#Lucas Gassel
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Lucas Gassel
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The Return of the Prodigal Son, Attributed to Lucas Gassel
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Lucas Gassel - Pyramus and Thisbe -
oil on panel, Height: 66 cm (25.9 in); Width: 87 cm (34.2 in)
Museum Helmond, the Netherlands
Pyramus and Thisbē are a pair of ill-fated lovers whose story forms part of Ovid's Metamorphoses. The story has since been retold by many authors.
In Ovid's Metamorphoses, Pyramus and Thisbe are two lovers in the city of Babylon who occupy connected houses, forbidden by their parents to be wed, because of their parents' rivalry. Through a crack in one of the walls, they whisper their love for each other. They arrange to meet near Ninus' tomb under a mulberry tree and state their feelings for each other. Thisbe arrives first, but upon seeing a lioness with a mouth bloody from a recent kill, she flees, leaving behind her cloak. When Pyramus arrives he is horrified at the sight of Thisbe's cloak which the lioness had torn and left traces of blood behind, as well as its tracks. Assuming that a wild beast has killed her, Pyramus kills himself, falling on his sword, a typical Babylonian way to commit suicide, and in turn splashing blood on the white mulberry leaves. Pyramus' blood stains the white mulberry fruits, turning them dark. Thisbe returns, eager to tell Pyramus what had happened to her, but she finds Pyramus' dead body under the shade of the mulberry tree. Thisbe, after a brief period of mourning, stabs herself with the same sword. In the end, the gods listen to Thisbe's lament, and forever change the color of the mulberry fruits into the stained color to honor their forbidden love. Pyramus and Thisbe proved to be faithful lovers to each other until the very end.
Lucas Gassel or Lucas van Gassel (Deurne, Netherlands, 1480–1500 – 1568 or 1569) was a Flemish Renaissance painter and draughtsman known for his landscapes. He helped further develop and modernize the landscape tradition in Flanders. He also designed prints which were published by the Antwerp publisher Hieronymus Cock.
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Landscape with the return of the prodigal son by Lucas Gassel (Flemish, c.1495/1500--c.1570)
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Lucas Gassel (1500–1570) - A mountainous landscape with Apollo chasing Daphne.
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Lucas Gassel gebruikt het landschap om het ware leven te tonen
Lucas Gassel gebruikt het landschap om het ware leven te tonen
Lucas Gassel (1488-1569), geboren en getogen in het Brabantse Helmond, was zoon van een schilder en kende palet en penseel. Als jongeling trok hij naar de Zuidelijke Nederlanden om zich aan te sluiten bij de Antwerpse School. Daar, en later in Brussel, ontwikkelt hij zich als een belangrijk en invloedrijk landschapsschilder. Gassel gebruikt het landschap niet langer als decor maar verdiept zich…
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#15-de en 16-de eeuw#alledaagse#Antwerpse School#bijbelse tafereel#de mens#decor#elementen#gewone man#Helmond#kunstschilder#landschap#late Middeleeuwen#nieuwe tijd#NL#schoonheid#tijdsbeeld#traditie#wereldlandschap
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Inventario: 03345
Autor/a: Paisaje: Gassel, Lucas [Con participación del taller (para las figuras).]
Título: Paisaje con los peregrinos de Emaús
Materia/Soporte: Tabla
Técnica: Óleo
Dimensiones: Con Marco: Altura = 124 cm; Anchura = 148 cm; Profundidad = 10 cm
Sin Marco: Altura = 100 cm; Anchura = 125 cm
Descripción: Un primer plano con una pareja de grandes árboles, a la derecha, y un grupo de tres figuras masculinas. Luego lejanías arquitecturas, ciudades, río.., y, en último término, montañas y cielo borrascoso.
Iconografía: Paisaje
Datación: 1545[ca]-1560[ca]
Lugar de Producción/Ceca: Bélgica (Europa)
Historia del Objeto: En la Colección antes de 1913
Clasificación Razonada: En la exposición Fables du paysage flamand (Lille, 2012-2013) se pudo confrontar esta obra con otra similar del Museo de Bellas Artes de Estrasburgo. El paisaje es casi el mismo, aunque las escenas representadas difieren: la de Estrasburgo hace referencia a las Metamorfosis de Ovidio, mientras que la del Museo Lázaro representa a los Peregrinos de Emaús. Las dos tablas fueron pintadas por el mismo paisajista y presentan la misma técnica y formato. Por otro lado, el pintor relativamente mediocre que ha asumido la ejecución de las figuras en ambas obras también es el mismo (Martens y López Redondo, 2017).
Lucas Gassel (paisaje) y taller (figuras), hacia 1545-1560 (Anna Koopstra, 2020).
Forma de Ingreso: Donación al Estado.
Información del Museo Lázaro Galdiano, en la web Colecciones en Red.
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Thisbe, Pyramus en de Eeuwige Nacht (2020) 90 x 140 cm eitempera en olieverf op MDF en paneel in de tentoonstelling: Lucas Gassel Revisited, Cacaofabriek Helmond
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When Jesus changed his mind
When Jesus changed his mind
Aug 15, 2020 by Mary M. McGlone /The National Catholic Reporter
DP801818 CROP for web.jpg
“Panoramic Mountainous Estuary Landscape, with Christ and the Woman of Canaan” (detail) by Lucas Gassel, mid-16th century (Metropolitan Museum of Art)
Try it. Name a time when a man got Jesus to change his mind. In a Gospel we’ll soon hear, Peter tried to sway Jesus from accepting suffering — but…
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Lucas Gassel. Peintre flamand.
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Lucas Gassel
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Landscape with the Return of the Prodigal Son, Lucas Gassel
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Lucas Gassel - A panoramic river landscape with Judah and Tamar -
oil on panel, Height: 45.7 cm (17.9 in); Width: 63.4 cm (24.9 in)
Lucas Gassel or Lucas van Gassel (Deurne, Netherlands, 1480–1500 – 1568 or 1569) was a Flemish Renaissance painter and draughtsman known for his landscapes. He helped further develop and modernize the landscape tradition in Flanders. He also designed prints which were published by the Antwerp publisher Hieronymus Cock.
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Lucas Gassel - Landscape with David and Bathsheba. 1540
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Lucas Gassel - Landscape with the Penitent St Jerome c. 1545-1548
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Thisbe, Pyramus en de Eeuwige Nacht (2020) 90 x 140 cm eitempera en olieverf op MDF en paneel
(in opdracht van de tentoonstelling Lucas Gassel Revisited, Cacaofabriek Helmond)
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