#NANA PATEKAR

[genevieveetguy]

Salaam Bombay!, Mira Nair (1988)

[shut-up-rabert]

Welcome back is the worst sequel ever for several reasons but the one that irks me the most is that they took a movie like welcome, whose charm lied in the fact that these were people in bizzare situation acting just the right mix of normal and weird that seemed appropriate yet funny, to an over the top caricaturish just another watch and forget bad movies that John has lately made a name for.

I mean, firstly they go and replace the MC . Yes, I know the most memorable ones of the movie were Nana and Anil, but I think people forgot that the MC was still Rajeev, the guy who was the link tying the normalcy and fear of Ghungru to the incredible mafia life of his BILs, he was still the normal guy holding his ground perfectly in such a flambouyant situation (and Kudos to Akshay for playing the role so brilliantly that even though he was the underdog of the film, he still made his mark as the MC with what he was given) and while that might have seemed a given at first, when welcome back introduces Ajju bhai (yuck) you realise all over that Rajeev truly was one of the main components of the film, neatly joining the mundane with outlandish. Same with Sanjana tbh. I won't go out and say Katrina is a great actress, but the way she portrayed a sweet and somewhat light headed Sanjana despite the circumstances that surrounded her, that is memorable still. I mean, if Katrina seems like a better actress than Shruti Hassan, you know you doing shit wrong😶‍🌫️

And I mean, this argument can be used overall all the replaced characters. Feroz Khan as a gullible don seemed lot more funny than the tried and repeated formula of an Idiot , dramatic don portrayed by Nasruddin. Shiney Ahuja instead of Lucky was an eyesore tbh. The girl who took over Malika's role seemed to lack the wit and charm with which Ishika duped everyone, her scheming was shown a lot more often to be actually as smooth as Isha's.

All in all, bad character replacement. In case of Rajeev to Ajay, bad actor replacement aswell.

Secondly, its the script itself. It sucks, the scenes suck, the dialogues suck, the idea itself sucks. All the good scenes I remember were all references , fucking references either to welcome 1 or other Nana's and Anil's movies. Imagine making a movie so bad that Nana Patekar, Anil Kapoor, Paresh Rawal, Nasruddin Shah, Rajpal Yadav TOGETHER cannot save it and then going ahead and removing Akshay Kumar aswell💀

Just look at the stuff. Lucky’s replacement is more one dimensional than lucky despite having more scenes, Ajay and Anjana’s Chemistry is so bleh when you compare it to how cute and wholesome Rajeev and Sanjana were, Uday and Majnu are stupid enough to fight over the same girl for a second fucking time. Uday and Majnu don’t feel like Uday and Majnu; both were gullible enough and shown powerful, here they are SCARED OF HIDING A DEAD BODY YOU GUYS ARE FUCKING GANGSTERS HELLO?!?!

Thirdly and finally, expanding on the script thingie, the acting that it required from the actors is not what welcome was about.

Like I pointed out, Welcome was a comedy that was absolutely absurd, but what made the charm for me was how rationally everyone was overreacting (how is that any making sense? Lmao). It was how Nana laughed after Majnu got insulted on call, my man looking much less angry than someone who threw someone off a yatch, ready to punch Rajeev after Lucky was presumably killed. Anil Kapoor hogging a road on gunpoint and painting like, idk, a normal person? A don that doesn’t give a fuck? That ek tang nakli guy just being there for plays and it Nana Patekar just keeping him being so funny? Akshay Kumar being rightfully frustrated in situations so, so funky that it feels so wrong yet so right at the same time.

Basically, you get the point, right? The comedic sounds and overracting was limited, they let the comedy sink in and never forced it (example, the ghode gadhe waali painting) The movie was not off the hinges, just barely holding onto them. People acting weird with body language but sane with speaking (mostly), ya must be getting it I hope

Now replace that with a generic off the hinges over acting film, where the comedy is so forced that you just cannot laugh because its that unfunny. The actors are phenomenal, well ‘cept John and Shiney, so and made the last movie so good. Welcome back relied and was banking on Welcome so bad but it lacked the movie’s very essence. Who will like it? What were they thinking making it? Why?

So yeah, tldr: Welcome back sucks and Welcome has no sequel.

This post was made by Welcome is my favourite movie ever gang

*poster for extra feels*

[mixcelebrity]

Nana Patekar house with interiors and exterior design

Nana Patekar’s Mumbai house is worth 3 crore, according to media reports and According to the actor, he bought the 750-square-foot house in Mumbai for 1.1 lakhs. Read more.

[bolllywoodhungama]

Gadar 2 with Sunny Deol and Ameesha Patel features voice work from Nana Patekar.

Om Puri originally provided voiceover for the introductory scenes in the first installment.

After starring in Gadar: Ek Prem Katha in 2001, Sunny Deol and Ameesha Patel reprise their roles as Tara Singh and Sakeena in Gadar 2. The film is slated for release in August. Recently, it was discovered that renowned actor Nana Patekar provided voiceover work for the movie. Om Puri originally provided voiceover for the introductory scenes in the first installment. In the movie, Nana Patekar's voiceover can be heard right at the beginning.

Anil Sharma is in charge. Gadar 2 gives away the fact that the story picks up where Gadar: Ek Prem Katha left off. The first episode focused on the romance between Tara Singh and Sakeena, which left a lasting impression on viewers and is still doing so today.

'Udd Jaa Kaale Kaava' was re-released in a reprised form. The recreation of "Main Nikla Gaddi Leke '' will also be in the movie, which will be released soon.

The film, directed by Anil Sharma and produced by Zed Studios, features Sunny Deol and Ameesha Patel as its two main actors. The movie is slated to open in theatres on August 11, 2023. Get more Bollywood news updates only on Bollywood Hungama.

[jonnyconsequence]

"No one is a brother or a son in business."

Parinda (1989) Directed by Vidhu Vinod Chopra Cinematography by Binod Pradhan

[darshanan-blog]

Taxi No. 9211: Bollywood Movie Review

Film #TaxiNo9211 running on @Netflix is fast paced & entertaining & its inherent moralistic message is not thrust upon the audience; instead it unravels naturally.

Film Taxi No. 9211 revolves around two central characters that represent two very distinct lives and lifestyles in the sprawling, living, running, 24 hours pulsating city of Mumbai. The reference to the city is also very interesting. Such a living, breathing city with its own temptations and frustrations has its own impact on the inhabitants.  Increasing inflation and inability to meet rising…

[lyricsolution-com]

Ganesh Chaturthi 2024: Maharashtra Deputy Chief Ministers Ajit Pawar, Devendra Fadnavis Attend Nana Patekar's Ganeshotsav Celebrations | People News

Pune: Immersing in the festive spirit of Ganesh Chaturthi, Maharashtra Deputy Chief Ministers Ajit Pawar and Devendra Fadnavis visited actor Nana Patekar’s residence to attend Ganeshotsav celebrations. Ajit Pawar and Devendra Fadnavis were seen offering their prayers to Ganpati Bappa. #WATCH | Pune: Maharashtra Deputy Chief Ministers Ajit Pawar and Devendra Fadnavis visited the residence of…

[playermagic23]

EXCLUSIVE: Sanjay Puran Singh Chauhan will direct Akshay Kumar's Tirangaa, which is slated to go on floors by the end of 2024.

Last month, Bollywood Hungama exclusively reported that Akshay Kumar's Tirangaa is not a replica of the same-titled 1993 film starring Nana Patekar and Raaj Kumar. Bollywood Hungama has reported that the film will be directed by Sanjay Puran Singh Chauhan.

According to a source, "The film's producers - Ashvin Varde, Subhash Kale, and Narendra Hirawat - along with Akshay Kumar realized that Sanjay Puran Singh Chauhan would be an appropriate candidate to handle a picture like this and give it the essential commercial approach. This is how the renowned director came on board."

According to the source, "Tirangaa is expected to go on floors by December 2024."

Sanjay Puran Singh Chauhan previously directed the films Lahore (2010) and 72 Hoorain (2023), both of which won national awards. He was also one of the authors for Ranveer Singh's cricket drama '83 (2021).

Sanjay and Akshay were close to working together on a film called Gorkha. It was to be produced by Aanand L Rai, but after the announcement, it was abandoned. In January 2023, Aanand L Rai told Bollywood Hungama, "Yes, that is correct. We are not making this film right now. There are technical issues. There are factual clarifications that must be made.

Sanjay Puran Singh Chauhan also planned to develop Chandamama Door Ke, a space film starring the late Sushant Singh Rajput.

On August 10, Narendra Hirawat denied that Tirangaa is a remake of the original film of the same name. He told Bollywood Hungama, "In recent days, there have been a few media stories suggesting that we are creating a remake of the film Tirangaa with Shri Akshay Kumar in the lead. We would want to state unequivocally that this report is false. Yes, we are creating a film with Shri Akshay Kumar in the lead, however we want to make it clear that it is NOT a remake of any film. It's a whole new and original script. An official announcement about this will be made soon."

[vishnumaheshsharma]

'The Vaccine War' Review and Analysis: Potential of a Great Medical Drama is Cut Short by Somewhat Less Focused Third Act

Agnihotri, to some extent, treats the screenplay as an underdog story. Thus, there are unforeseen and formidable challenges, both natural and political. However, the director, at times, cleverly deviates from the underdog template...

Just before the intermission, in Vivek Agnihotri’s ‘The Vaccine War’, on a white board with a black color marker, a prominent scientist writes “Only science can win this war.” Immediately after this ‘Nasadiya Sukta’ is heard in the background. On one hand this signifies and symbolizes confluence of scientific aptitude and spirituality and on the other hand it serves another purpose. This…

[mofartumb]

Sinopsis Film Shakti: The Power (2002) Lengkap

Kali ini saya akan bagikan sinopsis Film Shakti: The Power (2002). Berikut detail filmnya Judul : Shakti: The Power (2002) Rilis : 20 September 2002 Negara : India Bahasa : Hindi Sutradara : Pasupuleti Krishna Vamsi Produser : Sridevi Pemeran : Karisma Kapoor, Shah Rukh Khan, Nana Patekar, Sanjay Kapoor Music : Mani Sharma, Ismail Darbar Distributor : Eros International. Plot Sinopsis film…

[suchananewsblog]

Anurag Kashyap reveals Nana Patekar refused to work with Leonardo DiCaprio, Abhishek Bachchan was very brattish - Times of India

Filmmaker Anurag Kashyap recently revealed that veteran actor Nana Patekar once refused to work with Oscar-winning Hollywood actor Leonardo DiCaprio in Ridley Scott’s Body of Lies. He said that Nana was offered the role of a terrorist played by Mark Strong but the actor was not ready to play a terrorist. “Ridley Scott emailed me. He wanted to cast Nana Patekar for body of Lies, for the role of…

[sandeep-82]

Inspirational stories coming soon on you Tube

[cinearticles]

Gautham Menon Latest Interview | Mohanlal and Nana Patekar in Varanam Aayiram | Dhruva Natchathiram Update | About Vikram & Jailer Comment Updates

Gautham Menon, one of the most acclaimed and versatile filmmakers in Tamil cinema, recently gave an exclusive interview to Manorama News, a Malayalam news channel. He shared some interesting insights about his past and future projects, his collaboration with various actors and writers, and his views on the changing scenario of the film industry. One of the topics that he discussed was his 2008…

[rebel-bulletin]

ज्युनिअर नाना पाटेकरनं फेसबुक लाइव्ह करत घेतलं फिनाइल; गर्लफ्रेंड पोलिसांना म्हणाली “मरु द्या त्याला..”