#Mohan Raman

[drankitmogha]

#officers in Single frame 🖼️ #chandigarh

Raman Mittal ( DCP )

Mohan verma ( DFO ) Forest 🌳 Department

[orthotv]

‼️🚨 Last Call for Abstracts! 🚨

🔰 IASCON 2024 BENGALURU 21st Annual Conference of INDIAN ARTHROSCOPY SOCIETY

🔆 Theme: “Future Ready”

🗓️ Date: 12th - 14th September 2024

🏨 Venue: Hilton Garden Inn Bengaluru Embassy Manyata Business Park

▶️ Click here to register: https://tinyurl.com/OrthoTV-IASCON-2024

🔆Click here to submit abstracts : https://iascon24.com/abstract/

Submit your research for the 21st Annual Conference of the Indian Arthroscopy Society, Sept 12-14, 2024, at Hilton Garden Inn Bengaluru. Theme: "Future Ready."

‼️Don't miss out‼️

🔆FREE PAPER COMMITTEE Dr Prashanth Gorur Dr Santosh Kumar Hakkalamani Dr Rajeev Raman

✨Conference Highlights:

Live Surgeries

Hands-on Workshops

Panel Discussions

Basic Arthroscopy

Advanced Knee Arthroscopy

Rehabilitation

👨‍⚕️ Dr. Sivaraman Arumugam - IAS President 👨‍⚕️ Dr. Sandeep R Biraris - IAS Secretary 👨‍⚕️ Dr. Satish Shervegar - Organising Chairperson 👨‍⚕️ Dr. P C Jagadeesh - Organising Secretary 👨‍⚕️ Dr. Anil Patil - Joint Organising Secretary 👨‍⚕️ Dr. Mohan Kumar - Joint Secretary 👨‍⚕️ Dr. Chirag Thonse - Treasurer

📺 Media Partner: OrthoTV Global

🔗 Join OrthoTV: https://linktr.ee/OrthoTV

[ladduladlijumaharaj]

Must Visit Temples in Vrindavan: Radhe Radhe

Shree Banke Bihari ji Mandir

Radha Raman Temple, Vrindavan

Radha Vallabh Mandir, Mathura

Nidhivan Temple

Gopeshwar Mahadev Temple

Sri Rangji Mandir

Katyayani Peeth

ISKCON Vrindavan

Prem Mandir

Shahji Temple

Gokulnanda

Govind Devji Temple

Shri Gopinath Ji Temple

Madan Mohan Temple

Priyakant Ju Temple

Dauji Mandir

Dwarkadheesh Temple, Mathura

Shri Krishna Janmasthan Temple

Birla Mandir Mathura

Radha Kund

Kusum Sarovar

Vishram Ghat

Vaishno Devi Dham

Barsana

Nandgaon

Govardhan Hill

for more information check this link.

[creativegarage2012]

Animation Companies in Mumbai: Driving the Pulse of India's Creative Industry

Mumbai, often dubbed the entertainment capital of India, is not just renowned for Bollywood but also for its burgeoning animation industry. The city is a vibrant hub for creative professionals, and its animation sector has seen a significant boom over the past few decades. This rise can be attributed to several factors, including the increasing demand for high-quality content, advancements in technology, and a growing pool of skilled talent. Let's delve into some of the notable animation companies in Mumbai that are making waves both nationally and internationally.

1. Toonz Animation India

Toonz Animation is a powerhouse in the Indian animation scene. With its head office in Technopark, Trivandrum, Toonz has a strong presence in Mumbai, playing a pivotal role in shaping the animation landscape. Known for its high-quality animation and storytelling, Toonz has collaborated with major global studios like Disney, Nickelodeon, and Cartoon Network. Their portfolio includes popular shows like "The Adventures of Tenali Raman" and "Wolverine and the X-Men."

2. Maya Digital Studios

Founded by the late Ram Mohan, often referred to as the father of Indian animation, Maya Digital Studios has been a trailblazer in the industry. Based in Mumbai, Maya is celebrated for its cutting-edge animation and VFX work. The studio has contributed to various animated series, commercials, and feature films. Notable projects include "Motu Patlu," a highly popular children's show, and several Hollywood projects where Maya provided high-end visual effects.

3. Assemblage Entertainment

Assemblage Entertainment is a relatively new player but has quickly established itself as a leading animation studio in Mumbai. Specializing in high-quality 3D animation, Assemblage has worked on numerous international projects, including animated feature films and TV series. Their collaboration with major studios like DreamWorks and Lionsgate highlights their capability and commitment to excellence.

4. Tata Elxsi

Tata Elxsi is a name synonymous with innovation and technological prowess in various fields, including animation and VFX. With its Animation and Visual Effects (A&V) team based in Mumbai, Tata Elxsi has delivered outstanding work for global clients. They have been instrumental in creating compelling visual narratives for films, advertisements, and games. Their project portfolio is diverse, ranging from animated features to complex VFX sequences.

5. DQ Entertainment

DQ Entertainment, with its base in Hyderabad, also has significant operations in Mumbai. The company is known for producing world-class animation for TV, feature films, and digital content. DQ Entertainment has partnered with prominent international networks like Disney, Nickelodeon, and BBC, producing popular shows such as "The Jungle Book" and "Peter Pan."

6. Green Gold Animation

Although Green Gold Animation is headquartered in Hyderabad, its strong presence in Mumbai cannot be overlooked. Green Gold is famous for creating "Chhota Bheem," one of India's most beloved animated characters. The company's success has led to a wide range of merchandise, theme parks, and movies, solidifying its position as a significant player in the Indian animation industry.

Conclusion

Mumbai's animation industry is a testament to the city's creative spirit and technical expertise. These companies, among others, have put India on the global animation map, producing content that resonates with audiences worldwide. As technology continues to evolve and the demand for animated content rises, Mumbai's animation studios are poised for even greater success, driving the industry forward with innovation and creativity.

In this thriving ecosystem, animation companies in Mumbai are not just creating entertainment; they are crafting experiences that transcend cultural and geographical boundaries, cementing their role as leaders in the global animation arena.

[refersmss]

Divine Pilgrimage: Exploring Vrindavan's Top 10 Sacred Temples

Embark on a spiritual odyssey through the enchanting streets of Vrindavan, where each temple holds a timeless story and a sacred aura that beckons pilgrims from far and wide. Discover the essence of devotion and the beauty of ancient architecture as we unveil the top 10 must-visit temples in this holy city:

Banke Bihari Temple: Step into the hallowed halls of this iconic temple dedicated to Lord Krishna, where devotees experience the divine presence in the mesmerizing swaying of the deity.

Krishna Balaram Mandir (ISKCON Vrindavan): Immerse yourself in the vibrant spiritual atmosphere of this renowned temple, where the melodious chants and uplifting bhajans uplift the soul.

Prem Mandir: Admire the exquisite marble architecture and intricate carvings of this temple, which narrate the eternal love story of Radha and Krishna through its splendid sculptures.

Radha Raman Temple: Witness the divine form of Lord Krishna as Radha Raman, adorned with precious jewels and worshipped with utmost devotion by devotees seeking his blessings.

Radha Gokulananda Temple: Experience the divine love of Radha and Krishna in this serene temple, where the devotion of the devotees resonates in the air, creating an aura of tranquility.

Govind Dev Temple: Marvel at the grandeur of this ancient temple, where the divine presence of Lord Krishna enchants visitors and inspires them to deepen their spiritual journey.

Radha Damodar Temple: Delve into the sacred history of Vrindavan as you visit this temple, which houses the original shaligram shila worshipped by Srila Rupa Goswami.

Madan Mohan Temple: Pay homage to Lord Krishna in his enchanting form as Madan Mohan, whose captivating beauty and divine grace captivate the hearts of devotees.

Radha Vallabh Temple: Surrender to the divine love of Radha and Krishna in this temple, where the exquisite deity of Radha Vallabh enchants devotees with its divine beauty.

Radha Madhav Temple: Conclude your spiritual journey with a visit to this temple, where the divine presence of Radha and Madhav fills the hearts of devotees with joy and devotion.

Embark on this sacred pilgrimage through Vrindavan's top 10 temples and immerse yourself in the divine love and timeless devotion that permeates every corner of this holy city. If you want to take more information on these type of topics so visit here Refersms

[indiesole]

THE 150 GREATEST (FORMAL & INFORMAL) PERSONALITIES IN THE KNOWN HISTORY/COLLECTIVE CONSCIOUSNESS OF INDIA !

(THE FREE-FOR-ALL LIST, NOT RESTRICTED TO PADMA AWARDEES OR STAMP HOLDERS, EVEN IF INCL A MAJORITY OF THEM )

Ie. THE 150 GREATEST PEOPLE IN INDIAN HISTORY !

Rajesh Khanna

C.V. Raman

Online Indie

Jayaprakash Narayan

J.R.D. Tata

Subhash Chandra Bose

Swami Vivekananda

Lal Bahadur Shastri

Srinivasa Ramanujam

Bhagwan Sri Sathya Sai Baba

Valmiki

Bhagwan Shri Shirdi Sai Baba

Ramakrishna Paramhansa

Bhagwan Shiva

Bhagwan Ganesha

Mata Parvati / Amma Karunamayi

Bhagwan Krishna

Bhagwan Ram

Bhagwan Mahavira

Maharana Pratap

Jagadish Chandra Bose

Major Dhyan Chand

Govind Ballabh Pant

Lala Lajpat Rai

Dhirubhai Ambani

Meena Kumari

Mother Teresa

Chhatrapati Shivaji

Bal Gangadhar Kher

Madan Mohan Malviya

Kishore Kumar

Dr. Sarvapalli Radhakrishnan

Dr. Bhagwan Das

Guru Nanak

Allama Mashriqi

Lokmanya Tilak

Tansen

Lord Hanuman

Vithalbhai Patel

Atal Behari Vajpayee

P.U.M. Thevar

Nandlal Bose

Rabindranath Tagore

Dr. Babasaheb Ambedkar

Prem Chand

Jesus Christ

Adi Shankaracharya

K. L. Saigal

N. T. Ramarao

Dr. Devi Prasad Shetty

B. R. Chopra

Viswanathan Anand

Sri Aurobindo

Rani Laxmibai

Chakravarti Rajagopalachari

Narendra Modi

Milkha Singh

Mirza Ghalib

Dr. K.S. Krishnan

Dr. Satyendra Nath Bose

Dr. Zakir Hussain

Dr. M. Visvesvaraiya

Satyajit Ray

Bankim Chandra Chatterjee

Ramana Maharishi

Radha (Ancient Krishna devotee)

Chandulal Madhavlal Trivedi

Mahatma Jyotirao Phule

Savitribai Phule

Lt. Col. Maharaj Kumar Namgyal

Shammi Kapoor

Indira Gandhi

Dev Anand

Jijabai

Sadhu Vaswani

Raja Ravi Varma

Saiyid Fazl Ali

Ashok Kumar

Dr. Madhav Shrihari Aney

Gopal Das Neeraj

Ajudhia Nath Khosla

Shashi Kapoor

Ustad Bade Ghulam Ali Khan

Dr. Arcot Lakshmanaswami Mudaliar

Bipin Chandra Pal

Dr. Jnan Chandra Ghosh

Paramhansa Yogananda

Thiruvallavur

Buddha

Maharishi Patanjali

Dr. Nambi Narayanan

Dr. Verghese Kurien

Dadasaheb Phalke

Arjun (of Gita)

Waheeda Rehman

Dr. P.V. Kane

Jigme Dorji Wangchuk

Veer Savarkar

Thakkar Bapa

Ahilyabai Holkar

Rash Behari Bose

Sane Guruji

Maharishi Mahesh Yogi

Swami Ranganathananda

Dr. Shanti Swarup Bhatnagar

M. S. Subbalakshmi

Dr. Satish Dhawan

Chaitanya Mahaprabhu

Surdas

A. Ramaswamy Mudaliar

Mohandas Karamchand Gandhi

Prafulla Chandra Roy

Kabir (pre-independence poet)

Zubin Mehta

Kalidasa

Suchitra Sen

Tyagaraja

M. G. Ramachandran

Dr. Prabha Atre (classical singer)

Kavi Pradeep

Pt. Kishan Maharaj (tabla)

R.K. Laxman

Mirabai

Tulsidas

Uttam Kumar

Dr. K. Kasturirangan

Ashfaqullah Khan

Dr. Dhondo Keshav Karve

Ram Prasad Bismil

Chandrashekhar Azad

Tenzing Norgay

N.R. Narayana Murthy

Kumaran Asan

Bhai Vir Singh

Dr. Shyama Prasad Mukherjee

Dr. John Matthai

Subramanya Bharati

Pt. Omkarnath Thakur

Emperor Indravarman (of Srivijaya Empire (7th c – 12th c))

Vaidyaraj Sushil Kumar Jain (Jaipur, present day)

Sant Tukaram

Emperor Lalitaditya Muktapida (of Karakota Empire(7th c–9thc))

Peshwa Balaji Vishwanath (Maratha Empire)

Emperor Akbar (Mughal Empire)

Laxmikant-Pyarelal

R.D. Burman

Shankar-Jaikishan

S. D. Burman

Manoj Kumar

Mohammad Rafi .

[indiejones]

THE 150 GREATEST (FORMAL & INFORMAL) PERSONALITIES IN THE KNOWN HISTORY/COLLECTIVE CONSCIOUSNESS OF INDIA !

(THE FREE-FOR-ALL LIST, NOT RESTRICTED TO PADMA AWARDEES OR STAMP HOLDERS, EVEN IF INCLUDING A MAJORITY OF THEM )

Full List-

.Online Indie

.Rajesh Khanna

.C.V. Raman

.Jayaprakash Narayan

.J.R.D. Tata

.Subhash Chandra Bose

.Swami Vivekananda

.Lal Bahadur Shastri

.Srinivasa Ramanujam

.Bhagwan Sri Sathya Sai Baba

.Valmiki

.Bhagwan Shri Shirdi Sai Baba

.Ramakrishna Paramhansa

.Bhagwan Shiva

.Bhagwan Ganesha

.Mata Parvati

.Bhagwan Krishna

.Bhagwan Ram

.Bhagwan Mahavira

.Maharana Pratap

.Jagadish Chandra Bose

.Major Dhyan Chand

.Govind Ballabh Pant

.Lala Lajpat Rai

.Dhirubhai Ambani

.Meena Kumari

.Mother Teresa

.Chhatrapati Shivaji

.Bal Gangadhar Kher

.Madan Mohan Malviya

.Kishore Kumar

.Dr. Sarvapalli Radhakrishnan

.Dr. Bhagwan Das

.Guru Nanak

.Allama Mashriqi

.Lokmanya Tilak

.Tansen

.Lord Hanuman

.Vithalbhai Patel

.Atal Behari Vajpayee

.P.U.M. Thevar

.Nandlal Bose

.Rabindranath Tagore

.Dr. Babasaheb Ambedkar

.Prem Chand

.Jesus Christ

.Adi Shankaracharya

.K. L. Saigal

.N. T. Ramarao

.Dr. Devi Prasad Shetty

.B. R. Chopra

.Viswanathan Anand

.Sri Aurobindo

.Rani Laxmibai

.Chakravarti Rajagopalachari

.Narendra Modi

.Milkha Singh

.Mirza Ghalib

.Dr. K.S. Krishnan

.Dr. Satyendra Nath Bose

.Dr. Zakir Hussain

.Dr. M. Visvesvaraiya

.Satyajit Ray

.Bankim Chandra Chatterjee

.Ramana Maharishi

.Radha (Ancient Krishna devotee)

.Chandulal Madhavlal Trivedi

.Mahatma Jyotirao Phule

.Savitribai Phule

.Lt. Col. Maharaj Kumar Namgyal

.Shammi Kapoor

.Indira Gandhi

.Dev Anand

.Jijabai

.Sadhu Vaswani

.Raja Ravi Varma

.Saiyid Fazl Ali

.Ashok Kumar

.Dr. Madhav Shrihari Aney

.Gopal Das Neeraj

.Ajudhia Nath Khosla

.Shashi Kapoor

.Ustad Bade Ghulam Ali Khan

.Dr. Arcot Lakshmanaswami Mudaliar

.Bipin Chandra Pal

.Dr. Jnan Chandra Ghosh

.Paramhansa Yogananda

.Thiruvallavur

.Buddha

.Maharishi Patanjali

.Dr. Nambi Narayanan

.Dr. Verghese Kurien

.Dadasaheb Phalke

.Arjun (of Gita)

.Waheeda Rehman

.Dr. P.V. Kane

.Jigme Dorji Wangchuk

.Veer Savarkar

.Thakkar Bapa

.Ahilyabai Holkar

.Rash Behari Bose

.Sane Guruji

.Maharishi Mahesh Yogi

.Swami Ranganathananda

.Dr. Shanti Swarup Bhatnagar

.M. S. Subbalakshmi

.Dr. Satish Dhawan

.Chaitanya Mahaprabhu

.Surdas

.A. Ramaswamy Mudaliar

.Mohandas Karamchand Gandhi

.Prafulla Chandra Roy

.Kabir (pre-independence poet)

.Zubin Mehta

.Kalidasa

.Suchitra Sen

.Tyagaraja

.M. G. Ramachandran

.Dr. Prabha Atre (classical singer)

.Kavi Pradeep

.Pt. Kishan Maharaj (tabla)

.R.K. Laxman

.Mirabai

.Tulsidas

.Uttam Kumar

.Dr. K. Kasturirangan

.Ashfaqullah Khan

.Dr. Dhondo Keshav Karve

.Ram Prasad Bismil

.Chandrashekhar Azad

.Tenzing Norgay

.N.R. Narayana Murthy

.Kumaran Asan

.Bhai Vir Singh

.Dr. Shyama Prasad Mukherjee

.Dr. John Matthai

.Subramanya Bharati

.Pt. Omkarnath Thakur

.Emperor Indravarman (of Srivijaya Empire (7th c – 12th c))

.Vaidyaraj Sushil Kumar Jain (Jaipur, present day)

.Sant Tukaram

.Emperor Lalitaditya Muktapida (of Karakota Empire(7th c–9thc))

.Peshwa Balaji Vishwanath (Maratha Empire)

.Emperor Akbar (Mughal Empire)

.Laxmikant- Pyarelal

.R.D. Burman

.Shankar- Jaikishan

.S. D. Burman

.Manoj Kumar

.Mohd Rafi

[blogtozone]

Aye Dil Mujhe Bata De Piano Notes | Bhai Bhai

Aye Dil Mujhe Bata De Piano Notes

Notes :-  Aye dil mujhe bata de, Tu kispe aa gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4 Aye dil mujhe bata de, Tu kispe aa gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4 Music A3 F4# E4 D4, A3 F4# E4 D4, A3 F4# E4 D4 E4 A3 E4 D4 C4#, A3 E4 D4 C4#, A3 E4 D4 C4# D4 F4# G4 A4 G4 A4, B4 A4 G4 B4 A4 B4, C5# B4 A4 C5# B4 C5#, E5 D5 C5# D5 Masti bhara tarana, Kyun raat ga rahi hai A4 D5 D5 D5 D5 E5 C5#, A4 C5# C5# C5# C5# D5 B4 Aankhon mein neend aakar, Kyun door ja rahi hai G4 B4 B4 B4 B4 C5# B4 A4 G4, G4 A4 B4 B4 A4 G4 A4 Music A4 D5 C5#, B4 A4 C5# B4, A4 G4 B4 A4 B4 C5# D5 Masti bhara tarana, Kyun raat ga rahi hai A4 D5 D5 D5 D5 E5 C5#, A4 C5# C5# C5# C5# D5 B4 Aankhon mein neend aakar, Kyun door ja rahi hai G4 B4 B4 B4 B4 C5# B4 A4 G4, G4 A4 B4 B4 A4 G4 A4 Dil mein koyi sitamgar, Armaan jaga gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4 Aye dil mujhe bata de, Tu kispe aa gaya hai A3 D4 D4 D4D4 E4 F4#, D4 F4# F4# F4# F4# G4 E4 Woh kaun hai jo aakar, Khwaabon pe chha gaya hai E4 F4# C4# C4# E4 E4 F4# E4 F4# A4, E4 F4# G4 F4# E4 C4# E4 D4

About Song :-

"Aye Dil Mujhe Bata De" is a classic Hindi song from the 1956 Bollywood film "Bhai Bhai." The film was directed by M.V. Raman and starred Ashok Kumar, Kishore Kumar, and Nimmi in lead roles. The song is known for its melodious and romantic composition. Here is some information about the song "Aye Dil Mujhe Bata De" from "Bhai Bhai": Singer: Geeta Dutt Music: Madan Mohan Lyrics: Rajendra Krishan Summary of the Song: "Aye Dil Mujhe Bata De" is a melodious and romantic song that expresses the feelings of love and longing. The lyrics convey the desire of the heart to confess its love to the beloved. Geeta Dutt's soulful rendition adds depth and emotion to the song. The music, composed by Madan Mohan, is characterized by its gentle and melodious tune. Significance: The song "Aye Dil Mujhe Bata De" is considered a classic of its time and is remembered for its timeless melody. It contributed to the film's appeal and is often associated with the era of classic Hindi cinema. Music Video: The music video of "Aye Dil Mujhe Bata De" features Nimmi and Ashok Kumar and beautifully captures the romantic mood of the song. It showcases their on-screen chemistry and the emotions of love. "Aye Dil Mujhe Bata De" remains a cherished song among fans of vintage Bollywood music and is often included in compilations of classic Hindi film songs. It continues to be celebrated for its melodious composition and heartfelt lyrics. Read the full article

[ppt-lyrics]

🕉️ Dive into the divine verses of 'Aarti Kunj Bihari Ki' in Hindi. 🎶 This timeless devotional song captures the essence of devotion and spirituality. Let these profound lyrics touch your soul. 🙏

Aarti Kunj Bihari Ki Lyrics

Aarti Kunj Bihari Ki Lyrics In Hindi

आरती कुंज बिहारी की, श्री गिरिधर कृष्ण मुरारी की।

[आरती कुंज बिहारी की, श्री गिरिधर कृष्ण मुरारी की।]

गले में बैजंती माला, बजावे मुरली मधुर बाला श्रवण में कुंडल झलकाला नन्द के नन्द, श्री आनंद कंद, मोहन बृज चंद राधिका रमण बिहारी की, श्री गिरीधर कृष्ण मुरारी की [आरती कुंज बिहारी की….]

गगन सम अंग कांति काली, राधिका चमक रही आली लतन में ठाढ़े बनमाली भ्रमर सी अलक, कस्तूरी तिलक, चंद्र सी झलक ललित छवि श्यामा प्यारी की, श्री गिरिधर कृष्ण मुरारी की [आरती कुंज बिहारी की….]

Full Lyrics Check It Out

Aarti Kunj Bihari Ki Lyrics In English

Aarti Kunj Bihari ki, Shri Girdhar Krishna Murari ki

[Aarti Kunj Bihari ki, Shri Girdhar Krishna Murari ki]

Gale mein baijanti mala Bajaave murli madhur balaa Shravan mein kundal jhalakala,

Nand ke Nand, Shri Anand kand, Mohan Brij chand Radhika Raman Bihari ki, Shri Girdhar Krishna Murari ki [Aarti Kunj Bihari ki….]

Gagan sam ang kanti kali Radhika chamak rahi aali latan mein thadhe banmali

Full Lyrics Check It Out

🕊️ Feel the serenity of these verses and let them elevate your spirit. Share this with your friends and family to spread the divine love. ❤️

[stock-dehko]

Vidyullekha Raman was told not to lose weight if she wanted to be cast in films

Vidyullekha Raman was told not to lose weight if she wanted to be cast in films

The actor’s physical transformation has captivated social media users but her story also shows a stereotypical mindset prevailing in the film industry The lockdown period has been a difficult phase, especially for those used to an active lifestyle. Besides innovating workouts to suit your style at home, the lack of a fitness buddy was telling for most gym goers. Actor Vidyullekha Raman knows.…

[news24fresh]

Vidyullekha Raman was told not to lose weight if she wanted to be cast in films

Vidyullekha Raman was told not to lose weight if she wanted to be cast in films

[ad_1]

The lockdown period has been a difficult phase, especially for those used to an active lifestyle. Besides innovating workouts to suit your style at home, the lack of a fitness buddy was telling for most gym goers.

Actor Vidyullekha Raman knows. She would log on to YouTube and follow simple workout sessions.

But if not for her “accountability group” — a WhatsApp group of individuals with…

[bollywoodirect]

63 Years of Bhai-Bhai (20/04/1956)

Bhai-Bhai is a 1956 social family drama directed by M. V. Raman for A. V. M. Productions. It had the screenplay by Jawar N. Sitaraman, with Hindi screen adaptation of the Tamil film Ratha Paasam directed by C.V. Sridhar. The music director was Madan Mohan, with dialogues and lyrics written by Rajendra Krishan. One of the popular songs from the film was "Ae Dil Mujhe Bata De", sung by Geeta Dutt, "in an unabrasive fast tempo". The song became one of Madan Mohan's earliest hits, and the music of the film in journalist-author Bharatan's words went on to "conquer the box office".

The film starred Ashok Kumar, who played the lead role, and Kishore Kumar (real-life brothers) as the two brothers, with the film being referred to as one of Kishore Kumar's prominent films. The cast included Nirupa Roy, who played the role of Ashok Kumar's "homely" wife, while Shyama played the "seductress". The film co-starred Nimmi, Om Prakash, David, Daisy Irani, and Shivraj.

The story is of two brothers, with the younger brother running away from home at an early age. The older brother gets entangled with another woman, leaving his wife and child at home. This situation leads to the meeting of the brothers, with the older one mending his errant ways.

[indiesole]

THE 136 GREATEST PERSONALITIES IN THE KNOWN HISTORY OF INDIA ! (BASED ON THE ENTIRE LIST OF PADMA AWARD WINNERS & THOSE WITH COMMEMORATIVE POSTAGE STAMPS ISSUED IN THEIR HONOR)

Yt Link:

.Rajesh Khanna

.C.V. Raman

.Jayaprakash Narayan

.J.R.D. Tata

.Subhash Chandra Bose

.Swami Vivekananda

.Lal Bahadur Shastri

.Srinivasa Ramanujam

.Bhagwan Sri Sathya Sai Baba

.Valmiki

.Bhagwan Shri Shirdi Sai baba

.Ramakrishna Paramhansa

.Bhagwan Shiva

.Bhagwan Ganesha

.Mata Parvati

.Bhagwan Krishna

.Bhagwan Ram

.Bhagwan Mahavira

.Maharana Pratap

.Jagadish Chandra Bose

.Major Dhyan Chand

.Govind Ballabh Pant

.Lala Lajpat Rai

.Dhirubhai Ambani

.Meena Kumari

.Mother Teresa

.Chhatrapati Shivaji

.Bal Gangadhar Kher

.Madan Mohan Malviya

.Kishore Kumar

.Dr. Sarvapalli Radhakrishnan

.Dr. Bhagwan Das

.Guru Nanak

.Lokmanya Tilak

.Tansen

.Lord Hanuman

.Vithalbai Patel

.Atal Behari Vajpayee

.P.U.M. Thevar

.Nandlal Bose

.Rabindranath Tagore

.Dr. Babasaheb Ambedkar

.Prem Chand

.Jesus Christ

.Adi Shankaracharya

.K. L. Saigal

.N. T. Ramarao

.Dr. Devi Prasad Shetty

.B. R. Chopra

.Viswanathan Anand

.Sri Aurobindo

.Rani Laxmibai

.Chakravarti Rajagopalachari

.Milkha Singh

.Mirza Ghalib

.Dr. K.S. Krishnan

.Dr. Satyendra Nath Bose

.Dr. Zakir Hussain

.Dr. M. Visvesvaraiya

.Satyajit Ray

.Bankim Chandra Chatterjee

.Ramana Maharishi

.Radha (Ancient Krishna devotee)

.Chandulal Madhavlal Trivedi

.Mahatma Jyotirao Phule

.Savitiribai Phule

.Lt. Col. Maharaj Kumar Namgyal

.Shammi Kapoor

.Indira Gandhi

.Dev Anand

.Jijabai

.Sadhu Vaswani

.Raja Ravi Varma

.Saiyid Fazl Ali

.Ashok Kumar

.Dr. Madhav Shrihari Aney

.Gopal Das Neeraj

.Ajudhia Nath Khosla

.Shashi Kapoor

.Ustad Bade Ghulam Ali Khan

.Dr. Arcot Lakshmanaswami Mudaliar

.Bipin Chandra Pal

.Dr. Jnan Chandra Ghosh

.Paramhansa Yogananda

.Thiruvallavur

.Buddha

.Maharishi Patanjali

.Dr. Nambi Narayanan

.Dr. Verghese Kurien

.Dadasaheb Phalke

.Arjun (mahabharat)

.Waheeda Rehman

.Bhagat Singh

.Dr. P.V. Kane

.Jigme Dorji Wangchuk

.Veer Savarkar

.Thakkar Bapa

.Ahilyabai Holkar

.Rash Behari Bose

.Sane Guruji

.Maharishi Mahesh Yogi

.Swami Ranganathananda

.Dr. Shanti Swarup Bhatnagar

.M. S. Subbalakshmi

.Dr. Satish Dhawan

.Chaitanya Mahaprabhu

.Surdas (commemorative)

.A. Ramaswamy Mudaliar

.Mohandas Karamchand Gandhi

.Prafulla Chandra Roy

.Kabir (pre-independence poet)

.Zubin Mehta

.Kalidasa

.Suchitra Sen

.Tyagaraja

.M. G. Ramachandran

.Dr. Prabha Atre (classical singer)

.Kavi Pradeep

.Pt. Kishan Maharaj (tabla)

.R.K. Laxman

.Mira (commemorative)

.Tulsidas (commemorative)

.Uttam Kumar

.Dr. K. Kasturirangan

.Ashfaqullah Khan

.Dr. Dhondo Keshav Karve

.Ram Prasad Bismil

.Chandrashekhar Azad

.Tenzing Norgay

.N.R. Narayana Murthy

.Kumaran Asan

.Bhai Vir Singh

.Dr. Shyama Prasad Mukherjee

.Dr. John Matthai

.Subramanya Bharati

.Pt. Omkarnath Thakur

IN EMBEDDED FORM:

[indiejones]

THE 136 GREATEST PERSONALITIES IN THE KNOWN HISTORY OF INDIA (@INDIES) !

(Selected from a list of all levels of Padma award winners of India, & age-old historical Indian personalities with commemorative postage stamps issued in their honour)

1. .Rajesh Khanna 2. .C.V. Raman 3. .Jayaprakash Narayan 4. .J.R.D. Tata 5. .Subhash Chandra Bose 6. .Swami Vivekananda 7. .Lal Bahadur Shastri 8. .Srinivasa Ramanujam 9. .Bhagwan Sri Sathya Sai Baba 10. .Valmiki 11. .Bhagwan Shri Shirdi Sai baba 12. .Ramakrishna Paramhansa 13. .Bhagwan Shiva 14. .Bhagwan Ganesha 15. .Mata Parvati 16. .Bhagwan Krishna 17. .Bhagwan Ram 18. .Bhagwan Mahavira 19. .Maharana Pratap 20. .Jagadish Chandra Bose 21. .Major Dhyan Chand 22. .Govind Ballabh Pant 23. .Lala Lajpat Rai 24. .Dhirubhai Ambani 25. .Meena Kumari 26. .Mother Teresa 27. .Chhatrapati Shivaji 28. .Bal Gangadhar Kher 29. .Madan Mohan Malviya 30. .Kishore Kumar 31. .Dr. Sarvapalli Radhakrishnan 32. .Dr. Bhagwan Das 33. .Guru Nanak 34. .Lokmanya Tilak 35. .Tansen 36. .Lord Hanuman 37. .Vithalbai Patel 38. .Atal Behari Vajpayee 39. .P.U.M. Thevar 40. .Nandlal Bose 41. .Rabindranath Tagore 42. .Dr. Babasaheb Ambedkar 43. .Prem Chand 44. .Jesus Christ 45. .Adi Shankaracharya 46. .K. L. Saigal 47. .N. T. Ramarao 48. .Dr. Devi Prasad Shetty 49. .B. R. Chopra 50. .Viswanathan Anand 51. .Sri Aurobindo 52. .Rani Laxmibai 53. .Chakravarti Rajagopalachari 54. .Milkha Singh 55. .Mirza Ghalib 56. .Dr. K.S. Krishnan 57. .Dr. Satyendra Nath Bose 58. .Dr. Zakir Hussain 59. .Dr. M. Visvesvaraiya 60. .Satyajit Ray 61. .Bankim Chandra Chatterjee 62. .Ramana Maharishi 63. .Radha (Ancient Krishna devotee) 64. .Chandulal Madhavlal Trivedi 65. .Mahatma Jyotirao Phule 66. .Savitiribai Phule 67. .Lt. Col. Maharaj Kumar Namgyal 68. .Shammi Kapoor 69. .Indira Gandhi 70. .Dev Anand 71. .Jijabai 72. .Sadhu Vaswani 73. .Raja Ravi Varma 74. .Saiyid Fazl Ali 75. .Ashok Kumar 76. .Dr. Madhav Shrihari Aney 77. .Gopal Das Neeraj 78. .Ajudhia Nath Khosla 79. .Shashi Kapoor 80. .Ustad Bade Ghulam Ali Khan 81. .Dr. Arcot Lakshmanaswami Mudaliar 82. .Bipin Chandra Pal 83. .Dr. Jnan Chandra Ghosh 84. .Paramhansa Yogananda 85. .Thiruvallavur 86. .Buddha 87. .Maharishi Patanjali 88. .Dr. Nambi Narayanan 89. .Dr. Verghese Kurien 90. .Dadasaheb Phalke 91. .Arjun (mahabharat) 92. .Waheeda Rehman 93. .Bhagat Singh 94. .Dr. P.V. Kane 95. .Jigme Dorji Wangchuk 96. .Veer Savarkar 97. .Thakkar Bapa 98. .Ahilyabai Holkar 99. .Rash Behari Bose 100. .Sane Guruji 101. .Maharishi Mahesh Yogi 102. .Swami Ranganathananda 103. .Dr. Shanti Swarup Bhatnagar 104. .M. S. Subbalakshmi 105. .Dr. Satish Dhawan 106. .Chaitanya Mahaprabhu 107. .Surdas (commemorative) 108. .A. Ramaswamy Mudaliar 109. .Mohandas Karamchand Gandhi 110. .Prafulla Chandra Roy 111. .Kabir (pre-independence poet) 112. .Zubin Mehta 113. .Kalidasa 114. .Suchitra Sen 115. .Tyagaraja 116. .M. G. Ramachandran 117. .Dr. Prabha Atre (classical singer) 118. .Kavi Pradeep 119. .Pt. Kishan Maharaj (tabla) 120. .R.K. Laxman 121. .Mira (commemorative) 122. .Tulsidas (commemorative) 123. .Uttam Kumar 124. .Dr. K. Kasturirangan 125. .Ashfaqullah Khan 126. .Dr. Dhondo Keshav Karve 127. .Ram Prasad Bismil 128. .Chandrashekhar Azad 129. .Tenzing Norgay 130. .N.R. Narayana Murthy 131. .Kumaran Asan 132. .Bhai Vir Singh 133. .Dr. Shyama Prasad Mukherjee 134. .Dr. John Matthai 135. .Subramanya Bharati 136. .Pt. Omkarnath Thakur

[paccha-puccha]

on a case by case basis

I'll go over the Malayalam case system for nouns today. Like other Dravidian languages, Malayalam has a lot of cases. I'll explain them here but I will draw out a table for them in another post. I'm a visual learner hence the blog, and I use lots of tables and diagrams, so expect lots of those. The rules stated here don't cover EVERY word, you know Malayalam loves irregularity, so you may come across certain words which break some rules stated here. Let's start with Nominative case (which is also a sort of default case). There's not much to say here; it's the case that subjects have. For example, രാമന്‍ is a name (Raman) in nominative case. Accusative or objective case is used for direct objects (the person or thing receiving the action), but only if they're animate. In other words, accusative case can only be used on living things (including humans). It's formed by adding a suffix to the noun, specifically:

A. If noun ends with അ, ആ, എ, ഏ, ഇ, ഈ, ഒ, ഓ then remove the last vowel in the word and replace it with -യെ e.g. അമ്മ = അമ്മയെ

B. If noun ends with ഉ then remove it and replace it with -വിനെ e.g. പശു = പശുവിനെ

C. If the noun ends in അം then remove it and add -ത്തെ e.g. അദ്ദേഹം = അദ്ദേഹത്തെ

D. Now we start to get more complicated ൾ endings remove ൾ and add -ളെ if it's a pronoun such as അവൾ (she) becomes അവളെ. If the noun is not a pronoun then remove ൾ and add -ളിനെ. e.g. കാട്ടുബുള്‍ബുള്‍ (black bulbul bird) = കാട്ടുബുള്‍ബുളിനെ

E. ർ endings remove ർ and add -രെ if it's a pronoun such as അവർ (they) becomes അവരെ. If the noun is not a pronoun then remove ർ and add -രിനെ. e.g. റെയിൻഡിയർ becomes റെയിൻഡിയരിനെ.

F. ൻ endings remove ൻ and add -നെ if it's a pronoun such as അവൻ (he) becomes അവനെ. If the noun is not a pronoun then remove ൻ and add -നിനെ. e.g. കുറുക്കൻ becomes കുറുക്കനിനെ.

G. ൽ endings remove ൽ and add -ലിനെ. e.g മുയൽ becomes മുയലിനെ

H. Any endings that don't fit those above e.g. ് take -ഇനെ therefore ഉറുമ്പ് becomes ഉറുമ്പിനെ.

So Raman in accusative case would be രാമനെ, Raghu in accusative case would be രഘുവിനെ. An inanimate (none living thing) noun, can't take the accusative case ending; if it's a direct object, it still has the nominative case form. For example, a book isn't a living thing, so the word for 'book' പുസ്തകം can't take the ending -ത്തെ.

This means if I wanted to say, "I saw Raman," I'd have to use the accusative case form to show that Raman is the direct object here - ഞാൻ രാമനെ കണ്ടു. (Same for "I saw Raghu" - ഞാൻ രഘുവിനെ കണ്ടു or "I saw a cat"- ഞാൻ പൂച്ചയെ കണ്ടു). However if I wanted to say, "I saw a book," I'd just use the nominative case form for the book so it would be ഞാൻ ഒരു പുസ്തകം കണ്ടു as a book is an inanimate object. Malayalam also has a locative case. The locative suffix means something like "in" or "at." The locative case suffix is -ഇൽ.

A. If noun ends with അ, ആ, എ, ഏ, ഇ, ഈ, ഒ, ഓ then keep the vowel and add -യിൽ e.g. വാരണാസി = വാരണാസിയിൽ - in Varanasi. I hope you’ve noticed accusative -യെ, locative -യിൽ, the യ് sound is used to join the noun to the case suffix, this pattern happens in most cases. B. If noun ends with ഉ then add -വിൽ e.g. ഉറുദു = ഉറുദുവിൽ - in Urdu

C. If the noun ends in അം then remove it and add -ത്തിൽ e.g. പുസ്തകം = പുസ്തകത്തിൽ -in the book. Notice how the you can use the locative case inanimate objects can be conjugated.

D. ൾ endings remove ൾ and add -ളിൽ e.g. ബൈബിൾ = ബൈബിളിൽ - in the Bible. ള and ൾ are pronounced from the same part of the mouth, hence the shift from a chillu ൾ to a consonant ള to allow for vowel sounds to join onto the word.

E. ർ endings remove ർ and add -റിൽ e.g. ഖത്തർ = ഖത്തറിൽ - in Qatar F. ൻ endings remove ൻ and add -നിൽ e.g. ഡർബൻ = ഡർബനിൽ - in Durban

G. ൽ endings remove ൽ and add -ലിൽ e.g. ബ്രസീൽ= ബ്രസീലിൽ - in Brazil

H. Any endings that don't fit those above e.g. ് take -ഇൽ e.g. ഇംഗ്ലീഷ് = ഇംഗ്ലീഷിൽ - in English 

So തമിഴിൽ means "in Tamil," and പുസ്തകത്തിൽ means "in the book." മഴ means "rain," so മഴയിൽ means "in the rain." Finally, നടു means "middle," so നടുവിൽ means "in the middle." There's a very underused case known as instrumental case. The instrumental suffix means "because of." This suffix is -ആൽ (or -വാൽ/-യാൽ). So, for example, രാമനാൽ means "because of Raman." We will cover this interesting case when we start some more complex sentence structures - like saying ‘'because of being tired, I didn't exercise’ The other cases in Malayalam can be a bit more complex. Genitive or possessive case is used to mean "of" or like an English “’s” when saying “the cat’s whiskers”. Forming the genitive case form of a noun is a bit complicated:

A. If noun ends with അ, ആ, എ, ഏ, ഇ, ഈ, ഒ, ഓ keep the last vowel in the word and add -യുടെ e.g. താര = താരയുടെ - Tara’s

B. If noun ends with ഉ then keep it and add -വിന്റെ (ന്റെ is pronounced -nte not -nre as expected) e.g. കംഗാരു = കംഗാരുവിന്റെ - kangaroo’s

C. If the noun ends in അം then remove it and add -ത്തിന്റെ e.g. അദ്ദേഹം = അദ്ദേഹത്തിന്റെ - his (polite/respectful version)

D. ൾ endings remove ൾ and add -ളുടെ if it's a pronoun such as അവൾ (she) becomes അവളുടെ - hers. If the noun is not a pronoun then remove ൾ and add -ളിന്റെ. e.g. കാട്ടുബുള്‍ബുള്‍ (black bulbul bird) = കാട്ടുബുള്‍ബുളിന്റെ - black bulbul bird’s

E. ർ endings remove ർ and add -രുടെ if it's a pronoun such as അവർ (they) becomes അവരുടെ - their. If the noun is not a pronoun then remove ർ and add -രിന്റെ. e.g. റെയിൻഡിയർ = റെയിൻഡിയറിന്റെ - reindeer's 

F. ൻ endings remove ൻ and add -ന്റെ if it's a pronoun such as അവൻ (he) becomes അവന്റെ - his. If the noun is not a pronoun then remove ൻ and add -നിന്റെ. e.g. മാൻ becomes മാനിന്റെ - deer’s 🦌.

G. ൽ endings remove ൽ, add -ലിന്റെ. e.g മുയൽ - മുയ���ിന്റെ - rabbit’s 🐇 

H. Any endings that don't fit those above e.g. ് take -ഇന്റെ therefore ഉറുമ്പ് becomes ഉറുമ്പിന്റെ - ant’s 🐜 

Vocative case is used to address somebody, e.g. if you wanted to say "o” as is often found in Sanskrit literature. For now, I'll just talk about how it can be used to call someone who's nearby. You use the nominative case form unless the name (or word) you're calling out ends in അൻ. With most names (and words), you change that അൻ to -ആ, e.g. രാമൻ = രാമാ "Raman!" BUT, there are some names that end in അൻ (like മോഹൻ) where you instead just ADD -ആ -aa to the end of the name: മോഹൻ = മോഹനാ means "Mohan!" (You wouldn't say മോഹാ!). There's also the sociative case that seems to be unique to Malayalam. In Malayalam, you use this case to indicate who said something to who. It often is associated with specific verbs like spoke, told, said, BUT NOT CALLED (this confused me in the beginning). The suffix for this case is conjugated as so:

A. If noun ends with അ, ആ, എ, ഏ, ഇ, ഈ, ഒ, ഓ keep the last vowel in the word and add -യോട് e.g. താര = ഞാൻ താരയോട് സംസാരിച്ചു- I spoke to Tara 

B. If noun ends with ഉ then keep it and add -വിനോട് e.g. രഘു = അവർ രഘുവിനോട് പറഞ്ഞു - He told Raghu

C. If the noun ends in അം then remove it and add -ത്തിനോട് e.g. അദ്ദേഹം = അവൾ അദ്ദേഹത്തിനോട് സംസാരിച്ചു - She spoke to him

D. ൾ endings remove ൾ and add -ളോട് e.g. അവൾ = രാമന്‍ അവളോട് സംസാരിക്കും - Raman will speak to her

E. ർ endings remove ർ and add -രോട് if it's a pronoun such as അവർ (they) becomes ഞാൻ അവരോട് പറഞ്ഞു - I told them. If the noun is not a pronoun then remove ർ and add -റിനോട്. e.g. റെയിൻഡിയർ = സാന്ത  റെയിൻഡിയറിനോട് പറഞ്ഞു - Santa told the reindeer's.

F. ൻ endings remove ൻ and add -നോട് if it's a pronoun such as അവൻ (he) becomes അമ്മ അവനോട് സംസാരിക്കും - mother will speak to him. If the noun is not a pronoun then remove ൻ and add -നിനോട്. e.g. മാൻ becomes അവൾ ഒരു മാനിനോട് സംസാരിക്കും - she will speak to a deer.

G. ൽ endings remove ൽ, add -ലിനോട്. e.g മുയൽ = ഞാൻ മുയലിനോട് പറഞ്ഞു - I told the rabbit 

H. Any endings that don't fit those above e.g. ് take -ഇനോട് therefore ഉറുമ്പ് becomes അവൻ ഉറുമ്പിനോട് സംസാരിച്ചു - he spoke to the ant 

Don't focus on the whole talking to animals examples just take in the conjugations. Also the weirder the example the more likely you are to remember it.

Finally, Malayalam also has a dative case. The dative suffix means "to" or "for" and shouldn't be confused with the sociative case. The use of the dative case can be complex and I will cover it in a later blog. Forming the dative case is done like so:

A. If noun ends with അ, ആ, എ, ഏ, ഇ, ഈ, ഒ, ഓ keep the last vowel in the word and add -യ്ക്ക് e.g. താര = താരയ്ക്ക് - for Tara

B. If noun ends with ഉ then keep it and add -വിന് e.g. രഘു = രഘുവിന് - for Raghu

C. If the noun ends in അം then remove it and add -ത്തിന് e.g. അദ്ദേഹം = അദ്ദേഹത്തിന് - for him

D. ൾ endings keep ൾ and add -ക്ക് if it's a pronoun such as അവൾ (she) becomes അവൾക്ക് - for her. If the noun is not a pronoun then remove ൾ and add -ളിന്. e.g. കാട്ടുബുള്‍ബുള്‍ (black bulbul bird) = കാട്ടുബുള്‍ബുളിന് - for black bulbul bird

E. ർ endings keep ർ and add -ക്ക് if it's a pronoun such as അവർ (they) becomes അവർക്ക് - for them. If the noun is not a pronoun then remove ർ and add -റിന്. e.g. റെയിൻഡിയർ = റെയിൻഡിയറിന് - for reindeer

F. ൻ endings keep ൻ and add -ന് if it's a pronoun such as അവൻ (he) becomes അവന്  - for him. If the noun is not a pronoun then remove ൻ and add -നിന്. e.g. മാൻ = മാനിന്  - for deer.

G. ൽ endings keep ൽ, add -ലിന്. e.g മുയൽ =  മുയലിന്  - for rabbit 

H. Any endings that don't fit those above e.g. ് take -ഇന് therefore ഉറുമ്പ് = ഉറുമ്പിന് - for ant

Comitative Case is the concept of “with” or “along” as in there is someone/something, like a plus one. There are two ways to express this, one is using the suffix കൂടെ or using the actual verb/preposition for “with” ഒപ്പം (more accurately).

What is a bit tricky about this case is that, it is used along with genitive/possessive form of the pronoun or noun plus -കൂടെ

Pronouns in the comitative forms എന്റെകൂടെ with me നിന്റെകൂടെ with you നമ്മളുടെകൂടെ with us (inclusive) ഞങ്ങളുടെകൂടെ with us (exclusive) ഇവന്റെകൂടെ with him ഇവളുടെകൂടെ with her

[ds4techofficial]

Vidyullekha Raman was told not to lose weight if she wanted to be cast in films

Vidyullekha Raman was told not to lose weight if she wanted to be cast in films

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The lockdown period has been a difficult phase, especially for those used to an active lifestyle. Besides innovating workouts to suit your style at home, the lack of a fitness buddy was telling for most gym goers.

Actor Vidyullekha Raman knows. She would log on to YouTube and follow simple workout sessions.

But if not for her “accountability group” — a WhatsApp group of individuals with…