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doomedandstoned · 6 years ago

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Conan Share Earth-Shaking Set at The Live Room in Belfast (plus Interview!)

~Doomed & Stoned Debuts~

Doomed & Stoned is proud to partner with CONAN and The Live Room Belfast to share this striking live studio performance of the band playing three of their standards: "Total Conquest," "Satsumo," and "Gravity Chasm." This comes just weeks ahead of Conan's new album, 'Existential Void Guardian' (2018), releasing September 14th on Napalm Records.

Start Together Studio recently launched The Live Room Belfast to invite touring bands in for special recordings, usually between 3-5 songs, as a way to capture the intimacy of a live studio performance. This set was recorded, mixed, and edited by Niall Doran, with help from Assistant Audio Engineer Paddy McEldowney, and filmed by Ciara McMullan. The team did a fantastic job of capturing the massive weight of the Liverpool trio's legendary riffs and especially the fearsome caveman vocals of frontman Jon Davis.

This all took place on May 16th, the morning before Conan took the stage with Monolord and Elder Druid at Voodoo Belfast for an unforgettable show. Jon also sat down with Elder Druid guitarist Jake Wallace (who organized our recent Doomed & Stoned in Ireland compilation) for an in-depth interview.

And now, it's time for Jon Davis (guitar/vox), Chris Fielding (bass), and Johnny King (drums) do their thing! Enjoy...

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Conan On Tour

10.08.18 PT - Moledo / Sonic Blast Moledo Fest 11.08.18 UK - Winchester / Boomtown Fair 16.08.18 IR - Galway / The Loft 17.08.18 IR - Cork / Cyprus Avenue 18.08.18 IR - Limerick / Dolans Warehouse 30.09.18 UK - Sheffield / O2 Academy 02.10.18 NL - Eindhoven / Effenaar 03.10.18 DE - Bochum / Rockpalast 04.10.18 DE - Hamburg / Logo 05.10.18 DE - Berlin / Musik & Frieden 06.10.18 PL - Wroclaw / Firlej 07.10.18 PL - Warsaw / Poglos 09.10.18 LT - Vilnius / Rock River Club 10.10.18 LV - Jelgava / Melno Cepuriso Balerija 11.10.18 EE - Tallinn / Sveta 13.10.18 FI - Helsinki / Blow Up 4 Festival 15.10.18 SE - Stockholm / Kraken 17.10.18 SE - Malmo / Plan B 19.10.18 DK - Copenhagen / Stengade 20.10.18 NL - Leeuwarden / Into The Void Festival 07.11.18 AU - Canberra / The Basement 08.11.18 AU - Melbourne / Max Watts 09.11.18 AU - Sydney / Manning Bar 10.11.18 AU - Brisbane / Crowbar 12.11.18 NZ - Wellington / Valhalla 13.11.18 NZ - Auckland / Whammy Bar 16.11.18 RU - Moscow / Aglomerat 17.11.18 RU - St. Petersburg / Zoccolo 23.11.18 UK - Nottingham / The Loft 24.11.18 UK - Leeds / Temple Of Boom 25.11.18 UK - Newcastle / Byker Grave Festival 26.11.18 UK - Glasgow / Audio 27.11.18 UK - Manchester / Rebellion 28.11.18 UK - Coventry / The Arches 29.11.18 UK - Cardiff / Clwb Ifor Bach 30.11.18 UK - Milton Keynes / The Craufurd Arms 01.12.18 UK - London / Boston Music Rooms 02.12.18 UK - Oxford / Buried In Smoke X-Mas Weekender

Interview with Jon Davis of Conan

~By Jake Wallace (Elder Druid)~

Recorded May 16, 2018 in The Live Room Belfast

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Do you enjoy being on the road so much?

Yeah, we do. We have always tried to tour as much as possible, ever since the very beginning. I remember the first time we played outside of Liverpool with Charger in late 2010, and that was a really big thing, something we were pushing for to try and breakout of Liverpool gigs. We almost immediately started getting opportunities to tour and play, and for a year or so it was just weekends here and there, I really loved that. Then we got the opportunity to go touring around Europe. Of course, that brought its own problem then, because we had to get a van, so we invested a bit of money in an old Ford Transit. And I remember spending nearly £600 on installing a cool sound system in there, so that we could listen to Iron Maiden on the road full blast. Like with speakers right by our heads in the bulkhead.

There's something about being on the road, and everyday just looking forward to playing the music that you've written, and the law of seeing the reaction of people who are listening to your music, that you've written sometimes easily, sometimes songs have come together when they've been difficult to write. I've always found it really rewarding to play music, whether I'm on my own, or whether in the practice room with the lads, or whether onstage. And I remember when I was 16, promising myself I would do this, telling myself that I'm gonna play music cause I saw playing music as a long term thing that I would be in charge of. I never really wanted to work for anyone else, I always wanted to do music, and I remember as a shy and less than confident teenager, thinking this is a path that I can grow, and I really enjoy, something I could do for the rest of my life, hopefully.

When I get too old to lug cabs then I'll just pick up an acoustic, and do something with that. So getting on the road has been something we've loved from day one, and now were touring all over the world. This year already, we've had a US of 5 weeks, we've been to Japan for a week, and we've got more far-flung shows lined up for the end of the year, not announced yet, plus European tours, another UK Tour, and we've got an album out soon. I mean it's just -- we love it. I couldn't do anything else now, if I had to have an office job, I'd probably commit suicide, seriously. (laughs)

What make Monolord the perfect match for this tour, and will you be back in Ireland anytime soon?

I mean, we wanted a band as physically attractive as us, and we've finally done it with Monolord. Seriously though, they are a really cool band, they are really good people to tour with, they're professional, friendly, really interesting people, and they come from a different culture to ours, and we enjoy being on the road with them. We're not sharing a van with them, although we have done, we shared a night liner with them in October last year. And we didn't know what to expect then, as we didn't know them very well on that tour, but we got along really well. They're from a different culture but very similar people, at the same time, at the core of what we all are in a love for music, and they put their money where their mouth is, in terms of that. They also like to tour a lot, they release really great music, and they're a really good live act. So when you are choosing a band to tour with, our booking agent puts forward bands and it was really natural, that us and Monolord tour together. It's cool that we get to this joint headliner, switch headliners every night. Yeah, they're just great. I mean, I don't think we've ever toured with a band that we didn't really like, some more than others, obviously, but they are cool as fuck.

I suppose it's an interesting parallel, between both bands having three members, you get to see how another band performs as a three piece as well every night. Tell us about the origin of the band name, and how you guys have created a genre known as 'Caveman Battle Doom.'

Well, Conan could have been called anything, really, from '70s and '80s science fiction movies. You know, Krull was one idea that I had for a band name, very briefly I thought about that. We were called Elf-Beater for a time in our practice room -- that's obviously an awful name so we were never going to use that one long term. Conan just came to me one day, you know, I was going through some personal stuff and I'd had to move into my parent's for a little while, and I started this band up with an old friend of mine who was a bass player, but he played drums a little bit. So we started and we actually wrote and recorded "Satsuma." We had these songs, and we didn't really have a settled name. We were going to call ourselves Pazuzu for a little while or Demon-Demaro, as like a Bebo page in that name. There's some really old demos if you can search for that.

Initially, I wanted it to be a little bit occult-ish type of stuff, and then quickly I realised the lyrics weren't really going in that direction, and we were more about Sword & Sorcery, Science Fiction, and Mythology. Then I remember sitting there one day just kind of thinking, "What do I for a band name?" and then it just came to me. And it stuck, there wasn't really any other bands, well there was an Argentina metal band called Conan, but I think they had expired in the '80s, so there was nothing, no current bands within our scene, with that name, or anything close to it, so we grabbed it with both hands.

How did the name 'Caveman Battle Doom' come about?

The very first show that Conan did in Liverpool was with friends of ours, John McNulty and Gemma McNulty. They weren't married then but they are now, and they're really close of mine, and the band, they recorded at our studio. But they put us on our first ever show, when it was just me and Paul O'Neil, a two piece, and on the poster for that show, I think it said "primitive battle doom," "caveman battle doom," or "caveman doom." The label we were on, fast forward a couple of months, we recorded Horseback Battle Hammer and we released stuff on CD with Aurora-Borealis Records. They used that phrase as part of their sales pitch, on the website, taking it from that first ever poster, and then we thought we’d put that on a t-shirt because it looks cool and it sounds cool and those t-shirts just sold like hot cakes. So we thought, that's a cool name to make a joke about. Obviously, we haven't created our own genre; it would be awesome if we did cause we'd obviously make loads of money then, but it's just a bit of fun.

I know yourself are involved in Black Bow Records and Chris is involved in Skyhammer. How did both of those projects come around? Was it through the band that this became something you were interested in, or what was the path towards a label and a studio?

When I moved into a large house in a rural location, not far from Liverpool/Chester, there was a couple of extra buildings. One of them was a large coach-house and I actually wanted to turn that into a rehearsal studio initially. But it needed a lot of building work, which would have cost a lot of money, so I thought, "I wonder if I could somehow turn this into something that would repay some of that investment? So I'll do a practice room and then I may be able to rent the practice room out to bands." And I thought, "Nah, I don't think that will make generate enough money to make it worthwhile, unless we have people in there all the time." And if we did that, it could just be people in there 2-3 hours at a time and it would be a bit of a nightmare to manage, with it being a home. I then thought of, "Well I could turn it into a recording studio." So I got a couple of quotations for layout and stuff like that. It became obvious that it was going to be really expensive to do. So I thought, "I'll do that and see if I can maybe learn the ropes, I might work in there myself as a recording engineer."

For an extremely short-lived time I recorded bands in their practice rooms. I had one band ask for a refund, so then I thought, "Maybe I need to practice a little bit more." So I was going to set up the studio and decided not to, in the end, when Chris got in touch. Me and Chris had been friends and I'd been asking him what microphones to get and what stuff do I need really to set up a studio. We got chatting then one day out of the blue, and he wrote to me saying he had a really crazy idea and could he ring me. So I said okay. He gave me a call and Chris' idea was that he would come and work in the studio and take over and run it, and I waited a little bit and spoke to my wife. Then in the morning, we chatted again and it became obvious that yeah, it was going to be a great idea. Chris and I started working in the studio from August 2013, the build started in May the same year. We had a company called Studio People do it and they were brilliant.

The first band in there were called Bast and they came into the studio. They didn't have a label, I think they had been in talks with Candlelight Records, but nothing had been agreed at that point. So they recorded this album called Spectres and I said, "Why don't I just release it for you?" It was cool to release the first thing we ever recorded at the studio and that album did quite well. I had to repress it and then another band came in and I released theirs, as well. Then I spoke to Fister and Norska from America, I did a 7-inch split. Before you know it, I'm releasing music from bands all over and it's just snowballed. I didn't expect it to and I didn't really try very hard, to be honest.

I'm still learning all the time about running the label, make mistakes all the time, but I love it and it fits in nicely with the band, fits in nicely with the studio. I'm able to really diversify within music now, because obviously everyone has to earn a living somehow and unless you're very lucky, you can't earn a living from just the band. Some people can, but I can't, so I have to add other things on to make it possible to have a career in music. So that's all I do now, thankfully.

You guys feature heavily in the upcoming documentary 'The Doom Doc' which is due out this summer. How important is a documentary like that in promoting the underground?

I think it's cool, because it engages with people who may not have necessarily have checked out the bands that are being talked about on it. It gives a good overview of what the scene is like and it's something that you can take all round the world. We're friends with Joe Allen, one of the lads who made the documentary, and we played in Japan with him recently and his band Kurokuma. We played a sell-out show in Tokyo in a venue called Earthdom, which hadn't sold out for ten years or so. And part of the reason why it sold out so well was because the documentary was really popular over there. It's really cool, because it's shone a light on the very grassroots level of heavy music in the UK and beyond, and I don't think a documentary has done that really for UK heavy music, the very grassroots level, or I've never seen one that does it. Obviously, in America you have Such Hawks, Such Hounds. It's good that something like that has been made in England.

Finally, you've got the next album 'Existential Void Guardian' coming out in August. What can you tell us about that?

Well, it's all recorded and mastered now. We're just waiting on a video getting done for one of the songs and I'm not going to give any of the songs away, but it's cool, it's heavy as fuck, and we're really proud of it. It's the first album that we've done with Jonny on drums and it was quite a challenging album to make, because if we'd had anyone else on drums I don't think we'd have been able to manage it. But fortunately, Jonny being as professional as he is, he came in after touring with us for one month, just practicing a riff or two here or there in sound checks, and we sat down in the studio and we kind of wrote the drum parts of the album within a week -- or a weekend event, maybe 3-4 days -- so it came together. It wasn't easy, but the fact that it came together at all was a miracle, because we didn't allow ourselves the usual amount of time to write an album. So we pushed ourselves to the limit to get it written and get it to a level that were really happy with, because we wouldn't have released it otherwise. We wrote the drums and the guide guitar in the first few sessions, and then we went back and recorded guitar and bass, and when we got back from Japan we recorded vocals.

It came together in a different way to all the other albums. Maybe Revengeance was a bit like that, but everything up until then was the product of weekly practices, an hour or two every week. So we're kind of getting into this vein now, where we're writing music almost like as soon as we sit down. We get together and we can all play and write music together. It's really cool. I think a lot of that is to do with Jonny, because he's got a particular style that really blend in with what me and Chris are doing. It comes out mid-Sept. Tony Roberts is doing the artwork, as many people would expect, the artwork's cool. And we've got a really good video coming out, it's been done by the same people who shot the "Foehammer" video, and I gave them this idea of what I'd like them to do with this next video, and it's insane. It's everything I would ever want from a Conan video -- it's so sick, it's amazing.

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thoughtfulenemyking · 3 years ago

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londontheatre · 7 years ago

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Steffan Rhodri and Nathaniel Parker in THIS HOUSE at Chichester Festival Theatre. Photo by Johan Persson

Rehearsals began today (Monday 22nd January 2018) for the first UK tour of This House, which opens at West Yorkshire Playhouse on 23 February (national press night 28 February). The cast – who play a colourful host of MPs and Whips – is Ian Barritt (Batley & Morley/Woolwich West/Belfast North/Western Isles & Ensemble), William Chubb (Humphrey Atkins), Giles Cooper (Fred Silvester), Stephen Critchlow (Bromsgrove/Abingdon/Liverpool Edge Hill/Paisley/Fermanagh & Ensemble), James Gaddas (Walter Harrison), Natalie Grady (Ann Taylor), Ian Houghton (Armagh, Ambulance Man, Ensemble), David Hounslow (Joe Harper), Marcus Hutton (Ensemble), Harry Kershaw (Paddington South/Chelmsford/South Ayrshire/Henley/Marioneth /Coventry North West/Rushcliffe/Perry Barr & Ensemble), Louise Ludgate (Rochester & Chatham/Welwyn & Hatfield/Coventry South West/Ilford North/Lady Batley & Ensemble), Geoffrey Lumb (Clockmaker/Peebles/Redditch/Stirlingshire West/Clerk & Ensemble), Nicholas Lumley (Oxshott/Belfast West/St Helens & Ensemble), Martin Marquez (Bob Mellish), Matthew Pidgeon (Jack Weatherill), Miles Richardson (Speaker Act I/Mansfield/Sergeant at Arms Act II/West Lothian & Ensemble), Tony Turner (Michael Cocks), Orlando Wells (Walsall North/Plymouth Sutton/Serjeant at Arms Act I/Speaker Act II/Caernarfon/Clerk & Ensemble) and Charlotte Worthing (Ensemble). Ian Houghton, David Hounslow, Matthew Pidgeon, Tony Turner and Orlando Wells return to This House having previously appeared in the West End production.

James Graham’s critically acclaimed and prescient political drama takes on a new importance in the current political climate. Are we in the midst of a political revolution? Can the country stay united? Roll back to 1974… The corridors of Westminster ring with the sound of infighting and back biting as Britain’s political parties’ battle to change the future of the nation, whatever it takes.

In an era of chaos, both hilarious and shocking, when votes are won or lost by one, there are fist fights in the parliamentary bars, high-stakes tricks and games are played, and sick MPs are carried through the lobby to register their crucial votes as the government hangs by a thread. This House strips politics down to the practical realities of those behind the scenes; the whips who roll up their sleeves and on occasion bend the rules to shepherd and coerce a diverse chorus of MPs within the Mother of all Parliaments.

Directed by Jeremy Herrin with Jonathan O’Boyle, the production is designed by Rae Smith with lighting design by Paule Constable and Ben Pickersgill on tour, music by Stephen Warbeck, choreography by Scott Ambler and sound by Ian Dickinson.

This House is produced on tour by Jonathan Church Productions and Headlong.

Cast Ian Barritt – Batley & Morley/Woolwich West/Belfast North/Western Isles & Ensemble Theatre includes: The Life of Galileo, The Alchemist (National Theatre), The Shawshank Redemption (UK Tour), Rebecca (UK Tour) Handbagged, Remarkable Invisible (The Theatre by the Lake, Keswick), The Lower Depths (Arcola), Hamlet, All’s Well That Ends Well, The Tempest, Troilus and Cressida (Tobacco Factory), Other Desert Cities (English Theatre of Frankfurt), Othello (Sheffield Crucible), Uncle Vanya (Bristol Old Vic/Galway Festival), Kes, Separate Tables (Manchester Royal Exchange), Richard II, Corionlanus (Almeida/New York/Tokyo), Gates of Gold (Manchester Library), One Night In November (Coventry Belgrade).Television includes: Wolf Hall, The Musketeers, Attila The Hun, Doctor Who, Upstairs Downstairs, Doctors, Foyle’s War, Life On Mars, Only Fools and Horse.

William Chubb – Humphrey Atkins Theatre includes: Racing Demon (Theatre Royal Bath), Rosencrantz and Guildenstern Are Dead, King Lear (Old Vic), In The Depths of Dead Love (The Print Room), Lawrence After Arabia (Hampstead Theatre), Waste, Great Britain, Othello, Scenes from an Execution (National Theatre), Richard II (Shakespeare’s Globe), The Vortex, A Midsummer Nights Dream, Love’s Labours Lost (Rose Theatre, Kingston), Yes Prime Minister (Chichester Festival Theatre/West End), The History Boys (National Theatre), The Sea (Theatre Royal Haymarket). Television includes: Close to the Enemy, My Baby, Breathless, Edge of Heaven, Jonathan Strange and Mr Norrell, Law and Order, Silk, The Bill. Films include: 6 Days, Adrift in Soho, Tees, Veer, Affair of the Necklace, Mrs Caldicot’s Cabbage War, Milk, The Woodlanders.

Giles Cooper – Fred Silvester Theatre includes: The Duchess of Malfi, The Knight of the Burning Pestle, Henry V (Shakespeare’s Globe), People, After the Dance (National Theatre), As Is (Arion Productions), Great Expectations (ETT), The Talented Mr Ripley (Northampton Royal), Trilby (Finborough), Dreams of Violence (Soho/Out of Joint), Think Global, F**k Local (Royal Court/Out of Joint), A Touch of the Sun (Salisbury Playhouse), Rafts and Dreams (Royal Court), The Witches (West End), Full Circle (Triumph Ent.), The Witches (Birmingham Rep), Twelfth Night (Bolton Octagon), Across Oka, Rafts and Dreams (Manchester Royal Exchange). Television Includes: Hollyoaks, Consenting Adults. Film includes: The Lady in the Van, Pride, Apollo and the Continents, The Nun.

Stephen Critchlow – Bromsgrove/Abingdon/Liverpool Edge Hill/Paisley/Fermanagh & Ensemble Theatre includes: Filthy Business, Loyalty (Hampstead Theatre), The Men From The Ministry Reloaded (The White Bear), The 39 Steps (The Criterion Theatre), Pygmalion (The Albery Theatre), Hamlet (West End), Cyrano De Bergerac (National Theatre), A Christmas Carol, The Relapse, When We Are Married (Birmingham Rep), Soap, Time of My Life, Twelfth Night, (Theatre Royal Northampton), The Game of Love and Chance (Salisbury Playhouse), Round The Horne Revisited (UK Tour). Television includes: Downton Abbey, Guerrilla, Little Lord Fauntleroy, The Prince And The Pauper, Cider With Rosie, Heartbeat, Red Dwarf 11, Miranda, Coronation Street, Casualty, Holby City, Doctors, Skins, Hattie, Fantabuloza, The Armando Iannucci show, The Railway Murder, The Thieving Headmistress, Trial And Retribution, Blue Murder, Daziel and Pascoe, The Vice, Without Motive, Heartbeat, Walking on the Moon, Baggy Trousers, A Likeness in Stone, A Line in the Sand, The Vice, Back Up, The Bill, Monarch of the Glen. Film includes: A Way Through The Woods, Fogbound, The Calcium Kid, Churchill The Hollywood Years.

James Gaddas – Walter Harrison Theatre includes: The Girls (Phoenix Theatre), Billy Elliot (Palace Theatre), Mamma Mia (Novello), Spamalot (UK Tour), Art (Wyndhams Theatre), Peter Pan (Curve, Leicester), The Messiah (West Yorkshire Playhouse), You Never Know Who’s Out There (Drill Hall), A Passionate Woman (Comedy), Jackie, A Chorus of Disapproval (Lyric Hammersmith), Three Guys Naked From The Waist Down, (Donmar Warehouse). Television Includes: Bad Girls, Coronation Street, Emmerdale, Waterloo Road, Against The Law, Casualty, Holby City, The Camomile Lawn, Medics, Class Act, Troubles, The Bill, Backup, Dogtown, Vincent, Jonathan Creek, Grafters, Heartbeat, Between The Lines, Secrets, El Cid. Film Includes: Starter For Ten, The Human Bomb, Girl’s Night, The Black Candle, Dead Man’s Folly, A Hazard of Hearts, The Pied Piper, Last Days Of Summer.

Natalie Grady – Ann Taylor Theatre includes: Julius Caesar, A Midsummer Night’s Dream (Storyhouse Chester), Brassed Off (Oldham Coliseum), Marth, Josie and The Chinese Elvis (Hull Truck), To Kill a Mockingbird (Regent’s Park Theatre/ UK Tour), Hobson’s Choice (Bolton Octagon). Television Includes: Hollyoaks, Snatch, Trollied, Endeavour, 6 Wives, Coronation Street, Doctors, Jam and Jerusalem.

Marcus Hutton – Understudy Marcus trained at the Guildhall School of Music and Drama. Theatre includes: Private Lives (Nottingham Playhouse), Naomi (The Gate), Slave Island, Don Juan (Manchester Royal Exchange), The Scarlet Pimpernel (Wolsey Ipswich), Crusade (Theatre Royal Stratford East), She Stoops to Conquer (Oxford Stage Company), Tis Pity She’s a Whore (Exeter Northcott), Tess of the D’urbevilles (Horseshoe Basingstoke), Flags and Bandages (Colchester Mercury), Reeling (New Vic Productions), The Lady from the Sea (Portlands Playhouse), Secrets of Cherry on the Run (Riverside Studios), Table Manners (UK Tour), Sound of Murder (UK Tour), Dial M for Murder (UK Tour), Kiss Chase (UK Tour), The Ghost and Mrs Muir (UK Tour), Dangerous Obsession (UK Tour), Suddenly at Home (UK Tour), Jeckyll and Hyde (UK Tour), What the Butler Saw (UK Tour), The Wind in the Willows (UK Tour). Film includes: Made in Dagenham, I’m Here, Cycle, Deep in the Woods, The Dark Channel, The Wager, Framed, Grandma.Television includes: Midsomer Murders, Making Beach, Holby City, Dr Who, Love Hurts, Lovejoy, Diana: Her True Story, A Class Act, The New Professionals, The Inspector Alleyn Mysteries, Crocodile Shoes, Smack The Pony, Hollyoaks, Brookside. Marcus is a founder member of the Radio City Theatre Company.

Ian Houghton – Armagh, Ambulance Man, Ensemble Theatre includes: War Horse (New London Theatre), This House (West End), The Audience, Yes, Prime Minister (Gielgud Theatre), Men are from Mars, Women are from Venus (UK Tour), The Best Man (UK Tour), Boeing Boeing (UK Tour), The Fastest Clock in the Universe (Old Red Lion), Unrestless (Old Vic New Voices), What’s Wrong with Angry? (King’s Head) Moonlight and Magnolias (Hertford Theatre), Woman in Mind, Oliver! (Gordon Craig Theatre) Decade (Theatre503), Art, Gagarin Way, Journey’s End, A Day in the Death of Joe Egg, The Government Inspector, Incorruptible, Absurd Person Singular, Noises Off (The Company of Players). Television includes: Harley and the Davidsons, Mr. Selfridge, Eastenders, Call the Midwife, The Great Outdoors, Waking the Dead, MI High and Moving Wallpaper. Film includes: RocknRolla and Breaking and Entering.

David Hounslow – Joe Harper Theatre includes: This House (National Theatre/Chichester Festival Theatre/West End), The Fall Of The Master Builder (West Yorkshire Playhouse), Queen Coal (Sheffield Crucible), The Empty Quarter (Hampstead Theatre), Way Upstream (Salisbury Playhouse), Too Much Pressure (Coventry Begrade), Warm (Theatre 503), Billy Liar (Liverpool Playhouse), Tamburlaine (Bristol Old Vic/Barbican), A Night At The Dogs (Soho Theatre), The Rise And Fall Of Little Voice (Royal Exchange Manchester), Holes In The Skin (Chichester), Dealer’s Choice, My Night With Reg, Perpetua, First Person Shooter, (Birmingham Rep), Tales From Hollywood, Privates On Parade (Donmar Warehouse), Alcestis (Northern Broadsides), All of You Mine, A Question Of Mercy (Bush Theatre), Othello, Henry V, Coriolanus, The Wives Excuse, Zenobia (Royal Shakespeare Company), Bent (National Theatre/West End), Fuente Ovejuna (National Theatre), Macbeth, Billy Budd (Sheffield Crucible), Our Boys (Cockpit), Treasure Island (Farnham Redgrave), The Snowman (Leicester Haymarket). Film includes: London Kills Me, Captives, Fever Pitch, The Man Who Knew Too Little, I Want You, Tabloid TV, The Flying Scotsman, The International, Defining Fay, Ginger and Rosa, Peterloo. Television includes: The Unknown Soldier, Coronation Street, Othello, Children of the North, Gone to the Dogs, The Bill, Resnick, True Crimes, Minder, Bad Company, Under The Hammer, Anna Lee, Soldier Soldier, Deadly Crack, The Cinder Path, Chandler and Co., Six Sides of Coogan, Crimes and Punishment, Turning World, Is It Legal, Peak Practice, A Wing and a Prayer, Dangerfield, Playing the Field, The Unknown Soldier, Bugs, Within Living Memory ,Casualty, Eastenders, City Central, Bomber, Always and Everyone, Peak Practice, Silent Witness, North Square, Doctors, Heartbeat, London’s Burning, Margery & Gladys, Ultimate Force, Crisis Command, Blackpool, Holby City, The Brief, Doctors, Robin Hood, Jekyll, Dalziel And Pascoe, Is This Love?, Coronation Street, Little Miss Jocelyn, MI High, Dead Set, Bonekickers, Waking The Dead, Spooks IX, Homefront, Foyle’s War, The Bletchley Circle II, Emmerdale, Moving On, Bad Move.

Harry Kershaw – Paddington South/Chelmsford/South Ayrshire/Henley/Merioneth/Coventry North West/Rushcliffe/Perry Barr & Ensemble Harry trained at RADA. Theatre includes: Mischief Movie Night (Arts Theatre), Peter Pan Goes Wrong (West End/UK Tour), The Play That Goes Wrong (West End), One Man Two Guvnors (West End), The Circle Game (Old Vic New Voices).Television includes: Peter Pan Goes Wrong (Christmas Special), Supreme Tweeter, The Interceptor, Omid Djalili’s Little Cracker, Switch, Cuckoo, Wallander, Endeavour. Film includes: Unhappy Campers, Exhibition, Unrelated, Blue Monday, Great Expectations, Skyfall, Rufus Stone, The Date.

Louise Ludgate – Rochester & Chatham/Welwyn & Hatfield/Coventry Sount West/Ilford North/Lady Batley & Ensemble Theatre includes: Iron (Traverse/Royal Court) Lanark, Sub Rosa (Citizen’s Theatre), Sex and Drugs, Greta, Class Act, First Bite (Traverse Theatre), The House of Bernada Alba, Little Otik, Macbeth, Realism, Home (National Theatre of Scotland), Strawgirl, The Adoptive Papers (Royal Exchange Manchester), Trojan Women (Tobacco Factory), World Domination, Resurrection, The Course of True Love (Oran Mor Theatre), When The Dons Were Kings, Guilty, the Course of True Love, Fishwrap (The Lemon Tree), Jeff Koons (UK Tour), Balgay Hill (Dundee Rep), 13 Sunken Years (Assembly Rooms/Finnish National Theatre). Film includes: City of the Blind, Swung, No Man’s Land, Goodbye Happy Ending, Café Rendevous, The Last Ten Minutes. Television includes: River City, Freedom, Taggart, Kissing Tickling and Being Bored, High Times, Sea of Souls, The Key, Spooks, Tinsel Town, Glasgow Kiss, Robert Burns ‘Alive and Kicking’.

Geoffrey Lumb – Clockmaker/Peebles/Redditch/Stirlingshire West/Clerk & Ensemble Geoffrey trained at Bristol Old Vic Theatre School. Theatre includes: Vice Versa, Coriolanus, Much Ado About Nothing, Romeo and Juliet, King John, Shrew, The American Pilot, The Comedy of Errors, A Midsummer Night’s Dream (RSC), King Charles III (UK tour/Australia), Much Ado About Nothing (Lamb Players), Macbeth, Twelfth Night (Filter Theatre Company), Prophesy, Macbeth (Baz Theatre Productions), Fitzrovia Radio Hour Tour (UK tour), Chekhov in Hell (Soho Theatre/Drum Plymouth), Romeo and Juliet (US Tour), Rendezvous with Fear (Fitzrovia Radio Hour), His Dark Materials (Birmingham Rep/West Yorkshire Playhouse), Rendition Monologues (Bridewell Theatre/Queen Elizabeth Hall), The Changeling, Twelfth Night (English Touring Theatre), Hansel & Gretel (Northampton Theatre Royal). Television includes: Holby City, 24: Live Another Day, Doctors, Hollyoaks, Luther, Europe’s Secret Armies. Film includes: Paddington 2

Nicholas Lumley – Oxshott/Belfast West/St Helens & Ensemble Nicholas read Law at Newcastle University before training at the Bristol Old Vic. Theatre includes: Dr Faustus, Don Quixote, Beaux Stratagem, Midsummer Nights Dream, Kiss Me Kate (RSC), Great Britain, NT 50, The Magistrate, After The Dance, Never So Good, Afterlife (National Theatre), Timon of Athens (Young Vic), Sergeant Musgraves Dance, Richard II (Old Vic), Tyne (Live Theatre), Pitman Painters (Royal National Theatre/ UK Tour); Close The Coalhouse Door (UK Tour), Much Ado about Nothing (Wyndhams Theatre), The Company Man (Orange Tree Theatre) Porridge (UK Tour), Looking for Buddy (Live Theatre, Newcastle/Bolton Octagon), The Sound of Music (Apollo Victoria), The Canterbury Tales (Garrick Theatre), Chorus of Disapproval (Lyric Theatre),The Bakers Wife, Richard II, Richard III (Phoenix Theatre), Bellman’s Opera (The Pit), Brighton Rock (Almeida), Little Voice, Rope (Watermill), Oleanna, Educating Rita (Salisbury Playhouse). Television includes: Downton Abbey, Houdini and Doyle, Doc Martin, Parade’s End, Vera, George Gently, Enid, Auf Wiedersehen Pet, The Bill, Lovejoy, Kavanagh QC, Wycliffe, Catherine Cookson’s The Secret, Holby City, Crossroads, Wilderness, Eastenders, Coronation Street, Derailed. Films include: Peterloo, Where Hands Touch, Paddington 2, Lady Macbeth, Winterflight, Stormy Monday Goal!, Right Hand Drive, Across the Universe.

Martin Marquez – Bob Mellish Theatre includes: Husbands & Sons, Anything Goes, Loves Labour’s Lost, Mother Courage & Her Children (National Theatre), Much Ado About Nothing, Imogen (Shakespeare’s Globe), Ah, Wilderness (Young Vic), Cleansed, Identical Twins (Royal Court Theatre), Fool For Love, Front Page (Donmar Warehouse), The Iceman Cometh (The Old Vic), Snowball (Hampstead Theatre) Gondoliers, I Caught My Death In Venice, Insignificance, Pal Joey (Chichester Festival Theatre), The Crucible, Don Juan, Of Mice and Men (West Yorkshire Playhouse), Brothers Marquez (Soho Theatre), Romeo and Juliet (Nottingham Playhouse), Before I Leave (National Theatre of Wales), Blasted (Sheffield Theatres), From Here To Eternity (Eternity Productions Ltd), 4 Knights in Knaresborough (Tricycle), Asylum (Queen Elizabeth Hall), Biloxi Blues (Library Manchester), Boeing Boeing (UK Tour) The Dark Side of Buffoon, The Sea (Belgrade Theatre). Film includes: After Louise, Girl on a Bicycle, A Louder Silence, Les Miserables, The Business.Television includes: The Crown, New Tricks, Elizabeth, Empire, Hotel Babylon, Lead Balloon, Dead Pixels, Bounty Hunter, Modus, Decline and Fall, Suntrap, The Javone Prince Show, The Job Lot, Woody, Vera, Knifeman, Benidorm, The Whale, Twenty Twelve, Falcon – Blind Man of Seville, Holy Flying Circus, Eastenders, Heartbeat, Dirty Tricks, The Plastic Man, Murder Most Horrid, The Bill, In Suspicious Circumstances.

Matthew Pidgeon – Jack Weatherill Theatre includes: This House (Chichester/West End/National Theatre), Salome (RSC), The James Plays (National Theatre of Scotland UK/World Tour), Wolf Hall & Bring Up the Bodies (RSC/Aldwych Theatre/Broadway), Edward II (National Theatre), Midsummer (Traverse Theatre/World Tour), Much Ado About Nothing, The Mysteries (Shakespeare’s Globe), Kyoto (Traverse Theatre) The Wonderful World of Dissocia, Realism, Caledonia (National Theatre of Scotland) The Lying Kind (The Royal Court), The Cherry Orchard, The Wizard of Oz, Vanity Fair, Pinocchio, The Glass Menagerie (Lyceum Theatre Edinburgh). Television includes: Taggart, Casualty, Holby. Film includes: Daphne, The Winslow Boy, State and Main, A Shot at Glory.

Miles Richardson – Speaker Act I/Mansfield/Serjeant at Arms Act II/West Lothian & Ensemble Miles graduated from Arts Educational Drama Collage in 1982, winning the Best Actor award. Theatre includes: Macbeth, Death of a Salesman, The Caucasian Chalk Circle (Newcastle Rep) Another Country (Queens) Romeo & Juliet (Ludlow Festival) Wilfred, A Midsummer Nights Dream, An Inspector Calls, The Contractor (Birmingham Rep) Othello (Theatr Clwyd) Private Lives (Theatre Royal York) Richard II & Richard III (UK Tour) An Evening with Gary Lineker (Lyric) The Seagull (Bromley) Journeys End (Kings Head) Charley’s Aunt, The Three Musketeers (Canizzaro Park) The Picture of Dorian Gray (Westminster Theatre) The Three Musketeers (UK Tour) Romeo & Juliet (Hull Truck) Wuthering Heights, Cause Celebre, First Class Passengers (Pitlochry) The Invisible Man (Stratford East/Vaudeville Theatre/Harold Pinter Theatre) Candida, The Lovers, Playing Sinatra (New End) Lulu (Almeida/Kennedy Center, Washington DC) A Doll’s House, A Midsummer Night’s Dream (Warwick) The Rivals (Wimbledon) The Moment of Truth, Dear Brutus (Southwark Playhouse), Anjin: The Shogun and the English Samurai (Tokyo/Sadler’s Wells), 12 Angry Men (Garrick Theatre), King Charles the Third (Wyndhams Theatre/Broadway) King John (Rose Theatre Kingston) Sleuth (Nottingham) Loves Labours Lost, All’s Well That Ends Well, A Midsummer Night’s Dream, As You Like It, Volpone, Henry IV pt1, Henry IV pt2, Henry V, Henry VI pt1, Henry VI pt2, Henry VI pt3, Richard III (RSC). Television includes: Elizabeth, Highlander, Byron, Inspector Lynley Mysteries, The King Must Die, Porterhouse Blue, Allo,Allo, The Brief, Cambridge Spies, Miss Marple, Doctors, Upstairs Downstairs, Dirk Gently, Doctor Who, Jo, Midsomer Murders, Dancing on the Edge, Sick Note, Lucan, Genius, The Crown. Film includes: Maurice, Harry Potter & The Sorcerer’s Stone, The Best Offer, Beat Girl, The Remains of the Day, Flushed away, A Princess for Christmas, Mindgame, Their Finest, A Quiet Passion, The Colour of Magic, Big Pants, The Return of Sherlock Holmes, Sabotage, Titanic, Peterloo, The Queen of Spain.

Tony Turner – Michael Cocks Theatre includes: Ink (Almeida/West End) This House (National Theatre/Chichester/West End), The Curious Incident of The Dog In The Night Time (West End) Burnt by the Sun, Her Naked Skin, Present Laughter, Playing With Fire, The UN Inspector (National Theatre), Measure for Measure, Big White Fog, Enemies (Almeida Theatre), The House of Special Purpose (Chichester Festival Theatre), The Damned United (West Yorkshire Playhouse/Derby Theatre), The School for Scheming (Orange Tree Theatre) Journey’s End (UK Tour/West End), Personal Enemy (Brits Off Broadway), One Night In November (Belgrade Theatre), The Jail Diary of Albie Sachs (Salisbury Playhouse), Mad World My Masters, Neville’s Island (New Wolsey), Madness of George III (West Yorkshire Playhouse/Birmingham Rep), The Danny Crowe Show (Bush Theatre), Christmas Carol (Stoke New Vic), Talent (Colchester Mercury/Watford Palace Theatre), Communicating Doors (Manchester Library Theatre), Macbeth, Othello (Liverpool Everyman), Romeo and Juliet (Birmingham Rep). Television includes: Delicious, WPC 56, Call The Midwife, Downton Abbey, Loving Miss Hatto, Holby City, Silk, Doctors, Andrew Osler, Maxwell, Party Animals, Gavin & Stacey, Trial & Retribution XIII, Foyle’s War, Derailed, Eyes Down, Red Carp, Coronation Street, Children’s Ward, September Song.

Orlando Wells – Walsall North/Plymouth Sutton/Serjeant at Arms Act I/Speaker Act II/Caernarfon/Clerk & Ensemble Orlando trained at LAMDA. Theatre includes: This House (Chichester Festival Theatre/West End), Noises Off, Tonight at 8:30 (English Touring Theatre), The Woman In Black (Fortune Theatre), Katrina (Bargehouse, South Bank), Our Country’s Good (Watermill), The History Boys (National Theatre), Pirandello’s Henry IV (Donmar Warehouse), A Midsummer Night’s Dream, The Modernists (Sheffield Crucible), The Tempest (Plymouth Theatre Royal), A Midsummer Night’s Dream, Othello, Anthony and Cleopatra (RSC), Treehouses (Northcott Exeter), Deathrap (Vienna’s English Theatre), The Journey of Mary Kelly (Theatre Clwyd). Television includes: Father Brown, Casualty, Holby City, A Very British Sex Scandal, Doctors, Nowhere Left to Hide, Living the Quake, The Machioness Disaster, Slave Dynasty, As If, Trust, A Rather English Marriage, Killer Net, Mosley, After the War. Film includes: The King’s Speech, Midsummer Madness, Zemanovaload, Wilde. Orlando is also a writer for Theatre and Television.

Charlotte Worthing – Understudy Charlotte trained at Oxford School of Drama and East 15 Acting School. Theatre includes Princess Charming (Spun Glass Theatre and Ovalhouse Theatre), These Trees Are Made Of Blood (Arcola Theatre and Southwark Playhouse), A Midsummer Night’s Dream (The Young Shakespeare Company), Twelfth Night (Open Bar Theatre Company), The Absolute Truth About Absolutely Everything (Camden People’s Theatre), The Wind in the Willows (Open Book Theatre Company), The Just So Stories (National Tour for Red Table Theatre Company), Little Pieces of Gold (Theatre503), Wait (Arcola Theatre), The Wasabi Nut (National Theatre of Scotland). Film includes Here and Now, Souljacker, Coincidence. Television includes Panorama.

Creatives

James Graham won the Pearson Playwriting Bursary in 2006 and went on to win the Catherine Johnson Award for Best Play of 2007 for Eden’s Empire. His upcoming and recent plays include The Culture – A Farce in Two Acts for Hull Truck Theatre, Quiz (Chichester Festival Theatre, transferring to the West End this spring), Labour of Love (West End), Ink (Almeida and West End), Monster Raving Loony (Theatre Royal, Plymouth), The Vote (Donmar Warehouse), Finding Neverland (American Repertory Theater), The Angry Brigade (Theatre Royal, Plymouth and The Bush) and Privacy (Donmar Warehouse). His television credits include the award-winning Coalition (Channel 4) and his film credits include X+Y (BBC Films).

Jeremy Herrin is Artistic Director of Headlong, for which he has directed Labour of Love (a Headlong and Michael Grandage Company co-production), Junkyard (Bristol Old Vic/Theatr Clwyd/Rose Theatre Kingston), Observe the Sons of Ulster Marching Towards the Somme (UK Tour), The Absence of War (UK Tour) and The Nether (at the Royal Court and in the West End). For the National Theatre his directing credits include Common (A co-production with Headlong), The Plough and the Stars (co-directed with Howard Davies), People, Places & Things (A co-production with Headlong which transferred to the West End, toured the UK tour and played a sold out run at St Ann’s Warehouse, New York in 2017), This House (Olivier nomination for Best Director), which transferred to Chichester Festival Theatre and the West End in a co-production with Headlong, and Statement of Regret. For the RSC he directed the world premiere of Hilary Mantel’s Man Booker prize-winning novels Wolf Hall and Bring Up the Bodies, which transferred to the West End in May 2014 and Broadway in March 2015 and for which he won the Evening Standard Award for Best Director and was nominated for an Olivier and Tony Award.

Jonathan O’Boyle’s credits include: Pippin (Southwark Playhouse/Hope Mill Theatre), Dear Brutus (Southwark Playhouse), Hair (Hope Mill Theatre/The Vaults), Four Play, Sense of an Ending, Water Under the Board (Theatre503), Bash Latterday Plays (Trafalgar Studios/Old Red Lion), The Surplus, All The Ways To Say Goodbye (Young Vic), The Verb, ‘To Love’, Made in Britain (Old Red Lion), Broken Glass (Central School of Speech and Drama), Last Online Today, Guinea Pigs (Crucible New Writers’ Project, Sheffield Crucible Studio), The Monster Bride (Tristan Bates Theatre). Associate Director Credits include: An American in Paris (Dominion Theatre), This House (Chichester Festival Theatre/West End), The Judas Kiss (Ed Mirvish Theatre, Toronto/Brooklyn Academy of Music), Mack and Mabel (Chichester Festival Theatre/UK Tour), Bull (Young Vic), This Is My Family (Sheffield Lyceum/UK Tour). Assistant Director credits include: The Scottsboro Boys (Young Vic). Jonathan was selected as one of the Guardian’s Rising Stage Stars of 2014.

About Headlong Headlong creates exhilarating contemporary theatre: a provocative mix of innovative new writing, reimagined classics and influential twentieth-century plays that illuminate our world.

Headlong is one of the most ambitious & exciting theatre companies in the world. We make bold, innovative productions with some of the UK’s finest artists. We take these industry leading, award-winning shows around the country & beyond, in theatres & online, attracting new audiences of all ages & backgrounds. We engage as deeply as we can with these communities & this helps us become better at what we do.

Productions have included Labour of Love (Noël Coward Theatre), People, Places & Things (National Theatre/West End/UK Tour/New York), The House They Grew Up In (Chichester Festival Theatre), Common (National Theatre), Junkyard (Bristol Old Vic, Theatr Clwyd and Rose Theatre Kingston), This House (Chichester Festival Theatre and West End), Pygmalion (UK tour), Boys Will Be Boys (Bush Theatre), 1984 (UK and international tours and West End), The Nether (Royal Court Theatre and West End), American Psycho (Almeida and Broadway), Chimerica (Almeida and West End), and Enron (UK tour, West End and Broadway).

https://www.nationaltheatre.org.uk/shows/this-house-on-tour

http://ift.tt/2DXZMmF London Theatre 1

#IFTTT #London Theatre 1

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bangkokjacknews · 5 years ago

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Why Vietnamese are being TRAFFICKED into the UK

A Sun Online investigation can reveal that behind Britain’s #cannabis trade lies a dark and shocking reality, in which around 3,000 #slavechildren are cultivating crops in dire conditions.

And most of those kids are Vietnamese teenage boys who have been ripped from their families by traffickers, who smuggle them into the UK and force them to work in secret drug dens in houses all over Britain. Once here, many endure horrific conditions, beatings and sexual abuse at the hands of gang masters. Children as young as 11 are forced to survive on scraps as they tend cannabis farms, and one man was even reduced to eating dog food to stay alive while he grew weed for gangs. Their suffering has led anti-slavery campaigners to coin the phrase ‘blood cannabis’, to reflect the true horror behind some of Britain’s £2.6bn-a-year illegal weed market, which sees an estimated 255 tonnes of weed smoked annually in the UK. The National Crime Agency says 96 per cent of trafficking victims forced to grow weed in Britain are Vietnamese, and 81 per cent of those are children. Many of them are dangerously smuggled into the UK in lorries — the death of 39 Vietnamese people, including 10 teenagers, in Essex in October highlighted the lethal peril of such journeys.

A police officer inspecting a huge cannabis farm in an abandoned nuclear bunker in Tisbury, Wiltshire - where four young Vietnamese workers were found sleeping on mattresses at the siteCredit: Solent News

The Essex lorry deaths, in which 39 Vietnamese people died being trafficked into Britain in October, showed the dangers of faced by those being illegally brought into the UKCredit: Press Association

Police are too busy to focus on weed farms Giant cannabis farms have been uncovered all over the UK — including in town centre bingo halls and even a disused police station — but thousands of smaller operations are being run all over the country. In London alone between 2016 and 2018, police found 314 illegal cannabis farms, but the true scale of cannabis growing in the UK will never be known as they're illegally run in residential properties and shop backrooms. For users, an eighth of an ounce (3.5g) of cannabis costs around £20, and a full ounce (28.3g) will set you back around £180 — which is cheaper than prices of legalised cannabis in the USA. Horrifyingly, government figures released last week show raids on cannabis farms have plummeted in the last seven years as police forces focus resources elsewhere. And millions of Brit users have helped the trade thrive — around 30 per cent of the UK population aged between 16 and 64 admit to having tried cannabis, which is roughly 10 million people.

Three children were kept in this industrial unit in Rochdale, Greater Manchester and forced to grow cannabisCredit: MEN Media

The kids had been trafficked from Vietnam and were being 'criminally exploited'Credit: MEN Media

Cops found £850,000 worth of weed in the unit - but this is just one of many illegal factories across the UKCredit: MEN Media Fingers cut off children The victims are children like Le, orphaned at just 11 years old. He was left saddled with loan shark debt from paying his dying mum’s hospital bills in his Vietnamese homeland. He was taken in by a convent - but was kidnapped by money lenders who demanded church elders hand over Le’s family land to settle the loan. Their ultimatum came with a grisly threat - a package containing Le’s severed finger. Although the church tried to help Le, he was put to work by his captors in a warehouse, where he was kept in chains and fed scraps. After being sold to a gang in China, he was sent on a perilous lorry journey across Europe to the UK. Forced to work on an illegal cannabis farm he grew so hungry he tried to eat the plants. When police raided the cannabis farm, he was rescued and taken into local authority care. But after meeting a man in a shopping centre who spoke Vietnamese, he was enslaved again and put to work in a warehouse. Phil Brewer, former head of the Met’s Anti-Trafficking Unit, says that’s because cannabis slaves are coached to mistrust the authorities. “They don’t speak the language and have nowhere to go,” he explained. “The fear factor takes over and they gravitate back to what they know, back to exploitation.” Le eventually managed to escape his new captors and was given refuge in a safe house by the Salvation Army. But they say he lived in fear of deportation or of being found by gang masters. One day, he left the safe house and never returned. Nobody knows what happened to him.

Le was kept in chains and had his finger cut off by a brutal gang before being trafficked to the UK to grow cannabisCredit: Getty - Contributor Le’s agonising story is far from unique. While some, like Le, are kidnapped from orphanages or the streets into slavery, others voluntarily leave behind their families in rural Vietnam in search of a brighter future. They are enticed by traffickers with false promises of exciting job offers or student exchanges. But instead they spend years in servitude, passed from grow-house to grow-house, under the thumb of brutal organised crooks, as they work off the cost of their passage to Britain. Police raids have revealed the nightmare existence endured by these slaves, whose work exposes them to toxic chemicals, fire risks, and violence from rival drug gangs.

Gangs cater to a multi-billion pound cannabis market in Britain - some campaigners say its time to cut criminals out of the trade by changing the lawCredit: Getty - Contributor Survived by eating dog food In October, police rescued three Vietnamese children found living in squalor in an industrial unit in Rochdale. In April 2015, a 32-year-old Vietnamese man was found surviving on tins of dog food at a house in Northern Ireland, where cops recovered over 500 weed plants. And in 2017, four young Vietnamese workers were discovered sleeping on mattresses and locked in a subterranean nuclear bunker while they tended 4,000 plants in an operation worth £2m a year. Brewer says: “Cannabis is seen as a bit of a soft drug, unrelated to violence and sold through traditional drug dealing methods. I don’t think people always make the link to the violence and control that goes with it.” Efforts to take down the kingpins behind the trade have had piecemeal success. In September, 20 gang members were jailed after a joint sting by the NCA and three police forces in south Wales. The investigation uncovered a network of 45 cannabis farms and storage units as far away as Coventry, thought to have netted the gang £25m.

Cannabis farms often steal mains electricity to power their operations - this farm stole £650,000 of electricity from a nearby pylon to keep the lights onCredit: Solent News

The vast complex was run behind the steel blast door of an abandoned underground Cold War era nuclear bunkerCredit: Solent News Cops losing fight against gangs But despite the success of some high-profile operations, police only busted 8,600 cannabis farms in 2018-19 - a thousand more than the previous year but still just over half the 16,590 raided in 2011-12. And Volteface, a non-profit group campaigning for cannabis legalisation, says Ministry of Justice data obtained under a freedom of information request shows prosecutions for growing weed fell 63 per cent in the five years to 2018. It comes down to police budgets and priorities. Volteface director of policy Liz McCulloch, said: “Police are withdrawing from policing cannabis markets. "Their budgets are stretched and it’s not a priority anymore. “Growers are probably a bit more confident there’s a good chance their activities aren’t going to be found out.” Tony Saggers, former head of the NCA’s Drugs Threat and Intelligence added: “We seize what we look for, and we look for what we prioritise. “Considering all the pressures on policing, not least another drug generated threat in County Lines – it doesn’t surprise me that less focus has been on cannabis, this does not mean it is not still being taken seriously”

The heartbroken parents of Hoang Van Tiep, who died in the Essex lorry deaths last month - he was 18 years oldCredit: Ray Collins - The Sun Mimi Vu, a world expert on the trafficking of Vietnamese children and young people, hopes the container tomb tragedy in Essex will serve as a wake-up call for Vietnam’s youth to seek their fortune in their own booming economy, instead of gambling their lives on a deadly lorry journey to the UK. “They grow up believing their best bet is to go overseas,” she says. “But what happened in Essex has brought everything into the open, and shown that the dangers are real. “There’s no way now that anyone can say we’re making up stories to scare them off.” But even if fewer Vietnamese do decide to make that perilous crossing, police intelligence reveals there will still be a plentiful supply of trafficked slaves to help grow weed. There is growing evidence that ruthlessly efficient Albanian gangs are now moving into cannabis. And Home Office data suggests the number of trafficked Albanians exploited in the UK for labour – which includes cannabis farms – is on course to double this year. Tony Saggers, former head of the NCA’s Drugs Threat and Intelligence says, cannabis users should give more thought to the human cost of lighting up a spliff. “Leisure users blame prohibitionists and the law for preventing them the freedom of choice to use cannabis,” he says. “There’s a selfish inclination to do what they want instead of thinking of the wider consequences.” *Le is a false name. His whereabouts are still unknown. – You can follow BangkokJack on Instagram, Twitter & Reddit. Or join the free mailing list (top right) Please help us continue to bring the REAL NEWS - PayPal Read the full article

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mhsn033 · 4 years ago

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Man charged over illegal cigarette haul in van on M74

Image caption Police officers chanced on 600,000 illegal cigarettes in the van

A person has been charged with excise responsibility fraud after an estimated 600,000 illegal cigarettes were chanced on in his van.

The 32-one year-former, from Coventry come Birmingham, became stopped while using southbound on the M74 in the Lanarkshire house.

Officers chanced on the illegal goods in the relieve of his van at about 11: 00 on Friday 14 August and alerted HMRC.

The customs responsibility misplaced on the cigarettes is estimated to be extra than £180,000.

Image copyright Google

Image caption The van became stopped on the M74 southbound in the Lanarkshire house

Gary Tickner, Police Scotland road policing inspector, acknowledged: “This seizure is an extra special instance of our partnership with HMRC in tackling organised crime groups.”

He added: “We continue to work intently with companion agencies to detect and disrupt felony job in our communities.”

In the final two years, extra than 2.8 billion illicit cigarettes and 439 tonnes of hand-rolling tobacco were seized by HMRC.

Joe Hendry, assistant director at HMRC’s Fraud Investigation Carrier acknowledged: “We are dedicated to disrupting the distribution of illicit tobacco across the UK and levelling the enjoying field for local companies who can not compete with felony opponents.”

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shiftersmidlands · 4 months ago

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Man and Van Hire Midlands – Shifters Midlands

For reliable man and van hire in the Midlands, Shifters Midlands offers efficient and affordable moving services. Whether you’re relocating your home or office, our experienced team ensures a smooth and stress-free experience. With flexible options to suit your needs, we’re your go-to solution for all your moving and transport requirements.

#UK #Man with A Van #Birmingham #Coventry #Van Removals #Van Wolverhampton #Man with Van Derby #Man with A Van Coventry UK

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vantaxis-london-taxi-van-and-man · 5 years ago

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Taxi Van and Man hire London / Manchester 🇬🇧 www.vantaxis.co.uk House, Flat, Office and Student removals service, UK courier delivery service #London #Nationwide #National #removals #removalslondon #Ireland #Dublin #Brighton #Oxford #Cambridge #Bath #Bristol #Birmingham #dublin #Newcastle #Leicester #Leeds #vantaxis #taxivans #manchester #Coventry #Birmingham #Darlington https://www.instagram.com/p/B24DY7NHCvs/?igshid=1csv42iuxewtx

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blog-ambu-blog · 6 years ago

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Best Van and Man Birmingham

#man with a van Coventry #man with van Coventry #man with a van hire #van and man Coventry #Removal van service

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ymeanna · 4 years ago

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MAN WITH A VAN COVENTRY

KEYWORDS : Removal Van Service, Removals Van Coventry, Man With A Van, Van And Man, Man With A Van Birmingham Moving can be a time-consuming and difficult process. Removal companies are here to help with this task. There are many different types of professional movers, with services ranging from packing and transport to cleaning and assembly. Read on to find out more about what removal companies can offer and the savings you can make by knowing what to ask for.We drop off your packages to your destination, we ensure total customer satisfaction by offering fast and quality removal services. Our man and van service personnel are well equipped to respond to short notice of removals due to strategic placement of our service stations all over Coventry and West Midlands, UK. Packing and unpacking are the most common services that removal firms offer. If you do not want to go through the time-consuming activity of packing yourself, the movers will do this on your behalf. Depending on the company, the price may or may not include packing materials such as boxes, wrapping, and tapes.

#Removal Van Service Removals Van Coventry Man With A Van Van And Man Man With A Van Birmingham

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iannoyinglysweetstudent-blog · 7 years ago

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Renault Clio insurance for a 17 year old girl in Coventry?

"Renault Clio insurance for a 17 year old girl in Coventry?

I turned 17 last week, and plan on buying a Renault Clio for less than 1000, (about a 2001 reg). I have trauled all over the internet and cannot really find a decent quote anywhere, so I was wondering what an approximate cost of insurance would be? Thanks! Or if not, what are the best suggestions for a first car? Cheap insurance very important!!

BEST ANSWER: Try this site where you can compare quotes: : http://howmuchisinsurance.xyz/index.html?src=tumblr

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I'm on my step dads insurance on his buisness truck. If I got into a wreck would it affect his insurance rates or just mine.

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Renault Clio insurance for a 17 year old girl in Coventry?

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Hi Everyone! I'm a new UK driver searching insurance quotes for my Ford escort (engine size 1.4). I'm thinking third party only for starters. What sort of ammounts should I consider to be reasonable offers? Also, must I pay the premium in one lump sum? P.S: I'm 23 years old... Cheers!""

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Ok, made my decision, going with the new 2007 Mazda 3 S (with the 2.3 ltr engine and all that good stuff...not really sure on the sunroof though, it's kind of pricey) My question...s are: 1. I was told that if I got a loud color on a car that I would regret it for a couple of reasons. It attracts the cops to pull it over more and it could potientally higher my insurance. Is that just some kind of myth to scare people away from getting a nice color like red or yellow? 2. And secondly, what's a good color to get? Something that's easy to clean, but still shimmers and looks nice. I was thinking about the Aurora Blue. Everyone has black and silver cars? 3. I was building the car and I don't want to pay close to 21k for this car, it's worth a lot, but not that much. How much should I ask for? Now I've already gone to edmunds.com, it seems pretty helpful, but should I wait until they get the 2008 Models in and then try to buy the older model?""

My car insurance is too high under parent's name?

My sister added her car under my mom's insurance and they pay for both cars $347 dollars 6 months for just liability coverage. When I tried to add myself to my mom ...show more

Whats the cheapest car insurance?

I am a 23 year old male, with one wreck on my record from a few years back, I have a 2012 Mazda 3 what do you think would be the cheapest way to get car insurance? I currently have geico, with a 1000 deductible for basic comprehensive and collision, and I'm paying 175""

What car insurance do you have and do you like it?

I'm about to get my license and my parents asked me which insurance I want. I want to know your personal experience with your insurance company and would you recommend them? Judging by what my parents have explained to me so far I plan on getting full coverage not the bare minimum just because its cheaper (which is stupid in my opinion). Right now I'm driving our 2007 Mitsubishi eclipse but my parents plan on giving me the Saturn since the eclipse is more my moms car than mine. Do you know approximently what it will cost to insure the saturn. Also what do you think makes your insurance better than others?

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If the market in your area is much higher then what nada is, the insurance is going to do a market analysis. How far can they legally go out. Meaning how many miles. If I am in ...show more""

High risk auto insurance?

Guys, Please what is the Best Option Online for High risk auto insurance, i am looking for One Just In Case Thanks""

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How could higher deposit insurance premiums for banks with riskier assets benefit the economy?

How much health insurance in Alberta and Car insurance?

Hello, I'm planning on moving to Canmore, AB after I'm done school and I'm just wondering how much Health insurance is monthly and how much car insurance is monthly? I would be very greatful if someone could help me out here :) and if you know anymore details about this kind of thing that would be great also! Thank you! xo""

Do I need car insurance to drive into Canada?

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https://www.linkedin.com/pulse/how-much-would-car-insurance-cost-2002-2003-subaru-wrx-edward-taylor"

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letsmariadas · 4 years ago

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decaffeinatedlightluminary-blog · 8 years ago

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A Collection of Brand Car Logos and Their Meanings(III)

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A Collection of Brand Car Logos and Their Meanings(III)

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LOTUS

lotus logo

Lotus Cars is a British manufacturer of sports and racing cars based at Hethel, Norfolk, England. The company designs and builds race and production automobiles of light weight and high handling characteristics. The logo of Lotus Cars features the abstracted shape of a lotus on the oval light yellow plane, with the word “LOTUS” and four overlapped English letters “A.C.B.C”, which stands for the name of its founder A.C.B.CHAPMAN.

RENAULT

renault logo

Renault S.A. is a French automaker producing cars, vans, buses, tractors, and trucks. Due to its alliance with Nissan, it is currently the world’s 4th largest automaker. 1923 – In 1923, the company replaced its tank logo with the Grille-Shaped logo and introduced the name of the car “Renault” in its logo for the first time. 1925 – In 1925, the diamond replaces the circle and Renault becomes the “diamond brand” and is called the same today. 1972 – In 1972, Renault modernized its logo. The designer, Victor Vaserely redesigned the diamond in the shape of a dynamic 3-D diamond. 1992 – In 1992, the logo is enlarged and produced in relief, as part of Renault’s drive for progress, quality and innovation. 2004 – In 2004, Renault presents a new interpretation of its logo, placed on a warm yellow background. 2007 – In 2007, Renault begins a wave of 26 vehicle launches. The logo is surrounded by a Yellow square – a symbol of quality.

BUICK

buick logo

Buick is a marque of automobile sold in the United States, Canada, China, Taiwan, Qatar, Kuwait, and Israel by General Motors Company. It is GM’s North America-based entry-level luxury brand. Buick’s emblem consists of three shields, each bisected diagonally to the right by a straight line, the shields arranged touching each other in a left-diagonal pattern, inside a circle. If represented in color, the leftmost shield is red, the middle white, and the rightmost blue, although white is sometimes represented by light gray. This design, known as the Trishield, was adopted in 1959 for the 1960 models and represents the three models that comprised the lineup that year—LeSabre, Invicta, and Electra. The shields are adopted from the shield of the Buick family crest, which in modified form had been used on Buicks since the 1930s. A version of the traditional crest appeared on Electras through the 1980s.

PORSCHE

porsche logo

Porsche SE or Porsche is a German automotive manufacturer of luxury high performance automobiles, which is majority-owned by the Piëch and Porsche families. The company is headquartered in Zuffenhausen, a city district of Stuttgart, Baden-Württemberg. Porsche’s company logo was based on the coat of arms of Free People’s State of Württemberg of former Weimar Germany, which had Stuttgart as its capital and became part of Baden-Württemberg after the political consolidation of West Germany in 1949.

OPEL

opel logo

Adam Opel GmbH, commonly known as Opel, is a German automaker. The company was founded on 21 January 1863, began making automobiles in 1899, and was acquired by General Motors Corporation in 1929. As part of GM Europe, Opel is GM’s largest European brand and, along with Vauxhall Motors in the UK, it forms GM’s core European business. The lightning bolt on the Opel badging is a reference to the famous Opel Blitz truck (the German word ‘Blitz’ means lightning or flash). The logo was originally a Zeppelin, which became more stylized, and as the Zeppelin became less popular as a form of transport, the logo was changed. There is also a noticeable similarity between the winged Zeppelin and the lightning logo. Starting with the Opel Insignia, the Blitz logo will be updated. The border that is circling the lightning bolt will be wider to incorporate the Opel name, and the surfaces will be more spherical to give the logo a three-dimensional look.

FIAT

fiat logo

Fiat S.p.A., an acronym for Fabbrica Italiana Automobili Torino (English: Italian Automobile Factory of Turin), is an Italian automobile manufacturer, engine manufacturer, financial and industrial group based in Turin in the Piedmont region. Fiat was founded in 1899 by a group of investors including Giovanni Agnelli. Fiat has also manufactured tanks and aircraft. As of 2009, Fiat is the world’s 6th largest carmaker as well as Italy’s largest carmaker. It has a three-dimensional effect which conveys an idea of technology, Italian design, dynamism and a strong personality, while it also harks back to the round logo (white wording against a red background, surrounded by laurel leaves) that identified powerful, high performance Fiat models for many years. The essential, strong new logo therefore conveys ‘ongoing change’, a sign of the past re-read in a modern key which is particularly representative of Fiat today, a brand projected towards the challenges of the future but also proud of its historical identity. The two main elements of the new logo (the shield shape and the colour red) immediately bring to mind the Fiat 524 of 1931, which was the first to use a rectangular logo that blended into the new grille, designed with stylistic but also aerodynamic pretensions, in the shape of a shield with vertical elements.

Rover Mascot

rover logo

The Rover Company is a former British car manufacturing company founded as Starley & Sutton Co. of Coventry in 1878. After developing the template for the modern bicycle with its Rover Safety Bicycle of 1885, the company moved into the automotive industry. It started building motorcycles and Rover cars, using their established marque with the iconic Viking Longship, from 1904 onwards. Land Rover vehicles were added from 1947 onwards, with all production based in Solihull after moving to these premises after World War II. The Rover logo represents a Viking ship, a link between the meaning of ‘Rover'(to wander about) and the Vikings, which did very much the same thing albeit via the oceans rather than land.

HYUNDAI

hyundai logo

Hyundai Motor Company, a division of the Hyundai Kia Automotive Group, is the world’s fifth largest automaker in terms of units sold per year and one of the Big Asian Four (with Toyota, Honda and Nissan). Its slogan is “Drive your way”. Hyundai Motor Company is a division of Hyundai Motor Group which also manages Kia Motors. The Hyundai logo seen above is appears to be an oval shaped H (symbolizing Hyundai). It is also supposed to be symbolic of the company’s desire to expand. The ovaloid shape indicates the company’s global expansion and the slanted, stylized ‘H’ is symbolic of two people (specifically the company and customer) shaking hands.

SKODA

skoda logo

Škoda Auto is an automobile manufacturer in the Czech Republic. In 1991, it became a subsidiary of the Volkswagen Group. Its sales reached 674 530 cars in 2008. Although the Škoda logo is viewed as one of the most original and stylistically clean manufacturing company trademarks in the world, the author is not yet known. The black and green logo, which has been used since 1994, gives the Škoda brand a greater degree of originality – black symbolizes the hundred-year tradition, green signalizes environmental production. The big cirque symbolizes that SKODA products are impeccable; the bird’s wing symbolizes that the high-tech products are sold all over the world; the right-pointed arrow symbolizes advanced technique.

CHRYSLER

chrysler Logo

Chrysler Group, LLC is an American automobile manufacturer headquartered in the Detroit suburb of Auburn Hills, Michigan. Chrysler was first organized as the Chrysler Corporation in 1925.In September 1962, the company adopted a logo named Pentastar, made of five triangles arranged so their bases formed the sides of a pentagon. The Pentastar was simple and easily recognizable, even on revolving signs, and was not tied to any particular automotive styling feature as had been the previous Forward Look logo.

SUZUKI

suzuki logo

Suzuki Motor Corporation is a Japanese multinational corporation headquartered in Hamamatsu, Japan that specializes in manufacturing compact automobiles, a full range of motorcycles, All-Terrain Vehicles (ATVs), outboard marine engines, wheelchairs and a variety of other small internal combustion engines. Suzuki is the 12th largest automobile manufacturer in the world by production volume, employs over 45,000 people, has 35 main production facilities in 23 countries and 133 distributors in 192 countries. The logo of SUZUKI is a capitalized letter “S”, standing for SUZUKI, giving people the power feeling, symbolizing SUZUKI’S limitless development.

CITROEN

citroen logo

Citroën is a French automobile manufacturer. Founded in 1919 by André Citroën, it was the world’s first mass-production car company outside of the USA. Since 1976 it has been part of PSA Peugeot Citroën, and its headquarters is on rue Fructidor, Paris.The Citroen logo looks like something you might see on an American cartoon soldier – two inverted Vs. Andre Citroen – imagine one of those old black and white photographs with an ancient man in a white beard – started in the motor trade by building gear wheels before branching out into the motorcar, and the twin chevrons are meant to represent gear teeth in honour of the old engineer’s early fettlings. The company’s famous “double chevron” logo derives from André Citroën’s early business in gear-cutting the company pioneered mass production of double helically-cut gear teeth, which mesh together in a chevron.

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