#Manga title: “Out” by Mizuta Makoto

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BLCD Review: Sei no Gekiyaku

Title: Sei no Gekiyaku (性の劇薬)

Author/Artist: Mizuta Yuki

Shop: CD + Manga

Release Date: 2021/10/27

Cast: Morikawa Toshiyuki x Nojima Hirofumi

Synopsis:

“I’ll find all of your most sensitive spots.”

Makoto Katsuragi, a man working for an advertising agency, has so far led a perfect private and work life. However, that all comes crashing down in an instant when he loses everything he holds dear. In the midst of his despair, he drunkenly climbs onto the ledge of a tall building and is about to jump, when… “If you’re going to throw away your life…let me have it.” He is saved by these words offered by the sudden appearance of Ryuji Yoden, and decides to do exactly as Ryuji says. From the moment Makoto awakens in Ryuji’s room, his daily life of retraining begins, giving away not only his body but his heart…

Review Proper

Uhh.

Hmm.

???????

If y'all know me and or have read my older posts, you'll know I hate this type of plot. However, I had to listen to this 'cause the last I heard of Morikawa Toshiyuki was in 2021, and Nojima Hirofumi in... 2019?! *goes into existential panic*. It doesn't help that these two were Shigure-san and Haru in Nights Before Night. I wanted my happy ending with them to happen even though it was nearly impossible since these two are already inactive in the BL industry. Having the two of them come back and co-star in a BLCD again is just too good to be true... and I was right. I didn't expect them to come in for one of the sketchiest things in the market. I really don't know what Frontier is smoking, having all the budget for veterans like these only to put them in weird projects.

Biases and triggers aside, I think that Sei no Gekiyaku failed to deliver what it was set to convey. It tried so hard to be deep and psychological in the beginning, but it's like sensei just threw that out the window in chapter 3. It reminds me a lot of Lala no Kekkon and Derail. What was all that build-up for, then? I'm gonna say it. If you wanna use Stockholm Syndrome, then commit. This is also true with the discarded BDSM. I don't like these themes, but damn, do I feel bad for them 'cause they all felt pointless in the end.

Anyway, onto the topic of the BLCD itself...

You'll miss a lot of things if you haven't read the manga beforehand. There was a lot of added and dropped content that was understandable since no other characters apart from the two leads were in the BLCD. But that also led to Ryuji's older brother's presence being missing in the BLCD. Although Ryuji mentions him in the BLCD often enough, the manga just shows Ryuji's trauma better since we get to see him constantly haunting Ryuji. I'm not sure if they've changed censorship laws on BLCDs because the same thing happened in Kuroe to Mesu, but the BLCD was less graphic than the manga. Take that part where Ryuji rapes Makoto in the bathtub. You can hear Makoto take a toy in, but you'll never know it was a dildo mount whatchamacallit if you didn't read the manga.

There's also that part when Ryuji loses it when Makoto smiles when they were fucking. Nojinii does chuckle then, but you wouldn't pick that up if you didn't know what happened in the manga. It might've been better if Ryuji loudly thought: "Oh crap, he smiled."

The original plot was already badly paced, but the BLCD was even worse lmao. The tracks don't even start the same way the manga chapters do. I really don't recommend listening to this if you haven't heard the story and are a beginner to Japanese. Speaking of reading, idk what happened to futekiya, but the translation progressively got worse towards the end of the manga. I also read the scanned version of this when it was still unlicensed, but it was also a bit off.

Now for the light in the tunnel: the voice work.

I tried to fight it. I really did.

But I'm always going to be Moririn trash.

Don't get me wrong, Morimori did spectacular here (duh). But I really hated Ryuji that I initially had no thoughts other than respect towards his voice acting here... until he whispered in Track 4, that is. At some point, I just wanted to throw Nojinii out of the picture 'cause THAT SHOULD BE ME???!!! I'LL SLURP THIS SPAGHETTI OFF THE FLOOR ON ALL FOURS FOR YOU, MORIKAWA TOSHIYUKI!

My god. Frontier sure has taste in VAs but not in stories.

He was just-ugh. I wonder how he does that. Like in Tadaima, he makes you feel like he's talking to you rather than his co-star wtf. I was gasping for air goddammit. This man is a danger to society.

As for Nojinii, I actually thought that his voice was too high for Makoto in the beginning. It was almost in the same range as his Haru, and I imagined Makoto's voice to be lower. It did grow on me, though. I missed my bottom Nojinii. Of course, he did excellent as well. His fear was really believable in the first tracks that I just feel so bad for him 'cause he needed to throw that all away. 🙄

Man, I can't help but think that Morimori and Nojinii were wasted on this work. Again, it's already a miracle to have them back, so this might be the last time they ever pair up again. And for fucking Sei no Gekiyaku? Part of the reason why I stopped listening to BLCDs was 'cause I wouldn't know how to cope if I saw more of my favorite older VAs leaving the industry. That's also why I stopped doing releases lists. Hype around BLCDs has steadily been on the decline and if you haven't noticed, there's been considerably fewer releases too. The manga scene isn't doing well either. I'm just so afraid it'll all run out someday. *crisis*

Going back on topic, I do not recommend this BLCD. If you're into psychological and BDSM, I would look into Harada or Kabukichou Bad Trip instead. If you're a fan of Morimori and Nojinii, I still wouldn't recommend it if the theme isn't your thing. Let's just re-listen to Nights Before Night and suffer instead. 👍

[thedigitalpen]

I find it sad you aren't a manga reader, you miss out on not only cut content, but also amazing stories that never got the adaptations they deserve :(

Hi! And thanks for your ask, Anon! 

I assume that this is in relation to the fact that I usually only post about anime on this blog, or that perhaps there was an anime I posted about where the manga would have had more content?

Granted, I probably do consume more anime than manga, but I also read, and work on, manga when I've got time, albeit mainly from the yaoi and seinen genres. So, while I might not post about it, and I might not read the manga of every show I've watched, I do enjoy reading stories which appeal to my tastes. 

Some of the ones I am enjoying / have enjoyed include: "Rain Man" (Hoshino Yukinobu) ; "Adekan" (Nao Tsukiji) ; "Kizu Darake no Jinsei" (Saruwatari Tetsuya) ; "ZIG" (Nagasaki Takashi; Saruwatari Tetsuya) ; "T-sensei" (Yukue Moegi; T sensei) ; "Setoutsumi" (Konomoto Kazuya) ; "Bouncer" (Mizuta Makoto) ; "Vagabond" (Inoue Takehiko) ; "Hajime no Ippo" (Morikawa Jyoji) ; "Liar Game" (Kaitani Shinobu) ; "Homunculus" (Yamamoto Hideo) ; "Chi no Wadachi" (Oshimi Shuuzou) ; "Sugarless" (Hosokawa Masami) ; "Teiichi no Kuni" (Furuya Usamaru), and many others, including those from some of my favourite mangaka. 

This list doesn't include the yaoi titles/mangaka that I've enjoyed, but there have definitely been loads over the years which I would definitely recommend giving a read. It is sad that I don't read as much manga as I would like (there just aren't enough hours in a day), but don't count me out of the manga club just yet. 

Thanks for getting in touch and sending through your message - it gave me a nice chance to share some of my faves in the process. And if there are specific manga that you think that people should check out or you think would be amazing as an anime, please do share them, because it's always nice see what others recommend!

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