#Malin Hartelius

[princesssarisa]

Opera on YouTube 3

Il Barbiere di Siviglia (The Barber of Seville)

Mario Lanfrachi studio film, 1965 (Sesto Bruscantini, Valeria Mariconda, Ugo Benelli; conducted by Alberto Zedda; no subtitles)

Jean-Pierre Ponnelle studio film, 1974 (Hermann Prey, Teresa Berganza, Luigi Alva; conducted by Claudio Abbado; English subtitles)

New York City Opera, 1976 (Alan Titus, Beverly Sills, Henry Price; conducted by Sarah Caldwell; English subtitles)

Arena Sferisterio, 1980 (Leo Nucci, Marilyn Horne, Ernesto Palacio; conducted by Nicola Rescingo; no subtitles)

Teatro Real de Madrid, 2005 (Pietro Spagnoli, Maria Bayo, Juan Diego Flórez; conducted by Gianluigi Gelmetti; Arabic subtitles)

Teatro la Fenice, 2008 (Roberto Frontali, Rinat Shaham, Francesco Meli; conducted by Antonino Fogliani; Italian subtitles)

Royal Opera House, Covent Garden, 2009 (Pietro Spagnoli, Joyce DiDonato, Juan Diego Flórez; conducted by Antonio Pappano; English subtitles)

Vienna State Opera, 2019 (Rafael Fingerlos, Margarita Gritskova, Juan Diego Flórez; conducted by Evelino Pidó; English subtitles)

Arena di Verona, 2022 (Leo Nucci, Nino Machaidze, Dmitry Korchak; conducted by Daniel Oren; English subtitles)

Garsington Opera, 2023 (Johannes Kamler, Katie Bray, Andrew Stenson; conducted by Douglas Boyd; English subtitles)

Rigoletto

Wolfgang Nagel studio film, 1977 (Rolando Panerai, Franco Bonisolli, Margherita Rinaldi; conducted by Francesco Molinari-Pradelli; Japanese subtitles)

Metropolitan Opera, 1977 (Cornell MacNeil, Plácido Domingo, Ileana Cotrubas; conducted by James Levine; no subtitles)

Metropolitan Opera, 1981 (Cornell MacNeil, Luciano Pavarotti, Christiane Eda-Pierre; conducted by James Levine; no subtitles)

Jean-Pierre Ponnelle film, 1982 (Ingvar Wixell, Luciano Pavarotti, Edita Gruberova; conducted by Riccardo Chailly, English subtitles)

English National Opera, 1982 (John Rawnsley, Arthur Davies, Marie McLaughlin; conducted by Mark Elder, sung in English)

La Monnaie, Brussels, 1999 (Anthony Michaels-Moore, Marcelo Álvarez, Elizabeth Futral; conducted by Vladimir Jurowski; no subtitles)

Arena di Verona, 2001 (Leo Nucci, Aquiles Machado, Inva Mula; conducted by Marcello Viotti; Italian subtitles)

Zürich Opera house, 2006 (Leo Nucci, Piotr Beczala, Elena Mosuc; conducted by Nello Santi; no subtitles)

Paris Opera, 2016 (Quinn Kelsey, Michael Fabiano, Olga Peretyatko; conducted by Nicola Luisotti; English subtitles)

Teatro Massimo, 2018 (George Petean, Ivan Ayon Rivas, Grazia Schiavo; conducted by Stefano Ranzani; English subtitles)

Così Fan Tutte

Vaclav Kaslik studio film, 1969 (Gundula Janowitz, Christa Ludwig, Luigi Alva, Hermann Prey; conducted by Karl Böhm; English subtitles)

Jean-Pierre Ponnelle studio film, 1988 (Edita Gruberova, Delores Ziegler, Luis Lima, Ferruccio Furlanetto; conducted by Nikolaus Harnoncourt; English subtitles) – Act I, Act II

Teatro alla Scala, 1989 (Daniela Dessì, Delores Ziegler, Josef Kundlak, Alessandro Corbelli; conducted by Riccardo Muti; Italian subtitles) – Act I, Act II

Théâtre du Châtelet, 1992 (Amanda Roocroft, Rosa Mannion, Rainer Trost, Rodney Gilfry; conducted by John Eliot Gardiner; English subtitles)

Vienna State Opera, 1996 (Barbara Frittoli, Angelika Kirschlager, Michael Schade, Bo Skovhus; conducted by Riccardo Muti; English and Italian subtitles)

Teatro Comunale di Ferrara, 2000 (Melanie Diener, Anna Caterina Antonacci, Charles Workman, Nicola Ulivieri; conducted by Claudio Abbado; no subtitles)

Zürich Opera House, 2000 (Cecilia Bartoli, Liliana Nikiteanu, Roberto Saccá, Oliver Widmer; conducted by Nikolaus Harnoncourt; no subtitles) – Act I, Act II

Opera Lyon, 2007 (Maria Bengtsson, Tove Dahlberg, Daniel Behle, Vito Priante; conducted by Stefano Montanari; French subtitles)

Salzburg Festival, 2009 (Miah Persson, Isabel Leonard, Topi Lehtipuu, Florian Boesch; conducted by Adam Fischer; English subtitles)

Zürich Opera House, 2009 (Malin Hartelius, Anna Bonitatibus, Javier Camarena, Ruben Drole; conducted by Frans Welser-Möst; English subtitles)

Aïda

San Francisco Opera, 1981 (Margaret Price, Luciano Pavarotti; conducted by Luis Garcia Navarro; no subtitles)

Metropolitan Opera, 1985 (Leontyne Price, James McCracken; conducted by James Levine; English subtitles) – Act I, Act II, Act III, Act IV

Teatro alla Scala, 1986 (Maria Chiara, Luciano Pavarotti; conducted by Lorin Maazel; English subtitles)

Metropolitan Opera, 1989 (Aprile Millo, Plácido Domingo; conducted by James Levine; English subtitles)

Teatro Comunale di Busseto, 2001 (Adina Aaron, Scott Piper; conducted by Massimiliano Stefaneli; Italian subtitles)

St. Margarethen Opera Festival, 2004 (Eszter Szümegi, Konstantin Andreev; conducted by Ernst Marzendorfer; English subtitles)

Metropolitan Opera, 2012 (Liudmyla Monastyrska, Roberto Alagna; conducted by Fabio Luisi; Russian subtitles)

Tbisili State Opera, 2017 (Maqvala Aspanidze, Franco Tenelli; conducted by Marco Boemi; Russian subtitles)

Teatro Colón, 2018 (Latonia Moore, Riccardo Massi; conducted by Carlos Vieu; Spanish subtitles)

Teatro la Fenice, 2019 (Roberta Mantegna, Francesco Meli; conducted by Riccardo Frizza; French subtitles)

[mezzowatch]

Vesselina Kasarova as Octavian and Malin Hartelius as Sophie in Strauss’ Der Rosenkavalier

[lives-in-a-harpsichord]

OPERA TIME

The music in this opera is absolutely glorious and works wonders in soothing a cranky mind

[verdiprati]

Mostly Mezzo Mondays: Connolly, DiDonato (x2), Invernizzi, Antonacci, Cargill (x2), Leonard, Bartoli (vintage), Barton, and Röschmann

Mostly Mezzo Mondays: a recurring (though not weekly) feature where, on Monday nights, I blog a list of the upcoming broadcasts that have caught my eye on World Concert Hall. My interests: baroque vocal music, art song recitals, and a list of favorite singers.

Mostly Mezzo Mondays has been mostly on hiatus in recent weeks, but it is back today with an absolute MEZZ-o-RAMA of upcoming broadcasts, plus a few of my favorite sopranos thrown into the mix, covering a huge range of repertoire. There should be something for everyone in this week’s MMM.

First and foremost in my heart, we have Dame Sarah Connolly among the soloists for a Beethoven Missa Solemnis recorded at a concert in Berlin in 2018. Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann fill out the rest of the vocal soloists’ roster; they sing with Le Concert Olympique and the Arnold Schoenberg Chor conducted by Jan Caeyers. Unlike many of the other performances in this week’s MMM list, this one has not (to my knowledge) been broadcast previously. Tuesday, April 28 on Deutschlandfunk Kultur.

Joyce DiDonato sings the title role in Donizetti’s Maria Stuarda as part of the Metropolitan Opera’s series of free video streams; Elza van den Heever plays her rival Elisabetta in this production from 2013. Tuesday, April 28 on the Met website.

I admire Roberta Invernizzi’s work in Italian baroque repertoire; I look forward to hearing what she can do with Elizabethan and early English baroque music in the first half of a recital recorded in early 2018. The second half of the program, which she shares with lutenists Franco Pavan and Ugo Di Giovanni, turns to Italian works. Wednesday, April 29 on Rai Radio 3. 

The Wiener Staatsoper’s free video stream offerings this week include a production of Berlioz’s Les Troyens from 2018 with Anna Caterina Antonacci in the role of Cassandre and Joyce DiDonato as Didon. Thursday, April 30 via the Staatsoper’s streaming platform.

Fans of Karen Cargill may want to catch the re-broadcast of her performance in Mahler’s Symphony No. 3 with the BBC Philharmonic, the BBC National Chorus of Wales, and the Boy and Girl Choristers of Gloucester Cathedral, recorded in 2017. Thursday, April 13 on BBC Radio 3.

A mezzo gets the title role in a second Met video stream this week: Isabel Leonard sings the lead in Nico Muhly’s Marnie. Iestyn Davies and Christopher Maltman also star in the production, which was filmed in 2018. Thursday, April 30 on the Met website.

Karen Cargill sings the role of Marguerite in Berlioz’s La damnation de Faust; Bryan Hymel and Gerald Finley sing Faust and Mephistopheles, respectively, in a rebroadcast of a 2017 performance with the London Symphony Orchestra. Friday, May 1 on BBC Radio 3.

I promised there would be something for everyone in this week’s MMM, and that includes some vintage Cecilia Bartoli in a concert of Italian baroque arias that she performed along with Le Musiche Nove in 2002. Friday, May 1 on SWR 2.

Jamie Barton sings the role of Fricka in Wagner’s Das Rheingold; Iain Paterson is her Wotan in a 2014 production from the Houston Grand Opera. Saturday, May 2 on the radio station HPM Classical.

And finally, Dorothea Röschmann sings three fragments from Berg’s Wozzeck as part of a concert with the Berliner Philharmoniker recorded in 2018. Saturday, May 2 on RBB Kultur.

[rolflovesclassicalmusic]

Blog post #453 — Concert review, ★★★★, Florian Helgath, Orchestra La Scintilla, Zürcher Sing-Akademie, Malin Hartelius, Christina Daletska, Benjamin Bruns, Ludwig Mittelhammer @ Kirche St.Jakob, Zurich, 2018-12-07 — Bach: Christmas Oratorio, BWV 248, Cantatas 1 – 3; Arvo Pärt: Magnificat (1989); Praetorius / Jan Sandström: "Es ist ein Ros entsprungen" (1990) #rolfsmblog

[palimadar]

Ah, perdona al primo affetto from Mozart’s La Clemenza di Tito sung by Malin Hartelius and Liliana Nikiteanu

[princesssarisa]

The Top 40 Most Popular Operas, Part 2 (#11 through #20)

A quick guide for newcomers to the genre, with links to online video recordings of complete performances, with English subtitles whenever possible.

Johann Strauss II's Die Fledermaus

The most famous Viennese operetta, a rollickling comedy set amid Vienna's high society.

Studio film, 1971 (Eberhard Wächter, Gundula Janowitz, Renate Holm, Waldemar Kmennt, Wolfgang Windgassen; conducted by Karl Böhm)

Mozart's Cosí Fan Tutte

A comedy of romantic partner-swapping, its cynical libretto juxtaposed with Mozarts sublime music.

Zürich Opera, 2009 (Malin Hartelius, Anna Bonitatibus, Javier Camarena, Ruben Drole, Martina Janková, Oliver Widmer; conducted by Franz Welser-Möst)

Verdi's Aida

The quintessential "grand opera": a tragedy of love vs. duty and country amid the pomp and pageantry of ancient Egypt, which inspired the Elton John/Tim Rice musical of the same name.

St. Margarethen Opera Festival, 2004 (Eszter Sümegi, Kostadin Andreev, Cornelia Helfricht, Igor Morosow; conducted by Josef Pancik)

Humperdinck's Hänsel & Gretel

The quintessential "children's opera," based on the classic fairy tale.

Studio film, 1981 (Brigitte Fassbaender, Edita Gruberova, Sena Jurinac, Hermann Prey, Helga Dernesch; conducted by Georg Solti)

Donizetti's L'Elisir d'Amore (The Elixir of Love)

A sweet romantic comedy in the Italian bel canto style.

Vienna State Opera, 2005 (Rolando Villazon, Anna Netrebko, Leo Nucci, Ildebrando d'Arcangelo; conducted by Alfred Eschwé)

Puccini's Turandot

A dark fairy tale of love and deadly riddles in ancient China: controversial in its Orientalism, but with thrilling music, including the ever-famous tenor aria "Nessun dorma."

Opera Hong Kong, 2018 (Oksana Dyka, Alfred Kim, Valeria Sepe, George Andguladze; conducted by Paolo Olmi)

Die Lustige Witwe (The Merry Widow)

Another iconic example of Viennese comic operetta.

Metropolitan Opera, 2014 (Renée Fleming, Nathan Gunn, Kelli O'Hara, Alek Shrader, Thomas Allen; conducted by Andrew Davis) (sung in English)

Act I, Act II, Act III

Tchaikovsky's Eugene Onegin

The most famous of all Russian operas, based on Alexander Pushkin's great verse novel of unrequited love.

Kirov Opera, 1984 (Sergei Leiferkus, Tatiana Novikova, Yuri Marusin, Larissa Diadkova; conducted by Yuri Temirkanov)

Verdi's Nabucco

The grand Biblical opera, based on the story of Nebuchadnezzar, that first launched Verdi to fame.

St. Margarethen Opera Festival, 2007 (Igor Morosow, Gabriella Morigi, Bruno Ribiero, Elisabeth Kulman, Simon Yang; conducted by Ernst Märzendorfer) (click CC for subtitles)

Rossini's La Cenerentola (Cinderella)

The world's most famous fairy tale reimagined as a "realistic" comedy of manners with sparkling bel canto music.

Studio film, 1981 (Frederica von Stade, Francisco Araiza, Paolo Montarsolo, Claudio Desderi, Paul Plishka; conducted by Claudio Abbado)

[mezzowatch]

Vesselina Kasarova as Octavian and Malin Hartelius as Sophie in Strauss’ Der Rosenkavalier

[unariasettimanale]

Aria: Amoretti che ascosi qui siete act 2 scene 5 Rosina's aria Opera: Wolfgang Amadeus Mozart: La finta semplice (1769, K. 51 (46a) Performer: Malin Hartelius (lyric coloratura soprano) Orchestra: Camerata Salzburg Conductor: Michael Hofstetter DVD on Amazon

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La finta semplice (The Pretended Simpleton), K. 51 (46a) is an opera buffa in three acts for soloists and orchestra, composed in 1769 by then 12-year-old Wolfgang Amadeus Mozart to an Italian libretto by the court poet Marco Coltellini based on an early work by Carlo Goldoni. It was performed at the court of Palace of the Archbishop, Salzburg, 1 May 1769.

Aria is the highlight of the opera as a whole. Rosina pleads with the cupids not to torment her, and for the “vi prego”, Mozart dispenses with the tempo in favor of an Ad Lib, to moving effect.

Libretto:

Italian:

Amoretti che ascosi qui siete E volando d'intorno ferite Deh, vi prego, da me non venite Questo cor non venite a piagar.

[verdiprati]

UPCOMING PERFORMANCES BY DAME SARAH CONNOLLY

[NOTE: this post is now out of date. Check the schedule tag on my blog for the most recent version of this list.]

After the jump: an unofficial schedule of Dame Sarah Connolly’s future performances. Those of you in Britain may catch a performance in London, Cardiff, Leeds, Oxford, Gloucester, Bath, or Chipping Campden. Those on the Continent may see her in Berlin, Madrid, Paris, Antwerp, Amsterdam, Geneva, Zeist, or Baden-Baden. And finally, those of us in North America have a recital in Philadelphia to look forward to! Don’t live near one of these places? Take in a concert from afar: I am adding online broadcast and livestream details as they become available.

This is not an authoritative list. These are the upcoming performances by Dame Sarah Connolly that I have been able to learn about from Dame Sarah’s agent's website (Askonas Holt), Operabase, Bachtrack, Dame Sarah's Twitter, and generally ferreting around the web.

I sometimes list concerts that are not yet officially confirmed; you should of course check official sources before making plans and be aware that cast changes and cancellations can happen at any time.

I have added links to venue, ticketing, and broadcast information where available. Tips on new information are always welcome! Please contact me via email (verdiprati [at] selveamene [dot] com), Tumblr messaging, or ask box (plain prose only in the ask box; anything with links or an email address will get eaten by Tumblr filters) with corrections or additions.

[Masterclass] Public masterclass at Wigmore Hall, London, September 19, 2018. Part of Dame Sarah’s residency at the Wigmore. 

Wagner, Das Rheingold and Die Walküre (Fricka in both) at the Royal Opera, London, September 24 through October 28, 2018. A revival of Keith Warner’s Ring Cycle, with Antonio Pappano conducting. For cast and date details, see the ROH web pages linked above. The October 28 performance will be livecast to cinemas; the October 18 performance, also marked “Filming,” is presumably a dry run for the camera crews and/or a chance to gather additional footage for promos and perhaps an eventual DVD release (we can hope). Rheingold dates: September 24; October 2, 16, and 26. Walküre dates: September 26; October 4, 18, and 28.

[New! Broadcast] There will be an audio-only broadcast of Das Rheingold by BBC Radio 3 on Saturday, October 27—conveniently timed to prime listeners for the livecast of Die Walküre the following day. If you can’t listen at the time of broadcast, though, you should be able to find the Rheingold audio archived on the BBC website for a month following.

[Cinema livecast] As mentioned above, the October 28 performance of Die Walküre is scheduled for livecast to cinemas. You can use this page to search for a screening near you. Oddly, no screenings are being shown in the US at the time of this writing, but I know of at least one deferred screening in New York, at Symphony Space on November 25.

[New! Broadcast] There will be an audio-only broadcast of Die Walküre by BBC Radio 3 on Saturday, November 3. As with all BBC Radio 3 programming, I would expect it to stay online for a month after broadcast. It seems like a fair guess that the other two Ring operas will be broadcast on subsequent Saturdays; check the Radio 3 website when the time gets closer, if you are interested.

Mahler, Das Lied von der Erde at the Royal Festival Hall, London, September 29, 2018. With Stuart Skelton and the London Philharmonic Orchestra conducted by Vladimir Jurowski. In a concert with Mitsiko Uchida playing Mozart’s Piano Concerto No. 27.

Appearance at “Opera For All” anniversary show at the English National Opera, London, October 10, 2018. The exact program has not (to my knowledge) been announced, but a blog post from ENO says “The performance will feature moments from operas that have played an important part in ENO’s history, including Britten’s Peter Grimes, Handel’s Alcina, Gilbert and Sullivan’s Iolanthe Verdi’s Rigoletto and Wagner’s Ring Cycle.” Dame Sarah has sung roles in Alcina, Iolanthe, and the Ring Cycle, but I believe Alcina is the only one she has performed at ENO, and my hunch is that she will offer one or two of the Handel arias she has sung to such acclaim at ENO over the years.

Mahler, Das Lied von der Erde at the Philharmonie Berlin, October 14, 2018. With Torsten Kerl Robert Dean Smith and the Rundfunk-Sinfonieorchester Berlin conducted by Vladimir Jurowski.

[Broadcast] The concert is scheduled for live broadcast on Deutschlandfunk Kultur.

Recital of English song at the Oxford Lieder Festival, October 22, 2018. With Eugene Asti. Songs in English by numerous British composers including Rebecca Clarke, Muriel Herbert, and Sally Beamish. There is a good deal of overlap with the selections on Dame Sarah’s recent album “Come to Me in My Dreams.”

Concert with Tenebrae at Wigmore Hall, London, October 24, 2018. Part of Dame Sarah’s yearlong residency at the Wigmore. The mostly English repertoire centers on a new piece by Judith Bingham setting poetry by Ivor Gurney. The choir throws in some Schoenberg at the end.

Purcell, Dido and Aeneas (Dido) in concert at the Concertgebouw, Amsterdam, November 3, 2018. With the Early Opera Company conducted by Christian Curnyn, in a concert also featuring John Blow’s Venus and Adonis (which does not include Dame Sarah in the cast). Dame Sarah’s co-stars are Jonathan McGovern, Lucy Crowe, Dame Felicity Palmer Avery Amereau, and Rowan Pierce.

[New! Broadcast] Thank you to the astute reader who pointed out that, as mentioned on the Early Opera Company’s website (and less explicitly on the Concertgebouw site), this concert will be broadcast live on NPO Radio 4 as part of the NTR Saturday Matinee series. Recordings from the series seem to be kept available online for quite a while, so you should have ample chance to hear the concert even if you cannot tune in at the hour of live broadcast.

Tippett, A Child of our Time at the Paris Philharmonie, November 7 and 8, 2018. With Michelle Bradley, Mark Padmore, John Relyea, and the Orchestre de Paris conducted by Thomas Adès in a concert also featuring symphonic works by Berlioz and Adès.

[New! Broadcast] The Orchestre de Paris website says, “Concert du 7 novembre enregistré et diffusé sur France Musique en différé et disponible à la réécoute sur le site internet de France Musique en streaming pour une période de 3 ans.” I never took French but read that to mean that we can expect a deferred broadcast of the November 7 concert, available for replay for three years. I have not been able to find a date of broadcast yet but I will keep an eye out for it. 

Recital at the Bath Mozartfest, Guildhall, Bath, November 13, 2018. With Joseph Middleton. Repertoire to include “Deh, per questo istante solo” from La Clemenza di Tito as well as songs by Schubert, Ravel, Debussy, Gurney, and Ireland. UPDATE: Dame Sarah withdrew from the concert and was replaced by Louise Alder.

"L’invitation au voyage,” song recital at Wigmore Hall, London, November 16, 2018. With James Newby and Joseph Middleton. The repertoire is Ravel-centric but not all by Ravel himself. Part of Dame Sarah’s residency at the Wigmore and also part of a Ravel song series being presented by the venue over the course of the year.

Beethoven, Missa Solemnis at deSingel, Antwerp, November 21, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

[New! Deferred broadcast] Recital at the Schubertíada Vilabertran. With Malcolm Martineau and Jonathan Brown. Works by Brahms, Mahler, Gurney, Richard Rodney Bennett, and Frank Bridge. Recorded at the live performance on August 18, 2018; scheduled for broadcast [PDF] on Catalunya Música November 23, 2018. 

Beethoven, Missa Solemnis at the Philharmonie Berlin, November 23, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. Tickets appear to be on sale here. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

Beethoven, Missa Solemnis at the Festspielhaus Baden-Baden, December 1, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

Appearance at the Glyndebourne Tour: Golden Anniversary Celebration at the Queen Elizabeth Hall, London, December 4, 2018. Sir Thomas Allen and Sir John Tomlinson are also appearing at the concert, and the Glyndebourne website says “More performers will be announced in the coming weeks.” The program has not been announced yet but I will be surprised if Dame Sarah does not reprise an aria or two from Giulio Cesare. This event does not yet appear on the Southbank Centre’s calendar, and I don’t see a way to purchase tickets online, but they apparently are available by phoning the Glyndebourne box office.

Wagner, Das Rheingold (Fricka) at the Teatro Real, Madrid, January 17 through February 1, 2019. In a production by Robert Carsen; conducted by Pablo Heras-Casado. Co-stars include Greer Grimsley (Wotan) and Sophie Bevan (Freia) among others.

Berlioz, L’Enfance du Christ with the BBC National Orchestra of Wales at Hoddinott Hall, Cardiff, February 15, 2019. Sir Andrew Davis conducts; the other vocal soloists in the all-Brit, all-excellent lineup are Andrew Staples, Roderick Williams, and Matthew Brook.

Recital with Julius Drake at the Concertgebouw, Amsterdam, March 5, 2019. Works by R. Schumann, Brahms, Wolf, A. Mahler, and Zemlinsky.

Recital with Julius Drake at the Grand Théâtre de Genève, March 7, 2019. I don’t see the repertoire mentioned on the theater’s website as of this writing, but presumably it will be similar to the works presented in Amsterdam and Philadelphia in the duo’s other recitals this month.

Recital with Julius Drake at the Teatro de la Zarzuela, Madrid, March 11, 2019. Works by Brahms, Wolf, Roussel, Debussy, and Zemlinsky.

[New details!] Recital with Julius Drake at Wigmore Hall, London, March 15, 2019. Contrary to my earlier guess, Connolly and Drake are not repeating material from their recitals in Amsterdam and Madrid, but rather are preparing a completely different program for the Wigmore. It is described by Dame Sarah’s agency, Askonas Holt, thus: “On 15 March 2019, Sarah offers Dominick Argento’s cycle from Virginia Woolf’s posthumously published A Writer’s Diary, which won the composer the Pulitzer Prize in 1975, and Schumann’s moving late settings of texts attributed to Mary Stuart. She is partnered by pianist Julius Drake and actor Emily Berrington, who will intersperse the songs with reading from Woolf’s diaries and also from Schiller’s ‘Mary Stuart’, in a new translation made especially for the event.” Dame Sarah adds on Twitter, “There will be more songs in the second half.”

Recital with Julius Drake at the Kimmel Center, Philadelphia, March 22, 2019. Sponsored by the Philadelphia Chamber Music Society. Repertoire includes works by Brahms, Wolf, Roussel, Debussy, and Zemlinksy.

[New!] Berlioz, Les nuits d’été at the Chipping Campden Music Festival, May 21, 2019. In a program with orchestral works by Fauré and Mendelssohn. Thomas Hull conducts the Academy Orchestra. As of this writing, the 2019 program has not yet been published on the Festival’s website, but the season brochure is available upon request, and that is how I obtained these concert details.

[Details TBA] Appearance at the Internationaal LiedFestival Zeist (Netherlands), late May, 2019. The festival dates are May 17-26. Programming details have not yet been released as of this writing, but Dame Sarah is mentioned as one of the performing artists.

Elgar, The Dream of Gerontius with the Hallé and three choruses at Victoria Hall, Leeds, June 1, 2019. Barry Banks and David Soar are the other vocal soloists; Simon Wright conducts.

Mahler, Des Knaben Wunderhorn (extracts) and Janáček, Glagolitic Mass at the Maison de la Radio, Paris, June 20, 2019. With the Orchestre National de France and the Choeur de Radio France, conducted by Jukka-Pekka Saraste. The other soloists for the Glagolitic Mass are Simona Šaturová, Mati Turi, and Christof Fischesser.

[Broadcast] This concert will be broadcast live on France Musique.

Recital with Malcolm Martineau at Wigmore Hall, London, July 23, 2019. Part of Dame Sarah’s yearlong residency at the Wigmore. Repertoire TBA. Listed in the season preview brochure [PDF].

Berlioz, La damnation de Faust (in concert, presumably) at the Three Choirs Festival, Gloucester, July 27, 2019. With Peter Hoare, Christopher Purves, and David Ireland. Tickets go on sale to the general public on April 24.

Bob Chilcott, A Christmas Oratorio (premiere) at the Three Choirs Festival, Gloucester, August 1, 2019. With Nick Pritchard and Neal Davies. Note that this is an afternoon concert, not the main evening concert for August 1. (Multi-mezzo fans may want to stick around to hear Anna Stéphany do Les nuites d’été in the evening.) Tickets go on sale to the general public on April 24. 

[Unconfirmed / details TBA] Handel, Agrippina at the Dutch National Opera. In June 2018, opera critic Hugh Canning tweeted the news that the Royal Opera is planning to offer Barrie Kosky’s new production of Agrippina with Joyce DiDonato in the title role during the ’19/’20 season; in a reply that has now been deleted, Dame Sarah mentioned that she and Alice Coote would do the same production in Amsterdam and Munich. (If you are a member of the Sarah Connolly fan group on Facebook, you can scroll back in time to June and see a screenshot there.) Subsequent discussion revealed that Coote would get the Munich gig (in July 2019), so Connolly must be the Amsterdam Agrippina. The DNO has already announced its ’18-’19 season and Agrippina isn’t in it, so presumably we’re looking towards ’19-’20 or beyond.

[Unconfirmed / details TBA] Brett Dean, Hamlet (Gertrude) somewhere in the United States. Allan Clayton, who starred in the title role of Brett Dean’s Hamlet at Glyndebourne in 2017, mentioned in a recent interview with the Telegraph that he would be reprising the role at an unspecified date and venue in the US. When prompted on Twitter, Dame Sarah indicated that she would be participating in the revival, too (“I shall be misunderstanding my confused boy again”). Hat tip to Christopher Lowrey, who sang Guildenstern in the original production at Glyndebourne, whose tweet praising Allan Clayton brought the Telegraph interview to my attention. (No indication whether Lowrey will also be cast in the American revival.)

[Details TBA] A future appearance at the Opéra national de Paris is mentioned in the current bio that can be downloaded from Dame Sarah’s page on the Askonas Holt website (click “Publicity Pack”). I cannot find her name mentioned anywhere in the 2018-2019 season, so I suppose we must wait until at least the fall of 2019 if not later.

Previous versions of this list can be found under the schedule tag on this blog. This list published September 10, 2018. Edited September 15 to add the live broadcast of Dido from the Concertgebouw and to update the program details for the ENO concert. Edited September 18 to fill in details of Dame Sarah’s recital with Julius Drake at the Wigmore Hall in March. Edited October 16 to add the Chipping Campden concert and the Rheingold radio broadcast. Edited October 18 to update the cast list for the Concertgebouw concert with the Early Opera Company. Edited October 25 to add the radio broadcast of the ROH Die Walküre. Edited November 8 to add the radio broadcasts of A Child of Our Time and the Vilabertran recital. Edited November 19 to reflect (very belatedly) Dame Sarah’s withdrawal from the Bath Mozartfest recital. I may continue to edit this list as I receive new information.

[operarox]

Soprano Malin Hartelius sings "Ach, ich liebte" from Mozart's Die Entfuehrung aus dem Serail

This blows me away EVERY SINGLE TIME

[mezzowatch]

Vesselina Kasarova as Octavian and Malin Hartelius as Sophie in Strauss’ Der Rosenkavalier

[verdiprati]

Upcoming Performances by Dame Sarah Connolly

[NOTE: this post is now out of date. Check the schedule tag on my blog for the most recent version of this list.]

After the jump: an unofficial schedule of Dame Sarah Connolly’s future performances. Those of you in Britain may catch a performance in London, Cardiff, Leeds, Oxford, Gloucester, Bath, or Lewes. Those on the Continent may see her in Berlin, Madrid, Paris, Antwerp, Amsterdam, Geneva, Zeist, Baden-Baden, Vilabertran (Catalunya), or Capestang (Languedoc). And finally, those of us in North America have engagements in New York and Philadelphia to look forward to! Don’t live near one of these places? Take in a concert from afar: I am adding online broadcast and livestream details as they become available.

This is not an authoritative list. These are the upcoming performances by Dame Sarah Connolly that I have been able to learn about from Dame Sarah’s agent's website (Askonas Holt), Operabase, Bachtrack, Dame Sarah's Twitter, and generally ferreting around the web.

I sometimes list concerts that are not yet officially confirmed; you should of course check official sources before making plans and be aware that cast changes and cancellations can happen at any time.

I have added links to venue, ticketing, and broadcast information where available. Tips on new information are always welcome! Please contact me via email (verdiprati [at] selveamene [dot] com), Tumblr messaging, or ask box (plain prose only in the ask box; anything with links or an email address will get eaten by Tumblr filters) with corrections or additions.

Handel, Giulio Cesare (title role) at Glyndebourne, last two shows on July 24 and 28, 2018. In a revival of the legendary 2005 production by David McVicar, with the Orchestra of the Age of Enlightenment conducted by William Christie (June 10 - July 6) and Jonathan Cohen (July 10 - 28). With Joélle Harvey as Cleopatra, plus Christophe Dumaux and Patricia Bardon reprising the roles of Tolomeo and Cornelia respectively; also starring Anna Stéphany (Sesto), John Moore (Achilla), and Kangmin Justin Kim (Nireno).

Recital of English song at the BBC Proms, Cadogan Hall, London, August 6, 2018. With Joseph Middleton. The repertoire includes works by Britten, Bridge, Vaughn Williams, Parry, Holst, and several others—all of whom “studied or taught at the Royal College of Music”—with two world premieres by Mark-Anthony Turnage and Lisa Illean.

[Broadcast] As with all BBC Proms performances, this one will be broadcast live on BBC Radio 3 and should remain available for listening on demand for about a month afterward.

Appearance at a charity concert to benefit the Ligue contre le cancer, Capestang, Languedoc, August 11, 2018. Dame Sarah’s participation is mentioned in English-language writeups here and here. There are very scant clues as to what repertoire she might perform.

Recital at the Schubertíada Vilabertran, August 18, 2018. With pianist Malcolm Martineau and viola player Jonathan Brown. Repertoire includes songs by Brahms, Mahler’s Kindertotenlieder, and English songs by Richard Rodney Bennett, Ivor Gurney, and Frank Bridge.

[New! Broadcast] I can’t figure out how to deep-link the schedule on the radio station’s website, but this concert is scheduled to be broadcast live on Catalunya Música. I can’t promise that it will be available for listening on demand later, but CatMúsica generally makes concert recordings available (sometimes after a few days’ delay) here. (You may need to click “Tots” to see the full list. Concerts expire from the website after about a month.) UPDATE: Sorry, false alarm! I was looking at a schedule of live performances in the region, not the schedule of radio broadcasts. Oops! There is other programming scheduled at the time of Dame Sarah’s recital at Vilabertran. I believe the recital will be recorded but presumably we will have to wait a few weeks or months before it comes up for broadcast.

[Masterclass] Public masterclass at Wigmore Hall, London, September 19, 2018. Part of Dame Sarah’s residency at the Wigmore. Tickets go on sale to the general public May 29.

Wagner, Das Rheingold and Die Walküre (Fricka in both) at the Royal Opera, London, September 24 through October 28, 2018. A revival of Keith Warner’s Ring Cycle, with Antonio Pappano conducting. For cast and date details, see the ROH web pages linked above. As of this writing, the ROH is only allowing customers to purchase tickets for an entire cycle of the four operas; I’m not sure whether they’ll allow separate booking later. The October 28 performance will be livecast to cinemas; the October 18 performance, also marked “Filming,” is presumably a dry run for the camera crews and/or a chance to gather additional footage for promos and perhaps an eventual DVD release (we can hope).

[Broadcast] As mentioned above, the October 28 performance of Die Walküre is scheduled for livecast to cinemas. You can use this page to search for a screening near you—if you live in the UK, Europe, South Africa, or the US. At the moment, there do not appear to be any screenings scheduled elsewhere.

Mahler, Das Lied von der Erde at the Royal Festival Hall, London, September 29, 2018. With Stuart Skelton and the London Philharmonic Orchestra conducted by Vladimir Jurowski. In a concert with Mitsiko Uchida playing Mozart’s Piano Concerto No. 27.

Appearance at “Opera For All” anniversary show at the English National Opera, London, October 10, 2018. Repertoire TBA.  Somewhat ironically, tickets for “Opera For All” start at a hefty £45 for a few seats far back in the Upper Circle and Dress Circle, and climb steeply to £75 for the next cheapest price bracket. Update: the powers that be at ENO seem to have realized the error of their ways. As of this writing, I’m seeing tickets for £15 (very few seats), £45, and £55, as well as the pricier options (£75 and £125).

Mahler, Das Lied von der Erde at the Philharmonie Berlin, October 14, 2018. With Torsten Kerl and the Rundfunk-Sinfonieorchester Berlin conducted by Vladimir Jurowski.

[Broadcast] The concert listing on the RSB website includes a notation “Konzert mit Deutschlandfunk Kultur,” implying (I believe) that it will be broadcast on said radio station. As of this writing, it is still too early to confirm this on the radio station’s site, but keep an eye out closer to the date.

Recital of English song at the Oxford Lieder Festival, October 22, 2018. With Eugene Asti. Songs in English by numerous British composers including Rebecca Clarke, Muriel Herbert, and Sally Beamish. There is a good deal of overlap with the selections on Dame Sarah’s recent album “Come to Me in My Dreams.”

Concert with the Tenebrae Consort at Wigmore Hall, London, October 24, 2018. Part of Dame Sarah’s yearlong residency at the Wigmore. The mostly English repertoire centers on a new piece by Judith Bingham setting poetry by Ivor Gurney. The choir throws in some Schoenberg at the end. 

Blow, Venus and Adonis and Purcell, Dido and Aeneas in concert at the Concertgebouw, Amsterdam, November 3, 2018. With the Early Opera Company conducted by Christian Curnyn. Dame Sarah’s co-stars are Jonathan McGovern, Lucy Crowe, Dame Felicity Palmer, and Rowan Pierce.

Tippett, A Child of our Time at the Paris Philharmonie, November 7 and 8, 2018. With Michelle Bradley, Mark Padmore, John Relyea, and the Orchestre de Paris conducted by Thomas Adès in a concert also featuring symphonic works by Berlioz and Adès.

Recital at the Bath Mozartfest, Guildhall, Bath, November 13, 2018. With Joseph Middleton. Repertoire to include “Deh, per questo istante solo” from La Clemenza di Tito as well as songs by Schubert, Ravel, Debussy, Gurney, and Ireland. The Bath Box Office website says “Online booking for this event opens at 09:30 on 30 Jul 2018.”

"L’invitation au voyage,” song recital at Wigmore Hall, London, November 16, 2018. With James Newby and Joseph Middleton. The repertoire is Ravel-centric but not all by Ravel himself. Part of Dame Sarah’s residency at the Wigmore and also part of a Ravel song series being presented by the venue over the course of the year.

Beethoven, Missa Solemnis at deSingel, Antwerp, November 21, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

Beethoven, Missa Solemnis at the Philharmonie Berlin, November 23, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. Tickets appear to be on sale here. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

Beethoven, Missa Solemnis at the Festspielhaus Baden-Baden, December 1, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

Appearance at the Glyndebourne Tour: Golden Anniversary Celebration at the Queen Elizabeth Hall, London, December 4, 2018. Sir Thomas Allen and Sir John Tomlinson are also appearing at the concert, and the Glyndebourne website says “More performers will be announced in the coming weeks.” The program has not been announced yet but I will be surprised if Dame Sarah doesn’t reprise an aria or two from Giulio Cesare. I don’t see a way to purchase tickets online but they apparently are available by phoning the box office.

Wagner, Das Rheingold (Fricka) at the Teatro Real, Madrid, January 17 through February 1, 2019. In a production by Robert Carsen; conducted by Pablo Heras-Casado. Co-stars include Greer Grimsley (Wotan) and Sophie Bevan (Freia) among others.

Berlioz, L’Enfance du Christ with the BBC National Orchestra of Wales at Hoddinott Hall, Cardiff, February 15, 2019. Sir Andrew Davis conducts; the other vocal soloists in the all-Brit, all-excellent lineup are Andrew Staples, Roderick Williams, and Matthew Brook.

Recital with Julius Drake at the Concertgebouw, Amsterdam, March 5, 2019. Works by R. Schumann, Brahms, Wolf, A. Mahler, and Zemlinsky.

Recital with Julius Drake at the Grand Théâtre de Genève, March 7, 2019. I don’t see the repertoire mentioned on the theater’s website as of this writing, but presumably it will be similar to the works presented in Amsterdam and Philadelphia in the duo’s other recitals this month.

Recital with Julius Drake at the Teatro de la Zarzuela, Madrid, March 11, 2019. Works by Brahms, Wolf, Roussel, Debussy, and Zemlinsky.

Recital with Julius Drake at Wigmore Hall, London, March 15, 2019. Part of Dame Sarah’s yearlong residency at the Wigmore. Repertoire TBA, but may have some works in common with those programmed for Connolly and Drake’s other recitals in the same month. Listed in the season preview brochure [PDF].

Recital with Julius Drake at the Kimmel Center, Philadelphia, March 22, 2019. Sponsored by the Philadelphia Chamber Music Society. Repertoire includes works by Brahms, Wolf, Roussel, Debussy, and Zemlinksy.

Wagner, Götterdämmerung (Waltraute) at the Metropolitan Opera, New York, April 27, May 4, and May 11, 2019. In a revival of Robert Lepage’s production of the Ring cycle, with all shows to be conducted by Philippe Jordan. Oddly, the entire cast list seems to have disappeared from the Met website, but Operabase confirms my recollection that Dame Sarah was once listed there. Dame Sarah’s co-stars in Götterdämmerung (according to notes that I took when the cast list was still on the Met site) include Christine Goerke (Brünnhilde), Stefan Vinke / Andreas Schager (sharing the role of Siegfried), Edith Haller (Gutrune), Eric Owens (Hagen), Evgeny Nitikin (Gunther), and Tomasz Konieczny (Alberich). The de-listing of the entire cast is very odd though and I would take this information with a grain of salt; perhaps there is some rejiggering going on. Update: the Metropolitan Opera announced in a tweet on August 9 that Dame Sarah will be replaced by Michaela Schuster in all performances of Götterdämmerung.

[Details TBA] Appearance at the Internationaal LiedFestival Zeist (Netherlands), late May, 2019. The festival dates are May 17-26. Programming details have not yet been released as of this writing, but Dame Sarah is mentioned as one of the performing artists.

Elgar, The Dream of Gerontius with the Hallé and three choruses at Victoria Hall, Leeds, June 1, 2019. Barry Banks and David Soar are the other vocal soloists; Simon Wright conducts. General ticket sales (for non-subscribers) begin August 18.

[New!] Mahler, Des Knaben Wunderhorn (extracts) and Janáček, Glagolitic Mass at the Maison de la Radio, Paris, June 20, 2019. With the Orchestre National de France and the Choeur de Radio France, conducted by Jukka-Pekka Saraste. The other soloists for the Glagolitic Mass are Simona Šaturová, Mati Turi, and Christof Fischesser.

[Broadcast] This concert will be broadcast live on France Musique.

Recital with Malcolm Martineau at Wigmore Hall, London, July 23, 2019. Part of Dame Sarah’s yearlong residency at the Wigmore. Repertoire TBA. Listed in the season preview brochure [PDF].

[New!] Berlioz, La damnation de Faust (in concert, presumably) at the Three Choirs Festival, Gloucester, July 27, 2019. With Peter Hoare, Christopher Purves, and David Ireland. Tickets go on sale to the general public on April 24. The concert is listed in the preview brochure here [PDF]; full program details are set to be announced in early 2019. 

[New!] Bob Chilcott, A Christmas Oratorio (premiere) at the Three Choirs Festival, Gloucester, August 1, 2019. With Nick Pritchard and Neal Davies. Tickets go on sale to the general public on April 24. The concert is listed in the preview brochure here [PDF]; full program details are set to be announced in early 2019. 

[Unconfirmed / details TBA] Handel, Agrippina at the Dutch National Opera. Hugh Canning recently tweeted the news that the Royal Opera is planning to offer Barrie Kosky’s new production of Agrippina with Joyce DiDonato in the title role; in a reply that has now been deleted, Dame Sarah mentioned that she and Alice Coote would do the same production in Amsterdam and Munich. (If you are a member of the Sarah Connolly fan group on Facebook, you can see a screenshot there.) Subsequent discussion revealed that Coote would get the Munich gig (in July 2019), so Connolly must be the Amsterdam Agrippina. The DNO has already announced its ‘18-’19 season and Agrippina isn’t in it, so presumably we’re looking towards ‘19-’20 or beyond.

[Unconfirmed / details TBA] Brett Dean, Hamlet (Gertrude) somewhere in the United States. Allan Clayton, who starred in the title role of Brett Dean’s Hamlet at Glyndebourne in 2017, mentioned in a recent interview with the Telegraph that he would be reprising the role at an unspecified date and venue in the US. When prompted on Twitter, Dame Sarah indicated that she would be participating in the revival, too (“I shall be misunderstanding my confused boy again”). Hat tip to Christopher Lowrey, who sang Guildenstern in the original production at Glyndebourne, whose tweet praising Allan Clayton brought the Telegraph interview to my attention. (No indication whether Lowrey will also be cast in the American revival.)

[Details TBA] A future appearance at the Opéra national de Paris is mentioned in the current bio that can be downloaded from Dame Sarah’s page on the Askonas Holt website (click “Publicity Pack”). I cannot find her name mentioned anywhere in the 2018-2019 season, so I suppose we must wait until at least the fall of 2019 if not later.

Previous versions of this list can be found under the schedule tag on this blog. This list published July 24, 2018. Edited July 26 to add the broadcast link for the BBC Proms recital. Edited July 28 to add the US revival of Hamlet. Edited August 5 to add the Catalunya Música live broadcast of the concert from Vilabertran. Edited August 8 to add the two Three Choirs Festival concerts in Gloucester. Edited August 9 to reflect Dame Sarah’s withdrawal from the Met Götterdämmerung. Edited August 16 to remove the (nonexistent, as it turns out) Catalunya Música live broadcast of the concert from Vilabertran, with apologies for the error, and to update the list of locations where the ROH  Walküre live cinema telecasts may be seen. Edited August 22 to add the Paris Des Knaben Wunderhorn and Glagolitic Mass. Edited August 29 to add Dame Sarah’s appearance at the Glyndebourne Tour special event in December. I may continue to edit this list as I receive new information.

[verdiprati]

Upcoming performances by Dame Sarah Connolly

[NOTE: this post is now out of date. Check the schedule tag on my blog for the most recent version of this list.]

After the jump: an unofficial schedule of Dame Sarah Connolly’s future performances. Those of you in Britain may catch a performance in London, Cardiff, Leeds, Oxford, Bath, Lewes, Cheltenham, or Painswick. Those on the Continent may see her in Berlin, Madrid, Paris, Antwerp, Amsterdam, Geneva, Zeist, Baden-Baden, Vilabertran (Catalunya), or Capestang (Languedoc). And finally, those of us in North America have engagements in New York and Philadelphia to look forward to! Don’t live near one of these places? Take in a concert from afar: I am adding online broadcast and livestream details as they become available.

This is not an authoritative list. These are the upcoming performances by Dame Sarah Connolly that I have been able to learn about from Dame Sarah's website (not currently being updated), her agent's website (Askonas Holt), Operabase, Bachtrack, Dame Sarah's Twitter, and generally ferreting around the web.

I sometimes list concerts that are not yet officially confirmed; you should of course check official sources before making plans and be aware that cast changes and cancellations can happen at any time.

I have added links to venue, ticketing, and broadcast information where available. Tips on new information are always welcome! Please contact me via email (verdiprati [at] selveamene [dot] com), Tumblr messaging, or ask box (plain prose only in the ask box; anything with links or an email address will get eaten by Tumblr filters) with corrections or additions.

Recital at St Mary’s Church, Painswick, Glos., May 12, 2018. With Joseph Middleton; sponsored by the Painswick Music Society. Works to include songs by Vaughan Williams, Gurney, Parry, Howells, Holst, Britten, Tippett, “and others,” as well as the premiere of a new song cycle by Sally Beamish.

Handel, Giulio Cesare (title role) at Glyndebourne, June 10, 15, 20, 23, and 29; July 6, 10, 13, 15, 20, 24, and 28, 2018. In a revival of the legendary 2005 production by David McVicar, with the Orchestra of the Age of Enlightenment conducted by William Christie (June 10 - July 6) and Jonathan Cohen (July 10 - 28). With Joélle Harvey as Cleopatra, plus Christophe Dumaux and Patricia Bardon reprising the roles of Tolomeo and Cornelia respectively; also starring Anna Stéphany (Sesto), John Moore (Achilla), and Kangmin Justin Kim (Nireno).

Bach, cantata selections in a concert with Mahan Esfahani at the Cheltenham Music Festival, Syde Manor, Cheltenham, July 1, 2018. Specifically, Dame Sarah is scheduled to sing “arias from Bach’s cantatas Widerstehe doch der Sünde and Ich habe genug and a complete performance of Vergnügte Ruh, beliebte Seelenlust,” according to the festival website.

Recital for the Cheltenham Music Festival at the Pittville Pump Room, Cheltenham, July 4, 2018. With Joseph Middleton. They will be performing “a survey of composers from the Royal College of Music,” including songs by Stanford, Parry, Vaughan Williams, Holst, Gurney, Howells, Bridge, Britten, and Tippett.

[New!] Recital of English song at the BBC Proms, Cadogan Hall, London, August 6, 2018. With Joseph Middleton. The repertoire includes works by Britten, Bridge, Vaughn Williams, Parry, Holst, and several others—all of whom “studied or taught at the Royal College of Music”—with two world premieres by Mark-Anthony Turnage and Lisa Illean. 

[Broadcast] All BBC Proms performances are broadcast live on BBC Radio 3, and they generally remain available for listening on demand for about a month after broadcast.

[New! Details TBA] Appearance at a charity concert for the Ligue contre le cancer, Capestang, Languedoc, August 11, 2018. I don’t see any information about the concert on the Ligue’s website as of this writing, but Dame Sarah’s participation is mentioned in this English-language writeup and there is concert information here.

Recital at the Schubertíada Vilabertran, August 18, 2018. With pianist Malcolm Martineau and viola player Jonathan Brown. Repertoire includes songs by Brahms, Mahler’s Kindertotenlieder, and a selection of traditional English songs.

[New! Masterclass] Public masterclass at Wigmore Hall, London, September 19, 2018. Part of Dame Sarah’s residency at the Wigmore. Tickets go on sale to the general public May 29.

Wagner, Das Rheingold and Die Walküre (Fricka in both) at the Royal Opera, London, September 24 through October 28, 2018. A revival of Keith Warner’s Ring Cycle, with Antonio Pappano conducting. For cast and date details, see the ROH web pages linked above. As of this writing, the ROH is only allowing customers to purchase tickets for an entire cycle of the four operas; I’m not sure whether they’ll allow separate booking later. The October 28 performance will be livecast to cinemas; the October 18 performance, also marked “Filming,” is presumably a dry run for the camera crews and/or a chance to gather additional footage for promos and perhaps an eventual DVD release (we can hope).

[Broadcast] As mentioned above, the October 28 performance of Die Walküre is scheduled for livecast to cinemas. You can use this page to search for a screening near you—if you live in the UK or Europe. At the moment, there do not appear to be any screenings scheduled on the other continents. 

Mahler, Das Lied von der Erde at the Royal Festival Hall, London, September 29, 2018. With Stuart Skelton and the London Philharmonic Orchestra conducted by Vladimir Jurowski. In a concert with Mitsiko Uchida playing Mozart’s Piano Concerto No. 27.

[New!] Appearance at “Opera For All” anniversary show at the English National Opera, London, October 10, 2018. Repertoire TBA. Somewhat ironically, tickets for “Opera For All” start at a hefty £45 for a few seats far back in the Upper Circle and Dress Circle, and climb steeply to £75 for the next cheapest price bracket.

Mahler, Das Lied von der Erde at the Philharmonie Berlin, October 14, 2018. With Torsten Kerl and the Rundfunk-Sinfonieorchester Berlin conducted by Vladimir Jurowski.

[Broadcast] The concert listing on the RSB website includes a notation “Konzert mit Deutschlandfunk Kultur,” implying (I believe) that it will be broadcast on said radio station.

[New details!] Recital of English song at the Oxford Lieder Festival, October 22, 2018. With Eugene Asti. Details of the repertoire do not appear on the OLF website as of this writing, but we are promised “an array of wonderful English song, from Bridge to Britten and Holst to Howells.”

[New details!] Concert with the Tenebrae Consort at Wigmore Hall, London, October 24, 2018. Part of Dame Sarah’s yearlong residency at the Wigmore. The mostly English repertoire centers on a new piece by Judith Bingham setting poetry by Ivor Gurney. The choir throws in some Schoenberg at the end. Ticket sales open to the general public on May 29.

Blow, Venus and Adonis and Purcell, Dido and Aeneas in concert at the Concertgebouw, Amsterdam, November 3, 2018. With the Early Opera Company conducted by Christian Curnyn. Dame Sarah’s co-stars are Jonathan McGovern, Lucy Crowe, Susan Bickley, and Rowan Pierce. Tickets go on sale June 1.

Tippett, A Child of our Time at the Paris Philharmonie, November 7 and 8, 2018. With Michelle Bradley, Mark Padmore, John Relyea, and the Orchestre de Paris conducted by Thomas Adès in a concert also featuring symphonic works by Berlioz and Adès.

[New!] Recital at the Bath Mozartfest, Guildhall, Bath, November 13, 2018. With Joseph Middleton. Repertoire to include”Deh, per questo istante solo” from La Clemenza di Tito as well as songs by Schubert, Ravel, Debussy, Gurney, and Ireland. The Bath Box Office website says “Online booking for this event opens at 09:30 on 30 Jul 2018.”

"L’invitation au voyage,” song recital at Wigmore Hall, London, November 16, 2018. With James Newby and Joseph Middleton. The repertoire is Ravel-centric but not all by Ravel himself. Part of Dame Sarah’s residency at the Wigmore and also part of a Ravel song series being presented by the venue over the course of the year. Tickets go on sale to the general public May 29.

[New!] Beethoven, Missa Solemnis at deSingel, Antwerp, November 21, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

[New!] Beethoven, Missa Solemnis at the Philharmonie Berlin, November 23, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. Tickets appear to be on sale here. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers.

[New!] Beethoven, Missa Solemnis at the Festspielhaus Baden-Baden, December 1, 2018. Part of a tour by Le Concert Olympique and the Arnold Schoenberg Chor. With Malin Hartelius, Steve Davislim, and Hanno Müller-Brachmann; conducted by Jan Caeyers. NOTE: As of this writing, Dame Sarah’s name does not appear on the Festspielhaus website and another mezzo soloist is listed for this concert, but I have confirmed with Dame Sarah’s agent that the information from Le Concert Olympique is accurate and she is scheduled to appear in this concert.

[New!] Wagner, Das Rheingold (Fricka) at the Teatro Real, Madrid, January 17 through February 1, 2019. In a production by Robert Carsen; conducted by Pablo Heras-Casado. Co-stars include Greer Grimsley (Wotan) and Sophie Bevan (Freia) among others. 

[New!] Berlioz, L’Enfance du Christ with the BBC National Orchestra of Wales at Hoddinott Hall, Cardiff, February 15, 2019. Sir Andrew Davis conducts; the other vocal soloists in the all-Brit, all-excellent lineup are Andrew Staples, Roderick Williams, and Matthew Brook.

Recital with Julius Drake at the Concertgebouw, Amsterdam, March 5, 2019. Works by R. Schumann, Brahms, Wolf, A. Mahler, and Zemlinsky.

[New!] Recital with Julius Drake at the Grand Théâtre de Genève, March 7, 2019. I don’t see the repertoire mentioned on the theater’s website as of this writing, but presumably it will be similar to the works presented in Amsterdam and Philadelphia in the duo’s other recitals this month.

[New!] Recital with Julius Drake at the Teatro de la Zarzuela [PDF], Madrid, March 11, 2019. Works by Brahms, Liszt, Roussel, Debussy, and Zemlinsky. 

Recital with Julius Drake at Wigmore Hall, London, March 15, 2019. Part of Dame Sarah’s yearlong residency at the Wigmore. Repertoire TBA, but may have some works in common with those programmed for Connolly and Drake’s other recitals in the same month. Listed in the season preview brochure [PDF].

Recital with Julius Drake at the Kimmel Center, Philadelphia, March 22, 2019. Sponsored by the Philadelphia Chamber Music Society. Repertoire includes works by Brahms, Wolf, Roussel, Debussy, and Zemlinksy.

Wagner, Götterdämmerung (Waltraute) at the Metropolitan Opera, New York, April 27, May 4, and May 11, 2019. In a revival of Robert Lepage’s production of the Ring cycle, with all shows to be conducted by Philippe Jordan. Dame Sarah’s co-stars in Götterdämmerung include Christine Goerke (Brünnhilde), Stefan Vinke / Andreas Schager (sharing the role of Siegfried), Edith Haller (Gutrune), Eric Owens (Hagen), Evgeny Nitikin (Gunther), and Tomasz Konieczny (Alberich).

[New! Details TBA] Appearance at the Internationaal LiedFestival Zeist (Netherlands), late May, 2019. The festival dates are May 17-26. Programming details have not yet been released as of this writing, but Dame Sarah is mentioned as one of the performing artists.

[New!] Elgar, The Dream of Gerontius with the Hallé and three choruses at Victoria Hall, Leeds, June 1, 2019. Barry Banks and David Soar are the other vocal soloists; Simon Wright conducts.

Recital with Malcolm Martineau at Wigmore Hall, London, July 23, 2019. Part of Dame Sarah’s yearlong residency at the Wigmore. Repertoire TBA. Listed in the season preview brochure [PDF].

[New! Unconfirmed / details TBA] Handel, Agrippina at the Dutch National Opera. Hugh Canning recently tweeted the news that the Royal Opera is planning to offer Barrie Kosky’s new production of Agrippina with Joyce DiDonato in the title role; in a reply that has now been deleted, Dame Sarah mentioned that she and Alice Coote would do the same production in Amsterdam and Munich. (If you are a member of the Sarah Connolly fan group on Facebook, you can see a screenshot there.) Subsequent discussion revealed that Coote would get the Munich gig (in July 2019), so Connolly must be the Amsterdam Agrippina. The DNO has already announced its ‘18-’19 season and Agrippina isn’t in it, so presumably we’re looking towards ‘19-’20 or beyond.

[Details TBA] A future appearance at the Opéra national de Paris is mentioned in the current bio that can be downloaded from Dame Sarah’s page on the Askonas Holt website (click “Publicity Pack”). I cannot find her name mentioned anywhere in the 2018-2019 season, so I suppose we must wait until at least the fall of 2019 if not later.

Previous versions of this list can be found under the schedule tag on this blog. This list published May 8, 2018. Edited May 11 to add the Berlioz concert with the BBC NOW. Edited May 13-14 to add the Missa Solemnis tour dates. Edited May 18 to add the Teatro de la Zarzuela recital. Edited June 3 to add the Zeist festival. Edited June 4 to add the Capestang charity concert. Edited June 6 to add the Leeds Gerontius. Edited June 20 to add the (unconfirmed) Amsterdam Agrippina. Edited June 26 to add the Bath Mozartfest recital. I may continue to edit this list as I receive new information.

[verdiprati]

Listen on demand: Beethoven Missa Solemnis with Sarah Connolly et al.

Sarahfans, Connollyphiles, Connoisseurs, etc: in case you missed it, last week’s broadcast of Beethoven’s Missa Solemnis with Dame Sarah among the soloists is still available for listening on demand, on the Deutschlandfunk Kultur website. Go here and click HÖREN in the lower right corner of Beethoven’s picture; a tiny audio player interface will open in the upper right of the screen. The concert recording is prefaced by about 22 minutes of chit-chat in German, so you may want to click ahead on the audio player bar to skip to the music.

Alternatively, you can find this concert by going back to its broadcast date, April 28, in the Mediathek on the Deutschlandfunk Kultur site. To skip the lengthy introductory chit-chat, you want the listing that says “KONZERT Musik.”

The performers are Le Concert Olympique and the Arnold Schoenberg Chor with vocal soloists Laura Aikin (not Malin Hartelius, as mistakenly listed by some sources), Sarah Connolly, Steve Davislim, and Hanno Müller-Brachmann, all conducted by Jan Caeyers. They all sound glorious.

Nerdy aside: although this broadcast was listed in advance as a recording of the November 23, 2018 performance in Berlin (as relayed on World Concert Hall, which generally reprints the information published in advance by radio stations), the written and spoken information now available from Deutschlandfunk Kultur specify that it is actually a recording of the same group’s performance at deSingel in Antwerp on November 21, 2018—a performance previously broadcast on Belgian radio station Klara.