#Might and Magic III

[mod-a-day]

Rick Fox, DarkHero "Inn" (IT Conversion) Might and Magic III: Isles of Terra (Super NES, 1995) Fujisankei Communications International

[aj-lenoire]

if scanlan's comatose i can only presume his spirit is 'untethered' and we'll see him hanging out with percy's spirit in the matron of raven's lobby or whatever and she's like y̶͖͒ŏ̸͓û̵̜r̸̜̔ ̷̯̀f̴̦̕a̸̚͜t̸̤̂ē̸͉s̸͔͝ ̴̩̂d̵̍͜o̷̜̿ ̵̙͠n̷̜̐o̷̲͗t̵̗̿ ̸͈̐e̷̺̅n̵͓̓d̸͚̽ ̷̹͒h̸͇̾e̶̢͂r̷̬͑ȅ̵͜ ̷̳̏m̶̜͐y̴͓͂ ̵̥̂c̶͎̋h̷̯͂i̷̝͝l̴̹̐d̶̳̋r̶̬̔e̸̯͐n̷̲̐.̵̲̚ ̸̱̑p̴̗͛l̷͈̂e̸̝̔å̵͇s̸̰̑e̷̼͗ ̴̰̄h̶̻́e̸̪̽ḷ̸̾p̸̬̊ ̷̖̑y̴͖͝ò̷̡ú̵̫r̵̖̐s̶̳̾e̸͓̾l̸̟͝f̸͖́ ̵̺͋t̴͙̾ỏ̷̡ ̸̹͊s̶͍̿ò̷̼m̶̡̐ē̶̮ ̵̣̓č̷̥å̸͇k̴̨͋ẽ̷̻ ̸̥͐w̶̼͝ḧ̶͍́ȋ̶̩l̴̤̕ě̸͇ ̵͎̌y̷̳̆ỏ̸͔u̷̡̎ ̴̥̃w̵̲̓a̷̳̚i̵̹͋t̶̞̑ ̵̲͂ẗ̸̯́ő̴̡ ̸̝͝b̷̪͠e̵̫͂ ̵̱̈r̶̘͋ȅ̴ͅs̷̢̎u̵͎̅r̶͉̓r̷̪͒e̵͚͠c̶̳̋t̴̡͌ë̴̳́d̸̰͑ ̶̣̑b̷̤̌y̵̹̾ ̵̥͒y̶̱̓ó̵̖ṷ̸̓r̵͚̈ ̴͔̾f̷̬̋r̸̨̾i̶͔̓ê̸̲n̵̬̂d̸̡͑'̸̤͝s̸̞͛ ̶͒ͅm̸͓͘a̸̰͝g̵̛͙i̸̮̅c̸͙̈́ ̵̫͐b̵̯͘l̵͇̓ò̴͉ö̶̡́d̴̛̘.̷͍̅

[videogamepolls]

Requested by anon

[rainbowenot]

My favorite character from Heroes of Might and Magic III.

[mssoapart]

It was so hard to gather people's suggestions for this challenge. My friends and their friends helped me, thank them for that.

I posted it four years ago on Twitter and maybe redo it here with different characters, who knows. ┐(ﾟ～ﾟ)┌ Date: 2020

[maniculum]

Editing the next episode on Prokopios, and this is all I could think of while going through the part where we discuss the Plague of Justinian.

[chojrak-making-things]

No better game for a lazy sunday 🥰

[3dpinball]

[8bitsupervillain]

End of the Year 2023: The Games of the Year Combined List of Destiny!

So, what I wanted to do originally for this list was use one of the WWE wrestling games and have the twenty best games duke it out. Unfortunately none of them are free on the consoles, and I'm not spending seventy dollars on a goof (I might still do this soon…).

20: Diablo III

Perhaps my standards are lower than they used to be, but I had fun playing through it recently.

19: Doom 3

I disagree with the notion it's a horror game. It just plays like a slower paced vesion of the older Dooms.

18: Higanbana no Saku Yoru Ni

I enjoy a more straightforward horror yarn once in a while.

17: The Witcher 2: Assassin of Kings

A fun game with a surprisingly good story that knows when to have sillier moments.

16: Dragon Age II

You push the button and something awesome happens.

15: Hammerwatch II

A fun action RPG that gave me what I was looking for when Diablo IV didn't. Also made me think about how not every gosh darned game needs to be an open world.

14: Might and Magic X: Legacy

I thought it was a pretty fun first person RPG. It doesn't really do anything new, but that's alright.

13: Demon Lord Reincarnation

A fun DRPG that uses a wonderful retro look for its graphics. Surprisingly emotionally gripping, and extremely cruel.

12: Amnesia: The Bunker

It's great someone made a new game in the style of Alien: Isolation. Kudos for using a scarcely used setting as well.

11: Dead Space

A fun remake that makes the original largely obsolete. It basically took everything the original did and tuned it up.

10: Armored Core 6

I appreciate the game didn't really dwell too long on the inherent backstabbing nature of mercenary life.

09: Class of 09 (Also Class of 09: The Re-Up)

Well that's kind of fitting isn't it? I found certain parts of this pair of games to be extremely funny, and at times surprisingly emotionally gripping.

08: Bravely Default II

An expertly crafted retro style RPG with a surprisingly strong storyline.

07: Pizza Tower

I was really surprised at how much I liked the gameplay when every single time I looked at it before hand I was left extremely unimpressed.

06: Wo Long: Fallen Dynasty

I won't apologize for my love of this type of game. It's just constantly satisfying combat all the way through.

05: Potato Flowers in Full Bloom

I went in to this expecting nothing and came away with an absolutely wonderful and compelling experience.

04: Resident Evil 4

I swear I didn't do this intentionally. I love the recent slate of Resident Evil games Capcom has put out, they seem to just go from strength to strength. Perhaps one day one will steal the gold medal.

03: Umineko no Naku Koro Ni

Absolutely stellar, a masterclass in mystery story telling. There is not one wasted character in the entire one hundred and thirty hour story.

02: Pillars of Eternity II: Deadfire

Just as impressively designed as the first Pillars of Eternity, with a fresh new setting. Everything is a ten out of ten with this game, the story, the characters, the gameplay, the whole deal.

01: Baldur's Gate III

But this just stole the show. Unparalleled levels of reactivity and planning for most of the outlandish plans players could think up gave Baldur's Gate III the edge. I know I win no points for originality by saying Baldur's Gate III is the game of the year, but the fact is that it is.

But can you say it in red?

[ostrobothnianoccultist]

Only people with culture know what I’m doing

[balduransarmory]

Good morningToday  I have Sorsha from the Castle for you. As you can see, Ai didn't manage  a bit with her hair with the helmet and of course with the chain mail.As always, I have something for you to listen to. Have a nice day

https://www.youtube.com/watch?v=sIcTrgarJJc

#HeroesofMightandmagicIII #Homm3 #Sorsha

[tsartomato]

Heroes Chronicles: Warlords of the Wasteland

I’ve already wrote on how this sub-genre was created, and how and why it absolutely dominated its parent genre to the point of basically extinction. Now, the second Heroes game improved the combat, significantly improved GUI, deepened the RPG part, re-worked the magic system and added more civilisations. Or more. like, confederations, since you can see basic humans participating in different…

[sisadminspb]

Геройская годнота

Геройская годнота https://www.youtube.com/watch?v=Vcu77fOPkA0 - 8. Герои 3. Обучение от А до Я! Заклинания контроля, варианты отстройки и игры за разные замки https://www.youtube.com/watch?v=2S6GHHj4oao https://www.youtube.com/watch?v=3DXBBtUqwY4 https://www.youtube.com/watch?v=271DrNn0mRo https://www.youtube.com/watch?v=P_Pqk8nUWWg https://www.youtube.com/watch?v=DiEabCJFFjE https://www.youtube.com/watch?v=FzwAmL0XvXE&t=3915s https://www.youtube.com/watch?v=To2i_IVx5wE&t=5s https://www.youtube.com/watch?v=ehYkytcUfdI&t=4473s https://www.youtube.com/watch?v=kENlSXQg26s

[theastrophysicistnextdoor]

The Ineffable Detective Agency presents: Decoding 1941 Hell – The Hidden Morse Messages

The Good Omens team never fails to surprise us: In the Hell scenes set in 1941, there are subtle beeps in the background that many might have missed: morse code messages! 

We took the time to decode these messages from about 5 minutes of the show – some parts are easy to identify, some parts are really hard due to overlying sounds or noises. 

We used the 5.1 audio and selected only the channel with the morse signals. Check out an easy snippet – which line is it? :)

Then, we applied high- and low-pass filters to emphasize the code’s pitch around 1360 Hz. Some of us have pretty sharp ears, some of us worked with the frequency spectra to mark short and long signals as well as pauses in between. 

Here is what we have heard or seen, together with some facts and thoughts on the lines. Let us know what you think!

S2E4 06:19 to 08:23 “Have a miserable eternity”

Here are the pieces we have successfully decoded: 

HAVE A DREADFUL ETERNITY

We are wondering why this is different to the text via loudspeaker as well as Furfur’s “have a miserable eternity”...

TOMMY’S A LEGEND

Do we know a Tommy?

1) There's the Welsh magician/comedian Tommy Cooper (his magical act specialized in magic tricks that appeared to fail), who was the inspiration for the red fez in the magic shop. Cooper died live on television suffering a heart attack. :(

2) There's also the lead character Tommy in Brigadoon, the plot of which feels seriously GO-coded. There is a magic village hidden outside time that only appears in Scotland once every 100 years and is connected to the rest of the world with a bridge, outsiders who find "clues about the village and its people that make no sense", and a plot about unlikely lovers who are separated (because one "can't just leave everything in the real world behind"), and an ending that reunites the lovers against all odds because of the strength of their love ("I told ye, if you love someone deeply enough, anything is possible ... even miracles.")

PAUL’S OUR MIXING HERO

Could that be the Re-Recording Mixer PAUL McFADDEN?

ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABAN

The phrase "Abandon all hope, ye who enter here" is a quote from Dante’s Inferno, Prelude to Hell, Canto III, Vestibule of Hell: Dante passes through the gate of Hell, which bears an inscription ending with the phrase "Lasciate ogne speranza, voi ch'intrate". So, the minisode is THE place where we get quotes from the two most famous literary accounts of Hell – with Furfur's quotation of Paradise Lost in the dressing room at the Windmill Theater: "In dubious battle on the Plains of Heaven". 

S2E4 09:16 to 10:09 “Processing the Nazis”

ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION

S2E4 11:07 - 13:12: “The offer to return as Zombies”

These two minutes are very tricky: while in the first half it is ok-ish to identify the signals in the spectrum, the second half is overlaid by so much noise… – yes, we are calling the dialogues and sounds in hell noise now :D – that we chose a different approach. 

It looked as if the sequence starts from the beginning, so we compared both parts, and now we are quite sure that it is the same pattern. 

DO NOT LICK THE WALLS HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS HEAVEN LOOKS DOWN ON YOU BECAUSE YOU ARE PATHETIC ABANDON ALL HOPE YE WHO ENTER HERE CHEER UP IT’S ONLY ETERNAL DAMNATION DO NOT LICK THE WALLS HEAVEN LO …

So those are the sections we are pretty certain we have correct. However, there is one section we are still unsure on - maybe you can help?

Back to S2E4 06:19 to 08:23

We have been fighting hard with the first six seconds, before “HAVE A DREADFUL ETERNITY” and we think it is:

SHE’S IN MA PHONE

Who are we talking about now?

Do you have any other ideas of what this could be? If it is “She’s in ma phone”, what does that mean? Or is the S just noise and it starts with an H? Or even with a B – BE’S IN MA PHONE?

So, what are your thoughts on all of these messages? Why go to the effort of putting morse code here? Is it a fun easter egg, or something more? And why say “dreadful eternity” in morse when the quote used in the show is “miserable eternity”? We have so many questions!

Spoiler: There is more code hidden throughout the series.  Let us know what you see or hear!

-... .    -.- .. -. -..    - ---    . .- -.-. ….    --- - …. . .-. 

An amazing joint effort with @noneorother, @kimberleyjean, @thebluestgreen, and @embracing-the-ineffable at the @ineffable-detective-agency (with the incredible @maufungi, @somehow-a-human, @lookingatacupoftea, @komorezuki, @havemyheartaziraphale, and @dunkthebiscuit)

See more of our posts, plus a collection of Clues and metas from all over the fandom, here.

[sunnami]

the marauders as. . . whatever love languages these are (iii).

“hey, pay attention to me.”

𝐉𝐀𝐌𝐄𝐒 𝐅𝐋𝐄𝐀𝐌𝐎𝐍𝐓 𝐏𝐎𝐓𝐓𝐄𝐑 thinks he might wilt if your eyes are not on him, for even a fraction of a second. to deprive him of your voice and laughter is like denying a starving man at death’s door of food and water. look away from him and his soul will howl in search of its other half. the others can stare all they want, but it’s him who gets to drink up the words from your lips—the giggles and the breathy murmurs like it’s honey dripping from your tongue. his animagus form might be a stag, but he hoards you desirously as a dragon would with its acquired treasures. 

james is the epitome of confidence. he is born from magic and he had taken to a quidditch broom like an osprey soaring the skies without fear. but the crowd chanting his name means nothing, the thrill of the game—wind in his hair as he chases after the golden snitch. it’s for naught if you aren’t there to watch. the adrenaline is nothing compared to the spike in his heartbeat when he sees you in the stands; wearing his colors, cheering for him—his name falling from your pretty lips. 

the gryffindor tower is pervaded by a celebration in james’s honor—teeming with students from various houses, neckties of yellow, green, and blue loosely dangling around their shirt collar; gillywater and pumpkin juice in their hands, muggle pop music blasting through the charmed radios. but james wholly prefers to be with you in your room, far away from the festivities; intoxicated by your whimpers and murmured praises as he situates himself between your thighs, indents of his hands on your skin. he’s desperate. james is on his knees like you’re a celestial being meant to be worshiped—and, he’ll happily do so. you could send him to his demise and james will still find himself at the altar. 

but, james potter is only human, and even arrogant flames can be extinguished. he clings to you in the mornings, burying his nose in your scent. you’re well-loved from the night prior. he hopes you understand that you’ve ruined him for anyone else. so please, he begs in the quietude of dawn, don’t look at anyone else. he’s afraid of losing you to another—to someone calmer, more steadfast and predictable. 

but another day passes, and you still look at him with that pretty smile of yours. holding him with such tenderness that calms the whirlwind of his thoughts. 

a week slips by, then a month, followed by a year—until it’s ‘for the rest of our lives.’ 

“thank you,” he’ll say, lowering his head on your lap, nearly trembling as he grasps for your hands; tears threatening to fall from his eyes. vow after vow, he offers everything that he is, everything that he has. his wealth and his fame. his soul—all for you. (please take care of it well, he’s easily hurt.) 

“for choosing me,” he lays the words bare. for when it comes to you, james potter is nothing but sincere and devout.

a/n: the world yearns for james potter to be real...

[apoloadonisandnarcissus]

Let's talk Galadriel x Sauron Sexy Times (Freudian symbolism)

@rey-jake-therapist inspired me to write this, and then a few other users started to question about it. Buckle up, this is going to be wild.

According to Tolkien legendarium, can Sauron and Galadriel "do it"? The short answer is: yes. As long as Sauron is in physical form, it's entirely possible. And he can even get her pregnant, too (but it would cost him). Not only that, but they might have already done it back in Season 1, actually.

The long answer is more complicated. Why? Eldar customs, probably decreet by the Valar. I already talked about this shortly in this post. Tolkien’s writings about wedding, love and sex among the Eldar (Elves) can be found in “Morgoth’s Ring, Part III. The Later Quenta Silmarillion: (II) The Second Phase: Laws and Customs among the Eldar.”

Right away, Tolkien makes a distinction between Elves and Men: according to him, Men are horny as hell. Elves not so much: they like sex (the act): "the union of love is indeed to them great delight and joy." Casual sex is a no; and for the Eldar sex = marriage. So much so, that a couple is considered married if they exchange vows to the Valar (Tolkien never specified these vows, only that Manwë is mentioned) and have sex (no feast or celebration required): this usually happens when the couple is in flight, and exile, and wandering. 

All textual evidence seems to point out that the purpose of this act is to have children: 

“. . . the act of procreation, being of a will and desire shared and indeed controlled by the fëa [soul], was achieved at the speed of other conscious and willful acts of delight or of making. It was one of the acts of chief delight, in process and in memory, in an Elvish life, but its intensity alone provided its importance, not its time or length: it could not have been endured for a great length of time, without disastrous "expense" . . . it is longer and of more intense delight in Elves than in Men: too intense to be long endured.”

Elves, usually, don’t have many children (Fëanor being the exception: he had 7 sons), because they spent a lot of both their body (hröa) and soul (fëa) creating them, and Elven pregnancies can last from 1 year up to 100 years (wild). They don’t need a magical pregnancy test, because both parents know when a child was conceived. This date is also the day they celebrate their birthdays (and not the day when they were actually born). They also don’t have children during war time.

The eternal bond (= marriage; because divorce is forbidden) between Elves happens during sex; when they have sex for the first time their bodies and souls become one (= “union of souls”), and it’s a more intense physical and spiritual experience than for Men. Elves who have not had that union together have not yet established that incredible bond.

After children, the Elves also lose interest in having sex all together, and devote themselves to “higher pursuits”. Meaning, once children are born, the couple is now celibate: with the exercise of the power (of generation), the desire soon ceases, and the mind turns to other things... they have many other urgues of the body and of mind which their nature urges them to fulfill.

According to Tolkien, "Elf libidos" only last for a period of one to several hundred years (in their immortal lives). And they look back at the memory of this time with nostalgia. By nature, Tolkien writes that the Elves are seldom swayed by the desires of the body only, but are by nature continent and steadfast. Meaning: they are able to control their urges.

Now, here's the catch.

Sauron, being a fallen Maia of Melkor, doesn't care about any of this. He doesn’t follow the Valar rules, and he hates the Eldar.

In "Unfinished Tales", Tolkien does point out Galadriel as an exception to all of these rules: Celeborn was the lover of Galadriel, who she later wedded. Again, Tolkien doesn’t goes into details here, so we don’t know if “lover” was purely romantic (kissing, for instance) or full-on sexual, really. Either way, it’s been established in “Rings of Power” just how “alien” she is among her kin, overall. And she is a rebellious spirit, going against Gil-galad, her High King, on several occasions, and against the Valar themselves.

Well, she ended up marrying Celeborn after him being her lover, but they only had Celebrían thousands of year later, though. And “Rings of Power” also created another question mark here, because Galadriel only mentions her husband one time: he saw her dancing, they got married, he went to war, and she never saw him again. In the lore, Galadriel and Celeborn, being royalty, most likely had a feast (ceremony). So… does this mean that in “Rings of Power” canon, Galadriel never had her “union of souls” with Celeborn? And that explains why she fell in love with Halbrand/Mairon?

In the lore, we also the have the “little” detail of Elves only having “libido” for a short period of time in their immortal lives.

This is sexual awakening right here. We’ve seen Galadriel being proud, strong-willed and rebellious, but in this scene she looks like a “teenager” (even though she’s thousands of years old, already). Mairon made her speechless with that look. And we also see Galadriel flirting with him after this.

But in “Rings of Power”, Sauron and Galadriel had their “blood marriage ritual” too, and this was their “union of souls”.

Now, we need to look at what Tolkien created in his legendarium: where sex = children, and, most likely, any sexual act that goes against that is frowned upon (consider a corruption to Eru’s creation).

But Mairon, being corrupted by Melkor, doesn’t have any problems in indulging in sexual acts what don’t result in any children (conceiving a child would also cause him to bind himself to his physical form at the time, and he probably doesn’t want that). Galadriel herself isn’t on the mindset for children, also, and she already rebelled against the Valar, herself.

Tolkien estate said no sex scenes, but we sure had a lot of sexual innuendo going on between Galadriel and Mairon, ever since Season 1:

First with Halbrand aka Repentant Mairon: with whim Galadriel had her “sexual awakening”. He pulls her out of the water, and she’s pretty much naked before his eyes. I already wrote a post about the physical attraction between them, so I won’t get into that here.

Freudian symbolism is associated with sex representations, and was developed by both Sigmund Freud and Carl Jung (dreams can reveal a person’s deepest unconscious wishes and desires), but it has been widely used in pop culture and cinema to illustrate several ideas.

Why is this sneaky bastard grinning about?

Well, in Freudian symbolism the mouth is also a symbol for the female genitals, while the spoon is a phallic symbol. The act of eating symbolizes sexual intercourse (= interaction between male and female symbols). What’s why Mairon is grinning: he’s fantasizing all kind of sexual scenarios here.  

In Freudian Symbolism, knifes/daggers/lances/swords (any object resembling the penis in shape or that can be used to penetrate the body and cause injury) are phallic symbols. Meaning, they represent the penis. An erection (in which the penis raises itself against the force of gravity) is usually represented in connection with an air element (it can be ballons, airplanes, missiles, rockets, flying, snakes, etc.).  

The Freudian symbolism behind this scene? Mairon has a boner, and Galadriel is touching it.

Recently, this scene has been talked about a lot (in reference to Celeborn being called a "silver clam"), but that's not the only symbolism happening in here:

The Númenórean smiths tease Mairon, and ask him how close is he with the "she-elf." This Maia is eating ("sexual intercourse") clams, here. Worldwide, the clam is a clitoral symbol, meaning it represents the female genitalia. What does this means? Eating Galadriel out is, probably, what Mairon wants.

Jealous Mairon peacocking for dominance:

Galadriel is right in front of his salad handling all of these swords (phallic symbol). And he wants to assert his dominance, here. The only “sword” she’ll be handling around here is his. And he’s the best at it, too.

Then, in Season 2:

Right off the bat, Sauron is using a snake themed armor. In Freudian symbolism, the snake is also a phallic symbol, representing sexuality, temptation, and erection; and also repressed sexual desires. Sure this is meant to illustrate him as the "great deceiver", but it’s possible to “kill two birds with one stone”, and he only uses this armor in this particular scene.

Now, we have to forget the fight, and concentrate on the dialogue and the symbolism here. 

It has already been noted by many fellow fans that this fight is meant to illustrate Galadriel and Sauron history in Season 1 (the places where Sauron injures Galadriel). And I agree: the entire fight scene was Sauron taunting Galadriel with their shared past. 

Fighting tactics speaking this whole move is very strange. Symbolically, it's pretty much on the nose, as they say: a crown (clitoral symbol) penetrating a sword (phallic symbol) = sexual intercourse. And Sauron does this very aggressively and right in front of her face. Then, he spins the crown and one sword in on his shoulder, and the other on Galadriel’s = they are joined.

Want details? Galadriel is on top (just like Tolkien intended), and then Mairon becomes “the lost king who could ride you” to finish.

And then we have Sauron sounding his most aroused and unhinged yet, while saying these words, with this expression on his face: 

The next dialogue is Galadriel accusing him of everything between them (back in Season 1) being a lie, and another of his illusions. To which he replies (with Halbrand’s voice): 

Then, enters Halbrand: he speaks to her almost whispering, a bit breathless, too, like a lover, and Charlie puts emphasize in two bits of his dialogue: “at your side” and “that feeling”.  And the expression on his face: Halbrand looks desperate, tormented, yearning and nostalgic.

Which makes me ask the question: if this fight is meant to illustrate their past history... does this mean that these two have been sexually intimate already!? 

Where, you might ask? In Eregion, of course. Where we have Mairon naked on a bed being healed, and both he and Galadriel stayed there, according to Elrond in 2x01, “for weeks” (which might suggest a whole month or more).

Some time after his “healing” and being working with Celebrimbor, we also see Mairon getting “touchier” with Galadriel, and whispering on her ear. What changed? When and why did he got so comfortable doing this?

We, the audience, assume that Mairon goes immediately to Celebrimbor’s forge after he wakes up, but is that true?

Celebrimbor asks him “shouldn’t you be resting?”. This can imply he had already awakened from the healing and he should be getting some rest instead of wandering around. And Galadriel, being in love with him, would surely want to be in the room when that happens. But he’s searching for her, instead. And the last scene we saw from Galadriel, was her and Elrond in the room where Mairon was being healed by the Elves.

And this is when they start to look at each other more passionately, too, like actual lovers (and not "just friends"):

Not only that, but he was already planning on forging two rings (surely, one for himself and other for Galadriel). In Elven tradition, the betrothals exchange two silver rings (in this case it would be mithril).

This would also provide a new layer to Sauron commanding his (new) Orcs to destroy Eregion right in front of Galadriel, to get a reaction out of her. He’s petty like that.

This could also explain Charlotte Brändström’s words of how Halbrand “really seduced her”, and how much in love with him Galadriel is.

Galadriel heartbreak on 1x08 and Season 2

Galadriel went through all seven stages of grief in Season 2, concerning Halbrand aka Sauron. We saw her crying or on the verge of tears. She was heartbroken, believing she was deceived, and all that she experienced with Halbrand was a lie. And she wanted to kill the motherf*cker, all by herself, until the bitter end. Do you have something to hide there, Gal? She even thrown Elrond under the bus with Adar in 2x06 just to get a chance to do it.

It has been noticed by some fellow fans, that Galadriel would, often, touch her lower stomach whenever having visions from Nenya, and we saw her planting seeds, too. This highly implies fertility. Now, this doesn’t mean she’s actually pregnant, mind you! But it can symbolize previous sexual acts.

It’s also worth mentioning that, in Freudian symbolism, jewels (such as rings) represent a beloved person.

What is Galadriel so afraid of? Wasn’t Halbrand “only a friend”? 

When Sauron appears in 2x08, Galadriel is absolutely terrified, unable to move. She’s not scared of him, per say; she dreads that he might still be on Halbrand form, and she isn't certain on how she would react to that. But he’s in Annatar form, and she doesn’t have any emotional connection to it. Still, she’s only able to attack him when he had his back turned on her. And then, her expression when she sees Halbrand is very telling:

Sauron and Mirdania

Of course the “great deceiver” who manages to “deceive even himself” got himself a Galadriel doppelgänger when he returned to Eregion to put his “rings of power” masterplan in motion. And he only gets touchy with her whenever he thinks of Galadriel.  

He also disposed of Mirdania when Adar arrived at Eregion (with Galadriel herself on a cage).

This whole business with Mirdania is something physical on Sauron’s part, because he sees the resemblance with Galadriel. And the fact that he touches her so tenderly is interesting to say the least, because (1) we’ve seen Sauron hating being touched throughout Season 2 (even by Mirdania herself), and (2) he’s an immortal spirit from the Unseen world (Maia); he doesn’t actually have any of these needs... Unless he's remembering touching Galadriel herself, and his sexual desire for her.

And what's the last injury that Sauron inflicts on Galadriel on their 2x08 fight?

Full-on penetration. And he doesn't go gentle with it, either. And it ends with him literally ejaculating (blood) inside of her (chest), aka blood binding.

This is pretty much what Tolkien wrote in “Unfinished Tales”, except the lover here is Halbrand/Mairon/Sauron, and he wants commitment (marriage).

Galadriel denies him in Season 1, and again in Season 2. And then, he forces them to bind together, all the same. This could also explain why Sauron was so certain she would actually bind herself to him, in spite of all the evil stuff he has done in Eregion. 

And we have this “lovely” description of Sauron during his war with the Elves (which will be Season 3):

Now Sauron's lust and pride increased, until he knew no bounds, and he determined to make himself master of all things in Middle-earth, and to destroy the Elves, and to compass if he might, the downfall of Númenor. He brooked no freedom nor any rivalry, and he named himself Lord of the Earth. A mask he still could wear so that if he wished he might deceive the eyes of Men, seeming to them wise and fair.

Sauron’s lust will know no bounds in Season 3, good to know. He already bore a hole in Galadriel for the rest of him to slither in, so, only Eru knowns what kind of mind palace shenanigans will he be up to… symbolically.