#Mark Linkous

[vyva-melinkolya]

no invented words could describe how this recording makes me feel. listen with caution

[musickickztoo]

Mark Linkous 

September 9, 1962 – March 6, 2010

[onekindredspirit]

Sparklehorse - "Saturday"

[d1gnan]

pig by sparklehorse inspired mixed media collage (2024)

[nymclem]

Heart of Darkness by Sparklehorse cover :)

[dustedmagazine]

Sparklehorse — Bird Machine (Anti-)

Photo by Danny Clinch

Bird Machine by Sparklehorse

When Sparklehorse released Vivadixiesubmarinetransmissionplot in 1995, it felt like an outlier. At the time, during the height of Britpop, there weren’t many artists making slow-motion, country-influenced, lo-fi rock music like Mark Linkous. His aesthetic brought together a classic pop sensibility with a junkshop approach to instrumentation and timbre, where a song like “Chaos of the Galaxy / Happy Man” from second album Good Morning Spider literally sounded like tuning into a radio transmission. He collaborated with PJ Harvey and Tom Waits on It’s a Wonderful Life, and on the title track of fourth album Slept For Light Years in the Belly of a Mountain, he painfully evoked the syrup-thick sensation of depression. Though Linkous was candid about his mental-health struggles, when he took his own life in March 2010, it was still a shocking and tragic loss.

Bird Machine is technically the fifth Sparklehorse record, and was worked on by Linkous in the months leading up to his death. This posthumous release has been lovingly put together by Linkous’s brother, Matt, and his sister-in-law, Melissa — and they’ve done a fantastic job. It sounds just as a Sparklehorse album should, and is a surprisingly upbeat listening experience given it was recorded during Linkous’s final months. Among the 14 songs are some searingly fuzzy numbers, such as opener “It Will Never Stop,” “I Fucked It Up,” and “Listening to the Higsons,” a Robyn Hitchcock cover. There’s the sparklingly Beatles-esque “Daddy’s Gone,” the bright, Mellotron-laced “Evening Star Supercharger,” and “The Scull of Lucia” is reminiscent of Radiohead’s “No Surprises,” with a naïve, music-box feel to its melodies.

It’s in Bird Machine’s heavier moments, though, where the album really hits home — and the loss of a unique artist is most keenly felt. The harrowing “O Child” is so slow and sparse that it feels like it could fall apart at any moment, and the lengthy instrumental outro includes fractured, static-flecked dictaphone recordings. On “Everybody’s Gone to Sleep,” Linkous taps into a mellow Yo La Tengo vibe, his vocal sounding uncannily like Ira Kaplan. After the brief guitar instrumental “Blue,” “Stay” is a heartbreaking piano-driven closer, reassuring a loved one “It’s gonna get brighter,” yet sounding as if Linkous is already heading towards the light. And on standout “Kind Ghosts,” which belongs among Sparklehorse’s finest songs, the lyrics are all the more bittersweet given the context: “Where were you, my kind ghosts, when I needed you?” Let’s hope they were waiting for him on the other side.

Tim Clarke

[moonsjonghyun]

[drumsand2ba]

Sparklehorse with Sol Seppy at John Dee Oslo 1. November 2006

[spilladabalia]

Sparklehorse - Eyepennies

[vyva-melinkolya]

She don't worry all them murders of crows

Even though they was always out of reach

She don't get up when I come into the room

She don't run through the fields anymore

[musickickztoo]

Mark Linkous *September 9, 1962

[underachievers-please-try-harder]

Track of the day // Sparklehorse - Evening Star Supercharger

From the posthumous album Bird Machine, out on September 8th on ANTI- Records.

[seethesound]

It’s a wonderful life

[d1gnan]

sparklehorse inspired bracelet , hand stamped letters on found metals

[dobstey]

Sparklehorse ~Stay

[lejournaldupeintre]

Mark Linkous

Mark Linkous’s final Sparklehorse album: words of love and beauty from beyond the grave Although a modest and self-deprecating figure, Linkous left an indelible mark on alternative folk and indie rock, beginning in the mid-90s. Albums such as 1995’s Vivadixiesubmarinetransmissionplot, 1998’s Good Morning Spider and 2001’s It’s a Wonderful Life are lush, expansive and utterly heartbreaking. He…