#Melanie Karalli

[mariocki]

Les deux orphelines vampires (Two Orphan Vampires, 1997)

"We are sublime disorder. We're from before their god. They made him say 'Let there be light' to cut our night in half. But their order is chaos. Our disorder is mad poetry. Our existence awakens, and our night is clarity. The two orphan girls roar alone in the night, like flames."

[fanhackers]

New fan studies research - May 29, 2017

Welcome to the second edition of our new posting format: a weekly list of new/recent fan studies research that’s just been added to the Fan Studies Bibliography. Works are divided into things that are open access (=immediately readable for anyone) and not open access (=behind a paywall or not yet public).

Tip: this week’s “not open access” section contains a bunch of chapters from, among others, a new book on videogame fandom. They come with links to Google Books, where you can read at least part of each chapter.

If we missed anything or made a mistake, submit a correction and we’ll fix it in next week’s edition. Happy reading!

Open access

Ayuningtyas, Paramita. “Indonesian Fan Girls’ Perception towards Soft Masculinity as Represented By K-pop Male Idols.” Lingua Cultura 11.1 (2017): 53–57. http://journal.binus.ac.id/index.php/Lingua/article/view/1514

Blanch, Christina L. “Searching for the comic book scholar : an autoethnographic study of educators’ experiences with comic books,” 2017. Online. Internet. 29 May 2017. . Available: http://cardinalscholar.bsu.edu/handle/123456789/200667

Guinan, Kellye. “Culture and Community Online How Fanfiction Creates a Sense of Social Identity by Reshaping Popular Media.” University Honors College, Middle Tennesee State University, 2017. Online. Internet. 29 May 2017. . Available: http://jewlscholar.mtsu.edu/handle/mtsu/5251

Han, Benjamin. “K-Pop in Latin America: Transcultural Fandom and Digital Mediation.” International Journal of Communication 11.0 (2017): 20. http://ijoc.org/index.php/ijoc/article/view/6304

Heron, Michael James. “Pacman’s Canon in C#: A Quantum Interpretation of Video Game Canon.” The Computer Games Journal (2017): 1–17. https://link.springer.com/article/10.1007/s40869-017-0036-5

Jeong, Jae-Seon, Seul-Hi Lee, and Sang-Gil Lee. “When Indonesians Routinely Consume Korean Pop Culture: Revisiting Jakartan Fans of Korean Drama Dae Jang Geum.” International Journal of Communication 11.0 (2017): 20. http://ijoc.org/index.php/ijoc/article/view/6302

Largent, Kathleen. “//LOVE ME// Experiential Hedonic Music Marketing and Its Effect on Purchase Behavior, Fandom, and Artist Branding in The 1975’s Tumblr IRL Initiative,” 2017. Online. Internet. 29 May 2017. . Available: https://baylor-ir.tdl.org/baylor-ir/handle/2104/9958

Liang, Yilu, and Wanqi Shen. “Fan economy in the Chinese media and entertainment industry: How feedback from super fans can propel creative industries’ revenue.” Global Media and China 1.4 (2016): 331–349. http://dx.doi.org/10.1177/2059436417695279

Oh, David C. “K-Pop Fans React: Hybridity and the White Celebrity-Fan on YouTube.” International Journal of Communication 11.0 (2017): 18. http://ijoc.org/index.php/ijoc/article/view/6307

Švelch, Jan, and Tereza Krobová. “Who Is the Note-Worthy Fan? Featuring Players in the Official Facebook Communication of Mainstream Video Games.” Replay. The Polish Journal of Game Studies 1.3 (2016). Available: http://www.replay.uni.lodz.pl/Svelch_Krobova_early_access.pdf

Watabe, Kohki, and Yasuhito Abe. “Pixiv as a Contested Online Artistic Space in-between Gift and Commercial Economies in an Age of Participatory Culture.” electronic journal of contemporary japanese studies (2016). Online. Internet. 2016. Available: http://www.japanesestudies.org.uk/ejcjs/vol16/iss3/watabe.html

Yildiz, Mehmet. “Pirates (!) Strike Back: Turkish Fansubbers Standing up for Fansubbing.” COMU International Journal of Social Sciences 2.3 (2017): 39–56. http://usb.dergi.comu.edu.tr/dosyalar/Usb/2017-nisan-cilt-2-say-3.pdf#page=47

Yoon, Kyong. “Cultural Translation of K-Pop Among Asian Canadian Fans.” International Journal of Communication 11.0 (2017): 17. http://ijoc.org/index.php/ijoc/article/view/6303

Not open access

Buckley, Réka. “Italian Female Stars and Their Fans in the 1950s and 1960s.” In A Companion to Italian Cinema. Ed. Frank Burke, 157–178. John Wiley & Sons, Inc., 2017. Online. Internet. 29 May 2017. . Available: http://onlinelibrary.wiley.com/doi/10.1002/9781119006145.ch10/summary

Deeming, Skot, and David Murphy. “Pirates, Platforms, and Players: Theorizing post-consumer fan histories through the Sega Dreamcast.” In Fans and Videogames: Histories, Fandom, Archives, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT94&dq=%22Fans+and+Videogames%22&ots=NhDDbwTciW&sig=cI6xs-BI82TYKtdsJcqG2cbk4b4

Jones, Rachel. “In a Thousand Ways, In a Thousand Songs,” 2017. Available: http://publications.lakeforest.edu/seniortheses/95

Kirkpatrick, Graeme. “Early games production, gamer subjectivation and the containment of the ludic imagination.” In Fans and Videogames: Histories, Fandom, Archives. 2, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT30&dq=%22Fans+and+Videogames%22&ots=NhDDbwTdk_&sig=smcsJsTYnmUHpB0yiVdxvrYmyHg

Manning, James. “Unusable Archives: Everyday play and the Everyplay archives.” In Fans and Videogames: Histories, Fandom, Archives, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT186&dq=%22Fans+and+Videogames%22&ots=NhDDbwTdk_&sig=qQLqeUHlLk1PGV8c0eWXevCcCIY

NavarroRemesal, Víctor. “Museums of failure : fans as curators of ‘bad’, unreleased, and ‘flopped’ videogames.” In Fans and Videogames: Histories, Fandom, Archives, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT128&dq=%22Fans+and+Videogames%22&ots=NhDDbwTdk_&sig=UiEcXuq6ohDwrgMofM0L56X5qJg

Newman, James. “Glitching, Codemining and Procedural Level Creation in Super Mario Bros.” In Fans and Videogames: Histories, Fandom, Archives, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT186&dq=%22Fans+and+Videogames%22&ots=NhDDbwTdk_&sig=qQLqeUHlLk1PGV8c0eWXevCcCIY

Nicoll, Benjamin. “Sega Saturn Fan Sites and the Vernacular Curation of Videogame History.” In Fans and Videogames: Histories, Fandom, Archives, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT186&dq=%22Fans+and+Videogames%22&ots=NhDDbwTdk_&sig=qQLqeUHlLk1PGV8c0eWXevCcCIY

Stuckey, Helen. “Transitioning to the digital : Run5 magazine as archive and account of SSG’s dialogue with wargamers in the 1980s.” In Fans and Videogames: Histories, Fandom, Archives, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT52&dq=%22Fans+and+Videogames%22&ots=NhDDbwTciW&sig=l2DC4UmFGdP5V_MNgNcCZ87F9Jk

Švelch, Jaroslav. “Keeping the spectrum alive : platform fandom in a time of transition.” In Fans and Videogames: Histories, Fandom, Archives, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT107&dq=%22Fans+and+Videogames%22&ots=NhDDbwTdk_&sig=tU1CmTJqzBIv0YII23Ksn4Uu3A8

Swalwell, Melanie. “Moving on from the Original Experience: Philosophies of preservation and dis/play in game history.” In Fans and Videogames: Histories, Fandom, Archives, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT204&dq=%22Fans+and+Videogames%22&ots=NhDDbwTciW&sig=HZjqyhRm_iwIfsuEGCEz7xuwYmo

Swalwell, Melanie, Angela Ndalianis, and Helen Stuckey. Fans and Videogames: Histories, Fandom, Archives. Routledge, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT8&dq=%22Fans+and+Videogames%22&ots=NhDDbwTciW&sig=UPEbbZ8-8FM2u6WlOG1eD4tMdY8

Vanderhoef, John. “NES Homebrew and the Margins of the Retrogaming Industry.” In Fans and Videogames: Histories, Fandom, Archives, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT120&dq=%22Fans+and+Videogames%22&ots=NhDDbwTciW&sig=tuMD0UCJ_ppcfdJy9TEiWbTMMoo

Webber, Nick. “EVE Online’s War Correspondents: Player journalism as history.” In Fans and Videogames: Histories, Fandom, Archives, 2017. Online. Internet. 29 May 2017. . Available: https://books.google.be/books?hl=en&lr=&id=IctBDgAAQBAJ&oi=fnd&pg=PT107&dq=%22Fans+and+Videogames%22&ots=NhDDbwTdk_&sig=tU1CmTJqzBIv0YII23Ksn4Uu3A8

Zale, Jennifer Ann. “Bolshoi Ballerina Vera Karalli: Russia’s First Film Star, the Imperial-Era Dance Film, and the Modernization of Cinema Going Practices and Perceptions in Prerevolutionary Russia.” Indiana University, 2017. Available: http://search.proquest.com/openview/d2179e14e1a06f4bf66b985741bc5e61/1?pq-origsite=gscholar&cbl=18750&diss=y

이수진 et al. “Vitalizing Strategies of Film-induced tourism in Gyeonggi-Do 경기도 영상관광 활성화 방안.” 정책연구 (2016): 1–181