#Malleus Draconia analysis

[welshoot]

Theory/Analysis of Malleus's Signature Spell and The Nature of Happy Endings

So, with the various information that’s been slowly coming as updates roll out, I’ve been thinking about the events of the Diasomnia chapter thus far, Malleus’s signature spell, and the nature of happy endings. For fear of spoilers, the rest of this is going to be under-the-cut, and, fair warning, it has spoilers for the Diasomnia chapter (both English and Japanese spoilers) and gets kind of long.

Alright, so Malleus has asserted that, via dreams, he is going to give everyone their happy endings and thus give them a perfect life they won’t want to live, right? In comes his signature spell, “Fae of Maleficence,” that puts everyone to sleep and seems to grant him some level of control over what they dream about. Supposedly, it makes everyone dream of a wonderful life where everything is just how they would want it. This supposed real happy ending is a sort of callback to the Twisted Wonderland slogan “Let us show you the real happily-ever-after” or “I’ll show you a real happy ending,” depending on the translation you look at. Now, I’ve already done an entire analysis of that slogan here, so we won’t get into that here. Instead, I’m more interested in whether or not Malleus can actually construct a dream where everyone has their ‘real’ happy ending.

The thing is, what makes a person happy is very subjective, and it can be very difficult or even impossible to tell what that thing will be. And, to make a long story short, I don’t think Malleus is omnipotent or all-knowing enough to be able to do that for the entirety of NRC, the cast of the game, or all of Sage Island, much less everyone in the world of Twisted Wonderland. Instead, I think the dreams people have are Malleus's best guess at what their version of happily-ever-after would look like.

Let’s look at Idia’s first, because right now that is quite possibly Malleus’s strongest one. In Idia’s dream, we see a world where Ortho didn’t die and is going to RSA. Idia is still housewarden, and the dream is taking place during the first day of the semester, when new freshmen are coming in and being placed in dorms.

Now, I’ll be honest, this is a good guess as to what Idia would want most. Bluntly put, Idia will forever regret what happened to the original Ortho because he is at fault for his little brother’s death, even if it was an honest mistake that was made when he was only a child. 

However, this dream does not account for some very simple facts. First, Idia is the way he is, largely because of what happened to Ortho. He would quite possibly be very different if Ortho hadn’t died the way he did. Second, what about the current Ortho? Say what you like, but Idia has been shown numerous times to genuinely love the robot, who is his little brother. Yes, he regrets what happened to his little brother, the OG Ortho, but he also loves his current little brother. In no way is Idia ever shown to hold himself back from Ortho because he genuinely views the Ortho we know, our Ortho, as his brother. The fact that our Ortho is a robot does not matter to Idia because, in Idia’s eyes, that’s his little brother just as much as OG Ortho was. 

Because of that, I don’t think Idia’s happy ending would remove the Ortho we know and love from his life, because I don’t think Idia wants that. In fact, it would quite likely be like losing yet another brother to Idia. And that is where the flaw in the dream Malleus has shown him is. Because, bluntly put, Malleus doesn’t know Idia well enough to realize any of this and has been shown to not entirely view Ortho as human. And that is fair. Ortho is technically not human, but even then, he is still Idia’s brother, who is as close to human as a robot as one can ever hope to reach. In fact, Ortho is a wonderful example of the entire argument about what really makes someone a ‘human’ because if it's a soul and emotions, then Ortho has those. He received them at the very end of Ignihyde, but that’s a discourse for another time.

Moving on, we have Epel’s dream and the ordeal that is buff Epel. This is currently the most amusing outcome of these supposed happy endings. From a totally cold, logical point of view, Epel has what he’s always wanted. He’s tall, he’s strong, both Savanaclaw and Pomefiore want him in their dorm, and the list goes on and on. But, when one looks at this dream Epel’s appearance, the problems become pretty obvious. Because, let’s be honest, there is no way Epel would ever want to look like that. The entire thing looks exactly like Malleus trying his best to give Epel what he wants while not thinking about how some adjustments need to be made in order for this particular happy ending to come true. Interestingly, it ought to be noted that Malleus has shown some curious insight into Epel, though, in that Epel still has his pretty face in this dream form. Because, as Epel has grown as a character, he seems to slowly be getting attached to the unique power that comes from being quite so cute. Specifically, that people will underestimate him, and he can use that to his advantage. Nonetheless, in Epel’s dream, just like in Idia’s, we see that the happy ending is flawed and shows that, if Malleus did engineer to keep people happy and not wanting to wake up, Malleus’s understanding of the characters is too flawed for him to make a flawlessly happy ending tailored perfectly to them.

Onwards to Rook! Much like with Epel and Idia’s dreams, this one has echoes of the truth. Rook would no doubt love for Neige and Vil to be friends, and it is incredibly interesting that, rather than being the quaffed Rook we know, dream Rook is rougher around the edges in terms of his appearance. However, there are glaring issues with this dream too, though. The thing is, Rook adores Vil the way he is, and even though he would love to see him befriend Neige, he knows it's wrong to try and force Vil’s hand. In fact, doing such a thing would mean changing Vil, which would lead to him not being the Vil that Rook knows and loves anymore. In many ways, the beauty that Rook sees in Vil is Vil’s ability to keep pushing himself even after a loss and the way Vil is constantly striving for greater heights. Making him friends with Neige would damage this, though, because Neige is one of the reasons Vil always pushes himself. He doesn’t want to fall behind and lose to Neige, so he constantly works to improve himself. So here, the flaw to the supposed happy ending is that Rook cannot have this dream and still have the Vil he loves and respects.

Finally, we have Vil’s dream, and this is one of the uglier examples. Vil’s dream is kind of messed up, after all. So we have a super popular Vil with Neige as Vil’s notably downtrodden assistant that Vil is bullying. As Vil’s dream starts to fall apart/get shattered by the dream-hopper squad, stuff starts to go awry very quickly with the dreamscape shifting and taking us back to Vil’s overblot at the VDC stage. Except this time, Neige really does die. Stuff naturally spirals from there, but it is in this that the supposedly happy ending is flawed. Because yes, Vil does want to be popular and recognized for his hard work, and yes, Vil does want to triumph over Neige. I’m going to go out on a limb here that I’m sure some won’t agree with me about and say that Vil doesn’t want it to happen this way. In fact, I would say that Vil would never want it to happen this way. And the main reason I say that is actually because of Vil’s overblot. When Vil was overblotting, he described himself as hideous and stated that he could never forgive himself. Now, there is a lot to unpack in just those statements, but the baseline is that Vil was horrified by his own actions. Not only had he sunk to the lowest of lows, he’d become the very thing everyone had always typecasted him as and the thing he’d never wanted to be. The villain. Killing Neige is the last thing Vil would ever want to do, which is probably as far from his happy ending as one could ever get. Now, it could be argued that the dream was already fraying and that it was doing its best not to crumble, but even then, this doesn’t make sense. Because taking Vil back to that moment actually helped him wake up, because that wasn’t a happy ending. That was a nightmare and it actually helped jar Vil back awake because it was just that upsetting for him.

But would Malleus realize that when he doesn’t know Vil that well? His interactions with Vil have been limited at best. It is quite possible that all he really knows is that Vil wants to be popular and hates Neige, who is in his way. And if that is the case, Malleus, in his overblotted state, might have assumed that the disappearance of Neige would be a truly joyful thing for Vil.

Now, while they came earlier in the story, I’ve saved Sebek and Lilia until the end for a reason. Simply put, Malleus knows them. Sebek’s dream was well-put together as a happy ending because he knows Sebek well. For Sebek, Lilia getting to go on a trip and being honored by everyone would be a happy thing. Especially since Sebek didn’t realize the exact reasons for Lilia’s going away.

As for Lilia’s dream, it is interesting. Because it is less of a dream and more of an amalgamation of Lilia’s memories all leading to the moment of Malleus hatching. In it, we see some hard times for Lilia. Moments that would hardly be described as happy. But it all culminated in the moment he saved Malleus’s life. And that would be a joyful memory for Lilia. Because Malleus, the only son of Meleanor, who’d entrusted her son to Lilia, and he was still unhatched at the time, had been dying in his egg, crying out for help, and Lilia saved him. It would be a difficult moment to triumph over in terms of importance and happiness. Because while I’m sure Lilia has many happy memories of Silver, Sebek, and Malleus growing up and his times with Meleanor and Revan, this would be a big one.

It is worth noting here that neither Lilia nor Sebek’s dreams are really endings of any sort. Which quite possibly reflects the fact that they are important to Malleus. Malleus doesn’t want an ending here. He wants things to continue forward in a happy, perfect manner for these people he cares about.

So, in conclusion, I think Malleus is crafting what he believes will be everyone’s happy ending and that these dreams are less of an insight into each character and more of an insight into how Malleus views them. And it’s understandable that he can’t perfectly craft a happy ending for everyone. Like I said, I imagine happily-ever-after is very subjective for everyone and that, even if you know someone well, you might not know what their perfect happy ending would be.

Anyhow, this is just my theory, and I look forward to seeing how things move forward through the story. I would love to hear everyone's thoughts on this because I’m sure I missed some points. After all, I only play on the English server and so I used translations from the Japanese server, and I wrote this very quickly.

[rayroseu]

OH SO IT WASNT ENOUGH TO DO IT ON PRE-GROOVY HE HAS TO DO IT ON HIS GROOVIFIED VERSION TOO AJFIWOFIOWJ!!!!!

HIS POSE IS LIKE MALLEUS ON HIS NORMAL SPRITE.... IM SOBBING AT THE MUSEUM SILVER ‼️‼️‼️😭😭😭🤍🤍🤍🤍

Never beating the Malleus' brother allegations, I think at this point he's just blatantly admitting it JDJKAJFJW !!

The profound contrast between Silver's love for Malleus and Lilia when almost the entirety of his "true nation" hated them, will always make me crash LILIA'S SON AND MALLEUS' BROTHER IS GROWING UP WELL 😭😭😭✨✨‼️‼️‼️

But isnt this a great card that showcases he's truly a "child of peace"?? The 3 good fairies spell on him was that he'll wake up on an era pf peace (and ofc when he meets someone that truly loves him), He is someone that carries "the face of Silver Owls (Knight of Dawn)" but his actions pays tribute to Briar Valley (to Malleus)

MIND YOU that this pose is almost exclusively to Malleus only yet they made Silver do it !! 😭😭JDJAJDJ And yk whats more profound about this pose is that in Silver's case.... his hand placed on the left side where the heart is KEJQKJRKWS !!!! Ohhh he's truly accepted that it can't be changed that hes from Silver Owls but he can always dedicate his actions to the ones that cares for him despite that (Lilia and I know Malleus as well (even if he finds out the truth(copium)💥💥💥)

AND I KNEW THAT OUTIFT SUITED HIM!!!! DO YOU SEE HOW SILVERS HAIR BLENDS SO WELL WITH THAT SUIT!!! LITERAL EYE CANDY, HE'S LIKE AN ANGEL HERE WITH HOW GLARING THE LIGHT SOURCE IS BUT ITS NOT A DEMURE TYPE OF ANGELIC LOOK, ITS A KNIGHTLY ONE!!! 🥲🥲💕💞✨✨✨

KFJQJRJW THIS IS PROBABLY MY FAVORITE PLATINUM CARD PLEASE... 😭🤍✨✨

Edit: Also PAUSEEE THE BOOK 7 FORESHADOW THIS CARD EXUDESSSSS SILVER CQLM DOWN AJFJAJE

The Knight of Dawn doomed to fight the Evil Princess.....

The Knight of Dreams doomed to fight the King of the Abyss

😭😭😭😭😭😭😭😭😭BUT BUT TRUE LOVE WILL END THE CYCLE RIGHT RIGHT... WJUTIQ😭😭😭😭

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[zvezdacito]

I think it's really cool how these two cards are kind of bookends to the tsumsitter series ↓

^ Heartslabyul all raising wands together. While for Diasomnia only Malleus takes the lead as the three just watch over him with some distance.

All members of HSB are equally shined on by the sun, while the lighting on Mal makes him alone shine while separating him from the others who literally do become his followers of the night.

Very fitting for their respective group dynamics and extremely cool artistic symbolism, and one of the reasons why I see these two as the best in the housewarden tsumsitter lineup🔥🔥🔥 this really was our twisted wonderland as they say or something

[ariasphirance]

reposting this texty picture since i lost the older post. it's a summary of how most of the tropes i like coincidentally fit into malleus perfectly, and the ones not being included in canons are his common headcanons.

i'm going mental rn

[raven-at-the-writing-desk]

sebek and his big ol' heart

Y’all thought I would be writing an extensive analysis on [REDACTED] or Skully but JOKE’S ON YOU, I love my lame idiot child Sebek 😭

When I tell you I actually CRIED MULTIPLE TIMES reading his Nightmare Suit vignettes… because all the pieces fit together SO well…

Before reading this (long) post, I’d like to ask that you also take your time to read this analysis and this analysis. They will help you understand some of the points I made later regarding Sebek and his internalized racism + how he expresses himself.

Have your recommended reading done? Great, then let’s hop to it!

***Spoilers for Sebek's Nightmare Suit vignettes, book 7, and various other Sebek and Silver card vignettes.***

Sebek is one of those characters that lives in infamy for how much time he takes to get warmed up to. He presents himself as loud and brazen, with these traits often earning him the ire of both in-universe peers and irl fans alike. Worst case scenario, Sebek can be seen as someone who is outright hateful. He’s rude to most people (including Silver, his childhood friend, sometimes), denounces humans, acts like Malleus can do nothing wrong, and doesn’t seem to respect his own father.

Well, I’m here today to tell you those claims are false and that Sebek is actually capable of so, so much love. All you need to really do is look at his Nightmare Suit vignettes—and how well they connect with the rest of his lore—to understand what I mean.

The vignettes start with Jack Skellington finishing a bento that Sally made for him. Sebek tells Jack that he should now return the basket that the bento was delivered in to her and to let her know what he thinks of her meals, but Jack says he can’t because he’s busy with Halloween preparations. Jack asks Sebek and Azul to return the basket in his stead, which they do. They aren't allowed to see Sally because Dr. Finkelstein has locked her up for misbehaving, so they leave the basket. Azul advises that they also pass along Jack's comments (he had called Sally smart, thoughtful, and kind; he often forgets to have meals when he's absorbed with his work, so it's generous for her to prepare a delicious meal like this for him). Sebek loudly refuses, as he believes that hearing these grateful words from Jack himself would be much more meaningful to Sally.

He later confronts Sally at Town Hall and asks to speak with her privately (in an ALLEYWAY lol). There, Sebek flat-out tells Sally that such roundabout tactics will never help her feelings reach Jack because he's way too dense. Of course, she reacts with denial which sends Sebek into a passionate speech about the lengths Sally will go to for love (short of actually speaking about it). She literally threw herself out of a window and put herself in bodily harm to get to Jack when Dr. Finkelstein locked her in her room. She deliberately disobeyed her guardian and brainstormed a way to get out when theoretically she should not have been able to move around freely. If that's not motivated by love, then what is? Sebek declares that it's really annoying to watch Sally dance around the issue and to see her devotion go to waste. IT'S LIKE HE'S WATCHING/READING A ROMCOM AND THE TWO MAIN CHARACTERS KEEP PLAYING THE "WILL THEY, WON'T THEY" CARD... She admits that she can't share her feelings because Sally thinks she's not worthy of someone as impressive as Jack... They're not compatible. And you know how Sebek responds??? BY TELLING SALLY ABOUT WHAT IS BASICALLY TWISTED ROMEO AND JULIET... Sebek reading tragic romance confirmed 😭 He describes the story as one of two lovers whose families do not approve of their union. In desperation, the lovers try to elope--but their plan fails and they return to their warring families. Instead of committing dying like in the original tale, the lovers live the rest of their lives lamenting the outcome and how they can no longer see the person they love most. Sebek shares his own interpretation of the story and its moral: because the lovers gave up hope that they could get their families to accept one another... because they never tried to get their families to get along... because they could not properly articulate their feelings to their families... the lovers could not be together. He is convinced that if they had communicated better, the story would have a happier ending. Sebek is of the firm belief that a story itself cannot come to be without the author wanting to share their own thoughts or feelings; he even suggests that maybe the author of Romeo and Juliet experienced something similar--a regret that resulted from neglecting to express deep-seated feelings. It's not just this book either, Sebek claims to have many stories with a similar theme or miscommunication leading to conflict.

Above all, Sebek stresses to Sally that she must believe in herself and take swift, decisive action. And why does Sebek whole-heartedly throw himself into this belief? Because his own family is living proof that a happy ending is possible if you try hard for it.

If you've paid attention to Sebek lore prior to this, you'll know that he has a human father and a fae mother. Their marriage faced opposition and scrutiny in Briar Valley, a country which is isolated from the rest of the world and suffered greatly from human invaders pilfering the fae lands for resources. One of these sources of opposition and scrutiny is Sebek's own grandfather and his mother's father, Baur. Apparently, Mrs. Zigvolt married Mr. Zigvolt against the wishes of her dad.

Sebek shares even more details with Sally in his Nightmare Suit vignettes. To this day, Baur does NOT approve of his daughter's marriage--but Mrs. Zigvolt doesn't let that get her down! No, she does everything in her power to prove to her father that she made the right choice and she's perfectly content with her life. She'll send letters enclosed with photographs of her family, take her children to visit Baur's home, and invites him to join family dinners. Sebek adds that he's sure his mom made other efforts too--all to try and get Baur to acknowledge her marriage. More recently, Baur seems to have lightened up a little... as in, he always used to turn Mr. Zigvolt away at the door, but now lets him in about once a year (though Baur still avoids eye contact with him and continues to frown). Mrs. Zigvolt stubbornly believes that if she keeps this up, her dad will one day change and bless her marriage with the man she truly loves. Sally commends Sebek and his mother's ability to speak their minds loudly and proudly, but then disparages herself again by saying she can't do the same. Sebek then confesses that he can relate to Sally's frustrations. He related her feelings to his own inadequacy in serving Malleus, the powerful and noble king-to-be of his country. That feeling... Sebek describes it as akin to heartache. But instead of wallowing in that heartache, he pushes himself to close that distance between himself and his idol. If he keeps hesitating, then there is absolutely no way he can catch up to where Malleus is! Sebek must dedicate himself to becoming someone worthy of serving him. He encourages Sally to do the same through both her words and her actions! At that moment, Jack walks in and Sally makes good on Sebek's advice. (This part isn't important to the analysis on Sebek's character, so I'm glossing over it.) The vignettes end with Epel complaining about Sebek being loud as per usual. Sally doesn't take issue with his volume though. She simply giggles and informs Epel that Sebek speaks so loudly and clearly so that his words can resonate with others--like how his words gave her courage.

We have learned new lore about Sebek's grandfather and mother. What does this tell us about Sebek? A lot, actually--if you slate it with all the other lore we have on hand.

We see just how strong of a woman his mother is. I suspect this is where Sebek picked up a lot of his hard-headedness, as well as the tendency to express himself very overtly, from. However, it also speaks to the loving environment he grew up in.

His mother seemingly never questioned her own life choices and never gave up fighting to prove her happiness to a father--and likely an entire community--that rejected her marriage, her husband, and maybe even her children. She fiercely loves and defends her family and the life they have made for themselves. Sebek states that he looks up to her for her magical strength, but that he also admires her principles and strong convictions. Indeed, it was her who ardently pursued Mr. Zigvolt and did not allow naysaying to deter her.

Then there is Mr. Zigvolt. In Sebek's Birthday Boy vignettes, he describes his father as "a strange man" who is "magically deficient" and "never lets his smile fade, no matter what I say to him [...] he defies comprehension." Though Sebek doesn't seem to hold the same amount of respect he has for his mother for his father, we don't hear Sebek openly insulting his dad, just expressing confusion about him. When asked about it, Sebek denies depending on his father--but it's clear there is a fondness there that he's not addressing. Mr. Zigvolt is impressed whenever his children use magic, buys them snacks they never asked for, and talks with them for long periods of time in a calm, patient manner. His father, too, has given Sebek so much compassion and understanding.

We don't know a lot about Sebek's siblings, but they seem to get along fine! He has mentioned going to parks with them. They've also gone fishing together and witnessed magic competitions, which they were all amazed by. The Zigvolts in general (or at least the parents) seem to be accepting too, as they volunteer to take Silver in whenever Lilia is unable to take care of him.

And you'd think that's where it ends, but NO. Baur ALSO has a lot of love to give. Despite not approving of his daughter's marriage, he doesn't actively despise his grandchildren. Quite the opposite, in fact! Though he's rough around the edges and looks scary, Baur doesn't fault any of his grandchildren for being born half fae and half human. He actually makes it a point to bond with them, and especially with Sebek. It was Baur who taught Sebek the language of nocturnal fae and instilled in Sebek his love for reading (as he bought many books for him and tells many stories himself). He also personally reached out to Lilia to train Sebek, as the young boy (at around age 7) expressed an interest in martial arts. Sebek has a love for salmon carpaccio because he and his siblings would fish at Baur's house and then prepare the dish for him--Baur was so happy about it. Additionally, Baur values getting a good education and was proud when Sebek shared with him that he was invited to attend Night Raven College.

Sebek grew up in a country that dislikes humans, but he was raised in an household where he was loved unconditionally and provided with all the resources he could need to get a good education and become someone who is physically strong. So of course he becomes frustrated when he sees Sally, who is so nervous to act on her feelings. What would have happened if Sebek’s mother had been like Sally, thinking she and her now-husband are incompatible? If she didn’t try pursuing her feelings at all? Sebek, as the youngest of three, might not event exist. His parents may not still be together… or maybe they wouldn’t have gotten together in the first place. It’s exactly because Sebek knows what love is supposed to be like--courtesy of his own family—that he can see it so well in others, and wants them to act on it. His very existence is proof that love is possible, and it transcends arbitrary labels like race that serve to divide people into categories.

One quirk of Sebek's is how he's always dishing out back-handed compliments or making comments that come off as rude but aren't at their core. He can't seem to help but say a good thing that sounds like something bad. His Diasomnia classmates, usually Silver, have to translate these Sebek-isms for others, who misunderstand him or interpret his words in the worst possible way. For example, from one of Silver’s Fairy Gala lines; “Sebek said to me that no self-respecting disciple of Lilia’s would dare get a single stain on this clothing. That's his way of encouraging me.” In Silver's Dorm Uniform vignettes, Sebek tries to reassure his friend and tell him to not let other people's opinions hurt him--but he phrases it as, "Hmph, ridiculous! I see no reason for you to heed a few random comments from some humans." The duo is also shown to be competitive with one another in training; it's never malicious, they both want to prove themselves as the superior knight, and the other serves as motivation to improve and/or a means of measuring one's own growth against a fellow disciple. When the mostly elderly population of Harveston is in need of physical labor, Sebek comments "[...] the humans in Harveston are woefully out of shape," yet he insists he "still [has] energy to burn" (as if to volunteer himself to do more work) and call such tasks "simple" (as if to point out how easy it is for him to do, so don't worry about troubling him). He hauls apples and helps the villagers with whatever they need, declaring that they should "be grateful"--but if he truly did not care, he could have stopped at any time or settled for just making fun of them. But Sebek doesn't, because he DOES care deep down. This aspect of Sebek is made even more obvious in Fairy Gala: What If. He appears at Ramshackle and opens by declaring, "NO! I am by no means worried about anyone! [...] Don't mistake my intentions. I am NOT here to help! If your mission doesn't succeed, the repercussions will definitely affect Malleus and Lilia. Hence... I shall lend you uneducated humans my aid! [...] You're welcome to weep with joy at my magnanimity..." Time and time again, we see Sebek demonstrating a lot of kindness, but deflecting or not being totally transparent with his intentions due to pride or embarrassment. This behavior is very reminiscent of Baur, the grandfather that Sebek loves dearly and spent so much time with. Baur, too, can be very passionate and loving, but struggles to speak of those feelings openly. Just look at how the man deals with Mr. Zigvolt. The behaviors of the family, then, imprint on Sebek and influence his behaviors--and being that Sebek is from such a loving group, it follows that Sebek puts out a lot of love into the world too.

A lot of times when the fandom discusses Sebek's attitude, I feel it's from the context of him being hateful towards humans. I'm not going to deny that Sebek has said some pretty nasty things about half of his own identity. The point I would like to make here is that Sebek can love just as strongly.

The most obvious thing that supports the claim that Sebek is capable of strong love is how he views Malleus. It's no great secret that Sebek practically worships the ground his dorm leader walks on. That's essentially Sebek's key defining character trait. What I'll ask you to consider instead is the nature of Sebek's love--not the obsessiveness of it, but rather the unconditional nature of it.

In Lost in the Book with Nightmare Before Christmas, Skully laments that Sebek has not been disappointed by his idol, Malleus. Sebek actually corrects him by saying that love isn't imposing your own views on your idol, it means preparing to accept them, flaws and all. He says the same of Malleus; should the time ever come where Sebek's expectations of Malleus falter or their paths have to diverge, then he will still embrace his young master, never once turning his back on him. And where does Sebek gets this from? His parents. The father who loves his children no matter how critical Sebek may be of him. The mother who remained so strong in the face of her friends and family being against her life choices.

A common fandom sentiment regarding Sebek is that he blindly follows Malleus--but when speaking about his idol to Skully, Sebek says that agreeing with someone and continuing to love them are different things. You can disagree with someone's actions and still continue to love them and accept them. This follows what Sebek does in book 7; though he is betrayed and hurt by Malleus turning his powers against the world, Sebek does not let up on the hope that he can bring his young master back. He even sillily calls the yet-to-be-hatched Malleus tamago/egg-sama, showing even an infant form of Malleus great respect after witnessing his OB. Skully took the opposite path that Sebek did; when he realized that his own idol, Jack Skellington, was not as he imagined him to be, Skully became enraged and lashed out over it. Sebek points out Skully's inadequacies as well, which ties back to how he spoke of his own drive to improve in his Nightmare Suit vignettes. Skully confesses to trying desperately to emulate Jack--so much so that he breaks down when Sebek's UM destroys his iconic shades. He wallows in his current state and doesn't make efforts to change or to be better; the past and his own vision is where he's comfortable. It's a strong contrast to Sebek, who has made it clear he will continue to train and work hard to prove his merits and to be someone worthy of protecting the great Malleus Draconia.

It is Sebek's passion and boundless love that makes him a hero both in Lost in the Book with Nightmare Before Christmas AND in the main story's book 7. He serves as a foil to Skully in the former and actively saves Silver when he's on the brink of despair in the latter. After learning that his biological father is the man responsible for killing Malleus's mother and leading the Silver Owls' onslaught on Briar Valley, Silver despairs and comes to the conclusion that his father must loathe him. "He could never love the son of the man he despised! He has to hate me! He has to!" Sebek rushes to Silver's side using Living Bolt, a UM he has yet to master (thus causing residual damage to him when he casts it), to correct him:

"You have this much strength... and you dare to say you weren't loved?! That you were hated?! [...] If [Lilia] hated you, he didn't have to give or teach you anything. He could've just raised you into a dimwitted coward and made you a servant. But he didn't--and look at you now. Even alone and helpless, you stood firm. You spoke up, unfaltering in the face of our liege's madness. Even trapped in the darkest despair, you kept on fighting! Who raised you to be so strong? LILIA DID! Why don't you see? Why do you doubt? You should have understood years ago! What can you call your strength, if not the direct result of Lilia's love?!"

WHETHER SEBEK REALIZES IT OR NOT, A LOT OF WHAT HE TELLS SILVER HITS HOME FOR HIM TOO... Like, thinking about it... Sebek must have faced a lot of prejudice from his community because of who his father is. He might have grown up thinking he, too, was hated, had he not been protected by his loving mother, father, and, yes, even grandfather, who is still struggling to accept the human in their family. Baur must have been feeling very complicated emotions upon meeting his half human grandchildren for the first time... but even though he dislikes humans, he could never find it in himself to dislike his grandkids. If he had hated Sebek, he wouldn't have wanted him to get a good education. Baur wouldn't be happy that he got into NRC. He wouldn't personally ask Lilia to train the grandson who expressed an interest in combat. He wouldn't buy so many books for Sebek or read with him or tell him stories or teach him his language. But Baur DID do all of these things, because deep down he loves Sebek no matter what he is. If it was anything less than love he felt for his grandson, if he decided to neglect his grandkids, then Sebek would have grown up as some "dimwitted coward". IT'S ALL CONNECTED.

And now here Sebek stands, able to tell others that they are loved and should be cognizant of that love. He reminds Silver that Lilia loves him. He advises Skully to reevaluate how he sees his idol. He tells Sally to speak honestly about her feelings, because it was his own mother speaking honestly about hers that led to Sebek and his entire family being as happy as they are now. He shouts at people to act and to speak their minds because he doesn't want them to live with regrets, because he doesn't want to see them be weak and timid--a version of himself that could have resulted if he hadn't been loved so strongly.

You can say many things about Sebek: that he's loud, that he's rude, that he's a fanboy, that he has big muscles. But of all those muscles, Sebek has a very big heart too. And what made him so strong? All the love he received from his family, despite growing up an environment that surely invited hatred for humans.

[hanafubukki]

Thinking about Malleus crying and how he stopped crying/throwing tantrums because of expectations placed on him as the future king.

And loosing that way of expressing himself added onto his loneliness and gave the misconception that he’s “grown” now to not only himself but to others.

Even as an egg, one of the ways Malleus expressed himself was through crying and tantrums, as all children do.

He stopped absorbing his grandmother’s magic because he wanted Lilia (a part of me believes he imprinted on Lilia as an egg, a father figure to him).

When he had enough waiting, he refused magic until Lilia came. That’s when he started holding on and when he actively started to respond to someone again.

It was even stated that Malleus shouldn’t have lasted this long, but Lilia’s constant visits gave him a reason to hang on. His constant presence and love.

Until it wasn’t enough anymore, he was lonely so he cried out and threw a tantrum. Which only Lilia heard and no one else. And Lilia understood then, that Malleus was lonely and wanted to be with him. Malleus was able to hatch because of Lilia.

We later hear stories about how Malleus used to throw tantrums because he was lonely, even on birthdays and special events. We know Lilia visited the castle and brought him gifts so that appeased him.

But, Malleus was young and he was able to express himself and let his feelings known.

But as time went on, he wasn’t allowed to do that anymore, even at a young age. For fear of what his great powers might do to others and because Lilia told him what could happen. And he took that to heart. So he stopped throwing tantrums and crying out, and this is what eventually added into his loneliness.

Lilia was able to comfort him because Malleus cried out and threw tantrums. He was able to go to him when Malleus was in distress.

But then he stopped, because Malleus thought it was ‘childish’ and it can cause others harm. Lilia even said in his beach ssr that Malleus hasn’t done it in a while.

This eventually led to the mentality that Malleus has grown up, when he hasn’t. He thinks he has and he has a role to play as the future king.

He wasn’t allowed to be a child anymore but a potential ruler. Even Lilia, at one point, points out how the heir of Briar Valleys shouldn’t zone out.

This shows how well Malleus hid his emotions didn’t it? How lonely he must have been because he kept it all in. To the point that Lilia, who always heard his cries, believes that he’s grown and matured now to an adult even though he knows Malleus is young.

But that what happens doesn’t it? When you act older than your age? People take you for granted and believe you’re mature and you don’t need to act like a child anymore.

Malleus even fooled himself. It was when others pointed out his sadness and loneliness that he understood, but he didn’t take action for himself only. No, he took action because another precious family member was crying.

Someone who can express his tears when Malleus couldn’t, who can cry the tears Malleus can’t anymore. And Malleus knows the importance of crying, he tells Silver that all children cry as if Malleus isn’t a child anymore but we know that’s not true.

Until, that is, when we got to that scene where Lilia was asking him why he was doing this. And Malleus, finally to a degree, let his emotions out again after so long, so he wouldn’t loose Lilia.

And you can tell that shocked Lilia, made him maybe realize too late, that Malleus is still a child. A child who loves his family and doesn’t want to loose them, loose him, but it was too late. He doesn’t have the magic to stop him or his UM.

It’s heartbreaking when you think about it. Malleus has to grow to the point that couldn’t express himself anymore from a young age. No one could hear his cries of loneliness anymore, not even the one who hatched him. Because he was forced to grow up and act beyond his age for a role he was born/‘blessed’ into. 😔😭

[yetanotherexhaustedalchemist]

IDK if this is still being debated but the argument about whether Malleus overblotted because of Lilia or because of Yuu leaving to just... be so unnecessary? 

I think that the big issue a lot of people had were the overzealous Malleyuu shippers insisting that he overblotted because of Yuu. And I mean, yeah, that's fair, but I just??

Personally, I think the issue wasn't just Lilia leaving or just Yuu leaving, it was that he was suddenly losing everyone. Lilia is his parental figure and the only thing consistent in his life, and Yuu was the first person to get to know Malleus for himself. Yes, he has Silver and Sebek - but they're mortal and he'll outlive them by centuries, and he knows this. Also, they were raised to respect him and be awed by him, like everyone else in Briar Valley. To Yuu, he was just Tsunotarou / Hornton. To Lilia, he's the child of his best friends and his adoptive son. 

The argument of whether Lilia or Yuu is more important to Malleus is just silly to me. They're equally important, just different. Whether you personally see Malleus and Yuu's relationship to be purely platonic or romantic, it doesn't matter. Yuu gave him a sense of normalcy that he couldn't find anywhere else, and that's important. Yuu is every bit as important to Malleus as Lilia is.

Maybe, if it was just Lilia or just Yuu leaving, maybe it would have been okay. Malleus wouldn't be okay, obviously, but I don't think he would have been pushed to the point of overblotting. At least he would have had Lilia or Yuu still with him. I think he overblotted because of the sudden loss of all of his most important relationships. He overblotted because he couldn't bear being alone again.

Compared to his expected lifetime, he'll lose both Silver and Sebek soon, so there are two connections he knows are on borrowed time. Yuu (while also human) is different, being from a different world with no preconceived biases to view him one way or another - and they're going to leave now, too. Lilia, who is the longest bond Malleus has, is now going off to die in a far off land.

The most important relationships Malleus has, different but all needed - they're all disappearing, one after another.

[kami-kun1003]

Silver’s narcolepsy is so… interesting to me

everyone always talks about it like it’s a silly joke. like “ha ha sleepy boy!!!” which is. fine. but from what we see in the game, it’s undoubtedly a serious physical disability. it literally causes him to fall asleep randomly throughout the day and there’s no way he can fight it. that’s genuinely scary and a cause for concern. what if he fell asleep next to a lake and drowned or something??

i can’t help but think about how much it must affect him mentally. imagine you’re the only human in a fae family, and your whole life you believed that you would be the first to die, and you need to make the most out of the short time you have to repay your loved ones for raising you.

and the universe decides to give you a sleep disorder that completely hindrances your ability to do so. you doze off CONSTANTLY, wasting hours upon hours of precious time that you could’ve used for something more useful.

you can’t control it. once you feel that drowsiness, it’s over. nothing helps; you just can’t stay awake regardless of what you try. no one knows what’s wrong with you so you just assume that it’s your own fault for being so lazy. your father’s done everything he can, bless his kind heart, but even he can’t find a solution.

nobody understands what you’re going through, they all say it’s normal to feel bored or tired from schoolwork every now and then. which isn’t how you feel at all, but you just don’t have the words to describe it.

it gets to the point where you’re failing your classes because your body simply refuses to function the way it’s supposed to. your teachers blame you and they’re right, it’s your fault it’s all your fault isn’t it?

your peers make fun of or look down on you for being unusual. for always falling asleep. for not expressing emotion (doesn’t anyone else find it hard?). you feel ashamed. you try to fix it but you can’t. nothing can ever be fixed.

it’s frustrating to be unable to control your own body. you’ve grown used to it, and so has everybody else, although that doesn’t make it any less of a problem. but at this point it feels like there’s no other choice but to just live with it.

and in the end, you feel guilty. your father has given you everything, and yet you can’t give back. does that not make you a failure? a disappointment of a son? here you are, living, breathing, thinking, and you can’t even do anything to thank the person who gave you the luxury of existence.

wouldn’t you hate sleep? wouldn’t you utterly despise that feeling of drowsiness that overtakes your mind when you so much as stay still for a single minute? would you not cherish the moments in which lethargy did not plague you?

oh, how you wish there was a cure.

(tagging: @fruixtii )

[estcaligo]

Nobody: Me at 3 AM: Glorious Masquerade represents the confrontation between polytheistic and monotheistic worldviews

Or "The Big Three of Olympus vs One Christian God" in the Glorious Masquerade event

Content Warning: Greek Mythology, religion, Christianity, Glorious Masquerade event spoilers

Note: I talk about things in this post from a researcher's point of view, in a descriptive and comparative manner mostly. Just some observations.

I've already discussed a similar concept before - Idia, Jade, and Sebek representing Hades, Poseidon, and Zeus, the "Big Three" in Greek mythology, the most powerful and important gods of Olympus - during the Harveston event. See the post here.

However, in the Glorious Masquerade, the situation becomes even more peculiar because the SSR characters are dorm leaders - those who are in charge. And then there's Rollo, who is twisted from Frollo.

Note: I will consider all sources of inspiration for Rollo, including the book and the musical, which were confirmed by Yana herself to be inspirations for Rollo.

What? Why? Who?

3 vs 1. The Big Three of Greek Pantheon vs The One God, who embodies 3 in 1 - the Father, the Son and the Spirit.

The Big Three are the three most powerful gods among the Olympians - Zeus, Poseidon and Hades.

Zeus commands the sky, lightning, kingship and summon any weather conditions.

Poseidon manipulates water, storms and earthquakes.

Hades has dominion over the dead and undead, darkness, earth-related disasters, and metals and jewels.

*By the way, lightning was considered just Zeus throwing a temper tantrum, and what happened when Malleus got angry? Right, he started throwing  lightnings left and right.

And now we have Rollo. Twisted from Frollo, who, as we know was a religious man (especially in the book where he is a priest, not a minister).

And despite there being other characters, such as vice-president and the assistant, they aren't "real" or “important” characters like Rollo.

So we can say there is only one (1) main character in this event.

2. 7 Dorm Leaders vs 1 Head of the Council

As is well known, Ancient Greek mythology features many major gods, each controlling different aspects of life (or representing them, or serving as patrons). This makes Ancient Greek religion a polytheistic system - meaning it has multiple gods - akin to the Great Seven and the dorm system at NRC.

The Dorm Leader Council functions much like a small pantheon. Not to mention NRC is located on upper hills, which resembles a mountain (Olympus) if we look at the landscape of the Sage Island.

On the other hand, Christianity only has one God, making it monotheistic religion. There are multiple saints in Christianity, who are patrons of different aspects of life, however it is important to note that these saints do not control - they are more like the intercessors between man and God.

Even the NBC itself is focused on one Villain and has one statue in the yard, not the 7 (the "pantheon" of NRC). And NBC itself doesn't have Dorm system like NRC.

3. Oral vs Written

Greek religious tradition is primarily oral, with legends and stories passed down through generations by word of mouth.

In contrast, Christianity is predominantly a written religion, where the written canon holds great importance.

How is it important here?

Well, in this event specifically the NRC guys spend their time walking around and commenting on things. We learn some of their lore and thoughts on various topics through dialogue. Even Professor Trein reveals his past verbally telling about it. Naturally, it’s a game mechanism. But since we’re talking about such details….

On the other hand, the most important part of Rollo lore is found by the Big Three in written form - Rollo’s diary.  It's also noted how Rollo prefers writing above all else. He writes in his diary, sends letters, and drafts invitations. While this may not apply to the NBC in general, since we're focusing on Rollo, this detail is worth considering as well.

4. Our guys vs That One

Another difference between the two religions is that the Greek gods had flaws that made them more similar to humans. They had tempers and they often held grudges. This made the followers of the religion not want to be like them but, instead learn from them and their shortcomings, frequently through fear. 

In contrast to the flawed gods of Greek mythology, Jesus is portrayed as a man who is to be aspired to, more so than the Greek portrayal of a god; who the audience learns from (imitating in a way), rather than obeys.

Our NRC boys are someone we know and who we’re familiar with. We know their struggles and fears, their dark past. Even the guys in charge of each dorm - the Dorm Leaders - are not so distant from the regular students. Well, more of less.

Whereas Rollo is described by all the characters we’ve met at NBC (and even from his vignette) as someone who is amazing, excellent, wonderful and so…exemplementry. Rollo, at the same time, distances himself from everyone.

5. Vertical vs Horizontal

A small but interesting observation is that many monotheistic religions, including Christianity, often have a “vertical mindset” - symbolizing a relationship between the human and God.

In Christian cosmology, we often imagine a vertical world structure: Hell at the bottom, the human realm in the middle, and Heaven above.

In this event, we also experience vertical movement when things get serious. Initially, when it's peaceful and fun, we mostly walk around the town (mostly horizontal, not including the lower parts).

However, when the action begins, Rollo first sends us downward into the sewers. From there, we start moving upward. The ascent of the tower is highly symbolic, as we are literally ascending towards the sky where Rollo awaits us (with his “judgment”)

 6. Masks

The whole masquerade theme is, of course, a nod to the cartoon and part of the game feature to get the characters to dress up.

But let’s remember that in Ancient Greece, masks played a significant role in theater, particularly in tragedies and comedies (twst features elements of both). In general, it is known that masks represent hidden nature, transformation, and more. 

Interestingly, only our NRC squad wears masks and costumes. We even encountered some Royal Sword Academy students, but they were not given costumes (again, a game feature, but still noteworthy).

On the other hand, there's Rollo, who isn't wearing a mask or even a costume. He doesn’t need to. He is who he is, with no need to transform into something else, as he represents the One, in our comparison here. 

What's even more interesting is that, despite not wearing a physical mask, Rollo is the one with ulterior motives in this event, and we only learn his true face later on. He metaphorically takes the mask off, even though he never wore one in the literal sense.

7. Catholic Guilt

The last but not least - Rollo's punishment, which, perhaps is the most fitting and cruel outcome for him. Rollo, after being defeated, expects harsh punishment because he is ruthless with himself and assumes others will treat him the same way. He failed and he expects to be punished. However our Big Three surprise him by concealing the truth and allowing others (the NBC mobs were the first to thank him for his bravery at the tower) to believe that Rollo was a hero. This situation forces Rollo into a state of internal torment, where he must live with the guilt of his actions while being praised for something he didn't truly do.

Rollo's punishment is psychological, forcing him to confront his guilt and shame in isolation. They choose leave him one on one with his Sin.

On the contrast, in Ancient Greek mythology punishments were often cruel and involved physical pain. One of the most popular example would be of course the myth about Prometheus, which, by the way involved Zeus.

And the way Big Three dealt with Rollo was truly cruel in its own way.

(from an interesting article about Greek Gods and punishment - here)

Fin

I left out some obvious notes like Malleus having horns, Rollo hating on magic etc.

Naturally, there may be other details I haven’t mentioned, so feel free to add any additional insights!

[welshoot]

Talent and Overblots: An Interesting Relationship

So I read an analysis about Leona and his overblot and it has gotten me to thinking and, only just realizing that talent is a bit of a theme for Twisted Wonderland. Or rather, talent in a more negative lighting than it is often portrayed in. 

Simply put, everyone who has overblotted is also talented and said talents (+ the side effects of being talented) really seem to be a large part of their trauma, stress, and varying issues that culminate in their overblot. I’m going to put the rest of the analysis under the cut for fear of any spoilers and due to length (and it is long), but this is something that is incredibly fascinating to me since this portrayal of talent is so wildly different from what is typically seen.

Starting with Overblot #1, Riddle is obviously talented. He became a housewarden in his first year, has an incredibly powerful signature spell, knows all the rules of Heartslabyul, and is a top student in a school filled to the brim with geniuses. We know from his overblot backstory that his mom held him to strict rules and pushed him too far, always demanding he be better than the best. Talented wasn’t enough. He had to be perfect. And that is, quite simply, what led to his overblot. He was holding others to that same horrifying strict regime. Talent isn’t enough, you must be perfect. But Riddle’s talent(s) is what made this drive for perfection truly frightening. That talent of his is what helped to lead to the pedestal that he (and others) placed himself on. And then his view was an incredibly simplistic, and even relatable one. If I can do it, so can they. But that viewpoint is what led  to  him pushing too far and breaking down when he realized exactly what he’d done. Ace quite possibly put it best when he informed Riddle that he was, “An extension of her”. Her, being Riddle’s mother. Realizing that he’d become that same tyrant, constantly pushing that talent wasn’t enough and you had to be perfect, was a big part of Riddle’s overblot. Because what is worse than becoming the very thing you’ve feared and toiled under since you were a child?

Leona is obviously talented. He is one of NRC’s geniuses, implied to be a very physically strong beastman, possesses an incredibly powerful signature spell, and has the cleverness to think his way out of any situation on top of the fact that he can power his way out of most problems due to his incredible persistence. But those talents were little more than weights around his neck when nothing he did mattered. He would never be king no matter what he did. But how much of Leona’s overblot was ever really being about king, when the crown that just the image that stuck with him? After all, the crown was the first thing that he was probably told he could never have no matter how talented he was. So kingship became a symbol of all he can never succeed in, despite his many talents. In the Savannaclaw chapter, story vignettes, and even in events people are constantly telling Leona that if he just tried he could do it. He is talented after all. And how much must that sting? You’re talented, and you have tried, but no matter what anyone tells you, it doesn’t seem to matter. The words of encouragement others give him are just like a slap in the face because failure keeps rearing its head. Thoughts like that can easily lead to or worsen depression and self-loathing. Especially when he gets his hope up once more that maybe he can do something, he keeps getting dragged back down, either by life’s machinations or his own occasionally self-destructive behavior. As a culmination of this, we find Leona exactly where he was in the Savannaclaw chapter. Failing once more and finally breaking apart as it occurs in front of those who have placed him as their head, the leader of their Pride. Not only has he failed himself, he has failed those who place their faith in him. To Leona, it no doubt looked like his greatest fears were true. Even with all of those talents, Leona feels worthless because he can’t succeed even once.

Azul is talented even if he himself doesn’t see it. Not many can say they have a successful restaurant business, and have hoodooed both the headmage and a good number of one’s fellow students at his age. Azul’s talent isn’t the one he wants though. He wants something more flashy and easily seen. Something that will make others not bother him. He never wants to be a silly little octotwerp who gets made fun of again. And, at this point, Azul can’t seem to see his knack for business for what it is. A talent. Being surrounded by so many obvious talents at NRC is bound to crush him, because everywhere he looks there is someone better than him in some way. So Azul gets greedy. He won’t let them make fun of him and look down on him like his previous classmates did. He can’t take that again. But then all of his carefully calculated actions come crashing down around him. Leona destroys his contracts and asserts, no less, that Azul has been beaten by a magicless prefect. And that is when Azul truly starts to crumble to pieces. He can’t even beat someone that he no doubt viewed, at that point, as a nobody. His actions turn desperate as he fears that Jade and Floyd, the two who’d actually taken a look at young Azul and saw talent there, are abandoning him because he’s been beaten at his own game. In Azul’s eyes, he has no talents, so why would they stay? All those feelings come racing back and Azul really does feel like a nobody. Just a silly little octotwerp even despite all his efforts. And so he overblots. Because obviously if you aren’t talented, then no one wants you and it doesn’t matter.

Jamil is talented in numerous ways and, unlike Azul, he knows it. But Jamil’s talents consistently get ignored or downplayed by everyone, even his own family. And it’s all because of the fact he works under another family so in the eyes of those around him, Jamil can’t and shouldn’t be better than Kalim. So he blames Kalim, even though he knows it isn’t Kalim’s fault that they were born in the positions they are in. Even though Kalim is someone who has always lavished praise on Jamil’s talents and never downplayed them. Even though Kalim is his friend. It’s too much. Because each time Kalim, the source of Jamil’s woe (at least in his eyes), praises him, it’s like a slap in the face. A reminder that even though you’re talented, you aren’t allowed to reach the full height of your abilities. All because of this fellow, who is your friend and greatest supporter. When Jamil’s grand scheme is foiled, it breaks him. It’s a hard hit to his ego and probably feels like yet another reminder that he can’t outdo Kalim. And, to top it all off, there’s the guilt. Because like it or not, Jamil knows it’s not Kalim’s fault because Kalim, for all that he doesn’t understand or realize about their situation, would never put Jamil in the situation that he has found himself in. And so Jamil overblots. His talents don’t matter because he isn’t allowed to show them. He’s restrained, and all of that frustration is suddenly coming out.

Next is Vil, whose troubles are so curiously (and perhaps amusingly) similar to Leona’s. Because for all of Vil’s talent as an actor, he can’t get the role he so desperately longs for. To be the hero, standing on stage till the very end where people will notice him. But it is Vil’s talent (and beauty) that weighs him down and makes people speak of how special he is. And isn’t special so similar to being unrelatable? So talented is he, so special is he, so unrelatable is he, that he must be the villain. Because no one wants a hero that seems so otherworldly, perfectly beautiful and talented. No, they want a hero they understand. A more relatable type of attractiveness, a more mundane level of skill. A villain is, as Vil’s dad asserts in the overblot flashback, a hard role to play. But Vil knows that it’s also the role everyone hates. No one wants to be the bad guy. And how often do people actually pay attention to the villain? Everyone’s eyes are on the star of the show, the good guy. Getting typecast because of his talents is a big part of what leads to Vil’s overblot. He is so weighed down by how inescapable the role of villain seems that he quite literally becomes a villain. And, mirroring Riddle, the realization that he has become that thing he so loathes and maybe even fears is what causes his overblot. The golden child that he was has finally fallen and become mired in the hideous filth that remains when one’s talent becomes a set of shackles that makes you ‘special.’

Idia is, like the others, talented. But interestingly he seems to loathe his talent just as much as he loathes a crowd. Despite his amazing technological achievements, Idia doesn’t want the recognition of fame that comes from his talents. In many ways, he almost behaves like he wants to be free of his talents. As if that talent is a chain. And perhaps it is, that talent makes him well-suited to the position he was born into is yet another chain that binds him to the Island of Woe. His wishes don’t matter. Idia is doomed to his position by both his family name and his talents. The stress of such a truth paired his past with Ortho’s death, and the constant reminder that he is at fault for it (or so he constantly tells himself) is what causes his overblot. Because at least this way, maybe Idia can use his talents once more to do something he wants. To save his brother, and atone for what he has done.

Finally, there is Malleus. Another individual with undeniable talent. Someone who is already listed amongst the most powerful of magicians and who comes from a long line of talented people. But Malleus’s talent, skill, and power for magic is what causes others to fear him, worship him, and avoid him. No one wishes to approach someone so fearsome and talented, because how could they? He is a royal who seems so far beyond them, they cannot comprehend such talent and power. Surely he is beyond them. And when they can’t understand him, perhaps it is better to fear him. It’s only natural to fear that which we can’t understand, so that is what happens to Malleus and his incomprehensible power. The isolation that stems from other’s fear and misunderstandings leads Malleus to do what is only natural. To cling to those few people that remain near him. Those who don’t fear him and instead accept him. And that isolation, paired with the need to cling onto those precious few while all others continue to stare at him in awed horror, is what contributes so greatly to his overblot. Because if those few leave him, what does he have left in his ivory tower of talent?

Anyway, I just find it fascinating that Twisted Wonderland has portrayed the darker side of talent and how it can lead to so many issues for those that hold it. Talent is a blessing in many ways, but there are two sides to every coin and it appears that talent can just as easily be a curse in the wrong situation.

[rayroseu]

i love how diverse in aging Vil's story is. It would've been easy to surround "Vil Schoeheit" with youthful things considering his character archetype, but I'm glad they're not holding back in adding blemishes whenever they showcase actual aging.

This reminds of Malleus' line that there is a beauty in the withering process of statues/gargoyles. In a way, Vil is like an statue (like a celebrity) but he is as well not immune to aging and I'm glad TWST wrote him as appreciated of aging instead of avoiding it

I know its been said a lot that Vil is not vain. He's not fixated on conventional beauty, but its really comforting to see the beauty icon is the one who believes aging is beautiful as well and is graceful about it, not just on others but also himself yk.

I love the realistic flair of "aging" in a story about really young people and growing up lol

[yaksha-lover]

Malleus Draconia and the Cognitive Dissonance of being a Lonely Prince

A character analysis exploring Malleus’ conflicting views of self

Malleus has two primary characteristics that are significant to his identity: (1) His role as a highly revered, feared, and praised mage & prince and (2) His loneliness and social/emotional isolation.

In Malleus’ concept of identity, these two characteristics are in conflict with each other, despite one somewhat being caused by the other. How can a person reconcile the fact that they are supposedly extraordinarily special, talented, attractive (this is canon in universe btw lol), intelligent, beyond powerful, etc. - essentially a perfect prince - with the fact that they have no friends and barely anyone who cares about them (excluding those he feels are obligated to care)?

Malleus has no strong emotional connection with anyone that is not his family (I include Lilia in this category) or one of his guards (who, in spite of Sebek’s protests, is basically obligated - socially or role wise - to respect and love him). Now, I don’t think any of these relationships is obligatory or disingenuous in any way. Lilia, Silver, and Sebek all genuinely love and care for Malleus. However, I’d argue that isn’t how Malleus sees it (I’ll get into this later).

First, I wanna go into the first characteristic I mentioned, him being revered (+feared) because of his status and capabilities.

Before I even get into him as an individual, let’s look at how Malleus himself perceives the mere status of royalty:

Malleus believes (I suppose because of his personal circumstances) that people who are royalty inherently deserve respect. He even extends this to Leona, who he has a (playfully?) hostile relationship with. I don’t think there’s canon indication that this necessarily means he looks down on people of non-noble birth or anything, but he’s still stuck on this idea that, in certain respects, royalty does deserve better than the average person.

Clearly, this would extend to himself as well. Part of his self-image is kind of decided from birth (in an interesting parallel to Leona who believes that his own status as a second son decides his fate from birth) because he is raised in this environment where he is constantly told that he is better than others, simply because he is a prince.

That said, Malleus takes being royalty and a leader very seriously. I’d argue he believes that because he is ‘better’ than others, he has certain responsibilities and duties that he must complete, as shown above.

Part of this also means that Malleus takes himself very seriously - he isn’t allowed to even try to be normal, because he always has to keep himself in check. Anything he does will reflect poorly upon himself and his family, and this is something Lilia reminds him of.

Here’s where I’ll talk about Malleus’ relationships with the rest of Diasomnia.

Now, Lilia is clearly the person who treats him the most casually and normally. He knows Malleus very well, to the point where he can read his emotions - namely his jealously/bitterness/frustration after being left out of something.

Lilia encourages Malleus the most to try and have normal experiences. He understands Malleus’ loneliness, and wants him to make friends - to seek out more than he could have all alone in his castle. But, Lilia also has times where he acts as more than a mere guardian to Malleus. I can’t find the screenshot, but I remember Lilia reminding Malleus about what behaviour is and is not befitting of an heir, so that aspect of their relationship is still something to take note of. Even Lilia, who understands him better than anyone, still must wish for him to be the best heir and prince (sometimes sacrificing his own wants, although Lilia probably does this the least considering he knows Malleus’ feelings).

It’s no exaggeration to say that Sebek worships Malleus to the highest extent (just look at the portrait of him in his room). The way Sebek talks about him isn’t at all like a friend or even family - Malleus is a god to him. I argue that Sebek’s behaviour specifically (he would cry if he knew this) distances him the most from Malleus emotionally.

This will be explored more later on, but what Malleus wants is to be treated somewhat normally, at least by a few people he can be close with. Sebek does the opposite of this. While the students who are scared of Malleus isolate him because of their fear, Sebek actually accidentally isolates him because of his dedication and worship. Thus, both Sebek and others isolate Malleus through their treatment of him because of his position/status/strength.

Malleus certainly cares for Sebek, but I don’t believe he thinks of him as a genuine friend (and that’s not meant as a way to dismiss the relationship they do have, just that he doesn’t view Sebek as caring about him as a person rather than him as a prince/mage). How can he, when Sebek constantly acts like a fanboy around him?

Now let’s look at Malleus and Silver.

Silver addresses Malleus as either ‘housewarden’ or ‘master.’ Again, to my previous point about Sebek, I think this does point to Silver and Malleus’ relationship not exactly being a friendship. However, I think differently to Sebek, Silver does have more of a personal relationship with Malleus.

He treats Malleus with respect and formality, but he isn’t over the top with it. I’d argue they have a sort of ‘mentor-student’ relationship in a way; not exactly that, but you understand my point. Silver looks up to Malleus as a person, and Malleus is willing to teach Silver about things. I almost want to say they’re a bit like a younger and older sibling, but I think a bit of the closeness/familiarity is lacking (at least for now). The relationship still has a bit of a formality to it, but that doesn’t mean it isn’t personal. I won’t spoil for those who haven’t read book 7, but I think their relationship becomes more clear there, iykyk.

I know most of Malleus’ vignettes are played for a joke, but holy shit they make me sad. You can tell that ever since he enrolled, if he wasn’t sharing a class with Lilia, Malleus has basically had to work alone for everything. Even here, Cater is only asking Mal if he wants to join his group so he can use Malleus for Magicam clout. Everyone is so scared of him that he’s never had a partner and he’s even gotten used to it. It might not seem that serious, but honestly - sorry to be crude - this kind of thing does fuck you up, especially while growing up.

Think about how Malleus feels - being the outcast and genuinely having no friends feels humiliating and depressing. It makes you think there’s something wrong with you, and that’s the way I choose to interpret the other aspect of his character. His passive acceptance to social isolation and rejection is a constant among his vignettes - anytime someone brings this up, he’ll say it’s fine and he’s used to it.

Another relationship worth noting is Malleus’ grandmother - his only living blood relative. Something that stood out to me (and I could be reading too much into this) but Malleus really feels surprised that his grandmother would take time to write her only family member a happy birthday letter?

That’s very sad to me, and I think it’s a reflection of both the expectation Malleus feels is placed on them as royals and his feeling that he as an individual (not as a prince) is inherently less important than any royals duties. He seems to think this way about himself too, treating his princely duties as always more important than anything he would want personally. A letter is a small gesture, and Malleus doesn’t even expect that from his grandmother.

I’ll use this to segue to discussing Malleus’ insecurity and social isolation.

Ever since he was a child, Malleus has been isolated from others. Before he was feared and before he was worshiped, Malleus was lonely. That’s clear to anyone. Now, I want to talk about how this loneliness and isolation has affected his self-image.

Examining his personal relationships, how the rest of the school sees him, and his own views on royalty and himself, I think it’s clear Malleus, on one regard, seems at first glance to think highly of himself. He isn’t arrogant or boastful. Rather, he just is very extraordinary in many aspects.

But, that surface level interpretation completely leaves out the other side of him. While he might excel in skills, Malleus fails on all regards in terms of relationships. It’s clear, no matter how much he says he doesn’t care or that he’s accepted it, that it hurts Malleus every time he is excluded from something.

He tries to hide that he’s upset that he missed the orientation ceremony, but Lilia remarks that it’s clear how jealous he is that Sebek got to attend. When Lilia reminds him that there’s always next year, Malleus immediately dismisses the possibility that he will ever be invited. In his birthday vignette, he states that he hates eating entire cakes and becomes upset when Yuu brings up the fact that they aren’t meant to be eaten alone because he knows. He knows just how lonely and isolated he is compared to everyone else and he hates.

Malleus has mostly given up and accepted that he will ever fit in. He is pessimistic, but to say he does not hope isn’t entirely correct. Later in the vignette, although he may be half-joking, Malleus remarks that Leona may have stopped by to invite him to a party - he’s even excited by the prospect. And again, he is let down. Leona even taunts him spot-on for his greatest insecurity (isn’t he just so dreamy?).

Now, while this does offend Malleus to a degree (see their catfight where he basically threatens to declaw Leona), I get the feeling that this kind of interaction with someone who views him as an equal (or at least, isn’t intimidated nor awed by him in the slightest) is probably pretty refreshing for Malleus. In a way, you get the sense that he enjoys that back and forth with him, because this goes back to Mal’s wish to be accepted and have friends to talk with.

Anyway, to return to my main point: Malleus’ deep loneliness and failure to fit in has likely caused some deep rooted feelings of insecurity (Note: I want to make a separate post on this because it’s kind of a lot, but I think this also contributes to his anxious attachment style). Malleus likely feels unwanted, despite all the great things about him that make people like Sebek fanboy over him.

No matter how powerful Malleus becomes, no matter how many people worship him, Malleus will always feel worthless deep down because no one will accept him for who he is.

The kind of insecurity and loneliness that pervades your life for years and follows you around everywhere isn’t something you can just shake off. No matter how much he tries to reassure himself that he is enough, he’ll never quite be able to quiet the voice in his head telling him that he is wanted by nobody and that he deserves nothing, that things are this way because he is not worth loving.

To conclude, how can Malleus reconcile these two sides of himself - the parts that know he is something great (worthy of worship and praise, even) and the parts that tell him he is worth nothing? Both sides are so extreme, people worship him but almost everyone avoids him. I feel that’s something Malleus must struggle with a lot - trying to hold on to the view of himself as a good prince while feeling that slip away when he becomes emotional.

Thanks for reading if you got this far! Let me know if you disagree or think I got anything wrong, this is just my thoughts and my opinions and I’m open to changing them :)

[amnayel]

something really interesting about book 7 is that there seems to be a lesson about true happiness being passed here

i love when i consume media because it seemed cool only to be hit with a message at the middle of it

theres something we all can agree with after reading book7: malleus concept of happiness is messed up. malleus idea of happiness is a life where everything happens the way you wanted to and there’s no hardships or pain

but let me tell you a little story to explain my point: i’m a person who suffered a lot during my life. one of the things i dreaded the most was that my teenage years where stolen from me. everything i ever wanted was to be a normal girl, study in the afternoons, play games until late at night and go out with my friends once in a while

pretty much everyone i knew lived this life, and they HATED IT. they thought it was boring and wanted more emotion to their lives. but why did i wanted it? because i didn’t have it. i only appreciated the simple life most people had because i was suffering so much from a young age, if i had never been denied this simplicity i wouldn’t be able to fully appreciate it, because i too would’ve taken it for granted

why lilia dream had so much suffering in it? because if he hadn’t suffered to hatch malleus, he would’ve taken that moment for granted. ofc he would still be happy, but not as much. the peace that comes AFTER the hardships is way more blissful than the one BEFORE all the problems began.

you’ll never appreciate what you have if this happiness is never threatened.

thats something the overblotted are realizing one by one. we see that vil and jamil both ended up denying their dream world and even felt shame for them because they don’t want their victory to be handed on a plate. they want to fight for it AND WIN

malleus couldn’t understand why lilia, in a place where he could have ANYTHING and EVERYTHING, still chose to relive the worst moments of his life, loose his loved ones again, see briar kingdom lose the war again, be outcasted by humans again… if he could have everything in this dream world, why he wanted to suffer it all again?

because the pure happiness of seeing malleus being born wouldn’t be same without all of this.

lilia knows this as a older person, the other characters are still young. for me the ob boys dreams being more detailed is not because they have more magic, but because they dreamed of these perfect worlds before, escaping from reality for a moment and going to a place where everything they ever wanted was real

but in the end, the true happiness they wish for will only come after so much suffering, and probably will not be exactly what they wanted, because what you want is not always what will make you happy, what you want is not always something you can have, but no ones suffers forever.

malleus will eventually have to realize this, that lilia has to go, that people will continue to fear him, that he will say way too many goodbyes in his long life…

but that this doesnt means he won’t find happiness at the end of it.

[ariasphirance]

lilia usually scolds malleus for being unaware of human's norms and seeming to never learn, like malleus keeps breaking his phones, not reading invitation messages and finding it hard to understand human's perceptive.

but lilia took ~200 years travelling around the world to finally settle down with human's cultures, that's why he's quick to catch up to human's trends and understanding what's on their mind. while malleus has only spent 3 years outside his own secluded castle.

but malleus is a fast learner, even though fairy takes it easy and too chill with their long lives (like taking ~20 years to learn how to walk), in the span of 3 academy years, he learned how to use home electrics such as washing machine, dryer and microwave. he even learned how to cook actual good food through a school course. (super proud!!!)

so if he said it'd take him another 100 years to finally get used to the human's society (dorm uniform ssr), he would.

meanwhile...... lilia's food is still unedible no matter how many years have passed and how many times he cooks..... (apprentice chef) it puzzles malleus and makes him think that he might never be able to solve this mystery, unlike how he's still able to see the future of him understanding humans LMAO lilia can you still scold malleus for his ignorance?

[raven-at-the-writing-desk]

octavinelle’s “happy endings”

***SPOILER WARNING: This post will go into detail about the dreams Azul, Jade, and Floyd experience in the book 7 part 10 update.***

OKAY, so there’s a debate in the TWST fandom about whether or not Azul and the twins consider each other “real” friends or just business partners. I’ve shared my own thoughts on this topic in the past (which you can read here!). After the most recent main story update, it’s now more clear to me than ever that they do treasure each other even if they don’t express that in traditional ways.

Let’s discuss them in order that they appear in book 7 part 10!! I know there’s some vagueness surrounding how much of the dream is Malleus actively controlling the scenarios (hence the limited and shallow scope of them) and how much the dreams actively pull from the innate desires of the dreamer, but for the sake of the argument let’s assume the latter is more influential in shaping and structure of the dreams.

First up, Floyd!

So Floyd is known as the “I do what I want when I feel like it” guy. He hates two main things: 1) being told what to do/having his freedom restrained and 2) being bored. To ensure that Floyd is happy, the dream consistently shifts to locations so he vanishes explore and experience new things.

What you might notice is that Azul and Jade aren’t around in Floyd’s dream. This doesn’t mean they don’t exist or that Floyd doesn’t know who they are though. When asked, Floyd replies that Azul is simply doing his own thing (focusing on his business ventures/schemes) and Jade is there supporting him, thus leaving Floyd to his own devices. The fact that Jade and Azul are still present in Floyd’s dream, just not in an immediate capacity, makes complete sense.

In the waking world, Floyd loves to stir up trouble with his brother and Azul. The thing is, Floyd also dislikes it when they tell him off, order him to do something he’s not in the mood for, or punish him for acting out. Yes, Jade for the most part enables Floyd to misbehave, and yes, Azul has largely learned by now that it’s best to sit back and let Floyd fuck off/finish throwing a tantrum rather than intervene. However, there are still times when they order Floyd around or get upset with him. For example, Azul scolds Floyd for damaging the vault where they keep the contracts in book 3 and for not selling the drinks he’s supposed to in book 5. We see numerous examples across vignettes as well: Jade forces Floyd to stand in line at a famous patisserie for Trey as penance for eating special fruits meant for a VIP client (Trey Labwear vignettes), Azul and Jade wring Floyd for his eel slime (Azul Ceremonial Robes vignettes), Azul orders Floyd to secure the rights to Sam’s Mystery Drink even though Floyd shows a clear disinterest in the task (Floyd Dorm Uniform vignettes), etc.

In spite of these grievances, Floyd doesn’t entirely despise Jade and Azul, nor would he be happier without them. They’re an important part of his life, hence why they still linger in the dream, just in the periphery where they can’t butt in with whatever Floyd wants to do. Jade and Azul aren’t present and compliant since that, too, would quickly bore Floyd. He loves those two goobers in part because they’re chaotic and unpredictable, not because they’re yes men to his every action. The dream might not be able to keep up with that demand; it only seems to operate in extremes rather than conjure enough nuance to keep Floyd stimulated and content. This is why all the places Floyd already visited bored him; he got showered with too many conveniences and eventually got fed up with it all.

If you need even more damning evidence, all previous dreams would manifest someone closely tied to the dreamer in an attempt to keep them in the dreamscape. Who does Floyd’s dream summon? AZUL AND JADE. If Floyd genuinely found them annoying or didn’t want them near, the surely the dream would spawn other people. BUT NO, it specifically spawned THOSE TWO in an effort to convince Floyd. It can be argued that they could very well be a source of hatred since Kalim and Neige showed up for Jamil and Vil respectively, but I genuinely think Floyd doesn’t feel that degree of negativity toward Jade and Azul; the kind of hatred that Jamil and Vil have for their respective counterparts has never been expressed by Floyd toward Jade or Azul.

Floyd reacts to dream!Jade and Azul in a manner that’s very different from the dreamers that came before him… with anger. And a LOT of anger too. He immediately clocks them as phonies and, he, fully waking, demands to know who the fakes are, because they certainly aren’t Jade and Azul. Floyd points out their faces and voices may resemble theirs, but they’re acting in a way that they never would (suggesting a “boring” way of living). That pisses him off to the point where he cuts the fakes down all by himself. Brutal violence aside, this tells us a lot about Floyd... as well as Malleus.

We see that Floyd has become lethargic and bored despite the dream's attempts to sate him, which just demonstrates that Malleus, whose magic has a hand in crafting these realities, has a shallow understanding of what makes people happy. (Edit: to be clear, Malleus having a “shallow understanding” of happiness is not a personal take; this is a direct statement made by Idia in-game and this is where I am pulling my phrasing from.) He thinks that removing all obstacles and challenge to what you want is what leads to a happy ending when, in truth, it clearly isn't the case for Floyd, who craves stimulation and change. While Malleus is motivated outright controlling the details of Floyd’s dream down to the wire, his autonomous magic has decided to get rid of any challenges Floyd may face in his pursuit of happiness. (I would continue about the Malleus portion, but since this post is about the Octatrio, I will instead direct you to this post, which shares many of my own thoughts ^^) I think that's why Floyd truly "woke" when he was faced with dream!Azul and Jade; a part of him recognizes how wrong it is for the two people he chose to spend his time with because they're so fun are now turning around and preaching complacency. It tells us just how well Floyd knows those two and values their... unique perspectives, shall we say?

Next, just Jade!

What's immediately fascinating about Jade's dream is that it's also underwater, despite Floyd and co. suspecting it would be on land/in the mountains. Floyd even changes from his merform to his human form prior to hopping to Jade's dream because he was under the impression that it would be on land. This ends up not being the case, although Malleus's magic does manifest the underwater equivalent of "mountains", which are volcanic vents at the bottom of the sea.

We see Jade happily exploring alongside a dream!Azul and dream!Floyd, who are both very different than the real ones. Dream!Azul has big, watery eyes and is much more of a coward and crybaby than the real Azul is. He also seems to be very dependent on Jade, who derives great joy from watching dream!Azul flail about while trying to attain his goals (in this case, access to a gold vein). This is in-character with what we already know about Jade; he amuses himself by watching others struggle--especially Azul, whom Jade frequently teases, such as tricking him to dance as a mummy in the first Halloween event and comparing Azul's greedy attitude to the positive traits of other dorm leaders. Jade also prefers to have control over the circumstances, so he likes it when people defer to his word or advice. So what better to hand him than an Azul that listens to his every word and also provides entertainment value in his tears?

As for dream!Floyd, he presents with a very goofy face and seems to lack his usual aggression and flippancy. Instead, he has a fixation on eating other sea life around him (crabs, shrimp, etc.) and happily goes along with Jade's mountain exploration. Like dream!Azul, dream!Floyd acts dependent on Jade to guide him and even acts cowardly in a fight. Now we can sort of get a glimpse of how Jade feels about Floyd too. Dream!Floyd's pliant and agreeable nature may come in part from the dream seeking to provide Jade with more free entertainment, but it could also be that Jade wants Floyd to share in his interests. But here Floyd is not gung-ho about mountains; instead, he acts very innocently, almost like a kid going along with whatever his parents decide to do for the day. It gives me the impression that Jade doesn't see Floyd as threatening but as someone cute and child-like. This idea is reinforced when, in an attempt to keep Jade dreaming, dream!Azul tells him that Floyd is cute and not some thug (like the real Floyd is). AND JADE 100% BUYS IT. He 100% believes that dresm!Floyd is the "true" one, that his Floyd and Azul would be useless without his support.

Idia makes an important comment at this point in book 7. He explains that Jade is having a hard time waking up because he believes in himself too strongly. That also means that Jade is distrustful of others; he is the only person he counts on. This reflected in how dream!Azul and dream!Floyd present. Both are heavily reliant on Jade to tell them what to do. In real life, too, Jade uses his competency to get into others' good graces (including the notoriously hard to please Vil; see his Dorm Uniform vignettes) so then he can reap the benefits that relationship offers. Jade is just that confident that he can succeed. Indeed, he often is the one coming close to tasting success when all others have failed. If we look back at Ghost Marriage, Jade was about to win over Eliza's heart before Floyd rudely interrupted and pointed out the flowers Jade was gifting were poisonous. Back to Idia's comment; because this is dream's Jade world, he's perhaps too invested in the dream that he has made, thus Jade is choosing to believe the dream that he conjured over the reality staring him in the face. It takes fistfighting with Floyd AND a jolt from Sebek's UM to properly shock some sense into Jade. He is otherwise too stuck in his own head to consider a truth that isn't one he has constructed for himself.

Still, I find it revealing that even though Jade is essentially stuck in his own headspace, dream!Floyd and dream!Azul are the only other people around. Floyd and Azul’s dreams feature way more NPCs, but Jade’s dream is pretty lonely. He could theoretically have several influential people to whisper in the ears of, but instead Jade’s desire is grounded… just being able to explore nature with his twin and Azul. They’re the ones he chooses to spend his time with. No one else. And Jade actively, fiercely defends this simple thing despite usually not being one to resort to violence right off the bat. The only major time in the main story where Jade does this is in book 2, when be noticed that he’s being tailed and does not appreciate the violations of his privacy. That’s exactly what this dream sequence is. It’s another violation of his privacy, and he detests that. You shouldn’t be here interrupting his happy, chill time with his friends business associates. It’s best for you to clear out.

I think it's also worthwhile to note that Floyd and Jade's waking sequences mirror one another. To quote myself from another post:

Something I find interesting is that the twins’ moments of waking mirror each other’s usual approaches to a task. Floyd usually foregoes a plan and prefers to use his fists to get the job done. However, he is slowly roused by reminiscing about his memories at NRC and the promise of being presented with a challenge. The final blow that shocks him awake is the presentation of a dream!Azul and dream!Jade who attempt to lure him deeper into the dream. Floyd doesn’t fall for it; in fact, he gets mad instead, and that fury, so biting and clear, snaps him awake. The opposite is true for Jade. He is someone who meticulously plans before acting, and would rather control the circumstances and use other roundabout methods before resorting to violence. But ironically, the master manipulator Jade is the one who falls for his own dream’s manipulations—all because he trusts himself above all else. He only wakes up because of a very strong physical force (ie Sebek’s UM) striking him. Prior to this, Jade was putting up a very good fight and the blows be was taking were not sufficient to wake fully him. So… Floyd, the brother who prefers brawns, woke up after reflecting and experiencing strong cognitive dissonance between his fake reality and bis true reality. Jade, the brother who prefers brains, woke up after being smacked the right amount. They woke up after experiencing an intense shock related to what is essentially the opposite of their preferred problem solving strategies.

And last but not least, Azul!

We’ve arrived at what I think is the juiciest part to dissect on the subject of the Octatrio’s friendship. To start off with, everyone suspects that Azul’s dream will be one in which he is a highly successful businessman with Mostro Lounge as a chain with even more locations stretching as far as the Coral Sea’s depths. That isn’t the case though! They quickly come to learn that Azul is the leader of Golden Trident, a reigning Coral Rush team. In this dream’s reality Azul was always popular and well-liked. Because he was never bullied, he never started up his shady business in middle school and thus never attracted the interest of the twins. Notably, Jade and Floyd still exist in the dream (as Azul remembers the Leeches from elementary school), but they never got close.

Before we get into the Octatrio’s dynamics, I want to say that the setup of this dream already tells us that a lot of Azul’s desire to become a successful business owner really stems from the longing to be accepted as he is. He uses his businesses and accumulation of contracts to reinforce and inform his self worth. Azul has formed a false belief and identity entering around the concept of success and likability equating to talent and material goods. This explains why he’s so fixated in his public image and being perceived as smart, confident, reliable, and trustworthy, and why he loses it so quickly when he’s denied his collection of golden contracts. Azul is insecure as heck about his shortcomings (athleticism being one of them) and the dream may be latching onto that, as well as his desire to be liked by his peers, to overcompensate.

A little thing I'd like to call attention to is that Jade refuses to divulge the private details of Azul's past in which he was bullied. This is significant because most other instances of the twins bringing up Azul's past usually results in them making fun of him for it and continuing to rag on him to the point where Azul becomes annoyed and tells them to quit it/reminds them that they swore to not talk about it. In those other instances though, the twins never tread that far; they'll at most comment about how different Azul looked or acted back then. They never went so far as to point out how badly he was bullied and here we see Jade respecting Azul's privacy by vocalizing that he refuses to release that information. And this JADE we're talking about, the one who has zero qualms with scoping out prospective new students for their personal info so Azul can later hold it against them (Jade Ceremonial Robes vignettes). Jade even blackmails older students to attain what he wants (Ortho Athletic Gear vignette). It says a lot that, when given the option to openly blab about what Azul experienced and have a laugh about it, Jade clams up.

sdjbaslidbasib OKAY I GOT SIDETRACKED, BACK TO AZUL'S DREAM. So he remembers the Leeches from elementary school, meaning that their existence was not entirely purged from his dream world. It's just a different timeline of events since he wasn't bullied in this reality. Azul is quite friendly to the twins and invites them to join his Coral Rush team at his mother's restaurant for a celebratory dinner. When we arrive at the restaurant, Azul and his team mates start to make fun of the land creatures for very similar things that he actually got bullied for in the waking world. (For example, being clumsy and uncoordinated in their swimming.) He's no longer the bullied, he is a bully. In a twisted way, Azul is getting validation of his own identity by looking down on others; this mirrors his behavior pre-OB in book 3, as he also mistreated his anemone'd peers back then. Tellingly, the only people he doesn't bully are... that's right, Jade and Floyd. Azul instead asks them to play Coral Rush with him. Again, this parallels what we saw in book 3: Azul is asking the twins to essentially "join" him in the midst of him abusing his power and lording over others. He still cares deeply about Jade and Floyd's approval specifically. Nowhere is this demonstrated so clearly as the method by which the twins finally get Azul to start questioning the construct of the dream. They start smashing up the restaurant but then grow bored and make as though they're going to casually leave. That triggers a memory from book 3 in which Azul is angrily shouting about how he'll always be alone. Alone. That's what Azul fears, being that lonely little octopus crying in his pot. That's why he's surrounded by adoring team members and fans in his dream. That's why he breaks down emotionally and OBs after the twins refuse to hand over their UMs to him in book 3. That's why he becomes distraught enough to shake the dream at the suggestion that Jade and Floyd, his two closest friends, are threatening to leave him. In book 4, Azul tries to be cool and play off this fear as the inevitable, that he's fully aware that the Leeches will discard him if he stops being entertaining to them, and that he's prepared for that when it happens. But... is that really the truth, given how Azul reacts in book 7? Everything leading up to this moment seems to imply Azul was just lying to himself, perhaps in an attempt to quell his own anxieties about the possibility. And given how Azul is shown to be calculated in cultivating a put-together public persona, I would not be shocked to learn that. It wouldn't make him seem strong or confident if he displayed weakness or fear over losing his right-hand men. I don't even know that he's purposefully telling a lie. It could very well be something Azul tells himself and believes in, but deep down he cannot truly know how emotional he would get if it ever happened.

As soon as Azul starts to wake, the mermobs of his Coral Rush team are the ones who come in and pull him deeper into the dream. Interesting to have just mobs doing this rather than a dream!Jade or dream!Floyd, given how important they seem to be to Azul. Maybe that's just how the surface level of the dream works? Like, it prioritizes lavishing Azul with general attention rather than the attention of two specific people since, in this dream's reality, Azul never bonded with Jade and Floyd (so those two wouldn't be as convincing?).

When Azul is being dragged into the darkness, Jade and Floyd don't go after him. Instead, they kinda just sit back and claim it's Azul's choice to dream more deeply so who are they to interfere? It takes some convincing from Ortho to convince the twins to pursue Azul into the next layer of the dream--but after the twins depart, Ortho wonders if Jade and Floyd being this cold is actually their way of showing trust. This sort of behavior is why I stress so often that we cannot take what the Octatrio do and say at face value all of the time. They have completely different ways of expressing that they care, and they don't always mean what they insist they mean. (KEEP THIS IN MIND BECAUSE IT COMES BACK INTO PLAY SOON.) In the second layer of Azul's dream, we revisit the events of book 3 had he been successful. He's setting that final class trip picture on fire and relishing in his total conquest of Night Raven College. Azul has ~500 golden contracts, the UMs of the other dorm leaders, and even has Crowley under his thumb--and this time, there's a dream!Jade and dream!Floyd to enjoy that victory with him. The rescue squad has to trick Azul into accidentally sanding his own contracts again, and it's that loss that finally breaks him. Again, we see how much of his own self-worth and value Azul places in that which he collects. It all ties back to that fear of not having anything of worth--not even allies to call his own--if he loses what he believes makes him desirable. At this point, Azul begins to sink into that final layer of his dream (the part where he confronts his OB self). This time, the twins lunge after him, calling out Azul's name and instructing him to grab onto them (+ Jade tells Floyd to help him pull). UM, HELLO????? The "take my hand" imagery, that symbol of trust and connection, from all the way at the start of the game is rearing its head here 😭 AND YOU KNOW WHAT'S EVEN CRAZIER???? The twins just... let go after that??? But not because they don't give a crap about Azul--no, it's because they care and believe that he can fend for himself, that he's no longer a weak person who cries and needs their support to stand on his own. Jade sends him off with a "good luck" and Floyd asks of Azul to not go to hell. Azul casually says the same right back to them before descending. And, just as the twins suspected, Azul is able to win against his inner demons and return to them, safe and sound. They were right about Azul, and Ortho was right about the Leeches. For as cold as Jade and Floyd seem to act, it's actually a front for how much they care.

In the segment where Azul faces his Phantom, he cites that the weight of everything he has taken from others has made it difficult to move. Taken literally, it of course could refer to the tentacles of his merform making it hard for him to swim. Metaphorically though? It can easily mean that he can't achieve personal growth if he's burdened by the weight of his sins (stolen talents, items, etc.). These things he stole may glitter, but they are not gold and he now realizes they aren't things he actually finds valuable. Azul wants to go out there and find things of "real value". I interpret this to mean intangible things that can't really have a price put to them, things that cannot be bought in stores... like friendship, the very thing he has with the twins but failed to call it that this entire time.

Everything in these dreams, and more specifically Azul's dream, demonstrates the Octatrio's mutual respect and trust in one another. Jade and Floyd acknowledge Azul as a strong individual, and Azul's subconscious reveals that he deeply values the twins and seeks their approval even when they've been removed from the picture.

[hanafubukki]

Do you guys ever think about Lilia and how he was changed during those 200 years? All the unconditional love he has? And how that was possible because of Malleus?

Lilia wouldn’t be the Lilia we know today if it wasn’t for that time of his life.

He had nothing left. His childhood friends gone. No title. Banished. He was walking aimlessly in life without any purpose

But then he was given a purpose.

He came back not as General Vanrouge but just Lilia Vanrouge.

He has a purpose now and his purpose was Malleus. A reason for him to live.

The very thing Maleanor wanted of him, for not only Lilia to live but also her son. Be each other's purpose.

Lilia traveled, he constantly looked for ways to hatch Malleus, and he changed during these travels and opened his eyes to humans.

Lilia learned and changed and loved and it was all because of that little egg.

He wasn't willing to do that before when he was General Vanrouge, but Malleus became his reason to live and his hope.

He would return to that egg and talk to him, tell him stories, he would rest next to that egg, and he would let his guard down because Malleus was his constant and his rest/peace.

Malleus showed Lilia that he could love, without him, Lilia would have always been that stubborn headed General thinking he didn't need a family, children were a hassle, etc.

Lilia learned that he could love because of him. It gave him peace and hope in a way he hadn't had it before.

Lilia learned the joys of cooking and enjoying food with a loved one. He put more effort to learning and expanding his knowledge so he could see him smile.

He learned and taught Malleus instruments to spend time with him. He learned the joys of running after a baby who threw tantrums and sneaking him cotton candy.

The joys of helping dress a child and feeding him. He sought for peace because of Malleus and wanted him to be free and get along with his human neighbors.

He chose to raise Silver because of him because he wanted to be a good example of what he taught. In return, this allowed him to expand his horizons and not just get along with humans but love them too (and through these actions, so did Malleus learn as well). He went to NRC because he wanted to be able to spend time with his family and expand their relationships and connections.

He wanted a family and he got that because of Malleus.

He wanted Malleus to learn and get along with humans, to have friends. Give Malleus the same love and experience that Malleus taught him even before he was born.

And Malleus? Malleus loved Lilia even before he was born. He reached out to him, rejected his grandmother’s magic, lived, and threw a tantrum because of how much he loves Lilia.

After he was born, from the stories we hear, you can see how much Malleus continues to love Lilia. Recalling fond memories as mentioned before, taking care of Silver because that would make Lilia happy, learning and getting along with humans for Lilia, always heeding and taking to heart everything Lilia says, wanting to make him proud, sneaking away to see him, etc.

Malleus literally did everything for Lilia that Lilia did for him.

Malleus gave Lilia love, peace, and hope for the present and future and Lilia returned that as well.

Lilia wants Malleus to learn, so even when Lilia isn't here anymore, Malleus will always have this love with him. The same love he gave Lilia.

So, in the future, Malleus will always have this cherished feeling with him.

He won’t be lonely anymore, like how General Vanrouge wasn’t lonely anymore because of that special little egg.

I think about this love between them and feel so soft 😭💞 always thinking about the other and loving each other so.