#Made of Stone productions
Explore tagged Tumblr posts
Text
I love Steph's origin as told in the Secret Origins 80 page giant- I just overall think it strengthens her character by giving her a lot of pathos and adding to her heroism (which isn't something writers were focused on in her actual intro in detective comics #647 since she was just meant to act as a plot device back then) BUT there is one tiny detail in it i will begrudge, and that is the portrayal of her having a minor love at first sight moment for tim
Secret origins 80 page giant, ID in alt
(or well, technically this was their second meeting in that story (the brick was the first) so...love at second sight?)
Mostly because Stephanie showed no interest in her introduction and only showed romantic feelings towards Tim AFTER this moment here:
Robin (1993) #4, ID in alt
Straight up the progression here goes:
The adventure in 'tec where they first meet -> Tim investigating the same crime scene as Steph -> she beats him up not knowing it's him at first, apologizes but says he shouldn't have scared her -> he remembers her/the moniker she goes by -> they talk about plot for a few pages -> Stephanie starts flirting
Robin (1993) #4, ID in alt
Which...is so fascinating to me and says so much about Stephanie. She highlights the fact that Tim "remembered" her. Like. Steph. Girl. This is our bar? It's sweet but kind of speaks to how much Stephanie is ignored at home/how little and sporadically she's shown interacting with her peers (and rarely ever the same kids twice). Her idea of peak romance is just...being on someone's mind even when you're not there.
Kind of also adds layers to Steph's proclivity towards jealousy later on, a manifestation of her insecurity and loneliness (though don't get it twisted, she's not written this way bc Dixon and co think it's an interesting character flaw, they wrote it bc they think it's an inherent character flaw of (particularly young) women/girls, which is very apparent in how he approaches Ariana's character as well from what I've read)
Also the fact that Steph becomes so smitten for Tim almost immediately after this is (a few issues later she aggressively flirts with him during AN ACTIVE HOSTAGE SITUATION. WHERE SHE'S THE HOSTAGE) again is kind of a mixture of kind of funny and sad. One boy is nice to her once and she's fully ready to wife him. Girl you are deranged (affectionate) (concerned)
#ramblings of a lunatic#dc comics#stephanie brown#tim drake#timsteph#meta#< ??? ig#robin 1993#made this post and forgot to finish. saved it in drafts. saw posts that annoyed me. proceeded to finish it#the subset of fans who think they're doing a righteous feminism by giving steph more flaws than she has in canon...headaches#yes flawed female characters are important representation no i dont think you projecting chuck dixons conservative values onto her-#-is doing her character a great favour. if so you need to commit to the bit and make tim a stone cold nark /j#sorry okay im done vaguing. there's real things going on in the world that matter. the bad take is the mind killer etc etc#anyway the zero to 100 progression of early timsteph is fascinating. on the one hand i know it's mostly a product of its time#both in terms of portrayals of romance (esp teen romance) and partially of women and girls by dixon (not extremely boy obsessed-#-but there's a. dark shadow of the boy crazy trope. a gentle whiff of it in the air. just a little)#but bc this aspect isn't blatantly/egregiously author bias i choose to analyse it#i could also analyse how steph in general is portrayed as liking guys she can't/shouldn't have a little#(her crush on the much older detective in bg2009 and also tim a little bit w/ the secret identity thing)#(but that's a whole other discussion. also that aspect of the romance in bg2009 is. also a little sexistly motivated-#-and also dropped part way through to an extent so like..not exactly ripe for analysis)#ANYWHO i love you Steph <3 you're unwell and yet so adorable and compelling Steph <3
157 notes
·
View notes
Text
I think s10 really puts an emphasys on artistry as the main focus at project 21 right now. the contemporary dances and the older kids dances really set a different tone to the company, much more artistic and mature
#if you put the ariana grande production and the papa was a rolling stone dance side by side it's really clear molly has changed her style#and it reflects on who she hires like cory and troy really made an impact on the kids#and even the littles dances have become more age appropriate and more intricate
47 notes
·
View notes
Text









❝ High achiever, don't you see? Baby, nothing comes for free! ❞ ⎯ Stone Soup!Ocean moodboard with overachiever themes!
#― the angel catalogue !#― abbey !#― sky !#― ride the cyclone !#― my moodboards !#rtc ocean#ocean rtc#ocean oconnell rosenberg#ocean rosenberg#ride the cyclone ocean#ride the cyclone musical#ride the cyclone#rtc musical#rtc stone soup#stone soup rtc#rtc moodboard#ride the cyclone moodboards#rtc productions#ride the cyclone stone soup#stone soup#moodboard#my moodboards#ocean o'connell rosenberg#idk what else to tag#skysky#idk tbh#hello :3#idk how tags work#mood board#idk why i made this
22 notes
·
View notes
Text

He had to stop on the way to Po's apartment to pick up lemon candy? He needed to make a pit stop during his date to pick up a single box of lemon candy and nothing else?
Edit: okay he explains himself immediately after this and it completely contradicted my headcanon because he definitely wouldn't need lemon candy to stay awake if he was on Adderall
#when i started taking Adderall it made my mouth so dry that i got a salivary gland stone#and the dr told me to suck on lemon drops to increase saliva production#thats the only reason i can fathom for needing lemon candy urgently enough to stop for it#so anyway thame is on Adderall its canon#thamepo
8 notes
·
View notes
Text
*
#I'm three quarters of the way through Hackney Diamonds and I actively want to strangle whoever did the mixing#what the fuck did they do the cymbal sound?#they made it sound like a drum machine#all abbreviated and exactly the same#it's criminal#and the vocals are so auto-tuned and technology meddled with#it's like someone put bubble gum pop production standards over a Rolling Stones album#except that the lyrics also suck and the drumming is boring as hell#they've got some bizarre fascination with hitting the reverb and echo function#christ this is actually comically bad#they made an album of mall music#the rolling stones#keith richards#mick jagger#ronnie wood#old married band#steve jordan#hackney diamonds
21 notes
·
View notes
Text
i madeeee sillay new characters and i love them
#my post#will post drawings tomorrow. tired.#BUT!! there are superheroes and this sillay. honestly very minor criminal. villain of the week type guy. but she never gets caught so she#just keeps coming back to cause problems. her name is bonnie and shes a shapeshifter and i love her. but anyways one day shes fighting thes#guys and falls off a bridge. now this is not actually an issue for her bcus she can simply Have Wings if she wants to. but she chooses to#use this to fake her death bcus shes tired of these guys and wants to try to take them down from the inside.#so she returns under the name lyra and becomes like a sidekick to them. only she is absolutely shocked to discover that the one hero- real#name oslo- has been MOURNING HER??? apparently they feel terrible for causing her 'death' and never truly hated her and are wracked with#guilt about it???? bonnie does not know how to feel about this it is incredibly weird actually.#the other hero is named merrick and she does not give a shit she thought bonnie was annoying as hell. unfortunately for her 'lyra' also#just so happens to enjoy annoying her to hell and back. yay.#also oslo n merrick have day jobs as office workers for a Large and Productive cheesecake corporation.#i couldnt think of what to make their company do so i made it very serious paperwork about cheesecakes#i think lyra would be like. idk. janitor. or delivery person.#OH DID I MENTION THEYRE ALL ANIMALS. i wanted to draw animals is the reason why#oh oh oh the NAMES the NAMES#so weve got bonnie goose the mongoose. bonnie bcus i wanted to base it on mongoose> mon goose> monnie goose> bonnie goose#lyra reeves the . dog of unspecified breed so far. maybe scottish terrier or schnauzer. i like their rectangular heads. shes a dog bcus i#thought itd be funny to take a Loyal animal and make her betray them lol. also lyra is a constellation of a lyre > rhymes with liar.#and reeves is from lyre > orpheus > reeve c.arney lol#merrick wolfe the maned wolf :3 i dont have anything deeper on this one its just m and then wolf. however her superhero name is red fox#which i think is funny. she has fire powers.#and oslo stone :] large bear. idk what kind ill probably be boring and just make em a brown bear. in my heart shes a black bear but brown#is easier to color. um um erm oslo bcus it is one letter off from oso which is bear in spanish. stone bcus i liked how it sounded also her#superhero name is boulder and she has superstrength lol#thats all of em so far :3 its so fun and sillay and i love themmmm#i love drawing merrick the most
4 notes
·
View notes
Text
I've been a plethora of AMVs, animatics and animation memes capitalizing on the Nuzi angst from episode 7 and I am eating it up.
However, I recently found a song that would be PERFECT for a Nuzi AMV and haven't seen anyone use it yet. Therefore, I am chucking my idea out into the void that is the internet so some poor sap might enjoy it.
The song in question is "Anybody seen my baby" by the Rolling Stones. Here's the Link: (2) The Rolling Stones - Anybody Seen My Baby [Official Lyric Video] - YouTube
The opening is a bit generic, but the chorus and the second half of the song is fire. And the ENDING?!?!?!?!?!?! *MWAH* Breathtaking.
I feel this song perfectly captures Nuzi's (and N's) current state and is RIPE to be AMVd/animation memed
SPOILERS FOR EP 7 BELOW
I keep imagining at "maybe if I close my eyes", N and Uzi are dancing at prom like this:
And then, at "I reach out and touch the prize" it suddenly cuts to THIS

IM JUST AFGHSJDUEWLHIUG
Forgive the rant, I just want to get this out there before this dies with me. Feel free to steal this. Use this song for an AMV, animation meme, edit, what have you, for Nuzi, eNVy, NVuzi, or any other fandom or character you think this song fits with. Go Nuts! Let your Creative Flag Fly!
#If I had a nickel for every time the rolling stones made an absolute fire song about losing a loved one I'd have two nickels#Which isn't a lot but it's cool it happened twice#murder drones#md nuzi#nuzi#murder drones nuzi#biscuitbites#amv#amvedit#glitch productions#serial designation n#uzi doorman
5 notes
·
View notes
Text

need awards season to be over soon so i don’t have to see posts like this anymore.
#b—arbie stans are annoying on every platform actually#I don’t mean ppl that like it. I mean ppl that act like it’s an underdog of a movie#when in fact it made a billion dollars#I haven’t even seen poor things bc I have an emma stone issue but still#I’m pretty sure it deserved to be recognized for its production design okay#I’ve seen enough footage to be certain of that
2 notes
·
View notes
Text

Got my concept for the Shezleth I’m comm-ing 🥳
#its not the final product at all ofc#but the artist made me a quick mockup to see if this was what I wanted for Shezleth#i wanted them as Therion and Cyrus from Octopath Traveler I#to knock out two OTPs with one stone
1 note
·
View note
Text
It’s crazy how I would very much love to spend real viable currency on a blu ray of Stone Quackers or even watch it on one of the many streaming services I pay for but somehow due to tax dodging, Fox corporation is like “nah man just pirate it 😉”
#please just let me collect television shows and movies#like can it even be called capitalism anymore if they refuse to sell me the product they have made#late stage capitalism#stone quackers#mine#personal
0 notes
Text
Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship
by Ren Basel renbasel.com
The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.
The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)
On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)
Then the Walt Disney Company made a huge mess.
On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)
The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.
The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)
While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?
It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)
Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.
While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)
When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)
Nimona, however, is hard to kill.
While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)
Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.
Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)
When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)
Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.
Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.
Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.
The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.
There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)
The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.
To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.
The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.
Enter Nimona.
The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.
“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.
It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.
A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)
Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.
When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”
Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.
In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.
The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.
Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)
When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.
About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.
Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.
When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.
Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.
Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.
Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)
The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.
Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.
During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.
After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.
When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)
Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)
In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.
Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.
Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.
Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.
After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.
When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.
Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.
But she isn’t safe from the Director.
In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.
When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.
Nimona, however, is hard to kill.
Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.
The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.
The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.
In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.
In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)
The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)
Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.
Long live Nimona, and long live the transgender community she represents.
_ This piece was commissioned using the prompt "the Nimona movie."
Updated 6/16/24 to revise an inaccurate statement regarding the original comic.
Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!
_
Notes:
1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.
2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.
3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.
4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000.
5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.
6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.
7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.
8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.
9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.
10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.
11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.
12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.
13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.
14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.
15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.
16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.
17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.
18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.
19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.
20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.
21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200
22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.
23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.
24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.
25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.
26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/
27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos
28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.
29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.
31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.
32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.
33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.
34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.
36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.
37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.
38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.
39. Kidd, Jeremy D., Tettamanti, Nicky A., Kaczmarkiewicz, Roma, Corbeil, Thomas E., Dworkin, Jordan D., Jackman, Kasey B., Hughes, Tonda L., Bockting, Walter O., & Meyer, Ilan H. 2023. “Prevalence of Substance Use and Mental Health Problems among Transgender and Cisgender US Adults.” Williams Institute. https://williamsinstitute.law.ucla.edu/publications/transpop-substance-use/.
40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.
41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.
42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.
43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.
44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.
45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.
46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.
47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.
48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.
49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.
2K notes
·
View notes
Text
Malleus Draconia: Made Up
… Why does Malleus continue to have some of the most “hey are u lost bbg” facial expressions + poses ever on his initial birthday card artworks… 💀
He really looks like his mom when his hair is all pinned back like in his alt and Groovy look. xbjsbsjww The makeup products he’s using… They look like Giorgio Armani 💰
Rise and Shine!
Humans were blessed with two hands with which to do all of their work. Malleus Draconia had no need for either of his.
Lipstick, liquid eyeshadow, and finishing powder lifted into the air, glowing an eerie green. They uncapped and began applying themselves, gliding easily across his lips, painting his lids, and patting down his pale skin. Already, a cloth was busy polishing his horns, and a brush ran through his hair. A mirror, magically suspended before him, displayed his regal visage--a work of art slowly coming into its peak form.
You had heard Scarabia's vice dorm leader mention that he used magic to do his hair--a complex, precise process--but had never in your life witnessed a show like this. You clapped for Malleus, as if a spectator that had just seen a most wonderous trick.
He cut you a curious look. "May I ask why the applause, child of man?"
"It's just so cool seeing you use your magic," you replied truthfully. "There's so many things happening at once, it's hard to know where to keep my eyes. You're really amazing!"
There was a sound akin to a stifled chortle. These, you had grown accustomed to.
"You never cease to surprise. This is but a modicum of what I am capable of." He almost seemed to pout as he said it, as if itching to demonstrate the full extent of his powers. Wanting praise for something more.
"Oh, trust me. I know you are--but it's nice to see the Malleus Draconia using his magic to do normal, everyday stuff too." You grinned, ducking behind him to peek into his mirror. Your gazes met in the sparkling glass. "I wish everyone could see this."
"It is hardly a matter of importance to share the details of my morning routine with the masses. Besides, Grandmother would no doubt grant me a thorough scolding for allowing myself to be seen in such an improper state.”
He yawned, and a hand moved to cover his mouth, where you caught a glimpse of pointed canines. A rare moment of cuteness, of vulnerability. A side of himself kept private. Such a mundane thing--it reminded you that he, too, was but a student, preparing to tackle another day.
"Maybe not, but then again… maybe they'd see what I see too."
You quirked a brow. "And what is it that you see?"
"That you're not as scary as whatever scary made-up version of yourself they have in their heads. It's not all doom and gloom, wrath and lightning. You're someone that laughs and cries too."
"... Do they have that impression of me?" Malleus brought a hand to his chin. "Odd. When I last conversed with a peer of mine, they were so elated to be in my presence that they fainted on the spot. Lilia commended me for making such a strong impression on them."
"Erm... Lilia might not be the best judge for that." You poked at the corners of your mouth. "You have a nice smile, so how about showing it more? That might draw people to you."
"Hmmm. Like this, perhaps?"
He attempted to imitate you. The result was an awkward facsimile of your smile. Not quite the same curve, and with the tips of his fangs poking out. His eyes, still ominous.
Clumsy, but a little dangerous.
Your heart sprouted wings and fluttered. “It’s a good start! You’ll get the hang of it with more practice.”
Malleus sighed, and at once, the items that had been hovering around him collapsed along with his breath. “This is a conundrum. As a public figure and representative of my country, it’s imperative that I maintain my reputation.”
The fluttering in your chest settled like a stone sinking into the bottom of a lake. A sudden weight, a sadness, sitting in your stomach. He cut a gallant figure--but without the fairy lights and fire, he was but a pitiful creature trapped within stone walls.
Lonely and misunderstood.
Without a word, you slipped a hand into his. Malleus felt cold to the touch, like some long-forgotten relic dug up from some ruins.
His eyes shot wide open with alarm. "What are you..."
"Let's walk to class like this," you suggested softly. "I know you wouldn't harm me. If everyone else can see that... they'd understand, right?"
Shock flooded Malleus's face. Then, like a flash of lightning and a fleeting bellow of thunder, it was over, replaced by the faintest chuckle.
"... Very well." He squeezed your hand, the motion sending sparks of electricity through you. "I would not be opposed to this. If they are to weave tall tales, then all we must do is flip the script and write a story of our own to combat theirs."

#twisted wonderland#twst#twst x reader#twisted wonderland x reader#Malleus Draconia#Malleus Draconia x Reader#disney twisted wonderland#disney twst#Reader#self insert#Malleus birthday takeover#jp spoilers#something no one asked for#twst imagines#twisted wonderland imagines#twst scenarios#twisted wonderland scenarios
910 notes
·
View notes
Note
can we get butchfemme sevika/reader hcs please :3
GAWD yes. Lord, I've been waiting for this day lessgo

ButchFemme Sevika/Reader Headcanons
⚢ In typical butch fashion, her love language is acts of service
⚢ Loves to be fawned over ! Like “Omfg babe you’re sooo strong helping me put together furniture” and trust she is melting even though her face is expressionless and immoveable
⚢ She likes when you graze your long nails over her skin for back scratches and its all nice and light and tingly
⚢ She’s not much of a prettyboy (prettybutch…?) so she doesn’t really have a skincare routine but you have an extensive regimen so she memorizes all ur million little bougie products and gets you an extra to keep at ur place so you don’t have to eff up your skincare routine in favor of spontaneous sleepovers
⚢ Yeah she’s not too particular about her grooming in general. She lets you cut her hair even if you’re not super experienced with clippers. She still hypes you up even if you nick her ear when doing up her side shave/undercut.
“Oops! Sorry babe I think I got your ear…”
“Didn’t even feel it. You’re doing great baby keep going.”
⚢ On that note, pet names: For Sevika, its baby alll dayyyyyy ! She calls you baby, my girl, my pretty girl, my woman, etc. And as for what you call her, she always loves a “omg babe” moment. And “settle down there, cowboy” but in like a jesting sorta way. Also: “my butch.”
⚢ Stone top/pillow princess anybody?
⚢ Also: she’s ur cash cow. She loves buying you expensive shit and showing you off and showing off the expensive shit. You breathed in the direction of a particularly nice perfume? Surprise! It’s in your bathroom the following day. Like. It’s a theme. Especially in ur pre-relationship courting era. “Baby anything you want I get for you. Say the word I’ll buy for you the moon, the stars, et cetera, no one can provide for you like I can” blah blah blah
⚢ But you can’t be interrupting her card games tho. She’s like a teenage boy on the xbox with those things. Probs something to be worried about tbh.
⚢ And I’ve written this into a fanfic already, but that bitch wears boyshorts. I was thinking boxers for a while but I think that would be too much bulk over them skinny little plants she wears. I am a Sevika boyshorts TRUTHER
⚢ And she works out. Matter of fact, forget the prettybutch comment because Sevika WORKS OUTTT and I think she has resistance bands. Like she goes to an actual gym but around the house you’ll find her repping with those damn resistance bands to relieve stress or just cause she sees them and remembers.
⚢ And she works out to like. Classical music. Cause she’s a classy mothafuckaaa just absolutely getting ripped and her face is in a scary ass sneer but there's like ode to joy in the background
⚢ You pack her lunch. She gets flamed at work cause her paper bag is covered in lil hearts and stickers and kissy lipstick marks and its filled with sugary baked goods like pink sparkly cupcakes and fruity pastries cause u can’t cook. But by gawd u can bake.
⚢ That being said, she’s the cook in the relationship. Especially when it comes to meat. It’s problematic. Sevika’s version of “girl dinner” is straight up protein. Her typical meal is like. A rotisserie chicken + hard boiled eggs. It made you gasp the first time you saw her pull out one of her meal prep tins and it was just that.
⚢ Oh yeah and she meal preps
⚢ Claims she “doesn’t get sick” because her “immune system is just built different.”
⚢ When she does get sick, she refuses to chill out and let herself be sick and she tries to speedrun her way to health by taking too much vitamin C and then working out and cranking the heat to “sweat it out quicker.”
⚢ She knits to relieve stress
⚢ Sleeps topless and in undies. And a wife pleaser tank if its chilly.
#arcane fanfiction#arcane#sevika headcanons#sevika hcs#sevika#sevika arcane#sevika x reader#sevika smut#arcane headcanon#arcane league of legends#arcane season 2#arcane s2#arcane fanfic#arcane fic#arcane smut#vamp does arcane hcs#vamp does sevika hcs
1K notes
·
View notes
Text
LUTHER
lia x m reader
4k words
It’s a silly rational thought, but common knowledge nonetheless:
You are madly in love with Choi Jisu.
Not even the strands of time could weave a better, clichè story of what’s already been set in stone; or the countless times Lia has made herself home in the throes of your hideaway from the world, every new story and encounter with it’s twist through each shared moment.
Sure, there’s a lot of instances that you and her can recall back on, so let’s gloss over a few:
The first time you invited her presence was for a study session. You insisted that the spaghetti tasted good until realizing that the pesto had expired by three weeks - where she had to stay over for the night unintentionally because you couldn’t even manage to get up to the bathroom. Though, one ice pack to the forehead and the magnetizing hug was more than enough for you to ignore the fact she snagged your lacrosse team hoodie as for her keepsake - hood drawn up and pooling her raven locks to the sides of her face, the hems covering her most of her hand but her fingers exposed - you can’t deny that she looked comfy.
Among the other times, you’re just in your apartment, serenading her with your okay-but-presentable piano skills of covers from her favorite movies. (She had to make you hers when you played La La Land but it sealed the deal.) Not long after that, some of her things start to make their way into your place: the violin case, the scent of cherry blossoms spreading from room to room, and the collection of vinyls hung up in the living room. You don’t complain. There wasn’t a point in saying anything. Lia would disappear from your peripheral for a few minutes and come back with her cropped black tee and your pair of oversized sweats that cover her toes. So yeah, there's no point in drawing up a complaint.
It’s all in the little moments; living within these four walls - filled with memories and moments that you don’t want the rest of the world to see, her on your lap while you’re dealing with deliverables and other times where she’s bringing food for you and her to share. That’s usually how this all goes. Some of the tasks get completed, then you tab out to see what else is left to do, and Lia waltzes in terrorizing the productivity bubble. She doesn’t care because she knows what the fuck she’s doing: cocoa butter hair in messy waves, fixing the watch on her wrist, talking about her schedule for the day. Doing her wasn’t on the to-do list, but was heavily implied, considering the fact you saw her up with nothing but your sweats while making breakfast.
Technically speaking from common knowledge:
This isn’t the first time you’ve seen Lia in your clothes.
You could conjure up all the thoughts in your mind as to why you liked seeing her that way.
–
If you’re being completely honest with yourself, it’s always a wonderful sight to see.
Morning sunlight beams through the curtains as she walks past the open doorway; the highlights alone are trapped in this mixture of honey gold and coffee brown, presenting itself like a Renaissance painting coming to life. One second your vision focuses on the blurry silhouette, the next your eyes are greeted with a fever dream, blessing and inviting all the same.
You’re pinching yourself mentally - just to check - and yes, it is most definitely not a dream. Her eyes stay on you, shifting yourself up until you’re against the headboard of your bed, soaking the image of her: perfectly colored with those dirt-colored eyes and rose-tinted cheeks, radiating so brightly that the worry of drying up your eyes comes as a second thought.
There’s nothing new about this: just the usual lazy Saturday mornings you’ve shared with her.
She sighs so beautifully, having no care in the world. The flutter of her eyelashes is so seamless when her arms are raised up over her head, stretching out the stiffness of those springy limbs and muscles.
You’ve spent countless days, hours, nights even, to piece it all together in everything that revolves around Lia. From the mannerisms and tone she uses with others the readable expressions just by the small quirk of her lip or flared nostrils. Lia proudly wore her heart on her sleeve. You learned right away: a bit overwhelming was the coined phrase you proclaimed. Building each other up where others fell a little behind in: always thinking ahead, taking all of the things into consideration; and Lia was in the same headspace as you, strategizing wherever she saw fit.
But it didn’t take much for you to conclude on the fact that confidence was a weakness.
She was flooding in it, wherever she went. Whatever she wanted, she would get. If things didn’t go her way, she accepted it fully. She’ll happily walk past the open door held by you - not as an expectation, but as one of the many things you’d put an effort into. When you take her out for a date, she’ll show up outside your workplace and return the favor. You snuggle your face deeper into the pillows on a lazy day; because you know that she’s not far, either close by or already up to start the day.
As if the heavens parted the clouds for you after a gloomy day riddled with darkness, you’re pretty sure the same effect is applied here.
She’s in your hoodie (as always). However that doesn’t stop the unveiling of skin little by little the more she does these morning stretches, the fabric at the waistline lifted up to where you see her hips, cast in the cotton of her underwear. You can picture yourself thumbing away at the surface, at the ends where the threads don’t meet, cup your palms shamelessly around the plush of her ass, or even watch her slip on a pair of your pajama pants with her backside blatantly pointed towards your direction.
Okay, she knows what she’s doing. You’ve been in this position for over three years, and you’re still finding out new things to discover.
She clears her throat once she turns around.
“What’s on your mind right now?”
You lean your head back when Lia starts to shuffle herself back onto the bed, hands and legs moving until she finally settles her bearings, straddling your hips.
“Not work, obviously,” you answer, feeling her palms on your face as she tips her head, studying. “I just don’t wanna get out of bed just yet.”
“Funny,” Lia laughs, slipping her fingers behind your neck, “I was just thinking the same thing.”
“Pretty weird, isn’t it? It’s like we share half of a brain.”
“Except when you were drooling over me a second ago.”
“How could I not?” you muse, darting your eyes away, feeling your face get warmer. “If anything, you bent your ass over for me to see on purpose.”
She tilts her head, and quirks her lips near a grin, she doesn’t need to give you an explanation.
You’re speaking your truth for her.
Her hips press down on your groin, curling her fingers into the ends of your hair, feeling you squirm in the slight change of pressure. “You don’t have to be shy,” voice low and gentle, “I know you, you’re enjoying this.” You see her hand pull the hem of the hoodie upwards, revealing more and more of her waist - ghosting your hands at the uncovered skin; amidst the grey, you’re fighting to urge to pierce the veil, get your palms full of skin and feel and touch up like she wants you to.
“What do you suggest I do, hm?” You ask Lia, tone flat. “Nothing?” Playing on the backfoot in this wasn’t the ideal scenario, but you’re doing what you can to be literal and indirect, “Because I was hoping that you wouldn’t notice.”
But you see: all of that could’ve been plausible if you didn’t sit up on the bed in the first place.
You’re mapping out her face in the back of your mind, imagining the hands wandering all over her legs and hips and waist - admiring the bodywork and fine planes of porcelain, all within arm's reach.
Her breath grazes your cheek, practically turning you to stone. Some thoughts are present in your mind; you’re not sure. The only thing filling your senses was the scent of wintergreen.
Her palm lightly presses into your cheekbone, leaning in for a kiss, but stopping herself by mere centimeters.
Fills the space between the mouths, saying: “I was hoping that you’d do something about it.”
Oh, she knows what the fuck she’s doing.
Lia has kissed you like- countless times. There’s the sweet ones, the ones where you’re both smiling into each other’s faces, the ones where you think time stands still for a few moments, the kinds where you’ve got a bubble entrapping you two, and so much more. All of them have their meanings behind them, but they make you melt all the same.
You could feel her hands roam around your body, legs pressing your hips on opposite ends; every smack and inhale is followed up with a low rumble at the throat, hands shifting up from her waist up to her chest; her forehead pressed against yours, clutching her shoulder blades, keeping her place - she has your full attention now.
A swipe of the thumb across her nipple, then a pinch. The hoodie rucks up higher on her body.
Her arms come into play, speeding up the process of cotton being discarded.
Lia is your block of marble - waiting to be molded and chiseled and chipped away - crafted by yours truly where you’ll get on your knees in adoration and give your reverence as you proffer your lips and tongue all over her body.
She’s so easy to gratify - the way that her sighs and moans mesh into one sound or another, feeling the heat rise in her body. You can tell she’s trying to hold back, murmuring in tongues. Like she’s showing but not telling: I need you baby. I need, I need, I need, I need, I need-
It’s like you - all of you - is oxygen to her, giving her life where she would die if she didn’t have enough. It’s never enough, and you know this. In the cosmos that lie behind those melted shades of sable, glassy, and an ever-growing pit of blackness, where you could see yourself falling into them time and time again because they were only exclusive to you. A forgotten light, an eternal flame, you catch yourself face to face with it once more.
The flush of light crimson makes its presence known across Lia’s face: a response to your touch, one that she simply can’t ignore.
You could feel the dampness of her panties lightly settle on the bulge of your underwear, hear her breath hitch just the slightest, all the while her hips grind against yours.
“Yeah,” she hushes, a sultry smile spread across her lips. “You prefer this over the usual caffeine.”
She laughs softly when you groan into her neck, her arms coiling around your neck and shoulders, tightening the noose. Your hand slithers past her lower back, fingers grazing the lace and sliding underneath the uncovered skin. “Always,” you tell her, looking up while she scratches the back of your head: your one of three weaknesses.
Lia then leans away, crosses her hands at her waist, gripping the hoodie.
When she lifts it- that image becomes your second weakness.
You keep looking without hesitation; the fine line of her shoulders, the blotches of red and pink across the canvas, deliciously sweet. Her breasts supple, but have a firmness to them (a guilty pleasure, you’ll admit); she runs her nails across those mounds because she knows that you’ll get your hands full of them soon, get greedy enough to forget about the rest.
“Aw, what’s the matter? Cat got your tongue?” she asks with a coo. Then, gets her thumb and index underneath your chin, tilting your gaze up. “You’ve gone quiet.”
“Were you always this cute?” you muse.
“You know me.”
“Allow me to rephrase,” you’re backtracking, because you just want to hear it yourself. “Were you always this sexy?”
That earns you a firm grind against your length.
And now, she’s laying it down for real: “I’ll make you shut up if that’s what you want.”
–
Here’s weakness number three:
Lia has your legs spread apart, laying on her stomach, tracing a finger along the grooves and veins of your cock, mesmerized at the mere taste of your balls across her tongue. You’ve got your deal in, grinding her sopping folds along your shaft just as a tease - a preamble. Her hair’s tied up in a loose ponytail as she makes her way up the length, pouting her lips at the tip - anticipating the image of your cockhead sealed around her pretty little mouth - how to suck the air out of your lungs with just one swift motion - she’ll relish the moment, savor it - make you forget all of your worries with one decent.
She has you wrapped around the palm of her hand, literally. And somehow, it feels like you were meant to be-
You could feel the graze of her teeth the more she takes you in, the subtle leitmotif of her humming the more you feel her mouth all over, creating a pantomime of dancing and singing along your length, bringing out all the things that make you speechless.
It’s when she has you like this, where everything just feels right.
“Good?” you could hear her say, but her cheek is bulging with your cock up inside where the sound comes less coherent, but those eyes implicate the message regardless.
“Fuck,” you rasp, feeling her teeth graze just right beneath the tip. She’s got you good. She always has.
You’ve got the rough schematic drawn up in your brain. Testing the waters with a gentle thrust of your hips, shoving her head down deeper where she can struggle just a bit. It won’t take you much to make you cum like this. You imagine her saying - all she needs is to soften you up and next thing you know her palms are sliding down from your chest to your thighs. The gentle cup of your balls in her other hand, puts your length in the prime position to fit you in her throat.
She purses her lips forward, trying to cover the base. It’s cute that she can try, but she makes up for it by flicking her tongue on the underside - at the seam - and yeah, your head hits the board behind you.
Lia is the only one who could practically kill you and give you a second chance at redemption.
Knowing that you’ll take that second chance to return the favor properly.
But this is her turn in the chess match. You actually can’t do anything about it.
She crosses her ankles up in the air, sinks her head between your legs again, maintaining tempo. Her hands come into play, doing all kinds of combinations with her mouth and tongue, lapping up the mix of spit and precum.
You are going to lay there and watch.
Her eyes flooded with determination.
Your cock in my mouth, my hands.
The slide of her mouth is addicting.
Try your hardest not to cum.
She’s fucking unreal.
And not even that-
“I want more spit.” Lia declares, both hands on you now, jerking shamelessly with the classic motion that makes you paralyzed from the waist down. Her knees dig deeper into the mattress, raising her body, head now hovering over your cock.
“Go ahead,” you grit, smiling. A moment of grace - to breathe; you know where she’s leading with this. “I’d love to see you try.”
That phrase alone would be your undoing.
Lia puts you right back into her mouth, with no regard for keeping it lighthearted and casual. The grip in her hair becomes a lot tighter, flexing your hips up while her tongue becomes flatter. You’re biting down a curse spilling from your lips, ears focusing on the unholy sounds coming from Lia instead.
She’s not playing around now - mouth slipping and sliding, humming and moving her head in the many ways where you’ve seen your vision turn white before.
You can’t keep this up for any longer.
The head down, head up, the shimmying of her head, puffing her cheeks, cock slathered and wetter by the second-
You pull yourself away, throbbing. The pop of her mouth and gasp is all that she’s left with.
“Hey,” she says, “you weren’t supposed to do that.”
Her ponytail comes undone while the tip of your tongue is caught between your teeth.
All you give her anyway is: “Oops.”
She throws herself onto you, hoping to catch you off guard, but you were ready. Her lips capture yours, wanting to clean up the mess she made over your cock just now, each lick and smack becoming more and more careless in every liplock.
Your hands find her waist while Lia also looks down at the action. “Need to do something about that, don’t we?” She tells you, grabbing your length and dipping your head into her cunt, making both of you groan in unison. “Fuck-”
“Lia, watch yourself,” you huff, jaw slacking when she slides herself in properly this time; the tightness and heat already washing over you while Lia shifts her panties more to the side. “Okay, holy shit girl.”
To keep your mind off of the unrelenting pressure of her cunt wrapped around your dick, you’re leaving chaste kisses across her chest yet again, feeling her fingers card through your hair and dig into your scalp, the shimmy of her pussy finally stopping once she bottoms you out.
She’s laying it out for you again: “You’re gonna fuck my brains out now, okay handsome?”
Your response is in tandem with her breathless state: “Oh, with pleasure.”
The girl just takes and takes and takes. You could feel her smile on top of your forehead when you feel up her breast, slide your hand down her waist, grip her petite ass while she slams her hips back down on your cock.
You’re gripping wherever you can: her waist, her hips, her ass. Any place where you can fuck around with the vice for as much as possible, fucking her senseless like she worked you up to be.
It’s in the forward-back, the up-down. Her ass isn’t kind to your balls when she’s riding along your length.
This was the best way to wake up in the morning.
Lia’s happily bouncing along on your lap - with you trying to keep up with the pulling of your neck, the tugs in your hair, holding her still where you got your cock at the angle to bring it to her cunt’s hottest, molten spot.
She’s so tight, you conclude, that evidence is pretty natural in itself. You love it so much when she’s not making any sense in her words, only plugging up her pussy in the only way you know how-
“Want it,” she whispers, a profession: “inside, please.”
You’re holding her so close, keeping her in place. It’s a one-way ticket to paradise that you’ll take no matter what; the unraveling - so lethal, and an absolute certainty. The bruises are starting to form along the crease of her legs and hips-
You’re laying it out for her now: “I’m cumming.”
Pumping her full, riding out her orgasm. Everything made sense for Lia in that instant.
Strings of cum painting along her slick walls, claiming the last threads for herself - because that’s how it all goes. You’re shuddering, live wire still reactive, hungry for more as the pulsing starts to die down; slowly, lethargically.
A few beats later-
“Fucking Christ, Lia-”
She laps your cock on the bathroom floor; face painted and splattered in ribbons of white, back against the door as the mat at your feet tries its hardest to not slide against the tile.
She licks up the mess while humming gleefully, looks up at you in sweet and treacherous innocence.
She looks down at the cum dripping down her chest, her waist, and even the spread of slick all over her inner thighs-
You don’t mind lazy mornings like these.
(To contradict yourself: they’re never lazy.)
–
The place gets filled up once again with Lia’s honey-saccharine voice, coming out of the hallway with a towel draped over her shoulders.
You give her a look: the same one where no words need to be said to describe the moment - because it’s a look that she’s seen multiple times - and she can easily read your mind.
The look of love. You have it. And so does she.
Lia later rambles on at the dining table about her recent outings and extravaganza's with Yeji or Yuna, fingers underneath her chin and swirling a spoon around her cup of tea. She looks at you with so much attention, eyes shimmering and nodding along while the morning light starts to creep through the window of your living room. You feed her an apple slice to make sure she’s not bored - she loves that.
In moments like these, you’re thankful that it’s shared with her. From her arms bracketing your hips while you clean the dishes, to piggybacking her back to your room, make her land on her back while she laughs and playfully whines like a kid. You shake your head because any response you say will always get brushed off by her.
It really doesn’t matter what’s being brought up, since things just flow that way so well you don’t even have a second thought after.
“You really went at it with me earlier,” she tells you. “Care to explain why?”
“Well,” you’re grinning cheekily, hand to the back of your head, “Didn’t have time to relieve myself in the past week so-”
“Uh-huh.”
“Guilty.” you finally amend.
Lia knows the best parts about you; knows exactly how and where to apply the pressure in the points you’re most vulnerable at. She’s got her fingers and knuckles in every little nook and cranny in your brain. It’s impossible to fight against.
You could say you’ve got the same regard for her too.
She’s sweet, witty, cocky when it counts, well knowledgeable, and has these sparkles in her eyes where you don’t mind stargazing for hours on end. The overall vibe she presents is so cozy, embracing you to a point where you’d be happy to settle and fall asleep in her arms because you can.
There's no place she would rather be than in your arms, feet on top of yours, slowly dancing even if there isn’t any music playing.
Another tender moment shared: you’ll take it for a keepsake, knowing more of those will come along the way.
Nothing more wholesome could ever be like this: the gentle nose bumps, shared smiles, the quick kisses in each others’ ears. It’s straight out of a classic romance novel or movie -or, even when you’re imagining it’s just the two of you center stage at a jazz club and the band’s playing a slow ballad.
Cheek to cheek you are with Choi Jisu - you’ll want to hold her close for eternity.
“Wanna stay inside for today?”
(Here, you’re probably laughing because Lia was already a homebody, so it’s pretty ironic.)
“We’re already here, so why not?”
#itzy smut#lia smut#kpop smut#male reader smut#kpop x male reader#itzy lia#itzy lia smut#kpop fanfic
669 notes
·
View notes
Photo






forhumansnotpeople.com
these items being added soon. There is plenty of nonsense there for now.
#necklace#fashion#stone#stonejewelry#photography#tigerseye#jade#labrodorite#natural stone#tigers eye#blue lace agate#product photography#Small business#smallbiz#forhumansnotpeople#jewerly#hand made#handmade#one of a kind
1 note
·
View note
Text
❝ 𝘏𝘢𝘪𝘳𝘤𝘶𝘵𝘴 ❞
lighter lorenz x afab!reader
genre: slice of life
summary: your most consistent “customer” always ends up crawling back to you
wc: 2k

“I should charge you extra for this, Lorenz,” you drawled, popping the screen door open with your hip as you walked back out onto the porch, a pair of scissors twirling on your finger. With practiced ease you snapped them into your hand, pointing the sharp tip in his direction.
“I don’t take well to traitors.”
You could see his eyebrows raise behind his sunglasses, a low whistle passing his lips.
“I’ll keep that in mind next time, boss.”
“You better, I’m not one to give chances freely.” You teased before nodding your head towards the steps of your porch.
“Now take a seat, scruffy, we’ll see if we can’t make a Champion out of you yet.”
You grinned as he plopped dutifully down on your porch steps, long legs stretching out comfortably as he leaned back on his elbows. His head lolled back in your direction, vibrant shades of teal green twinkling over the gold rim of his glasses as he grinned in the same boyish, lopsided fashion you had grown to expect of him.
“That’s a big claim to make, saying you can make someone a champion with a pair of scissors.”
Your eyes rolled as you sat criss crossed behind him, plucking the sunglasses off his face before sliding them onto your head, watching the sharp recoil of his features when the burning orange glow of the setting sun assaulted his uncovered eyes. You pinched his bangs between your fingers, spreading the strands between the pads of your thumb and index before allowing them to feather back against his forehead.
“Well it’s certainly easier to win when you can actually see.”
He righted his head with a conceding sigh. “You’ve got me there.”
Your hands carded through his hair, thick waves of dark green-teal sliding between your fingers. It made you a bit angry that he had achieved an envious degree of volume and softness that a woman would kill for knowing that he was probably still using some 14-in-1 product that could strip grease off a floor, wash dishes, and his hair with the same bottle. Perhaps it was your sign that genetics could flourish under any circumstances, and that Lighter was simply god’s favorite delinquent.
“A barber with a waitlist, huh?” You mused, drawing a strand of his hair taunt between two fingers. The scissor blades shined like gold in the dying light, severing any split ends as you trimmed a few millimeters off.
“The city sure is a unique place.”
He hummed. “It’s not all bad, I guess.”
Part of you was inclined to disagree with him. You weren’t particularly fond of the city in any regard except for the variety in products offered. It was too noisy, too busy, too much stress over even the simplest of things.
It was a far cry from where you sat now, the evening sun warming your skin as the desert air of the Outer Ring carried the dry scents of sage and willow to your lungs, the landscape doused in a golden glow that stained the earthy reds of the stone in vibrant hues. The whistles of distant warblers and the rumble of engines zipping down the highways, the rustling of the tumbleweeds rolling over the packed earth, the gentle snipping of the scissors in your hands as stray hairs broke loose under the sharpened blades.
A melody of a deserted land that seemed so foreign and rogue to most evoked nothing but an easy sense of homely comfort. One that bathed the simplicity of your task in a halo of nostalgia, the texture of the porch under your legs, your chipped nail polish undercut with rich hues of raven green, the comfortable silence that filled the air reserved for close relationships.
Your nails tickled, featherlight touches brushing over the shell of his ear. He shuddered, goosebumps rising harshly on his skin under his jacket.
You dusted the stray hairs off his shoulders as you stood with a small groan, the grooves of the porch tattooing your legs with the texture of the worn wood. “Alright, I’m done.”
You pocketed your scissors, jerking a thumb towards the screen door. “Come in and wash up, can’t have you itching on the ride home.”
You held the door, propped against it as you watched him shed his jacket, shamelessly enjoying the tight planes of his muscles shifting under his t-shirt as he tossed his jacket over the porch rail, chased by the vibrant red of his scarf.
“You should be careful making offers like that,” He said as he sauntered past you, plucking his glasses off the top of your head. “You never know what kind of unsavory folks could wander out of the desert.”
You raised a brow in playful disbelief. “Maybe you should be careful accepting invitations to shower at strange women’s houses,” you countered as the door slammed loudly in its casing, though if it was the sound or the sharp way your hand connected with his ass that made him jump you weren’t fully sure.
You shot him a wink as he whipped around. “You never know what kind of unsavory things they could want in exchange~”
To say you enjoyed any chance to tease the legendary red scarf of the Sons of Calydon would be a massive understatement. It had always been that way, even from the first time Big Daddy showed up on your doorstep with him and asked you to whip him into shape.
He was thinner, hair shaggy and skin littered in bruises that stained it shades of red, purple and yellow. He didn’t talk at all then, shoulders hunched forward as you trimmed away months of disrepair, gave him a proper shave and shower and sent him off after a warm meal. It was purely transactional if not somewhat born from the pity that stirred in your gut at the hollow, glazed look in his eyes that lingered for months on end.
He would come back every few months for the same thing until his head stood a little taller, shoulders prouder, a healthy tan kissing his skin alongside the occasional bump or bruise brought on by one of his scrapes as new champion for the Sons of Calydon.
Conversation flowed a little more freely and lightly, the atmosphere of your simple home a backdrop for peaceful evenings even when your scissors weren’t needed, one of warm blankets draped over your bare legs as you sat on the porch swing, hot tea warming a ceramic glass between your chilled fingers as the cries of coyotes mingled with the deep purple sky, nothing but the stars as their witness.
Lighter still dutifully sat on the top step, boots thumping against the wood in tune with the crackle of the radio that whispered in from your kitchen where you left it running. You’d tease him about the girls in Blazewood or whatever pretty little number you had witnessed walk up to him on the street until his ears would stain with a hearty red flush, a hand rubbing at the back of his neck as he refuted your words and attempted to redirect the conversation.
If he really hated the teasing talks as much as he claimed you were confident he wouldn’t keep showing up with a case of Nitrofuel asking if you were free for the evening.
You placed a couple bowls on the table, the heat off the contents curling pleasantly under the yellowed bulb of the dining room light as you heard the shower shut off.
“Feeling like a new man yet?” You called through the door as you dropped some silverware in the bowls.
“It’s hard to beat a fresh cut.” He replied as the door to the bathroom swung open, his hair falling limply over his forehead still damp from the shower. Give it another few minutes to air dry and it would surely begin to curl and bounce back to life.
“I’d like to see one of those fancy city barbers have better customer service!” You stated matter of factly, waltzing up to lean on the doorframe, the light dancing over the apples of your cheeks as the floral scent of your Carlishe shampoo met your nose. The girls would give him a fit over it later to be sure.
He’s smiling at your small talk, a hand rubbing the line of his jaw thoughtfully as he squinted at his reflection in the mirror.
“You still keep those extra razors?”
You snorted. “Of course, how else can I service all the scruffy vagrants that wander through my door?”
You vanished from the doorway for a moment, and he could hear your feet thumping across the hardwood floor as you came and went, your face mischievous as you shouldered into the little bathroom with him and hopped up on the sink counter.
You brandished the single bladed razor with smug pride, a finger rising to crook in his direction as your lips curled invitingly. “Come here, Mr. Lorenz, and let me finish you off in a proper fashion.”
He was like putty in your hands and he stepped closer, hands braced on the sink at your side as your own hand came up to trace the curve of his jaw. It felt like old times, you mused to yourself, painting a thin layer of shaving cream against his skin. You used to do it all the time, though it was a bit more challenging when his skin was tender from the bruises that blossomed beneath the surface.
He didn’t hold eye contact with you then like he does now, vibrant hues of green smoldering under thick lashes trained on the curve of your lips, the delicate way your teeth teased the lower in concentration as you glided the blade across his skin with a skilled hand.
The scent of the spice in the shaving cream tickling your nose as it mingled with the florals of the shampoo, his breath warm as it fanned over your cheeks.
“If you keep staring like that,” you tapped the razor off in the sink, running the blade under the water as you turned back and met his gaze head on.
“I might think you like me a little more than just as your barber.”
“And what if I said I did?”
It came out in a breath, and you weren’t sure for a moment if it was accidental or intentional, some form of truth rolling in seas of green that you would never claim to be able to read. You stared at him for a long, silent moment, a challenge brewing on the tip of your tongue.
“You won’t.”
It was flat and to-the-point, a truth spoon fed by force down his throat like a bitter medicine to an unruly child. You placed the razor neatly on the side of the sink.
“You’re not brazen enough to jump into something without hesitation,” you elaborated, a hand rising to brush loose hairs behind your ear as you met his gaze once more. “And I think you value me too much as a friend to act carelessly.”
He huffed, fingers tapping on the countertop. “You say that like you’re confident that you know me or something.”
Your shoulders shrugged. “Not like you’ve been much of a stranger in the past.”
He couldn’t challenge you there if he tried, his very presence in your home right now a glaring reminder that the two of you had never been fully unfamiliar, always toeing some invisible line between friends and something a little past that. Maybe it did give him pause to think of upsetting the delicate balance of the game you seemed perpetually locked in.
You slipped off the counter, sliding past him without a word. You were like sand filtering between his fingers, there one moment and gone just as quickly if his grip relinquished even for a moment.
“I don’t mind waiting, I consider myself a rather patient person.” You spoke, your back turned to him as you plucked one of the bowls off the table. You spooned a helping into your mouth, humming thoughtfully as you turned, waggling your empty utensil at him.
“Jus’ be a good boy and don’t go cheating on me with another barber in the meantime.”
His grin was as crooked as ever.
“Wouldn’t dream of it.”
Rey 2025
#zenless zone zero#zzz#zzz x reader#lighter zenless zone zero#lighter lorenz#zzz lighter#lighter zzz#lighter x reader
467 notes
·
View notes