#Martin Rith

[mtg-cards-hourly]

Rith's Charm

Artist: David Martin TCG Player Link Scryfall Link EDHREC Link

[devildmeggs]

normal people seeing “GRRM”: george r.r. martin

me: get ready rith me

[hasanpits]

i always read the abbreviation of george rr martin's name (grrm) as get ready rith me

[deaths-accountant]

Every time people abbreviate George R R Martin my brain says get ready rith me.

[confinesofmy]

grrm get ready rith me :)? grr molkein :o! george rr martin 🤯....

[polysucks]

I am well aware that it means George rr Martin but I always read it was get ready rith me.

[v3nusv3nom]

when i see George R R Martin shortened to GRRM: get ready rith me

[schaeferweltweit]

Rund 1000 Menschen trafen sich am 17.09.2017 in der Stuttgarter Innenstadt um ein Zeichen Weg von der autogerechten hin zur menschengerechten Stadt zu setzen. Die Demonstranten sammelten sich auf dem Wilhelmsplatz und Marschierten  auf der B14 mit einem Zwischenhalt vor dem Landtag zum Staatstheater. Dort stellte schließlich ein Hochseilakt der Traber-Familie den Höhepunkt dar.

Mehr Bilder im Archiv (link)

( Alexander Schäfer auf schaeferweltweit.de )

Demonstration "Aufbruch Stuttgart" am 17.09.2017 #sww #cams21 #AufbruchStuttgart #AufStgt Rund 1000 Menschen trafen sich am 17.09.2017 in der Stuttgarter Innenstadt um ein Zeichen Weg von der autogerechten hin zur menschengerechten Stadt zu setzen.

[fabrik45]

Nach der Ausstellung ist vor der Ausstellung! Freitag, 23.09.2022 ab 19:00 Uhr! Andrea Goost Ingrid Grießer Maike Nowottny Zeichnung Collage Konzeptionelle Kunst Installation VERNISSAGE Freitag// 23.09.2022// 19.00 Uhr Einführende Worte: Ur. Isabel Rith-Magni KÜNSTLERINNENGESPRÄCH Sonntag // 25.09.2022 // 16.00 Uhr Moderation: Martin Ahrens ÖFFNUNGSZEITEN Sa + So 24. + 25.09. / 12:00 - 18:00 Uhr 01. + 02.10. / 12:00 - 18:00 Uhr Drei Künstlerinnen stellen „Unter einem Dach“ in der Fabrik45 aus. #bonn #ausstellung #contemporaryart #installationart #collageart #zeichnung #kulturinbonn (hier: Fabrik45) https://www.instagram.com/p/Cirw9ULDwxw/?igshid=NGJjMDIxMWI=

[hop-along-the-bunny-trail]

How many people has @the-amazing-rosetta-martin thrown in river in your universe?

Lol, a lot. She threw the Mayor in because he was refusing to let Adam try to start a business, a cafe. (Which now will be built in a few months)

XY and Bob Roth, this one might not need an explanation... since the Bob Rith and XY here seem to be about the same.

She was tempted to throw Gabriel Agreste in the River for never letting the twins out of the house.

I think she went after some akumatized villains too, to be honest.

There's probably more.

Oh wait, Alec. He was making Fun of Luka for his future career plan.

[mtg-cards-hourly]

Rith's Charm

Artist: David Martin TCG Player Link Scryfall Link EDHREC Link

[mariowil]

And a prophetic one: Freudism became a justification for a sexual "liberation" that can be seen in retrospect as a massive sexual abuse of the youth.

To what extent were the B'nai B'rith masonic meetings influential in Freud's swing from the seduction theory to the Oedipus theory? No one can say. However, we can hold as fairly certain that Freud's membership in the B'nai B'rith was influential in his becoming one of the major intellectual stars and gurus of modernity.

As a scientist, Freud was a failure, duped by his own unconscious and his unrealistic confidence that he could solve the human enigma by self-analysis alone. He was also an impostor who, in his published case studies, invented cures when they was none (as investigations into the real biographies of his patients have shown).[17] True, he was sometimes insightful. But the hagiographic image of Freud as the "discoverer of the unconscious" is totally unwarranted, as Henri Ellenberger has shown in his classic study, The Discovery of the Unconscious:

The story has been told by Jeffrey Masson in The Assault on Truth: Freud's Suppression of the Seduction Theory (1984).[1] In 1895 and 1896, assault on truth Freud, listening to his neurotic and hysterical patients, became convinced that most of them had suffered from traumatic sexual abuse in their childhood. The traumatic origin of "hysteria" (an overused diagnosis in those days) had already been discussed by neurologists, including Jean-Martin Charcot, whose conferences Freud had attended in Paris, and Hermann Oppenheim, who published in Berlin in 1889 a treatise on traumatic neuroses. Yet psychological traumas of sexual nature were rarely discussed openly. On the other hand, there were medical publications, known to Freud, documenting the frequency of violence on children, including sexual assaults, but they focused on the physical consequences. In April 1896, confident to have made a major breakthrough in psychiatry, Freud presented his findings to the Society for Psychiatry and Neurology in Vienna, his first major public address to his peers. His lecture met with total silence. According to Masson, Freud was urged never to publish it, lest his reputation be damaged beyond repair. He found himself isolated, but nevertheless published his paper, "The Aetiology of hysteria."

Freud's conclusions are drawn from 18 case studies (6 men and 12 women), all of which, he claims, bear his general thesis:

   "I therefore put forward the thesis that at the bottom of every case of hysteria there are one or more occurrences of premature sexual experience, occurrences which belong to the earliest years of childhood but which can be reproduced through the work of psycho-analysis in spite of the intervening decades. I believe that this is an important finding, the discovery of a caput Nili in neuropathology."

   "Sexual experiences in childhood consisting in stimulation of the genitals, coitus-like acts, and so on, must therefore be recognized, in the last analysis, as being the traumas which lead to a hysterical reaction to events at puberty and to the development of hysterical symptoms."

Freud suggests that this conclusion applies not only to hysteria but to most neuroses. Among other remarks, he suggests that children who aggress sexually other children do so as a result of having been sexually abused themselves: "children cannot find their way to acts of sexual aggression unless they have been seduced previously."

However, one year after this article, Freud decided that he had made a mistake in believing his patients. He determined that what he had taken as repressed memories of sexual abuse, were in fact "phantasies." For the rest of his life, he would keep telling how he overcame his error and discovered that "these phantasies were intended to cover up the auto-erotic activity of the first years of childhood, to embellish it and raise it to a higher plane. And now, from behind the phantasies, the whole range of a child's sexual life came to light" (The History of the Psychoanalytic Movement, 1919).

From the standpoint of Freud's earlier theory — which he euphemistically called the "seduction theory" — his new theory of spontaneous infantile sexual fantasies can be seen as a projection, not unlike sex offenders' tendency to blame their victims: the patients themselves are now accused of both sexual passion and murderous fantasies toward their parents. By repressing these self-generated impulses, says Freudian orthodoxy, they have created their own neuroses which may, in hysterics, take the forms of false memories of abuse.

Thirty-five years later, Freud's most gifted disciple, once president of the International Psychoanalytical Association, stumbled on the same realization that Freud had shared in "The Aetiology of hysteria." Sandor Ferenczi wrote in his diary in July 1932 that the Oedipus complex could well be "the result of real acts on the part of adults, namely violent passions directed toward the child, who then develops a fixation, not from desire [as Freud maintained], but from fear. 'My mother and father will kill me if I don't love them, and identify with their wishes.'" Overcoming his apprehension of Freud's reaction,

[semanticdrift]

Dimanche Rouge #9 – October 16 from Dimanche Rouge on Vimeo.

dimancherouge.wordpress.com PROGRAM ►PERFORMANCES OF DETERMINED LENGTH 16h-18h30 Frédéric Mathevet + Jean Phillipe Velu (sound, France) 15 min Un escargot vide (multimedia, France) 15 min Alexandre Pombo-Mendes with Louise Bouvet (performance art, France) 15 minutes Hektor Kafka (sound, France) 15 min Yao Qingmei (spoken word, China), 5 min Marc Plas (video, France) 15 min Manuela Centrone – (performance art, Italy) 30 min 18h30-21h ETC ( Julien Arnaud + Anthony Carcone + E.Rébus) (sound, France) 15min Savio Debernardis (performance art, Italy) 20 min Vlasta Delimar, (multimedia, Croatia) – 10 minutes Sarah Cassenti, Mogly Speix, Martin von Frantzius, Loic Djian (performance art/Kinect, France/Germany) – 15 min 21h-end Batchass+MisterX, (Electro VJ Performance, UK/France) Diis Paradiis (DJ, Norway/France) ►PERFORMANCES OF UNDETERMINED LENGTH AND INSTALLATIONS Katrinamuri (intervention, Austria) Rith Banney (photo installation, France) William Geist (video installation, USA) ►OCTOBER 15th ►SATURDAY STREAMING LABS ►13:00am-17:00 Paris Time @ Pole Simon Le Franc, 9 rue Simon Le Franc, Paris 75004 VIEW IT HERE livestream.com/dimancherouge9 13h Opie Boero Imwinkelried/Eva Richter Lorentzen, presentation “Dimanche Rouge” (Paris, France) 10 min Yao Qingmei, performance, (spoken word, China/Paris, France) 10 min 14h Zhu Yanguang, performance “Sang Group” (Beijing, China) 15 min Patricio Ponce Garaicoa, video performance “Transaccion” followed by presentation “Experimental Performance In Ecuador” (Quito, Ecuador ) 20 min 15h Moe Satt, presentation “Performance Art In Myanmar” (Yangon, Myanmar) 15 min Beloved Boy Chokra (تشوخرآ), presentation “Performance Art In The United Arab Emirates” (United Arab Emirates/USA) 15 min 16h Remote Control Tomato (Christina deRoos + Thomas Bell), video & sound improvisation”ArtePax” (Brooklyn, USA) 15 min XiaoKe &Tomaz Chow, physical performance, (Shanghai ,China) 15min ENGLISH BELOW ***DIMANCHE ROUGE #9 /// 16 octobre 2011 /// 16H-22H /// @ le Petit Bain*** ***GRATUIT*** 8 éditions, 120 artistes, 30 pays représentés… Depuis février 2011, Dimanche Rouge propose un évènement autour de performances expérimentales d’art contemporain chaque troisième dimanche du mois. Multimédia, danse, vidéo, son, spoken word, installations… Cette neuvième édition vous propose une journée consacrée aux performances experimentales et aux ateliers interactifs, conclue par un DJ set. L’ensemble se déroule une fois de plus au Petit Bain, le nouvel espace créatif des bords de Seine. + C’EST OÙ? Au Petit Bain, 7 port de la gare, dans le 13e (entre le Batofar et la piscine Josephine Baker) + COMMENT ON Y VA? Métro 6 station Quai de la Gare / Métro 14 et RER C station Bibliothèque François Mitterrand. + PLUS D’INFO? Tous les renseignements sur dimancherouge.org et petitbain.org Retrouvez aussi Dimanche Rouge sur Facebook, Twitter, Flickr, Soundcloud, Livestream, Youtube et Vimeo! Poster dimancherouge.org/images/posters/DREP9FlyerSmaller.jpg ***Ateliers interactifs /// KINECT+STREAMING /// sur réservation*** ***GRATUIT*** Deux ateliers interactifs permettront aux participants de s’initier au nouvelles technologies multimédias: KINECT: Introduction aux potentialités de la technologie Kinect issue des dernières innovations des jeux vidéos avec Max4Live et Ableton Live dimancherouge.wordpress.com/workshops/october/kinect/ STREAMING: Initiation à la création de vidéo en streaming avec Livestream pour la diffusion en direct sur internet dimancherouge.wordpress.com/workshops/october/streaming/ ENGLISH ***DIMANCHE ROUGE #9 /// October 16 2011 /// 16H-22H /// @ Petit Bain*** ***FREE ADMISSION*** 8 editions, 120 artists, 30 countries. Since February 2011, Dimanche Rouge has been proposing experimental performance events every third Sunday of the month. Multimedia, dance, video, sound, spoken word, installations. In its 9th edition, Dimanche Rouge invites you to discover experimental performances as well as workshops and the DJ after party. This day of experimental art will take place at Petit Bain, the new art space on the Seine. + Where? Petit Bain, 7 port de la gare, in the 13th arrondissement (between Batofar and the Josephine Baker swimming pool) + How to get there? Metro line 6, station Quai de la Gare / Metro line 14 and RER C, station Bibliothèque François Mitterrand. + More info? For further details dimancherouge.org and petitbain.org Dimanche Rouge on Facebook, Twitter, Flickr, Soundcloud, Livestream, Youtube et Vimeo! Poster dimancherouge.org/images/posters/DREP9FlyerSmaller.jpg ***Interactive Workshops /// KINECT+STREAMING /// registration required*** ***FREE*** Two interactive workshops will offer an initiation to cutting-edge multimedia technologies. KINECT: Introduction to the potential of Kinect with Max4Live et Ableton Live, a state-of-the-art technology initially conceived for video games dimancherouge.wordpress.com/workshops/october/kinect/ STREAMING: Initiation to video streaming using Livestream for internet broadcasting dimancherouge.wordpress.com/workshops/october/streaming/

[sportimagem]

RT @GMartins87: @gaabriel_scr @sportimagem Mena jogou mal mas nao foi prejudicial, o Palmeiras neutralizou muito aquele lado esquer… http://bit.ly/2vzmNHW

Mena jogou mal mas nao foi prejudicial, o Palmeiras neutralizou muito aquele lado esquerdo. Diferente de Rithely, Patrick e E.Felipe

— Gabriel Martins (@GMartins87) July 23, 2017

from Twitter https://twitter.com/sportimagem July 23, 2017 at 07:35PM via IFTTT

[hannahprescottart-blog]

History of the English language notes.

a follower of John Wyclif. The Lollards believed that the Church should help people to live a life of evangelical poverty and imitate Christ. Their ideas influenced the thought of John Huss, who in turn influenced Martin Luther. In tudor times thanks to printing machines the bible was able to reach everyone who could read. Church a word used in this english language im present day to represnt the holey place of god in English was spelt in so many different forms in the 1400-1600 English and so on due the the English language being yet to be accepted and formed as a language in its birth country. Cherche churche chirche cherch chyrch schyrche Was the Holey house of God in the south of England in the and Kirk in the north of England this could also be spelt in a number of ways Kyrk kyrke kirke kerk kirc kerke. But this was the case for many English words, dialect still plays a huge role in the English language to this day, words sound different everywhere you visit from the north to the south of England and beyond into Wales and Scotland. The "Accents" are dialects of Australia and America also sound different and they will vary well I should say do vary in every different place you may visit. One thing that has stuck is spelling there had to be some common order in the way the language was used and this was addressed through the spelling making it easier in middle England for different areas of the country to "understand" eachother. Lond become Land and Kirk/Chirche became Church. Xal schal and then finally shall in the years 1469-1479 alone. Rithe- Right. Hath- Has. Doth- does. In the 1500 the court of chancery made the langauge recognisable to all. The great vowl shift of 1500- a C change took place in the way everything sounded an it happened fast in a generation or 2. "I might go and buy some meat" Printing was invented in around 1435 in Germany beginning of information age. William tyndale had one of hugest influences on the English language and he did it not even in the UK but Cologne Henry the 8th was scared of Tyndales English written bibles and ordered for his arrest and for all the bibles smuggled in from Cologne to be collected and disposed of often by burning the bible was still written in Latin the educated didn't even really know Latin anyone no one understood Latin everyone was speaking English they needed the ENGLISH bible not the Latin. Henry the 8th ordered Tyndales death, and the later decided to accept the Bible in English. TYNDALES wad published and so was several others written by different people, this is why not all bibles are completely written the same.

[sportimagem]

RT @GMartins87: @igorsdemorais @sportimagem Rithely e patrick tentaram jogar o que nao sabem na saida de bola hoje, prejudicaram demais o time

Rithely e patrick tentaram jogar o que nao sabem na saida de bola hoje, prejudicaram demais o time

— Gabriel Martins (@GMartins87) July 23, 2017

from Twitter https://twitter.com/sportimagem July 23, 2017 at 07:32PM via IFTTT