#My graphic design brain is yelling at me for having overlapping elements that are similarly colored since it looks visually muddled.

[athenaholmesartistsguild]

Texture used for Majima's jacket

Okay. This painting is pretty epic (In my opinion anyway).

I was trying something a little more ambitious with this piece and that's probably because Death is my favorite tarot card! It was a lot of fun to play with value and color theory with this one.

I'll write a little more about that on the Patreon post if you'd like to look at it. It's free to view and also has a high-res download available!

I also found a website that broke down the symbolism of the cards in a really comprehensive way and that was super helpful to understanding the meaning of the card. Here's the page with all of that info.

Interpretations are below the cut:

Death as a tarot card is not literally about death (not technically anyway). When it shows up in a reading, it's more likely indicating a spiritual or personal death-- an end of an era or period of your life as well as a transition to a new state of being.

Death is unavoidable regardless of whether you're ultra-rich, in deep poverty, or somewhere in between. It's so unavoidable that we refer to it as 'the circle of life'. People are born, they grow up, they pass away, and new people are born in their place.

The inevitability of death is usually scary to people who aren't quite ready to die yet. This is natural, as the idea of no longer existing in the way you were used to is a change that takes time to process.

The Death tarot card encourages you to embrace the change and view it as a rebirth, a second chance.

When it appears upright in a reading, Death usually signals that you're in a period of massive change. You might be shedding the parts of yourself that aren't beneficial anymore. You might have a new opportunity that completely changes the course of your life.

Regardless of the circumstances, the message of this card is that you're not going to be the same person you used to be. Rather than being scared and resistant to change, consider approaching the whole situation with curiosity. What parts of yourself do you feel no longer fit who you are (or who you believe yourself to be)? What opportunities have entered your life and what changes do they bring?

Reversed, we see someone who's resistant to the change that's so inevitable. Whenever I pull a reversed Death card, it always felt as if I was a zombie. Not capable of doing much more than shuffling around, stagnant and rotting and so clearly somewhere I didn't belong.

Never changing is unnatural and oftentimes brings more emotional distress than the circumstances you're scared of ever could. The inevitability of death as a concept drives home that the changes you're resisting are coming whether you want them to or not. Becoming receptive to them will oftentimes make the transition period smoother and quicker. Yes, discomfort might occur (in fact, discomfort is probable), but this discomfort is likely necessary to your development as a person.

In regards to Majima's arc in 0/ the rest of the games, my main idea was inspired by the 'Mad Dog' transformation.

While I was initially hesitant to include actively violent imagery (namely Mad Dog Majima seemingly trying to kill his Y0 self) since the original card has none, I ultimately chose to keep it since the original imagery in the Rider-Waite-Smith card is so initially terrifying.

Death is an unsettling card to look at and I believe that's the point. We're quick to view death as evil and malevolent when, upon closer inspection, you notice that the grim reaper-like figure has no weapons. He's simply carrying a flag with a Tudor rose on it (considered a symbol of peace after the prolonged War of the Roses).

I wanted to create imagery that was a similar level of unsettling, while still showing that there's not any malicious intent. After all, can you really call something murder when someone's just taking a part of their personality and hiding it away?

The Mad Dog persona is simply that: a mask. We see throughout the series that the Majima from Yakuza 0 is still there, he's just hidden behind a flamboyant, violent, shirtless persona who few are able to accurately read.

Majima's core personality is always there, but he isn't able to return to the person he was in Yakuza 0. He can't return to who he was before the '85 assassination, either.

The old Majima can't come to the phone right now. Why?

'Cause he's dead.

One of the main themes of Death's original card is the juxtaposition between those who resist death, and those who accept its inevitability. Compare the Bishop, who welcomes death with open arms to the king lies who dead in the mud, his crown having fallen. There's the impression that the king did not die peacefully, and likely was trying to evade his mortality. As such, he's not only stripped of his power and glory, but also of his ability to have a dignified death.

He chose to use his final moments on Earth to try and escape his fate, rather than making the most of his time alive and as such, he loses more than the Bishop once Death rides into town.

In my interpretation, I focused on Y0 Majima's inability to kill. While it's a good thing that he didn't kill an innocent woman, Majima created a situation where someone had to die.

Yet, he refused to decide who. This is an unfair thing to ask of anyone, especially when innocent lives are on the line, but Majima barrelled into this situation before completely thinking out what it meant to murder someone. He agreed to trade someone else's life for a spot back in the Tojo Clan.

And because of this, Lee and a woman who never asked to be involved end up being murdered in Makoto's place.

Majima doesn't have the ability to kill, but he isn't able to manufacture a situation where no one has to die, either. He's attempting to circumvent the consequences of his actions and in the end, he loses not only the lives of innocent people, but also his ability to remain himself.

Majima's Mad Dog persona, however, is able to keep the people he cares about safe (to some degree). His enemies are very, very rarely able to understand his actual motives and what he actually cares about and as such, attack targets that Majima is okay with losing: money, his own freedom, even his life at one point.

I wanted to include some of the human figures from the original card in mine as well. It's hard to tell in the actual painting, but the hand near the bottom left corner is Lee's and the figure hanging in the upper right corner is Saejima who's been executed for the '85 assassination.

Both Lee and Saejima represent the guilt Majima feels for his inadequacies. Who he was as a person wasn't enough to keep them from receiving all of the punishment for his actions (Majima didn't *necessarily* do anything wrong in either of these situations, but I'm talking more about his own feelings rather than reality). In a way, the Mad Dog persona is an attempt to atone-- a commitment to making sure what happened in the 80s doesn't happen again.

But for that to be possible, Majima has to kill his previous self and become something entirely new.