#Maybe they have a talk about Odo's obsession with his uncle.

[giddleford]

Now that this has gotten an influx of notes I've been thinking that making Quark a writer would've been very interesting for several reasons.

For starters he'd have a creative hobby which y'know, we love to see it. But also he wouldn't be the only writer in the station. Imagine Quark giving Jake some pointers on the book he was writing not just on realism. Now wouldn't that be interesting?

And then there's the whole matter of Far Beyond the Stars. Herbert Rossoff is a writer. And Douglas Pabst, as his editor, reads everything he writes. He evaluates it, critiques it, has it put in the magazine. And look we don't know much about those characters but we do know the following:

1. Herb complains a lot but never leaves.

2. Herb is the best paid writer in the whole bunch.

Tell me Herb isn't Pabst's favorite, tell me that Herb doesn't write for Pabst. Now change their names around, make it Odo and Quark instead. Y'see what I'm getting at? I'm going insane.

Concept: Quark has been writing Bajoran erotica on the side now for years. It started with a script heavy holonovel commission that got published in writing and got more fame than he'd been expecting. So he continued with his writing, making a name for himself always in the comfort of anonymity.

Now here's the real meat of this: While on his flight to the trial in the beginning of the Ascent what Quark starts reading out loud from Odo's PADD is no other but one of his best selling novels. Add onto it the fact that Odo expressed in passing that it happened to be his favorite author and now Quark has to deal with several facts:

1. Odo reads Bajoran erotica, and a lot of it.

2. Odo has read his erotica.

3. Odo thinks of him as his favorite author.

[rotationalsymmetry]

Good morning world. And do you know what I’m thinking about this morning? Keiko (chill, autocorrect) on Deep Space Nine.

Partly because I’ve been thinking about how the show’s done her wrong since a few episodes into Season 1. Partly because, in the wake of the Atlanta shooting, it’s clearly past time to talk about how women of Asian descent are depicted in the media.

Rather go on and on about what the show did wrong, I’m going to start with what it did right, then move on into some suggestions for plot lines that might have gotten the audience into Keiko’s (and perhaps her daughter Molly’s) head better. Feel free to borrow for fanfic purposes. (And let me know if you do, or if someone else wrote some good Keiko and/or Molly fanfic I might enjoy.)

What's right: she’s a, not core character, but sort of second tier character who is on the show often. She has a respectable role: she’s a well-educated professional whose work is important to her, and a wife and mother. We also get hints of her having a life beyond that — not as much as I’d like, but for example at one point in the first season she’s away visiting her mother, and when she’s pregnant with her second child she keeps leading an active life. I think the show strikes an appropriate balance on sexuality: she’s married, we’re pretty sure she and Miles have sex, but she’s not presented as a sex object. And we don’t see her suffering more trauma than the other characters. As of where I'm currently at in Season 6, she's alive, and I have every reason to believe she'll stay alive through the end of the show. (A quick look at Memory Alpha confirms this.) Good stuff.

(She’s also in The Next Gen — parts of that I haven’t watched and others were a while back, so I’m going to stick to talking about her role in DS9.)

And...very nearly all the episodes she’s in, are very firmly from Mile’s perspective and not hers. (Even storylines that really should be about her: when she’s experiencing frustration at not being able to pursue her career and ends up going back to work, that episode is entirely from Mile’s perspective. She barely speaks a word in it.)

Contrast this to how Benjamin Sisko’s son and father are shown: Jake very much gets his own storylines and own life, and relationships that aren’t primarily about his father, even though his dad has a more central role in the show (and we definitely see their relationship from Benjamin’s perspective as well), and even though we rarely see Grandpa Sisko (huh, apparently his name is Joseph), you immediately get the sense of him as a strong-willed person who lives life on his own terms, and when he and Ben have conflicts you can understand his perspective easily. In spite of relatively little screen-time. Keiko gets far more screen time, but far less interiority. She’s presented in a way that’s hard to empathize with. And there’s less of a sense of who she is as an individual rather than as a role.

(BTW, if we got to see Keiko’s perspective more, whose would we see less of? Maybe Miles, who gets quite a lot of focus. Maybe Quark, maybe Julian...basically, I’m pretty sure if I went through the season and marked down which episodes were primarily about male characters vs primarily about female characters vs pretty balanced, the ratio would be telling. And it’s not like I don’t like the male characters (well, maybe I could do with less Quark) but... I don’t like them so much that I think the show is better for having shorted the women.)

I want to see Keiko have friends. I want to see her talk to other parents on the ship as a parent. That episode where Keiko’s off station and Miles has to figure out how to get their new baby to stay asleep? I want an episode where Miles is gone and Keiko has parenting struggles. Where we get into old conflicts between her and her mother or father that she has to work through as a parent herself. (This is not an unrealistic expectation -- we got that for Odo in one episode, and we got a similar thing with Kira processing her father's death while another character was dying.) I want Molly to go on her first sleep-over and Keiko to have conflicted feelings about her daughter growing up and for Molly to have conflicted feelings where she’s excited but...also kinda misses her mom.

I want to see how Keiko’s explaining the Dominion war to Molly and what she’s skipping over. I want to see Keiko worried about her husband (which, granted, we’ve seen that) and getting emotional support from someone else (which we haven’t really.) I want to see Keiko pursuing a hobby other than gardening. I want her to be really excited to introduce Molly to something that she loved growing up. (Specifically a Japanese cultural thing or not.) I want her to take Molly to a holosuite program that shows some Japanese architecture or history or gardens. I want there to be some conversation about language — sure, universal translators, but what do people speak on their own, and what does Molly grow up speaking?

(They’ve got an interracial/inter-cultural relationship and explore absolutely nothing about that.)

Since Keiko was a teacher for a while, is she absolutely obsessing over homeschooling Molly now that there’s no school?

I’m not sure I want to see Miles and Keiko have a “no one’s right” disagreement over how to raise their children, but that’s certainly a thing that could have happened. Or could happen indirectly: Miles isn’t the talking type and yet everyone on the station knows when he’s having wife troubles and are willing to give him advice. Who does Keiko get relationship advice from?

When Keiko and Miles are apart and Miles spends all his time playing darts with Julian or reenacting battles with Julian, who is Keiko connecting with?

(Side note: one thing that Brandon Sanderson does well in his fantasy novels such as the Mistborn Trilogy, is couples that are balanced in power and narrative significance. The show made a choice to have Miles be a more central character than Keiko. There’s no intrinsic reason they couldn’t have been on the same level of narrative significance.) (But even if they were going to be at unequal levels of significance, Keiko still could have been done much better.)

(And you’ll notice the show is almost going out of its way to avoid having any female characters with less significant recurring love interests. When they partner up Kira, it’s not with some guy who’s just nice and fun or a supportive boyfriend (someone analogous to what Leeta is for Julian or later Rom), somehow even though she’s one of the most powerful characters in the show (she’s second in command on the station) she keeps getting partnered up with characters who have more religious or civil power than she does, and who become very narratively significant at least for a little while. Female characters can be just love interests or family members, male characters have to be doing something big and important.)

I think the show overdoes romance, so this wouldn’t be my first choice, but...having an old flame of Keiko’s show up could be a thing that happened. Or having a thing where she notices an interesting stranger, and of course nothing happens because she’s married, but we still get to see Keiko as, you know, a woman with desires and interests that don’t always fit perfectly into her respectable well-ordered life. We could see mirror universe Keiko — I wonder what she’s like. Or some time travel alternate timeline story where she’s with someone else, or single and enjoying the single life. (Surely even if Keiko is overall happy with her life, surely sometimes she must wonder about the roads not taken.) We could have some indication that she too misses Miles when they’re not together, or we could see her excited to get more time away or get their quarters to herself while he’s away, or both because people are complicated.

What are Molly’s adventures? Who is she best friends with? Where’s her tension between growing up and becoming her own person vs wanting her parents’ love and approval? Where’s the episode where we’re all wait, she’s really not a little toddler any more, is she?

(We don’t even know what Molly thinks about having a baby brother — and that’s a huge, highly dramatic change in the life of a child.)

Where’s the episode where she desperately wants some pet that her parents don’t want her to have, or desperately wants some toy or activity that one or both thinks is unsafe, or where she wants to be on a sports team but there aren’t enough kids on the station, or where she has to say goodbye to the Bajoran friends she made, or she starts playing make believe games involving evacuating the station...

What if we got to see Keiko’s mother and learn something about her or the family history? What if Keiko had some aunt or uncle or sibling who showed up on the station some time, what might their relationship be like? Is there some family hero that Keiko’s always encouraging Molly to grow up to be like?

If the show’s writers truly couldn’t handle writing a child that young, this is Star Trek and we have time travel — there’s no reason we couldn’t have an episode involving future grown up Molly O’Brien.

What if we got some terribly retconned explanation for why Keiko, a professionally trained botanist, was mysteriously ready and eager to step into schoolteacher mode even though that’s its own profession that requires years of specialized higher education? Did...did Keiko for some reason study to be a teacher, have something go wrong, and then go with botany as Life Pursuits Take 2? (Perhaps she was pushed into being a teacher then decided she loved botany more? But she didn’t actually dislike teaching?)

What if we actually got an episode centered around her being a botanist and exploring alien plants? There’s possibilities there — heck, one of the most popular TOS episodes centered around space wheat, so why not? I want an alien planet where all the plants are yellow or hot pink because they photosynthesize with something other than chlorophyll. Why not? (Did you know there’s an old school Piers Anthony sci fi book about killer mushrooms? Not joking.)

She’s the only woman of color who’s a regular character on the show throughout the whole series. She’s one of the few Asian-descent women who’s on American TV at all. She deserved better.

And I think we should talk about how she, and other characters, could have been written better.