#Mikel Aranburu

[club-ciclista-de-san-sebastian]

[aurreramutilak]

[docpiplup]

@asongofstarkandtargaryen

Irati (2022)

8th century, Christianity spreads across Europe while pagan beliefs disappear. Faced with the attack of Charlemagne's army crossing the Pyrenees, the leader of the valley asks Mari (Itziar Ituño), the goddess of weather, justice and nature, for help. Through a blood pact, he defeats the enemy by giving his life in exchange, but first, he makes his son Eneko (Eneko Sagardoy) promise to protect and lead his people in the new era. Years later, Eneko faces that promise with a mission: to recover the body of his father buried in a pagan way next to Charlemagne's treasure. Despite his Christian faith, he will need the help of Irati (Edurne Azkarate), an enigmatic pagan woman from the area. The two young people will enter a strange and inhospitable forest where "everything that has a name exists".

The main locations of the filming are Araba, Gipuzkoa, Bizkaia, Navarra and Huesca, like the castle of Loarre and the caves of Arrikrutz, Leze and Pozalagua.

Premiere: 18th November, 2022

Cast

Edurne Azkarate: Irati

Eneko Sagardoy: Eneko

Itziar Ituño: Mari

Nagore Aranburu: Oneka

Elena Ruiz: Luxa

Iosu Eguskiza: Odon

Kepa Errasti: Belasko

Iñaki Beraetxe: Ximeno

Iñigo Aranburu: Eneko X.

Ramón Agirre: Virila

Miren Tirapu: Munia

Aitor Barandiaran: Anso

Gaizka Txamizo: Berex

Gabriel García Muñoz: Warrior

Iñigo Aranbarri

Technical team

Directed by Paul Urkijo

Executive Producer: Jone Miren Goenaga Paul Urkijo

Writer Assembly: Elena Ruiz

Original music: Aranzazu Calleja and Maite Arroitajauregi

Production direction: Javier Arsuaga

Director of photography: Gorka Gómez

Art direction: Mikel Serrano

Air freshener: Izaskun Urkijo

Production Manager: Mikel Huercanos

Head of Sound: Andrea Sáenz Pereiro

Head of Makeup: Patricia López

Head of Hairdressing: Julián Fernández

Casting director: Txabe Atxa and Florencia Inés González

VFX Supervisor: David Heras (ALIVE VFX)

Sound editing: Iosu Gonzalez

Special Effects: Drama FX

Prosthetic makeup: Pedro Rodriguez

Paul Urkijo: "Irati is the fantastic medieval historical adventure film that I have wanted to tell all my life. I have always been fascinated by Basque Mythology and Irati is an epic tribute to that dark and fascinating world of legend. Freely inspired by characters from the graphic novel 'El Ciclo de Irati' by J. L. Landa and J. Muñoz as well as other Basque legends and historical events such as the battle of Roncesvalles. It's about a young nobleman named Eneko who has to prove his worth to be the leader of the valley like his grandfather was. For which he will end up entering a strange and mysterious world full of ancient mythological deities helped by a young pagan from the place named Irati. It is set in the Basque Pyrenees of the 8th century, a dark but fascinating medieval era. Where the hegemonic religions (in Christianity and Islam) fight each other, causing pagan beliefs to disappear along with arcane deities linked to nature."

[exspanishfootfamilies]

Families

Alberto Cifuentes & Marta Recio: Guillermo

Álvaro Arbeloa & Carlota Ruiz: Alba, Raúl, Vega & Inés  → 

Antonio Campillo & Patricia Gago

Antonio Puerta & Mar: Aitor  →

Aritz Aduritz & Ainhoa Fernández: Iara & Noa  →

Borja Fernández & Paloma López: Lucía [Borja’s daugther]  →

Bruno Saltor & Raquel: Pol & Adriana  →

Carles Puyol & Vanesa Lorenzo: Manuela & María  →

Chico Flores & Davinia Ciendones: Gael & Chloe  →

Dani Jarque (†) & Jessica Álvarez: Martina  →

David Villa & Patricia González: Zaida, Olaya & Luca  →

Fernando Navarro & Ana Ruiz: David, Mario & Alex  →

Fernando Torres & Olalla Domínguez: Nora, Leo & Elsa  →

Fran Rico & Diana Pombo: Mikel & André  →

Iker Casillas & Sara Carbonero: Martín & Lucas  →

Javi Guerra & Dafne Bustamante: Javier, Martina & Adriana  →

José Antonio Reyes (†) & Noelia López: José Antonio [Reyes’s son], Noelia & Triana  →

Miguel Torres & Paula Echevarría: Daniella [Paula’s daugther]  →

Mikel Arteta & Lorena Bernal: Gabriel, Daniel & Oliver  →

Roberto Lago & Sara López: Valentina & Ádam

Toño Martínez & Carmen Nevado: Martina & Marcos  →

Víctor Valdés & Yolanda Cardona: Dylan, Kai & Vera  →

Xabi Alonso & Nagore Aranburu: Jontxu, Ane & Emma  →

Xavi Hernández & Núria Cunillera: Àsia & Dan  →

[the-line-up]

Last One Standing

Yesterday marked both the start of the second week of the 2020 Vuelta a Espana and also the rapidly approaching conclusion of this year’s UCI World Tour calendar, with the next scheduled race, the Tour Down Under, due to begin on 14th January 2021. After the conclusion of this year’s Giro D’Italia in Milan on Sunday with Ineos Grenadiers’ domestique Tao Geoghegan-Hart becoming the latest recipient of the Maglia Rosa, the race is now on to find out who will win the overall general classification at the last of this year’s Grand Tours. 

For the first time in the history of Grand Tour cycling, due to a severely condensed race schedule brought on by Covid-19 restrictions, the Giro D’Italia and the Vuelta a Espana overlapped for one week, meaning that no riders would have the opportunity to complete a Grand Tour hat-trick this year. In addition, the commencing of the Giro on 3rd October occurred just two weeks after the final stage of the Tour De France, cutting the usual time-gap between the races in half. 

This meant that many of those who competed in the TDF chose to forgo a trip to Italy and instead made their way to Spain for the 75th edition of La Vuelta. Those cyclists included Dan Martin from Israel Start-Up Nation, Cofidis’ Guilleme Martin and Alejandro Valverde from Movistar. Also undertaking the TDF-Vuelta double-header this year is Team Jumbo-Visma leader Primoz Roglic who is looking to defend his general classification win from last year and secure a second Grand Tour win after being pipped at the post at this year’s Tour by felow Slovenian Tadej Pogacar. 

With six stages down and 1,013.2km, the first week of the 2020 Vuelta a Espana has already been filled with plenty of exciting moments: Roglic, coming off first-place success at Liege-Bastogne-Liege a few weeks previous, took the leader’s jersey on day one after a 173km stage from Irun to Arrate, with Ineos Grenadiers’ Richard Carapaz and Israel Start-Up Nation’s Dan Martin trailing close behind at five and seven seconds down respectively. 

Roglic continued to hold onto the maillot roja for the following five stages as the cyclists snaked their way towards northeastern Spain, with support during this time coming from his Jumbo-Visma teammates including Sepp Kuss, George Bennett and Robert Gesink. Unfortunately, the 146.4km Stage 6 route from Biescas to Aramon Formigal proved to be too much for the seven-year pro who was distanced by other GC contenders on the final 14.5km climb and fell back to fourth place, now sitting thirty seconds behind the new leader Carapaz.

Along with the increasingly tight competition between multiple GC contenders for the maillot roja, the Vuelta’s first week saw six different teams enjoy stage success: Movistar’s Marc Soler took Stage 2 after missing out the previous year when he was called back to help then-team leader Nairo Quintana, while Stages 3 and 4 saw an Irish double-header with Dan Martin winning his first Grand Tour stage since 2018 and Sam Bennett continuing his run of success this year after winning two stages, along with the overall points classification competition, at this year’s Tour De France. 

Stage 5, a 184.4km cycle from Huesca to Sabninanigo, was won by Belgian Lotto-Soudal rider Tim Wellens, while Astana took the final stage before the first rest day with Ion Izagirre crossing the finish line first after his teammate and older brother Gorka put in the leg work during the final climb. 

With the fight for the maillot roja now certainly under way between GC contenders like Carapaz, Martin, Roglic and Hugh Carthy of EF Pro Cycling, and with more teams hoping to achieve stage win success, the Vuelta’s second week was shaping up to be an exciting and eye-catching 945.8km of racing, and Stage 7 certainly didn’t disapoint. 

Consisting of 159.7km of racing between Vitoria-Gastiez and Villanueva de Valdegovia, this stage would be a tough course for the riders with almost sixty kilometres of cycling before coming into a circuit featuring two climbs of the Puerto De Orduna, oft-described as one of the most challenging climbs in the Basque Country. Richard Carapaz would be looking to hold onto the leader’s jersey for another day while fending off competition from Carthy, Martin and Roglic, while Jumbo-Visma’s Sepp Kuss would be looking to claw back points in the Mountains classification.

The race started off quite calm and relaxed, with only Deceunik-Quick Step’s Remi Cavagna attempting to distance himself from the peloton before being quickly swallowed up again, with the riders continuing to move at a steady pace for around the next 60km. However, as the first climb up the Puerto De Orduna, a 7.8km trek with an average gradient of 7.7% and maxing out an eye-watering 14%, began to loom, a sizeable sixteen-man breakaway began to form. Some of the riders in this initial group included Kuss, Rui Costa of UAE Team Emirates, Magnus Cort Neilson from American team EF Pro Cycling and Astana’s Alex Aranburu. As this breakaway hit the beginning of this steep climb, they had managed to build up a two-minute advantage over the main peloton, but were still faced with competition from a quickly approaching second breakaway group.  

With eighteen riders including AG2R La Mondiale’s Nans Peters and Kenny Elissonde from Trek-Segafredo, along with Michael Woods and Omar Fraile, whose respective teammates Cort and Aranburu were already up the road. Not wanting to be distanced, a trio of riders made up of previous Vuelta a Espana winner Alejandro Valverde, riding for Movistar, along with Mitchelton-Scott’s Mikel Nieve and UAE Team Emirate’s Davide Formolo, also broke away from the main peloton soon after in an attempt to catch up with the groups ahead.

Their efforts, along with those of the eighteen-man breakaway, paid off in the end, catching up to the initial group of sixteen cyclists mid-way through the ascent of the Puerto De Orduna; the three groups eventually merged to form a final thirty-six man breakaway, with those eager to gain points in the mountain classification fighting to get towards the front. 

Meanwhile, back in the main peloton teams including Team Jumbo-Visma, Israel Start-Up Nation, Astana, and Ineos Grenadiers were pushing on the pace, with this main group never conceding more than three minutes to those out in front throughout the entire stage. Chris Froome, riding in his first Grand Tour this year after suffering a horrific crash at last year’s Criterium De Dauphine, set the pace for Ineos Grenadiers at the head of the peloton for a time, showing that he is on the way back to reaching close to his prime cycling form once again.

Out in front, Kuss was the first of the thirty-six-strong breakaway to cross the summit of the Puerto De Orduna, picking up the maximum ten points and virtually securing the Mountains Classification jersey. As he and the other riders entered the descent and began heading towards Espejo, Peters and Guilleme Martin of Cofidis tried to distance themselves from the group to catch up with Kuss who was now a short distance up the road. This attempted three-man breakaway was quickly nipped in the bud however, with the thirty-three riders left chasing behind quick to prevent any significant time gap from opening up.

With the thirty-six man breakaway now reconvened, they continued to cycle together until just around the 60km to-go mark approaching Subijana-Morrilas when another trio of cyclists attempted to gain some daylight between themselves and others in the group. Valverde, AG2R La Mondiale’s Dorion Gordon and Stan DeWulf of Lotto-Soudal were those who decided to go the lead; the maneuver worked well for a time as they were able to maintain a modest thirty-second gap between them and those they had left in the breakaway until around 35km to the finish when they were eventually caught by George Bennett (Team Jumbo-Visma), Wellens and Cort. 

After being initially caught, French cyclist Gordon once again managed to distance himself from the breakaway as they began the descent before facing the Puerto De Orduna for the second and final time of the stage. Gordon, who turned pro in 2016, kept a thirty-second gap between himself and the chasing group during this latest shot for the line, but found it difficult to keep up the pace once the ascent began and was eventually caught by a sizeable chasing group at 25km from the finish.

As the group merged once again and began to weave their way up the Puerto De Orduna for the second time, EF Pro Cycling rider Woods decided to take his chance at 3km from the peak and made a dash up the remainder of the climb, with the other cyclists behind clambering up the mountain in an attempt to catch up to the Canadian. A quartet of riders, Guilleme Martin, Omar Fraile, Nans Peters and Alejandro Valverde, were the only ones to catch up to Woods, eventually reaching him during the descent with 15km to the finish line; in the process of chasing, Martin also secured the maximum mountain points for this second ascent of the Puerto De Orduna, taking away the polka-dot jersey which Sepp Kuss had virtually secured earlier in the race.

As the five riders out front began to make their way towards the finish in Villanueva De Valdegovia, what followed next was a game of cat-and-mouse, with the cyclists dashing away from the group momentarily to see if anyone would take the bait and chase them down. This back-and-forth continued for the next four kilometres; Woods and Fraile, with 3km left, tried to make a break for it but were soon closed down again by the other three, led by Valverde.

The decisive moment in the race, in fact, did not come until the final kilometre when Woods made a final sprint for the line, leaving the others scrambling to once again close the gap. Their efforts were for naught in the end though, with Woods crossing over the line for his second Vuelta stage victory to go along with Stage 17 win in 2018. Richard Carapaz also managed to hold onto the maillot roja for a second day, with his closest competitors Hugh Carthy and Dan Martin remaining unchanged at eighteen and twenty seconds down respectively.

With another eleven stages to ride until the final 124.2km from the Hipodroma de la Zarzuela to Madrid on 8th November, there’s still plenty of time for more exciting moments to come from this year’s Vuelta a Espana in a cycling year which has already thrown up plenty of surprises.

[tjeromebaker]

Kutsidazu bidea, Ixabel

Título original: Kutsidazu bidea, Ixabel

Año: 2006

Duración: 100 min.

País: 

 España

Dirección Fernando Bernués, Mireia Gabilondo

Guion: Carlos Zabala, Fernando Bernués, Mireia Gabilondo, Nagore Aranburu (Novela: Joxean Sagastizabal)

Música: Iñaki Salvador

Fotografía: Gaizka Bourgeaud

Reparto: Mikel Losada, Ainere Tolosa, Iñake Irastorza, Mireia Gabilondo, Iñaki Zapirain,Xabier Zapirain, Anjel…

[ao3feed-football]

For This Moment

read it on AO3 at https://ift.tt/3aaE8Li

by zanoranna (rei_c)

In November 2010, ETA blows up the Santiago Bernabéu. Years later, Xabi Alonso becomes their spokesman. This is his journey.

Words: 3259, Chapters: 1/1, Language: English

Fandoms: Men's Football RPF

Rating: Mature

Warnings: No Archive Warnings Apply

Categories: F/M

Characters: Xabi Alonso, Nagore Aranburu, Mikel Alonso, Fernando Torres, Real Madrid Players, Liverpool FC Players

Relationships: Xabi Alonso/Nagore Aranburu

Additional Tags: Alternate Universe, Terrorism, Freedom Fighters, Independence, Family, Unrequited Love, Additional Warnings In Author's Note

read it on AO3 at https://ift.tt/3aaE8Li

[que-noticias]

ELA, LAB, pensionistas y agentes sociales convocan huelga general en enero por "un trabajo, pensiones y vida digna".

ELA, LAB, pensionistas y agentes sociales convocan huelga general en enero por “un trabajo, pensiones y vida digna”.

En rueda de prensa en Bilbao, los secretarios generales de ELA, Mikel Lakuntza, y la secretaria general de LAB, Garbiñe Aranburu, junto a asociaciones de pensionistas y de otros colectivos, han advertido de que, ante la actual situación, “es preciso dar un salto cualitativo en la lucha en favor de unas condiciones de trabajo, unas pensiones y una vida dignas”. “Nos une este convencimiento…

[aurreramutilak]

2010.06.05 Liga 2009–2010 / J40 Cádiz CF 1 – 3 Real Sociedad

[docpiplup]

It has been announced that Irati has achieved 20 nominations for the Goya Awards 2023! It was very successful at the Sitges and Donosti Film Festival this year, so I'm sure it will be great. @asongofstarkandtargaryen

Best Film: Iñaki Burutxaga, Joanjo Landa, Miguel Menéndez de Zubillaga, Paul Urkijo Alijo

Best Director: Paul Urkijo Alijo

Best Adapted Screenplay: Paul Urkijo Alijo

You can read the script here (It's mainly translated to Spanish. The film will not be on cinemas until next year, so this is a bit of spoiler)

Best Original Music: Aránzazu Calleja, Maite Arroitajauregi "Mursego"

Listen to it

Best original song: "Izena duen gutzia bada" - Composers: Aránzazu Calleja, Maite Arroitajauregi "Mursego", Paul Urkijo Alijo

Listen

Best Leading Actor: Eneko Sagardoy

Best Supporting Actor: Iñigo Aranbarri, Kepa Errasti, Ramón Agirre

Best Supporting Actress: Elena Uriz, Nagore Aranburu

Best new actress: Edurne Azkarate

Best Production Direction: Javier Arsuaga

Best Director of Photography: Gorka Gómez Andreu

Best montage: Elena Ruiz

Best Art Direction: Mikel Serrano

Best Costume Design: Nerea Torrijos

Best hair and makeup: Patricia López, Julián Fernández, Pedro Rodríguez "Pedrati"

Best sound: Andrea Sáenz Pereiro, Maider Blázquez, Iosu González

Best special effects: Jon Serrano, David Heras

[axuxut]

Joxean Artzeri Omenaldia

Todavía con el cuerpo cansado, lleno de emociones y sentimientos, me vais a permitir que os hable del homenaje a Joxean Artze que ayer tuvo lugar en la iglesia de San Telmo Museoa  . No me disgusta la palabra homenaje pero reconozco que en este caso prefiero utilizar la palabra “regalo”. Quizás es menos solemne, pero es más cercana y esta llena de cariño. Esto es lo que quisimos hacerle a Joxean, un regalo.Los regalos siempre hay que cuidarlos. Pensar para quién es, buscar cómo quieres que sea, y sobre todo esperar y desear que le guste a la persona a la que se lo quieres hacer. Y en este caso más que nunca porque tenía que llegar muy lejos… o muy cerca…Este regalo, y, se que suena arrogante, queríamos que fuera algo muy especial, poético, lleno de cariño y emoción. Como más claro lo siento es diciendo: tenía que ser un “ritual” de agradecimiento. Y tenía que hacerse bien, profesionalmente hablando –como a Joxean le gustaba hacer las cosas-, porque era un acto muy complejo: recitadores, ambientes sonoros, música en acústico, danza, proyecciones, iluminación, sonido… y todo preparado en un solo ensayo general, cuatro horas antes. Y se emitía vía streaming en directo, es decir no había margen de error.Pero cuando la gente que participa en algo lo hace -trabajando mucho, eso sí- con el corazón, todo se convierte en algo mágico e irrepetible. Y esto es lo que yo siento que pasó ayer y que tuvimos la fortuna de vivir. Un momento que sabes que nunca vas a olvidar.Y quiero dar las gracias a muchas personas que hicieron posible que esto sucediera, y ya os adelanto que va a ser largo (ya está siendo largo hasta ahora..) pero si tenéis un poco de paciencia, quedaros con sus nombres porque se lo merecen:No sé si el orden será el más correcto pero esto es como una suma…Gracias a Susana Soto -Directora del San Telmo Museoa - por creer y apoyar la idea desde el principio, y al Ayto. de Donostia, Jon Insausti  -Concejal de Cultura- y al alcalde Eneko Goia -especialmente por implicarse dentro del acto-.Gracias a Morgancrea : Asun Lasarte –por tu siempre enorme trabajo- y Carlos Rodriguez –creador mago de las imágenes- , y ambos codirectores del proyecto. Es un placer y un lujo para mí trabajar con vosotros. Gracias a toda la gente la gente del Museo de San Telmo: Agurtzane Garay , Miren Valverde , Karmele Barandiaran ,… todos los técnicos del museo: Eñaut Artieda, Mikel… personal de atención al público… Gracias a Amaia Santamaría –producción. y a Marta y Naroa –regidoras-.Gracias a Eñaut (realización en directo de la emisión), a Alicia (vídeos)… lo siento, no recuerdo ahora mismo todos los nombres… a Chefo, Iñigo,... y toda la gente de sonido, imagen, iluminación, proyecciones, cámaras, vestuario, personal de sala, atención al público…Gracias a Ana Rodriguez (Jacaranda) por las flores, el círculo de hojas blancas y las velas, a Jose Luis Lanzagorta por el diseño de los programas, a Juan Garzia Garmendia por la impecable traducción de los poemas de Joxean, a Gerardo Rifón por la afinación del órgano, a Iñigo Laborería  por coordinar las voces del coro, Khadija El Ghaouti por la traducción al árabe, Jesus Vallejo por la preciosa argizaiola que hizo…seguro que hay más personas, pero mi memoria no llega a más… Pero sobre todo y de corazón, mil gracias a los que habéis hecho posible con vuestra total implicación, poniendo toda vuestra alma y vuestro arte –vuestra magia- para que este regalo a Joxean se haya hecho realidad :

Dirección: Alberto Lizarralde · Carlos Rodríguez · Asun Lasarte 

Zuaznabartarrak: Txalaparta

Ramon Agirre y Miren Aranburu: recitadores

Malandain Ballet Biarritz: Gaël Domenger: coreógrafo, danza, y Aureline Guillot, danza

Mizel Théret: coreógrafo y danza

Maddi Oihenart: voz

Mixel Arotze: voz

Mixel Etxekopar: voz, flautas, ttun-ttun

Beñat Axiary:  voz

Julen Achiary:  voz, ttun-ttun

Pedro Soler: guitarra

Ainhoa Zubillaga: mezzosoprano

Loreto Fdez. Imaz: órgano

Sorkunde Idigoras: viola da gamba

Ensemble Vocal Donostia: Ana, Julia, Irene, Amaia, Blanca, Julitxu, Miguel, Fermin, Pantxo, e Iñigo.

Alberto Lizarralde: ambientes sonoros

Carlos Rodríguez: creaciónes visuales

Gracias también a todos los que estuvisteis por vuestro increíble respeto y vuestro silencio tan lleno y hermoso. Y por último, gracias a Karmen Esteban, por haber depositado totalmente su confianza en nosotros. Espero que te haya gustado Joxean… ya me contarás…

[albertolizarralde]

Joxean Artzeri Omenaldia

Todavía con el cuerpo cansado, lleno de emociones y sentimientos, me vais a permitir que os hable del homenaje a Joxean Artze que ayer tuvo lugar en la iglesia de San Telmo Museoa  . No me disgusta la palabra homenaje pero reconozco que en este caso prefiero utilizar la palabra “regalo”. Quizás es menos solemne, pero es más cercana y esta llena de cariño. Esto es lo que quisimos hacerle a Joxean, un regalo.Los regalos siempre hay que cuidarlos. Pensar para quién es, buscar cómo quieres que sea, y sobre todo esperar y desear que le guste a la persona a la que se lo quieres hacer. Y en este caso más que nunca porque tenía que llegar muy lejos… o muy cerca…Este regalo, y, se que suena arrogante, queríamos que fuera algo muy especial, poético, lleno de cariño y emoción. Como más claro lo siento es diciendo: tenía que ser un “ritual” de agradecimiento. Y tenía que hacerse bien, profesionalmente hablando –como a Joxean le gustaba hacer las cosas-, porque era un acto muy complejo: recitadores, ambientes sonoros, música en acústico, danza, proyecciones, iluminación, sonido… y todo preparado en un solo ensayo general, cuatro horas antes. Y se emitía vía streaming en directo, es decir no había margen de error.Pero cuando la gente que participa en algo lo hace -trabajando mucho, eso sí- con el corazón, todo se convierte en algo mágico e irrepetible. Y esto es lo que yo siento que pasó ayer y que tuvimos la fortuna de vivir. Un momento que sabes que nunca vas a olvidar.Y quiero dar las gracias a muchas personas que hicieron posible que esto sucediera, y ya os adelanto que va a ser largo (ya está siendo largo hasta ahora..) pero si tenéis un poco de paciencia, quedaros con sus nombres porque se lo merecen:No sé si el orden será el más correcto pero esto es como una suma…Gracias a Susana Soto -Directora del San Telmo Museoa - por creer y apoyar la idea desde el principio, y al Ayto. de Donostia, Jon Insausti  -Concejal de Cultura- y al alcalde Eneko Goia -especialmente por implicarse dentro del acto-.Gracias a Morgancrea : Asun Lasarte –por tu siempre enorme trabajo- y Carlos Rodriguez –creador mago de las imágenes- , y ambos codirectores del proyecto. Es un placer y un lujo para mí trabajar con vosotros. Gracias a toda la gente la gente del Museo de San Telmo: Agurtzane Garay , Miren Valverde , Karmele Barandiaran ,… todos los técnicos del museo: Eñaut Artieda, Mikel… personal de atención al público… Gracias a Amaia Santamaría –producción. y a Marta y Naroa –regidoras-.Gracias a Eñaut (realización en directo de la emisión), a Alicia (vídeos)… lo siento, no recuerdo ahora mismo todos los nombres… a Chefo, Iñigo,... y toda la gente de sonido, imagen, iluminación, proyecciones, cámaras, vestuario, personal de sala, atención al público…Gracias a Ana Rodriguez (Jacaranda) por las flores, el círculo de hojas blancas y las velas, a Jose Luis Lanzagorta por el diseño de los programas, a Juan Garzia Garmendia por la impecable traducción de los poemas de Joxean, a Gerardo Rifón por la afinación del órgano, a Iñigo Laborería  por coordinar las voces del coro, Khadija El Ghaouti por la traducción al árabe, Jesus Vallejo por la preciosa argizaiola que hizo…seguro que hay más personas, pero mi memoria no llega a más… Pero sobre todo y de corazón, mil gracias a los que habéis hecho posible con vuestra total implicación, poniendo toda vuestra alma y vuestro arte –vuestra magia- para que este regalo a Joxean se haya hecho realidad :

Zuaznabartarrak: Txalaparta

Ramon Agirre y Miren Aranburu: recitadores

Malandain Ballet Biarritz: Gaël Domenger: coreógrafo, danza, y Aureline Guillot, danza

Mizel Théret: coreógrafo y danza

Maddi Oihenart: voz

Mixel Arotze: voz

Mixel Etxekopar: voz, flautas, ttun-ttun

Beñat Axiary:  voz

Julen Achiary :  voz, ttun-ttun

Pedro Soler: guitarra

Ainhoa Zubillaga: mezzosoprano

Loreto Fdez. Imaz: órgano

Sorkunde Idigoras: viola da gamba

Ensemble Vocal Donostia: Ana, Julia, Irene, Amaia, Blanca, Julitxu, Miguel, Fermin, Pantxo, e Iñigo.

Alberto Lizarralde: ambientes sonoros

Carlos Rodríguez: creaciones visuales

Dirección artística: Alberto Lizarralde

Dirección: Asun Lasarte · Carlos Rodríguez · Alberto Lizarralde

Gracias también a todos los que estuvisteis por vuestro increíble respeto y vuestro silencio tan lleno y hermoso. Y por último, gracias a Karmen Esteban, por haber depositado totalmente su confianza en nosotros. Espero que te haya gustado Joxean… ya me contarás…

[unpensadoranonimo]

Opiniones sobre la situación internacional (12/4/2018)

De Lula a la melancolía - Ramón Lobo

¿Hacia la Tercera Guerra Mundial? - Mikel Muñoz Aranburu

Lula da Silva: los tribunales lo condenan, la historia lo absolverá - Boaventura de Sousa

Otros golpes a Siria dirigidos a Irán - Eugenio García Gascón

¿Por qué las conferencias de Astaná, Sochi y Ginebra no llevan la paz a Siria? - Nazanín Armanian

Una visita real nada majestuosa - Paula San Pedro

Yaser Murtaja encarna la lucha de los habitantes de Gaza: desesperados pero no se rinden - Yasmeen al Khoudary

[ashmods]

bat, bi, hiru, lau, bost, sei, zazpi, REAL!