#Melissa Mizell
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larryland · 8 years ago
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Laura (Grace Sgambettera) and her Gentleman Caller (Woodrow Proctor). Photo: Kyra Fitzgerald.
When you live with a story for a long time – and most Americans are introduced to Tennessee Williams’ The Glass Menagerie in high school or college – you see it through the lens not only of your own personal experience, but also of the social milieu of the day. I first met this play as a teenager in the early 1970’s. Freudian theory was still widely accepted, and Amanda Wingfield was presented as a selfish, domineering mother who stifled her children and ruined their lives. It was still generally believed that a mother like that was the cause of a son’s homosexuality. At first I saw Amanda as the villain of the piece.
Later, I transferred that title to Tom, who abandons his mother and helpless sister just like his father before him. Now I tend to consider Jim, the gentleman caller, as the villain who raises, then crushes Amanda and Laura’s hopes.
The Glass Menagerie, currently playing at Hubbard Hall, is the mostly highly autobiographical of Williams’ plays, and his first commercial success. It is obvious that Tom is Williams – whose given name was Thomas – and Laura is his elder sister, Rose, who ended up institutionalized for life after a botched lobotomy. Amanda is their mother, Edwina Dakin Williams. The family did live in St. Louis, his father was a traveling salesman more often on the road than at home, and Williams did work in a shoe warehouse. But Williams was the sickly child over whom his mother fawned, and there was another son in the family.
In his director’s notes in the program Roger Danforth identifies this as a production about family – about how we love and quarrel and outgrow our familial bonds over time. And in this time and place I agree with him. The Wingfield family are no more or less dysfunctional than many, and Williams crafts his Memory Play with love as well as the keen eye of an artist.
Christine Decker gives us an Amanda whose every thought and action is focused on survival – her own and her children’s. Her own survival depends not only on Tom’s ability to earn enough money for food and shelter, but also on clinging to her identity as a turn-of-the-20th century southern belle. You like this Amanda, you laugh at her foibles and feel her pain, but you never see her as the villain. There is no attempt to make Amanda glamorous, which makes her Act II appearance in a lacy old cotillion dress endearingly pathetic, rather than a heartless stab at outshining her mousy daughter.
Laura (Grace Sgambettera) and Amanda (Christine Decker) make a wish on the moon. Photo: Kyra Fitzgerald.
Amanda (Christine Decker) and Tom (David Snider) make a wish on the moon. Kyra Fitzgerald.
Amanda (Christine Decker) pulls out all the stops to impress Jim, the Gentleman Caller (Woodrow Proctor). Photo” Kyra Fitzgerald.
There is no danger of that here. Grace Sgambettera is luminously beautiful as Laura. She completely captures the character’s psychological frailty, even as she fails to embody Laura’s physical handicap. Sgambettera walks with no trace of a limp, and shifts agilely around on the floor in Act II in a way that a person with a leg that requires a brace would be unable to do. But that quibble aside, she certainly presents a young woman whose weaknesses and wounds render her unable to cope with the world.
By staging the play in the round, Danforth and scenic designer Andrea Nice have deprived David Snider’s Tom of an escape from the interior of the cramped Wingfield apartment. When Tom goes out, which he must to frequently to preserve his sanity, we never see him as physically outside, only lurking on the periphery. Williams calls for both an interior and an exterior set where we can see Tom as separate from the memory shadows he is narrating, which also inescapably haunt him across the years.
And into this tight family enclave comes the Gentleman Caller, Jim O’Connor (Woodrow Proctor), a co-worker with Tom at the shoe warehouse, and unbeknownst to both men, the object of Laura’s high school crush. Even as the electricity goes out (Tom has used the money intended for the electric bill to buy his freedom in the Merchant Marines) the Gentleman Caller brings light and hope into the Wingfield home. For him Amanda spruces up the house, herself, and Laura. He revives in Amanda all the flirtatious fun of her carefree girlhood surrounded by suitors promising hope for a prosperous and in the upper echelons of society. He taps in to a similar time in Laura’s life, when she was younger and felt the first stirrings of love for the Big Man on Campus. After spectacular success socially, academically, artistically, and athletically in high school, Jim has found his own young adult life a disappointment, and is pleased to retreat with Laura to memories of the days when he was the Pirate King and the star athlete.
Proctor balances Jim’s genuine charm and social ease with his slow reversion to the cock-sure self-importance and sense of entitlement of his teenaged self. Does he lead Laura on because he genuinely cares for her, or because he enjoys her adulation of him? Is he really spoken for, or does he devise that ruse to extricate himself quickly and easily, in spite of the pain he knows he is causing?
Sherry Recinella, who frequently costumes Hubbard Hall productions, has assembled simple depression era drab ensembles, except for Laura’s lovely Act II dress, which Amanda has probably hocked something precious to obtain; and Amanda’s own frothy cotillion creation, complete with a sparkly tiara-like headband.
Directors at Hubbard Hall have long made use of the Hall itself as part of the set. There is something about the 1878 wooden opera house that brings a special glow from a time gone by. Despite the previously mentioned drawback to Danforth’s decision to stage the show in the round – three-quarters round might have been a better choice – he, Nice, lighting designer Melissa Mizell, and technical director Benjie White make full use of the Hall’s ambience. When the disco ball whirls the sparkles of light from the Paradise Dance Hall across the historic painted ceiling, when the candles glow between Laura and her Gentleman Caller, making the little glass animals shimmer, when the period music swells and Jim sweeps Laura off her feet. These are magical stage pictures that can only be created at Hubbard Hall.
Hubbard Hall presents The Glass Menagerie by Tennesee Williams, directed by Roger Danforth. Scenic Designer Andrea Nice; Costume Designer Sherry Recinella; Lighting Designer Melissa Mizell; Technical Director Benjie White; Stage Manager Kate Johnson; Choreographer Darcy May; Executive & Artistic Director David Andrew Snider. Cast: David Snider as Tom Wingfield; Christine Decker as Amanda Wingfield; Grace Sgambettera as Laura Wingfield; and Woodrow Proctor as Jim O’Connor, the Gentleman Caller. The show runs two hours and fifteen minutes with one intermission. Performances Fridays, Saturdays and Sundays from April 22-May 7 at Hubbard Hall, 25 East Main Street, Cambridge, NY. Tickets: $25/$10 Students. 518-677-2495
Review of “The Glass Menagerie” at Hubbard Hall When you live with a story for a long time – and most Americans are introduced to Tennessee Williams’ …
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lawrencedienerthings · 4 years ago
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Colorado ethics panel orders John Hickenlooper to pay $2,750 for two violations
more news https://northdenvernews.com
Colorado’s Independent Ethics Commission on Friday ordered former Gov. John Hickenlooper to pay the state $2,750 for two illegal gifts he accepted while governor.
The panel voted 4-0 to impose a $2,200 fine for a trip to Connecticut on a private jet owned by a top political donor. It then voted 4-1 to impose a separate fine of $550 for a Maserati limousine ride he took in Italy. Commission chairwoman Elizabeth Espinosa Krupa abstained on the first penalty and then cast the lone no vote on the second.
In a two-hour video-conference hearing, the commission also unanimously voted to affirm a contempt finding issued last week when the former governor initially refused to attend its video hearing. But panel members decided not to impose any penalties or seek attorneys’ fees relating to contempt. 
Hickenlooper’s attorney Mark Grueskin had asked the panel to dismiss the contempt issue because Hickenlooper testified the day after he had originally been asked to appear. 
“Some of the arguments that were made and the request to stop the hearing I thought were especially offensive,” commission member Bill Leone said. 
The ethics commission last week determined Hickenlooper violated the state’s constitutional gift ban by accepting flights on private jets and attending an exclusive conference in Italy.
“Governor Hickenlooper accepts the Commission’s findings and takes responsibility,” Melissa Miller, a Hickenlooper campaign spokeswoman, said in a statement Friday.
Hickenlooper, who is seeking the Democratic nomination to take on Republican U.S. Sen. Cory Gardner in November, also was found in contempt last week when he defied a subpoena to testify at a hearing. He eventually testified the next day.
MORE: John Hickenlooper violated Colorado’s gift ban, state ethics commission rules
The ethics complaint against Hickenlooper was filed in October 2018 by the conservative Public Trust Institute.
The first violation came when Hickenlooper took a March 2018 trip to Connecticut for the commissioning of the Navy’s USS Colorado submarine, the ethics panel concluded. Hickenlooper rode on a private plane owned by MDC Holdings, a Colorado-based homebuilder, led by Larry Mizel, a supporter who is also a top fundraiser for President Donald Trump. The then-governor also attended private dinners for the MDC delegation.
Hickenlooper said he considered Mizel a friend and suggested the flight benefited the state because it allowed him to shorten his travel time. He said he did not discuss state business with Mizel and the trip was not related to his actions as governor.
The second instance involved Hickenlooper’s June 2018 travel to the exclusive Bilderberg meetings in Turin, Italy, that featured top CEOs and heads of state. Hickenlooper spoke on a panel at the meeting about economic development and paid for his flight and hotel. He also rode in a limousine at the conference. 
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Hickenlooper testified that he assumed the $1,500 he paid for four nights at the hotel covered the entire cost of the conference and he said he didn’t know he needed to reimburse for transportation, meals and other benefits. 
BACKGROUND: What you need to know about the ethics complaint against John Hickenlooper, explained in 6 questions
The amount of the fines ordered by the commission was based on a partial estimate of the costs of the two trips. 
Three other private flights aboard company planes owned by friends did not violate the state’s constitutional ban on public officials receiving gifts, the ethics panel concluded. The commission rejected those elements of the complaint after deciding that the travel fit an exemption in the law because it was a gift from a friend or a benefit to the state.
Hickenlooper snubbed the first day of last week’s video-conference hearing, objecting to the video conference format put in place amid the pandemic, and he was held in contempt by the commission. But he testified last Friday after a Denver District Court judge moved to enforce the subpoena at the request of the Colorado Attorney General’s office, which represents the ethics commission.
Hickenlooper filed a lawsuit earlier that week asking a judge to move the hearing to August. 
Voters approved Amendment 41 in 2006. It created the Independent Ethics Commission and a gift ban for public officials in the state constitution. The language prohibits all monetary gifts, as well as any item of value from lobbyists.
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sounds10thapr1976-blog · 7 years ago
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The chart page, puntastically called Vinyl Score. Arf arf.
Page 6     SOUNDS     April 10, 1976
VINYL SCORE
British Albums
   1      –     ROCK FOLLIES, Rock Follies, Island    2      2    THEIR GREATEST HITS 1971-1975, The Eagles, Asylum    3      1    BLUE FOR YOU, Status Quo, Vertigo    4      4    DIANA ROSS, Diana Ross, Tamla Motown    5      8    THE VERY BEST OF SLIM WHITMAN, Slim Whitman, United Artists    6      –     JUKE BOX JIVE, Various, K-Tel    7    19    HOW DARE YOU, 10cc, Mercury    8      6    CARNIVAL, Manuel And The Music Of The Mountains, EMI    9      3    DESIRE, Bob Dylan, CBS  10    13    REBEL, John Miles, Decca  11    10    WALK RIGHT BACK WITH THE EVERLYS, Everly Brothers, Warner Bros.  12    12    BREAKAWAY, Gallagher and Lyle, A & M  13    15    THE BEST OF HELEN REDDY, Helen Reddy, Capitol  14      7    THE BEST OF JOHN DENVER, John Denver, RCA  15      5    A TRICK OF THE TAIL, Genesis, Charisma  16    18    THE BEST OF ROY ORBISON, Roy Orbison, Arcade  17    32    BY INVITATION ONLY, Various, Atlantic  18      9    BRASS CONSTRUCTION, Brass Construction, United Artists  19    21    24 ORIGINAL HITS, Drifters, Atlantic  20      –     PENTHOUSE TAPES, Sensational Alex Harvey Band, Vertigo  21    26    A NIGHT AT THE OPERA, Queen, EMI  22    11    THE BEST OF GLADYS KNIGHT AND THE PIPS, Gladys Knight and the Pips, Buddah  23       –    AMIGOS, Santana, CBS  24    33 = LET THE MUSIC PLAY, Barry White, 20th Century  25    14    WINDSONG, John Denver, RCA  26    45    FAVOURITES, Peter and Lee, Philips  27    20    RODRIGO CONCIRGO DE AIANJUEZ BILLA LOBOS, John Williams, CBS  28      –     DOUBLY DEVINE, Sydney Devine, Philips  29    23    TUBULAR BELLS, Mike Oldfield, Virgin  30    25    NOBODY’S FOOLS, Slade, Polydor  31    16    SHEER HEART ATTACK, Queen, EMI  32    37    THE VERY BEST OF ROGER WHITTAKER, Roger Whittaker, Columbia  33    35    MOTOWN GOLD, Various, Tamla Motown  34    42    40 GREATEST HITS, Perry Como, K-Tel  35    17    RUN WITH THE PACK, Bad Company, Island  36    48    SOME OF MY POEMS AND SONGS, Pam Ayers, Galaxy  37    82    PATRICK MORAZ, Patrick Moraz, Charisma  38      –     GREATEST HITS, Abba, Epic  39    44    WISH YOU WERE HERE, Pink Floyd, Harvest  40      –     ELVIS PRESLEY’S 40 GREATEST HITS, Elvis Presley, Arcade  41    39    THE DARK SIDE OF THE MOON, Pink Floyd, Harvest  42    46    ROLLED GOLD, Rolling Stones, Decca  43    49    GREATEST HITS, Barry White, 20th Century  44    28    SUNBURST FINISH, Be-Bop Deluxe, Harvest  45    38    THE FOUR SEASONS STORY, Four Seasons, Private Stock  46    22    LIVE!, Robin Trower, Chrysalis  47    31    ONE OF THESE NIGHTS, Eagles, Asylum  48    36    LOCKED IN, Wishbone Ash, MCA  49    47    GLENN MILLER – A MEMORIAL 1944-1969  50    55    SIMON AND GARFUNKEL’S GREATEST HITS, Simon and Garfunkel, CBS  51    53    STILL CRAZY AFTER ALL THESE YEARS, Paul Simon, CBS  52 = 27    ELITE HOTEL, Emmylou Harris, Reprise  52 = 24    SCOTCH ON THE ROCKS, Bank Of The Black Watch, Spark  54    56 = THE SINGLES 1969-1973, Carpenters, A & M  55    62   THE BEATLES 1962-1966, Beatles, Apple  56    30    OMMADAWN, Mike Oldfield, Virgin  57    41    GARY GLITTERS GREATEST HITS, Gary Glitter, Bell  58      –     TAKIN IT TO THE STREETS, Doobie Brothers, Warner Bros  59    51    QUEEN 2, Queen, EMI  60      –     JAIL BREAK, Thin Lizzy, Vertigo  61    84    FUN ROCK, Various, Ronco  62    92 = FOREVER AND EVER, Demis Roussos, Philips  63    96 = GREATEST HITS, Mott the Hoople, CBS  64    43    LIVE AT TREORCHY, Max Boyce, One Up  65    58    ATLANTIC CROSSING, Rod Stewart, Warner Bros.  66    67    STATION TO STATION, David Bowie, RCA  67    50    WHO LOVES YOU, Four Seasons, Warner Bros.  68    33 = RAISING HELL, The Fatback Band, Polydor  69    59    THE BEATLES 1967-1970, Beatles, Apple  70      –     GET RIGHT INTAE HIM, Billy Connolly, Polydor  71    89    HOME IS WHERE THE HEART IS, David Cassidy, RCA  72    59    MUSIC EXPRESS, Various, K-Tel  73    56 = THE BEST OF THE STYLISTICS, Stylistics, Avco  74    64    MAKE THE PARTY LAST, James Last, Polydor  75    86 = BAND ON THE RUN, Paul McCartney and Wings  76      –     FOUR SYMBOLS, Led Zeppelin, Atlantic  77    54    QUEEN, Queen, EMI  78      –     FEELINGS, Johnny Mathis, CBS  79 =   –     BREAKAWAY, Art Garfunkel, CBS  79 = 81    40 GOLDEN GREATS, Jim Reeves, Arcade  81      –     ROMANTIC WARRIOR, Return To Forever, CBS  82    80    TROUBLE, Sailor, Epic  83      –     CRY TOUGH, Nils Lofgren, Warner Bros.  84    29    WE ALL HAD DOCTORS PAPERS, Max Boyce, EMI  85      –     HISTORY OF THE HOLLIES, Hollies, EMI  86      –     YOU ARE BEAUTIFUL, Stylistics, Avco  87 = 65    LED ZEPPELIN II, Led Zeppelin, Atlantic  87 = 74    STRAIGHT SHOOTER, Bad Company, Island  89 = 63    DESPERADO, Eagles, Asylum  89 = 85    SHAMAL, Gong, Virgin  91    40    ABBA, Abba, Epic  92 =   –     GLEN CAMPBELL’S GREATEST HITS, Glen Campbell, Capitol  92 = 61    LOVE TO LOVE YOU BABY, Donna Summer, GTO  94    70    THE ORIGINAL SOUNDTRACK, 10cc, Mercury  95      –     REACH FOR THE SKY, Sutherland Brothers and Quiver, CBS  96    94    THE BEST OF BREAD, Bread, Elektra  97      –     GOODBYE YELLOW BRICK ROAD, Elton John, DJM  98    99    GOLDEN HOUR OF GLENN MILLER, Glen Miller, Golden Hour  99      –     SILLY SISTERS, Maddy Prior and June Tabor, Chrysalis 100 =   –     VENUS AND MARS, Wings, Apple 100 = 60    RAMSHACKLED, Alan White, Atlantic
Supplied by: British Market Research Bureau/Music Week.
British Singles
 1      1    SAVE YOUR KISSES FOR ME, Brotherhood of Man, Pye  2      4    YOU SEE THE TROUBLE WITH ME, Barry White, 20th Century  3      2    LOVE REALLY HURTS WITHOUT YOU, Billy Ocean, GTO  4    13    MUSIC, John Miles, Decca  5      3    I LOVE TO LOVE, Tina Charles, CBS  6      7    I WANNA STAY WITH YOU, Gallagher & Lyle, A&M  7    21    PINBALL WIZARD, Elton John, DJM  8    10    YESTERDAY, Beatles, EMI  9      9    FALLING APART AT THE SEAMS, Marmalade, Target 10      5    PEOPLE LIKE YOU PEOPLE LIKE ME, Glitter Band, Bell 11    18    I’M MANDY FLY ME, 10cc, Mercury 12    19    HELLO HAPPINESS, Drifters, Bell 13    12    TAKE IT TO THE LIMIT, Eagles, Ayslum 14      –     FERNANDO, Abba, Epic 15      6    YOU DON’T HAVE TO SAY YOU LOVE ME, Guys ‘N’ Dolls, Magnet 16    22    HEY MR. MUSIC MAN, Peters & Lee, Philips 17    11    CONCRETE AND CLAY, Randy Edelman, 20th Century 18    27    JUNGLE ROCK; Hank Mizell, Charley 19      8    CONVOY, C. W. McCall, MGM 20    30    DON’T STOP IT NOW, Hot Chocolate, Rak 21      –     GIRLS GIRLS GIRLS, Sailor, Epic 22      –     HEY JUDE, Beatles, Apple 23    29    WAKE UP EVERYBODY, Harold Melvin & The Blue Notes, Philadelphia 24    15    MISS YOU NIGHTS, Cliff Richard, EMI 25      –     DO YOU KNOW WHERE YOU’RE GOING TO, Diana Ross, Tamla Motown 26    23    SHIPS IN THE NIGHT, Be-Bop Deluxe, Harvest 27      –     PAPERBACK WRITER, Beatles, Apple 28      –     THERE’S A KIND OF HUSH, Carpenters, A&M 29    17    DECEMBER ’63, Four Seasons, Warner Bros. 30    24    CITY LIGHTS, David Essex, CBS
Supplied by: British Market Research Bureau/Music Week
US Singles
 1      5    DISCO LADY, Johnnie Taylor, Columbia  2      2    DREAM WEAVER, Gary Wright, Warner Bros.  3      3    LONELY NIGHT (Angel Face), Captain & Tenille, A&M  4      8    LET YOUR LOVE FLOW, Bellamy Brothers, Warner Bros.  5      6    SWEET THING, Rufus Featuring Chaka Khan, ABC  6      9    RIGHT BACK WHERE WE STARTED FROM, Maxine Nightingale, United Artists    7      7    DREAM ON, Aerosmith, Columbia  8      1    DECEMBER 1963 (Oh What A Night), Four seasons, Warner Bros.  9    10    MONEY HONEY, Bay City Rollers, Arista 10    11    GOLDEN YEARS, David Bowie, RCA 11    13    ONLY SIXTEEN, Dr Hook, Capitol 12    15    SWEET LOVE, Commodores, Motown 13    18    SHOW ME THE WAY, Peter Frampton, A&M 14    14    DEEP PURPLE, Donny & Mare Osmond, MGM 15    17    BOHEMIAN RHAPSODY, Queen, Electra 16    25    BOOGIE FEVER, Sylvers, Capitol 17    24    THERE’S A KIND OF HUSH (All Over The World), Carpenters, A&M 18    19    TANGERINE, Salsoul Orchestra, 19      4    ALL BY MYSELF, Eric Carmen, Arista 20    16    TAKE IT TO THE LIMIT, Eagles, Asylum 21    23    ACTION, Sweet, Capitol 22    21    LOVE MACHINE Pt 1, Miracles, Tamla 23    12    FANNY (Be Tender With My Love), Bee Gees, RSO 24    20    JUNK FOOD JUNKIE, Larry Groce, Warner Bros. 25    26    GOOD HEARTED WOMAN, Waylon & Willie, RCA 26      –     I DO, I DO, I DO, I DO, I DO, Abba, Atlantic 27      –     FOOLED AROUND AND FELL IN LOVE, Elvin Bishop, Capricorn 28    30    ONLY LOVE IS REAL, Carole King, Ode 29      –     LOOKING FOR SPACE, John Denver, RCA 30      –     LOVE FIRE, Jigsaw, Chelsea
Supplied by: Billboard
US Albums
 1      1    THEIR GREATEST HITS 1971-1975, Eagles, Asylum  2      2    FRAMPTON COMES ALIVE, Peter Frampton, A&M  3      3    THOROUGHBRED, Carole King,  4      4    STILL CRAZY AFTER ALL THESE YEARS, Paul Simon, Columbia  5      5    DESIRE, Bob Dylan, Columbia  6      7    RUN WITH THE PACK, Bad Company, Swan Song  7      8    A NIGHT AT THE OPERA, Queen, Elektra  8      9    THE DREAM WEAVER, Gary Wright, Warner Bros.  9      6    STATION TO STATION, David Bowie, RCA 10    11    THE OUTLAWS, Waylon Jennings, Willie Nelson, Jessi Colter, Tompall Glaser, RCA 11    12    RUFUS FEATURING CHAKA KHAN, ABC 12    10    FLEETWOOD MAC, Warner Bros. 13    13    SECOND CHILDHOOD, Phoebe Snow, Columbia 14    14    ONE OF THESE NIGHTS, The Eagles, Asylum 15    22    SONG OF JOY, The Captain & Tennille, A&M 16    18    THE SALSOUL ORCHESTRA, Salsoul 17    17    HAIR OF THE DOG, Nazareth, A&M 18      –     EARGASM, Johnnie Taylor, Columbia 19      –     LIVE, Robin Trower, Chrysalis 20    20    GIMME BACK MY BULLETS, Lynyrd Skynyrd, MCA 21    23    AEROSMITH, Columbia 22    26    BRASS CONSTRUCTION, United Artists 23    25    FOOL FOR THE CITY, Foghat, Bearsville 24    24    BETTER DAYS & HAPPY ENDINGS, Melissa Manchester, Arista 25    15    HISTORY – AMERICA’S GREATEST HITS, America, Warner Bros. 26    16    GRATITUDE, Earth, Wind & Fire, Columbia 27      –     COME ON OVER, Olivia Newton-John, MCA 28    29    FACE THE MUSIC, Electric Light Orchestra, United Artists 29      –     TED NUGENT, Epic 30    30    CHICAGO IX CHICAGO’S GREATEST HITS, Columbia
Supplied by: Billboard
Alternative 30 Oldies but goldies supplied by Broad Green Records, 226 London Road, Croydon.
  1). JUNGLE ROCK, Hank Mizell, Charly   2). BLUEBERRY HILL, Fats Domino, UA   3). SEE YA LATER ALLIGATOR, Bill Haley, MCA   4). BRAND NEW CADILLAC, Vince Taylor, Chiswick   5). HEY JUDE, Beatles, Apple   6). TRIBUTE TO BUDDY HOLLY, Mike Berry, Polydor   7). ROCKIN’ MOOD, The Killer, BRP   8). CHANTILLY LACE, Big Bopper, Mercury   9). HOT ROD LINCOLN, Johnny Bond, Star Day 10). JUMPING JACK FLASH, Rolling Stones, Decca 11). AT THE HOP, Danny & The Juniors, ABC 12). JAILHOUSE ROCK, Elvis Presley, RCA 13). SPEED BALL (EP), The Count Bishops, Chiswick 14). SHAKIN’ ALL OVER, Johnny Kidd, EMI 15). WILD THING, Troggs, Fontana 16). SUMMERTIME BLUES, Eddie Cochran, UA 17). CAROLINE, The Fortunes, Decca 18). CHOO CHOO CHOO BOOGIE, Louis Jordan, MCA 19). FICKLE CHICKEN, Atmospheres, RM 20). HIM OR ME, Flamin’ Groovies, Bomp 21). RUNAROUND SUE, Dion, Laurie 22). CHARLIE BROWN, Coasters, Atlantic 23). 99 CHICKS, Ron Haydock, Cha Cha 24). YOU’LL NEVER WALK ALONE, Gerry & Pacemakers, EMI 25). REVILLE ROCK, Johnny & Hurricanes, Contempo 26). PEGGY SUE, Buddy Holly, MCA 27). THEME FOR A FALLEN IDOL, Jet Harris, SRT 28). RED CADILLAC & A BLACK MOUSTACHE, Warren Smith, Charly 29). WHOLE LOTTA LOVE, Led Zeppelin, Atlantic 30). APACHE, The Shadows, Columbia
Sounds Playlist
Geoff Barton DESTROYER, Kiss, Casablanca (Import) SAD WINGS OF DESTINY, Judas Priest, Gull SLICK, Earl Slick Band, Capitol (Import)
Barbara Charone ZUMA, Neil Young, Warner Bros CRY TOUGH, Nils Lofgren, A & M EVERYBODY KNOWS THIS IS NOWHERE, Neil Young, Warner Bros
Hugh Fielder CRY TOUGH, Nils Lofgren, A & M GUITARS, Philip Catherine, Atlantic COMMONERS CROWN, Steeleye Span, Chrysalis
Dave Fudger HONKY CHATEAU, Elton John, DJM HOME PLATE, Bonnie Raitt, Warner Bros LADY MADONNA, Beatles, Apple/EMI
Susanne Garrett I TAUT I TAW A PUDDY-TAT, Mel Blanc, Capitol (single) ONE OF THESE NIGHTS, Eagles, Asylum ON THE BORDER, Eagles, Asylum
Vivien Goldman A QUIET STORM, Smokey Robinson, Tamla Motown ANTHOLOGY, Temptations, Tamla Motown I DON’T WANT TO BE ALONE, STRANGER, Johnny Guitar Watson, Fantasy (Import)
Jonh Ingham NIGHT FOOD, Heptones, Island CRY TOUGH, Nils Lofgren, A&M HOME IS WHERE THE HEART IS, David Cassidy, RCA
Alan Lewis SOUL BALLADS, Otis Redding, Volt CRY TOUGH, Nils Lofgren, A and M BIG SIXTEEN, Impressions, ABC
Alf Martin ZUMA, Neil Young, Warner Bros PRESENCE, Led Zeppelin, Swan Song CRY TOUGH, Nils Lofgren, A & M
Tony Mitchell SPRING FEVER, Rich Derringer, Blue Sky CAPTURED LIVE, Johnny Winter, Blue Sky WAITRESS IN A DONUT SHOP, Maria Muldaur, Reprise
Phil Sutcliffe ROCK FOLLIES, Little Ladies, Island CRY TOUGH, Nils Lofgren, A & M FIRST FLIGHT, Chanter Sisters, Polydor
THE HEAVY METAL HOPEFULS ARE COMING
THEY’RE IN SOUNDS NEXT WEEK
Next time: page seven
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