgia) nearly ended up in the same season of one show (GO season 2).

Could Neil have had enough and just snapped? Sure. We all have our limits, our quota of what we can handle at any given time, in any given day. And he would have absolutely been well within his rights to ignore your question entirely. That he read it as being "not in good faith" tells me this is a subject that's come up before, and has led to him being on the defensive. Which, again...also understandable. But the fact that Neil--who is a writer, who has spent an untold amount of his life writing about all sorts of things in painstakingly detail-- couldn't parse a fan asking a genuine question or distinguish it from an attack is not okay, and neither was his choice to respond so condescendingly and set you up as a target for the larger fandom.

But you already know all this, Anon, so let me stop before I repeat myself too much. I am just glad that you decided to write to me again, and that you took such comfort from both my words and the folks who commented on my post. I am sorry that the whole thing has left such a bitter taste in your mouth (though understandably so), but with all the wonderful new things we've gotten in the last few days (opening credits, the new poster), that thankfully gives us happy things to focus on instead.

Sending you lots of love again and the hope that you will continue to feel better and not let this take away your excitement for GO 2 entirely. Thanks for writing in! x

[thenightling]

Umm... This is not okay... Do NOT do this!

Someone is passing off a Hob Gadling / Morpheus fan fiction as an original work on Amazon and there are even sponsored ads for it on Facebook.

Morpheus IS in the public domain but that look is clearly the version from Neil Gaiman’s The Sandman. Also in mythology there already was an Oneiros of Nightmares.  It’s Neil Gaiman who made Morpheus ruler of both Dreams and Nightmares.  The ruler of nightmares (according to Ovid) was Phobetor. Ovid named three of the many Oneiroi.  Phobetor (also known as Icalus, not to be confused with Icarus) was the creator of Nightmares.  Morpheus created true dreams, and Phantasmos made fantasies.   

The version of Morpheus AKA The Sandman is clearly the version in this story.  And the immortal he meets every hundred years is clearly Hob Gadling.  I was curious to read it as it sounds like a great Sandman fan fiction but then I was very, very taken aback when I realized this person was passing it off as an original work.  

This is not okay.  This is where fan fiction crosses the line.  Had they at least changed Morpheus’s appearance a little, left out the ruby dreamstone, renamed him Phobetor, they could have passed this off as an original piece but this is very blatantly a Morpheus / Hob Gadling fan fic and this person can get in serious trouble with Warner / DC.

Morpheus is in the public domain but the version used in Neil Gaiman's The Sandman is under trademark and Hob Gadling is not public domain.  

Giving what is apparently Phobetor Morpheus's look and name from Neil Gaiman's The Sandman (where Morpheus rules all dreams and nightmares), and an immortal companion he sees every hundred years is clearly a Morpheus / Hob fan fiction. I'd love to read it. It sounds great but selling it on Amazon- selling it- is wrong. Hob Gadling is not in the public domain and the story of Men of Good Fortune is not in the public domain.