#Louis Vallance | Explore Tumblr posts and blogs

architectnews · 4 years ago

Text

RIBA and Google Arts & Culture partnership

RIBA and Google Arts & Culture partnership 2021, Architecture Gallery London, UK Buildings, British Architects News

RIBA and Google Arts & Culture launch new partnership

Royal Institute of British Architects Exhibition + Talks + Events in London, England, UK

24 May 2021

RIBA and Google Arts & Culture partnership News

RIBA and Google Arts & Culture launch new digital partnership

The Royal Institute of British Architects (RIBA) is pleased to announce a new digital collaboration with Google Arts & Culture, the leading online platform that uses technology to share the unique collections and cultural institutions with a global audience.

RIBA has one of the largest, oldest and most significant architectural collections in the world and is the first UK organisation dedicated to architecture to partner with Google Arts & Culture.

Palazzetto dello Sport, Rome 1957: photo : RIBA Collections

From Friday 21 May, a specially curated selection of 15 online stories will be published and free to view on the Google Arts & Culture platform. They range from the creation of Central Park in New York, modernist buildings in Ghana to the Picturesque movement and from a century of Olympic buildings to a historic tour of key architectural landmarks in Venice.

Featured highlights from the RIBA’s collections will include original drawings by Ernö Goldfinger, Sir Charles Barry (Big Ben), Étienne-Louis Boullée and Toyo Ito. Featured projects include work by Walter Gropius, Pier Luigi Nervi, Kenzo Tange, Jane Drew & Maxwell Fry, Zaha Hadid and Diller Scofidio & Renfro. Early photography of New York and Venice (Carlo Ponti, Carlo Naya and Alinari Fratelli) from the 1860s onwards. A photo of the Louvre in Paris under construction in 1846 can be viewed up close, revealing extraordinary levels of detail.

The curated selection illustrates the international scope of RIBA’s Collection, spanning the Renaissance to the present day. It includes some never-before-exhibited objects that showcase more unusual parts of the archive, such as landscape designer Sir Humphrey Repton’s drawings and business card, private photographs from architects, portraits, parks and garden designs.

Palazzetto dello Sport, Rome – precast concrete roof under construction 1952: photo : RIBA Collections

RIBA CEO Alan Vallance:

“Our new partnership with Google Arts & Culture creates a great opportunity to inspire and delight a global audience and to showcase our unique treasures. We look forward to curating more online experiences and exhibitions, to illustrate the impact and importance of design and architecture, throughout the ages and around the world.”

Amit Sood, Director, Google Arts & Culture:

“This is the first step in what we hope will be an inspiring architectural journey with RIBA on Google Arts & Culture. Through our collaboration, we are proud to help share their incredible stories and resources with architecture lovers and aspiring students around the world. RIBA has one of the world’s leading architecture collections and inspires and supports global architectural talent as we look to designing the future.”

Link to RIBA Google Arts & Culture hub: https://artsandculture.google.com/project/riba

Olympic Stadium, Amsterdam 1920: photo : Chester Henry Jones, RIBA Collections

RIBA’s opening Google Arts & Culture programme features:

Revealing the RIBA Collection

The Royal Institute of British Architects (RIBA) has collected architecture drawings, photographs, books and artefacts for almost 200 years. Take a glimpse into the collection of over 4 million objects

https://artsandculture.google.com/story/YQURcbsgR4Zpxg

Venice – City of Architectural Awe

To mark the 17th Venice Architecture Biennale opening in 2021, RIBA shares its collection items to present a unique architectural tour of the ‘floating city’, both past and present.

https://artsandculture.google.com/story/cwXhb0X5nPAc3Q

Rafael Moneo

To celebrate the most recent recipient of the Golden Lion for Lifetime Achievement award, this story looks at five key buildings from the Spanish architect’s sixty-year career.

https://artsandculture.google.com/story/pwWxZGfl_uUkYA

Civic Architecture in Modern Ghana

Explore six civic buildings from the Republic of Ghana, from the time of late imperialism to present day by architects including Jane Drew, Maxwell Fry, Lindsey Drake, Sir Denis Lasdun and a practice still running today, James Cubitt & Partners. Sir David Adjaye’s designs for a new Cathedral for Accra are included.

https://artsandculture.google.com/story/HAWRbnWYZ1g9oQ

Central Park

Discover how the heart of Manhattan and lungs of New York City came about through a unique collaboration between an architect and a farmer. Highlights include original photos from the 1860s of the park’s first bridges.

https://artsandculture.google.com/story/WAXRUrbZ66f8fA

A Century of Olympian Architecture

Travel the world and experience the spectacular stadiums that have been built for past Olympic and Paralympic Games. Highlights include photographs of the 1936 Berlin ‘Reichssportfeld’, the 1960 Palazzo dello Sport in Rome, the 1972 Munich Stadium by Otto Frei, key commissions for Barcelona in 1992 and interview footage with Kengo Kuma, designers of the Tokyo Stadium for July 2021.

https://artsandculture.google.com/story/hgUx203DcRGTRw

People and Parks

There is more to a park than a simple stroll. Discover how public parks bring emotional well-being through congregation, creativity and commemoration, featuring details from Gaudi’s Park Güell in Barcelona, memorial parks in Hiroshima and the new Northala Fields park outside London.

https://artsandculture.google.com/story/nQWBLnjV-EjYwg

Urban Parks: From Industrial Wasteland to Palace Pavilions

Explore the history behind urban parks from around the world, exploring their location and their architectural structures. Millennium Park, Chicago; Maria Luisa Park, Seville; High Line Park, New York and Sefton Park, Liverpool.

https://artsandculture.google.com/story/CwUhe_UxKsqSdw

Planning the Picturesque

This story takes you on a scenic trail to experience the aesthetically delightful but highly choreographed ‘Picturesque’ movement. Featuring work by You+Pea.

https://artsandculture.google.com/story/YgVRY55xn-MzYw

Architectural Style and Media

What makes a style? Explore how popular culture and media impact architectural styles from the Renaissance to present day. With contemporary contributions by Space Popular and featuring the exhibition Freestyle – Architectural Adventures in Mass Media from RIBA’s Architecture Gallery in London.

https://artsandculture.google.com/story/2gWhDfqoFgkeMg

The Power of Perspective

This story traces how perspective in architectural drawing has been used across 500 years. With contemporary contributions by Sam Jacob Studio.

https://artsandculture.google.com/story/2AXx61Q2ElUWLQ

The Architecture of Modern Play

Find out how the 20th century saw a surge in new thinking about design for children’s play. Featuring recent work from Assemble and Simon Terrill.

https://artsandculture.google.com/story/BwWBUl3cmPrANw

Beyond Bauhaus – Chapter One: When Britain became Modern

On the centenary of the opening of Germany’s most famous art school in 2019, RIBA’s exhibition ‘Beyond Bauhaus’ looked afresh at the influence of three notable Bauhaus teachers on the modern movement in Britain. With 360˚photography of the exhibition from RIBA’s Architecture Gallery.

https://artsandculture.google.com/story/BgWxkcSVkWkG-Q

Beyond Bauhaus – Chapter Two: Designing the Modern Home

On the centenary of the opening of Germany’s most famous art school in 2019, RIBA’s exhibition ‘Beyond Bauhaus’ revisited the origin of the modern home in Britain. With 360˚photography of the exhibition from RIBA’s Architecture Gallery.

https://artsandculture.google.com/story/sQVBB7_jKk2yDQ

Royal Institute of British Architects

The Institute of British Architects (RIBA) is a global professional membership body and the custodian of one of the world’s oldest and largest architectural collection. Since 1834, it has advocated for excellence in architecture. This feature presents a range of activity by RIBA, working on behalf of architects and architecture.

https://artsandculture.google.com/story/lAUxxBztvaTp0Q

About the RIBA Collections

The Royal Institute of British Architects (RIBA) is home to one of the world’s leading architecture collections. The RIBA Collections feature over four million items spanning the history of architecture from the 15th century to the present day. Among them are rare illustrated texts, original drawings, architecture models, archive material and photographs, offering global scope and rich historical detail.

The RIBA collections in London are free to visit and open to all. At two main locations in London, visitors can discover and explore some of the treasures of the collection. Online, people can explore the archive and purchase images from the collection. RIBA has a dynamic programme of exhibitions and events that engage and bring the collection to life, inviting visitors to interact with architectural history within a contemporary framework.

Background:

Link to RIBA pages on Google Arts & Culture: https://artsandculture.google.com/project/riba

About RIBA’s cultural programme

RIBA runs a programme of exhibitions and events, including online talks:

Exhibitions: https://www.architecture.com/explore-architecture/exhibitions

Events and online talks: https://www.architecture.com/whats-on?singleSelection=true&Category=Cultural

RIBA’s image library, RIBApix, has over 100,000 drawings and photographs from the RIBA Collections available to view, buy and download:

https://www.architecture.com/image-library/

Google Arts & Culture

Google Arts & Culture puts the collections of more than 2,000 museums at your fingertips. It’s an immersive way to explore art, history and the wonders of the world, from Van Gogh’s bedroom paintings to the women’s rights movement and the Taj Mahal. The Google Arts & Culture app is free and available online for iOS and Android. The team has been an innovation partner for cultural institutions since 2011. Google Arts & Culture develops technologies that help preserve and share culture and allow curators to create engaging exhibitions online and offline.

Google Arts & Culture social media handles: Instagram: @googleartsculture Twitter: @googlearts Facebook: @googleartsculture

– Habitat warehouse, Wallingford, UK: children playing on the sculpture by Eduardo Paolozzi, 1974, © John Donat/RIBA Collections

– Ernö Goldfinger’s design for the exterior of 1-3 Willow Road, Hampstead, London, 1934 © RIBA Collections

– Chiesa del Redentore, Venice, 1880, by Carlo Naya © RIBA Collections

RIBA and Google Arts & Culture partnership images / information from

RIBA UK News

RIBA News & Events 2021

The Hidden Seasons of Barbados, Shawn Adams, 2019 Wren Insurance Association Scholarship recipient:

2020 RIBA President’s Awards for Research

RIBA News & Events 2020

RIBA President’s Medals Student Awards 2020

RIBA News & Events 2019

RIBA Summer Installation 2019

RIBA London Events information from RIBA

Location: 66 Portland Place, London, UK

RIBA Events Archive

RIBA Events, Awards & News Archive Links

RIBA Annie Spink Award 2020

RIBA News in London

RIBA London Events – Archive

RIBA HQ at 66 Portland Place

RIBA Gold Medal for Architecture

Chartered Institute of Building

RIBA Awards

RIBA Stirling Prize

RIBA Honorary Fellowships

London Architecture Events

AA School Events

Bartlett School of Architecture Event

Comments / photos for the RIBA and Google Arts & Culture partnership 2021 page welcome

Website: London

The post RIBA and Google Arts & Culture partnership appeared first on e-architect.

#e-architect

0 notes

krystalroser-blog · 7 years ago

Photo

Enter contest Save Draft Open New WomenMenHomeMy ItemsCollectionsContest Red Carpet Queens: Oscars Throwback by krischigo featuring a patent leather purse ❤ liked on Polyvore

Pumps / Rebecca Vallance patent leather purse, $1,475

#polyvore #fashion #style #Rebecca Vallance #Giorgio Armani #Louis Vuitton #clothing #redcarpetstyle #OscarsThrowback

0 notes

wasalwaysagreatpickle · 5 years ago

Text

Monday 14th March 1825

7 1/4

12 3/4

Came here, to Mrs B- [Barlow’s] room, at 8 20/60 – saw Jane off to school – from 8 3/4 to 10 10/60 wrote, read over, wafered and directed 3pp and the ends of a letter to my aunt, Shibden, - to thank my aunt for her last letter and my uncle for the remittance of £70 to Mrs B- [Barlow]’s agents Messers De Lisle [Janvier] and De Lisle London - said I had waited to be present at a seance at the Deaf and Dumb Institution on the 24th instead and should not therefore leave here till the 25 or 26th instead should, at all rates stay one day at Boulogne and 1 or 2 in London – letter 3pp and the 2 first crossed from IN [Isabella Norcliffe], Langton chiefly to repeat her request for ‘8 pounds of the small green dried oranges which come from Marseilles’ – she mentioned having heard from Miss V- [Vallance] an account of a most extraordinary mortality among the sheep in Kent – ‘they hear constantly of 1500 and 2000 being lost within 2 days the disease is the rot, and no cure had yet been discovered it is caused by the dampenings of the earth but does not appear to be the same kind as attacks over in Yorkshire, as they scarcely shew symptoms before they drop down and die and when opened the whole of the passages from the mouth to the liver is filled with small fish quite flat and 1/2 an inch long which injure the liver and cause their death they are thought to eat the spawn by feeding in damp and marshy land. Thousands of sheep and lambs have been lost within these last 3 weeks. It is said that this disease has just been discovered in heifers. Miss V- [Vallance] says that, if it continues, there will be almost a famine – meat is considerably advanced and all articles are very much higher – people will not purchase mutton ‘unless they ascertain from whence it comes and it is in some parts of East Kent prohibited entirely’ … in London I must not forget to hear a little girl of 4 years old, who plays on the harp most wonderfully. She is called the infant Lyra-Hart (Milne) has heard her and says it is astonishing she plays entirely by ear…

Just skimmed over my letter (from IN [Isabella Norcliffe]) and Mrs B- [Barlow] and I then set off at 11 35/60 to see the prison of the conciergerie at the Pal[ace] de Justice, it is only shewn from 10 to 12 to those who have tickets of admission – the chapel behind which is made the entrance to the formerly dark, damp cells when Marie Antoinette and the princess Elizabeth were confined separated only by a wall, though they did not know they were so near is therefore interesting the cells there now turned into an expiatory chapel, are particularly so - lighted and ventilated as they now are Mrs B- [Barlow] could still scarcely bear the cold damp floor – what must it have been during the revolution? –

We next went to the bureau belonging to the Sainte chapelle and the archives, all which one of the clerks, who was writing there, very civilly shewed us the fine old architecture of the chapelle up to the windows is entirely hidden by the archives beautifully arranged on shelves partitioned into little square compartments having a remarkably neat appearance – A gallery all round divides the archives into 2 stories - the large painted glass gothic windows are magnificently fine – the finest in France there is a church underneath the chapelle in which by the way out the end of one of the tables, is the stone under which lies the poet Boileau but it is not shewn – it is filled with archives – From here, we ascended the winding staircase in one of the towers which brought to the suite of apartment or galleries whose walls are entirely lined with the archives of the parliament of Paris and the courts of legislation and judgement which succeeded it from the time of St Louis to nearly the present time – the archives of the last few years are arranged in one of the towers – the whole story in the roof of the building and the story immediately under this, are filled with these archives beautifully arranged according to their subjects and dates and in a state of excellent preservation – no damp can reach for all the shelves are placed at least a couple of feet from the walls – in the criminal part are ranged all the proceedings against all those who suffered death among the rest we noticed those against the famous robber Cartouche, against Raffian, and Damien who assassinated Louis XV, and of… the famous poisoner mentioned by Madame da Sweviné in her letters – our commis shewed us the very coat, white stock (like my Uncle’s at present) waistcoat and smalls, in which Damian committed the murder. He shewed us all the proceedings against Joan of Arc and the order of the Pope to have the square or Place at Rouen planted with trees in memory of poor Joan –

He shewed us also the collection of letters written by some of the kings of France to the Parliament, among w[hi]ch we saw the autographs of Charles V, very good – Louis XI and Xii, bad; Henry ii, pretty well; Francis I, good; and Henry iV, written with a y, good – only one letter in the collection written by Henry iV - after this our commis shewed us the oldest [?] they have – 4 volumes 4[tomes] (in Latin), about a.d 1240 on temps de St Louis – the writing of this [parched] and for 2 or 3 centuries like that of our old papers in England of this time – but the writing we saw for a.d 1[6]00 and afterwards is really in what we should call a good, plain English hand of the present day – much more like English writing than what the French write now – For fear of accident, all the originals of the archives (on paper) are kept in one suite of rooms and copies of them all (on parchment) bound up in large 4[tome] volumes, in another suite – all the procès verbaux against all the victims of the revolution, are kept in cartons, arranged according to the dates – the process was short – a short printed form filled up pro re natâ in MS - anyone who suspected the loss of a friend in Paris during the revolution might ascertain the matter here – Mr Edwards, the book seller at H-x [Halifax] might know whether his brother was guillotined here or not.

Our commis took us through one of the towns on to the roof of the building looking over the marché des fleures, for a remarkably fine view of the city – of Vincennes, Père la chaise etc. but it was so cold, Mrs B- [Barlow] could not bear it, and the man himself seemed as if he could not bear it much better – it was not he who could shew us the vaults under the grande salle where Louis ix had his kitchen, but we might see them by applying to the person who had charge of them – curved on account of their architecture – we gave our guide 3 francs for his patience and civility, went for a few minutes into the criminal court from which, being hot and crowded, we soon retired and went into the court of cassation – both good rooms – in the latter about 32 lawyers in their robes – about 28 sitting round the avocat general (attorney general) or his substitute – just spectation there and the room very hot – when we entered a man before the court for having written a romans said to have a tendency against religion and morality – to be imprisoned 3 months and fined 300 francs – then came another poor man a book seller, charged with surreptitiously selling a book forbidden prohibited by the police – when asked who was his avocat, the man said he thought his case so simple, he could be his own avocat, and said the little he had say apparently very well, though trembling and much inwardly agitated – however he told us he was condemned to 6 months imprisonment – it was for selling the 10th volume, I think, of some work giving an account of Napoleon in skile, etc –

On going out met the Countesse de Fumel in the court, waiting with some ladies to get into the carriage – she took my hand and held it all the while, we returned I thought of doing much more, but Mrs B- [Barlow] finding herself so cold and tired yet she was quite knocked up we made the best of our way home to get back at 2 1/4 – she had a little hot broth and water and soon went to bed – the cold stone floors had given her cold and the hot court of cassation had brought on a bilious head ache – sat by her till 4 1/2 then went chez Hernandez Bouriat, pharmacien, rue du Bac, no 56, for a bottle such as I had before had of Planche – found he had charged me almost twice as much as he ought – 4/12 instead of 2/10 – How can one always guard against cheatery when it is practised at s[u]ch a respectable looking shop as this – and by a man professing to be druggist to the British embassy! – staring some at book shops and others did not get home till 5 3/4 – Dinner at 6 1/4 – Mrs B- [Barlow] sat up to dinner but went to bed directly afterwards and I wrote all the above of today –

tired and unwell as she was on coming home she put my hand to queer as ssoon as she was lain down and I began to grubble and after a little her working I gave her the excitement I stood up to work her better and latterly looked at her as I was doing it she being nothing loth –

Tea came at 7 3/4 but I was writing and Mrs B- [Barlow] was asleep, and we did not take it till 9 1/2 – Fine, cold, frosty day – F34° at 11am and 33° at 9 40/60 pm at which hour I had just done the above

Ɛ (two dots underneath) O (no dots)

#anne lister #1825 #paris 1825 #maria barlow #anne lister code breaker

0 notes

harryandmeghan0-blog · 6 years ago

Text

Royal wedding: Princess Eugenie marries Jack Brooksbank at Windsor Castle

New Post has been published on https://harryandmeghan.xyz/royal-wedding-princess-eugenie-marries-jack-brooksbank-at-windsor-castle/

Royal wedding: Princess Eugenie marries Jack Brooksbank at Windsor Castle

Updated October 13, 2018 15:48:24

Map: United Kingdom

Queen Elizabeth II’s granddaughter Princess Eugenie married wine merchant Jack Brooksbank at Windsor Castle on Friday in front of celebrities and Britain’s senior Royals, including Prince Harry and wife Meghan who wed at the same venue in May.

Key points:

Princess Eugenie marries Jack Brooksbank in Windsor

Wedding dress designed by Peter Pilotto

Cost of policing has prompted criticism

Eugenie, 28, the younger daughter of the Queen’s third child, Prince Andrew, and his ex-wife Sarah Ferguson, the Duchess of York, tied the knot with Mr Brooksbank, 32, in a traditional ceremony in the castle’s 15th century St George’s Chapel.

It was the same setting as Harry and Meghan’s wedding in May and the Duke and Duchess of Sussex, as the couple are now known, were among the star-studded congregation.

Photo: Eugenie’s mother, Sarah Ferguson, and her elder sister and maid of honour Princess Beatrice. (AP: Steve Parsons)

Photo: Meghan, Duchess of Sussex, kept her dress low key with a navy buttoned down coat. (AP: Gareth Fuller)

Photo: Queen Elizabeth II and Prince Philip arrive ahead of the wedding. (AP: Gareth Fuller)

The 92-year-old Queen and her 97-year-old husband Prince Philip, who has retired from official engagements, were joined by other Royals and celebrities including Robbie Williams, Cara Delevingne, Stephen Fry, and former Neighbours star Holly Vallance.

Photo: Supermodel Cara Delevingne was one of the celebrity guests. (AP: Gareth Fuller)

Photo: Former Neighbours star Holly Valance. (AP: Andrew Matthews)

Photo: Pixie Geldof and George Barnett. (AP: Matt Crossick)

Photo: Robbie Williams and Ayda Field. (AP: Gareth Fuller)

Photo: Karoline Copping and comedian Jimmy Carr. (AP: Gareth Fuller)

Photo: Stephen Fry, right, arrives with his husband Elliott Spencer. (AP: Adrian Dennis)

Photo: Prince Harry’s ex-girlfriend Chelsy Davy, left, arrives for the wedding of Princess Eugenie. (AP: Matt Crossick)

Female guests had to cling on to their hats as a blustery wind threatened their wedding outfits and a page boy tripped on the stairs walking into the chapel.

Photo: Princess Eugenie was walked down the aisle by her father Prince Andrew (AP: Toby Melville)

Eugenie’s dress, by Peter Pilotto and Christopher De Vos of the London-based label Peter Pilotto, had a low back to reveal scars from surgery she underwent to correct scoliosis when she was 12.

“The dress features a neckline that folds around the shoulders to a low back that drapes into a flowing full length train,” Buckingham Palace said in a statement.

“The low back feature on the dress was at the specific request of Princess Eugenie who had surgery aged 12 to correct scoliosis.”

Eugenie borrowed the Queen’s Greville Emerald Kokoshnik tiara, decorated with rose cut diamonds and emeralds and made by jewellers Boucheron in 1919, in the style worn in the Russian Imperial Court.

Photo: Princess Eugenie arrives at the doors of the Church. (AP: Yuki Mok)

The couple, while showing clear signs of nerves, beamed happily during the hour-long service.

“This is meant to be a family wedding,” Eugenie’s father Andrew said earlier.

“There will be a few more people than most people have, there are a few more than Harry had, but that’s just the nature of Eugenie and Jack — they’ve got so many friends that they need a church of that size to fit them all in,” he told This Morning which broadcast the event live.

Photo: Eugenie’s aunt, Princess Anne. (AP: Gareth Fuller)

Where was Camilla?

Several hundred singing and cheering well-wishers gathered outside in Windsor in the shadow of the castle, far fewer than the thousands that crammed into the town for Prince Harry’s wedding.

The ceremony was conducted by the Dean of Windsor, David Conner, and Eugenie’s elder sister and maid of honour Princess Beatrice read an extract from the F Scott Fitzgerald’s The Great Gatsby — a novel the bride had read after meeting her future husband in the Swiss ski resort of Verbier in 2010.

“One particular passage in which Jay Gatsby is described reminded her immediately of Jack,” she said. ��She decided she wanted eventually to let Jack know how much those words had brought him to mind.”

Photo: Prince Charles arrives ahead of the ceremony. His wife Camilla did not attend. (AP: Gareth Fuller)

One noticeable absentee was Camilla, the Duchess of Cornwall, the wife of heir-to-the-throne Prince Charles, as she was carrying out an engagement in Scotland.

Princess Charlotte, daughter of Harry’s elder brother Prince William and his wife Kate, was a bridesmaid, and her brother, Prince George, a page boy.

Photo: Princess Charlotte and Prince George. (AP: Steve Parsons)

Photo: Page boy Louis de Givenchy falls on the steps, as the bridesmaids and page boys arrive. (AP: Victoria Jones)

After the service, the couple took an open-top horse-drawn carriage tour of Windsor before a reception at the castle, hosted by the Queen.

Eugenie is a director at London’s Hauser & Wirth art gallery, and Mr Brooksbank owns a wine wholesale business and is European brand manager for Casamigos Tequila, which was co-founded by US actor George Clooney.

Security around Windsor was tight, with airport-style security checks and large numbers of police. As Eugenie does not carry out official Royal duties, republicans have said it is wrong that the estimated 2 million pound security bill will be paid by taxpayers.

Reuters

Topics: royal-and-imperial-matters, marriage, community-and-society, united-kingdom

First posted October 12, 2018 23:06:10

Source: https://www.abc.net.au/news/2018-10-12/royal-wedding-princess-eugenie-weds-beau-jack-brooksbank/10371830

0 notes