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FOREVER NEVERLAND
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Nights with you was totally worth the wait
and I love her new look so much that I have to draw a fanart!
I hope you guys like it ・ ᴗ ・ ♡
Ps. I suck so bad at coloring but I love drawing ♡ so hit follow botton hard for more HEHEHE
Ps.2 Please do not use/ repost my art without my permission. Thx ♡
#mØ#nights with you#new single#fanart#drawing#paint#my art#my artwork#my drawings#my paintings#first post#MOMOMOYOUTH#MØ fans#MØ nights with you#MO#Karen Marie Ørsted
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snakehips & mø . don’t leave
#dont leave#snakehips#mø#momomoyouth#mo dont leave#snakehips dont leave#album art#album cover#fan album art#album#new album#artwork#Album Artwork#fan artwork#Fan Made Artwork#fan made album artwork#cover#fan made cover#Fan made album cover
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My Favorite Albums of 2018
Here is my list of my personal top albums of 2018
You can find my separate list for top EPs of 2018 here.
My Previous monthly lists from 2018: January , February, March, April, May, June, July, August, September, October, November, December
My list last year for my top Albums of 2017 can be found here.
*Indicated someone I saw live in 2018
Honorable Mention:
Alan Walker - Different World Genre: Electronic / Dance
Different World is life in a digital universe. On the surface the mechanical synth-based melodies might come off as a bit too artificial, but if you dispel the notion computers can’t be a musical instrument you can see there’s a heartbeat under the churning gears. In the context of the album all the tracks really work together harmoniously, a pretty amazing feat considering these songs were recorded and released over the span of three years. There is a intentional, common vernacular across the tracks that melds it together quite nicely. Despite the plasticity on top, this debut album is artificial intelligence exuding relatable emotion and infectious energy. I don’t know what’s more human than that.
Proof: Lonely (w/ Steve Aoki Feat. ISÁK & Omar Nior) / Darkside (Feat. Au/Ra & Tomine Harket)
Alina Baraz - The Color Of You Genre: alt-R&B / Soul
The soothing and sultry voice of Alina Baraz can seriously sing to me the phone book and I would rock back and forth in a happy place. The world was first introduced to Alina Baraz when she teamed with Danish producer Galimatias for their euphoric, synth-pop joint EP Urban Flora. For her first solo project Baraz goes for a bit more of a stipped down sound which allows her soulful vocals to shine as they whisk you away. This enduring and intimate album shows the future is bright for the singer and her low lit music.
Proof: Fallin / I Don’t Even Know Why Though // Bonus: Feels Right
Chloe x Halle - The Kids Are Alright Genre: alt-R&B
Sisters Chloe & Halle’s talents caught the attention of none other than Beyoncé who scooped them up for her label and now their unique and unpredictable form of R&B is catching the attention of the masses. The sisters broke out on the scene with 2016’s Sugar Symphony EP, followed up by the YouTube released mixtape The Two of Us. This debut album has been in the works since before that original EP was released and with most of the production handled by them is a true culmination of their hard work to get to this point. The hard work is already paying dividends with two GRAMMY nominations including “Best New Artist”.
Proof: Everywhere / Galaxy
CHVRCHES - Love Is Dead Genre: Synth-Pop
On their third album, Love Is Dead, for the first time Scottish band CHVRCHES used outside producers on a record. The result is a bit more expansive of a sound for the group then before. The moments of emotion and energy seem a bit more unhinged (in a good way). Lauren also adjusted her writing techniques from a metaphor heavy style that would allude to subjects to a much more straightforward vocabulary addressing things head on. It’s still the same identifiable vernacular of the band CHVRCHES but with a few new art pieces up on the walls.
Proof: Never Say Die / Miracle
Don Diablo - FUTURE Genre: Electronic / Synth-Pop / Dance
Ten years after his debut, Dutch producer shows by he’s been a sought after producer for nearing twenty years. FUTURE shows how the producer has been able to craft entertaining and contagious pop melodies that resonate ohh so well.
Proof: Take Her Place (Feat. A R I Z O N A) / Found You (Feat. Bully Songs)
J.I.D. - DiCaprio 2 Genre: Hip Hop
J. Cole signee J.I.D. Didn’t waste time following up his 2017 debut album The Never Story. The Atlanta rapper already had a following established from independently released mixtapes and EPs before last year. The Never Story exposed to a wider audience this newcomer has got some lyrical skills and a silky, smooth flow, DiCapro 2 (a sequel to his 2015 DiCaprio EP) only exacerbates the exposure to his talent even more.
Proof: 151 Rum / Tiiied (Feat. 6LACK & Ella Mai)
JMSN - Velvet Genre: R&B / Soul / Funk
The shape shifting R&B of Michigan singer JMSN has been one of my favorites since his 2012 revelation of a debut †Priscilla† (which topped my 2012 albums list). His first album and EP were very much in the hazy low lit alt-R&B sound similar to The Weeknd and How To Dress Well. JMSN then molded his sound to a more straightforward form of R&B for an album. Again, not being complacent, his two following albums transformed again this time to sound like a jazz assemble backing a soul singer. Well, JMSN takes another left turn with Velvet incorporating some sultry funk. With dripping base lines and bouncing synth keys this is JMSN’s most vibrant sound yet.
Proof: Levy / Drama
Kylie Minogue - Golden Genre: Synth-Pop / Country
I am admittedly not a big country fan, and some more die hard country listeners my roll their eyes at me calling this album country. Kylie Minogue is going on 30 years in the industry and mostly been a danceable, synth-pop artist. For her fortieth album Golden, Kylie went to Nashville and incorporated country and bluegrass music tendencies into her sound; something that could be a disastrous ambition. I guess you don’t just luck into making music for three decades, because this interesting mixture is pulled off beautifully. Golden is an effective and innovative mash up of electronic music, synth-pop and country in a surprisingly delicious cocktail.
Proof: Stop Me From Falling / Every Little Part of Me
Logic - YSIV Genre: Hip Hop
With one of the most lethal flows in the game, Logic dropped off two projects in 2018. First was the follow up of his Bobby Tarantino Mixtape. The second was his fourth LP, but this time reviving his Young Senatra persona from mixtapes earlier in his career (the last one came out in 2013). YSIV or as it stands for “Young Sinatra 4” is another verbal assault by the talented rapper and one of his most confident records to date. The robust use of skits and interludes has always been a gripe of mine with Logic albums, and gladly they are noticeably absent here. No matter what persona he dons, Logic has some of the most ferocious lyrical prowess in the industry and he loves to show it off.
Proof: The Return / 1000 Miles & Running (Feat. Wale & John Lindahl)
MNEK - Language Genre: R&B / Electronic
Before this debut album was released British singer/producer/songwriter MNEK already had multiple GRAMMY nominations from his songwriting and production work with artists including Kylie Minogue, MØ, Madonna, Zara Larsson, Julia Michaels, Dua Lipa, Beyoncé and a whole slew of others. With the success of his stellar 2015 EP Small Talk he became a sought after commodity in the industry. For his debut album MNEK wanted to make a statement of who the man behind the boards and pen is. Language is an exhilarating listen front to back and an exciting mixture of intersecting genres.
Proof: Tongue / Colour (Feat. Hailee Steinfield)
SOB X RBE - GANGIN / GANGIN II Genre: Hip Hop
It’s been a busy year for the new hip hop foursome from Vallejo. They dropped their self titled Mixtape in 2017 to catch the attention of Kendrick who put a song by them on the Black Panther soundtrack. Striking while the iron was hot, the group released their debut album in February and their Sophomore album (or an extension of their debut) only a few months later in September. Growing up the Bay Area the group is obviously influenced heavily by the Hyphy movement. You can hear elements of influences from E-40, Keak da Sneak, The Team and others in that Hyphy sound; but with a contemporary twist.
Proof: Anti Social / Can’t // North Vallejo / Made It
Superorganism - Superorganism Genre: Indie Pop
Eight member group from various countries formed the band Superorganism in 2017. Together they would send tracks through Facebook and WhatsApp and each member would add some layers on to it. The concoction is a dense, multifaceted form of unique pop music. The various layers of instruments, synths, and samples intertwine to create a mesh of melodies that bounce along gracefully despite their mass.
Proof: Everybody Wants To Be Famous / Reflections on the Sun
Tove Stryke - Sway Genre: Synth-Pop
This short and sweet album by The Swedish singer is her strongest to date. There’s a subtle growing of confidence I can see from this album to its predecessor 2015’s Kiddo. Despite its short run time, Sway makes quite an enjoyable impression.
Proof: Sway / Mistakes
Typhoon - Offerings Genre: Indie Rock / Alternative
American rock band Typhoon follow up 2013’s White Lighter with their fourth album here. Offerings is a moving and powerful affair. Most of the tracks start off mellow and sweet with moments of crashing guitars and unfiltered emotion bursting out.
Proof: Rorschach / Darker
VanJess - Silk Canvas Genre: R&B / Neo-Soul
The sisters of first generation Nigerian immigrants started singing covers on YouTube before first getting signed way back in 2011. Their debut was worth the weight, Silk Canvas is some infectious forward thinking R&B with subtle nostalgia baked in. You can see influences from the likes of Rihanna, SWV, TLC and others.
Proof: Touch The Floor (Feat. Masego) / Best Believe
Bonus:
Major Lazer - Major Lazer Essentials Genre: Electronic / Dance
Since their debut album Major Lazer has been one of my favorites. Now three albums, multiple EPs and a couple mixtapes later, Diplo has announced a new album in 2019 (10 years after their debut) will be the end of the project for the immediate future as he pursues his other many projects. With this announcement Diplo released this compilation album of greatest hits and a handful of new tracks. My first thought when I gave my original spin through this collection was “damn, Major Lazer just had some gd hits!” Listening in one place to the standout tracks from 2009 to now is an exhilarating and entertaining experience centered around diversity and overflowing passion.
Proof: Blow That Smoke (Feat. Tove Lo) / Know No Better (Feat. Travis Scott, Camila Camila & Quavo) / Watch Out For This (Feat. Busy Signal, The Flexican & FS Green) / Tied Up (Feat. Mr Eazi, RAYE & Jake Gosling)
The List:
Last One Out: NoMBe - They Might’ve Even Loved Me Genre: Alternative / Indie Rock / R&B
German born singer NoMBe is here to seduce you and I say you should let him. They Might’ve Even Loved Me is a steamy collection of rock songs about love, sex and navigating through life. NoMBe’s vocals are subdued and sly enacting a sense of mystery. The backdrops are built on groovy bass lines and plucky guitar riffs meant to get your foot tapping and hips slowly moving. I can see obvious influences from The Killers, Kings of Leon and Prince. Deeper down I also see hints of Blood Orange, Twin Shadow and D’Angelo.
Proof: Young Hearts / Freak Like Me / Jump Right In / Sex
35. Rejjie Snow - Dear Anne Genre: Hip Hop
Hip Hop is usually about being forceful and having to reach out and grab what society has built roadblocks for you to attain. Irish rapper Rejjie Snow is the opposite of that. His subtle, jazzy production is minimalist and doesn’t directly ask for your attention. This allows the mellow, but skilled flow of Rejjie to take the lead. I wouldn’t label Rejjie’s rapping as slow, but it moves at a comfortable and steady pace and doesn’t need to be unnecessarily sped up. With the vibe being so well established, the listener can now comfortably hang onto every lyric which are well written in matters of love and maturing in life we all can identify with.
Proof: Spaceships (Feat. Ebenezer) / Egyptian Luvr (Feat. Aminé & Dana Williams) / Charlie Brown (Feat. Anna of the North) / Annie (Feat. Jesse Boykins III)
34. Kelela - TAKE ME A_PART THE REMIXES Genre: alt-R&B / Electronic
Kelela’s debut album Take Me Apart was one of my favorite albums last year. Her sound that was a mixture of Aaliyah, late 80s Janet Jackson laid over production that would fit on a Massive Attack album was such an enjoyable smooth and sultry listen. Her strong vision of her projects as a whole make for a cohesive listen. That strong vision carries over to this robust remix compilation that is not your average remix album. The diverse range of producers offering remixes make for a dynamic listen that teleport you to various new environments throughout. Kelela was part of the process curating this album with each of the producers, even recording some new vocals here and there if needed. It’s that devotion to her craft that makes me confident Kelela will be a long time.
Proof: KAYTRANADA_WAITIN_115 BPM / LSDXOXO_TRUTH OR DARE_123 BPM / NÍDIA_BLUE LIGHT_123 BPM / BADSISTA_BETTER_125 BPM (Feat. Linn da Quebrada)
33. Whethan* - Life of a Wallflower, Pt. 1 Genre: Electronic / Future Bass / Dance
The most impressive skill in electronic’s wonderkid Whethan’s arsenal is his ability to construct a diverse range of sounds within a genre that usually leads to being in niches. Since he first debuted in 2015 at the age of 16, Whethan had been a producer chameleon making tracks that don’t sounds like the last two or three or anything he released before had. Before this debut album was released he already got to work with the likes of Flux Pavilion, Charli XCX, Elohim, Ashe, MAX & Dua Lipa so his clout is rapidly growing in the industry. That’s from his ability to mold and morph melodies to his will. With apparently another album set to be released on 2019, the young Chicago producer is riding this accent with no end point in sight.
Proof: Radar (Feat. HONNE) / Top Shelf (Feat. Bipolar Sunshine) / Superlove (Feat. Oh Wonder) / Be Like You (Feat. Broods) // Bonus: High (Feat. Dua Lipa)
32. Kali Uchis - Isolation Genre: R&B / Soul
The soulful, vintage sound of Colombian-American Kali Uchis has an appealing and comforting nostalgia while also feeling contemporary and innovative. You can see her influences of 1960s Soul and doo-wop music as well as traditional Colombian music as the vertebrae of her stripped-back sound but also see how she’s molding it to her will to fit in 2018. Her tender voice can bounce along a track so gracefully in her unique melodies creating a dynamic experience despite a minimalist pallet.
Proof: Just A Stranger (Feat. Steve Lacy) / Tyrant (Feat. Jorja Smith) / Dead To Me / After The Storm (Feat. Tyler, The Creator & Bootsy Collins)
31. Mother Mother - Dance and Cry Genre: Indie Rock / Alternative
Canadian Rock band Mother Mother’s sound is an exciting coalesce of Modest Mouse, Arcade Fire and My Chemical Romance. Dance and Cry is a touching record of heartbreak and the hope afterwords. I admittedly haven’t listened to an entire project from Mother Mother before this, their seventh album, so I can’t really offer much history or how their sound may have evolved. However, this was a pleasant surprise when I first took it for a spin that kept surprising me every listen after, so I will personally be paying more attention to the band after.
Proof: Dance and Cry / Get Up / So Down / It’s Alright
30. Vince Staples - FM! Genre: Hip Hop
Long Beach rapper Vince Staples marches to the beat of his own drum with a IDGAF attitude. Seventeen months after releasing my personal favorite album of 2017, Vince is back with a new project; I’m not sure what to call it. Is FM! an album, a mixtape, just a recorded radio show? The thing is Vince could really care less about those questions, he just makes what he wants to. Put together as one radio show where the tracks abruptly end, there’s hosts playing stupid games with callers, quick commercial breaks for other rapper’s projects, the project comes out as an odd but accurate snapshot of 2018. With a run time under 30 minutes this album is like a shot of adrenaline and ends before any lethargic coming down. Staples verses are as strong as ever with the same bouncy beats we’ve known him to find to spit over with his normal laid back vigor.
Proof: Outside! / Relay / FUN! (Feat./ E-40) / No Bleedin (Feat. Kamaiyah)
29. St. Lucia - Hyperion Genre: Synth-Pop
South African frontman and main showrunner of the New York band St. Lucia returns with his lush and decadent pop music meant to overload your senses. St. Lucia has vaulted to the top of my personal bands list since their debut 2013’s When The Night; which led to me seeing them live 4 times in less than 24 months. Hyperion has a little less “pop” for me then it’s two predecessors, but that doesn’t mean it’s not still a joyous piece of tropical, electro-Pop. There’s even a few new wrinkles, like some George Michael inspired Gospel infusion on “Paradise Is Waiting” or the hints of 80′s rock in the margins of “Walking Away”.
Proof: A Brighter Love / Paradise is Waiting / Walking Away / China Shop
28. Joji - BALLADS 1 Genre: alt-R&B
Japanese singer Joji has come a long way from making a silly internet meme to this surprising debut album. Originally known for starting the “Harlem Shake” meme on his YouTune channel; forever making the actual dance from the 90’s forgotten. Sometime a couple years ago he decided to take music as a serious venture. There was some aspects I liked of his 2017 debut EP In Tongues but overall there was something not quite clicking for me. The seemed to be too much focus on the air underwater vibe and not enough on the song crafting. Well that seemed to be ironed out here with a beautiful debut album that has some heart wrenching moments. “SLOW DANCING IN THE DARK” was one of my favorite songs of 2018, and shows the once YouTube jokester can really dig deep and pull out raw emotion on a song.
Proof: SLOW DANCING IN THE DARK / TEST DRIVE / WANTED U / NO FUN // Bonus: SLOW DANCING IN THE DARK (Loud Luxury Remix)
27. ayokay - In The Shape Of A Dream Genre: Electronic / Synth-Pop / Future Bass
Los Angeles based (Detroit born) DJ ayokay drops off his debut LP of sunkissed Electronic music. ayokay is not afraid to deal with some sadness in his songs, but they maintain a danceable vibe, emulating the mask we all wear in public over our emotions. Who’s ready to cry in the club with me?
Proof: Sleepless Nights (Feat. Nightly) / Don’t Wanna Be Your Friend (Feat. Katie Pearlman) / Stay With Me (Feat. Jeremy Zucker) / Half Past You (Feat. Future Jr.)
26. Tash Sultana - Flow State Genre: Indie Pop / R&B / Soul
Step into the lush and picturesque world created by the Australian multi-instrumentalists that is Tash Sultana. Sultana is a solo jam band as all fifteen instruments on the record are played by Tash, who utilizes looping programs to build these vast microcosms of sound. With the sultry vocals the sound is like Erykah Badu mixed with Aaliyah mixed with The Roots. The smooth vibes and dense backdrops take over on Flow State, a record that’s meant to get lost in.
Proof: Big Smoke / Cigarettes / Salvation / Mystik
25. Janelle Monáe - Dirty Computer Genre: R&B / Neo-Soul
Janelle Monáe is on quite a multimedia run right now and I don’t think it will slow down anytime soon. The singer/actor hasn’t technically won an EGOT award yet, but I see her flirting with the achievement soon. Already in two Oscar for Best Picture nominated movies “Hidden Figures” and “Moonlight” (the latter winning), the accomplished singer shows we are only seeing the beginning of her talents. The “G” in the EGOT might not be far off with probably her most comprehensive and impressive album to date Dirty Computer gaining some GRAMMY nominations: including Album of the Year. Dirty Computer is also my personal favorite project from Janelle. She describes it as finding her true authentic self and expressing that more effectively to the world and I can very much see that. She also worked on this album with the late genius Prince before his passing and you can very much see his influences throughout. There’s the airy dancing synths emulating a bit of the later Prince from Art Official Age on “Crazy, Classic, Life”. “Make Me Feel” is dripping with funk similar to something off of 1999. Album closer “Americans” utilizes a empowering soulful keyboard riff that could be taken straight from any of the albums with The Revolution. Despite the heavy influence, Janelle doesn’t use it as a crutch but as a tool to take her sound to a new level. She never loses her strong sense of self though the project, I feel we are finally peeling some of the protective exoskeleton that is Janelle Monáe and learning more about the beautiful and inspirational person beneath.
Proof: Crazy, Classic, Life / Make Me Feel / Like That / Americans
24. Alison Wonderland - Awake / Awake (The Remixes) Genre: Electronic / Synth-Pop
We all are just trying to find our “Happy Place”. Hopefully the therapeutic burst of emotion that is Awake can help Australian DJ Alison Wonderland (real name Alexandra) find her own. With her sophomore album, I feel Alexandra has really found her voice and that’s with the keen ability to be able to personify the struggles of relationships, self doubt and mental illness for her fans. Usually, emotion within Electronic music is viewed with a level of plasticity to it. There should be no doubt in the genuine passion in Alexandra’s form of electronic music. She may think her admirers should “find someone that’s easier” but I prefer the emotional depth and honesty.
Proof: No / Easy / Church / Awake // Okay (Blush Remix) / No (Paces Remix) / Awake (KRANE Remix) / Easy (Kill Paris Remix)
23. Charli XCX - Pop 2 [Mixtape] Genre: Synth-Pop
Technically released in 2017, but late enough it didn’t make my list last year and got pushed to 2018, Charli returned with her second mixtape in nine months and, for me, my favorite project of hers since her debut album; possibly of her career. Pop 2 is a futuristic electro-pop record where genres are fluid and expression is currency. The thing I feel Charli has sort of unlocked on this project from her past is an ability to really convey emotion through this mechanical pallet she builds her music with. She’s always had a level of passion within her music but outside of a youthful lust and an empowering “fuck everything” the rest of the emotions expressed always felt they were being viewed behind a protective sheet of plexiglass. Songs like “Backseat”, “Lucky” “Tears” and the sneakily genius “Track 10” really show an ability to bring more emotional depth in her songs. Whether it’s in mixtape form (Charli expresses she feels more freedom with mixtapes) or official LPs Charli is showing a growth and maturity in her craft that has me excited for what she may bring in the future.
Proof: Backseat (Feat. Carley Rae Jepson) / Out Of My Head (Feat. Tove Lo & ALMA) / Unlock It (Feat. Kim Petras & Jay Park) / Track 10
22. Madeaux - Burn Genre: Electronic / Dance
I suggest a good stretch, being well hydrated and grabbing a towel before pressing play on this exhilarating whirlwind of melody calisthenics. The official debut LP from the American producer takes the listener of a dark, immersive experience in a world of non-stop kinetic energy and organized chaos. To all the critiques of Electronic music that say it all sounds the same I kindly point them to this album because there isn’t another producer making house music quite like this out there. Burn is a thrilling, fast-paced ride that doesn’t allow much space for the listener to take a breath until it’s finished. I suggest having a post-workout recovery shake handy for after.
Proof: Like A Model (Feat. Poter Elvinger & WILLS) / Run with It (Feat. Tommy Lee Sparta) / Lights Low (Feat. OG Maco, ALGORY & JRich ENT) / Sweat (Feat. Class Actress & Black Atlass)
21. Twin Shadow* - Caer Genre: Alternative / Indie Pop / R&B
Twin Shadow is an artist who has a recognizable, identifiable sound, yet every album of his also sounds different then the other. His debut, 2010s Forget is a disorienting, hazy dream. A unique mixture of R&B, Alternative music covered in haunting synths and distortions; all with an 80’s nostalgia. 2012’s Confess continues the foggy 80’s vernacular but with a more neon light piercing through. The pounding drums and scratchy guitar riffs are more attention grabbing, and the vocals more pronounced. 2015’s Eclipse was a bit of a statement piece. A whole project of stadium anthems meant to be shouted with vigor and emotion. Caer takes a step back on the arena filler to a more resemble the subtle tone of his debut. Except, the 80’s nostalgia isn’t such a driving factor. This is the project by Twin Shadow that sounds the most like the year it was created in, yet still sounds like any other beautiful Twin Shadow record. A natural progression by the versatile artist.
Proof: Saturdays (Feat. HAIM) / Sympathy (Feat. Rainsford) / When You’re Wrong / Too Many Colors
20. Santigold - I Don’t Want: The Gold Fire Sessions [Mixtape] Genre: Indie Pop / Dancehall
Impossible to be confined in one box, Santigold continues her genre hoping she’s made a career of. I Don’t Want is a dancehall inspired mixtape she worked on for the majority during a two week session with the main producer Dre Skull. By stripping the album moniker, there’s a looser and improvised feeling to the project that lends itself well to the culture it is inspired by. You feel Santigold’s admiration for the Afro-Caribbean influenced sound which makes the joy expressed on the album transparently genuine and infectious.
Proof: Run the Road / I Don’t Want / Why Me / Don’t Blame Me (Feat. Shenseea)
19. Matoma - One In a Million Genre: Electronic / House / Dance
Norwegian producer Matoma wants to cast a wide net with his sophomore album here. Both musically and audience-wise. One In A Million is an eclectic electronic music album that not only crosses sub-genres but crosses oceans with its worldly inspirations. From Synth-pop, to trap, to Tropical House, to Reggaeton, Matoma clearly wants to show off his range and diverse interests. One of the best songs of the year was the gospel inspired “Sunday Morning”. I dare anyone to know breakout in uncontrollable dancing when the bellowing hook of that song comes in.
Proof: Sunday Morning (Feat. Josie Dunne) / Lights Go Down (Feat. James Newman) / False Alarm (Feat. Becky Hill) / Heartbeats (Feat. Nina Nesbitt) // Bonus: Sunday Morning [Zookëper Remix] Feat. Josie Dunne
18. RÜFÜS DU SOL - SOLACE Genre: Synth-Pop / Electronic
When lead singer Tyrone croons for someone to take him to a new place on “New Sky” I can’t help but think “dude we already are somewhere new”. Because that’s exactly what the Australian trio’s atmospheric music does, whisks me away on a magic carpet of melodic keyboards, floating synths, pulsating drums and haunting vocal samples. Their previous album, Bloom was a breakthrough for them and their unassuming electronic music to a more worldwide audience. SOLACE takes an even more self-effacing and introspective approach, but should only help them continue to gain admirers.
Proof: New Sky / Lost in My Mind / No Place / Underwater
17. Nao - Saturn Genre: alt-R&B / Neo-Soul
The delicate voice of Nao returns with her smooth and tender sophomore album. Nao’s debut album For All We Know was one of my top five albums of 2016. Saturn picks up right where it’s predecessor left off but with a slight pumping of the breaks. Saturn take a bit more of a traditional R&B approach but in the same pallet Nao has been working on her whole career. The subtle infusion of electronic music still is present building an enthralling drama across the album. The slower tempo leads to a slightly more intimate feeling on this album then before. In the early 2000s R&B was sent to the margins a bit but with 2012’s House Of Balloons and channel.ORANGE being the inflection point R&B has been growing again in the mainstream. Artists like London’s Nao are in the forefront of R&B’s ascent.
Proof: Another Lifetime / Make It Out Alive (Feat. SiR) / Curiosity / Drive and Disconnect
16. Said The Sky - Wide-Eyed Genre: Electronic / Future Bass
American producer Said The Sky drops his first ever full length project that was a long time coming. For those familiar with his early work there is quite a progression from his more dubstep beginnings to this more melodic vernacular. Being a trained pianist Said The Sky’s backing usually starts with a piano riff. Early on this piano riff was used more as a contrasting element; a calming and tender character to then get smacked around by the boisterous and raucous dubstep. Now the piano is utilized more for it’s rhythm as the backbone of the track; a strong complimentary piece rather then contrasting. This is an evolution I personally feel for the better here leading to a sophisticated and potent electronic album, brooding with a surprising amount of emotion and introspection.
Proof: Show & Tell (Feat. Claire Ridgely) / All I Got (w/ Kwesi) / Over Getting Over You (Feat. Matthew Koma) / Superstar (w/ Dabin Feat. Linn)
15. My Brightest Diamond - A Million and One Genre: Synth-Pop / Electronic / Indie Pop
Multi-Instrumentalist My Brightest Diamond has been a shapeshifter her entire career and that continues here with her fifth album. Starting out as a classically trained violinist and then self teaching herself more and more instruments and incorporating new genres in her sound every new project. For A Million and One she takes on Electronic/Dance music in a subtle and euphoric way. Most of the tracks are mid to slower tempo with free flowing synths and and 808 kicks. More dynamic moments are strategically planted throughout like the slow building “Champagne” or the explosive “Supernova”. A Million and One is an subtle, spectacle piece of electro-pop, that straps the listener in and shots them into the stars.
Proof: It’s Me On The Dance Floor / Champagne / Supernova / White Noise
14. Meg Myers* - Take Me To The Disco Genre: Alternative / Rock
I don’t really know how I happened upon Meg Myers music back in 2012, before her debut EP even was released, but I sure am grateful I did. Following the path of her career from that 2012 EP Daughter In The Choir to now has been quite rewarding. Every year new music has been released by Meg the project always is one of my favorites for the year, but Take Me To The Disco is finally her letting all the outside pressure and expectations go and just rocking the fuck out. Switching labels and making music separate from her long time producer Doctor Rosen Rosen, Meg had a newly found freedom on this record which led to a ride full of high, lows and moments of raw unfiltered emotion. Part of Meg’s unique skill when crafting a song is her ability to go from a soft, raspy and unassuming tone to a passion filled roar in seconds. The music knew when to follow suit as well with the main enclosures being acoustical and warm environments with alcoves of thunderous drums and crashing guitars. Whether it’s tranquil moment of vulnerability or impacting pockets of intensity and fierceness, Meg has a newly discovered level of confidence and power.
Proof: Numb / Tear Me To Pieces / Jealous Sea / Done
13. MØ - Forever Neverland Genre: Synth-Pop
For some, the ascension of MØ may have seemed pretty sudden. The mega success that was Major Lazer & DJ Snake’s “Lean On” featuring the Danish singer came a bit out of nowhere to some. I smuggly could say I predicted such an explosion since my introduction or her on Avicii’s “Dear Boy” followed up closely by her 2013 debut EP Bikini Daze. MØ didn’t feel a need to rush things despite the iron being hot as shit and took her time following up her 2014 full length album No Mythologies To Follow. Instead she dropped stellar one-off singles “Kamikaze” “Final Song” “Drum” and “Nights With You” before finally releasing last years EP When I Was Young. Forever Neverland continues on the maturity in her music desolated on her EP of last year. The hooks are still catchy as shit, her sound still has an ability to make you want to get up and move, but there is a further depth in her songs. MØ’s voice always was expressive and emotive but there was also a glossy surface layer that seems to have been stripped away over the years. She now has the confidence to let her voice scratch and wain a bit when a line carries more emotional weight.
Proof: Way Down / I Want You / Beautiful Wreck / Red Wine (Feat. Empress Of)
12. Elohim - Elohim Genre: Electronic / Synth-Pop / Dance
The mysterious Elohim has became a go-to collaborator for electronic music projects over the last few years. From Louis The Child, Oliver, Ekali, The Glitch Mob and others, Elohim’s name would pop up; usually on the album’s best track. Her soft and delicate voice always worked great as a juxtaposition to the often kinetic backgrounds. In her solo music, she is her own producer and she shows she is more than just a featured artist but also a contemporary to the other Electronic producers. Elohim is a diverse and incredibly dynamic piece, which surprises the listener with unexpected vocal samples or instrument riffs used in sophisticated ways. Whether is a mariachi horn, trumpet, violin, guitar, or just odd vocal cadences looped, Elohim has developed creative and unique techniques in her production that make a familiar yet singular sound.
Proof: The Wave / Sleepy Eyes (w/ Whethan) / Fuck Your Money / Half Love // Bonus: Eclipse / Connect (w/ Skrillex)
11. Fakear - All Glow Genre: Electronic / Future Bass
French producer Fakear is a newer discovery for me but boy and I glad I found his atmospheric electronic music. Fakear will be quickly compared to ODESZA and the similarities in their sounds are definitely apparent. However, the French DJ’s harmonious music has a bit more of an airy bounce, with some Tropical House infusion. The electronic genre is having a bit of a moment right now yet Fakear is still relatively not well know in the States. I don’t really see that lasting too long though as more find his music.
Proof: Something Wonderful (Feat. Ana Zimmer) / Lost In Time (Feat. Polo & Pan, Noraa & Clement Bazin) / Sacred Feminine (Feat. Ibrahim Maslouf) / Vision (Feat. Claire Laffut)
10. Pusha-T - DAYTONA Genre: Hip Hop
The Clipse debut album Lord Willin’ came out my freshman year of high school and was a very important album for me. Label issues unfortunately led to more mixtapes than albums released by the brother duo before Malice left the group. Luckily Pusha would eventually find himself on Kanye’s record label as his new home. His first two albums released on the record label were both good, but there must be something in the Wyoming air during the recording of this stellar album. As the first of five Kanye West produced albums released during the “Wyoming Sessions” no one really knew what to expect. Kanye’s erratic behavior leading up to the release left a lot of people side eyeing the whole group of projects. Then about 36 seconds into the opening track “If You Know You Know” when after a fiery verse from Pusha, the industrial beat drops, everyone gets an unexpected slap in the face. This is still one of the best producers in the world and we have one of the best lyricists rapping heat over this production. DAYTONA is quite the 20 minute tornado of an album. A focused and concise offering that does what it needs to do and leaves efficiently. Unfortunately, the rest of the “Wyoming Sessions” albums will be a bit of a mixed bag and Kanye’s erratic behavior on continues causing concern for his mental well being. DAYTONA shines bright as the most cohesive and sturdy of those albums with “If You Know You Know” being the best song to come from the whole session. With GRAMMY nominations and ending up at the top of many writers “Year End Lists” it’s time Pusha finally gets his shine Lord WIllin’ seemed to promise, only 16 years later.
Proof: If You Know You Know / The Games We Play / Come Back Baby / Santeria / Infrared
9. The 1975 - A Brief Inquiry Into Online Relationships Genre: Indie Rock / Alternative / Synth-Pop
Through their first two albums, The 1975 was a band I enjoyed, but also wanted to enjoy more then I actually did. Their 2013 self titled debut album was an entertaining and engaging soiree of synth-pop and alternative music as a new aged love child of The Killers and My Chemical Romance. There was a definite growth and increased dexterity in their second album, 2016’s I like it when you sleep, for you are so beautiful yet so unaware of it, as the same influences are present but with a sprinkling of seduction and soul. What always took me out of their projects though was their abundance of influences often working against them. The projects missed a level of connectivity I desire. I appreciated the daring nature of the band to explore but some of those swings didn't feel fleshed out enough to connect completely in the context of the albums. When I first heard one of my favorite songs of 2018 “Love It If We Made It”, I thought something seemed different. It seems the band has finally discovered the missing ingredient; or maybe found the excess ingredient(s) to leave out. A Brief Inquiry Into Online Relationships is a masterful mixture of experiences and influences with a message really cemented in 2018. The experimentations are a bit more radical, but very strategic and only help build up the motif of the whole album. You can still hear the underlying emo-rockers heartbeat from their debut but this time ran through a Bon Iver inspired auto-tune. The themes of how technology can dictate our lives for better or worse give the whole album a context for any listener to identify with. Songs like “Settle Down” and “Somebody Else” from their first two albums were still in 2018 go-to songs for me; the talent was always there. Seeing the band develop and evolve to make this elaborate project is quite the feat to be respected and admired.
Proof: Give Yourself A Try / Love It If We Made It / I Like America & America Likes Me / Sincerity Is Scary / It’s Not Living (If It’s Not With You)
8. 3LAU - Ultraviolet / Ultraviolet (Remixed) Genre: Electronic / Progressive House / Dance
It’s been a long time coming for American DJ 3LAU (Justin David Blau) to finally release this blistering debut. First winning a remix competition for a Tiësto song in 2011, 3LAU made a name for himself over the years as a remix and mashup DJ; intermittently dropping one-off singles here and there. Ultraviolet shows the wait was well worth it. Being a multi-instrumentalist, 3LAU developed his own manipulation techniques of his instrument riffs and vocal samples creating lush melodic environments within his music. The result is a picturesque form of house music that can easily whisk you away in it’s vast, sparkling habitats.
Proof: Touch (Feat. Carly Paige) / Fire (w/ Said The Sky Feat. NÉONHÈART) / Walk Away (Feat. Luna Aura) / Star Crossed / You Want More (Feat. MAX) // Touch [Zeds Dead Remix] (Feat. Carly Paige) / On My Own [3LAU Electro Remix] (Feat. Nevve) / Star Crossed [3LAU DnB Remix] / Walk Away [Hibell Remix] (Feat. Luna Aura) / Fire [Paris Biohm Remix] (w/ Said The Sky Feat. NÉONHÈART)
7. Lykke Li - so sad so sexy Genre: Pop / R&B
Since her debut album in 2008, the vulnerable music of Lykke Li has been a staple in my headphones. I have enjoyed her delicate voice, always ripped with so much emotion matching the impacting lyrics dealing with love and heartbreak. Li’s previous album, I Never Learn was an onslaught of slow and gorgeous, stadium-pop ballads meant to be felt while singing along with at the top of your lungs. The listless themes are continued but this time the album’s expression is more with a glossy, sexy R&B persona; a change I personally am really feeling. With hints of The Weeknd and Rihanna as influences so sad so sexy is Lykke Li’s most sensual sound, one that suits her unique voice and songwriting well.
Proof: hard rain / deep end / sex money feelings die / so sad so sexy / better alone
6. Her - Her Genre: Alternative / Indie Rock/ Soul
Starring an upcoming tragedy in the face, the smooth French duo didn’t waiver or turn to negativity. Instead they focused on life and love. With one of the duo diagnosed with a terminal cancer, together Victor and the ill Simon carefully plotted out their debut album. They released two EPs the previous two years with standout tracks including “Five Minutes”, “Quite Like” and “Swim” which served as a strong introduction to the world, but Simons unavoidable death at age 27 was in August of last year. With the careful pre-planning Victor was able to finish the debut album in his best friend’s memory. Her is a sultry and warm affair. Simon’s bouncy guitar playing, Victors ominous key tones with both of their soft yet confident vocals create a free flowing and sexy sound that is very gracious and admiring of its female muse. Every song has an understatedness to it while it subtly exudes its passion. It’s unknown if Victor will carry on with Her without his best friend, but I am glad they were able to add this exclamation point to Simon’s life.
Proof: Five Minutes / Blossom Roses / Neighborhood / Wanna Be You / Swim (Feat. ZéFire)
5. Bishop Briggs* - Church Of Scars Genre: R&B / Soul / Pop
London born, with Scottish heritage, Bishop Briggs bursts on the scene with this debut album like a strategic boxer. Starting every song with subtle body blows to connect with a potent haymaker every chorus. Her main weapon is a dominant voice that every chorus she lets loose to acts as an imposing yet engaging flex of emotion and power. Born Sarah McLaughlin, Briggs took the name of her parents Scotland hometown as her stage name to not be confused with the well known Canadian singer whose music you hear on sad commercials about puppies. McLaughlin moved around in her childhood from London to Tokyo to Hong Kong to LA and has picked up an amalgamation of influences to use at her disposal in her music. One of the biggest musical influence apparent is her cerebral use of gospel music. Utilized as a form of strength and command at every hard hitting chorus drop which gives room for her tremendous voice to punch your ear drums like a boxing bag.
Proof: Tempt My Trouble / White Flag / River / Hallowed Ground / The Fire
4. DJDS - Big Wave More Fire Genre: Synth-Pop / R&B / Electronic
Timing can be a fickle thing. Sometimes by the slimmest of margins it can go against you, or go in your favor. DJDS’s career seems to be capitalizing on some impeccable timing that is all going in their favor at the moment. First, back in 2016, while finishing up their sophomore album, the LA producing duo were invited to work on Kanye West’s The Life of Pablo album; eventually earning them a GRAMMY nomination. This monster co-sign would help open doors they never had open in their previous years making music. In the two years they spent making this album they collaborated with people that eventually would break out on their own including Empress Of, Amber Mark, Marco McKinnis and Khalid. Those two years are summed up in this fascinating piece of genre blending music. There are moments of bouncy hip hop, sinuous Synth-Pop, Soulful R&B, scenic Indie Pop and fist pumping electronic dance. Big Wave More Fire at times is as infectious as any other pop album and at times can be a bit artistically challenging to the listener, yet never loses its strong sense of place.
Proof: Trees On Fire (Feat. Amber Mark & Marco McKinnis) / Why Don’t You Come On (Feat. Empress Of & Khalid) / I Get By (Feat. Amber Mark & Vory) / Pick Me Up (Feat. Kelly Zutrau, Vic Mensa & Vory) / Falling (Kelly Zutrau & Marco McKinnis)
3. Kasbo* - Places We Don’t Know Genre: Electronic / Synth-Pop / Future Bass
ODESZA is building quite a roster on their Foreign Family Collective label including the 23 year old Swedish producer Kasbo. With his debut album here, Kasbo shows he’s more than deserving of being part of this collective with this sonic display of dexterity in melody. Places We Don’t Know is an an album that knows it’s comfort zone and is confident enough to never deviate while also avoiding diluting itself. The glossy electronic textiles that stitch the album together track to track build a cohesiveness that makes it a front to back enjoyable experience; without any drop in quality filler. More exploration in the sound may be desired in future releases to avoid sounding stale, but in terms of a debut this pleasant project introduces him nicely.
Proof: Your Tempo / Aldrig Mer (Feat. TENDER) / Roots (Feat. Amanda Fondell) / Over You (Feat. Frida Sundemo) / Bleed It Out (Feat. Nea)
2. Jacob Banks* - Village Genre: R&B / Soul
The initial and most jarring entity you feel when you enter the universe that is Jacob Banks’ music is the gravitational pull that is his empowered voice. The British singer’s raspy and authoritative vocals can relay both a confident strength and introspective vulnerability in one tone. You are able to personally feel the emotion behind every note that leads to a compelling listen no matter how many times before you’ve heard the song playing.
Banks backs up his mighty voice with equally potent and diverse backings. Some of the songs come equipped with thunderous bass lines and percussions with light keys tap dancing among the turmoil. Some take a more straightforward approach with light and jazzy horns and funky grooves. Then some songs have transparent backdrops that almost go away completely, stripped down to a bare pallet for Jacob to command.
Whatever the situation Banks’ vocal prowess prevails. I predict the accent to continue and at a more exponential pace as more become familiar with the impressive singer.
Proof: Chainsmoking / Love Ain’t Enough / Prosecco / Be Good To Me (Feat. Seinabo Sey) / Unknown (To You)
1 Kendrick Lamar & Top Dawg Entertainment - Black Panther The Album - Music From And Inspired By [Motion Picture Soundtrack] Genre: Hip Hop / R&B
It’s probably getting pretty anticlimactic having Kendrick 1st or 2nd on my lists every year. But for the fourth year in a row Kendrick finds himself here again. Black Panther was one of 2018’s greatest cinematic achievements and smartly they looked to Kendrick to make a vivid and dynamic soundtrack to match.
Kendrick shows he has his finger on the pulse for Hip Hop and R&B in 2018 enlisting some of today’s best including The Weeknd, Vince Staples, Anderson .Paak, Travis Scott and of course members of his TDE crew ScHoolboy Q, Ab-Soul, SZA and others. He grabs some of today’s best up and comers with Khalid, Jorja Smith and SOB X RBE. Surprises us with a couple unexpected James Blake features. And finds some new international artists not very well known in Saudi, Babes Wodumo and an absolute fire verse from Yungen Blakrok.
I cannot express how perfect of a curated Soundtrack this is. The music is diverse enough to cast a wide net but also has an underlying and unifying vernacular throughout to make one cohesive project. The production is rooted in African sounds with poly-rhythmic percussion and themes inspired by African ancestry as well as themes incorporated from the movie itself. Kendrick may or may not have been physically there during most of these recordings but you can feel his direction and influence throughout. His impact is not overpowering or controlling either but rather a supportive and inspiring collaborator that keeps the various ships steered in the correct converging direction. When a o-k but also phoned-in verse by Future is really the album’s low point, you know you’ve done something right.
Most may point to the crowd pleasing (and for good reason) songs like “All The Stars” with SZA and “Pray For Me” with The Weeknd as their album highlights but mine is the sneaky vigorous Vince Staples and Yung Blakrok featured “Opps”, that has quite the bite with it’s bark.
My admiration for Lamar is well documents on this blog. He really is controlling the way progressive and impacting hip hop can grow. Drake may have the numbers, but Kendrick is the more commanding artistic virtuoso making music in 2018. Kendrick knows it damn well and uses T’Calla as a metaphor for his spot on the throne of Hip Hop in the album opener: “Because the king don’t cry, king don’t die, king don’t lie, king give heart, king get by, king don’t fall. Kingdom come, when I come, you know why…”
Proof: Kendrick Lamar & SZA - All The Stars / ScHoolboy Q, 2 Chainz, Saudi & Kendrick Lamar - X / Khalid & Swae Lee - The Ways / Vince Staples, Yugen Blakrok & Kendrick Lamar - Opps / Jorja Smith - I Am / Ab-Soul, Anderson .Paak & James Blake - Bloody Waters / Zacari & Babes Wodumo - Redemption / The Weeknd & Kendrick Lamar - Pray For Me
Others:
Good:
Above & Beyond - Common Ground, Action Bronson - White Bronco, Albin Lee Meldau - About You, Alessia Cara - The Pains of Growing, Allan Rayman - Harry Hand-On, alt-J - Reduxer, Ambrose Akinmusire - Origami Harvest, Aminé - ONEPOINTFIVE [Mixtape], Amnesia Scanner - Another Life, anaïs - before zero, Anderson East - Encore, Anderson .Paak - Oxnard, Ann Marie - Tripolar, Anne-Marie - Speak Your Mind, Apollo Brown & Joell Ortiz - Mona Lisa, Apollo Brown & Locksmith - No Question, Aquilo - ii, Arctic Monkeys - Tranquility Baseu Hotel & Casino, Ariana Grande - Sweetener, A$AP Rocky - TESTING, Atmosphere - Mi Vida Loca, Audio Push - Cloud 909, August Greene - August Greene, Ava Luna - Moon 2, Bad Gyal - Worldwide Angel, Bas - Milky Way, Bazzi - COSMIC, Bea Miller - Aurora, Beach House - 7, Beacon - Gravity Pairs, Bebe Rexha - Expectations, Bekon - Get With The Times, Belly - IMMIGRANT, Big Red Machine - Big Red Machine, Birdman & Jacquees - Lost at Sea 2, Bishop Nehru - Elevators: Act I & II, Bishop Nehru - Emperor’s Nehru Groove [Mixtape], Black Atlass - Pain & Pleasure, The Black Eyed Peas - MASTERS OF THE SUN VOL. 1, Black Milk - FEVER, Black Thought & Salaam Remi - Streams of Thought Vol. 2, The Blaze - DANCEHALL, 6LACK - East Atlanta Love Letter, Blood Orange - Negro Swan, Blu & Nottz - Gods in the Spirit, Titans In The Flesh, B.o.B. - NAGA, Bob Moses - Battle Lines, Bobby V - Electrik, Boogie wit da Hoodie - International Artist, BØRNS - Blue Madonna, Boy Pablo - Soy Pablo, The Breeders - All Nerve, Brez - The Grl., BROCKHAMPTON - iridescence, BROCKHAMPTION - Saturation III, Buddy - Harlan & Alondra, Bun B - Return if the Trill, Camila Cabello - Camila, Camp Cope - How To Socialize & Make Friends, Capital Cities - Solarize, Car Seat Headrest - Twin Fantasy, THE CARTERS (Jay-Z & Beyoncé) - EVERYTHING IS LOVE, Cardi B - Invasion Of Privacy, Cat Power - Wanderer, City Girls - Girl Code, City Girls - PERIOD, Chance The Rapper & Jeremih - Merry Christmas Lil’ Mama Re-Wrapped [Mixtape], Chanti Darling - RNB, Vol. 1, Charlie Puth - Voicenotes, Chelsea Jade - Personal Best, Choker - Honeybloom, Chromeo - Head Over Heels, Chris Dave and the Drumhedz - Chris Dave and the Drumhedz, Christina Aguilera - Liberation, Christine and the Queens - Chris, Chrome Sparks - Chrome Sparks, Claptone - Fantast, Clean Bandit - What Is Love?, Cloud Nothings - Last Building Burning, CloZee - EVasion, Col3trane - BOOT, Courtney Barnett - Tell Me How You Really Feel, Cozz - Effected, Craig David - The Time Is Now, Curren$y, Freddie Gibbs & The Alchemist - Fetti, Cut Chemist - Die Cut, Cypress Hill - Elephants on Acid, CZARFACE & MF Doom - CZARFACE Meets Metal Face, Dashboard Confessional - Crooked Shadows, Dave East - P2, David Guetta - 7, Death Cab for Cutie - Thank You for Today, The Decemberists - I’ll Be Your Girl, Denzel Curry - TA13OO, Dillon Francis - WUT WUT, The Diplomats - Diplomatic Ties, Dirty Projectors - Limp Lit Prose, DJ Critical Hype - The DAMN. Chronic [Mixtape], DJ ESCO - Kolorblind, DJ Luke Nasty - Cruise Control, DJ Koze - Knock Knock, DJ Mustard & RJmrLA - The Ghetto, Django Django - Marble Skies, Dr. Octagon - Moosebumps: An Exploration Into Modern Day Horripilation, Domo Genesis & Evidence - Aren’t You Glad You’re U [Mixtape], Drake - Scorpion, Durand Jones & The Indications - Durand Jones & The Indications, Earl Sweatshirt - Some Rap Songs, E^ST - Life Ain’t Always Roses, EDEN - virtigo, Eligh - Last House on the Block, Elephante - Glass Mansion, Elephante - Glass Mansion Remixes, Ella Mai - Ella Mai, Elley Duhé - DRAGON MENTALITY, Emily Warren - Quiet Your Mind, Eric Bellinger - Eazy Call, Estelle - Lovers Rock, Everything Is Recorded - Everything Is Recorded, Evidence - Weather or Not, Excision - Apex, Exitmusic - The Recognitions, E-40 & B-Legit - Connected and Respected, E-40 - Gift Of Gab, Family of the Year - Goodbye Sunshine, Hello Nighttime, Father John Misty - God’s Favorite Customer, Fat Tony & J.KELR - Full Circle, Felix Jaehn - I, FELIX SANDMAN - EMOTIONS, Fischerspooner - Sir, First Aid Kit - Ruins, Flatbush Zombies - Vacation In Hell, Florence + The Machine - High As Hope, Francis & The Lights - Just For Us, Franz Ferdinand - Always Ascending, Freddie Gibbs - Freddie, Fre$h - frēsh•ism, Future & Juice WRLD - Future & Juice WRLD Present… WRLD ON DRUGS, G-Eazy - The Beautiful & Damned, Getter - Visceral, Ghostface Killah - The Lost Tapes, The Glitch Mob - See Without Eyes, The Go! Team - SEMICIRCLE, The Good, The Bad & The Queen - Merrie Land, Gorgon City - Escape, Gorillaz - The Now Now, Greta Van Fleet - Anthem of the Peaceful Army, GRIP - PORCH, Gunplay - ACTIVE, Half Waif - Lavender, Hinds - I Don’t Run, Hollie Cook - Vessel of Love, HONNE - Love Me / Love Me Not, How To Dress Well - The Anteroom, Hovvdy - Cranberry, Hybrid - Light of the Fearless, Ice Cube - Everything Corrupt, IDK - IDK & Friends :), Illa J - John Yancey, Illenium - Awake (Remixes), I’m With Her - See You Around, Imagine Dragons - Origins, The Internet - Hive Mind, Interpol - Marauderm, J. Cole - KOD, Jackie Hill Perry - Crescendo, Jacquees - 4275, Jacques Greene - mixtape [Mixtape], Jade Novah - All Blue, Jaden Smith - The Sunset Tapes: A Cool Tape Story [Mixtape], Jain - Souldier, James Bay - Electric Light, Janine - 99, Janine The Machine - High Places, Jauz - The Wise and The Wicked, Jay Park - Ask Bout Me, Jay Rock - Redemption, Jean Deaux - Krash, Jedi Mind Tricks - The Bridge and the Abyss, Jeff Tweedy - WARM, Jericho Jackson - Khrysis & Elzhi are Jericho Jackson, Jess Glynne - Always In Between, Jessie Reyez - Being Human In Public, Jim Jones - Wasted Talent, Joey Purp - QUARTERTHING, Jonas Blue - Blue, Jorja Smith - Lost & Found, Juice WRLD - Goodbye & Good Riddance, Jungle - For Ever, Justin Timberlake - Man of The Woods, Justine Skye - ULTRAVIOLET, Kacey Musgraves - Golden Hour, Kalin White - Why You Still There?, Kamasi Washington - Heaven and Earth, Kanye West - ye, Kash Doll - Brat Mail [Mixtape], Kayzo - OVERLOAD, Keith Sweat - Playing For Keeps, Kevin Gate - Luca Brasi 3, Keys N Krates - Cura, K.Flay - Everywhere is Somewhere, KIDS SEE GHOSTS (Kanye West & Kid Cudi) - KIDS SEE GHOSTS, Kimbra - Primal Heart, King Tuff - The Other, Kirk Knight - IIWII, The Knocks - New York Narcotics, Kodaline - Politics of Living, Kodie Shane - Young HeartThrob, Kooley High - Never Come Down, The Kooks - Let’s Go Sunshine, KR - In Due Time, Kygo - Kids In Love (Remixes), KYLE - Light of Mine, Lacrae & Zaytoven - Let The Trap Say Amen, Lake Street Drive - Free Yourself Up, Lane 8 - Little By Little, LANY - Malibu Nights, LAUREL - DOGVIOLET, Lauv - I met you when I was 18. (the playlist), Leikeli47 - Acrylic, Lenny Kravitz - Raise Vibration, Leon Bridges - Good Thing, Let’s Eat Grandma - I’m All Ears, Lily Allen - No Shame, Lil Peep - Come Over When You’re Sober, Pt. 2, Lil Wayne - The Carter V, Lissie - Castles, Little Mix - LM5, Lo Moon - Lo Moon, Logic - Bobby Tarantino II [Mixtape], Loyd - Tru LP, LP - Heart to Mouth, Lucy Dacus - Historian, Lupe Fiasco - DRAGOS WAVE, Lyrics Born - Quite A Life, Mac Miller - Swimming, MAJOR. - Even More, Major Lazer - Afrobeats [DJ Mix], Mariah Carey - Caution, Mario - Dancing Shadows, Marion Hill - Unusual, Marsha Ambrosius - Nyla, Marshmello - Joytime II, Masego - Lady Lady, Masta Ace & Marco Polo - A Breukelen Story, Matthew Dear - Bunny, Mayorkum - The Mayor of Lagos, Medasin - Irene, Meek Mill - Championship, Melody’s Echo Chamber - Bon Voyage, Meshell Ndegeocello - Ventriloquism, Method Man - Meth Lab 2: The Lithium, Metric - Art of Doubt, MGMT - Little Dark Age, Mick Jenkins - Pieces of a Man, The Midnight - Kid, Migos - Culture II, MihTy - MIH-TY, Mike Shinoda - Post Traumatic, Mike WiLL Made-It - Creed II: The Album (Music Inspired by the Motion Picture), Mikky Ekko - FAME, Mimicking Birds - Layers Of Us, Mirah - Understanding, Mitski - Be The Cowboy, Miyah Folick - Premenitions, Moon Taxi - Let The Record Play, Morgan Saint - ALIEN, Mr Eazi - Life Is Eazi, Vol. 2 - Lagos to London, Mulatto - Mulatto, Mumford & Sons - Delta, Murs - A Strange Journey Into The Unimaginable, Muse - Simulation Theory, Myá - T.K.O. (The Knock Out), The Naked and Famous - A Still Heart, Nas - NASIR, Natalie Prass - The Future and the Past, Nathaniel Rateliff & The Night Sweats - Tearing at the Seams, Nef The Pharaoh - The Big Chang Theory, The Neighbourhood - The Neighbourhood, Ne-Yo - GOOD MAN, N.E.R.D. - NO_ONE EVER REALLY DIES, Nick Grant - Dreamin’ Out Loud [Mixtape], Nicki Minaj - Queen, NIKI - Zephyr, Nile Rodgers & CHIC - It’s About Time, Nipsey Hussle - Victory Lap, NJOMZA - Vacation, nobigdyl. - SOLAR, Noname - Room 25, N.O.R.E. - 5E, Now, Now - Saved, NR - Before It’s Too Late, ODIE - Analogue, Onra - Nobody Has To Know, Ookay - WOW! COOL ALBUM!, Pac Div - 1st Baptist, Pale Waves - My Mind Makes Noises, Passenger - Runaway, Parliament - Medicaid Fraud Dogg, Parquet Courts - Wide Awake!, Paul McCartney - Egypt Station, Paul Simon - In the Blue Light, Penelope Trappes - Penelope Two, A Perfect Circle - Eat the Elephant, Peter Bjorn and John - Darker Days, Phonte - No News Is Good News, Phony Ppl - mō’zā-ik, Phora - Love Is Hell, P-LO - PRIME, pluko - sixteen, Poo Bear - Poo Bear Presents: Birthday Music, Popcaan - Forever, Poppy - Am I A Girl?, Porches - The House, Post Malone - beerbongs & bentleys, Preme - Light of Day, Prince - Piano & a Microphone 1983, Princess Nokia - A Girl Cried Red [Mixtape], Prolifgate - Somewhere Else, PRyhme - PRhyme 2, Quavo - Quavo Huncho, Ralph - A Good Girl, RAY BLK - Empress, Rhye - Blood, Reason - There You Have It, R3HAB - The Wave, Rezz - Certain Kind of Magic, Rich Brian - Amen, Rita Ora - Phoenix, RL Grime - NOVA, RL Grimes - NOVA (The Remixes, Vol. 1), RL Grimes - NOVA (The Remixes, Vol. 2), Robyn - Honey, Rome Fortune - Beautiful Pimp 3, ROOSEVELT - Young Romance, Royce Da 5’9” - Book of Ryan, R+R=NOW - Collagically Speaking, Russ - ZOO, Ryan Beatty - Boy In Jeans, Saba - CARE FOR ME, Sabrina Calaudio - No Rain, No Flowers, St. Beauty - Running To The Sun, SAINt JHN - Collection One, San Holo - album1, Sango - In The Comfort Of, Sean Paul - Mad Love: The Prequel, Shamir - Revelation, Sheppard - Watch The Sky, Shopping - The Official Body, Sidney Gish - No Dogs Allowed, Sigala - Brighter Days, Simian Mobile Disco - Murmurations, SiR - November, SKYGGE - Hello World, Skyzoo - In Celebration of Us, Slushii - DREAM, Smashing Pumpkins - SHINY AND OH SO BRIGHT, VOL. 1 / NO PAST. NO FUTURE., Smino - NOIR, Snail Mail - Lush, S’natra - Subject To Change, Snoop Dogg - Snoop Dogg Presents Bible of Love, Snow Patrol - Wildness, Soccer Mommy - Clean, Sofi Tukker - Treehouse, Son Lux - Brighter Wounds, SOPHIE - OIL OF EVERY PEARL’S UN-INSIDES, Starchild & The New Romantic - Language, Stefflon Don - SECURE [Mixtape], Steve Angello - Human, Steve Aoki - Neon Future III, Steve Hauschildt - Dissolvi, Stonie Blue - Blood Y Moi [Mix], Stro - Nice 2 Meet You, Again, Styles P - Dime Bag, Styles P - G-Host, Summer Walker - Last Day of Summer, Summerella - First Day of Summer, Surpentwithfeet - soil, Swearin’ - Fall Into The Sun, Swizz Beatz - POISON, Tamia - Passion Like Fire, Tammy Rivera - Fate, Teyana Taylor - K.T.S.E., Thatshymn - Pacific Standard Time, Thunderpussy - Thunderpussy, T.I. - DIME TRAP, Tinashe - Joyride, The Ting Tings - The Black Light, Tirzah - Devotion, Tokyo Jetz - Bonafide, Tokyo Police Club - TCP, Tom Misch - Geography, Tommy Genesis - Tommy Genesis, Toni Braxton - Sex & Cigarettes, Toni Romiti - Tomboy, Tory Lanez - LoVE me NOw, Tory Lanez - MEMORIES DON’T DIE, Towkio - WWW., Tracey Thorn - Record, Traci Braxton - On Earth, Travis Scott - ASTROWORLD, Trevor Jackson - Rough Drafts, Pt. 1, Trevor Powers - Mulberry Violence, Trey Songz - 11 [Mixtape], Trey Songz - 28 [Mixtape], TroyBoi - V!BEZ, Vol. 2, Troye Sivan - Bloom, Tunde Olaniran - Stranger, tune-yards - i can feel you creep into my private life, Two Feet - A 20 Something Fuck, Tyga - Kyoto, Unknown Mortal Orchestra - Sex & Food, Until The Ribbon Breaks - Until The Ribbon Breaks, Usher & Zaytoven - “A”, UZ - The Rebirth, The Vamps - Day & Night (Day Edition), Vance Joy - Nation Of Two, Various Artists - Fifty Shades Freed [Motion Picture Soundtrack], Various Artists - Ninjawerks, Vol. 1, Various Artists - Spider-Man: Into The Spider-Verse (Soundtrack From & Inspired by the Motion Picture), Various Artist - Uncle Drew [Original Motion Picture Soundtrack], Vicktor Taiwò - First Movement, Victoria Monet - Life After Love, Pt. 1, Victor Oladipo - V.O., Wild Nothing - Indigo, What So Not - Not All The Beautiful Things, Wet - Still Run, Wiz Khalifa - Rolling Papers 2, The Wombats - Beautiful People Will Ruin Your Life, WSTRN - DOU3LE 3AK, Xzibit, B-Real & Demrick - Serial Killers: Day of the Dead, Years & Years - Palo Santo, Yellow Claw - New Blood, YG - STAY DANGEROUS, Yhung T.O. - Trust Issues, Young Fathers - Cocoa Sugar, Young The Giant - Mirror Master, Youngr - This Is Not An Album, ZAYN - Icarus Fall, Ziggy Marley - Rebellion Rises, Zion I - Ritual Mystik, Zion I & DJ Fresh - The Tonight Show [Mixtape], ZHU - Ringo’s Desert, Z-Ro - Sadism, 5 Seconds of Summer - Youngblood, 88GLAM - 88GLAM2, 88rising - Head in the Clouds
Meh:
Ace Hood - Trust The Process II: Undefeated, Amen Dunes - Freedom, Animal Collective - Tangerine Reef, AWALNATION - Here Comes The Runts, BANDGANG - In Too Deep, Benny - Different, Caitlyn Smith - Starfire, Carnage - Battered Bruised & Bloody, The Chainsmokers - Sick Boy, cupcakKe - Eden, cupcakKe - Ephorize, Curren$y - Parking Lot Music, Curren$y & Harry Fraud - The Marina, Daughters - You Won’t Get What You Want, Dave East - Karma 2, Dave Matthews Band - Come Tomorrow, DJ Critical Hype - More 9th (Drake & 9th Wonder Mash Up), DOM KENNEDY - Volume Two, Don Toliver - Donny Womback, Eminem - Kamaze, Fetty Wap - For My Fans, Fetty Wap - Bruce Wayne, Frankie Cosmos - Vessels, Future - BEASTMODE 2, G Herbo & Southside - Swervo, Ganja White Night - The Origins, Helena Hauff - Qualm, Hop Along - Bark Your Head Off, Dog, HUNCHO JACK (Travis Scott & Quavo) - HUNCHO JACK, Jack Huncho, Jean Grae & Quelle Chris - Everything’s Fine, Jeezy - Pressure, Keith Ape - BORN AGAIN, Kevin George - Hopeless Romantic, Larry June - Very Peaceful, Lil Durk - Just Cause Y’all Waited, Lil Pete - 4EverFocused, Lucis - Nude, MadeinTYO - Sincerely, Tokyo, Metro Boomin - NOT ALL HEROES WEAR CAPES, Matt and Kim - Almost Everyday, MGMT - Little Dark Age (Matthew Dear Album Remixes), MIKE - Black Soup [Mixtape], Mr Twin Sister - Salt, Nightmares On Wax - Shape the Future, OSHUN - Bittersweet, Vol. 1, Owl City - Cinematic, Palm - Rock Island, Prof - Pookie Baby, Raury - The Woods, Rae Sremmurd - SR3MM, Red Cafe - Less Talk More Hustle, Reese LAFLARE - Reese LAFLARE, Rich The Kid - The World Is Yours, Rico Nasty - Nasty, SHIRT - Pure Beauty, Shy Boys - Bell House, Slim Thug - The World Is Yours, Slum Village - The Lost Scrolls, Vol. 2 [Mixtape], Social Club Misfits - Into The Night, Steve Perry - Traces, Takeoff - The Last Rocket, Too $hort - The Sex Tape Playlist, Trae Tha Truth - Hometown Hero, Various Artists - Future Presents: SUPERFLY (Original Motion Picture Soundtrack), Various Artists - 9th Wonder Presents: Jamla is the Squad II, We The King’s - Six, Westside Gunn - Supreme Blientele, Wifisfuneral - Ethernet, Yves Tumor - Safe In the Hands of Love, Zaytoven - Trapholizay, 03 Greedo - God Level, 24hrs - HOUSES ON THE HILL
Bad:
Eminem - Revival, Jack White - Boarding House Reach, Kay! & Kenny Beats - 777, Lil Baby - Harder Then Ever, Quintin Miller - Q.M., Sheck Wes - MUDBOY, Starlito - At WAR With Myself Too, Trouble & Mike WiLL Made-It - Edgewood [Mixtape]
#Best Albums#Top Albums#2018#Kendrick Lamar#Black Panther#Jacob Banks#Kasbo#DJDS#Bishop Briggs#Her#Lykke Li#3LAU#The 1975#Pusha T#Fakear#Elohim#Said The Sky#Nao#RUFUS DU SOL#Matoma#Santigold#Twin SHadow#Janelle Monae#Charli XCX#Alison Wonderland#Vince Staples#Kali Uchis#Whethan#Joji#Alan Walker
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ART SCHOOL | VANS HOUSE PARTIES | DREW REYNOLDS
We’re excited about the upcoming Vans House Parties in Brooklyn, featuring Slowdive on June 30th. Not only are we excited about the music, but also by the installations and visuals experiences that will be provided by artists Drew Reynolds and Ivan Seal. We had a chance to chat with photographer Drew Reynolds who has worked with bands like Slowdive and The Kills as well as magazines like Pitchfork and the Rolling Stones. We find out more about Drew’s photography, what he’s prepared for VHP that night, and about some of his favorite photographers in this Art School with Drew Reynolds.
Photographs by Jonathan Mehring
Could you introduce yourself? My name is Drew Reynolds, and I grew up in the suburbs of Chicago. I’m currently based in Brooklyn and have been here for nearly three years. I’ve been fortunate to photograph musicians and other artists for Rolling Stone, 4AD Records, Red Bull, MTV, BuzzFeed, Pitchfork, and Microsoft. I’m also a competitive distance runner with the North Brooklyn Runners, and just recently placed 3rd for my age group at the Brooklyn Half Marathon.
I also have an amazing twelve year old pit bull mix named Cleo.
Can you tell us a little about your background? I discovered photography in high school, went to undergrad at Columbia College in Chicago, and then did some assisting and a ton of black & white lab work before moving to Los Angeles for a four year stint, honing my skills in music photography. I missed the city, so I moved back to my hometown, Chicago. Since moving to NY, I feel my work has excelled, and I’m psyched to say that I’m working with a couple photo agents.
For the upcoming Van’s House Parties, what will you be preparing for the folks coming that evening? What should they expect? Any surprises? I will be projecting portraits from my ongoing personal series called “The Panel Project.” They’re individual portraits of band members to create a grid / panel. The final piece resembles a “proof sheet” that play with my roots in film photography.
Some of the artists I’ve worked with are Slowdive, The Kills, The Radio Dept., Sneaks, Saul Williams, Run The Jewels, Autolux, MØ, and Manchester Orchestra. Viewers should expect BIG portraits that will be constructed as they’re being projected. I’m excited!
What are you looking forward to the most at VHP’s that evening? I’m super excited to share the night with friends. Seeing Slowdive for the sixth time, and photographing them again. They’re incredible people.
Who are some photographers’ works that you really admire? What about their works really hits a cord with you? Irving Penn, his portraits are breathtaking. They make you stop, explore, and examine.
Autumn De Wilde, she captures music lifestyle and portraits on location like no other.
Simon Larbalestier, he with the design of Vaughan Oliver influenced me to pursue photography as a career. They created album covers & posters for 4AD artists- Pixies, Dead Can Dance, Red House Painters and others.
What are some of your favorite things to photograph and why? Musicians, artists, and runners. Because they all inspire me to be a better artist and runner.
What is your favorite thing about what you do? What do you do when you’re not photographing or working on your craft? My fave thing about what I do is the variety of people that I’m able to meet being a photographer. When I’m not shooting or working on my craft, I’m most likely running, rock climbing, or hanging out with my love and our animals.
Give us your best tip? What do you think every young photographer should know? Photograph what you’re passionate about, and try to build a body of work from those images.
Lots of times music helps folks stay inspired, what are you listening to when you’re working on a project? Lately… Beach House, Slowdive, U.S. Girls, Chromatics, Cocteau Twins, and Wild Beasts.
What are your favorite Vans? Sk8-Hi Pro. So cushy.
You’ve taken portraits and photographs of various personalities and people, who has been your favorite subject and why? Slowdive, because I’ve been a fan of their music for over twenty years. I just photographed U.S. Girls again… she’s always amazing.
FOLLOW DREW | Instagram
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Download MANDY - Live @ We Own the Night - 31-Oct-2020 for free now!
Artist: MANDY Show: MANDY – Live @ We Own the Night – 31-Oct-2020 Quality: 320 Kbps 48000 Khz Genre: Hardstyle Source: RSS
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MANDY – Live @ We Own the Night – 31-Oct-2020 Tracklist
01. ID – ID 02. DJ Isaac – Fascinating Rhythm [SCANTRAXX] 03. D-Block & S-te-Fan – Love On Fire [RAVE CULTURE] 04. Brennan Heart & Psyko Punkz – Everything We Are [I AM HARDSTYLE] 05. Tiësto & Dzeko ft. Preme & Post Malone – Jackie Chan (MANDY Remix) [MUSICAL FREEDOM] 06. Lost Identity – Who We Are [DWX COPYRIGHT FREE] 07. Refuzion – Drift Away (Numa Numa Yay) [DIRTY WORKZ] 08. Coone & Sound Rush – Inception [DIRTY WORKZ] 09. MANDY – Only Gets Better [DIRTY WORKZ] 10. D-Block & S-te-Fan – Feel Inside [SCANTRAXX EVOLUTIONZ] 11. DJ Isaac – Burn [DIRTY WORKZ] 12. Major Lazer & DJ Snake ft. MØ – Lean On (MANDY Bootleg) 13. Brennan Heart ft. Jake Reese – Lose It All [I AM HARDSTYLE] 14. 2WEI – Survivor (Aftershock ft. LXCPR Bootleg) [FREE] 15. Sub Sonik ft. Kimberly – To The Ones [DIRTY WORKZ] 16. MANDY – RaggaDrop [DIRTY WORKZ] 17. Juice WRLD – Lucid Dreams (MANDY Bootleg) [INTERSCOPE] 18. Jerome – Jupiter (Brennan Heart Remix) [KONTOR] 19. MANDY ft. Jelle Van Dael – We Are Warriors [DIRTY WORKZ] 20. Bastille – World Gone Mad (Hard Driver Bootleg) 21. Da Tweekaz & Code Black – Shake Ya Shimmy [DIRTY WORKZ] 22. MANDY – Gimme Your Love [DIRTY WORKZ] 23. Devin Wild – Mind Bending [SCANTRAXX] 24. Ran-D & Hard Driver – Sleepless Nights [ROUGHSTATE] 25. D-Sturb & Sound Rush – Embracing The Madness [ART OF CREATION] 26. Sub Zero Project – The Silence (Of My Sins) [DIRTY WORKZ] 27. Swedish House Mafia ft. John Martin – Don’t You Worry Child (MANDY Bootleg)
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Listen or download MANDY - Live @ We Own the Night - 31-Oct-2020 for free now!
Artist: MANDY Show: MANDY – Live @ We Own the Night – 31-Oct-2020 Quality: 320 Kbps 48000 Khz Genre: Hardstyle Source: RSS
Discover more We Own The Night livesets here
MANDY – Live @ We Own the Night – 31-Oct-2020 Tracklist
01. ID – ID 02. DJ Isaac – Fascinating Rhythm [SCANTRAXX] 03. D-Block & S-te-Fan – Love On Fire [RAVE CULTURE] 04. Brennan Heart & Psyko Punkz – Everything We Are [I AM HARDSTYLE] 05. Tiësto & Dzeko ft. Preme & Post Malone – Jackie Chan (MANDY Remix) [MUSICAL FREEDOM] 06. Lost Identity – Who We Are [DWX COPYRIGHT FREE] 07. Refuzion – Drift Away (Numa Numa Yay) [DIRTY WORKZ] 08. Coone & Sound Rush – Inception [DIRTY WORKZ] 09. MANDY – Only Gets Better [DIRTY WORKZ] 10. D-Block & S-te-Fan – Feel Inside [SCANTRAXX EVOLUTIONZ] 11. DJ Isaac – Burn [DIRTY WORKZ] 12. Major Lazer & DJ Snake ft. MØ – Lean On (MANDY Bootleg) 13. Brennan Heart ft. Jake Reese – Lose It All [I AM HARDSTYLE] 14. 2WEI – Survivor (Aftershock ft. LXCPR Bootleg) [FREE] 15. Sub Sonik ft. Kimberly – To The Ones [DIRTY WORKZ] 16. MANDY – RaggaDrop [DIRTY WORKZ] 17. Juice WRLD – Lucid Dreams (MANDY Bootleg) [INTERSCOPE] 18. Jerome – Jupiter (Brennan Heart Remix) [KONTOR] 19. MANDY ft. Jelle Van Dael – We Are Warriors [DIRTY WORKZ] 20. Bastille – World Gone Mad (Hard Driver Bootleg) 21. Da Tweekaz & Code Black – Shake Ya Shimmy [DIRTY WORKZ] 22. MANDY – Gimme Your Love [DIRTY WORKZ] 23. Devin Wild – Mind Bending [SCANTRAXX] 24. Ran-D & Hard Driver – Sleepless Nights [ROUGHSTATE] 25. D-Sturb & Sound Rush – Embracing The Madness [ART OF CREATION] 26. Sub Zero Project – The Silence (Of My Sins) [DIRTY WORKZ] 27. Swedish House Mafia ft. John Martin – Don’t You Worry Child (MANDY Bootleg)
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I was tagged by: @kurosuisen - dziękóweczka sis! 1st rule: Tag 9 people you would like to know better. 2nd rule: Copy this and bold the statements that are true. I tag: @flintsredhair @thomas-hamilton @le-singe-est-sur-la-branche @mylittlesecretshelter @my-truest-flinthamilton @votecrowleyforministerofmagic @punkplum @licensetocannibalize @maryammonster
APPEARANCE: I am 5′7 or taller I wear glasses -> i see perfectly well without them, but i am also a farsighted person and sometimes i need them to avoid headaches I have at least one tattoo I have at least one piercing I have blonde hair I have brown eyes I have short hair My abs are at least somewhat defined I have or have had braces
PERSONALITY: I love meeting new people People tell me that I’m funny Helping others with their problems is a big priority for me I enjoy physical challenges I enjoy mental challenges I’m playfully rude with people I know well I started saying something ironically and now I can’t stop saying it There is something I would change about my personality
ABILITY: I can sing well ---> only in low voice and i humm very good I can play an instrument I can do over 30 pushups without stopping I’m a fast runner I can draw well --> only if it is a simple drawing and i am copying it I have a good memory I’m good at doing math in my head I can hold my breath underwater for over a minute ---> i think so I have beaten at least two people in arm wrestling I know how to cook at least three meals from scratch I know how to throw a proper punch
HOBBIES: I enjoy playing sports I’m on a sports team at my school or somewhere else I’m in an orchestra or choir at my school or somewhere else I have learned a new song in the past week I work out at least once a week I’ve gone for runs at least once a week in the warmer months I have drawn something in the past month I enjoy writing Fandoms are my #1 passion --> no but pretty close, my actual #1 passion is cinematography, but not necessearly its fans I have done martial arts
EXPERIENCES: I have had my first kiss I have had alcohol I have scored the winning goal in a sports game ---> in archery actually, but it was long time ago I have watched an entire season of a TV show in one sitting ---> probably, but rather the ones with small number of short episodes I have been at an overnight event I have been in a taxi I have been in the hospital or ER in the past year I have beaten a video game in one day I have visited another country I have been to one of my favorite artist’s concerts ---> ooooh not once, not twice, but three times and in june will be the fourth time, i am always unbelievably excited
RELATIONSHIPS: I’m in a relationship I have a crush on a celebrity ---> much more because of his personality than looks, but he can look quite good too I have a crush on someone I know I have been in at least 3 relationships I have never been in a relationship I have asked someone out or admitted my feelings to them I get crushes easily I have had a crush on someone for over a year I have been in a relationship for at least a year I have had feelings for a friend
MY LIFE: I have at least one person I consider a “best friend" I live close to my school/work My parents are still together I have at least one sibling I live in the United States There is snow right now where I live I have hung out with a friend in the past month I have a smartphone I have at least 15 CDs ---> i hope one day ... I share my room with someone ---> with my two cats ;)
RANDOM SHIT: I have break-danced I know a person named Jamie I have had a teacher with a last name that’s hard to pronounce I have dyed my hair --> but i wish i didn’t have too I’m listening to one song on repeat right now ---> there are multiple titles, but lets stick to two:
Diplo - Get It Right (Feat. Mø)
Bitamina - Lustro i golenie twarzy
I have punched someone in the past week I know someone who has gone to jail I have broken a bone I have eaten a waffle today I know what I want to do with my life I speak at least two languages
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Ed Sheeran is The Worst Artist of the Decade
Now comes the time when every music blog and magazine known to man comes out with its "Artist of the Decade" feature (those still offering print issues capitalize on this by featuring their choice on the cover). Aptly described by Vice as the "decade where it felt like time sped up," the 2010s were a wild decade, to say the least. A decade in which streaming media seemed to have its claws fully dug in, every single sound got its own genre, and electronic music took the reigns of the pop music ship. Read Also: The Conflicting Nature of Dave Chappelle’s Recent Netflix Special Read Also: Five Albums You Need to Listen to… Like, Right Now As the name suggests, these pieces discuss a given artist's importance on the sound of a period of ten years. Where it started, where it's gone, what they did and how they defined those ten years. So few discuss the worst musical artists in popular music: the lacklustre; the uninteresting; the ones with unrealized potential; the just downright… terrible, horrendous, godawful. So, that's why I will be talking about the exact opposite of what most magazines and blogs are talking about. As we come to the end of this bizarre decade, I want to bring up arguably the worst artist (at least the one I consider the worst). That artist, folks, is Ed Sheeran. Truth be told, Sheeran isn't that bad of a songwriter. He's had his hand in more than several of the biggest pop hits of the past decade: "Love Yourself," by Justin Bieber, and the Major Lazer/ Justin Bieber/ MØ collaboration "Cold Water," as well as his featured track on Taylor Swift's 2012 album Red, "Everything Has Changed," to name a few. But then, if we're treating music as a mere popularity contest, what point do critics have in writing pieces on the "Artist of the Decade?" Why should anyone care? Still, even here, Sheeran loses to acts like Katy Perry, Ariana Grande, as well as fellow musical buddy Taylor Swift. No, the reason Ed Sheeran is the worst artist of the 2010s is that, unlike artists like Taylor Swift, there was little-to-no stylistic change. And, unlike bands such as Tame Impala, there was no forward-thinking innovation apparently in his music. Basic, run-of-the-mill pop songs. Nothing more, nothing less. In songs like "Thinking Out Loud" and "Shape of You," Sheeran traffics in the same middle-of-the-road pop music that Journey and Genesis did so much better - almost forty years ago. His music isn't necessarily the worst thing on the planet, or even utterly abhorrent to my ears that I demand we switch the music to something else. But, that said, it's also not great. It's been claimed that the worst art to create is something average. At least bad art will be talked about, even if the reviews aren't good. It will be remembered, even if it's remembered in a less-than-positive light. Groups like The Shaggs still get discussed and debated in a mythical way by a lot of critics and weird-music aficionados. Look into their album Philosophy of the World to hear what I'm talking about. But Ed Sheeran is no Shaggs, both in mainstream sound and quality. His music is better than theirs, at least in appealing to base tastes of what "good" music should be. Nothing in his style indicates anything more than a willingness to stick with what is a proven winning strategy in pop music. There is no experimentation, no risk-taking. Nothing more than sticking with the basic pop formula of love songs, major chords, and cheesy lyrics and melodies. It's pop music blown dangerously into bland-out. Forward-thinking artists such as Lorde, Halsey, and Lana Del Rey don't get enough credit within the ever-present sphere of pop music. Now, I get that well-crafted pop song aren't as easy to create as one might think. I sure couldn't do it. But one would also hope that an artist would want to try to get away from the typecasting evident in his tunes. If you have the talent to write songs, wouldn't you want to impress people, rather than shooting for the money? Shame on the industry, too. At the 2018 Grammys, Sheeran took home a Grammy for Best Pop Solo Performance for "Shape of You" - a song fans and critics noted contained glaring similarities to TLC's classic hit "No Scrubs." This is one thing, but he bested several women (Lady Gaga and Ke$ha, among others) for the award. Women who had written powerful songs about empowerment and overcoming abuse lost out to a middling songwriter, someone effectively a plagiarist. It's almost a crime, really. Ed Sheeran doesn't deserve the praise he gets from fans and other artists. And maybe I'm being overly harsh, but, in a decade full of progressive, genre-busting artists such as Lady Gaga, Lorde, and Tame Impala, pop music can't afford to heap any more praise on someone so… average. This article first appeared on Faramira Read the full article
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Another drawing of Mø 💘
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Sziget Festival has revealed some giant acts performing in 2018 that you won’t want to miss. As one of the world’s biggest celebrated music and art festivals, Sziget returns in 2018 for its 26th edition. From the 8th-15th of August in Budapest, Hungary, Sziget will host some of the most renowned names in music. Tipped as the continent’s answer to Glastonbury, the award winning, globally renowned seven day music & arts experience will bring together 450,000 people for Europe’s largest cultural encounter of its kind!
Topping the bill of the first list of performing artists is Kendrick Lamar, Mumford & Sons and Kygo. Across more than 50 stages, you can expect amazing performances from all artists.
Sziget 2018
The festival will be set in the heart of Budapest on Óbuda Island welcoming Szitizens from over 100 nations. Sziget is a community built festival and known as the Island of Freedom. It is dedicated to embracing diversity and has launched Love Revolution. Love Revolution will use the power of community to bring love, acceptance, tolerance and freedom to the heart of Budapest.
As a multi Grammy winning American sensation, Kendrick Lamar will bring his soaring ambition and lyrical talent to the stage. Also, Norwegian DJ and producer Kygo has a unique electronic sound to show Sziget fans that has been selling out stadiums since his rise to fame 4 years ago. Completing the headline bill and bringing with them a whole host of singalong hits will be undisputed kings of folk rock Mumford & Sons.
Not only will the headliners bring serious talent to the stage in 2018, but also all the other artists. Rock N’ Roll Star Liam Gallagher is hot off the back of his debut solo album and long overdue announcement as NME’s Godlike Genius 2018. London rockers and best mates Wolf Alice and Slaves will be bringing their unparalleled energy to the Hungarian stage. Furthermore, American rock band, Goo Goo Dolls, will be performing alongside kings of nostalgia The Knocks, indie masters Bastille, electro alt-pop geniuses Everything Everything, homeless turned folk-hero Seasick Steve, as well as Cigarettes After Sex, Nothing But Thieves and many more.
Additionally, electronic acts will be prominent at this year’s festival. There will be a spectacular array of acts including chart toppers Clean Bandit, who will be gracing the stage with their classical inspired electropop. Equally important, Danish singer, songwriter and electropop producer MØ and electronic music legends Little Dragon promise to mystify Szitizens with their iconic blend of music.
Sziget line-ups are not line-ups you want to miss. In 2017, Sziget took home the award for best ‘Line-Up of the Year’ at the European Festival Awards. It was their second year running.
Tickets
Tickets for the week long event are on sale now at special early bird pricing. One, three, five, and seven day tickets are available. Prices start at £65.
All in all, for more information on Sziget 2018, follow their socials.
Facebook. YouTube. Twitter. Instagram.
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FestPop Staff Writer, Katherine Bennett
Sziget 2018 Headliners: Kendrick Lamar, Mumford & Sons And Kygo Sziget Festival has revealed some giant acts performing in 2018 that you won't want to miss.
#Budapest#Hungary#Kendrick Lamar#kygo#Mumford & Sons#Music and arts festival#Óbuda Island#Sziget#Sziget 2018
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New Post has been published on http://tropicalfete.com/2017/12/18/recording-academy-and-rca-records-reveal-2018-grammy-nominees-album-track-listing/
RECORDING ACADEMY AND RCA RECORDS REVEAL 2018 GRAMMY NOMINEES ALBUM TRACK LISTING
LATEST INSTALLMENT OF THE BEST-SELLING SERIES FEATURES 21 HITS FROM THE WORLD’S BIGGEST SUPERSTARS AND EMERGING ARTISTS
2018 GRAMMY® NOMINEES ALBUM HITS STORES AND DIGITAL RETAILERS JAN. 12
ALBUM PRE-ORDER AVAILABLE NOW AT 2018GRAMMYALBUM.COM; FANS CAN WIN A TRIP TO MUSIC’S BIGGEST NIGHT®
SANTA MONICA, CALIF. (DEC. 18, 2017) — The Recording Academy™‘s GRAMMY Recordings® and RCA Records have revealed the track listing for the 2018 GRAMMY® Nominees album. Set for release on Jan. 12, 2018, in stores and via digital retailers, the latest installment of the best-selling series—now in its 24th year—features a collection of top-charting hits from many of this year’s illustrious GRAMMY-nominated artists. A portion of album proceeds benefit the year-round work of the GRAMMY Museum® and MusiCares®—two charitable organizations founded by the Recording Academy that focus on music education programs and critical assistance for music people in need.
The 2018 GRAMMY Nominees album features 21 hits from the world’s top recording artists and emerging talent, including Album Of The Year nominees Childish Gambino, JAY-Z, Kendrick Lamar, Lorde, and Bruno Mars; and Song Of The Year nominees Luis Fonsi & Daddy Yankee featuring Justin Bieber, Logic featuring Alessia Cara and Khalid, and Julia Michaels, among others.
“This album is an extraordinary representation of the diverse talent being recognized as GRAMMY nominees,” said Neil Portnow, President/CEO of the Recording Academy. “We’re pleased to partner with RCA to deliver this special collection of recordings and to raise funds and awareness for MusiCares and the GRAMMY Museum—two philanthropic organizations dedicated to improving the environment for music and those who make it.”
“This has been an incredible year for music across all genres, and this collection serves as a celebratory sampling of some of the most important songs released this year,” said RCA Chairman and CEO Peter Edge. “In addition, the entire RCA team joins me in expressing our excitement to partner with the Recording Academy on releasing this album, particularly because it benefits the crucial work done year-round by MusiCares and the GRAMMY Museum.”
Music fans can log on to 2018grammyalbum.com or cbs.com/grammys to pre-order the album and enter for a chance to win a trip for two to the 60th Annual GRAMMY Awards® on Sunday, Jan. 28 at Madison Square Garden in New York City.
The 60th Annual GRAMMY Awards will be broadcast live on CBS Jan. 28 at 7:30 p.m. ET/4:30 p.m. PT.
*No purchase necessary to enter or win. Visit 2018grammyalbum.com or cbs.com/grammys for details and eligibility requirements.
2018 GRAMMY Nominees Album Track List
1. BRUNO MARS “24K Magic” Record Of The Year Album Of The Year
2. KELLY CLARKSON “Love So Soft” Best Pop Solo Performance
3. LUIS FONSI & DADDY YANKEE FEAT. JUSTIN BIEBER “Despacito” (Remix) Record Of The Year Song Of The Year Best Pop Duo/Group Performance
4. KENDRICK LAMAR “HUMBLE.” Record Of The Year Album Of The Year
5. LORDE “Green Light” Album Of The Year
6. CHILDISH GAMBINO “Redbone” Record Of The Year Album Of The Year
7. JAY-Z “The Story Of O.J.” Record Of The Year Album Of The Year
8. ZEDD & ALESSIA CARA “Stay” Best Pop Duo/Group Performance
9. LADY GAGA “Million Reasons” Best Pop Solo Performance
10. IMAGINE DRAGONS “Thunder” Best Pop Duo/Group Performance
11. PORTUGAL. THE MAN “Feel It Still” Best Pop Duo/Group Performance
12. THE CHAINSMOKERS & COLDPLAY “Something Just Like This” Best Pop Duo/Group Performance
13. P!NK “What About Us” Best Pop Solo Performance
14. LOGIC FEAT. ALESSIA CARA & KHALID “1-800-273-8255” Song Of The Year
15. JULIA MICHAELS “Issues” Song Of The Year
16. KESHA “Praying” Best Pop Solo Performance
17. CHRIS STAPLETON “Broken Halos” Best Country Album
18. LITTLE BIG TOWN “Better Man” Best Country Album
19. THOMAS RHETT FEAT. MAREN MORRIS “Craving You” Best Country Album
20. LADY ANTEBELLUM “You Look Good” Best Country Album
21. KENNY CHESNEY “All The Pretty Girls” Best Country Album
ABOUT THE RECORDING ACADEMY The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music’s history while investing in its future through the GRAMMY Museum, advocates on behalf of music creators, supports music people in times of need through MusiCares, and celebrates artistic excellence through the GRAMMY Awards—music’s only peer-recognized accolade and highest achievement. As the world’s leading society of music professionals, we work year-round to foster a more inspiring world for creators.
For more information about the Academy, please visit www.grammy.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, “like” Recording Academy on Facebook, and join the Recording Academy’s social communities on Instagram, Tumblr, and YouTube.
ABOUT RCA RECORDS RCA Records is a Division of Sony Music Entertainment. RCA includes a diverse roster of internationally renowned artists representing all genres of music, including Justin Timberlake, P!NK, Alicia Keys, Miley Cyrus, Foo Fighters, Usher, D’Angelo, A$AP Rocky, Kings Of Leon, Britney Spears, Pentatonix, Pitbull, Chris Brown, Christina Aguilera, Dave Matthews Band, ZAYN, Shakira, R. Kelly, Charlie Wilson, Enrique Iglesias, Kesha, Buddy Guy, Daughtry, Three Days Grace, Tool, T-Pain, and Kirk Franklin, among others; critically acclaimed and chart-topping artists including Khalid, G-Eazy, SZA, Mark Ronson, Miguel, Ray LaMontagne, Bryson Tiller, Cam, Cage The Elephant, MAGIC!, Bleachers, Jazmine Sullivan, Tinashe, A$AP Ferg, A$AP Mob, Grizzly Bear, Gavin DeGraw, WALK THE MOON, Kid Ink, and Elle King; burgeoning artists MUNA, Wolf Alice, MØ, Kygo, Martin Garrix, Ro James, Grace, Parson James, Becky G., Sam Dew, and many more.
RCA Records has key partnerships with Polo Grounds Music, Bazmark Records, Bystorm Entertainment, BPG Music, and more.
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Metallica, The XX, The 1975, Cage The Elephant y León Gieco fueron los artistas destacados de una primera jornada que no dejó nada ni a nadie afuera.
La primera fecha de la edición 2017 del Lollapalooza Argentina fue un verdadero bazar de géneros y estilos: desde nuevísimas revelaciones locales como Joystick, encargados de abrir el festival, y una leyenda de la música nacional como León Gieco, hasta nuevas sensaciones del indie pop internacional como The 1975 y The XX, pasando por el dance de The Chainsmokers, consagrados del punk como Rancid y un cierre de peso bien pesado con las megaestrellas de Metallica.
El público reflejo también ese crisol de tribus y estilos: desde adolescentes cargadas de maquillaje con brillantina, fans de Glass Animals y The 1975, hasta veteranos heavy de roídas remeras negras que llenaron el predio hacia última hora ansiosos por ver a Metallica.
El cambio en la distribución de los cinco escenarios, que se ubicaron hacia las esquinas del amplio campo, y el aumento en la superficie del festival, le sentaron muy bien a esta versión de Lolla. Hubo localidades agotadas, pero eso no se vio reflejado en aglomeraciones ni desbordes de las instalaciones, y hubo espacio de sobra para disfrutar de una jornada esplendida en clima y espectáculos.
Los chicos de Joystick abrieron el juego a las 12:30, mientras La Máquina Camaleón hacia lo suyo en el Maing Stage 2, seguidos por Huevo y Deny. A las 14:30, Silversun Pickups llegaron desde Los Ángeles para ponerle distorsión a San Isidro, mientras Palo Pandolfo comenzaba a repasar su amplio cancionero en el escenario Alternative, haciendo base en su último trabajo, titulado Transformación.
A las 15:30, fue el momento de uno de los shows que más interrogantes generaba en la previa: la presentación de León Gieco. Mucho se polemizó y bromeó sobre la presencia de nuestra icónica figura del folk rock en el coqueto festival, pero el artista barrió con cualquier prejuicio del público con un concierto contudente, repleto de los hits que ya son parte del ADN nacional, muchos en clave rockera, como “Los Salieris de Charly”, y hasta versiones casi metaleras de “Pensar en Nada” y “El Fantasma de Canterville”.
Glass Animals Posteriormente, fue momento de los nuevos niños mimados de Oxford, Glass Animals. El cuarteto paseó su inclasificable estilo, que muta en segundos de la psicodelia al trip hop, pasando por la electrónica y el art pop. Y ese hiperquinético líder que es Dave Bayle estaba tan sorprendido con la respuesta del público local que no podía ocultar su felicidad. En el cierre del set, con “Pork Soda”, lanzó un ananá al publicó que bailó los temas de sus dos discos, y dijo: “son fucking increíbles”.
Cage The Elefant Si hablamos de frontman destacados, el premio de esta primera jornada se lo tiene que llevar Matt Shultz. El vocalista de Cage The Elephant fue un indomable demonio de zapatos dorados que prendió fuego el escenario 1 con una personalidad que varía de un Mick Jagger poseído a un Iggy Pop 2.0. Sin dudas, el visceral cuarteto de Kentucky fue el show que no hubo que perderse este Lolla.
The Helmets Mientras, los primeros fans de Metallica se arrimaron al escenario infantil del Kidzapalooza para ver toda una curiosidad (y promesa) del heavy: The Helmets, banda que tiene al hijo de 12 años de Robert Trujillo, Tye, en el bajo. Un show que hasta contó con espectadores de lujo: no solo el orgulloso papá, sino Lars Ulrich. La familia metalera está feliz.
The 1975 Ya en el anochecer de San Isidro, fue el turno de The 1975. Con una sobria y efectiva puesta en escena donde predominaron las luces púrpura y el celeste en voltaje neón, los londinenses propusieron un viaje a los ochenta de la mano de Matty Heally (que, digamos, parecía estar en su propio “viaje”) y sus hits que trazan atajos a Prince, INXS, Michael Jackson y todo el R&B de aquella década. Con “Love Me”, “A Change of Heart” y “If I Believe You”, los británicos ofrecieron el puente sonoro a los shows que hoy darán Duran Duran y The Weeknd.
Rancid Más tarde, Rancid se encargó de ir calentando el Main Stage 1 para que, horas después, Metallica lo dejase hecho cenizas. Estos pequeños dinosaurios del punk eran una de las bandas más esperadas por las crestas locales: agotaron su sideshow en el Teatro de Flores en cuestión de un par de horas (donde estuvo Ulrich entre la audiencia), y al aire libre del Lolla se metieron a fans y curiosos en el bolsillo con su punk hecho y derecho, sin concesiones, en forma de hits como “Salvation” y “Ruby Soho”.
The XX Si había que bajar un par de cambios, The XX se encargó de revestir la noche de dulce y sensual melancolía. El oscuro trío inglés se estrenó en nuestro país con su flamante disco, I See You, pero no dejó de lado los éxitos de sus dos anteriores trabajos, que les dieron un ascenso meteórico en la escena musical y estableció su minimalismo romántico como un sonido de influencia para muchos artistas.
Metallica Metallica dio un show totalmente opuesto al de su visita anterior: si en 2014 vinieron con su tour de hits a la carta y se tocaron todos, pero todos los temas que quería el público, este regreso estuvo apoyado en el nuevo disco (Hardwired) más que en los clásicos. De ahí que el primer bloque haya sido algo tibio (“Atlas, Rise!”, “Halo on Fire”, “Moth Into Flame”) y haya explotado solamente con la aparición de algunos temas imbatibles como “The Memory Remains” y “One”.
“No importa de dónde vienen, ni a qué banda vinieron a ver: hoy todos forman parte de la familia Metallica”, saludó James Hetfield de entrada y se compró a la gente. Los californianos desplegaron todo su poderío (el sonido era brutal) y todo su virtuosismo (hubo solos de bajo de Robert Trujillo y de guitarra con Kirk Hammett) y buscaron hasta en su repertorio más olvidado para sorprender a los fans, como fue el caso “Hit the Lights”, que nunca habían tocado en Argentina, según le sopló Lars Ulrich a Hetfield. El primer tema del primer disco del grupo: toda una declaración de principios.
Lo bueno se hizo esperar. “Sad But True” inició el bloque de temas del Black Album, que siguió con “Wherever I May Roam”, pegadita, y un himno inoxidable de los ’80: “Master of Puppets”. Para el cierre, se guardaron “Nothing Else Matters” y “Enter Sandman”, redondeando una lista de 18 temas. Sí, faltaron varios clásicos (“Fuel”, “The Unforgiven”, “Creeping Death”) pero, ¿quién te quita lo rockeado?
Segundo día Lollapalooza El segundo día del Lollapalooza promete mucho pop (de antaño, caso Duran Duran, y del nuevo, como The Weeknd) y a los Strokes como show central. También tocarán Two Door Cinema Club, Tegan and Sara, Jimmy Eat The World, Flume, Catfish And The Bottlemen y Mø. Por el lado nacional, estarán como representantes Lisandro Aristimuño, Turf, Bestia Bebé, El Plan de la Mariposa, Bandalos Chinos y Sara Hebe.
Fotos: MDZ Teleshow y TN. Informe: TN
Lollapalooza Argentina 2017: Día 1 Metallica, The XX, The 1975, Cage The Elephant y León Gieco fueron los artistas destacados de una primera jornada que no dejó nada ni a nadie afuera.
#alternative#Cage The Elefant#Cage the Elephant#día 1#Featured#Glass Animals#Huevo y Deny#Joystick#La Máquina Camaleón#León Gieco#Lollapalooza#Lollapalooza Argentina#Matt Shultz#Metallica#Palo Pandolfo#Rancid#Robert Trujillo#Silversun Pickups#The 1975#The Chainsmokers#The Helmets#The XX#Tye
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