#Marisa Regina

[badmovieihave]

Bad movie I have Immaculate 2024

[httpjupiterbby]

i hate it here so i will go to secret gardens in my mind (fictional women)

[cdyssey]

if you got obsessed with two or more of these tragic but morally fucked up women who have a soft spot for their children, then you may be entitled to financial compensation

[maximoffsgirl]

"they just wanted their child" type of character

[grahhams]

i know dave k said to not read into the song choices in the playlists BUT HE PUT ÁGUAS DE MARÇO IN THE HODGSON PLAYLIST SO I’M GONNA READ A LITTLE INTO IT

anyway, águas de março in the hodgson playlist. why am i freaking out? besides that fact that it’s a brazil mention, of course. well, you see, águas de março (waters of march, as translated by tom jobim himself) is a song from the point of view of someone tired, hopeful about what’s to come.

the lyricism is very calm and repetitive, overall, but most of all, it is filled with mentions of things at their ends, the rest, death. until you get to the chorus, where there’s hope, hope that this will end and good things are coming.

in the og/port version, it’s about the waters of march ending summer (‘são as águas de março fechando o verão’, or ‘it’s the waters of march closing the summer’, literal translation), and in the translated/english version, it’s about talks of the waters of march (‘and the riverbank talks of the waters of march’), but in both versions these lines are followed by hope of good things to come (‘é a promessa de vida no teu coração’ in the og, and ‘it's the promise of life, it's the joy in your heart’ in the translation, almost identical). (side note, tom jobim wrote a portuguese and english version of águas de março, so if you’d like to listen to it, there’s many english covers and they’re all very good, so highly recommend it!)

what you get is (sorry for being a broken record, but this is what the song is about!) a tired man hoping for better times. which, great description of the franklin expedition, stuck in arctic, hoping for better times.

but what really gets me going is that waters of march is in hodgson’s playlist. i keep thinking about hodgson’s ‘i’m hungry and i want to live’, and recontextualizing the song to that line, to hodgson’s persoective, and reviewing hodgson’s words with what i know of the song.

at the end, it leads me to see hodgson, his words and his acts, especially when in the mutiny camp, as (once again, with feeling) a tired but somehow still hopeful man. this is horrible, actual hell, but maybe, if he survives this, things will get better. it’s the promise of life, in your heart. i’m hungry and i want to live.

[morgana-pendragon]

— halsey @smallscreensource tv appreciation week: day one — favourite characters

[tocafitas]

De volta pra Casa

No ano passado, quando a minha mãe voltou da primeira internação, a gente deu uma festa pra ela na Casa Lúpulo. E fez essa playlist. Praticamente todas as letras são de alegria, otimismo e declarações de amor, mas, olhando hoje, ficam mais evidentes aquelas que também falavam de saudade, da falta que ela fez enquanto esteve fora e até de medo do futuro. Com tanta playlist aqui, digo hoje que…

[larissadorsett]

My sweet baby girl, she must be protected at all costs:

A war criminal but with sad eyes

[silviasi22]

▶ MultiFemale | Triumph

Sometimes I edit badass women...

hbd sára 💖

[rwpohl]

sins, douglas hickox 1986

[cowbrains]

O Descobridor Dos Sete Mares (1983) - Tim Maia

Maia fundamentally changed the music scene in Brazil, introducing modern black music from the US to national pop music, linking funk, samba, and baião, bringing soul closer to bossa nova and opening windows and doors to new forms of music that were not Tropicalist, nor MPB, nor rock n' roll, but were quintessentially Brazilian.

In 1974, he founded Seroma, the first independent music label in Brazil, the label name was taken from his initials: Sebastião Rodrigues Maia.

Many of his songs have been recorded by artists such as Skank (2), Lulu Santos, Ara Ketu, Os Paralamas Do Sucesso, Marisa Monte, Elis Regina, and Gal Costa, amongst others.

[notesonfilm1]

Thinking Aloud About Film: Deep Crimson/ Profundo carmesí (Arturo Ripstein, Mexico, 1996)

  This is our eighth podcast on Arturo Ripstein films. Increased exposure has only increased our appreciation; and Deep Crimson seems the best of the films we’ve seen. Based on a true story that was then made into a film by Leonard Kastle in 1970 — The Honeymoon Killers — Deep Crimson has a very particular tone, black and funny, encased in the structures of feelings of 1940s popular romances,…

[bikkinibottom]

somehow very very emo for all the mutuals that I haven’t talked to in a while or are inactive

[maximoffsgirl]

i love crazy characters that never had a single day of peace in their whole life and have a lot of issues and are emotionally instable, because in my mind I can give them all the love they never thought of receiving