#Musicians Institute

[musicmags]

[tragediambulante]

Young Italian street musician, Thomas Couture, about 1877

[the-sunshine-dims]

what instrument. would armor play.

[jewishbarbies]

yes, let’s invite the white racist popstar to be part of our secret awards club so she can help us exclude deserving minorities from getting awards!!

[life-imitates-art-far-more]

Orazio Gentileschi (1563-1639) "Young Woman Playing a Violin (Saint Cecilia)" (c. 1612) Oil on canvas Mannerism Located in the Detroit Institute of Arts, Detroit, Michigan, United States

[bandzboy]

grammys having a section of their show about “coming together” and “being in harmony” when what they are talking about is a genocide is crazy and disgusting! after all this time they have the audacity to do these neutral statements… shame on you

[c-e-s-a-r-i-o]

Good morning everyone! I hope everyone’s well, and if not, I wish you better. Anyone doing anything interesting for the remainder of Summer Break?

Today, I’m going to be doing something different. I’m going to post two (2) times today, this post here and another later today, possibly later tonight.

Currently, I want to bring focus on a musician. Jasmine Wembankoy is a musician on TikTok and is currently trying to raise the funds to go to Abbey Road Institute. She was offered a place at this highly exclusive Advanced Diploma for Music Production and Sound Engineering.

Unfortunately, while she wasn’t accepted for a scholarship to the school, the panelists have offered her a place at the school if she could pay her own tuition.

Coming from Islington, London, she initially got into music because of her love of a certain video game. Starting from obsessively researching on how the Assassins Creed II’s soundtrack, produced by Jesper Key, was created, she has now grown to post her own music, of which can be found under the name Safii Koii.

She has grown through the years, and she is most famous for her cover of Kate Bush’s Army Dreamers, by far her most popular cover. Though that’s not her only experience in being in the spotlight in her corner of the internet; after attending East London Art and Music in 2017 and then moving to Leeds Conservatoire in 2019 to chase after a degree in music production, of which she was the only black girl in her class, she has had many wonderful opportunities. She has composed her own music for a film at just eighteen, has had her voice play out of the radio, and has played in her first festival. Her GoFundMe goes into much greater detail for you all, so if you have the time please go read her story!

She is currently sitting at £9,895/€15,920, which is thankfully enough enroll at Abbey Road Institution as it is enough to cover five (5) installments for tuition fees! But she still needs continued support for the rest of her time in the Institution. Even €5 helps, so please help Jasmine reach her goal and be able to go to Abbey Road Institution without having to worry about if she’s going to have enough to continue attending the university. If you don’t have the funds for even €5, you can simply spread her story and GoFundMe!

Her TikTok is @safii_koii and her GoFundMe is https://gofund.me/1767b391

-Lyfrassir(🪷) and Lucy-Grey(🎤)

(P.S. She has another GoFundMe in the linktree in her bio, leading you to a campaign of a family trying to raise the funds to get out of Gaza when the border reopens. If you can, also donate to them!)

[yesterdayscake]

ticket sales to the rich and elite fashion houses, who then dress celebrities up and parade them around as a form of advertising for their very expensive brands

in case people didn’t know this

the Met Gala funds the Met Costume Institute. meaning, basically, the Met’s clothing collection

from what I’ve read, it is the main source of funding for the Institute, which houses over 31,000 garments and accessories from the 17th century onwards

as for why the Costume Institute needs a separate fundraiser from the rest of this vast world-class museum with many high-profile donors…I have often wondered that myself. in the same breath as wondering why the Met has so few and sparse costume exhibits in any given year, and why some pieces on their collections website are outright misdated

but that’s the situation, so. that’s what the Met Gala is for. it’s not just rich people parading around in couture for fun. it keeps a huge museum collection of historical clothing preserved, so people can learn from and be inspired by those garments for years to come

(via ticket sales to the aforementioned rich people parading around in couture. and, in the case of guests who attend for free, the designers who make said couture and pay for tables for their celebrity models as publicity)

[manasastuff-blog]

"Airforce Agniveer Vayu Musician Recruitment 2024"#trending #viral #airforce https://manasadefenceacademy.com/airforce-agniveer-vayu-musician-recruitment-2024/ Welcome to Manasa Defence Academy, where we provide top-notch airforce training to prepare our students for the Airforceniveer Vayu Musician Recruitment 2024. Our academy offers comprehensive courses and expert guidance to help aspiring Air Force recruits excel in their training and achieve their dream of serving their country with honour. Join us at Manasa Defence Academy and let us help you soar to new heights in your Air Force career. Call: 77997 99221 Website: www.manasadefenceacademy.com #airforcetraining #airforcerecruitment #airforceacademy #vayumusicianrecruitment #airforcecareer #manasadefenceacademy #militarytraining #aviationtraining #defenceacademy #airforceexam #indianairforce #airforceskills #airforcecoaching #airforceeducation #airforceeducation #airforcepreparation #militaryjobtraining #airforcelife #defence #armedforcesprep#trending#viral#india#visakhapatnam

[paulpingminho]

[musicmags]

[astrocafecoffee]

Destiny Matrix

(predicting some events of your life and characteristics of your fs)

• For entertainment purposes only, enjoy •

•☞ Masterlist

Guys, destiny matrix chart is So gorgeous 😭 , I fell in love. I am new to this, but it's so fascinating, so I am sharing with you guys. Obviously I learnt a lot from ann_matrix_destiny insta page. I explained some of her work here, rest is mine.

✨What is Destiny matrix chart?

-A spiritual and metaphysical chart that reveals a person's life path, soul purpose, and potential.

✨How is it calculated?

-Based on a person's birth date, using a complex system of numerology and astrological correspondences.

💫 How to see some important events of your life?

see this area(perimeter line)of your chart , this will explain many important events of your life.

💚Age of getting married/ meeting with your significant other/ spouse:

- look at your age in your chart, if you see 3,5,6,19,20 at the top of your age then at that age you will get married/ meet your significant other/ start a family. Like in this chart I have shown above '5' is top of the age of 23.5- 24, so this individual will meet their spouse at that age/ get married.

• Going through Transformation in your life :

- if you see 13 or 16 at the top of your age , then at that age your life will drastically change/ you will go through a huge transformation of your life. You will change your location/ your career/ will shift to another country or city.

⚡Moving abroad/ travelling:

If you see 7,10,21,22 above your age then this is the best age for travelling or going abroad.

if you find 21 in your love line(circled part)then most probably you will marry a foreigner.

And if you find 7, 10 , 21 or 22 in this positions then most probably you will go abroad/ find your partner there .

Now , the future spouse part : -

💖 Hints about your future partner :

Look at the number below the heart symbol to know about your future partner. In this chart it's 21.

So, let's explain each numbers -

•Number 1: The magician

- creative and innovative

- skilled and talented

- confident and charismatic

- however they may also struggled with over - confidence and arrogance.

- gemini / Virgo zodiac sign placements

- profession : musicians, writer, public speaker, coaches and mentors , scientist, entrepreneur, marketing and advertising professionals.

- meeting: conference or seminar, art galleries, meuseum, workshop or studio, networking events or industry conference, class or training session.

• Number 2 : High Priestess

- intuitive and wise

- mysterious and enigmatic

- maybe quiet and reserved.

- soft spoken and considerate.

- cancer zodiac sign placements.

- profession: councillors, therapists, psychologist, Nurse or healthcare professionals, social workers, spiritual leaders, energy workers.

- meeting: secret or private settings, libraries, coaching, weddings , meeting in the context of any spiritual retreats.

• Number 3 : Empress

- Full of life , energy and vitality.

- encouraging others to grow and flourish.

- committed, dedicated and faithful.

- Taurus and Libra zodiac sign placements.

- profession: fashion designer , sculptors, teachers and educators,event planer, environmentalists, musicians, healthcare.

- meeting through : parties, gatherings, festival, fair, creative workshops, artistic projects ,meuseum, concerts.

• Number 4 : Emperor

- Natural born leader, authoritative, commanding.

- makes tough decisions with clarity and conviction.

- commited to family and responsibilities.

- zodiac sign: Aries placements.

- profession: executive, CEO, leader or manager, military officer, architect, Engineer, government officials, buisness owner.

- meeting : buisness meeting, job interviews, formal events , official ceremonies.

• Number 5 : Hierophant

- values established customs, rituals, and institutions.

- upholds ethical standards and moral principles.

- prioritise stability and security over change and uncertainty.

- Taurus zodiac sign placements

- profession: spiritual leaders and mentors, councellor , advisor or consultants, traditional healers or healthcare professionals.

- meeting: spiritual or religious gatherings, traditional ceremonies or rituals, educational and training sessions , counciling or therapy sessions, church,temples , mosques.

• Number 6 : The lovers

- collaborative, work well others.

- empathetic and aware of others feelings.

- true to themselves and their values.

- zodiac sign: Gemini placements.

- profession: counselors, coaches , writer , journalist, artist, musicians, public speaker, philosophers , scientist, researchers.

- meeting : social getherings or parties , creative or artistic collaboration, Beauty or fashion events , community or networking meeting.

• Number 7 : The chariot

- Determined, self disciplined.

- ability to overcome any obstacles and setbacks

- has clear direction

- zodiac : cancer placements

- profession: nurses , social worker, military, architect, psychologist, chefs , nutritionist, hospitality professionals.

- Meeting: family gatherings, home or domestic settings, caregiving or helping professions.

• Number 8 : strength

- courageous, brave , have inner strength.

- has capacity to forgive and let go.

- has self discipline and self control.

- zodiac sign: leo placements

- profession: artist , designer, performers , public speaker, motivator, executives, philanthropist, teacher, councellor, athletes, trainers.

- meeting: park or garden, fitness or wellness center, creative studio or art space, festivals, social gatherings.

• Number 9 : Hermit

- quiet, reflective, and introspective often preferring to spend time alone

- serves as guide or mentor

- discerning and concious about every step they take.

- zodiac sign: Virgo placements.

- profession: therapist, counselors,teachers , coaches , writers, editors, healthcare industry, social worker.

- meeting: therapists or counselor office, library , spiritual or religious sanctuary, coffee shop , book store.

• Number 10 : wheel of fortune

- flexible, able to adjust to changing circumstances.

- believes in destiny

- have philosophical outlook on life.

- zodiac sign: Taurus, leo, scorpio, Aquarius placements.

- profession: life coach, astrologer, environmentalists, entrepreneur, investors, historians.

- meeting: a farm , airport, bus station, temple, monastery, party,park , near mountain or river.

• Number 11 : Justice

- impartial and balanced

- they make descision based on reason and logics.

- have strong sense of morality and ethics.

- zodiac sign: Libra placements

- profession: lawyer, judge, counselors, social worker, activists, advocate, journalist, analyst , or spiritual leader.

- meeting: courthouse, law office, government building, council chamber, community centre, places of worship, philosophical organization.

• Number 12 : Hanged Man

- they are reflective , look inward for answers.

- they are open to new settings.

- courageous, deep understanding of themselves.

- zodiac sign: Pisces placements

- profession : spiritual leaders, therapist, counselor , artist, writer, healthcare industry, motivator, life coach.

- meeting : temples , church , meditation room , yoga class , hospital, library, therapy office,art studio, gym.

• Number 13 : Death

- they are like phoenix from the ashes.

- they can navigate difficult situations and come out stronger.

- constantly growing and evolving.

- zodiac sign: scorpio placements

- profession: therapist, estate lawyers, spiritual leaders, scientist, healthcare professionals.

- meeting: counselling centre, place of worship, innovation hub or entrepreneurship centres, hospital, wellness center.

• Number 14 : Temperance

- they strive for equilibrium in all aspects of life .

- they prioritise physical, mental and emotional well-being.

- have creative sides.

- zodiac sign: Sagittarius placements .

- profession: doctor or nurse , therapist or counselor, artist or musicians, spiritual leader, international relation specialist , life coach , designer .

- meeting : art galleries or museums, embassies or international conference centres , community centres, clubs , parks , garden , spiritual center , yoga class.

• Number 15 : The devil

- they thinks outside the box and brings fresh ideas .

- magnetic personality, can attract others.

- unconventional, transformative.

- zodiac sign: Capricorn placements.

- profession: politician, CEO, artist, law enforcement, military, detective , investigators, activists, occultist.

- meeting: historic mansion or estate, a secret rooftop, art galleries, studio , book store, library , cafe.

• Number 16 : Tower

- they seek honesty and transparency even if it's uncomfortable.

- rebellious, resilient, revolutionary.

- they are open to new ideas.

- zodiac sign: Aries placements.

- profession : scientist, inventor, engineer, architect, military officer, crisis manager, technologist.

- meeting: transformation hub, a unique event space or art studio, bookstore, library, co-working space.

• Number 17 : Star

- they have a optimistic outlook of life and believe in a bright future.

- inspiring, peaceful, compassionate.

- creative and imaginative mind.

- zodiac sign: Aquarius placements.

- profession: creative expression, artist , industry related to healing and wellness, science and technology, humanitarian work, counselors.

- meeting: yoga studio or wellness center, botanical garden or peaceful outdoor setting, co-working space, concerts? , innovation hub.

• Number 18 : The Moon

- they trust their instincts and have a strong connection to their subconscious mind.

- deeply in touch with their emotions.

- unpredictable, may surprise other with their actions.

- zodiac sign : Pisces placements.

- profession : psychic or medium, artist or writer, musician, poet , spiritual teacher, healer, counselors.

- meeting: mystical or esoteric shop, secluded beach, art studio, a spiritual or metaphysical bookstore, coffee shop.

• Number 19 : Sun

- they exude self assurance and positivity.

- optimistic, enthusiastic, charismatic.

- warm hearted , willing to share blessings with others.

- zodiac sign: leo placements.

- profession: actor or performer, artist, CEO , teacher or mentor, event planner, musicians, life coach, designer.

- meeting: cafe / restaurant/ hotel , studio , gathering hall, auditorium, music festival.

• Number 20: Judgement

- they are introspective and willing to confront their past and inner self.

- self aware, have deep understanding of their strengths and weaknesses.

- awakened, courageous, honest.

- zodiac sign: scorpio placements

- profession : spiritual teacher or guide , therapist or counselor, life coach, researcher, artist or creative expression.

- meeting: spiritual center or temple, yoga class, a writer's workshop, park , garden , therapy or councilling office.

• Number 21: The world

- they have achieved their goals and fullfill their potential.

- compassions, wise, confident

- adventurous and global minded.( Most likely a foreigner)

- zodiac sign: Taurus, Capricorn, leo , placements.

- profession : global diplomat, artist ( global or universal theme) , cultural ambassador, world traveler, humanitarian work.

- meeting: while traveling, international conference centres , airport, spiritual retreat, international art or music venues.

• Number 22 : The fool

- they are willing to take risks and embark on new journeys.

- spontaneous, carefree , open minded.

- have faith in themselves and universe.

- zodiac sign: Aquarius placements.

- profession: entrepreneur or startup founder, activist, humanitarian work,coach or consultants, designer, scientist,teacher, journalist.

- meeting: spontaneous meet-up or pop up events, inspirational seminars, creative workshops,cafe or coffee shop, outdoor adventure location.

----------------✨✨----------------

END .....( I am tired af 😭)

☞ Healing through marriage

Thanks for reading 💓

-Piko ✨

[spacelazarwolf]

in honor of that anon who said jews have done nothing for the world, here’s a non exhaustive list of things we’ve done for the world:

arts, fashion, and lifestyle:

jeans - levi strauss

modern bras - ida rosenthal

sewing machines - isaac merritt singer

modern film industry - carl laemmle (universal pictures), adolph zukor (paramount pictures), william fox (fox film forporation), louis b. mayer (mgm - metro-goldwyn-mayer), harry, sam, albert, and jack warners (warner bros.), steven spielberg, mel brooks, marx brothers

operetta - jacques offenbach

comic books - stan lee

graphic novels - will eisner

teddy bears - morris and rose michtom

influential musicians - irving berlin, stephen sondheim, benny goodman, george gershwin, paul simon, itzhak perlman, leonard bernstein, bob dylan, leonard cohen

artists - mark rothko

actors - elizabeth taylor, jerry lewis, barbara streisand

comedians - lenny bruce, joan rivers, jerry seinfeld

authors - judy blume, tony kushner, allen ginsberg, walter mosley

culture:

esperanto - ludwik lazar zamenhof

feminism - betty friedan, gloria steinem, ruth bader ginsberg

queer and trans rights - larry kramer, harvey milk, leslie feinberg, abby stein, kate bornstein, frank kameny, judith butler

international women's day - clara zetkin

principles of journalizm, statue of liberty, and pulitzer prize - joseph pulitzer

"the new colossus" - emma lazarus

universal declaration of human rights - rene samuel cassin

holocaust remembrance and human rights activism - elie wiesel

workers rights - louis brandeis, rose schneiderman

public health care, women's rights, and children's rights - lillian wald

racial equity - rabbi abraham joshua heschel, julius rosenwald, andrew goodman, michael schwerner

political theory - hannah arendt

disability rights - judith heumann

black lives matter slogan and movement - alicia garza

#metoo movement - jodi kantor

institute of sexology - magnus hirschfeld

technology:

word processing computers - evelyn berezin

facebook - mark zuckerberg

console video game system - ralph henry baer

cell phones - amos edward joel jr., martin cooper

3d - leonard lipton

telephone - philipp reis

fax machines - arthur korn

microphone - emile berliner

gramophone - emile berliner

television - boris rosing

barcodes - norman joseph woodland and bernard silver

secret communication system, which is the foundation of the technology used for wifi - hedy lamarr

three laws of robotics - isaac asimov

cybernetics - norbert wiener

helicopters - emile berliner

BASIC (programming language) - john george kemeny

google - sergey mikhaylovich brin and larry page

VCR - jerome lemelson

fax machine - jerome lemelson

telegraph - samuel finley breese morse

morse code - samuel finley breese morse

bulletproof glass - edouard benedictus

electric motor and electroplating - boris semyonovich jacobi

nuclear powered submarine - hyman george rickover

the internet - paul baran

icq instant messenger - arik vardi, yair goldfinger,, sefi vigiser, amnon amir

color photography - leopold godowsky and leopold mannes

world's first computer - herman goldstine

modern computer architecture - john von neumann

bittorrent - bram cohen

voip internet telephony - alon cohen

data archiving - phil katz, eugene roshal, abraham lempel, jacob ziv

nemeth code - abraham nemeth

holography - dennis gabor

laser - theodor maiman

instant photo sharing online - philippe kahn

first automobile - siegfried samuel marcus

electrical maglev road - boris petrovich weinberg

drip irrigation - simcha blass

ballpoint pen and automatic gearbox - laszlo biro

photo booth - anatol marco josepho

medicine:

pacemakers and defibrillators - louise robinovitch

defibrillators - bernard lown

anti-plague and anti-cholera vaccines - vladimir aronovich khavkin

polio vaccine - jonas salk

test for diagnosis of syphilis - august paul von wasserman

test for typhoid fever - ferdinand widal

penicillin - ernst boris chain

pregnancy test - barnhard zondek

antiretroviral drug to treat aids and fight rejection in organ transplants - gertrude elion

discovery of hepatitis c virus - harvey alter

chemotherapy - paul ehrlich

discovery of prions - stanley prusiner

psychoanalysis - sigmund freud

rubber condoms - julius fromm

birth control pill - gregory goodwin pincus

asorbic acid (vitamin c) - tadeusz reichstein

blood groups and rh blood factor - karl landsteiner

acyclovir (treatment for infections caused by herpes virus) - gertrude elion

vitamins - caismir funk

technique for measuring blood insulin levils - rosalyn sussman yalow

antigen for hepatitus - baruch samuel blumberg

a bone fusion technique - gavriil abramovich ilizarov

homeopathy - christian friedrich samuel hahnemann

aspirin - arthur ernst eichengrun

science:

theory of relativity - albert einstein

theory of the electromagnetic field - james maxwell

quantum mechanics - max born, gustav ludwig hertz

quantum theory of gravity - matvei bronstein

microbiology - ferdinand julius cohn

neuropsychology - alexander romanovich luria

counters for x-rays and gamma rays - robert hofstadter

genetic engineering - paul berg

discovery of the antiproton - emilio gino segre

discovery of cosmic microwave background radiation - arno allan penzias

discovery of the accelerating expansion of the universe - adam riess and saul merlmutter

discovery that black hole formation is a robust prediction of the general theory of relativity - roger penrose

discovery of a supermassive compact object at the center of the milky way - andrea ghez

modern cosmology and the big bang theory - alexander alexandrovich friedmann

stainless steel - hans goldschmidt

gas powered vehicles

interferometer - albert abraham michelson

discovery of the source of energy production in stars - hans albrecht bethe

proved poincare conjecture - grigori yakovlevich perelman

biochemistry - otto fritz meyerhof

electron-positron collider - bruno touschek

[deforest]

SHE'S CRAZY WITH THE HEAT — 1946 ft. The International Sweethearts of Rhythm

In 1946, William D. Alexander began the production of a series of one-reel shorts, half-hour featurettes and feature films that would serve a dual purpose. These black cast subjects would be released to theaters that welcomed African American audiences; concurrently, the music segments would be excerpted from the films and released as Soundies. Ultimately, sixteen of Alexander’s musical shorts reached the Panoram screen, spotlighting the bands of Lucky Millinder, Billy Eckstine, Henri Woode and the International Sweethearts of Rhythm. (Alexander actually produced four films with the Sweethearts, three ten-minute short subjects and one feature, although some of the performances turns up in more than one film; only three performances saw release as a Soundie.) The International Sweethearts of Rhythm grew out of a band formed in the 1930s at the Piney Woods Country Life School, an institution – in part an orphanage – for poor African American children. A member of the music department had apparently taken note of the success of Ina Ray Hutton’s Melodears and decided that an all-woman band composed of school members might lead to something special. While they performed locally, the ISR did not begin to hit its stride until it left Piney Woods and became a professional touring outfit in 1941. The band was certainly “international” in nature, and its ranks included African American, Latina, Chinese, Indian, White and Puerto Rican musicians. In 1941, Anna Mae Winburn joined the orchestra as front woman and featured vocalist. During the war years Maurice King joined the band as both arranger and band manager. Born Clarence King in 1911, King played reeds and later became a fine swing arranger. While here we recognize his composition and arrangement for the Sweethearts – he called this tune “She’s Crazy with the Heat ” – King is best known for his longtime association with Barry Gordy and Motown Records for which he served as director of artist development. He worked closely with vocal groups, teaching the singers how to voice and phrase together. “Maurice brought sophistication and class to Motown,” said session musician Johnny Trudell. By 1946, the Sweethearts was recognized as one of the finest African-American bands in jazz. They recorded for Guild and RCA Records, broadcast regularly for the Armed Forces Radio Service, and toured Europe entertaining the GIs. While much of the success was due to Maurice King’s arrangements, the band’s musicians were all strong, and a special nod must go to Viola Burnside, one of the most neglected tenor soloists of the 1940s. I chatted with my friend Roz Cron, a member of the Sweetheart’s reed section, shortly before her passing. When I thanked her for her contribution, she paused and said, “Yeah, we were one of the best, one of the very, very best.” (via Jazz on Film)

[mostlysignssomeportents]

MIT libraries are thriving without Elsevier

I'm coming to BURNING MAN! On TUESDAY (Aug 27) at 1PM, I'm giving a talk called "DISENSHITTIFY OR DIE!" at PALENQUE NORTE (7&E). On WEDNESDAY (Aug 28) at NOON, I'm doing a "Talking Caterpillar" Q&A at LIMINAL LABS (830&C).

Once you learn about the "collective action problem," you start seeing it everywhere. Democrats – including elected officials – all wanted Biden to step down, but none of them wanted to be the first one to take a firm stand, so for months, his campaign limped on: a collective action problem.

Patent trolls use bullshit patents to shake down small businesses, demanding "license fees" that are high, but much lower than the cost of challenging the patent and getting it revoked. Collectively, it would be much cheaper for all the victims to band together and hire a fancy law firm to invalidate the patent, but individually, it makes sense for them all to pay. A collective action problem:

https://locusmag.com/2013/11/cory-doctorow-collective-action/

Musicians get royally screwed by Spotify. Collectively, it would make sense for all of them to boycott the platform, which would bring it to its knees and either make it pay more or put it out of business. Individually, any musician who pulls out of Spotify disappears from the horizon of most music fans, so they all hang in – a collective action problem:

https://pluralistic.net/2024/06/21/off-the-menu/#universally-loathed

Same goes for the businesses that get fucked out of 30% of their app revenues by Apple and Google's mobile business. Without all those apps, Apple and Google wouldn't have a business, but any single app that pulls out commits commercial suicide, so they all hang in there, paying a 30% vig:

https://pluralistic.net/2024/08/15/private-law/#thirty-percent-vig

That's also the case with Amazon sellers, who get rooked for 45-51 cents out of every dollar in platform junk fees, and whose prize for succeeding despite this is to have their product cloned by Amazon, which underprices them because it doesn't have to pay a 51% rake on every sale. Without third-party sellers there'd be no Amazon, but it's impossible to get millions of sellers to all pull out at once, so the Bezos crime family scoops up half of the ecommerce economy in bullshit fees:

https://pluralistic.net/2023/11/06/attention-rents/#consumer-welfare-queens

This is why one definition of "corruption" is a system with "concentrated gains and diffuse losses." The company that dumps toxic waste in your water supply reaps all the profits of externalizing its waste disposal costs. The people it poisons each bear a fraction of the cost of being poisoned. The environmental criminal has a fat warchest of ill-gotten gains to use to bribe officials and pay fancy lawyers to defend it in court. Its victims are each struggling with the health effects of the crimes, and even without that, they can't possibly match the polluter's resources. Eventually, the polluter spends enough money to convince the Supreme Court to overturn "Chevron deference" and makes it effectively impossible to win the right to clean water and air (or a planet that's not on fire):

https://www.cfr.org/expert-brief/us-supreme-courts-chevron-deference-ruling-will-disrupt-climate-policy

Any time you encounter a shitty, outrageous racket that's stable over long timescales, chances are you're looking at a collective action problem. Certainly, that's the underlying pathology that preserves the scholarly publishing scam, which is one of the most grotesque, wasteful, disgusting frauds in our modern world (and that's saying something, because the field is crowded with many contenders).

Here's how the scholarly publishing scam works: academics do original scholarly research, funded by a mix of private grants, public funding, funding from their universities and other institutions, and private funds. These academics write up their funding and send it to a scholarly journal, usually one that's owned by a small number of firms that formed a scholarly publishing cartel by buying all the smaller publishers in a string of anticompetitive acquisitions. Then, other scholars review the submission, for free. More unpaid scholars do the work of editing the paper. The paper's author is sent a non-negotiable contract that requires them to permanently assign their copyright to the journal, again, for free. Finally, the paper is published, and the institution that paid the researcher to do the original research has to pay again – sometimes tens of thousands of dollars per year! – for the journal in which it appears.

The academic publishing cartel insists that the millions it extracts from academic institutions and the billions it reaps in profit are all in service to serving as neutral, rigorous gatekeepers who ensure that only the best scholarship makes it into print. This is flatly untrue. The "editorial process" the academic publishers take credit for is virtually nonexistent: almost everything they publish is virtually unchanged from the final submission format. They're not even typesetting the paper:

https://link.springer.com/article/10.1007/s00799-018-0234-1

The vetting process for peer-review is a joke. Literally: an Australian academic managed to get his dog appointed to the editorial boards of seven journals:

https://www.atlasobscura.com/articles/olivia-doll-predatory-journals

Far from guarding scientific publishing from scams and nonsense, the major journal publishers have stood up entire divisions devoted to pay-to-publish junk science. Elsevier – the largest scholarly publisher – operated a business unit that offered to publish fake journals full of unreveiwed "advertorial" papers written by pharma companies, packaged to look like a real journal:

https://web.archive.org/web/20090504075453/http://blog.bioethics.net/2009/05/merck-makes-phony-peerreview-journal/

Naturally, academics and their institutions hate this system. Not only is it purely parasitic on their labor, it also serves as a massive brake on scholarly progress, by excluding independent researchers, academics at small institutions, and scholars living in the global south from accessing the work of their peers. The publishers enforce this exclusion without mercy or proportion. Take Diego Gomez, a Colombian Masters candidate who faced eight years in prison for accessing a single paywalled academic paper:

https://www.eff.org/deeplinks/2014/07/colombian-student-faces-prison-charges-sharing-academic-article-online

And of course, there's Aaron Swartz, the young activist and Harvard-affiliated computer scientist who was hounded to death after he accessed – but did not publish – papers from MIT's JSTOR library. Aaron had permission to access these papers, but JSTOR, MIT, and the prosecutors Stephen Heymann and Carmen Ortiz argued that because he used a small computer program to access the papers (rather than clicking on each link by hand) he had committed 13 felonies. They threatened him with more than 30 years in prison, and drew out the proceedings until Aaron was out of funds. Aaron hanged himself in 2013:

https://en.wikipedia.org/wiki/Aaron_Swartz

Academics know all this terrible stuff is going on, but they are trapped in a collective action problem. For an academic to advance in their field, they have to publish, and they have to get their work cited. Academics all try to publish in the big prestige journals – which also come with the highest price-tag for their institutions – because those are the journals other academics read, which means that getting published is top journal increases the likelihood that another academic will find and cite your work.

If academics could all agree to prioritize other journals for reading, then they could also prioritize other journals for submissions. If they could all prioritize other journals for submissions, they could all prioritize other journals for reading. Instead, they all hold one another hostage, through a wicked collective action problem that holds back science, starves their institutions of funding, and puts their colleagues at risk of imprisonment.

Despite this structural barrier, academics have fought tirelessly to escape the event horizon of scholarly publishing's monopoly black hole. They avidly supported "open access" publishers (most notably PLoS), and while these publishers carved out pockets for free-to-access, high quality work, the scholarly publishing cartel struck back with package deals that bundled their predatory "open access" journals in with their traditional journals. Academics had to pay twice for these journals: first, their institutions paid for the package that included them, then the scholars had to pay open access submission fees meant to cover the costs of editing, formatting, etc – all that stuff that basically doesn't exist.

Academics started putting "preprints" of their work on the web, and for a while, it looked like the big preprint archive sites could mount a credible challenge to the scholarly publishing cartel. So the cartel members bought the preprint sites, as when Elsevier bought out SSRN:

https://www.techdirt.com/2016/05/17/disappointing-elsevier-buys-open-access-academic-pre-publisher-ssrn/

Academics were elated in 2011, when Alexandra Elbakyan founded Sci-Hub, a shadow library that aims to make the entire corpus of scholarly work available without barrier, fear or favor:

https://sci-hub.ru/alexandra

Sci-Hub neutralized much of the collective action trap: once an article was available on Sci-Hub, it became much easier for other scholars to locate and cite, which reduced the case for paying for, or publishing in, the cartel's journals:

https://arxiv.org/pdf/2006.14979

The scholarly publishing cartel fought back viciously, suing Elbakyan and Sci-Hub for tens of millions of dollars. Elsevier targeted prepress sites like academia.edu with copyright threats, ordering them to remove scholarly papers that linked to Sci-Hub:

https://svpow.com/2013/12/06/elsevier-is-taking-down-papers-from-academia-edu/

This was extremely (if darkly) funny, because Elsevier's own publications are full of citations to Sci-Hub:

https://eve.gd/2019/08/03/elsevier-threatens-others-for-linking-to-sci-hub-but-does-it-itself/

Meanwhile, scholars kept the pressure up. Tens of thousands of scholars pledged to stop submitting their work to Elsevier:

http://thecostofknowledge.com/

Academics at the very tops of their fields publicly resigned from the editorial board of leading Elsevier journals, and published editorials calling the Elsevier model unethical:

https://www.theguardian.com/science/blog/2012/may/16/system-profit-access-research

And the New Scientist called the racket "indefensible," decrying the it as an industry that made restricting access to knowledge "more profitable than oil":

https://www.newscientist.com/article/mg24032052-900-time-to-break-academic-publishings-stranglehold-on-research/

But the real progress came when academics convinced their institutions, rather than one another, to do something about these predator publishers. First came funders, private and public, who announced that they would only fund open access work:

https://www.nature.com/articles/d41586-018-06178-7

Winning over major funders cleared the way for open access advocates worked both the supply-side and the buy-side. In 2019, the entire University of California system announced it would be cutting all of its Elsevier subscriptions:

https://www.science.org/content/article/university-california-boycotts-publishing-giant-elsevier-over-journal-costs-and-open

Emboldened by the UC system's principled action, MIT followed suit in 2020, announcing that it would no longer send $2m every year to Elsevier:

https://pluralistic.net/2020/06/12/digital-feudalism/#nerdfight

It's been four years since MIT's decision to boycott Elsevier, and things are going great. The open access consortium SPARC just published a stocktaking of MIT libraries without Elsevier:

https://sparcopen.org/our-work/big-deal-knowledge-base/unbundling-profiles/mit-libraries/

How are MIT's academics getting by without Elsevier in the stacks? Just fine. If someone at MIT needs access to an Elsevier paper, they can usually access it by asking the researchers to email it to them, or by downloading it from the researcher's site or a prepress archive. When that fails, there's interlibrary loan, whereby other libraries will send articles to MIT's libraries within a day or two. For more pressing needs, the library buys access to individual papers through an on-demand service.

This is how things were predicted to go. The libraries used their own circulation data and the webservice Unsub to figure out what they were likely to lose by dropping Elsevier – it wasn't much!

https://unsub.org/

The MIT story shows how to break a collective action problem – through collective action! Individual scholarly boycotts did little to hurt Elsevier. Large-scale organized boycotts raised awareness, but Elsevier trundled on. Sci-Hub scared the shit out of Elsevier and raised awareness even further, but Elsevier had untold millions to spend on a campaign of legal terror against Sci-Hub and Elbakyan. But all of that, combined with high-profile defections, made it impossible for the big institutions to ignore the issue, and the funders joined the fight. Once the funders were on-side, the academic institutions could be dragged into the fight, too.

Now, Elsevier – and the cartel – is in serious danger. Automated tools – like the Authors Alliance termination of transfer tool – lets academics get the copyright to their papers back from the big journals so they can make them open access:

https://pluralistic.net/2021/09/26/take-it-back/

Unimaginably vast indices of all scholarly publishing serve as important adjuncts to direct access shadow libraries like Sci-Hub:

https://pluralistic.net/2021/10/28/clintons-ghost/#cornucopia-concordance

Collective action problems are never easy to solve, but they're impossible to address through atomized, individual action. It's only when we act as a collective that we can defeat the corruption – the concentrated gains and diffuse losses – that allow greedy, unscrupulous corporations to steal from us, wreck our lives and even imprison us.

Community voting for SXSW is live! If you wanna hear RIDA QADRI and me talk about how GIG WORKERS can DISENSHITTIFY their jobs with INTEROPERABILITY, VOTE FOR THIS ONE!

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/08/16/the-public-sphere/#not-the-elsevier

[serpentface]

First Goose of Spring: What was it like living in Cynozepal?

"...I haven't actually seen much of it, but the kingslek had the most stunning view of the mountains. They rise higher than anything you've ever seen, I'm sure, all the way up to the clouds. And our serfs actually live up there! It must be awful, braving the heights and fending off those little qilik barbarians. But we are a very strong people, so they manage just fine.

But the kingslek was the very best place in Cynozepal. It had everything you could possibly want. There was a garden with a little herd of horses living in it, and a spring to bathe in, and musicians and singers, and plenty of good food and wine, and the finest cushions to sleep on, and a HUGE library that had every book in the civilized world, probably? And there were always tons of servants around to care for us. My handmaid, Gray Gull Comes Home Wealthy With Fish - may her next birth be prosperous - lived in the kingslek too. Because she used to be a concubine, I guess? And she was the best of all. I never learned to read like my older sisters did - may their next births be prosperous -, but she would read to me whenever I wanted so it was okay.

So obviously I never wanted to leave. But my sisters and I had to leave the kingslek sometimes. Like when our mothers and father had very, very important guests, or when there was an execution, or for the solstice songs. And this was always a dreadful bore. But Gray Gull Comes Home Wealthy With Fish would always bring my favorite books along, so it wasn't TOO bad. And she would always, ALWAYS carry me there on her back. Until I got too big, but we have litters for that.

And now, I am expected to walk everywhere. EVERYWHERE! Or fly like a serf, sun be swallowed. I hate it here."

---

Notes:

-Goose is the absolute worst source to to ask about life in Cynozepal. First and foremost, she's a young child and hasn't been on this earth all that long (she's cognitively equivalent to a human preteen, and is 5 years old). As the third youngest princess among 39 daughters, Goose spent the vast majority of her life both cloistered in the kingslek (which is a privilege) while experiencing little to no pressure to excel and being minimally educated (as she was exceptionally unlikely to be married into an important political role). She would leave this space only infrequently, and never once stepped foot outside of the palace grounds prior to her dynasty's fall.

...And she LOVED it. Now she’s out seeing the world firsthand, breathing the fresh air and feeling the ground beneath her feet, and it fucking suuuuuckkkkkssssss, man.

-The kingslek refers both to the collective women in a royal family (wives, concubines, daughters, all of whom will typically outnumber the men at LEAST 20:1) and the domestic space in which they live. This is a massive section of the palace (as it houses most of the members) complete with its own amenities, gardens, etc. It is functionally the center of power and politics within the palace (the culture itself is not outright matriarchal, but the institution of the kingslek effectively has more political power than the king, and tremendous sway on his actions).

-Honeythief is translating for her. He frequently manipulates his translations to make her sound a little more down to earth (but still regal and far, far more important than you) and less like an exceptionally ignorant, spoiled child, but his translation here is accurate.

-Crown Cynozepali language is (and a majority of caelin and delkhin languages are) predominantly tonal in nature, supplemented with rapid clicks and deep booming 'drum' beats (it is these aspects that are physically impossible for humans to accurately reproduce). To a human ear, these languages often sound like vaguely musical but discordant barrage of sounds. I'm attempting to represent this visually with dots and squiggles.

-'Little qilik barbarians' is not referring to qilik of the region as a whole. She is referring disparagingly to the Cu-Chukka, which are a people that traditionally inhabit the higher reaches of the Azure Mountains, and do not frequently interact with the Crown Cynozepali sphere outside of land conflicts with serfs (who build their homes at high altitudes and often encroach on Cu-Chukka territory). 'Barbarian' in this context is a racist and xenophobic insult that groups together all qilik, caelin, and delkhin peoples that do not speak Crown.

Honeythief is Chit-Sut-Susit (a nationality native to parts of eastern Cynozepal and the Ch'Chen plateau, most of whom exist within the Crown cultural sphere), and is not receiving a microaggression in this particular context.

-Crown Cynozepali personal names are descriptive phrases. Song and poetry is of central cultural import, and naming conventions are rooted in these poetic traditions, designed to be beautiful and evocative turns of phrase. This is often lost in translation, and the names take substantially longer to speak when translated into most human languages.

-There are taboos surrounding speech that evokes the recently dead (defined as within a solar year), that require additions of placating phrases that will dissuade the dead from attaching to the speaker and direct them towards a good rebirth. "May her next birth be prosperous" is one example. Goose's handmaid and most if not all of her sisters (among other relations) were killed in the coup.

-The 'solstice songs' refer to traditional 'boomsinging' performed at the summer and winter equinox to call down the Solar Dragon. (boomsinging is an artform utilizing the deep, thunderous vocalizations caelin and delkhin can produce- sounds like a combination of throat singing, drum beats, and a noise kind of like a sage grouse display but deeper. The sound can travel for miles)

-'Sun be swallowed' is a translation of a phrase used to (often hyperbolically) emphasize the horror and depravity of a situation. Kind of saying 'what's next? the end of the world?'.

-Kingslek members and royalty as a whole are transported from place to place in litters and carriages, but they aren't carried literally Everywhere (they do like, walk). Goose recalling constantly riding on the back of her handmaid is describing a time where she was a tiny 5 lb child (a phase in life where most caelin and delkhin children will ride on their mother's backs).