#Maltese contemporary artists

[natasa-pantovic]

NUCLEUS – an #exhibition by six #watercolourists A collective exhibition of six artists: Jeni Caruana Debbie Caruana Dingli Anna Galea Art Anna Grimal Tonio Mallia Kenneth Zammit Tabona at Malta Society of Arts

[petalpetal]

Artist I Like Series 

Goxwa Borg 1961 - ???? a Maltese painter who is known for her impressionistic and dreamlike paintings.

[nicholas1673]

Title: Maltese Tiles, 2021

Medium: Acrylic on Paper

Dimensions: 59.5 x 42 cm

[pers-books]

Full casting has been announced for the RSC’s upcoming production of Twelfth Night, which runs at the Royal Shakespeare Theatre in Stratford-upon-Avon from 5 December 2024 - 18 January 2025.

Joining the previously announced Samuel West (All Creatures Great and Small) as Malvolio and Gwyneth Keyworth (To Kill a Mockingbird, West End) as Viola are Freema Agyeman (Jamie Lloyd’s Romeo and Juliet, West End) as Olivia, and Bally Gill (A Midsummer Night’s Dream, RSC) as Orsino.

Completing the cast are Emily Benjamin as Priest, Norman Bowman as Antonio, George Fletcher as Second Officer/Orsino’s Attendant, Demetri Goritsas as Sir Andrew Aguecheek, Michael Grady-Hall as Feste, Danielle Henry as Maria, Michael Lyle as First Officer/Orsino’s Attendant, Cat McKeever as Sea Captain, Daniel Millar as Fabian, Reece Miller as Orsino’s Attendant, Charlotte O’Leary as Olivia’s Woman, Thom Petty as Curio, Rhys Rusbatch as Sebastian, Joplin Sibtain as Sir Toby Belch, Tom Sowinski as Orsino’s Attendant, and David Whitworth as Valentine.

Director, Prasanna Puwanarajah said: “I’m delighted and honoured to be back in the RSC rehearsal rooms working on this beautiful play with such a terrific company of performers and creative collaborators; some are new to the RSC and some are veterans of the company, some are long-term collaborators of mine and some are exciting and wonderful new creative partnerships. They are a kind, creative, bold and soulful group of artists, and I’m so grateful to Casting Director Matthew Dewsbury, the whole of the RSC Casting Department and to Daniel Evans and Tamara Harvey for their work in putting together this stunning ensemble.”

Joining director Prasanna Puwanarajah in the creative team are set and costume designer James Cotterill, lighting designer Zoe Spurr, composer Matt Maltese, sound designer George Dennis, movement director Polly Bennett, and casting director Matthew Dewsbury CDG.

[netania-vidal]

task 3b

A collaborative exhibition is being held at Spazju Kreativ. The title of this exhibition is “Discovering Beauty in the Unexpected.” It is about scary dreams, personal fears, worries, and worries about the world. One of the works that I was curious about was a piece done by Alexandra Aquilina titled “The Word You Say”(Aquillina, 2024).

Visual Analysis:

At first glaze you see a small room lit in blue and suspended in mid-air jellyfish-like pieces.  The pieces are hung with strings forming a mobile following a circular flow each piece has circular wire one large and another smaller with white ballerina tights covering it. Printed on top of the tights you will find words in Maltese and English.   The thighs are also filled with rice at the bottom acting like weights pulling them down.  In the center of the pieces, strings are coming down to the floor with lights and flowers.

One of the sentences that is said in the printed tights was  “When will you have kids?”. The tights filled with rise, it represents the weight that is put on girls to do “what should be done”.

 Artist statement with comparing analysis:

 The artist wanted the resemblance of the jellyfish to link with floating in a vast darkness and also can be compared to the act of transformation born out of a dark place. The lights under and the flowers represent a beacon of light coming out from all the hated messages printed on the tights.  The artist at the time was struggling with her trauma due to gender, the messages on top of the tights are speeches that she encountered during her life from family, friends, and anonymous people. At first, when you see the work you will think that she is giving importance to the speech and power but it is been a cleansing ritual for her to remove all the hated speech from her mind into an object. the artist gives a warning to the viewer that once you start reading it is very much possible that some text hits home.  Now after she removed her word from her mind to the piece she does not have any unresolved feelings about the work.    

In conclusion, this piece It is hitting the topic of one of the contemporary topics that we hear most in today's culture in art, and one of the hot topics at the moment there is it is feminism and what the artist heard throughout her life.

References

Aquillina, A., 2024. the words you say. [Art] (spazju kreativ).

[7-milena-trajkovski-7]

Art Theory and Criticism - Task 3.2

When it came to choosing an artwork to analyse, I chose Antoine Camilleri’s ‘Xandru l-Imħabba’. What intrigued me to choose this artwork was the choice of media, concept, and the multiple times I encountered the artwork in my life for the past 4 years. When studying art history for my advanced level art subject in Junior College, my art history teacher kept mentioning the problem with the course not having enough Maltese artists that revolutionised movements and the whole art scene in Malta. With this work being one of the only three Maltese works we had in the syllabus to discuss and remember for later examination purposes/essay writings, I felt a strong connection with what the artist tried to say and my own art’s narrative. I often use personal narratives and messages for concepts so to me it stuck out. Fast forward to my second year in MCAST studying for a bachelor’s degree in fine art and coincidently, my contextual studies project had to be done by observing pieces in a museum. Low and behold there is the piece I recognised encased in protective glass in the MUZA museum in Valletta. I knew I had to write about this work for the current task, especially since I was open to new techniques and even made use of Arte Povera for my own experiments. One of them I even used googly eyes and traditional clay, which was strikingly similar in tone for the choice of media Camilleri used for his piece.

Experiments I did using Arte Povera inspired mediums (clay, beads, googly eyes, ceramics, string and plastic)

The fact that I used arts and crafts associated material, along with recycled ‘trash’ and combined them with a traditional medium like clay made me more convinced that I had to analyse his work. As for the actual research, seeing how much time he dedicated to his family, even if it left him in poverty for some time, really resonated with me. The act of letting his children come in and out of his studio which was connected to the kitchen reminded me of how my family is in constant support of my work and even loves to come and peek from time to time out of curiosity. When it came to analysing his piece in terms of line, shape, composition, texture and even the mixed media, it solidified my choice of the work since I could take from it after this assignment as well.

Figure 1: Camilleri, A., 1980s, Xandru l-Imħabba, [mixed media], 193 x 20cm, MUZA, Valletta, Xandru l-Imħabba (Broadcast Love) - MUŻA (muza.mt) Photograph taken by me when i went to see the piece in person at MUZA in Valletta.

The themes of religion and family always haunted and at the same time pushed me forward in my artistic journey, so for me this was one of the most special pieces that we have on the Maltese Islands from a legend in the Maltese art scene. It is still relevant till today as with the Maltese art scene still developing compared to the rest of Europe, we as a Country can benefit from the way the ideas and choice of media this artist merged to create a piece ahead of its time. This especially because Malta still has a stigma to more contemporary and conceptual work compared to the traditional Baroques that dominated the scene for centuries as masterpieces. Journals and articles that I found dedicated to the artists mention these points as well. Which is why documentation and autobiographies have been made, along with commemorative exhibitions to honour him even after his death.

[abwwia]

Photograph of the Immaculate Conception sculpture by Maria de Dominici, with the original pedestal

Maria de Dominici (6 Dec 1645 – 18 Mar 1703) was a Maltese painter, sculptor, and a Carmelite tertiary nun.

Born into a family of artists based in the city of Birgu (Vittoriosa), she was the daughter of a goldsmith and appraiser for the Knights of Malta.

Two of her brothers were painters. Her nephew would write a contemporary art history book that included references to his aunt Maria. via Wikipedia

MALTESE HERSTORY: Malta’s First Established Female Painter Was A Bold, Baroque And Free-Roaming Nun

[riffandhealy]

Karnival ta' Malta

Throughout the year, Malta comes alive with a calendar full of festivals, from grand religious processions and colorful carnivals to contemporary arts and music celebrations. Maltese festivals are a celebration of tradition, spirituality, music, and art, and they offer a unique insight into the heart and soul of this Mediterranean gem.

We were fortunate that our travel date coincided with one of the most beautiful and artistic festivals we have seen in all the time we have been traveling. This festival is called Karnival ta' Malta (Malta Carnival) and is celebrated between February and March for a combination of religious, historical, cultural and social reasons. It reflects Malta's rich history and diverse cultural influences. It is one of the most anticipated and beloved celebrations in the Maltese calendar.

Although we read about other dates of festivals and celebrations in Malta, and we were interested in several to return, we were delighted to be there for the Malta Carnival as it reminded us a little of the celebration of La Tirana in the north of Chile, especially for the costumes.

#karnivaltamalta#malta#karnival

[tattoomagz3]

Exploring Meaningful Tattoo Cross Designs: Symbolism and Inspiration for Your Ink

The cross is a timeless symbol that holds deep cultural, religious, and personal significance for many individuals. Tattooing a cross design can be a powerful way to express one's faith, spirituality, or personal beliefs. In this article, we delve into the world of tattoo cross designs, exploring their diverse meanings, variations, and inspiration to help you find the perfect cross tattoo design that resonates with your values and aesthetic preferences.

Section 1: Symbolism and Significance of Cross Tattoos

Cross tattoos hold various meanings across different cultures and religions. This section explores the historical and symbolic significance of the cross, including its representation of Christianity, spirituality, sacrifice, protection, and remembrance. Understanding the symbolic depth of the cross can help you choose a design that aligns with your personal beliefs and resonates with your intended message.

Section 2: Traditional Cross Tattoo Designs

Traditional cross tattoo designs are often inspired by iconic religious imagery and historical symbols. This section showcases popular traditional cross designs such as the Latin cross, Celtic cross, Greek cross, and Maltese cross. Each design carries its own cultural and historical connotations, allowing you to select a cross design that reflects your heritage or resonates with a particular tradition.

Section 3: Contemporary and Creative Cross Tattoo Designs

For those seeking unique and artistic interpretations of the cross, contemporary cross tattoo designs offer a range of options. This section explores innovative and creative cross designs that incorporate elements such as flowers, wings, geometric patterns, watercolor effects, or intricate linework. These designs provide a modern twist on the classic cross symbol, allowing for personal expression and customization.

Section 4: Cross Tattoos for Personal Expression

Beyond religious and cultural symbolism, cross tattoos can also serve as a form of personal expression. This section discusses how individuals incorporate their own meaning and experiences into their cross tattoo designs. Whether it's a memorial tattoo, a symbol of strength and resilience, or a representation of a personal journey, cross tattoos can be deeply meaningful and unique to each individual.

Section 5: Placement and Size Considerations

Choosing the right placement and size for your cross tattoo is essential for achieving the desired aesthetic and ensuring it complements your body. This section explores popular placement options, such as the wrist, forearm, chest, back, or ankle, and discusses how the size and proportions of the cross design can enhance its visual impact.

Section 6: Tattooing Process and Aftercare Tips

Before getting a cross tattoo, it's important to understand the tattooing process and the necessary aftercare. This section provides an overview of what to expect during the tattooing process, including finding a reputable tattoo artist, discussing your design ideas, and ensuring proper hygiene and safety measures. Additionally, it offers aftercare tips to promote proper healing and maintain the longevity and vibrancy of your cross tattoo.

Section 7: Conclusion and Final Thoughts

In conclusion, tattoo cross designs offer a powerful way to showcase one's faith, spirituality, or personal beliefs through body art. Whether you seek a traditional, contemporary, or personalized cross design, it's important to consider the symbolism, cultural significance, and your own personal connection to the cross symbol. By taking inspiration from the diverse range of cross tattoo designs and understanding the meaning behind them, you can choose a tattoo design that reflects your values, makes a personal statement, and serves as a meaningful and timeless piece of body art.

Read More:- tattoo cross designs

[culturaleducators]

Creator Highlights: Tavia Christina

Tavia Christina, an artist of Métis and Maltese heritage, embraces their neurodivergent identity while residing in Tkarón:to (Toronto, ON). Their artistic pursuits center around the exploration of humanity, seeking to create works that transcend the stage or final production, and instead resonate within the realms of the mind, body, and soul. They utilize these varied forms of expression to showcase their messages, often traversing multidisciplinary boundaries. Within their body of work, Tavia delves into unspoken socio-political narratives prevalent in contemporary society. They place an emphasis on amplifying queer perspectives and drawing from their own experiences. Through their art, Tavia strives to shed light on the stories, aiming to foster greater understanding and empathy.

[animal25]

Maltese Dog Breed Standard, Price, Size, Types & Special Information

The Maltese dog refers both to an ancient variety of dwarf canines commonly associated with the island of Malta and to a modern breed of dog in the toy group. The contemporary variety is genetically related to the Bichon, Bolognese, and Havanese breeds.

The exact link, if any, between the modern and ancient species is not known. Nicholas Cutillo suggested that dogs may have descended from Spitz-type canines and that the ancient variety was probably similar to later Pomeranian breeds, with their short snouts, pricked ears, and bulbous heads.

These two breeds, according to Stanley Coren, were probably the first dogs designated as human companions.

The modern variety traditionally has a silky, pure-white coat, drooping ears, and a tail that curls over its back, and weighs up to 3–4 kg (7–9 lb). Maltese does not shed. are ke for companionship, for ornament, or for competitive performance.

Maltese Dog Breed Size:

Dog Breed Group: Companion DogsWeight: Up to 7 poundsHeight: 8 to 10 inches tall at the shoulderLife Span: 12 to 15 years

Colors: White, White & Lemon, White & Tan

This Dog Breed Standards:

History Of Maltese Dog:

The Maltese dog is one of the oldest toy breeds, with a history of at least two thousand years. Artists, poets, and writers immortalized this little dog in the great civilizations of Greece, Rome, and early Egypt. They were also mentioned by Aristotle.

The Greeks built tombs for their dogs, while representations of Maltese-like dogs on Egyptian artifacts indicate that they were valued by ancient cultures.

The Egyptians and, centuries later, many Europeans thought that the Maltese had the ability to cure disease and would place it on the sick person’s pillow. This inspired one of its names – “The Comforter.” Even before the Christian era, caste was widespread in Mediterranean cultures.

Despite its prominence in history, the exact origin of the Maltese dog is uncertain. Many believe that the breed was developed from a Spitz- or Spaniel-type dog in the Mediterranean island of Malta. Others believe it was developed in Italy, and still, others believe it originated in Asia and played a part in developing many of the smaller Asian dogs.

Maltese flourished where it came from. By the 15th century, it had secured a place in the hands and hearts of the French nobility. During the reign of Henry VIII, the Maltese arrived in the British Isles. By the end of the 16th century, the Dog had become a favorite pet of noble and royal ladies.

The little dog was a favorite of Queen Elizabeth I, Mary Queen of Scots, and Queen Victoria. Numerous painters, including Goya and Sir Joshua Reynolds, included these little dogs in their portraits of beautiful women.

Although it survived the fall of the Roman Empire and the Dark Ages, the Maltese was almost wiped out in the 17th and 18th centuries when attempts were made to make it the size of a squirrel.

After this near-disastrous experiment, breeders interbred poodles, miniature spaniels, and East Asian miniature dogs to save him. This resulted in the Maltese becoming so diverse that many new breeds were created. Many believe that the Maltese are the direct ancestors of the Bichon Fries, Bolognese, and Havanese breeds.

English breeders developed the Maltese as we know it now. Many Dog people in the US today trace their heritage back to English imports. Maltese was first seen in the US in the late 1800s. They were first entered at the Westminster Kennel Club Show in the 1870s.

The number of Maltese dogs registered with the AKC increased very slowly until the 1950s. Since then, the breed has become very popular. The Maltese is one of the most popular breeds among spectators at dog shows and often wins the toy group. He also has an excellent record in the “Best in Show” competition.

more details:https://animalatoz.com/maltese-dog/

[natasa-pantovic]

Humankind by G.. Luigi Rossi. Human(kind) is a thought-provoking exhibition by G. Luigi Rossi, a German artist residing in Malta, that delves deep into the core social issues affecting our society. Through a masterful combination of symbolism, abstract landscapes, and vibrant colours, Rossi offers viewers a unique perspective on conflicts, social injustice, and the fragile relationship between humanity and nature. Addressing social injustice, Rossi challenges viewers to confront the disparities and inequalities present in our world. by G.. Luigi Rossi. Human(kind) is a thought-provoking exhibition by G. Luigi Rossi, a German artist residing in Malta, that delves deep into the core social issues affecting our society. Through a masterful combination of symbolism, abstract landscapes, and vibrant colours, Rossi offers viewers a unique perspective on conflicts, social injustice, and the fragile relationship between humanity and nature. Addressing social injustice, Rossi challenges viewers to confront the disparities and inequalities present in our world.

[animala2z]

Maltese Dog Breed Standard, Price, Size, Types & Special Info

The Maltese dog refers both to an ancient variety of dwarf canines commonly associated with the island of Malta and to a modern breed of dog in the toy group. The contemporary variety is genetically related to the Bichon, Bolognese, and Havanese breeds.

The exact link, if any, between the modern and ancient species is not known. Nicholas Cutillo suggested that dogs may have descended from Spitz-type canines and that the ancient variety was probably similar to later Pomeranian breeds, with their short snouts, pricked ears, and bulbous heads.

These two breeds, according to Stanley Coren, were probably the first dogs designated as human companions.

The modern variety traditionally has a silky, pure-white coat, drooping ears, and a tail that curls over its back, and weighs up to 3–4 kg (7–9 lb). Maltese does not shed. are ke for companionship, for ornament, or for competitive performance.

Maltese Size

Dog Breed Group: Companion DogsWeight: Up to 7 poundsHeight: 8 to 10 inches tall at the shoulderLife Span: 12 to 15 years

Colors: White, White & Lemon, White & Tan

Breed Standards

History Of Maltese

The Maltese dog is one of the oldest toy breeds, with a history of at least two thousand years. Artists, poets, and writers immortalized this little dog in the great civilizations of Greece, Rome, and early Egypt. They were also mentioned by Aristotle.

The Greeks built tombs for their dogs, while representations of Maltese-like dogs on Egyptian artifacts indicate that they were valued by ancient cultures.

The Egyptians and, centuries later, many Europeans thought that the Maltese had the ability to cure disease and would place it on the sick person’s pillow. This inspired one of its names – “The Comforter.” Even before the Christian era, caste was widespread in Mediterranean cultures.

Despite its prominence in history, the exact origin of the Maltese dog is uncertain. Many believe that the breed was developed from a Spitz- or Spaniel-type dog in the Mediterranean island of Malta. Others believe it was developed in Italy, and still, others believe it originated in Asia and played a part in developing many of the smaller Asian dogs.

Maltese

Maltese flourished where it came from. By the 15th century, it had secured a place in the hands and hearts of the French nobility. During the reign of Henry VIII, the Maltese arrived in the British Isles. By the end of the 16th century, the Dog had become a favorite pet of noble and royal ladies.

The little dog was a favorite of Queen Elizabeth I, Mary Queen of Scots, and Queen Victoria. Numerous painters, including Goya and Sir Joshua Reynolds, included these little dogs in their portraits of beautiful women.

Although it survived the fall of the Roman Empire and the Dark Ages, the Maltese was almost wiped out in the 17th and 18th centuries when attempts were made to make it the size of a squirrel.

After this near-disastrous experiment, breeders interbred poodles, miniature spaniels, and East Asian miniature dogs to save him. This resulted in the Maltese becoming so diverse that many new breeds were created. Many believe that the Maltese are the direct ancestors of the Bichon Fries, Bolognese, and Havanese breeds.

[nicholas1673]

JP Migneco Irregularity series

"Irregularity," a series by artist JP Migneco (born 1989) based in Malta, explores the intricate relationship between natural and artificial environments. Using a diverse range of artistic mediums, including photography, drawing, digital media, and painting, Migneco reinterprets landscapes near coastal areas in Malta.

The artistic process involves mapping and tracing images of landforms, extracting diverse shapes and tones. The resulting fragmented compositions seamlessly integrate elements of the natural and the artificial. Central to this process is the use of irregular polygonal grids, drawing inspiration from models of fractal terrain and biomorphic architecture.

Migneco's project delves into themes of urbanization and technological advancement, seeking to evoke discussions on human-environment interaction in the digital age. The irregular grids, derived from fractal terrain and biomorphic architecture, visually convey the complexities of contemporary landscapes shaped by both nature and technology.

JP Migneco's interdisciplinary approach involves planning and experimentation, bringing together different subjects to create a unique form of art. His work draws inspiration from landscape painting, geometric abstraction, and color theory. Through illusory color patterns, often derived from modern art, geometry, and geology, Migneco reinterprets symbolic objects and locations. The resulting artworks reflect a synthesis of various influences, creating a visual dialogue on the intersection of nature, technology, and human experience in the contemporary world.

As you can see in this artwork the understanding in the colour theory of hue colours and the different values of colours. It one diagonal line and geometric shape but in an organic feeling of a real landscape. It as balance of colour, value and asymmetrical balance of the landscape and the random effect of patterns. It a bit of movement to create the effect of the rocky landscape and the artwork also has a random pattern of rhythm and unity of repetition and similarity. I liked this artist work because he combined natural and man-made to look interesting and effective as an overall artwork.

Reference list:

Migneco, J.P. (2023). IRREGULARITY. [online] VallettaContemporary. Available at: https://www.vallettacontemporary.com/irregularity  [Accessed 15 November 2023].

[womensarts-blog]

'Twelve thoughts' by Anna Grima, contemporary Maltese artist ♀️

[fleurdulys]

Calypso - Goxwa Borg