#Malcolm Jenkins

[blackmensuited]

[aci25]

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"On certain days, 𝙖𝙣𝙮𝙗𝙤𝙙𝙮 can get it. That trophy is within reach. So make that day TODAY."

Malcolm Jenkins knows what it takes to reach the promised land 😤

And he can see it in this team 👀

TURN US UP, MALCOLM 🗣🗣🗣

[the-swift-tricker]

[laderniereseancedecedrique]

WONDER WOMAN 1984 (2020)

Suite des aventures de Diana Prince, alias Wonder Woman, Amazone devenue une super-héroïne dans notre monde. Après la Première Guerre mondiale, direction les années 80 ! Cette fois, Wonder Woman doit affronter deux nouveaux ennemis, particulièrement redoutables : Max Lord et Cheetah.

[kickerofelves]

Malcolm Mooney with Damo Suzuki

Photo: Gerald Jenkins

[boomgers]

Culparon al tipo equivocado… “Reacher”

Jack Reacher, un exinvestigador de la policía militar, ahora es un vagabundo, quien no tiene teléfono celular y solamente lleva lo necesario mientras viaja a través de Estados Unidos y explora la nación a la cual prestó su servicio. Cuando Reacher llega al pequeño pueblo de Margrave, Georgia, encuentra a una comunidad enfrentando su primer homicidio en 20 años. Los policías lo arrestan de inmediato y los testigos mencionan que Reacher estaba en la escena del crimen.

Mientras él lucha por probar su inocencia, una profunda conspiración comienza a emerger, una en donde Reacher necesitará de su audaz mente y sus puños para lidiar con ella. Una cosa es cierta: escogieron al tipo equivocado a quien culpar.

Estreno: 4 de febrero de 2022 en Prime Video.

Desarrollada por Nick Santora, la serie cuenta con las actuaciones de Alan Ritchson, Malcolm Goodwin, Willa Fitzgerald, Chris Webster, Hugh Thompson, Maria Sten, Harvey Guillén, Kristin Kreuk, Currie Graham, Marc Bendavid, Willie C. Carpenter, Maxwell Jenkins y Bruce McGill.

[sloppysimmer]

the tidal tower dormies threw a spooky day keg party! 🎃

[abs0luteb4stard]

w A t c h i n g

I avoided this movie for over 10 years because my CPTSD is really closely linked to rumors/gossip and extreme bullying.

It makes me pretty heavy, but it also fun and clever and enjoyable.

But I've had those moments of teachers "who are they going to believe the troublemaker kid or the adult" too. Different situations but the similarity of being outcasted and treated like shit is not lost on me.

[lostinaflashforward]

REACHER - Recensione della prima stagione

Amazon Prime Video arricchisce il suo palinsesto con Reacher, adattamento televisivo della serie di romanzi di Lee Child incentrata sull'omonimo personaggio, regalando al pubblico un ottimo esempio di come si traspone un libro su schermo...

RECENSIONE STAGIONE 1

[intellectures]

Überlebender und Zeuge

James Baldwin wäre in diesem Jahr 100 Jahre alt geworden. Der Kulturjournalist René Aguigah erschließt sein Werk so greifbar und lebendig wie niemand zuvor. Sein Porträt ist neben der wachsenden Gesamtausgabe die perfekte Einladung, sich in ein Werk zu vertiefen, dass einem immer wieder den Atem nimmt. Continue reading Überlebender und Zeuge

[blackmensuited]

[sleepynegress]

So, I'm Watching Dollar Tree The Gilded Age: The Buccaneers (I apologize that this is a long one folks because of ADHD Romantic Period Drama w/ ~Color~ tangents)...

Okay... So, I have to preface this by admitting that Bridgerton never has been my great big thing. It's a cake sculpted from cotton candy.

Pretty and sweet, but not much substance. And very much leaning on the "fantasy" so everyone can enjoy the costume romance fun (but it does please me to see my marginalized players, playing well...). -Using an author's works as a base, who not only started with an all-white palette but was flippant and insulting in response to the idea of inclusion... And yet...

I'm just saying, it is something that the woman who walked away from ABC because an exec didn't respect her enough to get a Disney pass for her family, went on to make that lucrative author's uplift deal with, instead of say, Beverly Jenkins. I love underdog romances that aren't the typical het white bread. Give me the canon gays (I never got slash...but I love when it's canon, especially with color), the big girls, the dark brown skin girls, the Black couples, and the interracials, especially when both are BIPOC and there's no lag in charm/looks in the lighter half in some expertly lit, dressed, confection that makes everyone look as gorgeous as they actually are and there's all kinds of soft plotting and chemistry. Bridgerton for all its lazy ways of handling color, gave that. Everybody is hot. And the people that studios have typically just pretended either weren't "invented" yet or were all living horrible tortured lives of enslavement got to get the sweet costumed wooing, will-they-won't-they, ~romance~ treatment. But... being an obscure Black history nerd... I'm neurodivergent, so I have some deep-dive GEMS that I'll mention here that I NEED TO SEE DONE WELL, before I die. FYI I called Dido Elizabeth Belle a good 8 years before that was actually made. It is frustrating to see some of the ACTUAL interesting capacities in which some actual existing Black folks in history who did live interesting, not tragic lives, not given the big glossy budget, well-written renderings they deserve... In lieu of what has now, firmly taken hold as a trend, colorblind casting in known white works. See recent adaptations of David Copperfield, Persuasion, Tom Jones, & Great Expectations,

and now, this The Buccaneers (which like I said, is Dollar Tree, and *worse* the colorblind cast sister Conchita is using her regular-eggular Cali accent and...is not a compelling actress & her man is a jar of mayo) and baby...them costumes are Reign-levels of anachronistic/bad. It's the lazy jump onto the trend Shonda exploded, and Mr. Malcolm's List started (yeah, that short film was put on YouTube a full year before Bridgerton debuted). So, my point... Instead of *just* doing colorblind casting in old classic white period works... I need to see these ACTUAL GREAT stories of and/or written by or about the colorful people who lived in those societies. And this is where it could get long... but I'll do my best to keep it short... EXAMPLES that were gotten right and those *I need to see adapted*: ____

Interview With The Vampire is inclusive color-AWARE casting... The showrunner went beyond and actually rewrote the narrative to make sure the inclusion wasn't lazily done, but actually improved the depth of the source IMO. And I believe the showrunner is a queer white man. It just takes empathy and effort.

Passing... is a moody slow-burn horror based upon an actual work written by a Black woman in that period, and adapted by a white-passing WOC who not only lived the theme, but rendered it expertly.

Belle is often pointed to as a good example, but my nerd-ass knows Gugu's beyond AMAZING handling of the material elevated it.

Too much was changed from the reality of her life (IMO), still...Most period dramas are about as "true" and yall know I was not a fan of Sam Reid's over-dramatic ass in this... (yelling in that damn carriage for what?!) but he is PERFECT in IWTV. Sanditon being made, despite the typical side-character Black character issues...really was a reset because Miss Austen had already envisioned, in her day and above her class(!) a Black heiress as a character getting the Austen treatment, w/o any modifications the salty and ignorant would prefer to think is beyond "true history". ----- I have a little hopeful part in my brain that wishes it had the power to will capable adaptions of the lives of Carlotta Stewart Lai - middle-class educated Black woman who became a teacher & lived an "Anne of Green Gables" type of Edwardian life (more interesting really) surfing, having "bathing parties," and teaching Hawaiians with her Black family, Portuguese, Hawaiian and Chinese friends on the big island... Her life was w/o the stereotypes people assume all Black Americans lived in Victorian/Edwardian "America".

Gustav Badin, a Black man who was "Chessmaster" of the Swedish Royal Court in the 1700's...was in charge of the Royal family's secrets after the Queen's passing, really gives me intelligent queer Black man energy in his portrait and lived out a non-tragic life in a VERY white space many don't know we occupied.

And The Hunters... Who already have a short film and I've posted about it here... but I would LOVE to see an actual rendering of their lives in the Klondike, with their gold and silver prospects and son grandson Buster and daughter Teslin in Edwardian Canada.

(that is Teslin at the highest point in the photo, named after the lake she was born at)

(and the Hunters' grandson Buster ice-fishing)

All this to say... Now, that I've thoroughly veered away from my review of a middling show... I WISH THESE DAMN SHOWRUNNERS used a little effort in research and imagination and gave us more "true to life" renderings of Black life (and life of color, in these romanticized spaces) that isn't tragic nor the patronizin inclusive "fantasy"... That feels like it's smirking at me while saying "we know you weren't ~really~ here, but here! have a cookie!!" These people existed.

You don't have to *just* make inclusive versions of white works with the lie that you have to do that because thee above people ~didn't exist~. Nor do you have to be lazy when you do!! (see: IWTV) Right now, for me... It feels like for the most part we're in a period of very shallow "advancement" in period rep. And I'm saying if little old me can find the actual stories that could make AMAZING true history-based media. Why can't the more powerful people do the same?? P.S.

You already know I'm fresh off being mad about that shitty Bass Reeves show...but I'm even madder because I can't even say, "just make sure its made by Black people," because Jeymes Samuel (AKA Bullitts) gave us skinny biracial StageCoach Mary!!!

---NO!! I will never stop being mad about it!!

DO BETTER!! Have the empathy and care for the material, regardless, and don't rest on "I know what I'm doing because I'm Black" That male gaze won out over truth in The Harder They Fall *smh*

P.P.S I get the feeling the lazy adaptions are about cash-grabbing, what they see as a trend, and being all the ready to jump back into the whitewashed business as usual, that ain't true to *all* actual histories nor (as Austen proved) fictions of those eras or spaces.

P.P.P.S. On The Glided Age!! I do love that the Fellowes drama has Erica Armstrong Dunbar (known for her book and research on Ona Judge -another figure whose story needs to be adapted!!!- the Black woman who successfully escaped enslavement from George Washington's household and was doggedly pursued by him throughout her life) and Salli Richardson-Whitfield as producers... so, Denee Benton's Peggy is authentic... but as much as I like The Gilded Age, I want to combine Fellowes comfort drama... with a CENTRALIZED Black character... Why can't someone do all of it correctly?? WHY??!!!

[keep-the-wolves-close]

Steady Heart

Chapter 29: Trouble

* Pairing: Slow-burn Kayce Dutton x OFC Stella Daniels

* Rating: M? (Still figuring out the rating system) (might eventually be M anyhow)

* Warnings: language, someone tailing Stella

* Word count: 4,314ish

I would love to give credits to @dameronscopilot and @deanscroissant for being sounding boards for me during this whole process, giving outsider insight, being cheerleaders, and allowing me to screech at them about things that have happened during the writing process. I seriously couldn't have gotten this far without y'all

Author's note: Oh shoooot 👀. Things are getting interesting! And okay, I only lasted two days, but I got the finale chapter done, and I wanted a reward. 😂😂😂 Also a fun fact about this chapter, it was the first chapter I wrote for this story a little over a year ago. I hope everyone is enjoying so far! I hope you love this chapter as well!

Ryan and Stella were out riding. There was no work to be done and Ryan wanted to take the opportunity to check in with his little sister. It had been a little while since they had one on one time. Since he’s been her primary guardian for so long, even though she was a full adult now, he still liked to make sure she was okay. He never wanted her to feel like she was alone in dealing with whatever life threw at them.

“So truly Stellee, how are you?” Both of them came to a stop at the top of a hill overlooking the valley back to the ranch.

Stella pursed her lips and sighed quietly to herself while adjusting her glasses. “I’m okay, Ry. There’s just been a lot going on.”

He nods in understanding, looking her over. She was shifting, seemingly uncomfortable in her saddle, which was the farthest thing from true. That woman was more comfortable in a saddle than on her own two legs. Her bay roan mare, Abigail, whom he gifted her at 16 was also fidgety. Kayce and Stella had both worked together to make sure that the horse was as solid as a rock. She was feisty, sure, but solid. She was sure to give away how Stella was feeling though.

“You know I don’t fully believe you, right?”

Stella barked out a laugh, “Oh really now? And why is that?”

“You’ve got a tell, sis. It also doesn’t help that your mare gives you away either.” Ryan smirked.

“I mean, I’m not lying when I say there’s been a lot going on this year. Lee, the bear, Jenkins, Malcolm.” She glared at the horizon at the thought of the platinum haired man. “The stupid shit with Kayce. There is a lot going on at the repro barn over at Olivia’s.”

Ryan smoothly interrupts, “but…,” he drug out.

“But,” Stella huffs, giving him a pointed look, “a couple times on my way here recently, someone has followed me.” She decided to fess up without much of a fight because there was no use trying to get around Ryan when he wanted information. He’s very persistent and she’s the same way. They would have dug themselves into the ground and died before giving in. Being followed was also starting to bother her.

“Excuse me Stella Lee?! You’re just telling me this now?!”

“Well at first I didn’t think too much about it! A lot of people drive back this way. The second time was after that thing with Malcolm.”

“So why didn’t you tell me then?” She could visibly see his blood pressure rising higher and higher.

“I wanted to be 100% sure they were actually tailing me. Third times the charm, right?” She defended weakly.

“Wait, the third time?” His face turned to stone.

“Today.” At this point, if he would have been able to physically implode and survive, he would have. Stella swore she heard an explosion of the sound barrier as he took off back toward the ranch.

“Fuck.” Stella motioned and Abigail kicked it into high gear. She had to beat Ryan before he caused a ruckus and bothered everyone.

Ryan knew he needed to tell Rip or John. Something wasn’t right and he had to beat Stella there. He adored her stubborn and independent nature, but sometimes it was capable of giving him aneurysms.

In the distance Ryan could see John, Rip, and Kayce by the outer fence talking amongst themselves. Lloyd was closer to him and was trying to flag him down.

“Ho, Ryan! Where’s the fire?”

As he rushes by Lloyd, “I need to get to them before Stella does!”

“She ain’t far behind you.” Lloyd said quietly and looked in the direction of the woman in question. She and that mare were closing in on the round pen with an extensive cloud of dust following. Stella’s face was more determined than he had ever witnessed and he worried for Ryan’s safety.

Ryan came to an abrupt stop in front of the three men, out of breath and rushing to get words out, “Someone has been following Stella. Three times on her way here, and god knows how many other times she’s failed to mention to me.”

In a swift motion with the sharpness of a damn good cattle horse, Stella and Abigail swept in and bounced to a solid stop between Ryan and the others.

“Ryan! Don’t bother them with this! It’s probably just me being paranoid.” She rolled her eyes and moved her glasses back to the bridge of her nose. She really wasn’t feeling having any of her bosses involved. Kayce especially.

“No. It’s you being observant of something that’s out of place.” He pointed at her. “You trying to brush it off the way you are? Is gonna get you kidnapped or killed.”

“Or both,” Rip chimed in from behind them making Stella whip her head around. She had forgotten they had an audience.

“Or worse,” Kayce added with a serious look.

She groaned, “Not you too…,” she trailed off as she finally took notice of the look he was giving her and stopped all forms of argument. They hadn’t had a real chance to speak much since his visit with Monica the other night. Only the one time and it didn’t end great. Her shoulders dropped. It was three against one.

“You’re staying here for a little while. Isn’t she Ryan?” The direct eye contact from Kayce pinned Stella to her spot as he made his declaration final and he didn’t break the contact to talk to Ryan either.

“Yes Kayce, I couldn’t agree more.”

“Ryan, you stay here. Stella, come up to the barn with me.” She rolled her eyes, mostly to herself and the situation she had gotten herself into, but kept up behind Kayce and his mustang nonetheless.

As they were breaking down their horses it was so quiet you could hear a pin drop. Stella was a speedy little thing when it came to break down. She could see the light at the end of the tunnel. She wasn’t going to be the one to break the silence. If she finished and got out of the barn before he could catch her? She would be just fine with that.

She hung Abigail’s halter on the outside stall hook as she shut and latched the door. Before she had a chance to turn around, there was a heavy hand that gripped her up and tugged her to the tack room.

In a flurry of noise the door slammed shut behind her and the offending person. Quickly Stella turned around while cocking back her fist. She was fairly certain it was Kayce, but she would rather be safe than sorry, and he deserved a punch from her. So she was fine with it either way.

He grabbed her wrist as she swung her balled fist toward his nose. She visibly relaxed when she realized her assumption was correct. It didn’t ease her irritation, however.

“What the fuck Kayce,” she flicked the brim of his cowboy hat with a huff and pulled her wrist from him. She noticed she was in his personal bubble and tried to back up.

“You’re staying here until we tell you otherwise. Don’t even bother trying to fight me on it. Ryan agrees and will fight you with me, so there’s no use.”

“Kayce, I’m sure it’s just me being paranoid. A lot of people drive back and forth past here every day. It’s a popular road.”

Kayce pulled her back in toward him trying to make a point, “I would like to not have to plead on the six o’clock to get you back or find you murdered.” He leaned closer as if she was about to disappear into thin air.

She adjusted her glasses thinking how she should really get them tightened. It also didn’t help that it was a nervous habit. She looked down in defeat.

“Okay fine. But you’re taking me back to get my clothes for my undetermined stay.” She poked his chest as his body sagged forward. Yes they had been avoiding each other, but she was one of his best friends. Longest friend at least.

“We just want you safe, Stellfire.”

“I know, ya big dumb cowboy,” she smiled and gave him a friendly shove, “now let’s go before they think I’m still being the other woman in the tack room.” She missed the fall of Kayce’s face as she walked away.

Ryan grimaced. He hadn’t meant to cause such a fuss. Other than the ranch and being a livestock agent, his little sister was his everything. They had been through hell and back, and he wouldn’t be able to live with himself if something happened to her and he couldn’t get to her quick enough.

“Sir, I’m so sorry to bring this up to you all like this. I just know something isn’t right and I needed someone to know before she could stop me. And I mean you saw her coming —,” John interrupted.

“She looked like the devil herself coming for reckoning. It’s something I’ve seen in you both.” Ryan almost let a look of pride slip through at John’s admission, but he held it together.

“You’re my lead livestock agent for a reason, Ryan.” John tried to hide a small smile, “We can have her stay here. It’s probably safer than her place anyway.”

Rip offered, “I’ll follow behind to keep an eye out with Lloyd. You or Kayce can run her in a different car.”

“Kayce is gonna take me.” The pair sauntered up to the group from behind. Rip could see Ryan’s hesitation at the thought of not being close to his sister.

“Ryan, why don’t you back Lloyd and I up on the way?”

Ryan came out of the bunkhouse and stopped for a minute to look at his sister. She could most certainly be hell on wheels more often than not most days. He liked to think it was all the years of holding her own with the bunkhouse. He knew that it was a trait shared between them as well.

Even though she was rough and tumble, she had a soft and gentle grace about her. Especially when having a heart to heart with someone. Her being stubborn as a mule was giving him grey hairs, but he couldn’t be more proud of the woman he had raised. Of course, with the help of the wranglers. ‘It takes a village,’ he thought to himself.

Stella could feel eyes on her as she threw a couple of empty duffle bags into Kayce’s truck. She glanced around and spotted her brother giving her a look. She tilted her head at him with her eyebrows scrunched together. He shook his head and went about getting things for the ride together.

It almost felt like an out of body experience looking at the men around her. There was an immense feeling of humility that swarmed in through her lungs and filled her chest. These tough as nails cowboys truly cared about her. They cared enough to rally around her and try their damndest to keep her safe. She studied each of them with a loving fondness. She had grown up with these men, and they had always remained a steady constant in her life. For that, she was grateful. She realized that this place, these people, really did feel like home. If she thought about it hard enough, she might get misty eyed.

Finally, forest brown eyes met a matching set as Stella felt the breath in her lungs get caught. Kayce gauged her actions, trying to decipher if she was okay without asking. She shook her head and smiled at him to let him know she was indeed okay. Ryan made his way over to the pair while clearing his throat, feeling like he was interrupting some unspoken conversation.

“You almost ready, Stellee?”

She nodded. “Yeah, but there's a flaw in the plan that I just thought of.”

“What’s that, Stella-belle?” Rip questioned from over by his truck.

She readjusted her glasses and looked around to her brother, almost like she did when she was little and needed reassurance. “Well if they’re planning on following me back, they aren’t going to do it if it’s Kayce’s truck that leaves here.”

Ryan sighed and dropped his head, “As much as I hate to agree with her, she’s right.”

Kayce reached into the back of his truck and grabbed the duffles and on his way past Stella said, “You can out-maneuver them, right?”

“Kayce… I hang out with a bunch of cowboys,” she laughed, “and if I can’t outrun them? Then we’ll get lost in these here hills, baby.” There was a pause between all of them. The men quickly picked up Stella’s hidden meaning.

“Plus, I’ll have one of the best shots on the ranch riding shotgun.” She smirked in Kayce’s direction. She loved to give him a hard time about his itchy trigger finger. He gave her a soft shove as if he was telling her to fuck off, and she giggled and hopped into her car.

Everyone loaded up in their respective vehicles. Stella thought Ryan had hopped into Rip’s truck, but the interior light kicked on and the car moved as Ryan’s weight settled into her backseat. She made eye contact with her brother in the rearview mirror, and silently asked him what he was doing.

He raised his eyebrows at her, “You think I’m not about to be in your car to protect you?” He stopped short for a second realizing one of his bosses was in the front seat, “No offense.” Kayce smirked as Stella put the SUV in drive.

She pulled to the end of the long driveway. She looked in both directions checking for signs of the car from earlier. She didn’t see anything, but there was still a definitive hesitation in her movements. Things were suddenly very real to her.

Kayce says softly, “Hey, it's okay Stellfire. We’ve got you. Just do what you would normally do. We’ll worry about the rest.”

Ryan watched the gentle nature Kayce used with his sister. It was almost similar to the way you would approach a green horse. There was something softer about it though. Ryan couldn’t quite put his finger on what was going on. He knew there wasn’t anything going on between them any longer, but he didn’t know if Kayce was kissing his sister’s ass or being genuine. He squinted at Stella in the rearview, but didn’t say anything. She pulled out and to the left, took a deep breath and began her normal trek home. The only thing different was she had four guests in tow this time.

Rip and Lloyd pulled out a few minutes behind everyone else. They wanted to leave enough space in between to be able to box in whoever was following Stella. If they decided to follow her again.

“You know Lloyd, I’ve got a bad feelin’ about this.”

“I was feelin’ the same way. Especially if whoever these people are, are coming after little bit.”

“Because none of us would let her get involved in some shit like this, well this part of it anyhow.”

“Especially Ryan.” They chuckled knowing that he could be kind of a helicopter when it came to his little sister.

“That boy sure has tried his hardest raising her right.”

“And he’s done a damn fine job. That stays here, Lloyd.” The men smiled at each other.

Halfway between the Yellowstone and the outskirts of downtown, a silver four door sedan pulled out behind the white SUV. Ryan and Kayce noticed that Stella’s body language tensed up, but she refused to say anything to them. They felt her accelerate slightly. Ryan glanced out the back, and Kayce was looking through the side mirror. They easily spotted the car, and let each other know they had seen it.

“Don’t speed up Stella. Remember, we’re both here.” Ryan gently reminded her. Her shoulders relaxed as she found her brother’s gaze in the mirror before looking back to the road ahead.

“You’re just driving home. Nothing out of the ordinary.” Kayce added.

Ryan turned around in the back seat to observe the car again. The windows were, of course, tinted so dark that he could barely make out that the car was being driven by a person in general. ‘Why would this shit be easy?’ He rolled his eyes, turning around to pick up his ringing phone. It was Lloyd calling.

“Yeah?”

“We’re a couple miles back, but there’s a silver car that’s tailing you.”

“We’ve got them in sights. They aren’t subtle if that’s them.”

“They probably think she’s oblivious and hasn’t noticed them at all. Rip wants to say something, put it on speaker.”

Ryan engaged the speaker, and they all heard Rip clear his throat. “Stella?”

“Yessir?”

“When you get to your house, I want you and your brother to hop out and go inside. Kayce,” he paused for a few seconds as Kayce presented himself, “You stay outside. Watch every move that these motherfuckers make if they pull in behind you.”

Kayce nodded even though Rip couldn’t see him, “Roger that.” He also heard the unspoken order to shoot to kill if necessary. For Stella, he would change the landscape if he had to.

“Where will you be Rip?” They all clearly heard the nervous tick in her voice. It almost made Ryan grab for her hand like when they were kids. She sounded so small and he hated that.

“We’ll be right outside of view, either following them or making sure they stay off of your property, sweetheart. You go get your stuff. We’ve got the rest.” Rip finished and Lloyd ended the call.

Stella lived just a little ways out in between the ranch and downtown. She had neighbors, but they definitely weren’t close. Ryan grimaced at the thought of his sister being by herself out here.

Stella pulled her car around the driveway and around to the back. She pulled it up to face out toward the road again. Putting it in park, she looked at Kayce. “Alright Kace, I know you’re always carrying, but in case you need extra,” they locked eyes, “it’s holstered in the glove box.” His mouth upturned at the corner proudly, ‘Just like I taught her.’ He quickly nodded as he flipped his baseball cap backwards.

Stella ignored the clenching of her stomach at the attractive maneuver. There was always something about a man in a backwards ball cap that caught her eye. She hopped out and started to walk toward her house as Ryan followed sidling up beside her.

“This is the bad thing about you having a wooded driveway, and all the way out here. Can’t get much of a heads up.”

She smiled at her brother and let out a humorless laugh. “Yeah, but no one can witness the aftermath.”

Ryan’s face screwed up at the confession, “My god, you’ve got to stop hanging out with Rip.”

Her laughter got stuck in her throat as she reached out to unlock her door. Her whole body tensed.

“Ry…,” she said so quietly Ryan almost missed it. She took a deep breath, “it’s unlocked.”

“Did you leave it like that?”

She breathed out harshly and shook her head. Ryan stepped in front of her.

“Stay behind me and do exactly as I say.” Stella wasn’t about to argue.

Ryan opened the door wide, dropped the duffel bags to his far right, and drew his weapon within 10 seconds. She followed suit and went to the concealed weapon underneath the front table and hoped it was still there.

He heard the snip of her gun safety being switched off behind him. He immediately went to the right and into the den taking a wide gap to the left. Stella made sure to clear the rest of the room and the straight view into her kitchen. They swapped places back and forth in a fatal dance going from room to room. Being taught by her brother not only kept him sharp, but it gave Stella the knowledge to help in this situation.

They finally finished clearing the house. She holstered her weapon back and pulled it from its compartment under the table and hooked it to her belt. With a heavy sigh, she reached down to grab the bags.

“What’s wrong Stellee?” Ryan came up from the small hallway that led to her kitchen.

“Someone was in my house, Ryan. That’s what’s wrong.” She said curtly.

“You’re sure you didn’t just forget to lock the door in your rush to get to the ranch today?”

“Yes Ryan,” he could hear the stress dripping in her voice, “not only was my door unlocked, which I never do mind you, but some stuff was out of place. It definitely wasn’t how I left it. And it feels like someone offensive has been in here.”

“Well let's get you outta here.”

Kayce got out of the SUV once the tight knit siblings made it inside. He had seen Stella tense at the door and had almost ran to the porch. He knew that if she needed the help, she would have made it clear. So he held off.

He looked around the back driveway and yard. The parking spots were messy dirt and gravel. It was a shot in the dark that he would see tracks because they had driven over them, but it was worth a glance.

He stood, huffed and placed a hand on his hip as he surveyed the surroundings. Nothing appeared to be out of place. Except a piece of paper that fluttered because it had gotten stuck against the railing in the nighttime Montana breeze. He didn’t think anything of it and grabbed it. It wasn’t uncommon for trash to blow around every now and again. He almost crumpled it up, but Stella’s name in larger font caught his eye.

“What the,” he whispered. He heard the door close. He quickly folded it up and put it in his jacket pocket. He cleared his throat, “everything alright?”

“For all intents and purposes, yes. It’s okay.” Stella readjusted the duffel bags on her shoulder and her glasses with her forearm as she made her way down the porch steps. Kayce met her at the bottom and took the bags from her and put them in her back seat.

“On the back half of that though, somebody was in my house.”

“What?!” Kayce started toward the house, but Stella’s hand in the middle of his chest stopped him.

She shook her head, “let me clarify, someone had been in there. Ryan and I checked the house. No one was in there at the time. I’m ready to get the fuck outta here though,” she slipped her hand away from his chest and made her way to the driver’s seat, “let’s go home gentlemen.” They met up with Rip and Lloyd at the end of her drive. With a nod from Rip to Stella, they made it back to the ranch without any more incident.

Stella got out of her SUV and leaned on the back door, locking her elbows to keep her upright. She was exhausted. Her head started to pound from all the tension being released from her neck and shoulders.

“You alright, sugar?” Kayce came up and touched her elbow. She jerked a little bit, being pulled back into reality.

“Yeah…,” He reached for her arm again and pulled her into a hug. She melted into him and he heard her sniffle. She was tired of avoiding him. She needed her best friend.

“Hey, hey. It’s gonna be alright.” He placed his hand on the back of her head allowing her to hide her face in his chest, “you’re safe, sugar.”

She raised her head partially, “I know. The stress is just leaving. I’ll be fine after some sleep and some hard manual labor for a few days.”

It was comfortably quiet between the pair. Kayce still had her in an embrace. He could feel the tension slowly leaving her the longer they stood there. He could also feel that if they stood there any longer, she would most definitely fall asleep standing up.

He patted her on the back, “Your brother is probably wondering why you haven’t made it inside yet. Let’s get you settled in, yeah?” Stella nodded, too tired to speak anymore. Kayce grabbed the bags out of the back seat, and gently directed her to head inside.

When she crossed the threshold to the bunkhouse, there was a slight lull in the usual loud activity before everyone jumped to greet her. She greeted them quietly back and made a beeline to the empty bunk that Kayce used when he first came back since Jamie took the one she usually took. Ryan had a clear view from here. She knew she could let herself relax, even if it was only for a few short hours.

Everyone quieted. They weren’t used to seeing Stella so defeated. Kayce made eyes at Ryan, Rip, and Lloyd and nodded toward the outside. He didn’t want her to hear about the note.

Lloyd started off, “That silver car slowed up at her drive until they spotted us.”

“We followed them into downtown as far as we could, but with the fuckin’ traffic we lost them.” Rip was pissed.

Kayce pulled the note out of his jacket pocket. “I found this on the stairs at Stella’s.” He handed the note off so the others could take a look. “Even though she's not as involved with any of the shit that happens here, somebody sure as hell thinks she is.”

“Someone is trying to find vulnerable spots. This is about to be a shit show.” Ryan said.

Rip directed, “We’ll talk to Mr. Dutton in the morning. Let the girl get some rest for now.” He took a second and looked to the youngest Dutton, “Oh and Kayce?” Rip paused. “Don’t let Stella see that.”

[mikelogan]

maybe i'll do them in the order of the results for funsies

synopses below the cut:

i am legend

Robert Neville is the last living man on Earth...but he is not alone. Every other man, woman, and child on Earth has become a vampire, and they are all hungry for Neville's blood. By day, he is the hunter, stalking the sleeping undead through the abandoned ruins of civilization. By night, he barricades himself in his home and prays for dawn. How long can one man survive in a world of vampires?

the black phone

Jack Finney is thirteen, alone, and in desperate trouble. For two years now, someone has been stalking the boys of Galesberg, stealing them away, never to be seen again. And now, Finney finds himself in danger of joining them: locked in a psychopath's basement, a place stained with the blood of half a dozen murdered children. With him in his subterranean cell is an antique phone, long since disconnected . . . but it rings at night anyway, with calls from the killer's previous victims. And they are dead set on making sure that what happened to them doesn't happen to Finney.

the seven husbands of evelyn hugo

In this entrancing novel "that speaks to the Marilyn Monroe and Elizabeth Taylor in us all" (Kirkus Reviews), a legendary film actress reflects on her relentless rise to the top and the risks she took, the loves she lost, and the long-held secrets the public could never imagine. Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one is more astounded than Monique herself. Why her? Why now? Monique is not exactly on top of the world. Her husband has left her, and her professional life is going nowhere. Regardless of why Evelyn has selected her to write her biography, Monique is determined to use this opportunity to jumpstart her career. Summoned to Evelyn's luxurious apartment, Monique listens in fascination as the actress tells her story. From making her way to Los Angeles in the 1950s to her decision to leave show business in the '80s, and, of course, the seven husbands along the way, Evelyn unspools a tale of ruthless ambition, unexpected friendship, and a great forbidden love. Monique begins to feel a very real connection to the legendary star, but as Evelyn's story near its conclusion, it becomes clear that her life intersects with Monique's own in tragic and irreversible ways.

and then i woke up

In a world reeling from an unusual plague, monsters lurk in the streets while terrified survivors arm themselves and roam the countryside in packs. Or perhaps something very different is happening. When a disease affects how reality is perceived, it’s hard to be certain of anything… Spence is one of the “cured” living at the Ironside rehabilitation facility. Haunted by guilt, he refuses to face the changed world until a new inmate challenges him to help her find her old crew. But if he can’t tell the truth from the lies, how will he know if he has earned the redemption he dreams of? How will he know he hasn’t just made things worse?

exit west

In a country teetering on the brink of civil war, two young people meet--sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair, and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors--doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through. . . . Exit West follows these remarkable characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.

a certain hunger

Food critic Dorothy Daniels loves what she does. Discerning, meticulous, and very, very smart, Dorothy's clear mastery of the culinary arts make it likely that she could, on any given night, whip up a more inspired dish than any one of the chefs she writes about. Dorothy loves sex as much as she loves food, and while she has struggled to find a long-term partner that can keep up with her, she makes the best of her single life, frequently traveling from Manhattan to Italy for a taste of both. But there is something within Dorothy that's different from everyone else, and having suppressed it long enough, she starts to embrace what makes Dorothy uniquely, terrifyingly herself. Recounting her life from a seemingly idyllic farm-to-table childhood, the heights of her career, to the moment she plunges an ice pick into a man's neck on Fire Island, Dorothy Daniels show us what happens when a woman finally embraces her superiority.

just for the summer

Justin has a curse, and thanks to a Reddit thread, it's now all over the internet. Every woman he dates goes on to find their soul mate the second they break up. When a woman slides into his DMs with the same problem, they come up with a plan: They'll date each other and break up. Their curses will cancel each other’s out, and they’ll both go on to find the love of their lives. It’s a bonkers idea… and it just might work. Emma hadn't planned that her next assignment as a traveling nurse would be in Minnesota, but she and her best friend agree that dating Justin is too good of an opportunity to pass up, especially when they get to rent an adorable cottage on a private island on Lake Minnetonka. It's supposed to be a quick fling, just for the summer. But when Emma's toxic mother shows up and Justin has to assume guardianship of his three siblings, they're suddenly navigating a lot more than they expected–including catching real feelings for each other. What if this time Fate has actually brought the perfect pair together?

you like it darker

“You like it darker? Fine, so do I,” writes Stephen King in the afterword to this magnificent new collection of twelve stories that delve into the darker part of life—both metaphorical and literal. King has, for half a century, been a master of the form, and these stories, about fate, mortality, luck, and the folds in reality where anything can happen, are as rich and riveting as his novels, both weighty in theme and a huge pleasure to read. King writes to feel “the exhilaration of leaving ordinary day-to-day life behind,” and in You Like It Darker, readers will feel that exhilaration too, again and again. “Two Talented Bastids” explores the long-hidden secret of how the eponymous gentlemen got their skills. In “Danny Coughlin’s Bad Dream,” a brief and unprecedented psychic flash upends dozens of lives, Danny’s most catastrophically. In “Rattlesnakes,” a sequel to Cujo, a grieving widower travels to Florida for respite and instead receives an unexpected inheritance—with major strings attached. In “The Dreamers,” a taciturn Vietnam vet answers a job ad and learns that there are some corners of the universe best left unexplored. “The Answer Man” asks if prescience is good luck or bad and reminds us that a life marked by unbearable tragedy can still be meaningful.

a death in door county

Morgan Carter, owner of the Odds and Ends bookstore in Door County, Wisconsin, has a hobby. When she’s not tending the store, she’s hunting cryptids—creatures whose existence is rumored, but never proven to be real. It’s a hobby that cost her parents their lives, but one she’ll never give up on. So when a number of bodies turn up on the shores of Lake Michigan with injuries that look like bites from a giant unknown animal, police chief Jon Flanders turns to Morgan for help. A skeptic at heart, Morgan can’t turn down the opportunity to find proof of an entity whose existence she can’t definitively rule out. She and her beloved rescue dog, Newt, journey to the Death's Door strait to hunt for a homicidal monster in the lake—but if they’re not careful, they just might be its next victims.

disturbance

As the sun sets on a feverishly hot July evening, a young woman spies on her teenage neighbor, transfixed by what looks like an occult ritual intended to banish an ex-boyfriend. Alone in a new town and desperate to expel the claustrophobic memories of her own ex that have followed, the narrator decides to try to hex herself free from her past. She falls in with the neighbor and her witchy friend, exploring nascent supernatural powers as the boundaries of reality shift in and out of focus. But when the creaks and hums of her apartment escalate into something more violent, she realizes that she may have brought her boyfriend’s presence—whether psychological or paranormal—back to haunt her.

the bell jar

Esther Greenwood is brilliant, beautiful, enormously talented, and successful, but slowly going under—maybe for the last time. In her acclaimed and enduring masterwork, Sylvia Plath brilliantly draws the reader into Esther's breakdown with such intensity that her insanity becomes palpably real, even rational—as accessible an experience as going to the movies. A deep penetration into the darkest and most harrowing corners of the human psyche, The Bell Jar is an extraordinary accomplishment and a haunting American classic.

city on fire

New York City, 1976. Meet Regan and William Hamilton-Sweeney, estranged heirs to one of the city's great fortunes; Keith and Mercer, the men who, for better or worse, love them; Charlie and Samantha, two suburban teenagers seduced by downtown's punk scene; an obsessive magazine reporter, Richard, and his idealistic neighbor, Jenny, - and the detective trying to figure out what any of them have to do with a shooting in Central Park on New Year's Eve. The mystery, as it reverberates through families, friendships, and the corridors of power, will open up even the loneliest-seeming corners of the crowded city. And when the blackout of July 13, 1977, plunges this world into darkness, each of these lives with be changed forever.

[petervintonjr]

“I was born and raised in the North, and I knew that there was discrimination… but I had never seen that type of hatred on the face of anyone before. It forced me to work harder, to come back and work harder. It forced me to take a good look at people that I knew and what was going on in my own community.”

Today we study the achievements of social justice giant Constance Mitchell, someone who truly understood the intrinsic connection between poverty and racial inequality, and infused that into her every action.

Born in 1928 New Rochelle, New York, little is known of the childhood or coming-of-age years of Constance (“Connie”) Mae Jenkins, but in 1950 she married Louisianan John Mitchell (part of the Great Migration) and moved to Rochester, New York –-the city for which she would forever be associated, despite her initial impression of a place where “people here didn't know how to smile and they weren't friendly at all.”  Her first foray into Rochester community activism was as a volunteer with the Delta Ressics, a group of Baden Street Black activists who pushed for better housing and living conditions for migrant farm workers living in shacks near Sodus.  She also fought against deplorable living conditions at the Hanover Houses, Rochester’s first low-income apartment complex.  

In 1959 at the urging of a fellow Delta Rassick, Walter Cooper, Mitchell ran for --and lost-- a race for a seat on what is now the Monroe County legislature (Ward 3, then known as the Monroe County Board of Supervisors).  However she made another run in 1961 and was this time successful, and was then re-elected in 1964: the first woman and the first African-American to be elected to that body --though not without enduring resentment, routine insults and slurs, and even threats from her fellow legislators.  From this position she and her husband came into regular contact with such figures as Martin Luther King and Malcolm X, among many other civil rights leaders of the time --even entertaining visits from Malcolm and then-Attorney General Robert F. Kennedy.  In the wake of the violent 1964 racial unrest in Rochester, Connie expressed in an interview for Life magazine, “I'm not telling you, I told you so. I'm saying please listen to us."  These two terms were the full extent of Connie’s political career but her commitment to civil rights was just getting started: in 1965, she walked alongside Dr. King from Selma to Montgomery, but while this heroic act itself disillusioned her, at the same time it reinvigorated her determination to improves lives and conditions in her own community. 

Perhaps one of Mitchell's enduring achievements was the founding of Action for a Better Community, a Rochester-based nonprofit devoted to helping people in low-income areas become more self-sufficient and lift themselves out of poverty.  She also worked closely with the United Way and the Urban League of Rochester, and created the Urban League Black Scholars program.  In later years (1978 to 1989), she became the Program Director for an initiative called PRISM (Program for Rochester to Interest Students in Science and Mathematics).  In 1993 Rochester Mayor Bill Johnson, the first elected Black mayor of that city, credited Connie with inspiring him to get into politics; and in 2013 mayor Lovely Warren, the first Black woman to be elected to that position, similarly credited Connie as a role model. 

In February 2017, Mitchell was awarded the Frederick Douglass Medal for outstanding civic engagement by the University of Rochester.  She died the following year (2018); today the Monroe Country Office Building bears her name at the Constance Mitchell Concourse.

Read a truly absorbing transcript of a lengthy 2008 interview with Constance and John Mitchell at: https://rbscp.lib.rochester.edu/rbfs-CMitchell

[awardseason]

2023 NAACP Image Awards — Film Winners

Entertainer of the Year Angela Bassett — WINNER Mary J. Blige Quinta Brunson Viola Davis Zendaya

Outstanding Motion Picture “A Jazzman’s Blues” “Black Panther: Wakanda Forever” — WINNER “Emancipation” “The Woman King“ “Till”

Outstanding Actor in a Motion Picture Joshua Boone, “A Jazzman’s Blues” Jonathan Majors, “Devotion” Will Smith, “Emancipation” — WINNER Sterling K. Brown, “Honk for Jesus. Save Your Soul“ Daniel Kaluuya, “Nope”

Outstanding Actress in a Motion Picture Danielle Deadwyler, “Till” Keke Palmer, “Alice” Letitia Wright, “Black Panther: Wakanda Forever” Regina Hall, “Honk for Jesus. Save Your Soul“ Viola Davis, “The Woman King” — WINNER

Outstanding Supporting Actor in a Motion Picture Aldis Hodge, “Black Adam” Cliff “Method Man” Smith, “On the Come Up” Jalyn Hall, “Till” John Boyega, “The Woman King“ Tenoch Huerta Mejía, “Black Panther: Wakanda Forever” — WINNER

Outstanding Supporting Actress in a Motion Picture Angela Bassett, “Black Panther: Wakanda Forever” — WINNER Danai Gurira, ”Black Panther: Wakanda Forever” Janelle Monáe, ”Glass Onion: A Knives Out Mystery” Lashana Lynch, “The Woman King“ Lupita Nyong’o, ”Black Panther: Wakanda Forever”

Outstanding Ensemble Cast in a Motion Picture “A Jazzman’s Blues” “Black Panther: Wakanda Forever” — WINNER “Emancipation” “The Woman King” “Till”

Outstanding Breakthrough Performance in a Motion Picture Jalyn Hall, “Till” — WINNER Joshua Boone, “A Jazzman’s Blues” Ledisi, “Remember Me: The Mahalia Jackson Story” Y’lan Noel, “A Lot of Nothing“ Yola, “Elvis”

Outstanding Character Voice Performance in a Motion Picture Angela Bassett, “Wendell & Wild” Keke Palmer, “Lightyear” — WINNER Kevin Hart, “DC League of Super-Pets” Lyric Ross, “Wendell & Wild” Taraji P. Henson, “Minions: The Rise of Gru”

Outstanding Animated Motion Picture “DC League of Super-Pets” “Guillermo del Toro's Pinocchio” “Puss in Boots: The Last Wish” “Turning Red” “Wendell & Wild” — WINNER

Outstanding Independent Motion Picture “Breaking” “Causeway” “Mr. Malcolm’s List” “Remember Me: The Mahalia Jackson Story“ “The Inspection” — WINNER

Outstanding International Motion Picture “Athena” “Bantú Mama” — WINNER “Broker” “Learn to Swim“ “The Silent Twins”

Outstanding Documentary (Film) “Civil” — WINNER “Descendant” “Is That Black Enough For You?!?” “Louis Armstrong’s Black & Blues” “Sidney”

Outstanding Directing in a Motion Picture Antoine Fuqua, “Emancipation” Chinonye Chukwu, “Till” Gina Prince-Bythewood, “The Woman King” — WINNER Kasi Lemmons, “Whitney Houston: I Wanna Dance with Somebody” Ryan Coogler, “Black Panther: Wakanda Forever”

Outstanding Directing in a Documentary (Film or Television) Nadia Hallgren, “Civil” Reginald Hudlin, “Sidney” — WINNER Sacha Jenkins, “Everything's Gonna Be All White” Sacha Jenkins, “Louis Armstrong's Black & Blues” W. Kamau Bell, “We Need to Talk About Cosby”

Outstanding Writing in a Motion Picture Charles Murray, “The Devil You Know” Dana Stevens, Maria Bello, “The Woman King” Jordan Peele, “Nope” Krystin Ver Linden, “Alice” Ryan Coogler, “Black Panther: Wakanda Forever” — WINNER

Outstanding Costume Design (Film or Television) Francine Jamison-Tanchuck, “Emancipation” Gersha Phillips, Carly Nicodemo, Heather Constable, Christina Cattle, Sheryl Willock, Becky MacKinnon, “Star Trek: Discovery” Gersha Phillips, Carly Nicodemo, Lieze Van Tonder, Lynn Paulsen, Tova Harrison, “The Woman King” Ruth E. Carter, “Black Panther: Wakanda Forever” — WINNER Trayce Gigi Field, “A League of Their Own”

Outstanding Hairstyling (Film or Television) Camille Friend, “Black Panther: Wakanda Forever” — WINNER Curtis Foreman, Ryan Randall, “RuPaul's Drag Race All Stars” Louisa V. Anthony, Deaundra Metzger, Maurice Beaman, “Till” Mary Daniels, Kalin Spooner, Darrin Lyons, Eric Gonzalez, “All American” Tracey Moss, Jerome Allen, Tamika Dixon, Lawrence ‘Jigga’ Simmons, Jason Simmons, “Fantasy Football”

Outstanding Make-Up (Film or Television) Debi Young, Sandra Linn, Ngozi Olandu Young, Gina Bateman, “We Own This City” — WINNER Angie Wells, “Cheaper by the Dozen” Michele Lewis, “The Last Days of Ptolemy Grey” Ren Rohling, Teresa Vest, Megan Areford, “Emergency” Zabrina Matiru, “Surface”

Outstanding Short Form (Live-Action) “Dear Mama…” — WINNER “Fannie” “Fathead” “Incomplete” “Pens & Pencils”

Outstanding Short Form (Animated) “I Knew Superman” “More Than I Want To Remember” — WINNER “Supercilious” “The Boy, the Mole, the Fox and the Horse” “We Are Here”