#Mozart Of Classical Indian Music

[angeledeggs]

hellooo, me again, what modern artists/songs do you think the m6/courtiers would like? •3•

OKAY OKAY I LOVE THIS

Asra💜:

Okay I kinda feel like Asra likes like Arabic rap and like some chill lofi.

He definitely listens to like lofi girl comps for sure but like also Wegz and Freek and stuff

Oh also I feel like he kind of likes lots of indie tiktok musicians for some reasons and has a pretty diverse music taste.

Except for country.

He hates country.

Julian🦠:

BLP Kosher DNDUEJEHS NO IM KIDDING

Okay okay but for real though I think he's kind of a jazz and klezmer genre type of guy (im NOT PROJECTING YALL I SWEAR)

Okay so I think some of the main music or artists he would listen to would be like Herbie Hancock, Bill Evans, probs the Jewish Starlight Orchestra (NOT PROJECTING I PROMISE), the Klezmatics, just lots of general jazz and klezmer

I feel like he has like, a personal thing against hip hop, though.

Muriel💙:

I don't really know for him 😰😰😰

NDHDSHDB IM SORRY

I just don't know what to do for him I'm sorry y'all 😭 if any of you have ideas in the comments let me go

Nadia💎:

I just feel like she's like a super big musical fan but like she's SO picky with her musicals

Like her favorite type of musical is Indian musicals but she does have her fair share of other fav musicals (Legally Blonde)

Her favorite musical is totally Ram Leela and no guys it's not because that my favorite musical

She always has an earbud in one ear wherever she goes so she has like a million wireless earbuds and also Spotify premium, apple music, and everything lol

Oh but I kind of feel like she kind of likes mitski idk why

Portia🧡:

Oh my god definitely a mitski stan and IC3PEAK just bcuz I said so JSHSJ

I feel like she also likes plenty of like indie artists

Her favorite genre is definitely indie or maybe Russian music specifically Russian pop since she likes to connect with her culture

She also likes listening to Russian pop just so that she can learn Russian a bit more easier I think

Lucio👑:

IDJDNDN I DINT KNOW FOR HIM EITHER YALL TELL ME IF YALL HAVE ANY IDEAS FOR LUCIO IN THE COMMENTS

Valerius🍷:

Oh my god he is such a total music snob

He is totally like oh you like POP?? How unreFINED of you!!

Is only like someone how listens to CLASSICAL and will like totally judge anyone else who dosent listen to classical

Listens to bach, mozart, all of the classic composers.

Vlastomil🐛:

I feel that Vlastomil is kind of like Valerius in the sense that he likes to listen to classical music but I don't really feel that he's a music type of guy.

He is a super old demon, after all.

Vlastomil is totally the type of guy to own a million records and whatever but NEVER listens to them at all and also won't let anyone touch them

Valdemar💉:

JDJDHDHS A KOVACS FAN

Total KOVACS FAN YALL

Okay I'll admit it I AM projecting right now but I KNOW that in my heart of hearts they would LOVE nandVIBE with Sharon's beautiful music I mean come on JDJSHSB

Just like LISTEN to Child of Sin and TELL ME they wouldn't have a little existential crisis at it like odjdndndbdJDJSJSJSJSHS that song is SO them!!

Volta🍰:

Okay okay hear me out a blue kid fan and a mitski fan

Like you kind of wouldn't expect it with the way she acts but she loves both of them

I also feel like she doesn't HATE country but,, she doesn't LOVE it either? She's kind of in the middle.

But she just HATES Jazz and classical it's not the thing at ALL.

Vulgora⚔️:

Oh my god I just know that they deny listening to music because they don't want to seem weak 😭😭😭

BUT THEY TOTALLY LISTEN TO POST MALONE

I just feel like they do even though it's not like them it all

I kind of also feel like they'd listen to a five hour compilation of workout music when they sleep to help them relax idk why 😭

❀

[doctorwhoisadhd]

i dobnt know anything about doctor who or musical theory other than how to literally play an instrument but i am LIVING for ur commentary abt the devils chord. if you have time cld you plz explain more about historically inaccurate musical instruments and intervals ?

i mean idk how much i could really cover because my area of knowledge is really mostly the flute but ill give it a shot

the idea that the tritone was banned is a myth, really what happened is the tritone is 1) a difficult interval to sing if you havent heard it enough to audiate it (which medieval people would not have) because its a fairly wide interval and its not commonly used, because 2) medieval composers didnt use dissonances

a key aspect of music theory that people tend to forget is that it describes the general IDEA of what was happening in a specific type of music in a specific time period. like there arent rules until AFTER the fact, mozart wasnt looking at a big list and going okay so i have to make sure there arent parallel fifths and i can only resolve sevenths down etc etc etc, he was just writing what sounded right to him

there is an exception to that and its stuff like. Shostakovich. russian composers in that era werent allowed to write stuff that was too complex or dissonant or "sexual" because of the people in power. also a lot of composers worked off of commissions and stuff, so you write what people will pay you to write

but yeah like when i talk about music theory im talking about western music theory, which is western music. thai music has its own set of characteristics, as does indian music, as does hawaiian music, as does iranian music, as does cameroonian music etc etc etc etc etc.

(theres also a distinction to be made between different styles within a single overarching culture or genre. for example theres classical vs vernacular, which basically that makes the distinction between "high class" and "low class" music. vernacular is the popular everyday stuff such as pop or folk music. But then theres also different styles in each, so taking jazz as an example theres swing, bebop, hard bop, cool jazz, free jazz, 3rd stream, fusion, etc etc etc etc etc etc.)

in terms of the area of knowledge that i am the most acquainted with, well suffice it to say that the western concert c flute has pretty much been the same since 1847 when theobald boehm patented his modern system of keywork (the mechanism for how the keys. well. work). there have only been very negligible changes since then, and even before then as early as the 1820s at least there are similar instruments.

so really youd have to go back quite a ways for me to see a regular modern concert c flute and be like 🤨🤨🤨 Thats Not Historically Accurate. itd have to be late 1700s and earlier for my alarm bells to go off. alternatively, say anything about a concert C piccolo in JP Sousa's military band and i might have to call you on that as well but, you know, thats a little bit more niche

[tilbageidanmark]

Movies I watched this week (#169):

3 by forgotten [re-discovered?] Turkish director, Metin Erksan:

🍿  Dry Summer, a mesmerizing 1964 Turkish masterpiece I never heard of before. It tells of a greedy peasant who refuses to share the water on his field with his neighbors, as well as his scheme to steal his younger brother's new bride. (Photo Above). A rustic tragedy featuring one of the most insidious screen villains ever. Highly recommended. 9/10.

It was championed and restored by Martin Scorsese's 'World Cinema Project'. (I'm going to start chewing through their list of preserved classics from around the world.)

🍿 Time to love (1965) is a fetishistic, probably-symbolic, melodrama about a poor house painter who falls in love with a wall portrait of a woman, but who can't or won't love the real person. Lots of brooding while heavy rains keep pouring down, and traditional oud music drones on. Strikingly beautiful black and white cinematography elevates this strange soap opera into something that Antonioni could have shot.

🍿 "May Allah's mercy be upon her! May Allah's mercy be upon her! May Allah's mercy be upon her!"

In 1974 Erksan directed the cheesy Seytan ("Satan"), a plagiarized, unauthorized Turkish rip-off of 'The Exorcist'. It was a schlocky, nearly a shot-by-shot copy, and included the blood spurting, head spinning, cursing, stairs, a young actress that looked strikingly like Linda Blair, and even extensive use of Mike Oldfield's 'Tubular Bells'. But it eliminated the Catholic element and had none of the superb decisions of the William Friedkin's version. 1/10.

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Agnès Varda's deceivingly blissful drama, Le Bonheur. Exquisite, subversive and beautifully simple, about an uncomplicated man who's completely happy with his idyllic life, his loving wife and two little children. But one summer day he takes on an attractive mistress, while still feeling uncommonly fulfilled and undisturbed. Varda lets the Mozart woodwind score do all the heavy interpretive lifting of this disturbing feminist take of the bourgeoisie. Just WOW! 8/10.

At this point, I should just complete my explorations of Varda's oeuvre, and see the rest of her movies. Also, I'm going to take a deep dive one day into the many terrific movies from 1965 (besides the many I've already seen, 'Red Beard', 'Simon of the desert', 'Repulsion', 'The spy who came in from the cold', 'Juliet of the spirit', 'Pierrot the fool'...).

/ Female Director

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2 by amazing Bulgarian director Milko Lazarov:

🍿 Ága, my first Bulgarian film, but it plays somewhere in Yakutsk, south of the Russian arctic circle. An isolated old Inuit couple lives alone in a yurt on the tundra. Slow and spiritual, their lives unfold in the most unobtrusive way, it feels like a documentary. But the simplicity is deceiving, this is film-making of the highest grade, and once Mahler 5th was introduced on a small transistor radio, it's transcendental. The emptiness touched me deeply.

Together with 93 other movies, this was submitted by Bulgaria to the 2019 Oscars (the one won by 'Parasite'). How little we know; If selected, we might have all be talking about it. Absolutely phenomenal! The trailer represents the movie well. 10/10

(It also reminded me very much of the Bolivian drama 'Utama' from 2022, another moving story of an elderly Indian couple living alone in the desert, tending to their small flock of llamas.)

🍿 Milko Lazarov made only one earlier film, the minimalist Alienation in 2013. It tells of Yorgos, a middle age Greek man, (impassively played by the father from 'Dogtooth'), who crosses the border to Bulgaria to buy a newborn baby. But it's not as bad as it sounds, because he's actually helping the impoverished surrogate mother (who looks like young Tilda Swinton) who can't effort to keep him. Another stark and snail-like drama about quiet people who barely speak, told with the masterful language of a true poet. Like 'Ága', it too opens with a stunning close up of a lengthy incantation in an unfamiliar language. I wish he made more movies. 8/10.

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2 more arctic dramas:

🍿 The original movie about indigenous Inuks, Nanook of the North, from 1922, was the first feature-length documentary to achieve commercial success. An engaging slice of life of an Inuit family, even if some of the scenes were staged. 💯 score on Rotten Tomatoes.

🍿 "Many of the scientists involved with climate change agree: The end of human life on this planet is assured."

Another fascinating Werner Herzog documentary, Encounters at the end of the world. About the "professional dreamers" who live and work at McMurdo Station in Antarctica; divers who venture to explore life under the the ice, volcanologists who burrow into ice caves, etc. Herzog's 'secret sauce' is finding the most outrageous, interesting spots on earth, and then just going there and letting his camera do his bidding.

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2 fantastic shorts by Hungarian animator Réka Bucsi:

🍿 Her 2014 Symphony No. 42 consists of 47 short & whimsical vignettes, without any rhyme or rhythm; A farmer fills a cow with milk until it overflows, a zoo elephant draws a "Help me" sign, a UFO sucks all the fish from the ocean, wolves party hard to 'La Bamba', an angry man throws a pie at a penguin, two cowboys holding blue balloons watch a tumbleweed rolls by, a big naked woman cuddle with a seal, etc. Earlier than Don Hertzfeldt's 'World of tomorrow' and my favorite Rúnar Rúnarsson's 'Echo', it's a perfect piece of surrealist chaos. 10/10

My happiest, unexpected surprise of the week!

/ Female Director

🍿 Love (2016), a lovely meditation on nature, poetry and cats in the cosmos. 8/10.

/ Female Director

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Françoise Dorléac X 2:

🍿 Her name was Françoise ("Elle s’appelait Françoise") is a fluff bio-piece about the utterly gorgeous model-actress, who died at a fiery car-crush at 25, and who left a legacy of only a few important films. It includes previously-unseen, enchanting clips and photos from her short life. But then is cuts into her and sister Catherine Deneuve practicing their "Pair of Twins" song-and-dance from 'The Young Girls of Rochefort', the most charming musical in the world, and life is sunny again.

/ Female Director

🍿 That man from Rio, her breakthrough film, was a stupid James Bond spoof, inspired by 'The adventures of Tintin'. Unfortunately, it focused on protagonist Jean-Paul Belmondo, and used Dorléac only as eye-candy. It's the first film I've seen from Brasília, just a few years after it was constructed. 2/10.

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Paintings and Film X 3:

🍿 'Painting Nerds' is a YouTube channel by 2 Scottish artists, putting up intelligent video essays about the art of painting. Paintings In Movies: From '2001: A Space Odyssey' to 'Portrait of a Lady on Fire' is an insightful meditation which explores the relationship between the two art forms. Among the many examples it touches on are the canvases in Hitchcock's 'Rebecca' and 'Vertigo', 'The French Dispatch', 'Laura' and 'I'm thinking of ending things'. They even made a Wellesian trailer for that essay, When Citizen Kane met Bambi : The Lost Paintings of Tyrus Wong!

🍿 So I decided to see some of the movies mentioned above, f. ex. Hitchcock's The Trouble with Harry from 1955. Famous for being Shirley MacLaine's film debut, his first collaboration with Bernard Herrmann, and this being his only "real" comedy. However, the only engaging element among the idiotic machinations on screen were the stunning VistaVision landscapes, painted in true Vermont autumn colors.

🍿 All the Vermeers in New York is my [5th film about Vermeer, and] my first film by prolific indie director Jon Jost. The Scottish essay above interpretated it as a "Charming mirroring of art and life, but also a deeply sad film... The gallery scene shows the transmission of feeling from painting to person, and ultimately, the vast amount of space between them. It plays out the entire drama of the film in microcosm.." But that Met Gallery scene was the only outstanding one in an otherwise disjointed experiment about the NYC art world. The abrasive stockbroker who falls for a French actress at the museum and mistakes her for a woman from the painting was mediocre and irritating. 3/10.

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First watch: Jim Jarmusch's Ghost Dog: The Way of the Samurai, an homage to Melville's Le Samouraï. An RZA mood piece about a ritualistically-chill black assassin / Zen Sensei, who communicates only with carrier pigeons, and who drives alone at night in desolate streets on mafia missions. 'Live by the Code, die by the Code'.

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Alice Doesn't Live Here Anymore, Scorsese's only melodrama with a female protagonist (? - haven't seen 'Boxcar Bertha' yet). It opens in a tinted Wizard of Oz scenery, and tells of an ordinary single mom who dreams of becoming a singer. Hardly a feminist story, as she navigates between one unloving husband, an abusive lover and eventually bearded Kris Kristofferson, who ends up beating her son and promises not to do it again. 3/10.

[I finally watched it because of this clip of 15-year-old Jody Foster singing Je t'attends depuis la nuit de temps on French television].

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The new well-made HBO documentary The Truth vs Alex Jones. About the collective mental sickness that is Amerika. It's hard to imagine how insane are the crazies over there. 💯 score on Rotten Tomatoes.

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3 more shorts:

🍿 The Most Beautiful Shots In Movie History, a little mash-up clippy from The "Solomon Society" with an evocative Perfect day cover.

🍿 Joana, a beautiful tribute of a Spanish father to his little daughter. Reminds me of better times and another daughter.

🍿 From hand to mouse, a mediocre 1944 'Looney Tune' short from Chuck Jones, with the same dynamics that the Coyote & Road Runner did much better.

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Ramy Youssef X 3:

🍿 I discovered first-generation Egyptian-American stand-up comedian Ramy Youssef. In his funny 2019 special, Feelings, he comes across as a sweet dude, a sensitive, observant Muslim, on a complicated spiritual quest in New Jersey. Recommended!

🍿 Ramy was his A24 TV-series that expanded on the themes. It had more of a sitcom vibes, reminiscent of 'Master of None', another one that dealt with an unexplored ethnicity, previously marginalized. I only watched the first season, and liked how unapologetic he was in having large part of the dialogue in other languages, Arabic, French, Etc. Episode 7, "Ne Me Quitte Pas", starring his screen-mom Hiam Abbass was a terrific stand-out.

🍿 “Where were you when the floods happened in Pakistan?”

More feelings, his brand new stand up which just dropped is dark and gentle. It opens with some dark truths from his friend Steve who wants to die, and moves right into the situation in Palestine.

(Later: He hosted Saturday Night Live this weekend.)

🍿  

(My complete movie list is here)

[autism-disco]

(innocent completely question)

what are your opinions on classical music? For example, Mozart 😁?

ok so sadly i haven’t actually listened to that much mozart specifically or at least not consciously? his music is pretty good but sometimes the fact that he’s a child prodigy makes me feel rather insecure as is the case for all those fuckin five year olds playing concertos like what the hell man

to clarify before i get fully into this rant, i’m specifically talking about western classical music because i don’t think i know enough to talk about other areas of the world’s classical music, as incredible as it is. i love me an erhu, and i’ve studied indian classical music at school and it’s great, i just haven’t gotten round to listening to much of it in my own free time.

i think it’s quite hard to pin down my feelings on classical music specifically because i’m not all that good at differentiating between classical and romantic yknow? baroque is more obvious at least in terms of concertos (admittedly that’s the only type i’ve studied) because of the harpsichord but i really need to listen to more baroque stuff. and like any music genre, classical music is very broad but is always kind of condensed into just “classical” which i feel like doesn’t really do it justice? so take like idk, claire de lune by debussy (i know that one’s a romantic one shut up shut up) (romantic the type period for clarification) is a beautiful piece of music which is well renowned for that. it’s incredible, it’s heart wrenching and it’s just lovely. then on the contrary you have pieces like the miraculous mandarin by bartók which are somewhat unsettling in places but still magnificently composed. in any other scenario i don’t see how these pieces could be classed as the same genre but they still are.

it’s also difficult to define classical music because is it the style or is it the time period? people still write classical-style music in the modern day- take more modern composers like shostakovich, he’s an arguably classical composer who died in 1975! similar goes for bartók actually. and karl jenkins- benedictus from the armed man mass for peace is literally all you hear on classic fm!! but he’s still kickin!! also my guy john rutter

speaking of time periods, i think that it’s interesting that in a majority of kinda western music studies we just begin with like classical or baroque. at least at a more simple level, we don’t really look into renaissance music as much as i personally would like to. me and my brother have an ongoing joke about greensleeves which is such a famous piece of music but by time period definitions would not be classical. i think it’s also interesting to point out folk music here- some folk songs have existed for so long and are still played by folk bands to this day! i mean obviously the issue with music predating the baroque/classical era is that it wasn’t written down quite as much as far as i’m aware- especially for folk music, it’s very much an oral tradition.

another qualm i have with classical music is that it can be quite inaccessible to get into. if you’re not in a choir or don’t play in an orchestra it can be challenging to actually find classical music because there’s just so much of it! of course the radio can help with this- things like BBC radio 3 and classic fm can be a little repetitive in what they play but it’s good stuff. however, they both have much more chilled out classical music, which of course is fine, but if you’re wanting to explore beyond that which i think is where the appeal might lie for the average person, you can struggle a little. streaming services do provide good access to classical music, but honestly in my opinion it can be quite stressful and overwhelming to actually manage partly because half the names of pieces are just “opus 12 in d major” or something similar. i mean this of course stems from the fact that classical music wasn’t designed for streaming services obviously, and i’m not suggesting we like rename pieces or something like that i think that would be a bit silly. obviously another way to get into classical music is to go and watch concerts, but they’re not exactly affordable for many people which sucks. i want everyone to experience zadok live at least once in their lives (yes it’s for the coronation no i don’t like the monarchy however i do not care it’s incredible i actually sang zadok with like a whole accumulation of choirs and it actually changed me as a person!!) but it’s just unrealistic for so many people because of the prices.

to a very simplified extent, you can divide classical music into the different time periods (although see the issues above), and into if it’s orchestral or choral. of course many choral pieces are accompanied by an orchestra, but it’s at least some semblance of a dividing line.

although i do play an orchestral instrument in an orchestra (baritone the brass one), i haven’t actually performed that many classical orchestral pieces myself, save for like mozart’s “the magic flute” and such. choral music on the other hand. oh boy.

the first piece of classical music i remember doing would be fauré requiem i believe? it was either fauré or rutter i don’t fully remember. fauré requiem is very good, but at the time i didn’t really appreciate it because i was like 7 or 8 and i wanted to keep doing things like sheep sheep sheep or the amazon maurice and his educated rhodents play (it was incredible). listening back though i see why it’s so well renowned.

in case you didn’t know, a requiem is a mass for the dead, with the main phrase of any requiem “requiem eternam” translating to ���grant them rest eternal” if i remember correctly. i think this is captured incredibly in mozart’s requiem, which is the most recent requiem that i’ve sang. the opening captures the mood very clearly, and we go on to get incredible pieces like rex tremendae and dies irae. and then of course, there’s the rightfully famous lacrimosa, which i urgently need to sing as a cathedral choir at some point.

a potentially(??) less well known classical piece that i’ve performed is stainer’s crucifixion. now i’m not a religious man. but the chorus from the throne of his cross is one of the most exciting pieces i’d sang at the time, especially early on and the “they shouted against me bit”. it’s like jd from heathers meant to be yours vibes and it’s jesus on the cross. the rest of it is pretty nice as well, a couple of the bits weren’t as engaging but also a lot of was soloists (who were very good by the way)

i’m slightly afraid this’ll be an unpopular opinion but i did hadyn’s creation a year or so ago now and honestly? i wasn’t a huge fan. the bits that weren’t the choruses just kind of dragged on a bit in places, i mean it is the entirety of genesis but yeah. the best bit was absolutely the despairing cursing rage attends their rapid fall/a new created world springs up at god’s command combo. although that top a(?) nearly killed me i’m so glad i don’t have to actually sing soprano anymore and can just do it occasionally for the silly. but yeah, i feel like i was disappointed from the beginning when the orchestral “chaos” was like the most orderly chaos properly. i wanted more dissonance to fill the cathedral, man!

i’ve done a couple of pieces from handel’s messiah, well specifically three, and they were pretty fun i guess? they were probably some of the most challenging pieces i’ve done in a while, the tenor line on hallelujah is so unnecessarily weird and difficult?? handel just hated tenors i think (based)

the most recent one that i’ve done if i recall correctly is one i mentioned earlier: karl jenkins’ armed man- a mass for peace. this is one of the ones i again didn’t perform all of- we did kyrie, sanctus, benedictus, and agnus dei. i really enjoyed them all honestly! the contrast between them really portrays the ideas of war and peace very well. we didn’t do the ending random english one, which i think is for the best because ending on the word peace (parcem) is a rather beautiful sentiment.

there are, of course, a lot of other pieces i enjoy that i haven’t performed, both choral and orchestral and piano which i realise now should sort of have its own category. i can’t name them all, the one that instantly comes to mind is liebesleid but that’s just thanks to your lie in april (which honestly was a pretty good way to discover some new pieces!). i’m working on compiling a playlist of them completely, so if anyone is interested in that i can keep you posted.

i probably have more to say but it’s nearly been an hour and i really should sleep. if you’ve gotten this far thank you for reading all of that or scrolling to the bottom of this post!

tldr; i enjoy classical music and mozart is pretty neat

[anjelalala]

About me: Im Anj, mid20s

Hi everyone, newbie here on tumblr! Here are the things I love:

ballet - I follow mainly Vaganova, Mariinsky, Bolshoi, BBA, Royal Ballet, and ABT.

figure skating- russian 3A, Yuzuru, Queen Yuna!

rhythmic gymnastics.

classical music- Tchaikovsky, Chopin, Mozart, Beethoven, Prokofiev, Raichmaninoff., etc.

food- pasta, pastries, dessert, international cuisine, mainly korean, italian, mexican, indian, japanese food.

books! - Harry Potter, Jane Austen, Bronte sisters, Percy Jackson, Hunger Games, etc.

movies and TV: house of the dragon, K-drama, Pride and Prejudice, Marvel, DCEU, Star wars

Music: Taylor Swift - an OG swiftie since 2008.

[webradiobroadcast]

Exploring the Vibrant World of Web Radio Genres

Web radio has revolutionized the way we listen to music, providing access to an extensive range of genres from all corners of the globe. With a simple click, you can immerse yourself in the diverse sounds of various musical styles, uncovering hidden gems and expanding your musical horizons. In this article, we will embark on a journey through different web radio genres, exploring the unique characteristics, histories, and notable artists of each. Whether you're a seasoned music enthusiast or a curious listener, get ready to discover the rich tapestry of musical genres available at your fingertips.

1. Jazz:

Jazz, born in the late 19th and early 20th centuries, is a genre renowned for its improvisation, syncopation, and expressive melodies. From the smooth elegance of Louis Armstrong's trumpet to the complex harmonies of Miles Davis, jazz offers a spectrum of subgenres such as bebop, cool jazz, and fusion. Tune into web radio stations dedicated to jazz, and you'll be treated to an array of classics and contemporary pieces that embody the soulful spirit of this genre.

2. Classical:

Classical music, with its rich history spanning centuries, showcases the works of legendary composers like Bach, Mozart, and Beethoven. Experience the grandeur of orchestral masterpieces, the intricate beauty of chamber music, and the emotional depth of opera. Web radio stations specializing in classical music provide a gateway to explore the vast repertoire of this genre, offering everything from Baroque to Romantic to contemporary compositions.

3. Electronic:

The electronic music genre has taken the world by storm, with its pulsating beats, infectious rhythms, and innovative soundscapes. From the origins of Kraftwerk to the modern-day DJs and producers pushing boundaries, electronic music encompasses subgenres like techno, house, trance, and dubstep. Web radio stations dedicated to electronic music expose you to cutting-edge tracks, live DJ sets, and a vibrant global community of electronic music lovers.

4. Rock:

Rock music has been a driving force in popular culture since the 1950s. From the rebellious energy of Chuck Berry and Elvis Presley to the poetic lyrics of Bob Dylan and the electric sounds of Led Zeppelin and Queen, rock has continuously evolved. Tune into web radio stations that specialize in rock music, and you'll encounter a vast spectrum of subgenres like classic rock, alternative rock, punk, and heavy metal, each with its own distinct sound and fan base.

5. World Music:

World music transports us to distant lands, embracing the rich musical traditions of diverse cultures. Whether it's the infectious rhythms of African drums, the mesmerizing melodies of Indian classical music, or the soulful sounds of Latin American salsa, web radio stations dedicated to world music allow us to appreciate the global tapestry of musical expressions. Explore the diverse genres within world music and discover the beauty of cultural fusion and exploration.

6. Hip-Hop:

Hip-hop emerged in the 1970s as an expressive and socially conscious genre. From its roots in the Bronx, New York, hip-hop has grown into a global phenomenon, featuring artists like Grandmaster Flash, Tupac Shakur, Jay-Z, and Kendrick Lamar. Web radio stations specializing in hip-hop offer a platform to discover rap battles, intricate wordplay, and the cultural impact of this influential genre.

7. Blues:

The soulful and emotive sounds of the blues have captivated audiences for generations. Originating in African-American communities, blues music has influenced countless genres, from rock 'n' roll to jazz. Dive into web radio stations dedicated to the blues, and you'll be transported to the Mississippi Delta, experiencing the raw power of legendary artists like B.B. King, Muddy Waters, and Etta James.

Conclusion:

Web radio has opened up a world of musical exploration, allowing us to delve into an extraordinary range of genres at any time and from anywhere. Whether you're a fan of jazz, classical, electronic, rock, world music, hip-hop, blues, or any other genre, the vast landscape of web radio offers endless possibilities to satisfy your musical cravings. Embrace the diversity of these genres, discover new artists, and let the magic of web radio introduce you to captivating sounds that will enrich your musical journey.

Source: https://webradiobroadcast.blogspot.com/2023/05/exploring-vibrant-world-of-web-radio.html

[plantregressorsweekly]

Week 2: Plant Regression & Music

Hello! I hope you are having a great weekend. Today I am posting again to talk more about plant regression and all about it. My post didn't seem to reach anyone but I'm hoping this second one will draw more attention to my page, so if you are seeing this for the first time, hello! ^_^

This week I wanna talk about how plant regression can be enhanced with music in some cases. In last week's post, which was a guide on how to plant regress, I mentioned that eliminating all distractions is the best way to regress. However, music can be extremely beneficial, especially for beginners, when first moving into a state of regression.

As a youngster, I remember reading in a book that sunflowers supposedly grew faster if you played the classic Neapolitan song "O Sole Mio" and being a massive fan of music, I was intrigued, and wanted to test how music had an effect on plants for my science fair project. I did an experiment where three plants would grow to different music, one to hard rock, one to soft rock, and one to orchestral music. And sure enough, music did have an effect on plant growth! Classical music had a far better effect than the other two, stimulating much greater plant growth, and all three plants had improved growth compared to the control plant.

Success! Unfortunately I was not the first person to make such a fascinating discovery, since when I was older I found studies dating all the way back to the sixties proved that plants do grow better with music, even growing towards the speakers and entangling their vines around them.

So what kind of music/sound waves helps plants grow?

Plants don't have ears, but they do "feel" music through the sound waves vibrating their bodies. I found research that shows plants are best growers when exposed to classical music, and not just Mozart or Tchaikovsky, but also Indian ragas, Chinese classical, and some kinds of chants can all have an effect. These are all best played in the morning to plants to simulate morning birds chirping. Some forms of jazz also helps with growth. Strangely, heavy metal actually increased the density of plants and bettered the taste of their fruits.

So what kind of music/sound waves HURT plants?

Too much bass and too long of musical exposure can kill plants, and also it is said that music with negative emotions can impact the plant's growth (I have yet to see proof of that last bit)

So what does this mean for plant regressors?

Music is an inalienable part of the human experience and like plants, music has a positive effect on us in the correct circumstances. Plant regressors may find that the music that benefits plants also benefits themselves during plant regression... But try to avoid heavy metal lol. Pick music that calms you, or makes you happy, but not excited. Music should make you content when regressing and help you focus on your inner being and introspect upon your emotions. Pick things with lots of string instruments, as plants prefer them, and just soft notes in general.

Personally in my regression routine I listen to some of the classic music of my Baltic heritage. Choral music in those languages resonate deep within me, and also many of the Baltic composers stimulate introspection, particularly the works of Mikalojus Konstantinas Čiurlionis and Juozas Gruodis, they make me feel a deep connection to my heritage which makes me feel grounded.

Music doesn't have to mean heritage for you, though, it can mean whatever you'd like it to mean. Maybe it reminds you of someone you love, a place that makes you feel at peace, reminds you of nature or fond memories. As long as it makes you feel at peace, it will help you better move into plant regression. Let me know what kinds of music you plan on using and tell me how it goes, i'd love to hear from you!

Now reaches the end of my weekly blog for this Sunday. I blog every week on this day so if you liked this one, check back again for the next one! I love you all and have refreshing week!

[my-music-1460]

AR Rahman’s Influence on World Music: Breaking Cultural Boundaries

AR Rahman, often hailed as the “Mozart of Madras,” is a name that has become synonymous with innovation and excellence in music. From his humble beginnings in Chennai to becoming one of the most celebrated composers globally, AR Rahman’s journey is nothing short of extraordinary. His music transcends linguistic and cultural boundaries, touching millions of hearts across the globe. With groundbreaking albums like Roja and an Oscar-winning score for Slumdog Millionaire, Rahman has redefined how Indian music is perceived on the world stage. In this article, we explore AR Rahman’s evolution as a musical genius, his contributions to Indian and international cinema, and how his work has left an indelible mark on the global music industry.

Humble Beginnings and Early Life

Born as A. S. Dileep Kumar on January 6, 1967, in Chennai, AR Rahman’s life was steeped in music from a young age. His father, R. K. Shekhar, was a music composer for Tamil films, but Rahman lost him at a tender age of nine. The tragedy forced Rahman to take on responsibilities early, including playing the keyboard professionally to support his family. His early exposure to music, coupled with his exceptional talent, paved the way for his future success.

Transition to AR Rahman

In the late 1980s, Rahman converted to Islam along with his family and adopted the name Allah Rakha Rahman, or AR Rahman. This spiritual transformation also marked a pivotal moment in his career. His devout faith and focus brought a unique depth and spirituality to his music, which has since been a hallmark of his compositions.

The Breakthrough with Roja

Rahman’s big break came in 1992 when he composed the soundtrack for Roja, directed by Mani Ratnam. The album was an instant hit and catapulted Rahman to national fame. Roja’s music blended Indian classical tunes with Western instrumentation, a style that would become Rahman’s signature. Songs like “Chinna Chinna Aasai” and “Kadhal Rojave” showcased his ability to create melodies that were fresh, soulful, and timeless. The album also earned him his first National Film Award, marking the beginning of a stellar career.

Dominating Indian Cinema

After Roja, AR Rahman continued his partnership with Mani Ratnam, delivering hits like Bombay, Dil Se, and Guru. His music became an integral part of storytelling, enhancing the emotional depth of films. Rahman’s versatility allowed him to compose for a variety of genres, from the patriotic fervor of Vande Mataram to the energetic beats of Rangeela. His ability to seamlessly blend traditional Indian music with global sounds made him a favorite among filmmakers across the country.

Hollywood and Global Recognition

In the mid-2000s, Rahman’s talent caught the attention of international filmmakers. His work on the soundtrack of Slumdog Millionaire (2008) earned him two Academy Awards for Best Original Score and Best Original Song for “Jai Ho.” The song became a global phenomenon, symbolizing Rahman’s ability to craft music that resonates with audiences worldwide. Beyond Hollywood, Rahman collaborated with international artists such as Mick Jagger, will.i.am, and Andrew Lloyd Webber. Albums like SuperHeavy and stage productions like Bombay Dreams showcased his ability to transcend cultural boundaries.

Technological Innovation in Music

AR Rahman is not just a composer but also an innovator. His state-of-the-art recording studio, Panchathan Record Inn, set a new benchmark for sound quality in Indian cinema. Rahman’s early adoption of digital technology allowed him to experiment with sounds and create compositions that were ahead of their time. His use of synthesizers, drum machines, and sound mixing techniques revolutionized the Indian music industry.

Awards and Accolades

With six National Film Awards, two Academy Awards, two Grammy Awards, a BAFTA, a Golden Globe, and numerous Filmfare Awards, Rahman’s trophy cabinet is a testament to his unparalleled contribution to music. His achievements have not only made him a national icon but also a global ambassador for Indian music.

Rahman’s Influence on Modern Composers

AR Rahman’s impact extends beyond his compositions. He has mentored several young composers and singers, inspiring a new generation of musicians. Artists like Anirudh Ravichander and Shashaa Tirupati often cite Rahman as a major influence. His ability to constantly reinvent himself serves as a lesson in adaptability and innovation.

Conclusion

AR Rahman’s journey from a struggling musician in Chennai to a global sensation is a story of perseverance, talent, and an unrelenting passion for music. His contributions to Indian and international cinema have redefined the role of music in storytelling, making him a true pioneer. With his deep spirituality, innovative techniques, and ability to bridge cultures through melodies, AR Rahman continues to inspire millions.

As we celebrate AR Rahman’s legacy, we are reminded of the power of music to connect hearts and transcend boundaries. His story is proof that with dedication and creativity, it’s possible to achieve the extraordinary.

[freenewsreport]

The Musical Genius of AR Rahman: A Journey Through His Iconic Compositions

Introduction

AR Rahman, often referred to as the "Mozart of Madras," is a name that resonates with music lovers around the globe. From his early beginnings in India to his rise as an internationally acclaimed composer, AR Rahman has left an indelible mark on the music industry. His unique blend of Indian classical music, world music influences, and modern electronic sounds has created a sound that is unmistakably his own. Over the years, AR Rahman’s compositions have not only defined the soundtracks of countless Bollywood blockbusters but have also earned him accolades, including two Academy Awards, multiple Grammy Awards, and the hearts of millions. This blog explores the genius of AR Rahman and takes a journey through some of his most iconic compositions, revealing how his music continues to inspire and captivate audiences.

The Early Years: A Rising Star

Born in Chennai, India, in 1967, AR Rahman’s early life was steeped in music. His father, RK Shekhar, was a composer and conductor for All India Radio, which provided Rahman with an early exposure to the world of sound. Tragically, his father passed away when Rahman was just nine years old, and it was during this challenging time that he first encountered the transformative power of music.

Despite his early experiences, Rahman initially struggled to find a stable career in music. His pursuit of higher studies led him to the Trinity College of Music in London, where he honed his skills in music composition and arrangement. Upon his return to India, Rahman quickly became known for his innovative approach to music production. It was during this period that he adopted the name "AR Rahman," and his journey towards becoming a musical legend began.

The Breakthrough: Roja and the Birth of a New Sound

In 1992, AR Rahman’s career skyrocketed with the release of the soundtrack for the Tamil film Roja. This was a turning point not just for Rahman, but for the entire Indian music industry. Roja was unlike anything Indian audiences had heard before. The fusion of Indian classical music with contemporary electronic elements created a refreshing, bold new sound. Tracks like “Chhoti Si Aasha” and “Roja Jaaneman” became instant hits, and Rahman’s distinctive style was born.

Roja was not just a success in India, but also internationally, marking the beginning of AR Rahman’s global recognition. It was a masterclass in blending East and West, drawing from the rich traditions of Indian classical music while embracing modern technology. This blend of tradition and innovation would become a hallmark of Rahman’s music throughout his career.

Expanding Horizons: Bollywood and International Recognition

As AR Rahman’s fame spread across India, so did his reach. He was soon sought after by Bollywood filmmakers, who were eager to work with the composer who had revolutionized music. Rahman’s collaborations with filmmakers like Mani Ratnam and Subhash Ghai led to some of the most iconic soundtracks in Indian cinema.

One of his most unforgettable Bollywood contributions was the soundtrack for Dil Se (1998). With tracks like “Chaiyya Chaiyya,” "Jiya Jale," and “Dil Se Re,” Rahman once again showcased his ability to blend different genres, creating songs that were as much about emotion as they were about melody. Dil Se marked a new phase in Rahman’s career, where his music became an integral part of the narrative, enhancing the emotional impact of the films.

During the same period, Rahman’s global profile continued to grow. He composed the music for the stage adaptation of The Lord of the Rings in 2007 and contributed to numerous international projects. However, it was his work on Slumdog Millionaire (2008) that truly cemented his status as a global music icon. His Oscar-winning score for the film was a breathtaking fusion of Indian and Western musical traditions, and songs like “Jai Ho” became anthems of hope and triumph worldwide.

The AR Rahman Sound: A Unique Blend of Cultures

One of the defining aspects of AR Rahman’s music is his ability to bridge cultural divides. His compositions are marked by a deep reverence for Indian classical music, but Rahman’s ability to incorporate electronic music, jazz, blues, and other global genres into his work has made him one of the most innovative composers in the world.

For instance, in Taal (1999), Rahman created a soundtrack that showcased his ability to fuse the traditional with the modern. The film’s songs, such as “Nazar Ke Samne” and “Ishq Bina,” featured a mesmerizing blend of classical Indian instruments with contemporary sounds. This marked Rahman’s mastery over both indigenous and global musical elements, creating a sound that is uniquely his.

Moreover, Rahman’s use of soundtracks for narrative storytelling is unmatched. His music has an innate ability to evoke emotions and set the tone for a scene, whether it’s the romantic tension in Guru (2007) or the heart-wrenching despair in Rockstar (2011). Each composition tells a story and adds depth to the film's visual narrative.

AR Rahman and His Personal Life: Balancing Fame and Privacy

While AR Rahman’s professional life has been marked by unparalleled success, his personal life remains relatively private. Rahman married Saira Banu in 1995, and the couple has three children. While Rahman’s career was soaring, there were rumors and speculations about his personal life, including the topic of “AR Rahman and Saira Banu divorce.” However, despite such rumors, Rahman has always maintained a dignified silence, preferring to focus on his work and the music that has touched millions of hearts worldwide.

The Legacy of AR Rahman: A Musical Icon for the Ages

Today, AR Rahman stands as a symbol of excellence in the world of music. His contributions to Indian cinema, world music, and global entertainment are unparalleled. Rahman’s impact goes beyond his awards and accolades; his music has touched the souls of people from all walks of life, from India to the United States, from Africa to the Middle East.

As he continues to compose music for films, stage productions, and other artistic ventures, it is clear that AR Rahman’s legacy will endure for generations to come. His ability to blend cultures, innovate within genres, and create melodies that resonate with the human spirit ensures that his place in music history is firmly secured.

Conclusion

In conclusion, AR Rahman’s musical genius is not just defined by his award-winning compositions or groundbreaking collaborations. It lies in his ability to transcend borders—both geographical and cultural—through his music. His compositions have not only redefined the landscape of Indian cinema but have also made a profound impact on global music. As we continue to celebrate his iconic compositions, it’s clear that AR Rahman is not only a musical legend but also a true visionary whose influence will continue to inspire artists and fans for years to come.

His incredible journey, marked by triumphs like Roja, Dil Se, and Slumdog Millionaire, serves as a testament to his boundless creativity and deep connection with the world around him. Whether it’s through his collaborations, his personal life, or his masterpieces, AR Rahman’s music will always remain a beacon of artistic brilliance, leaving an everlasting legacy in the world of music.

[delivermytuneo6]

The Evolution of Indian Music Through Legends

The Indian music industry is a rich tapestry of melodies and rhythms that have evolved over centuries, shaped by the genius of legendary artists. From the haunting strains of classical ragas to the pulsating beats of contemporary hits, the journey of Indian music is a story of transformation and innovation. Legends such as A.R. Rahman, Ilaiyaraaja, Bhimsen Joshi, and others have played pivotal roles in bridging the gap between tradition and modernity, leaving an indelible mark on the cultural landscape.

The Roots: Classical Foundations

Indian music has its roots deeply embedded in classical traditions that date back thousands of years. The structured framework of Hindustani and Carnatic music laid the foundation for all subsequent genres. Legends like Pandit Ravi Shankar, who took the sitar to global audiences, and M.S. Subbulakshmi, whose devotional renditions captivated millions, are pivotal figures in this era. Their mastery of classical techniques combined with their innovative approaches set a high standard for musicians across generations.

The Golden Era of Film Music

The mid-20th century marked a turning point for Indian music with the rise of film music as a dominant force. Bollywood became a melting pot where classical influences merged with folk and Western styles to create a unique soundscape. Legendary composers like R.D. Burman, Naushad, and Madan Mohan redefined music with their memorable scores.

The playback singing legends of this era, such as Lata Mangeshkar and Kishore Kumar, became household names. Their ability to convey emotion through their voices brought depth to cinematic storytelling. Lata's ethereal voice captured love, loss, and longing, while Kishore's versatility ranged from soulful ballads to peppy numbers.

Folk Meets Modernity

India's diverse cultural fabric is reflected in its folk music, which has been a source of inspiration for many legendary artists. Bhupen Hazarika, known as the "Bard of Brahmaputra," blended Assamese folk music with global influences, creating timeless compositions. Similarly, Gurdas Maan's Punjabi folk songs carry the essence of rural life while addressing contemporary issues.

The integration of folk elements into mainstream music became a hallmark of legendary composers like Ilaiyaraaja, whose work seamlessly wove Tamil folk traditions with orchestral arrangements. This synthesis not only preserved India's rich heritage but also brought it to the forefront of popular music.

The Global Ambassadors

The 20th century also saw Indian musicians making their mark on the international stage. Pandit Ravi Shankar’s collaborations with The Beatles introduced Indian classical music to the West, sparking a wave of global interest. Zakir Hussain, with his unparalleled tabla skills, furthered this legacy by collaborating with artists across genres, from jazz to world music.

A.R. Rahman emerged as a modern-day global ambassador for Indian music. With his Oscar-winning compositions for Slumdog Millionaire and a string of successful collaborations, Rahman brought Indian music to international acclaim. His ability to blend classical ragas with electronic music, rock, and global influences has redefined the industry.

The Regional Powerhouses

While Bollywood often dominates discussions, regional music industries across India have produced legends who have significantly contributed to the evolution of Indian music. Ilaiyaraaja, often referred to as the "Mozart of Madras," revolutionized Tamil cinema music with his intricate compositions and pioneering use of technology. His music transcends language barriers, resonating with audiences worldwide.

In the realm of Kannada music, Dr. Rajkumar's contributions as a singer and actor are legendary. Similarly, Manna Dey's Bengali compositions and Yesudas's work in Malayalam and other South Indian languages showcase the richness of regional music traditions.

Contemporary Innovators

As the digital age dawned, Indian music underwent another transformation. New legends emerged, embracing technology and global trends while staying rooted in their heritage. Shreya Ghoshal and Arijit Singh are two such icons, whose versatility and emotive singing have made them the voices of a new generation.

Amit Trivedi, known for his innovative approach to film scores, has carved a niche by blending Indian and Western styles. His work in films like Dev.D and Queen demonstrates how modern legends are pushing boundaries, keeping Indian music fresh and relevant.

Bridging Generations

One of the hallmarks of Indian music legends is their ability to bridge generations. Artists like A.R. Rahman and Lata Mangeshkar have collaborated with younger musicians, fostering an exchange of ideas and ensuring the continuity of their legacies. Platforms like Coke Studio India and MTV Unplugged have also played a crucial role in this evolution, providing a stage for traditional and contemporary musicians to collaborate.

The Impact of Technology

The advent of streaming platforms and digital technology has significantly influenced the music industry. Legends of the past are now accessible to a global audience, and their timeless works continue to inspire budding musicians. The digitization of archives ensures that the contributions of legends like Bhimsen Joshi, R.D. Burman, and others remain relevant for future generations.

Conclusion: A Legacy of Innovation

The evolution of Indian music is a testament to the vision and creativity of its legends. From the soulful strains of Bhimsen Joshi’s classical renditions to the groundbreaking compositions of A.R. Rahman, these artists have not only preserved India's musical heritage but also propelled it into the future. As the industry continues to evolve, the influence of these legends serves as a guiding light, ensuring that Indian music remains a vibrant and dynamic force on the global stage.

Their legacy reminds us that innovation and tradition are not mutually exclusive but rather complementary forces that drive artistic excellence. With each generation building on the foundations laid by these legends, the journey of Indian music promises to be as inspiring and transformative as its storied past.

[musicverse11]

Inside the Mind of a Genius: The Musical Techniques of AR Rahman

AR Rahman is more than a name in the music industry; he's a phenomenon, a pioneer whose work has continuously pushed the boundaries of what music can achieve. His approach to composition, production, and sound engineering set him apart as an innovator and creative genius. Often described as a "Mozart of Madras," Rahman has not only transformed the Indian music industry but has also introduced the world to an entirely new sound that bridges various musical traditions. This article explores the distinctive techniques and unique approach that Rahman employs to craft his mesmerizing compositions.

Blending of Genres and Cultural Sounds

One of AR Rahman’s hallmarks is his seamless blend of genres and sounds from across the globe. His compositions often incorporate elements of Indian classical music, jazz, electronic, rock, and Western classical music, creating a fusion that is unmistakably his. This diversity in sound is not just a matter of adding different instruments or tones; Rahman’s technique lies in blending these elements in a way that feels organic and cohesive.

For example, his famous song “Chaiyya Chaiyya” from the movie Dil Se includes Sufi-inspired vocals and percussive beats layered with orchestral strings. By pairing these distinct elements, he crafts a piece that feels both ancient and contemporary, bridging traditional and modern sounds. His music reflects India’s diversity, but its universal appeal transcends geographical boundaries.

Use of Layering and Complex Arrangements

Another essential technique in Rahman’s music is his intricate layering of sounds. He doesn’t merely rely on one melody or a repetitive rhythm; instead, he carefully arranges layers upon layers of sound, creating a rich, immersive auditory experience. In many of his tracks, listeners can hear different instruments and harmonies emerging with each listen, revealing hidden textures and subtleties.

In his song “Taal Se Taal Mila” from Taal, he uses a combination of tabla, electric guitar, and flute, interwoven with choral harmonies and vocals, all arranged with precise attention to detail. Each layer complements the other, resulting in a composition that is almost orchestral in its complexity. The layering is done in such a way that it doesn’t overwhelm but enhances the listening experience, allowing listeners to immerse themselves fully in the world he creates.

Experimentation with Unconventional Instruments

One of Rahman’s distinguishing factors is his willingness to experiment with unconventional instruments and sounds, creating novel auditory experiences. From using electronic sounds to African djembe drums, Rahman doesn’t limit himself to traditional Indian or Western instruments. His song “Jai Ho,” which won an Academy Award for Slumdog Millionaire, features a mix of orchestral elements, electronic sounds, and Indian percussions, creating an uplifting anthem that resonated worldwide.

In Lagaan, for instance, Rahman incorporates instruments like the tambourine and tabla but also uses synthesized beats and sounds to elevate the film’s period feel. He often experiments with obscure or ethnic instruments, making them accessible to a global audience and proving that music, at its core, is a universal language.

Creating Emotionally Resonant Melodies

Rahman’s genius also lies in his ability to create emotionally resonant melodies that connect deeply with listeners. His compositions are often designed to evoke specific emotions, blending technical expertise with an intuitive understanding of human emotions. Whether it’s the haunting sadness in “Lukka Chuppi” from Rang De Basanti or the joyous energy in “Mukkala Mukkabala” from Kadhalan, Rahman’s music has an unmatched emotional depth.

In “Kun Faya Kun” from Rockstar, Rahman employs Sufi-inspired melodies that invoke a sense of devotion and surrender. The repetition of lines and subtle crescendos creates a trance-like effect, immersing the listener in a spiritual journey. Rahman’s ability to convey emotions through melodies alone shows his remarkable talent for connecting music with the soul.

Digital Innovation and Sound Engineering

Rahman has consistently embraced technology, positioning himself as a leader in digital music production in India. He is known for his state-of-the-art recording techniques, and he was one of the first in India to adopt computer-based recording setups. His work with digital audio workstations allows him to layer tracks with pinpoint accuracy and blend electronic sounds with acoustic ones, producing a polished, cinematic quality.

Rahman’s use of electronic tools also allows him to manipulate sounds in ways that create a unique auditory landscape. For instance, his album Connections incorporates electronic beats and digital reverb, adding a futuristic quality to his music. His technical skill, combined with his musical expertise, allows him to produce tracks that sound fresh, even after repeated listening.

Working with Vocal Layers and Harmonies

Rahman’s approach to vocal arrangements is another aspect of his musical technique that deserves attention. He often uses multi-layered harmonies to enhance the emotional impact of his songs. By layering different voices, each with its tone and texture, Rahman adds a depth that amplifies the song’s overall effect. He is known for creating complex harmonies, especially in songs where he works with choirs or multiple vocalists.

In songs like “Vande Mataram,” Rahman combines voices from different ranges, blending them seamlessly to produce a powerful anthem. This layering technique can also be heard in his work with playback singers; he knows precisely when to add backing vocals and harmonies to enhance the lead singer’s voice without overpowering it.

Conclusion

AR Rahman’s musical techniques are as diverse as they are masterful. His approach—combining genres, layering sounds, experimenting with instruments, and using innovative recording methods—has redefined music for generations. Rahman’s work transcends traditional music-making; it is a deep, immersive experience that appeals to listeners worldwide, irrespective of language or culture. His compositions are not only groundbreaking for their technical excellence but also for their emotional impact, making Rahman one of the most influential composers in modern music.

[lifeafterthelayoff]

Part II, Day 29

Work (and art) expands to fit the time allotted.

Indian classical music has been a passion of mine ever since I stumbled upon a Ravi Shankar LP in college. I was intrigued by the endless flow of improvisation, the pieces that took up the whole side of a record, and how it sounded like nothing else I’d heard before.

Today, my record shelf has an entire section just for music from India, and it includes the two LPs pictured here. You’ll notice the odd titles: “The Forty Minute Raga” and “The 80 Minute Raga.”

Indian classical music is quite different than a Mozart sonata or a pop song. It’s almost entirely improvised, which leaves the duration up to the artist and/or whatever constraints the recording media might impose. 

A regular vinyl LP record can hold about 20 minutes on each side. So, with two sides, you’ve got either 40 minutes total on one record or 80 minutes on a two-record set. And in each case, the artist, Ali Akbar Khan, let the art expand for the time available. You have to get up and flip the record, but each title is one piece, performed straight through.

When I picked the 80-minute one at a local record shop years ago, I immediately thought, “It’s Parkinson’s Law!”

You may already be familiar with it. Put most generally, Parkinson’s Law states that "Work complicates to fill the available time." I’m fascinated how Parkinson’s Law applies to so many scenarios. Here, it relates to music.

I’ve also used the law to help my daughter develop healthy study habits. I’ve used it to constrain my own creative writing, especially poetry. And I’ve absolutely referenced it in scoping discussions on work projects.

Parkinson’s Law very much applies to time and tasks during the layoff, too. I’ve been careful to set boundaries with my time, lest every day become a day of scrolling LinkedIn. Close the laptop, go for a walk, pick up a book—no matter what the task, it’s been helpful to keep this law in mind.

If you’ve got a task, and you’re confident that it will take 80 minutes, head over to Spotify or YouTube and search for “The 80 Minute Raga” — it’s a fine companion!

[djmirchi]

A.R. Rahman – A Legendary Music Composer of India

A.R. Rahman, a name that resonates with the heart and soul of India, stands as a testament to the transformative power of music. Often referred to as “The Mozart Of Madras,” this musical genius has not only redefined the boundaries of music within India but has also left an indelible mark on the global music landscape. In this article, we’ll explore the remarkable journey of A.R. Rahman, from his humble beginnings in Chennai to becoming a celebrated composer who put India on the global map.

Rahman’s Early Beginnings

A.R. Rahman, born on January 6, 1967, in Chennai, Tamil Nadu, India, was introduced to music at the tender age of four. His father, a composer and conductor for Tamil and Malayalam films, recognized Rahman’s extraordinary talent and nurtured his musical pursuits. However, Rahman’s life took an unexpected turn when his father passed away when he was just nine years old. Forced to make ends meet, Rahman and his mother rented out his father’s musical equipment and took odd jobs, which often led to him missing school.

Following a heartfelt discussion with his mother, Rahman decided to take a bold step and quit school to pursue music full-time. His dedication and talent led him to earn a scholarship at the Trinity College Of Music in Madras, where he received a diploma in Western classical music. This was the first step in a journey that would eventually lead him to compose music that would resonate not only in India but across the world.

Rahman’s Ascendancy in Indian Cinema

Rahman’s extraordinary musical abilities found their home in Indian cinema during the 1990s and 2000s. With his iconic compositions and soul-stirring melodies, he became a household name and a revered figure in India. His work in Indian films garnered numerous national film awards, solidifying his status as a musical luminary. It was during this phase that the world began to take notice of the maestro, and Hollywood beckoned.

[pianomanjazzclub-blog]

The Bewitching Spell of Live Music: Cafes in Delhi & Gurgaon

If we were to come up with something that could make everyone happy, we would all agree upon Food and Music—the simplest joys of life. Just like food is believed to be a way to one’s heart, music is the way to one’s soul. The two have been a way of bringing people together, fostering the spirit of community, and appreciating art since before humans even learned language. A cafe with live music in Delhi is the one-stop destination for people who love music and find their interest piqued by the idea of witnessing a live music performance.

Although the credit for laying the foundation stone for live music is generally directed towards opera singers and renowned musicians like Mozart, it was the Jazz Movement that truly popularised this trend. In the 21st century, Live Music has transformed into something more than just performing before a live audience. It has come to stand for an entire cultural movement encompassing the evolution, temperament, artistic sensibility, drive, and solidarity of modern-day music enthusiasts.

These cafes have been the cradle of the Indie Music Movement in India. Not only do they provide a platform for budding artists to showcase their work, but they also successfully build a bridge between these artists and their audiences. The space is a space of experimentation—it gives artists the space to explore new genres and the freedom to compose refreshing melodies. You will be mesmerised by the diverse range of genres performed at a Live music cafe in Gurgaon. From Jazz to R&B, Rock, Funk, Pop, Classical, Fusion, and other experimental music, there is much that awaits you at this musical fest. In addition to the musical performances, these cafes also host a bundle of other exciting events, such as Open mics, stand-ups, live poetry sessions, and much more.

The cafes present you with an experimental menu just as rich and diverse in flavour as the music surrounding you. Whether you’re craving some North Indian or Italian delicacies or if you’re looking forward to exploring Asian cuisine—there is something for everyone at these live music cafes. To complement your flavourful meals and soulful music, you are presented with an exotic liquor catalogue. What unwinds are moments of pure bliss, enthralling conversations, and relentless fun.

Head over to a cafe with live music in Delhi for some musical quality time with your loved ones or spend time with yourself on a solo date. Treat your senses to a divine concoction of everything flavourful!

[t-jfh]

Shanul Sharma sings the full spectrum, bringing passion to every piece he performs. (ABC News: Sharon Gordon / Supplied: Shanul Sharma)

Shanul says the vocal skills he gained from heavy metal help his opera. (Supplied: Shanul Sharma)

Shanul says he's fallen in love with the "stakes" of opera singing. (Supplied: David Ng)

Shanul used to sing in a heavy metal band. He's now dazzling audiences at the opera

Opera singer Shanul Sharma's voice has been labelled dazzling and resplendent by critics, but classical music wasn't his first choice.

The tenor's first steps onto the stage were surrounded by electric guitars and banging heads.

Initially the lead singer of a heavy metal band, Shanul made the switch in 2012.

While the two genres may seem worlds apart, he says metal and opera share a lot of similarities.

By Monty Jacka and Sally Bryant

ABC - Make Me Feel Good

ABC News - 18 November, 2023

Photos © 2023 Shanul Sharma

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SEE also: https://www.shanul.com.au/

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YouTube video >> Operabase: Shanul Sharma sings Mitridate, re di Ponto (Mithridates, King of Pontus), K. 87 (74a), an opera seria in three acts by the young Wolfgang Amadeus Mozart, 1770. (Released July 30, 2022 / 4mins.+57secs.):

Tenor: Shanul Sharma

Pianoforte: Andrea Katz

Recorded 27-06-2022 at Horti Hall, Melbourne, Australia.

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Shanul Sharma in the role of Mahatma Gandhi, in a 2023 production of Satyagraha by Philip Glass, produced by Opera Australia.

YouTube video: Satyagraha by Philip Glass, produced by New York Opera Orchestra and Chorus, Conducted by Christopher Keene (Released 19 September 2015 / 14mins.+45secs.)

SEE: Shanul Sharma in the role of Mahatma Ghandi in Satyagraha by Philip Glass, produced by Opera Australia, Director Andy Morton, Conductor Tahu Matheson, 2023:

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From India to Europe: Unforgettable Tour Packages

Are you ready to embark on a journey that will take you from the vibrant streets of India to the charming landscapes of Europe? Look no further, as we present to you our exclusive Europe tour package from India – a seamless blend of diverse cultures, breathtaking sceneries, and unforgettable experiences. Get ready to create memories that will last a lifetime as we take you on a virtual tour of what awaits you on this incredible adventure.

Exploring the Wonders of Europe: Your Itinerary Awaits

Our meticulously crafted Europe Tour Package from India is designed to cater to every type of traveler, whether you're an avid explorer, a cultural enthusiast, or simply looking for a relaxing getaway. Here's a sneak peek into the enchanting itinerary that awaits you:

1. Romantic Paris, France:

Begin your journey in the city of love, Paris. Eiffel Tower, Louvre Museum, Champs-Elysées – experience the iconic landmarks and indulge in delectable French cuisine. A romantic cruise along the Seine River is the perfect way to soak in the city's charm.

2. Enchanting Venice, Italy:

Next stop, the floating city of Venice. Glide through the intricate network of canals on a gondola ride, visit St. Mark's Square, and lose yourself in the labyrinthine streets. Don't forget to relish authentic Italian pasta and gelato.

3. Historical Rome, Italy:

Travel back in time in Rome, where ancient ruins like the Colosseum and the Roman Forum await. Vatican City, home to St. Peter's Basilica, is a spiritual and artistic masterpiece that cannot be missed.

4. Picturesque Swiss Alps, Switzerland:

Experience nature's grandeur in Switzerland. The Swiss Alps offer panoramic vistas that are straight out of a postcard. Engage in outdoor adventures or simply savor the tranquility of the breathtaking landscapes.

5. Cultural Vienna, Austria:

Vienna beckons with its imperial palaces, classical music heritage, and elegant coffeehouse culture. Explore the Schönbrunn Palace and attend a Mozart concert for a truly authentic experience.

6. Lively Amsterdam, Netherlands:

Wrap up your journey in the lively streets of Amsterdam. Cruise along the iconic canals, visit the Anne Frank House, and admire the world-renowned Dutch tulip gardens.

Why Choose Our Europe Tour Package from India?

Tailored Experience: Our packages are designed to ensure you get the most out of your journey. We've handpicked the best destinations, attractions, and activities to create an unforgettable experience.

Hassle-Free Travel: Leave the planning and logistics to us. From flights to accommodations, we've got everything covered, so you can focus solely on immersing yourself in the journey.

Local Guides: Our experienced local guides will provide you with insights that go beyond the guidebooks. Discover hidden gems and cultural nuances that only a local can offer.

Camaraderie of Fellow Travelers: Share your adventure with like-minded individuals and make new friends as you explore the world together.

Book Your Europe Tour Package from India Today!

Are you ready to turn your travel dreams into reality? Book our Europe Tour Package from India today and get ready for a whirlwind adventure through the heart of Europe. Let the charm of Paris, the beauty of Venice, the history of Rome, and the serenity of the Swiss Alps captivate you. Your European journey awaits – pack your bags for an experience of a lifetime!

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