#Most Money Bhojpuri Movie
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https://businessupside.com/get-the-best-of-bollywood-from-bollyflix/
As the name suggests, Bollyflix is all about Bollywood movies. These movies are usually action-packed and fast-paced and mostly Hindi. So, what is Bollyflix in the first place? Let us find out more about the same in this article. This online platform lets you watch TV shows, movies, and web series. All these are free, and you do not have to shell out any money for them. However, it has been stressed that most Hindi movies are present movies, and shows in other languages are also available. These include programs and movies from Hollywood, regional movies like South Indian shows, Punjabi and Korean Drama, Bengali, Gujarati, and Bhojpuri.
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Echo Dot (4th Gen, 2020 release)| Smart speaker with Alexa Color May Vary
Meet the all-new Echo Dot
Our most popular smart speaker now comes in a refreshed, compact design that fits perfectly into any room. It delivers loud, crisp sound with improved bass that you can enjoy anywhere in your home.
Meet Alexa, the brain behind Echo Dot
Alexa, the brain behind Echo Dot, is built in the cloud, so it is always getting smarter. The more you use Dot, the more Alexa adapts to your speech patterns and vocabulary. Using Alexa is as simple as asking a question – just ask and Alexa will respond instantly. Learn more about Alexa.
Voice control your music
Echo Dot streams music from Amazon Prime Music, JioSaavn, Gaana, Hungama Music and Spotify - just ask for your favorite artist or song, or request a specific genre or mood. Access songs in Hindi, English, Telugu, Tamil, Punjabi, Marathi, Bengali, Bhojpuri, Kannada and more. With Amazon Prime Music and Spotify, you can also create and manage your personal playlist.
Voice control your home
Use Echo Dot to set up and control Smart Home devices like smart lights, plugs, TVs, ACs, geysers and more. Use motion detection to automatically turn on smart lights when you enter a room or turn them off when the room is vacant. Set it up using routines feature in Alexa app. Learn more about voice control.
Make everyday easier
Make your life easier at home. Set timers, ask questions, add items to lists, and create calendar events and reminders. You can also pay your utility bills - electricity, mobile phone, gas, internet and more - using Alexa. Just ask, “Alexa, pay my bills.”
Designed to protect your privacy
Alexa and Echo devices are built with multiple layers of privacy protection. Echo smart speakers have a microphone off button that electronically disconnects the microphones. You also have control over your voice recordings and can view, hear, or delete them at any time. Learn more about privacy. Alexa has more than 30,000 skills & counting. These skills add capabilities to help you do more with your Echo device. They can help you stay updated with latest news, listen to music, radio & podcasts or access stories, recipes, movie reviews and more from your favourite brands. You can also create your own personal skills & responses with Alexa skills blueprints. Learn more about Alexa skills here.
Shop with Alexa
Alexa makes it easy and convenient for you to shop on Amazon. Build your shopping list with Alexa, get products information and prices, check out latest deals, reorder your past purchases, add items to your cart, check status of your orders, get delivery notifications and more. Alexa is always ready to help you save time and money for your shopping needs.
Simple to set up and use
Technical Details
Echo Dot (4th Gen) Size 100 x 100 x 89 mm Weight 341.3 g (Actual size and weight may vary by manufacturing process) WiFi connectivity Dual-band WiFi supports 802.11a/b/g/n/ac (2.4 and 5 GHz) networks. Does not support connecting to ad-hoc (or peer-to-peer) WiFi networks. Bluetooth connectivity Advanced Audio Distribution Profile (A2DP) support for audio streaming from your mobile device to Echo Dot or from Echo Dot to your Bluetooth speaker. Audio/Video Remote Control Profile (AVRCP) for voice control of connected mobile devices. Hands-free voice control is not supported for Mac OS X devices. Bluetooth speakers requiring PIN codes are not supported. Audio 1.6” built-in speaker for voice feedback. 3.5 mm stereo audio output for use with external speakers (audio cable not included). Item quantity 1 Warranty and service All-new Echo dot is sold with a limited warranty of one year. Use of All-new Echo dot is subject to the terms. System requirements Echo Dot comes ready to connect to your WiFi. The Alexa app is compatible with Fire OS, Android and iOS devices and also accessible via your web browser. Supported operating systems. Certain skills and services may require subscription or other fees. Setup technology Amazon WiFi simple setup enables customers to connect smart devices to their wifi network in a few easy steps. Wifi simple setup is another way Alexa is always getting smarter. Learn more about WiFi simple setup Accessibility features The Alexa app and Alexa-enabled products include several features for customers with accessibility needs related to vision, hearing, mobility, and speech. Learn more about Alexa accessibility. Included in the box Echo Dot, power adapter (15W), and Quick Start Guide. Generation Echo Dot (4th Gen) - 2020 release Privacy features Wake word technology, streaming indicators, microphone off button, the ability to view and delete your voice recordings, and more. Visit the Alexa Privacy Hub to explore how Alexa and Echo devices are designed to protect your privacy. Language Alexa speaks English and Hindi Country of origin China Generic name Smart speakers Name and Address of Importer Amazon Wholesale (India) Private Limited. Block E, Unit No. 1401-1421, International Trade Tower, Nehru Place, New Delhi- 110019 Name and Address of Manufacturer HENGYANG FUTAIHONG PRECISION INDUSTRIAL CO., LTD. Building E1 of No.35, Baisha Industrial Avenue, Baishazhou Industrial Park, Yanfeng District 421007 Hengyang City, Hunan Province, P. R. China MRP (inclusive of taxes) 4,499 Read the full article
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THE FILM 'TIS BELIEVED….NO, 'TIS KNOWN…GOD HERSELF MOTHERED & NURTURED FOR MORE THAN A YEAR….IN INDIAN THEATERS ! …… - THE STORY OF THE ONLY INDIAN FILM THAT'S ON SEVERAL POLICE RECORDS, FOR HAVING CREATED A SERIOUS LAW & ORDER PROBLEM ACROSS THE LENGTH & BREADTH OF INDIA ! …….. - HOW A FILM LITERALLY MADE ON STARVATION BUDGET, BECAME THE 10TH MOST MONETARILY SUCCESSFUL FILM IN INDIAN HISTORY! ………. - THE ONE MOVIE THAT REACHED THE HEIGHTS OF 'MOVIE DHAM' ! …….. - THE FILM THAT ANNOUNCED ADVENT OF A NEW GOD ON PLANET EARTH ! - “JAISA GANESH, VAISI USKI BETI!” … - THE STORY OF THE UNPRECEDENTED, UNPARALLELED, & HISTORIC BOX-OFFICE SUCCESS OF 'JAI SANTOSHI MAA' !
Film actor Ashish Kumar & his actress wife Bela Bose were happily married for a while yet childless. Among the many 'totkas' women adopt, she also came up with one such desire to follow a once-a-week 16 week 'fasting' pattern for the Goddess Santoshi, that was recommended to her. And within a few weeks of this fast, she conceived & bore a child! Some time elapsed, & Ashish on one of his many story sittings, in a general chat happened to mention this miraculous feat to his producer friend, Satram Rohara. Satram heard it, & jumped up, for he too had exactly the same story to tell with his own wife! So moved were they, that decided to make a film tributing Goddess Santoshi. Despite knowing how mythos despite being a safe commission earning bet thru 30s-60s, were surefire b.o flops. in mid 70s. Anita Guha who'd made a name for herself as mytho queen way back in 60s, but long retired, was chosen for the Goddess's role & a famous Gujarati & Bhojpuri heroine Kanan Kaushal as the leading lady, Music Dir & Playbacks too being the supposed B-rung of then. All this supposed 'sidie' line-up you see, for they knew how this film was doomed to lose money, yet that they just had to make to thank the Lord! … But something interesting started happening as the film was being made. The songs that were coming to the sets from the studios, were far superior than what anyone'd bargained for! Much that huge crowds began gathering around the area it was being filmed just to hear them! This level of live support heightened excitement among the crew, much that began working super efficiently to complete it well. Now to the next sequence of events..This buzz affected Anita ji on her first day too, who in her earnestness it turns out forgets to have breakfast, & while trying to learn her next set of heavy-duty lines, misses lunch too. When producer organizes a buffet dinner for all at night, Anita ji who was available for just a few days, & had to shoot post dinner too, realizes this might entail removing all her make-up & re-applying it, & to avoid all that fuss, decides to skip dinner as well. On her way home, a thot strikes her! - This was the first time in all her working yrs this'd happened..& what if it was a sign from God! At that very moment she decides to observe a fast for all her days of shoot on this film! & Thus the film very amiable & efficiently gets to verge of completion. But another, it seems important part of The Good Lord's plan was yet to take it's position.
Edward Theaters at Marine Lines was historically known for only showing re-runs of decades old Hindi films. But when it's owner heard that a film by name 'Jai Santoshi Maa' was being readied for theatrical release, & with just 14 prints, he strangely volunteered to be the first to release it in his theater, the only time over it's 110 yr existence, something like this 'tis known to've done!..need it be said, to thank the sweet Goddess himself. Now Edwards was unique for showing some of the lowest-priced films anywhere, thus causing many villagers on daily wage trips to Mumbai frequenting it at evenings. The film's released, but as expected you know, earns Rs. 56 across it's 14 prints in 1st show, Rs. 64 in 2nd, Rs. 92 in 3rd, & Rs. 100 in last. This roughly carries on Friday, Saturday & Sunday. Makers know its a flop, yet happy at having done their duty.
NOW COMES MONDAY…AND THE MIRACLE IS AFOOT! You see many of the villagers who'd seen the film at Edwards, each go to their resp villages, & make mention of this lovely film on Goddess Santoshi they've just seen..TO THEIR LADIES! AND MADNESS BEGINS! It seems Goddess Santoshi, not a very popular Goddess in India then, had bestowed her blessings on many families sporadically across India, incl very many villages. And many ladies of almost every village were her quiet yet ardent devotees. And they began coaxing their hubbies & families to collectively make a trip to Mumbai, & watch their Goddess on screen! People tell of how that Monday saw endless streams of bullock carts from every conceivable (pun intended I guess) village of Maharashtra entering Mumbai to watch this one film alone! Media ofcourse gets to hear of it, & flashes it on front pages the next day! BY TUESDAY, WHOLE OF INDIA KNOWS 'JAI SANTOSHI MAA' IS RUNNING IN MUMBAI, & STARTS PLANNING A TRIP! Similar stories emerge of 100's of villages emptying out to reach nearest cinema halls, even 100s of kms away! Police across all states are out on high alert..A UNCONSCIOUS MASS MIGRATION IS BEING SEEN ACROSS INDIA ALL AT ONCE! Producers are sent urgent calls, not just from distributors & exhibitors, but law enforcement, to send more prints! How many?? As many as you can..300-400! "WE DON'T WANT RIOTS!" "But this will cost atleast 30 lakhs" .. "Beg, borrow, steal..but do this for your nation". 600 PRINTS ARE RELEASED! THE RETURNS? …. 208 TIMES OVER PRODUCTION & PUBLICITY COST (PER RECORDS..THE ONLY TIME EVER IN HISTORY! WE TODAY INFLATION-ADJUSTED ESTIMATE 'JAI SANTOSHI MAA' AS HAVING EARNED RS. 3,120 CRORES AT THE INDIAN BOX OFFICE!
TILL TODAY REGARDED AS THE 10TH & 22ND MOST MONETARILY SUCCESSFUL (IE BIGGEST BLOCKBUSTER) FILM OF INDIAN & WORLD CINEMA RESPECTIVELY!
What you just heard was public record. What you're about to hear next, is nothing short of real-life mythology in itself.
Women not just from villages but also small & bigger towns, started making visits to this film a near daily event. The cottage tourism industry starts picking up all of sudden, for the now routine mass bookings made by kitty parties across India, to their nearest 'Santoshi Maa Theaters'.
What starts drawing interest next, is not the repeat & mass value of this film, but the manner of visitation. Women & even men, in their millions, started bringing flowers, fruits & even sweets along, males generally entrusted with the 'prasad' distribution duties to every visitor as exited the film, while women left to their 'prayers' inside the hall, once each & every song began, taking turns in groups to come to the space at the front, in their hundreds, with none of the admin staff daring to stop any! Reason being, what'd happen next! - You see each of the ladies after their flower & fruit sacrifices, would also generously remove their coin-wallets from inside of their blouses, all coins to be thrown as forcefully as could so to veritably touch the silver screens!- the farther the more blissed & more blessed..& all this money btw meant for that cinema staff alone ! (Many of who's families that owe their decent prosperity till today to this one film) Paid shoe stalls now started privately springing up outside many theaters..for how wear footwear be spending half your time praying & singing Lord's praise at! Hey, temples too built in places where open lands across halls! Now in all this euphoria, we've almost forgotten Santoshi Maa, I mean Anita ji herself! .. People leaving cinema halls, be all so taken, began craving a personal 'darshan' of that image for real. And Anita Guha's Bandra house soon became public knowledge, people first watching the film, next making their way to below her house! Anita ji herself recounts umpteen stories of women throwing their new borns into her arms, as left home each day! Anita Guha,mind u,was ranked among Top 10 Heroines of 1950s & Top 5-6 of 1960s. Yet remembered by most post 70s only as 'Santoshi Maa'! THAT'S LIFE! ..WONDERFUL!
'JAI SANTOSHI MAA' RAN MORE THAN A YEAR & CELEBRATED A MOST UNFORGETTABLE GOLDEN JUBILEE AT ALL CINEMA HALLS IT RAN ON!
& AS TRIBUTE TO THE ONE FILM THAT CHANGED THEIR LIVES, EDWARDS & MANY MUMBAI THEATERS ~50 YRS ON, KEEP MEMENTOS OF IT'S 50TH WEEK RUN TILL TODAY… MARKING THE ONE YEAR, GOD CAME TO LIVE WITH THEM!
And just as inauspicious & bad events have their aftermaths, greatest events leave their aftermaths too!
Here's recounting some of them:
See as news of this unbelievable level of mass hysteria & success were naturally going to cross all borders, also reached leading & most renowned sociological researchers around the world, incl leading world historian Michael Brand, Prof John Hawley of Barnard College, Columbia Univ, Prof Cathleen Arnold of Florida State Univ, Prof Philip Lutgendorf of Iowa Univ, famous writer Stanley Kurtz, & many other leading historians & international journalists of the times, who all came to India, conducted several interviews across the board, collectively pooled their heads to try make sense of this most unique phenomena they'd just witnessed..and alongside Indian sociologists like Veena Das, published their own research papers on it! The only other time sociologists have been known to enter the film arena for wide-scale research, was to deconstruct Rajesh Khanna's magical 2 decade reign over Bollywood, again from India!
2. The culture of fasting in name of Maa Santoshi, that began after this film, continues as c/f tradition till today across India.
3. There was a practice of writing 'Om Shubh Labh' atop letters till then. That was soon replaced enmasse by "Jai Santoshi Maa!"
4. A new, slightly devious side-culture/biz of sending Santoshi Maa's 16-chain postcards sprang up,to maximize blessings…& POSTCARD SECTION OF INDIA'S POSTAL SERVICE SHUT DOWN, FOR PAUCITY OF RESOURCES!
5. Only time ever, a full LP of a mythological film was released worldwide by music cos!
6. Now to makers- Producer Satram Rohara & Distributor Kedarnath Agarwal, both went bankrupt, Satram people say for no favorable profit-sharing contract with Dist at time of release, & Distr in turn being duped by own brothers. Film's leading light,Anita Guha,too didn't exactly meet most peaceful end-suffering heart ailment & leucoderma (skin whitening), she would die in her old age unwilling to be seen w/o make-up. People say,atleast first 2 suffered for promising temples on Maa yet failing to build,yet most believe Good Goddess actually fast-tracked karmas of all it's makers,a great blessing in disguise!
7. Ganesh's daughter didn't have many sites in India till then..but everything would change post 1975, & Santoshi Maa temples became regular feature of every city & town!
8. & WE NOW KNOW FIRST-HAND..HOW GOD WORKS TO ESTABLISH HIS OR HER KINGDOM, WHEN SEES FIT!
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When Pawan Singh and Akshara Singh rebelled, death threats ended their relationship
Pawan Singh and Akshara Singh: Pawan Singh is called the power star of the Bhojpuri film industry. Many heroines have worked with Pawan Singh in the Bhojpuri film industry till now. But the pairing of Pawan Singh and Akshara Singh made the most headlines. From the romantic chemistry of the two to their wit, everything was loved by the fans. In addition, Pawan Singh and Akshara Singh's dating news has become a hot topic. He also said that the two would get married soon. In the process, news of the secret marriage of the two also went viral several times. Breaking off relationship after news of second marriage Fans were shocked the most when the news of Pawan Singh and Akshara Singh's breakup came out. During this time, Pawan Singh got married to Jyoti Singh out of nowhere from her relationship with Akshara Singh. This news completely broke Akshara Singh. After the news of Pawan Singh's marriage, not only Pawan and Akshara's relationship was broken, but these two spewed a lot of poison at each other. Along with the news of the breakup, the two made serious arguments about each other, and there were many words and actions that were offensive. How did Pawan and Akshara's love story start? Pawan Singh and Akshara Singh first met during filming. The two became good friends during filming and later worked together on a series of projects. Their friendship blossomed into love through endless movies and songs. The pair were once referred to as the super hit pair of the Bhojpuri film industry. This is why both of them hit the jackpot every time they appeared in a movie or album. There also came a time when Akshara Singh herself confessed that she was in love with Pawan Singh and was dating him. In the meantime, Akshara said that she is very serious about Pawan Singh and that she sees her future with him. Meanwhile, Pawan Singh also accepted the relationship with Akshara, but Pawan Singh suddenly married someone else overnight and completely broke Akshara Singh. Akshara Singh fell into depression due to Pawan Singh's betrayal. Akshara Singh became depressed after hearing the news of the marriage of Bhojpuri actor Pawan Singh. The two started living apart and the news of their breakup began to catch up. In an interview, Akshara Singh said that she knew nothing about Pawan Singh's marriage. After the news of her breakup, Akshara once claimed in front of her press that her ex-husband had destroyed her career and threatened to kill her and this was because even after marrying Jyoti Singh, Pawan Singh wanted to marry me. with them. When her actress protested against her, he hit her drunk and even abused her. In the meantime, the strife between the two grew so much that it created problems within their families. As the situation worsened, Akshara Singh also filed a complaint against Pawan Singh at the police station. Things today don't even like seeing each other. This is why the two of them have never appeared in any movie or album together after their breakup. ALSO READ- Tired of the flop, Akshay finds a new way to earn money by dancing with Nora in a lehenga. watch video DISCLAIMER We’ve taken all measures to insure that the information handed in this composition and on our social media platform is believable, vindicated and sourced from other Big media Houses. For any feedback or complaint, reach out to us at [email protected] Read the full article
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पवन सिंह-रवि किशन की जोड़ी ने तोड़ा रिकॉर्ड, रिलीज से पहले इतने करोड़ में बिकी भोजपुरी फिल्म
पवन सिंह-रवि किशन की जोड़ी ने तोड़ा रिकॉर्ड, रिलीज से पहले इतने करोड़ में बिकी भोजपुरी फिल्म
नई दिल्ली: कोरोना काल में बंद सिनेमाघरों से फिल्म इंडस्ट्री को काफी नुकसान झेलना पड़ा है. इसमें खासकर भोजपुरी इंडस्ट्री जैसी रिजनल सिनेमा के लिए काफी मुश्किलें सामने आईं. लेकिन अब वापस जब सिनेमा घर खुल गए हैं, तो वापसी भी जबरदस्त हुई है. दरअसल, रवि किशन (Ravi Kishan) और पवन सिंह (Pawan Singh) की अपकमिंग फिल्म ‘मेरा भारत महान’ के सैटलाइट राइट्स की ब्रिकी हुई है, जिसने सारे रिकॉर्ड तोड़ दिए हैं.…
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#Mani Bhattacharya#mani bhattacharya News#Mera Bharat Mahan#Mera Bharat Mahan News#Most Money Bhojpuri Movie#Pawan Singh#Pawan Singh And Ravi Kishan Film#Pawan Singh Film Earning#Ravi Kishan#Ravi Kishan Film Earning#Upcoming Bhojpuri Film
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Movie4me - Download Latest HD Movies 2019
All the information on this website is published in good faith and for general information purpose only All the information on this website is published in good faith and for general information purpose only. Movie4Me 2019 does not make any warranties about the completeness, reliability and accuracy of this information. Any action you take upon the information you find on this website (www.iptvlinkss.com), is strictly at your own risk. Movie4me 2019 will not be liable for any losses and/or damages in connection with the use of our website.
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Most dirty webseries
Seetrending.in
The way internet users are growing up, all the services on the internet are growing fast.
First of all, YouTube and now the users of WebSites are enjoying
today, in this post today, talk about the most dirty Adult webSeries It is very fasmous. I am writing this post which I am writing with all my personal experience which I found to be the same as the webseries, I would give it the same place.
First thing to talk about
(ULLU) app
Oli launched in the hall, the UllU app has made quite a bigger place in internet webseries.More than the Dubbel XX webseries is making the ULLU app, I will talk about the most famous webseries in this.
1. Singardaan
Story: Gupta ji is in love with a prostitute Shabnam in this story. He has a make-up box. When Shabnam dies, Guptaji takes the box to his house. Box turns his wife and daughter into a prostitute, he will save his daughter and wife, how can he take the box, all this Kush is in this serial. Daughter and wife will prevent you from becoming a prostitute |
Language
Hindi English Bhojpuri and Punjabi
2.Wana has a Good Time
Viral -: Top Viral Frauds on Internet ...
Story: In this story Shilpa plans to go to her maiden. In her absence, her husband calls a prostitute. When he sees his face, he looks like his wife.To this story
Language
Hindi English Bhojpuri and Punjabi
3.Black Coffee
Viral-: muslim boy te
lling truth about india
Story: In this story Arjun, the latest internation in the office serves black to his Boss Riya. He falls for him at first sight. It intrigues his kinky imagination. What happens then brings a turn in this story filled with love and lust.
Language
Hindi English Bhojpuri and Punjabi
4.Ghapa Ghap
Story: The story is a story of a pair of people who are having a good time. A group of thieves enter the house and notice the couple in their actions but they go after their priority - money
Language
Hindi English Bhojpuri and Punjabi
5. Le De Ke Bol
viral -: Meet the bearded lady
Story: Rakesh and Piyali are working in the same story in this story . Rakesh is very less in comparison to Piyali. They love each other and decide to get married. Rakesh's parents demand huge dowry, but Piyali is against this old tradition. To get your love, the girl decides to take a big step.
Language
Hindi English Bhojpuri and Punjabi
6. The Choice
Story: Annamika's marriage to Sudhir is seen in an average by this story . Gradually, he starts falling as a very beautiful man for his boss Dushyant. Sudhir is mad in love with Anamika and she wants to do this. Then what will the wife do? Will the power of love win?
Language
Hindi English Bhojpuri and Punjabi
2.ViU App
Viu is a television channel of viu Hong Kong which is oprated by HKTVE. The Youth Asian drama offers various programs, anime and entertainment news. [2] According to the interim report of June 2018, Vu had 20 million monthly active
users.
1.Love, Lust and Confusion
In the story, Poroma plans to go to Mumbai. They get different people there and experience it. Make a list in her dairy and make sex with similar people and make relationships. The viu has just arrived for 2 seasons. I have seen these Webseries myself I found it very good Hope you liked B
3.Gandi Baat (jio cinema)
Season 2 is a new collection of stories of dirty talk, which reveals sexually bold & amp; The unilateral side of the women of the villages of India
4.Netflix
Netflix, Inc. Is an American media service provider, headquartered in Los Vatos, California, founded in 1997 by Reid Hastings and Mark Randolph in Scots Valley, California. The company's primary business is its membership-based streaming OTT service that provides online streaming of a library of movies and television programs including in-house. [9] Until January 2019, netflix had more than 139 million subscriptions worldwide
1. Afair
There are so many reasons to see Showtime's "The Affair", including Ruth Wilson's stellar job in the role of Alison Lockheart - but this is to stop an extra-marital bed that will actually bend you. The show follows Noah, a school teacher and novelist who is happily married, and Alison, a young waitress who is trying to bring his life and relationship back - and back after the tragic attacks.get more hot topics seetrending
2. On the Road
"On the Road" has an impressive lineup of actors, including Kristen Stewart, Amy Adams, Kirsten Dunst, Elizabeth Moss - this is especially an effective lineup of sex scenes in Threesomes, Couples Couplings and prostitution.
3. Sex Education
Sex education is a British comedy-drama web television series created by Laurie Nun, which premiered on NetFlix on January 11, 2019. The series includes Gillian Anderson, Asa Butterfield, Emma Mackay, Nakati Gatva, Connor Swindles and Kedar Williams-Sterling. In February 2019, it was announced that the series was updated for the second session.
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Wynk Music Download: Download Songs From Wynk Music App
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Echo Dot (4th Gen, 2020 release)| Smart speaker with Alexa Color May Vary
Meet the all-new Echo Dot
Our most popular smart speaker now comes in a refreshed, compact design that fits perfectly into any room. It delivers loud, crisp sound with improved bass that you can enjoy anywhere in your home.
Meet Alexa, the brain behind Echo Dot
Alexa, the brain behind Echo Dot, is built in the cloud, so it is always getting smarter. The more you use Dot, the more Alexa adapts to your speech patterns and vocabulary. Using Alexa is as simple as asking a question – just ask and Alexa will respond instantly. Learn more about Alexa.
Voice control your music
Echo Dot streams music from Amazon Prime Music, JioSaavn, Gaana, Hungama Music and Spotify - just ask for your favorite artist or song, or request a specific genre or mood. Access songs in Hindi, English, Telugu, Tamil, Punjabi, Marathi, Bengali, Bhojpuri, Kannada and more. With Amazon Prime Music and Spotify, you can also create and manage your personal playlist.
Voice control your home
Use Echo Dot to set up and control Smart Home devices like smart lights, plugs, TVs, ACs, geysers and more. Use motion detection to automatically turn on smart lights when you enter a room or turn them off when the room is vacant. Set it up using routines feature in Alexa app. Learn more about voice control.
Make everyday easier
Make your life easier at home. Set timers, ask questions, add items to lists, and create calendar events and reminders. You can also pay your utility bills - electricity, mobile phone, gas, internet and more - using Alexa. Just ask, “Alexa, pay my bills.”
Designed to protect your privacy
Alexa and Echo devices are built with multiple layers of privacy protection. Echo smart speakers have a microphone off button that electronically disconnects the microphones. You also have control over your voice recordings and can view, hear, or delete them at any time. Learn more about privacy. Alexa has more than 30,000 skills & counting. These skills add capabilities to help you do more with your Echo device. They can help you stay updated with latest news, listen to music, radio & podcasts or access stories, recipes, movie reviews and more from your favourite brands. You can also create your own personal skills & responses with Alexa skills blueprints. Learn more about Alexa skills here.
Shop with Alexa
Alexa makes it easy and convenient for you to shop on Amazon. Build your shopping list with Alexa, get products information and prices, check out latest deals, reorder your past purchases, add items to your cart, check status of your orders, get delivery notifications and more. Alexa is always ready to help you save time and money for your shopping needs.
Simple to set up and use
Technical Details
Echo Dot (4th Gen) Size 100 x 100 x 89 mm Weight 341.3 g (Actual size and weight may vary by manufacturing process) WiFi connectivity Dual-band WiFi supports 802.11a/b/g/n/ac (2.4 and 5 GHz) networks. Does not support connecting to ad-hoc (or peer-to-peer) WiFi networks. Bluetooth connectivity Advanced Audio Distribution Profile (A2DP) support for audio streaming from your mobile device to Echo Dot or from Echo Dot to your Bluetooth speaker. Audio/Video Remote Control Profile (AVRCP) for voice control of connected mobile devices. Hands-free voice control is not supported for Mac OS X devices. Bluetooth speakers requiring PIN codes are not supported. Audio 1.6” built-in speaker for voice feedback. 3.5 mm stereo audio output for use with external speakers (audio cable not included). Item quantity 1 Warranty and service All-new Echo dot is sold with a limited warranty of one year. Use of All-new Echo dot is subject to the terms. System requirements Echo Dot comes ready to connect to your WiFi. The Alexa app is compatible with Fire OS, Android and iOS devices and also accessible via your web browser. Supported operating systems. Certain skills and services may require subscription or other fees. Setup technology Amazon WiFi simple setup enables customers to connect smart devices to their wifi network in a few easy steps. Wifi simple setup is another way Alexa is always getting smarter. Learn more about WiFi simple setup Accessibility features The Alexa app and Alexa-enabled products include several features for customers with accessibility needs related to vision, hearing, mobility, and speech. Learn more about Alexa accessibility. Included in the box Echo Dot, power adapter (15W), and Quick Start Guide. Generation Echo Dot (4th Gen) - 2020 release Privacy features Wake word technology, streaming indicators, microphone off button, the ability to view and delete your voice recordings, and more. Visit the Alexa Privacy Hub to explore how Alexa and Echo devices are designed to protect your privacy. Language Alexa speaks English and Hindi Country of origin China Generic name Smart speakers Name and Address of Importer Amazon Wholesale (India) Private Limited. Block E, Unit No. 1401-1421, International Trade Tower, Nehru Place, New Delhi- 110019 Name and Address of Manufacturer HENGYANG FUTAIHONG PRECISION INDUSTRIAL CO., LTD. Building E1 of No.35, Baisha Industrial Avenue, Baishazhou Industrial Park, Yanfeng District 421007 Hengyang City, Hunan Province, P. R. China MRP (inclusive of taxes) 4,499 Read the full article
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THE FILM 'TIS BELIEVED....NO, 'TIS KNOWN...GOD HERSELF MOTHERED & NURTURED FOR MORE THAN A YEAR....IN INDIAN THEATERS ! - THE STORY OF THE ONLY INDIAN FILM THAT'S ON SEVERAL POLICE RECORDS, FOR HAVING CREATED A SERIOUS LAW & ORDER PROBLEM ACROSS THE LENGTH & BREADTH OF INDIA ! - HOW A FILM LITERALLY MADE ON STARVATION BUDGET, BECAME THE 10TH MOST MONETARILY SUCCESSFUL FILM IN INDIAN HISTORY! - THE ONE MOVIE THAT REACHED THE HEIGHTS OF 'MOVIE DHAM' ! - THE FILM THAT ANNOUNCED ADVENT OF A NEW GOD ON PLANET EARTH !- “JAISA GANESH, VAISI USKI BETI!” - THE STORY OF THE UNPRECEDENTED, UNPARALLELED, & HISTORIC BOX-OFFICE SUCCESS OF 'JAI SANTOSHI MAA' !
Film actor Ashish Kumar & his actress wife Bela Bose were happily married for a while yet childless. Among the many 'totkas' women adopt, she also came up with one such desire to follow a once-a-week 16 week 'fasting' pattern for the Goddess Santoshi, that was recommended to her. And within a few weeks of this fast, she conceived & bore a child! Some time elapsed, & Ashish on one of his many story sittings, in a general chat happened to mention this miraculous feat to his producer friend, Satram Rohara. Satram heard it, & jumped up, for he too had exactly the same story to tell with his own wife! So moved were they, that decided to make a film tributing Goddess Santoshi. Despite knowing how mythos despite being a safe commission earning bet thru 30s-60s, were surefire b.o flops. in mid 70s. Anita Guha who'd made a name for herself as mytho queen way back in 60s, but long retd, was chosen for the Goddess's role & a famous Gujarati & Bhojpuri heroine Kanan Kaushal as heroine, Music Dir & Playbacks too being the supposed B-rung of then. All this supposed 'sidie' line-up you see, for they knew how this film was doomed to lose money, yet that they just had to make to thank the Lord! ... But something interesting started happening as the film was being made, The songs that were coming to the sets from the studios, were far superior than what anyone'd bargained for! Much that huge crowds began gathering around the area it was being filmed just to hear them! This level of live support heightened excitement among the crew, much that began working super efficiently to complete it well. Now to the next sequence of events..This buzz affected Anita ji on her first day too, who in her earnestness it turns out forgets to have breakfast, & while trying to learn her next set of heavy-duty lines, misses lunch too. When producer organizes a buffet dinner for all at night, Anita ji who was available for just a few days, & had to shoot post dinner too, realizes this might entail removing all her make-up & re-applying it, & to avoid all that fuss, decides to skip dinner as well. On her way home, a thot strikes her! - This was the first time in all her working yrs this'd happened..& what if it was a sign from God! At that very moment she decides to observe a fast for all her days of shoot on this film! & Thus the film very amiable & efficiently gets to verge of completion. But another, it seems important part of The Good Lord's plan was yet to take it's position.
Edward Theaters at Marine Lines was historically known for only showing re-runs of decades old Hindi films. But when it's owner heard that a film by name 'Jai Santoshi Maa' was being readied for theatrical release, & with just 14 prints, he strangely volunteered to be the first to release it in his theater, the only time over it's 110 yr existence, something like this 'tis known to've done!..need it be said, to thank the sweet Goddess himself. Now Edwards was unique for showing some of the lowest-priced films anywhere, thus causing many villagers on daily wage trips to Mumbai frequenting it at evenings. The film's released, but as expected you know, earns Rs. 56 across it's 14 prints in 1st show, Rs. 64 in 2nd, Rs. 92 in 3rd, & Rs. 100 in last. This roughly carries on Friday, Saturday & Sunday. Makers know its a flop, yet happy at having done their duty. NOW COMES MONDAY...AND THE MIRACLE IS AFOOT! You see many of the villagers who'd seen the film at Edwards, each go to their resp villages, & make mention of this lovely film on Goddess Santoshi they've just seen..TO THEIR LADIES! AND MADNESS BEGINS! It seems Goddess Santoshi, not a very popular Goddess in India then, had bestowed her blessings on many families sporadically across India, incl very many villages. And many ladies of almost every village were her quiet yet ardent devotees. And they began coaxing their hubbies & families to collectively make a trip to Mumbai, & watch their Goddess on screen! People tell of how that Monday saw endless streams of bullock carts from every conceivable (pun intended I guess) village of Maharashtra entering Mumbai to watch this one film alone! Media ofcourse gets to hear of it, & flashes it on front pages the next day! BY TUESDAY, WHOLE OF INDIA KNOWS 'JAI SANTOSHI MAA' IS RUNNING IN MUMBAI, & STARTS PLANNING A TRIP! Similar stories emerge of 100's of villages emptying out to reach nearest cinema halls, even 100s of kms away! Police across all states are out on high alert..A UNCONSCIOUS MASS MIGRATION IS BEING SEEN ACROSS INDIA ALL AT ONCE! Producers are sent urgent calls, nor just from distributors & exhibitors, but law enforcement, to send more prints! How many?? As many as you can..300-400! "WE DON'T WANT RIOTS!" "But this will cost atleast 30 lakhs" .. "Beg, borrow, steal..but do this for your nation". 600 PRINTS ARE RELEASED! THE RETURNS? .... 208 TIMES OVER PRODN & PUBLICITY COST (PER RECORDS..THE ONLY TIME EVER IN HISTORY! WE TODAY INFLATION-ADJUSTED ESTIMATE 'JAI SANTOSHI MAA' AS HAVING EARNED RS. 3,120 CRORES AT THE INDIAN BOX OFFICE!
What you just heard was public record. What you're about to hear next, is nothing short of real-life mythology in itself. Women not just from villages but also small & bigger towns, started making visits to this film a near daily event. The cottage tourism industry starts picking up all of sudden, for the now routine mass bookings made by kitty parties across India, to their nearest 'Santoshi Maa Theaters'. What starts drawing interest next, is not the repeat & mass value of this film, but the manner of visitation. Women & even men, in their millions, started bringing flowers, fruits & even sweets along, males generally entrusted with the 'prasad' distribution duties to every visitor as exited the film, while women left to their 'prayers' inside the hall, once each & every song began, taking turns in groups to come to the space at the front, in their hundreds, with none of the admin staff daring to stop any! Reason being, what'd happen next! - You see each of the ladies after their flower & fruit sacrifices, would also generously remove their coin-wallets from inside of their blouses, all coins to be thrown as forcefully as could so to veritably touch the silver screens!- the farther the more blissed & more blessed..& all this money btw meant for that cinema staff alone ! (Many of who's families that owe their decent prosperity till today to this one film) Paid shoe stalls now started privately springing up outside many theaters..for how wear footwear be spending half your time praying & singing Lord's praise at! Hey, temples too built in places where open lands across halls! Now in all this euphoria, we've almost forgotten Santoshi Maa, I mean Anita ji herself! .. People leaving cinema halls, be all so taken, began craving a personal 'darshan' of that image for real. And Anita Guha's Bandra house soon became public knowledge, people first watching the film, next making their way to below her house! Anita ji herself recounts umpteen stories of women throwing their new borns into her arms, as left home each day! Anita Guha,mind u,was ranked among Top 10 Heroines of 1950s & Top 5-6 of 1960s. Yet remembered by most post 70s only as 'Santoshi Maa'! THAT'S LIFE! ..WONDERFUL! 'JAI SANTOSHI MAA' RAN MORE THAN A YEAR & CELEBRATED A MOST UNFORGETTABLE GOLDEN JUBILEE AT ALL CINEMA HALLS IT RAN ON! & AS TRIBUTE TO THE ONE FILM THAT CHANGED THEIR LIVES, EDWARDS & MANY MUMBAI THEATERS ~50 YRS ON, KEEP MEMENTOS OF IT'S 50TH WEEK RUN TILL TODAY... MARKING THE ONE YEAR, GOD CAME TO LIVE WITH THEM!
And just as inauspicious & bad events have their aftermaths, greatest events leave their aftermaths too!
Here's recounting some of them: 1. See as news of this unbelievable level of mass hysteria & success were naturally going to cross all borders, also reached leading & most renowned sociological researchers around the world, incl leading world historian Michael Brand, Prof John Hawley of Barnard College, Columbia Univ, Prof Cathleen Arnold of Florida State Univ, Prof Philip Lutgendorf of Iowa Univ, famous writer Stanley Kurtz, & many other leading historians & international journalists of the times, who all came to India, conducted several interviews across the board, collectively pooled their heads to try make sense of this most unique phenomena they'd just witnessed..and alongside Indian sociologists like Veena Das, published their own research papers on it! The only other time sociologists have been known to enter the film arena for wide-scale research, was to deconstruct Rajesh Khanna's magical 2 decade reign over Bollywood, again from India! 2. The culture of fasting in name of Maa Santoshi, that began after this film, continues as c/f tradition till today across India. 3. There was a practice of writing 'Om Shubh Labh' atop letters till then. That was soon replaced enmasse by "Jai Santoshi Maa!" 4. A new, slightly devious side-culture/biz of sending Santoshi Maa's 16-chain postcards sprang up,to maximize blessings...& POSTCARD SECTION OF INDIA'S POSTAL SERVICE SHUT DOWN, FOR PAUCITY OF RESOURCES! 5. Only time ever, a full LP of a mythological film was released worldwide by music cos! 6. Now to makers- Producer Satram Rohara & Distributor Kedarnath Agarwal, both went bankrupt, Satram people say for no favorable profit-sharing contract with Dist at time of release, & Distr in turn being duped by own brothers. Film's leading light,Anita Guha,too didn't exactly meet most peaceful end-suffering heart ailment & leucoderma (skin whitening), she would die in her old age unwilling to be seen w/o make-up. People say,atleast first 2 suffered for promising temples on Maa yet failing to build,yet most believe Good Goddess actually fast-tracked karmas of all it's makers,a great blessing in disguise! 7. Ganesh's daughter didn't have many sites in India till then..but everything would change post 1975, & Santoshi Maa temples became regular feature of every city & town! 8. & WE NOW KNOW FIRST-HAND..HOW GOD WORKS TO ESTABLISH HIS OR HER KINGDOM, WHEN SEES FIT!
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6 Best Tamil Films From 2018 That You Must Watch!
Since the cinema came into existence, varieties of films have been coming out to the audience from the nook and corner of the globe. Indian cinema plays the biggest role in producing films and generating revenue from it. As we all know Indian cinema involves many other national as well as regional film industries which popularly include Hindi Cinema, Tamil, Telugu, Malayalam, Kannada, Marathi, Bhojpuri, Punjabi, and Assamese among others. Above all, Tamil cinema is an integral part of Indian cinema. It has been very content since its origins. Tamil cinema has produced many legendary directors, producers, cinematographers, editors, actors, actress, musicians, and writers and so on. The year 2018 proved to very significant for the film industry as in this year films from art house cinema to mass cinema created a buzz in the country. On one hand, when films like “2.0,” made history by being one of the highest budget Indian film of all time, at the other hand, films like “To Let” created history by changing the course of the Tamil cinema by its content and representation. Here, we will be discussing about six most important Tamil films of 2018 which can’t be left behind by a true cinephile. The list of these films is based on the writer’s own taste and understanding, however, your suggestion is welcome. Feel free to share your list of Tamil best films from 2018. Pariyerum Perumal
This is one of the finest, genuine and intense movies I have watched in the year 2018. As said by K.R. Narayanan, “inherited caste system still remains with us”. The movie brilliantly portrayed the harsh reality of our society, about the ideologies of caste, inequality, life of oppressed people and honor Killings. It’s hard hitting and thought provoking. No hero build ups, no lengthy dialogues, no taking revenge, no blame games, everything is portrayed in a subtle way, carefully balanced from all the aspects. The film boldly asks major questions revolving around the caste system and beautifully portrays a message for the same without ever sacrificing the story-line. Very depressing yet very eye opening movie brilliantly acted out by the majority of the cast, mainly by the protagonist Kathir, who played his role with ease and precision and aptly captured by Sridhar. Some of the songs bring out the emotions pointing to the evils of the rotten system. You feel exhilarated and empowered by the end of the movie. Vada Chennai
Vada Chennai lives up to the expectation and hype it created since it was announced years back. The movie is raw yet so refined; the story telling is complex yet simple. The movie in itself has badness with goodness. It’s a perfect mix of things you never thought would sync together. The camera work and realistic feel is incredible. Very well edited and acted out by a talented cast, this movie which portrays a natural north Chennai slum not only is a masterpiece but also an eye candy for the viewers. However, what works great for this movie is its attention to detailing, strong characterization, art direction, background score and the non-linear story telling that keeps us engaged and intrigued throughout the film. This film is directed by one of most promising young breed of Tamil film director called Vetrimaaran – who got name and fame by making one of the most radical, realistic, original and authentic film ‘Visaranai’ in 2015 which was India’s official entry for the Oscars. Vada Chennai is undoubtedly the finest work of Vetrimaaran. Ratsasan
The opening frame of this film will remind you of the Korean classics ‘Memories of Murder and I saw the Devil’. It is one of most nerve wreaking thriller in a long time in Indian Cinema, you will be in the edge of the seat for the entire movie. You can’t even imagine that this movie was directed by the same guy who has directed Mundasupatti (a hard-core romantic drama). Such a strong story line and he has handled with ease. Each and every character in the movie has done a fabulous job. The unpredictability is another major element that you will fall for while watching it. BGM was right there bringing you the much needed anticipation throughout the movie. Psycho thriller genre is not very successful in Tamil cinema as very few directors have explored this area. However, the director of the film Ram Kumar has definitely done justice to his work bringing us an ambient visual treatment. Climax of the films more intelligent, terrifying, and hypnotizing and the entire team made sure that there are no logical flaws or whatsoever in the movie. 96
Love is an abstract word that no dictionary can define but its effect on humanity and life as such is astonishing. Some died, sacrificed themselves and some lived for it. This movie has brought out that beauty which made us realize that the word love is not just a few late night calls, letters and gifts; it’s all about giving a bit of you to another person. This film strokes all the right string of emotions with its artistic subtlety. The 90s, the dying years of the ‘simple life’ and perhaps the one snapshot in time that most people over 30 today would want to relive forms the premise of this story. Each and every frame in the movie is admirable. Clear cut scene delivery. Sound effects are brilliant from the bird’s chirping when Ram and Janu are talking in the school campus to the rain sound when they are having conversation at Ram’s apartment, audience immersed into the film very easily. It’s a very simple yet hitting film which showcases how humans are trapped into social norms lose their own self in between. In some of the scenes you will get glimpses of ‘In the Mood For Love’. It has been executed flawlessly. Merku Thodarchi Malai
‘Poetry in Motion’ describes this film in a completely pure way. Story of the film revolves around a group of landless workers living along the foothills of the Western Ghats in India. It depicts how the introduction of commercialization creates conflicts in the lives of villagers. There are very few Tamil films which has this level of cinematography. The camera simply goes from one place to another and you too as a viewer travel with the camera. Characters and locations look as natural as these could be. Legendary music composer, Illayaraja has composed the background Music of the film which makes the visuals look more appealing, engaging and impactful. The film ends with a series of shots that show the helpful nature of humans who go beyond religion, caste, creed and region to help on another. In one scene, a Muslim man provides land to the hero without asking for money. In another, the heroine takes debt for the marriage of a girl who is not related to her. Tamil Superstar Vijay Sethupathi has produced the film under his banner and he should be appreciated for supporting such a radical and experimental film. Mercury
One of the most radical and new age film maker Karthik Subbaraj has already made a name of himself in the Indian film industry, especially in Tamil cinema with films like Pizza, Jigarthandha and Iraivi. Mercury is an addition into his filmography which clearly indicates the versatility of his film making style. Rommance, horror, reality and brutality are the elements that his films consist. Mercury is undoubtedly another master piece from Subbaraj. It is a Silent movie and there is also a strong reason for the film being silent. You can understand that within five minutes of the movie. The story revolves around five people who are accidentally driven in to an old abandoned mercury factory and their attempts to escape from there. This film speaks about the environmental abuse by the corporate and also the emotional complexities of life. The cinematography, color tone and Background music is amazing. The film is described as silent but ends up being loud, noisy and disturbing. The list and its sequencing are based on cinematic sensibilities of the writer. However, you are welcome to give your suggestion. Read the full article
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Priyanka Chopra to produce a Hindi film soon?
Priyanka Chopra has become a full-fledged producer in the Indian cinema. She has backed films in regional languages namely Bhojpuri, Punjabi, Marathi. She is currently producing a Sikkimese film and a Goan movie. Now, she is planning to venture as a producer into Hindi films as well.
Recommended read: Watch: What was cooking between Priyanka Chopra and Nick Jonas at the Met Gala? Jimmy Kimmel investigates
When asked about it, by the leading tabloid, PeeCee stated, "I think with my heart and not my head. I am instinctive but not impulsive. And money is not the end goal. If it was, I wouldn't be producing regional films whose reach is limited. It's so much easier to make money as a Hindi film producer. But we are still a small company and new as producers. We still have a lot to learn." Ajit Andhare, COO, Viacom 18 with whom she might collaborate said, "We take so much pride in Priyanka that we would love to do more with her. There are plans to collaborate with Purple Pebble Pictures soon." Priyanka was further asked if she plans to pen a script. To which she said, "I'm not that talented. I love writing. I've worked with the most talented writers in the world in Hindi cinema and on Quantico. I don't have enough knowledge yet, but I am overlooking the screenwriting process." Chopra was also if she is planning to write her own autobiography, and she stated, "If I could clone myself I would do a lot more. I'm chasing time!" Interesting much? Meanwhile, Priyanka is all set to be seen in her Hollywood debut Baywatch directed by Seth Gordon. The film is slated for a global release on May 25, 2017. In India, the movie releases on June 2, 2017. For the latest in Bollywood, TV & Fashion download our updated Android App OR our iOS App.
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I’ve been tossing around the idea of doing a post that tries to put Bahubali 2‘s all India success into context. And then both T.J Stevens and Cerusee indicated that they would be interested, so the poor Samarth-Mukherjee family has to wait another week for me to finish them, because I want to try a brief history of “regional” films.
Non-Usual Disclaimer: Hindi film is my area, I know all kinds of things about Hindi film, but I only have the tiniest knowledge of non-Hindi films from India. So I will do my best, but forgive me if I miss things.
Indian film did start in Bombay, everyone agrees on that. The actual film is disagreed on, it was either Raja Harischandra in 1913 or Shree Pundalik in 1912. But either way it was in Bombay where it started. And then film spread very very rapidly through out the rest of India, with multiple film centres popping up for each language.
And it wasn’t just a matter of different languages. Because a language isn’t just a language in India. You might as well say that the only difference between Spain and Sweden is language.
Bengali films tended to be literary, complex social issues and characters and so on. Marathi films had a kind of hearty earthy comedy. And the Telugu films were epic historicals. And so on and so forth.
In the silent era, there was some travel between industries, since it was a simple matter of swapping out intertitles to open up films between language groups. But there wasn’t as much travel as you would think, audiences liked what they liked, and it wasn’t just about the language the intertitles were in. It was about the stories being told, familiar stories from childhood, and the architecture, and the character names, and everything else.
(remember my epic Devdas posts? remake after remake after remake? Because each audience wanted a version in their own language. I didn’t even talk about the Telugu version!)
Sure, there were cross-overs. Bengali to Hindi was a common one in that era, Devdas and Parineeta. But the cross-overs tended to increase as there was actual mass migrations of ethnicities. So, after the Bengal famine, more and more Bengali filmmakers moved to Bombay, along with massive groups of refugees, and the Hindi industry shifted to accommodate them. And there was an influx of Urdu poetry and the creation of the “Muslim Social” genre after Partition, when masses of artists from the Lahore industry, along with more refugees, suddenly found themselves part of the Hindi audience.
(Chaudvin Ka Chand, in Hindi and Urdu, set in Lucknow, and produced and filmed in Bombay)
But, as we all know, the south was something different entirely. Bengali and Hindi, Urdu and Hindi, dozens of other smaller regional languages and societies had elements in common. The audience members shifted back and forth across borders, and so did artists. And a Hindi audience could vaguely follow a Bengali film, the architecture wasn’t that different, neither were the clothes or the religious festivals or any of the rest of it. It wasn’t the same, I definitely don’t want to say it was the same. But it was similar.
But the south, that was something different. Just as Bombay attracted artists from all over the north of India, so did Chennai/Madras start attracting artists from all over the south. And while the Tamil audience was not the same as the Telugu audience, they were similar. Much more similar than Tamil and Bengali, say.
I’m not talking about actual film styles here. Or not only about film styles. Bengali social dramas with strong female characters share a lot of Venn diagram elements with Tamil social dramas with strong female characters. But it’s the little things, the kind of pictures on the walls, the colors used in the costumes, the way of doing hair, it’s all just different if it’s not from your home region.
(Two strong 1970s heroines, but one is Tamil and one is Bengali and they look totally different. In little bitty ways)
And you combine that with the genre differences that are there, and it is all just too different to cross-over. If you are raised on Telugu historical epics and action films, with heroes wearing lungis and heroines who never wear Salwars, with mustaches on the men and heavy eye-liner on the women, and Bharat Natyam dancing instead of Kathak, than any other kind of film from anywhere else in India just isn’t going to feel “right”.
And so by the 1950s, Indian film had settled down into a nice segmented audience with a nice segmented map. Tamil films and Telugu films played side by side, each taking one half of the southern regions with the occasional blurry areas that they shared. Bengali films stayed fairly firm and steady in the East. And there were the smaller areas, each with their own little personalities, Bhojpuri and Malayalam and all the others. Tiny hidden gems.
And thinly smeared all over north India, like butter that can’t quite cover the toast, was Hindi. Every other genre has this strong identity, specific to particular ethnicities, but Hindi kind of doesn’t. There’s quite a bit of Punjabi in there, and some Marathi, and a touch of Bengali, a little Gujurati, and this that and the other thing. But it is a rare Hindi film that makes you go “yes! That is exactly and specifically what it was like to grow up in my hometown!”
(Chashme Baddoor was one of those rare Hindi films that actually felt like it was in a real place, and then of course it got remade as a ridiculous sex farce)
Hindi played down south too, just not as much. But it did play at least. If you wanted to, you could see a big release anywhere in India. Unlike the southern films, which would rarely make it out of the southern half of the country, and even more rarely overseas.
And this was life from, say, 1950 to 1980. Everyone had their regional language films as a main course, with Hindi as a side dish. And in most areas in the south, you had your local films as a dessert on top of the Tamil and/or Telugu main course. Languages like Malayalam had their own industry, but they weren’t bringing out films every single week, if you wanted to go to the movies each Friday, you would primarily be watching Tamil/Telugu and the release in your own language would be a special occasion. And then there would be Hindi, if there was nothing else, or if there was something really remarkable, you might as well watch it.
And then in the 1980s, things started to shift. Not artistically at first, but technically. VHS came in. Suddenly if you had grown up in Madras and were now living in Delhi for work, you could just rent a movie from home instead of suffering in some Hindi theater. And if you were living in New York, you no longer had to suffer through some Hollywood film, you could rent a Hindi film from back home too.
(Aw, I’m all sentimental for VHS now!)
Hindi film went from being spread very very thinly all over India to being spread even more thinly all over the world. The flavor kind of got sucked out of it, you know? It became truly “Indian film” with no real specific identity. And I say that as someone who loves Hindi film! But if I watch it, I might pick up a few words of Hindi and a basic idea of the Ramayana and see Marine Drive in Bombay about a million times. But I will never really get an Idea of what it is like to live in a village in India, or on the streets of a city, or the political history of the country, or the artistic traditions, or any of the rest of it.
There was a lot of other stuff going on in the 80s too of course. Amitabh had kind of taken over the industry, with his action films, and the women and children were being driven out of theaters, there was a general artistic decline. And, this is my personal theory, but I think this artistic decline was self-perpetuating because great art attracts great artists. If I am a filmmaker in, say, Kerala. And I am watching amazing films coming out of Bombay in the 1970s, the heyday of Salim-Javed and Yash Chopra and all those other brilliant people. Then I will think “boy, I want to go to Bombay and work with these people!”. But if I am that same filmmaker in Kerala in the late 80s and I am watching the current Hindi films, one repetitive chauvinistic action film after another, I am going to want to stay where I am and work with all the other interesting people who are staying in Kerala as well.
(I really need to watch Aalkkoottathil Thaniye again. Also, this kind of deep character drama is what Kerala was making while Hindi films were cranking out Amitabh movie after Amitabh movie)
And so, in the 1980s, for the first time those regional films started to chip away at the traditionally solid Hindi audience. Tamil and Telugu hits started making waves in Bombay. And being remade in Bombay. Boney Kapoor, that’s how he made his money to start with, going down to Chennai and funding some southern stuff, and then taking those same scripts and remaking them in Bombay for the Bombay audience. Taking some southern stars along as well. Sridevi, of course. Also Mithun Chakraborty. Kamal Haasan and K. Balachander, on the slightly more artistic side, also made their way north in this era. And the Hindi industry started running scared.
Look at the old Agneepath, for example. It was supposed to be a major Amitabh hit. But not only was Mithunda brought in as a second hero, his character was aggressively southern, a desperate attempt to grasp at the audience that Hindi films could feel slipping away.
But there was nothing to worry about, really. It was just a natural shift of the industry. Hindi films were in an artistic funk, and were confused by the new reality that forced them to fight a bit harder to keep their audience.
And then it all got sorted out in the 1990s. Hindi films firmed up their domination globally, and started to find their new home in India in the slightly higher priced theaters, making going to the theater an experience again, something that no VHS tape could compete with. And regional films firmed up their audience as well. And found their own global presence, I’m sure we have all heard stories of how big Rajnikanth is in Japan. And obviously Tamil films rule Malaysia with no competition able to break through, and I am sure there are various other older pockets around the world I don’t know about.
This is also the era when the 3 biggest artistic breakthroughs from the south came up to Bombay. Which kind of proved that the boundaries were firm, I mean, we don’t talk about how Yash Chopra was a Punjabi filmmaker in the same way that we talk about Mani Ratnam as a Tamil director. Because he went back home, you know? He made Roja, it was dubbed in Hindi and released all over the country and became a massive hit. The first film (so far as I know) to do that. And then Ratnam went back home to Madras and kept working there. Heck, his production company is called “Madras Talkies”! And Ram Gopal Verma did the same thing, came up north to make Rangeela, massive hit, and Satya, massive hit, and then kept shuttling back and forth between Hindi and Telugu films, never really landing on one more than the other. And of course AR Rahman has made his commitments very clear, 3 Tamil films to every one Hindi or English. Mostly, we know the boundaries are firm because these are called “crossover artists” and their films are “crossover films”. Which means there must have been a border for them to cross over.
(If you want to know more about Ratnam and Rahman, you can check out my post on them)
And this brings us to the 2000s! When everything changed again, some more. Firstly, there was that global audience. It had just started to spread in the 80s/early 90s. But by 2000, it was firmly in place. Hindi films played in mainstream theaters all over the world. Non-Hindi films were slowly following their lead. They both started the same way, small community groups renting out church basements and playing reels they’d shipped over through some funky little distributor. And then slowly getting big enough to rent a theater in a multiplex and sell tickets, and get the reel from a real grown-up distributor that had started investing in Indian film. And finally getting so big that regular American theaters and distributors were dealing directly with Indian producers. Only, Hindi films started out like that in the early 90s, and non-Hindi films started out like that about 5-10 years later. They have been running to catch up ever since and just in the past few years, they finally have. (if you want to know more about the global audience, you can check out my thesis. And if you want to know more about Hindi film history in general, check out my book)
Let me back up for a second to that 50s-80s era when every language group had its own set audience and Hindi film kind of filled in the gaps. One huge thing to remember about this era is that there were no “all India hits” of the way we have them now. Because there were no all India releases. It was a simple matter of the number of prints made up. Back then, dozens of prints were a big deal. Now we are talking about thousands upon thousands of prints. Bahubali 2 supposedly took up 80% of all screens in India. I don’t believe that for a second, by the way, but just the fact that the producers feel comfortable making that kind of a lie tells us how big the releases are now.
So when I say “Hindi film filled in the gaps”, what that meant was that some Hindi print that had started out in Bombay and months later slowly made it’s way to Madras would be used to fill in an empty screen in a theater that was mostly playing first run Tamil stuff. Hindi film didn’t release all at once everywhere it the country and unite the entire audience with one story. No, it was more that some poor tired print would make it’s way very very slowly over the course of several years from Bombay to Madras to Calcutta to Hyderbad to Delhi, with a little jaunt over to New Jersey, and then maybe Egypt or Jamaica, and finally take its poor sad self over around a tour of the hinterlands of India, with whole reels missing and the sound cutting out and half the audience having already seen it somewhere else but still ready to watch it again. This was an “all India hit”. A movie that could play and replay for decades anywhere in the country. Not a film that released simultaneously in every theater everywhere. If you are talking about a film like that, arguably the non-Hindi films were more likely to do total coverage of an area. Just because they weren’t spread so thin. You could take those same 30 prints and manage to fill every major theater in the region, and every person in the region could watch the same thing opening day. Or at least opening month. Unlike Hindi, where those 30 prints would be split between Bombay and Delhi and Calcutta and Chandigarh and a handful of other cities. And only one or two theaters in those cities.
Now, coming back to the late 90s/early 2000s. Hindi film all of a sudden had soooooooooooo much money (blah blah, liberalization and industrialization and some other stuff you can read about in my nepotism post). And it started shifting from the idea of an “all India hit” being a film that could play and replay all over the country as it slowly traveled, to the idea of a hit that released all over India simultaneously and did equally well everywhere. And then, shortly after, a film that released all over the world and did equally well everywhere.
(Hum Aapke Hain Koun, first film to really crack the NRI market. By giving them a generalized happy family version of India)
And it worked, for a while. Because Hindi film had a lot of experience in appealing to everybody. Like vanilla ice cream. It’s not necessarily anyone’s favorite, but no one really hates it, you know?
But now Hindi film is beginning to hit another one of those draggy periods of artistic funk. And it’s lost track of it’s audience again. India as a whole is getting terribly divided. It’s the multiplex revolution, theaters that used to be a place where everyone watched together, maybe some in upper and some in lower stalls, but at least all in the same place, are now getting completely segregated. And Hindi film seems only able to appeal to the multiplex audience. It’s easier that way. Once you have gone to an English medium school, and then an international college, and now work for a multi-national corporation, all the rough edges are sort of scraped off and everyone is the same whether you grew up in Bombay or Hyderabad or New York. And you can all enjoy some movie with an NRI hero living in London, and a heroine who is a fashion designer, and dialogue that is half English and half very high class Hindi.
But no one else can enjoy those movies. It’s not just that the lower classes in India can’t relate to the characters, the second generation in America can’t either. Or the negative generation in America. “Negative” meaning the uncles and aunties and mothers and fathers who are brought over on Visas. It’s just the middle generation that gets some enjoyment out of the films. They’ve gone too far, gotten too neutral until they are less vanilla ice cream and more, I don’t know, skim milk. You still don’t hate it, but you don’t exactly enjoy it.
And thus, the rise of the non-Hindi films! Because they still have some flavor to them. And suddenly instead of Hindi films filling in the gaps in other regions, the other regions are filling in the gaps in the traditionally Hindi territories. Which, now, means London and New York and Sydney along with Bombay and Delhi.
One thing to remember, Bahubali excepted, is that the non-Hindi films still aren’t really breaking out of their regions. It’s just that the borders of their regions have expanded. Punjabi immigrants ended up in Canada and Australia, their films play really well there. Southern immigrants landed in America, Telugu and Tamil films do well here. Malayalam films do well in Dubai. But Punjabi doesn’t play in America, Telugu doesn’t play in Canada, and so on. The Global hit is as much an illusion as the All India hit.
(You see how this is a Punjabi territory for film?)
My interpretation of the current trends, again Bahubali excepted, is that things are bubbling back down to a healthy level. The future of Hindi films isn’t in Sultan and Bajrangi Bhaijaan, but in Badrinath Ki Dulhania and Dum Laga Ke Haisha. Hindi films can use their slightly higher degree of gloss and budget and so on to make movies that most people can enjoy. But they can keep their aim smaller, lower budgets and fewer screens, not trying to please everybody and ending up pleasing nobody. Go back to being the films that play very very well in some places, and can be more or less enjoyed everywhere, in between people watching their “real” movies. Whether they are watching their “real” movies in Toronto or Chicago or London or Kochi.
Hindi Film 101 One-Off: Bahubali 2 and the Future and the Past of All India Hits I've been tossing around the idea of doing a post that tries to put Bahubali 2…
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Launch Dates Calendar For All New Bhojpuri Movies.
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