#Madisons Concert Review

[wiiildflowerrr]

The Whirlwind Of 5SOS (5 Seconds Of Summer at Madison Square Garden)

By Tanvi Sivakumar, Her Campus at the University of Maryland

'I’ve reached my peak being able to photograph for 5 Seconds of Summer (5SOS) in August. Hands down. Nothing beats being less than three feet away from one of my favorite bands and taking professional pictures...

I’ve been a fan since I was ten years old and seen multiple shows of 5SOS. This one was by far my favorite – my version of “The Eras Tour,” if you will. Getting to walk out in front of the barricade and setting up my camera was probably one of the most daunting moments I’ve had to prepare for. It was my first time shooting a show at Madison Square Garden and I can’t believe I had the privilege of doing it for a band I know and love. Beginning to build my concert photography portfolio, I had reached out to their publicist about this opportunity as well as doing a concert review, and was grateful she had accepted.

Words can’t describe the pure adrenaline pumping through me as the intro video was screened and the first notes to “Bad Omens” started playing. The show began with a sense of anticipation and excitement as the iconic guitar riffs filled the arena; fans were transported back to their early days of discovering 5SOS. It was a nod to the band’s roots and the audience reveled in the nostalgia of those early hits.

5SOS has evolved remarkably since their early days and that evolution was evident in every song they played. Tracks like “Easier” and “Babylon” showcased a newfound depth and maturity in their music and proved that they are more than just a pop-punk sensation. Although I have always loved their boyband sound, sonically I have grown to love the new maturity in their music that comes along with getting older.

For a lot of fans, being part of this experience was a full circle moment. Many have followed 5SOS from their early YouTube covers to global fame. Starting out with the early pop punk music from 5 Seconds of Summer, the band grew in popularity for their distinct sound. Over the years they developed into a more mature sound, and after the hiatus the band took their quality shifted towards making music more personal and connecting to each of their lives with their most recent 5SOS5. The nostalgia wasn’t just about the songs; it was about the memories and milestones associated with the band’s music.

I believe this concert was more than just a musical performance. Every show that I’ve attended of theirs sends me back to my favorite early 2010s memories. The show was well-thought out with state-of-the-art lighting coloring the stage in scenes representing various eras. Personally, I enjoyed their use of pyrotechnics and how even though it was unconventional, they had confetti blowing during their second song. Typically I don’t see confetti until a grande finale, but I appreciated the gesture even though it was early in the show.

From the early pop-punk aesthetic to starting a collection of my favorite band tees, the production value demonstrated the band’s commitment to delivering an unforgettable show and highlights their evolution as seasoned entertainers.

I witnessed not just a band, but a group of artists I grew up with. That night was a testament to the power of music to connect generations and create cherished memories. This concert wasn’t just a gig; it was a lifelong dream realized and a memory engraved in me forever.'

X

[jhnmyrfrance]

Live @ Madison Square Garden, NYC, 03/10/2023 N1

[ericshoney]

Brothers!Sturniolo Triplets Masterlist (Part 1)

Summary: Join Y/n in her adventures alongside her brothers, Nick, Matt and Chris

~~~~~~~~~

Key:

Nick

Matt

Chris

All

Note: Can be read in any order.

Second Masterlist

~~~~~~~~~~~~~~~

~ Argument (Oneshot)

~ Got you! (Oneshot)

~ Missed you (Oneshot)

~ Toys! (Oneshot)

~ Lost at the zoo (Oneshot)

~ Fight (Oneshot)

~ Pregnant (Oneshot)

~ Overachiever (Oneshot)

~ See you later (Oneshot)

~ Mean prank (Oneshot)

~ Struggles (Oneshot)

~ Trying and rating baby food (Oneshot)

~ Learning to drive (Oneshot)

~ Colouring (Oneshot)

~ Different triplet prank (Oneshot)

~ Childhood memories (Oneshot)

~ On stage (Oneshot) (child!reader)

~ On stage (Oneshot) (Teen!reader)

~ Stream (Oneshot)

~ Accident (Oneshot)

~ Future vlogger (Oneshot)

~ Crying prank (Oneshot)

~ Wisdom teeth (Oneshot)

~ First boyfriend (Oneshot)

~ First girlfriend (Oneshot)

~ Ice Skating (Oneshot)

~ Use your words (Oneshot)

Nick's wisdom teeth (Oneshot)

~ Prom (Oneshot)

~ Sneaking out (Oneshot)

~ Fifteenth birthday (Oneshot)

~ Tea party (Oneshot)

~ Quiet girl (Oneshot)

~ Playground (Oneshot)

~ Panic Attack (Oneshot)

~ Trevor's day (Oneshot)

~ Hate (Oneshot)

~ Loose tooth (Oneshot)

~ Late home (Oneshot)

~ Favourite (Oneshot)

~ Sports kid (Oneshot)

~ First words (Oneshot)

~ Big sister (Oneshot)

~ Spelling bee (Oneshot)

~ Vaping (Oneshot)

~ Bad dream (Oneshot)

~ Blaming you (Oneshot)

~ Wheel of doom (Oneshot)

~ Day at the zoo (Oneshot)

~ Protective brothers (Oneshot)

~ Reaction (Oneshot)

~ Hockey injury (Oneshot)

~ Ice skating and hockey (Oneshot)

~ Adopted (Oneshot)

~ Deaf, mute, blind baking with Larray (Oneshot)

~ Mini Matt (Oneshot) (Sister version)

~ Chris' shadow (Oneshot)

~ Mini Ninja (Oneshot)

~ Madison Beer concert (Oneshot)

~ Mini Nick (Oneshot) (Sister version)

~ The cutest Sturniolo (Oneshot)

~ Lost at Disney (Oneshot)

~ Stuffed Animal (Oneshot)

~ Driskill Hotel (Oneshot)

~ Triplet animals (Oneshot)

~ Roadtrip (Oneshot)

~ TikTok (Oneshot)

~ Dress to impress (Oneshot)

~ Baker (Oneshot)

~ Day with Matt (Oneshot)

~ Tattoo (and charm) for you (Oneshot)

~ Nail biter (Oneshot)

~ Attachment (Oneshot)

~ Spa day (Oneshot)

~ Stutter (Oneshot)

~ Locked in a car (Oneshot)

~ Learning to cook (Oneshot)

~ Olympic gymnast (Oneshot)

~ Big sister to the rescue! (Oneshot)

~ Always here (Oneshot)

~ Sleep struggles (Oneshot)

~ Airport Cuddles (Oneshot)

~ Skipping school (Oneshot)

~ Got your back (Oneshot)

~ Disney Princess (Oneshot)

~ Cooking with Quen (Oneshot)

~ Thunder fears (Oneshot)

~ Dyslexic (Oneshot)

~ Allergies (Oneshot)

~ Hairdresser (Oneshot)

~ New friend (Oneshot)

~ Drivers licence (Oneshot)

~ Doughnut review (Oneshot)

~ Princess treatment (Oneshot)

~ Support system (Oneshot)

~ Glasses (Oneshot)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

a/n: This masterlist is now full, please check out part two which is linked at the top.

[earlycuntsets]

"your star

MY CHEMICAL ROMANCE

The Black Parade is Dead!

At this point, MCR needs no introduction. The band led by Gerard Way is an icon of current punk-rock and every day thousands of fans around the world join their "carnival". The good news is that the quintet will release The Black Parade is Dead! this month and we will invite you to its launch!

BY: XABIERA SAN MIGUEL B.

When My Chemical Romance visited South America with their world tour last February and we learned that Chile and Argentina were included in the tour, we perfectly understood that thousands of fans would fulfill their dream of seeing their favorite band live, however, not all of them could attend the event, and for that reason, when we found out that the CD+DVD The Black Parade is Dead! would be arriving in record stores on July 5th, we got our act together and got ex-clusive tickets for the launch. Yes, just as you read it, we will invite you to the premiere of My Chemical's new material…, but first things first, you should first know what all the musical fuss is about.

Why not miss The Black Parade is Dead!

To begin with, this is the second live DVD in the career of the quintet from New Jersey, which began its history in the winter of 2001. The first was Life on the Murder Scene and was released in 2006.

The dual-format material includes completely live images and sounds, and compiles two concerts from The Black Parade World Tour, but they are two completely different concerts from each other.

MY CHEMICAL ROMANCE

DEAD

The tour, which began in February 2007 and ended on May 9 at New York's Madison Square Garden, included 138 dates of electrifying concerts, in which Gerard Way, Ray Toro, Bob Bryar, Frank Lero and Mikey Way

they gave their best.

On the one hand there is the CD with the complete recording of the show that the band offered last October 7 at the Palacio de

www.theblackparadeisdead.com"

[next page]

The boys performed on October 24, 2007 at Maxwell's Club in Hoboken, New Jersey, in front of about 200 people.

The DVD was directed by Adam Rothlein, an expert in the field, who had already worked on DVDs for Green Day, System of a Down, All-American Rejects and Disturbed.

As this is a limited and collectible edition, edited especially for fans, the material comes in a digipack (cardboard box with two compartments, one for each disc) and includes a booklet.

20 pages with exclusive photos from both concerts.

The second envelope of the packaging includes a sheet printed on both sides, with thanks from the group and photos of the merchandising available online.

Mexico City Sports. On this occasion, MCR reviewed its entire album The Black Parade.

The album will be available at the Record Fair the first week of July and its reference price is $15,000. Both materials will not be sold separately.

On the other hand, there is the DVD that rescues the very intimate concert that

If you were one of those who attended the show that MCR offered in Santiago de Chile, you probably remember that on that occasion, unfortunately Frank Iero, the band's guitarist, could not be present. Well, this is your chance to see it in all its dimensions.

We invite you to the launch of The Black Parade is Dead!

For the only time in history, Warner Music has organised a DVD Avant Premiere as a DVD release, so you can watch the concert on the big screen! So pay attention and come get your tickets. Tú Magazine and Warner Music invite you to the DVD Avant Premiere

The Black Parade is Dead!

To attend the Avant Première, redeem

Free! This coupon for an invitation

for two people in our office,

Located at: Rosario Norte 555, 18th Floor.

Neruda Building. Las Condes, Santiago.

The function will take place on Tuesday

July 8, 2008, 7:00 p.m.

at Cinemark Alto Las Condes (Kennedy Avenue 9001, Las Condes. Santiago, Chile).

Don't be left out: We have 40

double invitations.

We will be open between 10:00 a.m. and 6:00 p.m.

Promotion valid until Friday, July 7, 2008, or while supplies last

invitations.

On the day of the event, The Black Parade is Dead! will be sold prior to the performance."

tu mexico 06/2008

link to the black parade is dead full show with the mentioned maxwells hoboken nj 10/28/2007 show

[rock-and-roll-hell]

July 25, 1980

Unmasked Tour

Palladium - New York City, NY

Eric Carr’s live debut with KIϟϟ wearing the first version of his “Fox” makeup. While heavily featuring the 1979 and 1980 studio albums, it is somewhat strange to consider that the set included three covers: “2,000 Man,” originally recorded by the Rolling Stones; “New York Groove,” originally recorded by Hello; and “King of the Night Time World,” originally performed by the Hollywood Stars (though never commercially released). “Is That You?” while not written by the band had also not been commercially released by the writer or other artists. The only United States “Unmasked” era concert and contemporary performance of material from that album. This show marked the live debut of three songs from “Unmasked” including “Is That You?,” “Talk To Me,” and “You’re All That I Want.”The Palladium was the renamed Academy of Music, where KIϟϟ had made their industry debut in December 1973. KIϟϟ spun their appearance at a smaller venue: “It was a night of nostalgia for Ace, Paul and Gene. And a dream come true for Eric Carr. KIϟϟ planned a special performance at the Palladium in New York to introduce Eric to its staunchest home town fans. There was very little publicity. The one-night-only show was mostly a word of mouth affair. Although small for KIϟϟ today, the hall was chosen for sentimental reasons. Most of the fans, as well as the band, were remembering the historic night KIϟϟ played its first important New York performance on that very stage… the show was a resounding success”.

From local press: “KIϟϟ performed at the Palladium on Friday night, which was unusual; the group usually plays venues the size of Madison Square Garden. Slipping popularity may account for the Palladium date to some extent, but KIϟϟ could certainly have filled the theater several nights running and chose not to do so. The show’s primary purpose seems to have been the introduction of Eric Carr, the new drummer, to the band’s hard-core fans. A few diehards yelled for the departed Peter Criss, but not for long. This listener kept trying to remember what Mr. Criss used to sound like, but the effort proved fruitless. Before long, he became accustomed to Mr. Carr, who played a somewhat elaborate drum kit and was sometimes a little floppy but kicked the music along nicely. The band had installed its flashy stage set and resorted to a number of its tried and true visual gimmicks, but with the scale of the event reduced, one tended to focus more on the music. It wasn’t bad. It was heavy-handed, macho to an almost comical degree, rife with bombast and excess, everything one expects heavy metal to be, but the playing was tight – much tighter than the last time the reviewer heard KIϟϟ, at the Garden – and most of the songs weren’t padded with unnecessary solo noodling. Whether KIϟϟ fans will take to Mr. Carr remains to be seen; one would think they’d be satisfied with Gene Simmons’s tongue-wagging and fire-breathing and Ace Frehley’s flaming guitar. In any event, and for what it’s worth, Mr. Carr’s addition to the band seems to have been a positive step, though it isn’t likely to make KIϟϟ’ music ‘genuinely important to life’” (New York Times, 7/27/80).

Another: “Carr proved to be a capable drummer but no Peter Criss. The show wasn’t quite the visual extravaganza I’d anticipated, nor was it the Sodom and Gomorrah meets 'The Night of the Living Dead’ I’d feared. Instead, it seemed like the 'Wizard of Oz’ gone awry” (Aquarian).

From a mainstream review: “It was apparent from the appearance and playing of Carr that KIϟϟ one of the most successful rock acts of all times, was not taking any chances with the music or the formula now that original drummer Peter Criss has departed for a solo career… So it was almost the typical KIϟϟ show. But with the new drummer now more in the background, the focus was more on the front three… And although performing on a smaller stage than usual, the show was basically the same” (Billboard, 8/9/80).

From a regional review: “KIϟϟ concerts are a little like Christmas. The anticipation is half the fun, and everyone was up for this one… KIϟϟ crashed through their 20-song set with the delicacy of a chain gang” (London, CT, The Day, 8/1/80).

[ourshadowstallerthanoursoul]

On this day... - July 27th

+ 1969 : Gold Creek Park in Woodinville, Washington, USA

“More than 50,000 rock fans gathered at Woodinville’s Gold Creek Park over the weekend for a practically non-stop three-day festival of music, events and exhibitions. The first annual Seattle Pop Festival was a marvel of crowd control and smooth organization. Sunday night was supposed to belong to The Doors but it was stolen right out from under them by the great English blues group, Led Zeppelin. Coming onstage about 11:30pm, immediately after the forced extravaganza of The Doors, the Zeppelin faced a jaded and uncomfortable audience that had been standing in the cold all evening. But the electricity of lead singer Robert Plant and guitarist Jimmy Page quickly warmed them up.” review by P. Macdonald (Seattle Post – Intelligencer)

+ 1973 : Madison Square Garden in New York, New York, USA

“I saw the Friday opening of the Led Zeppelin concert from backstage, feeling the weight and response of the packed Madison Square Garden. It was possibly the best place to test the power of the British rock group, making the final dates of its current and very successful American tour. And power it is – Led Zeppelin provides a kind of tent-show hard rock revivalism, healing and providing succour to the faithful. […] Led Zeppelin remains unchanged. The group may perform different pieces, but the effect is the same.” – ‘Led Zeppelin rocks to a close at Garden’ (New York Times)

[eptodaytommorowforever]

Events In The History And The Life Of Elvis Presley Today On The 22nd Of June In 1974.

Elvis Presley In Providence Ri Evening Show On June The 22nd In 1974.

Two Elvis Presley Fans From Providence Ri there true Experience being At the Elvis Presley's Two Shows On June The 22nd In 1974.

News of an Elvis Presley's concerts in Providence, R. I. first broke in late April when there was a small mention of it in one Boston paper. It was such a small article that many people nearly missed it and we had to be told about it by a friend who reads the paper more thoroughly than we do. We immediately rushed out that same night to put our ticket order in the mail hoping an early Postmark would get us better seats... but things don't always work out that way., do they? The Civic Center was so swamped with mail orders they not only were forced to dis-regard postmarks, but they didn't mail out tickets as soon as they'd promised. When our tickets finally came, they were upper balcony, quite a ways back from the stage. But we were able to borrow binoculars, so all was not lost. 

It had been two years since we saw Elvis Presley at Madison Square Garden,. and we were really looking forward to seeing him again. We wanted to try meeting his plane, so we went to the airport early the morning of June 22. While waiting around, we were approached by a man who offered to take us up for a ride in his plane. Feeling adventurous, we went up for an aerial tour of Rhode Island. Our guide, Ted Hopkins, was kind enough to radio in and ask if Elvis Presley had landed yet. Held come in a 2:00 a. m., so we went on to the Civic Center. 

We saw both the 2:30pm matinee and the 8:30pm evening show. This review is of the 8:30 show, although both shows were basically the same. 

Elvis Presley came running out on stage in a white jumpsuit with a blue "rainbow" swirled around his body and down his leg. He didn't wear a cape for either show. He went into " C. C. Rider, " obviously in a great mood, doing a spirited " one.. two.. three.. four " followed by a corresponding number of thrusts of a leg. Then he did " I Got A Woman " combined with ''Amen, " giving special recognition to J. D. Sumner Is deep voice. This was followed by " Love Me " and " Trying To Get To You " ( in which he says, " I've been travelling night and day, I've been streaking all the way... " which the crowd just loved ). Next came "All Shook Up, " " Love Me Tender, " " Hound Dog, " and " Fever. " He did a great version of " Polk Salad Annie, " which was really loved by the crowd. When he finished " Why Me Lord, " the reaction was so good, he repeated the chorus once again. 

Linda Thompson was at both shows, coming out just before Elvis Presley and sitting up front, to the side of the stage. When Elvis Presley did "Suspicious Minds, " instead of doing the line "I never lied to you. . . no, not much, " he left out the "not much" and looked in Linda's direction. 

Next, he paused long enough to introduce the band. At the matinee he introduced John Wilkinson as being from Providence and at the evening show he introduced Charlie Hodge as being from Pawtucket... both times he had a mischievous grin on his face and you could tell he was putting everyone on, but the crowd really loved it. 

" Know what I can't do? "... " I Can't Stop Loving You, " and with those words, he launched into a beautiful version of the song. Then he mentioned having a record out entitled " Help Me " and " If You Talk In Your Sleep " and said they'd like to do " Help. Me. " This song has so much more impact when you hear it live than it does on record- -fantastic. 

During "American Trilogy, " he clowns slightly when he sings ". . look away Disney... dixieland. 

Something fairly new for Elvis Presley is " Let Me Be There. " As he's done before, he can take someone's hit song and make it his own, putting such vitality and life into it. This song was a great new treat and we hope he'll continue to do it. 

After having the house lights turned up so he could look at the audience, he sings " Funny How Time Slips Away " (Steve says to me thank God for, Elvis Presley). At the matinee he sang... " Never know when I'll be back in town... 8:30 tonight. " 

Something different for a live concert was " Big Boss Man, " which he did marvelously. One older man down in front of us kept calling out " Teddy Bear " all during the show, and we were so happy for him when Elvis Presley did a " Teddy Bear " / " Don't Be Cruel " medley. 

Naturally, the saddest part of any concert is the beginning of " Can't Help Falling In Love, " and this was no exception. Elvis Presley had put on such a fantastic show, had been in such a great mood, and looked so darned handsome, we all hated to see this song come. But he gave the crowd a beautiful surprise by not rushing off the stage at the close of the song, but spending some time shaking hands around the edge of the stage. 

Time had stood still for an hour, but suddenly it was all over and the clock started up again. We met many fans outside afterwards and everyone agreed that it had been a magnificent concert; one we will long remember. Thank you, Elvis Presley for such a beautiful gift.

Rare Unseen Till Now! The Two Fans Private Live In Action! Candid Photo's Here Of Elvis Presley Taken At This Show Venue.

[elvis1970s]

On July 19th, 1975, Elvis played two shows at the Nassau Veterans Coliseum, Uniondale, NY, to a combined audience of 33 000. The matinee show was reviewed by a specialist music and arts writer, John Rockwell, in the New York Times. As a result, the review was more thoughtfully compiled than many others during this period. Despite one or two barbs about Elvis’ weight and a little sneering about his career background, you get the impression that, in spite of his perhaps more elevated tastes, John Rockwell actually enjoyed the show, the spectacle, and Elvis himself.

“…Elvis Presley played Madison Square Garden in 1972 for the first and last time. Since then, he has stuck to the suburbs, like most middle-of-the-roaders. Except that, when he wants to, Mr. Presley can still rock, and he felt like rocking a refreshing lot of the time Saturday at the Nassau Coliseum in Uniondale…Fat or thin, overpowering or futile, he still inspires and accepts the adoration of his fans with the good-humoured grace of a king. Mr. Presley's fans may not number all the country these days; his records are no longer guaranteed the top spot on the charts, but his concerts still sell out sports arenas months in advance, and his Coliseum audience consisted evenly of people from small children to grandmothers. They were polite and neatly dressed; decorum prevailed before the star's appearance and well-mannered ecstasy when he was onstage. His following probably includes a broader sweep of white Americans that of any other pop performer…

…The youthful sexuality has long since gone; it couldn't really be otherwise. But in its place there is a wonderfully relaxed, ironic affection that can be almost as nice. His baritone is still as solid as ever, with its humorously cavernous bottom and its nasal vibrato on top. When he is putting out as he did Saturday afternoon, reaching for the top notes and shaping phrases with the same easy individuality that has always marked his best work, he is still the king…”

The 'chicken-bone' stage jumpsuit even got an honourable mention of its own;

“…Saturday afternoon's costume had been laboriously conceived to disguise and distract attention from his size, and its most striking aspect was its sheer lavishness; basically black, bell bottom pants and a vest over a puffy, double sleeve shirt, but extravagantly overlaid with "jewels" (presumably rhinestones) arranged in baroque exaggeration of American Indian designs. It looked wonderful…"

Fortunately for us, the show was captured in an audience recording of reasonable quality, and bootlegged. It's a great, intense, polished and high energy show which would have made a cracking live album.

[girlactionfigure]

Did you know that Frank Sinatra was a devoted friend to the Jewish people and a lifelong supporter of the State of Israel? Growing up in Hoboken, New Jersey, Sinatra’s Jewish neighbor, Mrs. Golden, often babysat while his mother was out working. She spoke to him in Yiddish and served him coffee cake and apples. He was so touched by her kindness that for many years, Sinatra wore a mezuzah charm that she gave him.

In 1943, he performed in Ben Hecht’s “We Will Never Die” pageant at Madison Square Garden to raise awareness of the Holocaust. He also starred in short films about antisemitism and religious intolerance.

In 1962, Sinatra traveled to Israel for the first time. He performed seven concerts, including one for Israeli troops. He also sang at the official Independence Day event in Tel Aviv and was seated beside Prime Minister David Ben-Gurion and General Moshe Dayan on the reviewing stand during the IDF parade.

In 1995, he marked his 80th birthday with a trip to Israel on his private plane. He was accompanied by several close friends, including Lee Iacocca and Walter Matthau. The group spent time in Eilat, Jordan, and Egypt. Sinatra's love for Israel and the Jewish people remained constant throughout his life. He passed away at the age of 82 on May 14, 1998, the 50th anniversary of Israel's independence.

Photo: Frank Sinatra watching the Independence Day parade in Tel Aviv, 1962 (GPO)

Humans of Judaism

[belokhvostikova]

Rockstar!Eddie hasn’t left my mind for even a second today

🧡.

Rockstar!Eddie is never one to leave the mind.

Holiday season is coming up, meaning Corroded Coffin is booked and busy. Expect one of their biggest concerts to be held at Madison Square Garden on New Years Eve, where Corroded Coffin get the specialty of playing into the new year. His adrenaline-ridden raspy voice just screams into the mic, "You fuckers better welcome this New Years in the most metal way ever!" Their voices, guitars, and drums are thumping with every second of the countdown, as everyone watches the ball drop on the giant screens. The second New Years comes, the arena erupts into chaos; an obscene amount of champagne bottles popping into the crowd, mosh pits breaking out, strangers kissing strangers (highly encouraged by the delinquent leader of the band). But in the midst of the mayhem, magazines and tabloids are in a frenzy, reporting the specific instance in which lead singer of Corroded Coffin, Eddie Munson, ran off stage in the middle of the countdown to welcome the new year with a scandalous kiss from his mystery girl (you're not that mysterious, just chosen to stay away from the limelight). Now plastered on the cover of every magazine and news paper are polarizing critics' review, with some writing about the "abhorrent scenes that occurred on the night of News Years Eve, where indecent, crude, and vulgar behavior is being actively infiltrated into the younger generation," or "a new era of an unabashed lifestyle, with the embracement of self-expression and uniqueness to challenge America's conservatism with a booming counterculture." Either way, Eddie's infamous smirk smeared with your deep red lip gloss is posted with every negative and positive article.

And he fucking loves it.

[iremembermorethaniknow]

Pov you were in a (probably homoerotic) band with four other guys for five of years of your life and it's haunted you ever since

@trgdycoils on Pinterest // A Little Life by Hanya Yanagihara, Goodreads summary // Zayn Malik, L'Officiel Hommes Italia // Night Shift, Lucy Dacas // Harry Styles, @lthsarchive28_ on Twitter // Night Shift, Lucy Dacas // Liam Payne x Choose Love, Everpress // One Direction Madison Square Garden concert review, Dalton Ross (Entertainment Weekly) // Night Shift, Lucy Dacas // One Direction - Night Changes (Acoustic), One Direction on Youtube // Honest to god I can't find this uquiz, if you know it please message me. Image is from @seirraohhh on Pinterest // @hldailyupdate on Twitter // Louis Tomlinson - Night Changes - Away From Home Festival - 27/08/2022 - Spain, @alwayslouistomlinson on Youtube, sorry if I @ you and it's not the same person // The Illiad, Homer // No Children, The Mountain Goats // On July 23rd At 8:22pm One Direction Was Formed As A Band, ILOVE1D247 (Wordpress) // The X Factor UK on Youtube // @sunmoonlh on Twitter // No Children, The Mountain Goats // the next three photos are from various sources I'm sorry I don't know where they originated, search Liam and Zayn, Harry and Niall, and Harry and Louis on Google // Little Beast, Richard Siken

[jhnmyrfrance]

Live @ Madison Square Garden, NYC, 04/10/2023 N2

[imissthembutitwasntadisaster]

Babes, how was the Maisie show? Was it good? Regale us if it was good.

BABE SHE PLAYED OUTDOOR POOL it was excellent! we turned up in like like only an hour and a half before and we were still like the 50th people in so we were two meters from the stage which was AWESOME! Unfortunately glowing review was removed from the setlist 😭 but instead of doing the outro to YSUFT she played the chorus of place we were made because Brighton was her hometown and the dome apparently is her dream venue. Everyone lost their MINDS!

New band lore dropped: whenever they were all asked by her manager what their dream venues were, Tina would say Madison Square, Maisie would say Brighton Dome, the guitarist (Joel??? I forget) would say Red Rocks, and Jack "wouldn't say anything because he'd be texting a girl."

John Hughes movie continues to be life-changing. Blonde is perhaps reconciled to me by hearing it live tbh! ALSO she played Worst of You and it's so good and so underrated!

Love Him I Don't and Villain both reached deep inside me and maybe fixed me as a person who can say!!! You Signed Up For It continues to be My Song for at least a few more months (20, cannot drive, generally problematic) so screaming it was very very cathartic very emotional very iconic, and the crowd was great, really loud and enthusiastic (though a drunk girl spilled her drink down my leg but it was only a little so it was fine). It was a really really good concert!

(reason I could go to this as well as the other one was because my friend from school texted me out of the blue and said she had a spare ticket and I wanted to see Maisie again but also wanted to see this friend - so that was lovely as well)

[theoriginalblackwoman]

Matilda Sissieretta Joyner Jones, known as Sissieretta Jones, (January 5, 1868 or 1869[1] – June 24, 1933[2]) was an African-American soprano. She sometimes was called “The Black Patti” in reference to Italian opera singerAdelina Patti. Jones’ repertoire included grand opera, light opera, and popular music.[3]

Matilda Sissieretta Joyner was born in Portsmouth, Virginia, United States, to Jeremiah Malachi Joyner, an African Methodist Episcopal minister, and Henrietta Beale.[2] By 1876 her family moved to Providence, Rhode Island,[4]where she began singing at an early age in her father’s Pond Street Baptist Church.[2]

In 1883, Joyner began the formal study of music at the Providence Academy of Music. The same year she married David Richard Jones, a news dealer and hotel bellman. In the late 1880s, Jones was accepted at the New England Conservatory of Music.[1] On October 29, 1885, Jones gave a solo performance in Providence as an opening act to a production of Richard IIIput on by John A. Arneaux‘s theatre troupe.[5] In 1887, she performed at Boston’s Music Hall before an audience of 5,000.[2]

Jones made her New York debut on April 5, 1888, at Steinway Hall.[1] During a performance at Wallack’s Theater in New York, Jones came to the attention of Adelina Patti’s manager, who recommended that Jones tour the West Indies with the Fisk Jubilee Singers.[2] Jones made successful tours of the Caribbean in 1888 and 1892.[1]

In February 1892, Jones performed at the White House for PresidentBenjamin Harrison.[2] She eventually sang for four consecutive presidents — Harrison, Grover Cleveland, William McKinley, and Theodore Roosevelt— and the British royal family.[1][2][3]

Jones performed at the Grand Negro Jubilee at New York’s Madison Square Garden in April 1892 before an audience of 75,000. She sang the song “Swanee River” and selections from La traviata.[3] She was so popular that she was invited to perform at the Pittsburgh Exposition (1892) and the World’s Columbian Exposition in Chicago (1893).[4]

In June 1892, Jones became the first African-American to sing at the Music Hall in New York (renamed Carnegie Hall the following year).[1][7] Among the selections in her program were Charles Gounod‘s “Ave Maria” and Giuseppe Verdi‘s “Sempre libera” (from La traviata).[1] The New York Echowrote of her performance at the Music Hall: “If Mme Jones is not the equal of Adelina Patti, she at least can come nearer it than anything the American public has heard. Her notes are as clear as a mockingbird’s and her annunciation perfect.”[1] On June 8, 1892, her career elevated beyond primary ethnic communities, and was furthered when she received a contract, with the possibility of a two-year extension, for $150 per week (plus expenses) with Mayor James B. Pond, who had meaningful affiliations to many authors and musicians.[8] The company Troubadours made an important statement about the capabilities of black performers, that besides minstrelsy, there were other areas of genre and style.[8]

In 1893, Jones met composer Antonín Dvořák, and in January 1894 she performed parts of his Symphony No. 9 at Madison Square Garden. Dvořák wrote a solo part for Jones.[1]

Jones met with international success. Besides the United States and the West Indies, Jones toured in South America, Australia, India, and southern Africa.[1] During a European tour in 1895 and 1896, Jones performed in London, Paris, Berlin, Cologne, Munich, Milan, and Saint Petersburg.[9]

In 1896, Jones returned to Providence to care for her mother, who had become ill.[1] Jones found that access to most American classical concert halls was limited by racism. She formed the Black Patti Troubadours (later renamed the Black Patti Musical Comedy Company), a musical and acrobatic act made up of 40 jugglers, comedians, dancers and a chorus of 40 trained singers.[2] The Indianapolis Freeman reviewed the “Black Patti Troubadours” with the following: “The rendition which she and the entire company give of this reportorial opera selection is said to be incomparably grand. Not only is the solo singing of the highest order, but the choruses are rendered with a spirit and musical finish which never fail to excite genuine enthusiasm.[10]

The revue paired Jones with rising vaudeville composers Bob Cole and Billy Johnson. The show consisted of a musical skit, followed by a series of short songs and acrobatic performances. During the final third of each show, Jones performed arias and operatic excerpts.[9] The revue provided Jones with a comfortable income, reportedly in excess of $20,000 per year. She led the company with reassurance of a forty-week season that would give her a sustainable income, guaranteed lodging in a well-appointed and stylish Pullman car, and the ability to sing opera and operetta excerpts in the final section of the show.[8] This allowed Jones to be the highest paid African American performer of her time.[8] Jones sung passionately and pursued her career choice of opera and different repertory regardless to her lack of audience attendance.[8] For more than two decades, Jones remained the star of the Famous Troubadours, while they graciously toured every season and established their popularity in the principal cities of the United States and Canada.[11] Although their eventual fame and international tours collected many audiences, they began with a “free-for-all” variety production with plenty of “low” comedy, song and dance, and no pretense of a coherent story line.[12]

Several members of the troupe, such as Bert Williams, went on to become famous.[1] April 1908, at the Avenue Theatre in Louisville, Kentucky, an audience made up mostly of whites (segregated seating was still prevalent), accepted Madam ‘Patti’ after singing ‘My Old Kentucky Home’ with much respect and admiration, and marked “the first time that a colored performer received a bouquet at the theatre in this city”.[12] For almost ten years, racial segregation had kept Jones from the mainstream opera platform, but by singing selections from operas within the context of a hard-traveling minstrel and variety show, she was still able to utilize her gifted voice, that people of all races loved.[12] The Black Patti Troubadours reveled in vernacular music and dance.[12]

Jones retired from performing in 1915 because her mother fell ill, so she moved back to Rhode Island to take care of her. For more than two decades, Jones remained the star of the Famous Troubadours, while they graciously toured every season and established their popularity in the principal cities of the United States and Canada.[12] She devoted the remainder of her life to her church and to caring for her mother. Jones was forced to sell most of her property to survive.[1][2] She died in poverty on June 24, 1933 from cancer. She is buried in her hometown at Grace Church Cemetery.[2]

In 2013 Jones was inducted into the Rhode Island Music Hall of Fame.[13]

Source: https://en.wikipedia.org/wiki/Matilda_Sissieretta_Joyner_Jones

Photos from Wiki Commons

[rock-and-roll-hell]

July 25, 1980

Unmasked Tour

Palladium - New York City, NY

Eric Carr's live debut with KIϟϟ wearing the first version of his "Fox" makeup. While heavily featuring the 1979 and 1980 studio albums, it is somewhat strange to consider that the set included three covers: "2,000 Man," originally recorded by the Rolling Stones; "New York Groove," originally recorded by Hello; and "King of the Night Time World," originally performed by the Hollywood Stars (though never commercially released). "Is That You?" while not written by the band had also not been commercially released by the writer or other artists. The only United States "Unmasked" era concert and contemporary performance of material from that album. This show marked the live debut of three songs from "Unmasked" including "Is That You?," "Talk To Me," and "You're All That I Want." The Palladium was the renamed Academy of Music, where KIϟϟ had made their industry debut in December 1973. KIϟϟ spun their appearance at a smaller venue: "It was a night of nostalgia for Ace, Paul and Gene. And a dream come true for Eric Carr. KIϟϟ planned a special performance at the Palladium in New York to introduce Eric to its staunchest home town fans. There was very little publicity. The one-night-only show was mostly a word of mouth affair. Although small for KIϟϟ today, the hall was chosen for sentimental reasons. Most of the fans, as well as the band, were remembering the historic night KIϟϟ played its first important New York performance on that very stage... the show was a resounding success".

From local press: "KIϟϟ performed at the Palladium on Friday night, which was unusual; the group usually plays venues the size of Madison Square Garden. Slipping popularity may account for the Palladium date to some extent, but KIϟϟ could certainly have filled the theater several nights running and chose not to do so. The show's primary purpose seems to have been the introduction of Eric Carr, the new drummer, to the band's hard-core fans. A few diehards yelled for the departed Peter Criss, but not for long. This listener kept trying to remember what Mr. Criss used to sound like, but the effort proved fruitless. Before long, he became accustomed to Mr. Carr, who played a somewhat elaborate drum kit and was sometimes a little floppy but kicked the music along nicely. The band had installed its flashy stage set and resorted to a number of its tried and true visual gimmicks, but with the scale of the event reduced, one tended to focus more on the music. It wasn't bad. It was heavy-handed, macho to an almost comical degree, rife with bombast and excess, everything one expects heavy metal to be, but the playing was tight -- much tighter than the last time the reviewer heard KIϟϟ, at the Garden -- and most of the songs weren't padded with unnecessary solo noodling. Whether KIϟϟ fans will take to Mr. Carr remains to be seen; one would think they'd be satisfied with Gene Simmons's tongue-wagging and fire-breathing and Ace Frehley's flaming guitar. In any event, and for what it's worth, Mr. Carr's addition to the band seems to have been a positive step, though it isn't likely to make KIϟϟ' music 'genuinely important to life'" (New York Times, 7/27/80).

Another: "Carr proved to be a capable drummer but no Peter Criss. The show wasn't quite the visual extravaganza I'd anticipated, nor was it the Sodom and Gomorrah meets 'The Night of the Living Dead' I'd feared. Instead, it seemed like the 'Wizard of Oz' gone awry" (Aquarian).

From a mainstream review: "It was apparent from the appearance and playing of Carr that KIϟϟ one of the most successful rock acts of all times, was not taking any chances with the music or the formula now that original drummer Peter Criss has departed for a solo career... So it was almost the typical KIϟϟ show. But with the new drummer now more in the background, the focus was more on the front three... And although performing on a smaller stage than usual, the show was basically the same" (Billboard, 8/9/80).

From a regional review: "KIϟϟ concerts are a little like Christmas. The anticipation is half the fun, and everyone was up for this one... KIϟϟ crashed through their 20-song set with the delicacy of a chain gang" (London, CT, The Day, 8/1/80).

[krispyweiss]

Sound Bites Presents His Favorite Live Albums of 2022

Neil Young used “Union Man” to declare: live music is better.

That can sometimes apply to albums as well. And the year almost over featured a slew of terrific in-concert recordings.

What follows are Sound Bites’ favorites, going all the way back to Son House in 1964 and coming all the way up to Aoife O’Donovan in 2022.

The Beatles - Get Back - The Rooftop Performance - The 40-minute concert - remixed in stereo by Giles Martin and Sam Okell - is finally out as the digital-only Get Back - The Rooftop Performance. And though the Beatles had spent the previous few years proving themselves masters of the studio with LPs like Revolver and Sgt. Pepper’s Lonely Hearts Club Band, Rooftop provides a glimpse of what a force they could’ve become as a live act. Full review here.

Aoife O’Donovan and the Age of Apathy Band - Live from the Hi•Fi - When O’Donovan says “We’re on fire up here,” after she and the Age of Apathy Band finish “Elevators,” she is referring to the weather. But she might as well have been talking about the music. Review.

The Jerry Garcia Band - GarciaLive Volume 19 - To call the Oct. 31, 1992, concert that comprises GarciaLive Volume 19 life-affirming is an understatement along the lines of saying Jerry Garcia enjoyed drugs. Review.

Todd Snider - Live: Return of the Storyteller - Few live albums - including 2011’s Live: The Storyteller - capture the essence of a performer the way Return of the Storyteller captures the essence of Todd Snider. Review.

Hot Tuna - 2021-12-29, Freight & Salvage, Berkeley, CA - This album is beautiful for many reasons. Not only because of the low-key, American-blues music, but because of the deep bonds of friendship between the players and the invisible thread that runs from the stage to the seating area and back. Review.

Creedence Clearwater Revival - At the Royal Albert Hall (April 14, 1970) - Fifty years after their breakup, Creedence Clearwater Revival remain so ubiquitous they - and their music - are often taken for granted. But as At the Royal Albert Hall reminds us, the band had not only a passel of stone classics, it was an outstanding concert act. Review.

Neil Young OBS 3: Dorothy Chandler Pavilion, 1971, and OBS 4: Royce Hall, 1971 - Recorded two nights apart in 1971 and released on the same day in 2022, Neil Young’s Official Bootleg Series Nos. 3 and 4 are very much the same - from setlists to warm, you-are-there sound. They’re aural time machines to the days when Young’s songbook was relatively thin and virtually no one had heard “Old Man.” Reviews.

Son House - Forever on My Mind - Only 50 or so people attended Son House’s Nov. 23, 1964, concert at Wabash College in Indiana. Although virtually one heard it at the time, everyone can hear it now. And they should. Review.

Grateful Dead - Madison Square Garden, New York, NY, 3/9/81 - Cocaine as rocket fuel. Review.

Zero - Naught Again - Despite the paucity of vocals and the long runtimes, these songs are intricately composed with tension and release where choruses and bridges would otherwise dwell. The tuned-in audience reacts accordingly and the result is an album that damn near succeeds in time travel and space-shifting. Review.

Mavis Staples and Levon Helm - Carry Me Home - Carry Me Home is at its core a religious album that doesn’t require religious ears for enjoyment. Yet, it’s so convincing, those ears may be halfway to the baptismal before the stylus hits the runout groove. Review.

Kris Kristofferson - Live at Gilley’s - Pasadena, TX: September 15, 1981 - Fans who weren’t there can now kinda be there with the release of Live at Gilley’s. The partial-show LP has just enough crowd noise to capture the excitement of the evening and the music proves Kristofferson was one of the rare artists not to fall victim to 1980s production and arrangement values. Review.

12/28/22