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nerdyrevelries · 1 year
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Rosella: Rose in Bloom’s Italian Adaptation
Back in August of 2022 when I was doing Alcott Adaptation August (a month where I watched and reviewed every single adaptation of Little Women that I could reasonably find; still need to finish my reviews of 2019 and 1978), I was scouring IMDb for anything that Louisa May Alcott had a writing credit on. I found something really surprising: A 1964 Italian TV mini series called Rosella. Could this be an adaptation of my favorite underappreciated Louisa May Alcott novel, Rose in Bloom? Naturally, I had to know more.
The IMBd page tells us very little. In addition to Louisa May Alcott, there is one other writing credit, Anna Maria Romagnoli, who wrote the screenplay. Then we have a director, Lelio Golletti. It was produced and distributed by RAI Radiotelevisione Italiana and filmed in black and white. Finally, we have a cast list: Rosella is played by Laura Efrikian, Marco is played by Enzo Cerusico, Carlo is played by Marino Masé, Stephano is played by Vittorio Mezzogiorno, Febe is played by Angela Cavo, Zia Clara is played by Loredana Savelli, Arci is played by Paolo Modugno, Giacomino is played by Marco Paolini, Zia Myra is played by Anna Maria Ackermann, Debora is played by Vittoria Di Silverio, Zia Jessica is played by Delia Valle, Zia Pace is played by Donatella Gemmò, Zio Frank is played by Gerardo Panipucci, and Dottore is played by Carlo Lombardi. Based on my nonexistent Italian, I would guess that Rosella is Rose, Marco is Mac, Carlo is Charlie, Stephano is Steve, Febe is Phebe, Arci is Archie, Zia Clara is Aunt Clara, Zia Myra is Aunt Myra, Zia Jessica is Aunt Jessie, Zia Pace is Aunt Peace (who might have been combined with Aunt Plenty to make the cast more manageable?), Debora is the cook who is sometimes called Debby and sometimes called Dolly in Eight Cousins, and Zio Frank must be one of the uncles, though it’s unclear which one. However, I was stumped by Giacomino and Dottore. 
The wonderful @thatscarletflycatcher​ offered to do some research for me as she’s a Spanish speaker, which is a lot closer to Italian than I am, and she managed to find some promo images with captions that she translated for me. I’m including them below the cut since there are some pretty big spoilers.
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Rose (Laura Efrikian) is a girl from a good family that became an orphan early in life. She is taken away from school and received in the home of Aunt Peace. It is there that she receives the visit of her cousins that give her a welcome.
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Rose’s aunts consult with each other to restore confidence and serenity to the girl left so soon deprived from the affection of her parents. But their cures don't give good results and raise the skepticism of Uncle Alec.
According to this, there is a “zio Alec” who was not listed on the cast list. Which means that Zio Frank can’t be Uncle Alec. My guess would be that he’s Uncle Mac, but I’m not sure.
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Now it is Uncle Alec, her guardian (Gianni Agus), who thinks of another remedy. With a lot of tact, he tries to accustom Rose to a sporty and healthy life in the open air and to share joys and sorrows with her cousins.
So, here we have proof that Uncle Alec was not on the cast list and also that he was played by Gianni Agus.
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Even Deborah (Vittoria Di Silverio), the old cook of the house, and Phebe (Angela Cavo), who helps her with the domestic chores, get together to help Rose, and Phebe confides to Deborah that they have already become friends.
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Aunt Myra (Anna Maria Ackermann) tells her nephews that she's worried about the health of her nephew Mac, who risks losing his eyesight from reading too much. It will be Rose with her thoughtfulness the one to help Mac.
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Uncle Alec has prepared a ship trip to Campbell’s Island. Rose is a bit afraid. Then, uncle and niece reach land happily. Uncle Alec, taking Rose's hand, walks onto the island. "To be happy," he says, "each man must have an island. But... there's someone roasting something over there. Who are the pirates on Campbell’s island?" (Gianni Augus: Uncle Alec; Laura Ephrikian: Rose)
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The island is, in fact, inhabited. Then in fact Rose's five cousins appear to give her, noisily, a welcome. Rose pretends to be angry: "Is it possible that it must always be you the ones to surprise me?" "If only the smell of the roasting fish had not betrayed is..." Archie answers. (Marino Masé: Charlie; Enzo Cerusico: Mac; Paolo Modugno: Archie; Vittorio Mezzogiorno: Steve; Marco Paolini: Jamie)
This caption gives us confirmation that the cast has been condensed to some degree. Rose now has five cousins instead of seven. (The cuts are, of course, Will and Geordie, which is the correct choice since they have no narrative function except to add some extra numbers.) I’m also now pretty sure that Giacomino is Jamie.
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The aunts get together to discuss Rose's future. Deborah takes the opportunity to get help making butter. The discussion is lively. Aunt Clara exclaims, moved: "Rose's future is as dear to me as it is to you." And Aunt Myra adds: "In the meantime, her education has decidedly worsened." Timidly, Aunt Peace replies "But Alec's experiment isn't over yet..." (Vittoria Di Silverio: Deborah; Anna Maria Ackermann: Aunt Myra; Donatella Gemmò: Aunt Peace; Loredana Savelli: Aunt Clara)
The fact that Aunt Myra seems to be rather concerned with education makes me think that the Aunt Myra of Rosella may be a combination between the Aunt Myra of the book and Aunt Jane, just as the Aunt Peace of Rosella seems to be a combination of the Aunt Peace of the book and Aunt Plenty.
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Rose has found her cousins Archie and Charlie smoking. She's scandalized: "It is bad for your health, and you don't like it, so why do you keep doing it?" "Why shouldn't we?" Charlie answers fast. "It is for the sake of your health that I say it to you," Rose replies, "and to please me." To which Charlie retorts, "Would you give up your earrings if we gave up our cigarettes?" Archie wavers a little. "Don't be cruel! You know how much she cares!" he tells his cousin. But Rose has not a single moment of doubt: "I care more about you than about my earrings. I accept the deal."
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Phebe tirelessly copies a page from the almanac. Caught as she is in her difficult task, she doesn't hear Rose enter the room. When she realizes it, it's already too late. "What are you hiding, Phebe?" Rose asks. "I am just trying to study a little," the girl answers embarrassed. "I am so ignorant". Rose: "Would you like me to be your teacher?" "That would be marvelous!" Phebe replies. "But Deborah always needs me."
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The greeting of Aunt Peace has turned into a party. They have gathered together to give their welcome to Uncle Alec, Rose, and Phebe as they come back from their trip to Europe. Rose is moved: "I cannot believe I love this house so much," she says. "I think I only want you, Aunt Peace." (From the left, Phebe: Angelia Cavo; Rose: Laura Ephrikian; Archie: Paolo Modungno. Standing, from the left, Charlie: Marino Masé; Mac: Enzo Cerusico)
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Phebe, sitting at the pianoforte, sings an old folk song. Archie listens to her enraptured. When the song ends, Charlie and Mac applaud vigorously. Only Archie remains in the same fixed position he was at the beginning of the song. Phebe stands up confused and happy.
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At the small table prepared for two, Rose and Uncle Alec have a meal. Rose has decided, to make Aunt Clara happy, to dedicate herself for three months to a worldly life. She tells this news to Uncle Alec, who, a bit shocked, exclaims: "And so, you will have three months of trial. Three months are not much, but they can be just enough." (Uncle Alec: Gianni Agus)
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Rose, dressed in white, makes her triumphal entrance into Aunt Peace's drawing room, which has been turned into a ballroom for the occasion. The girl has her "card" filled with names, and the gentlemen fight over her. Charlie is the most insistent, and they form an splendid couple indeed.
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Charlie and Rose meet at the park. Charlie wants to communicate to his cousin his decision to depart for Calcutta to start a new business and redeem himself in her eyes, after having frightened her, one evening, when he showed up at Aunt Peace's house completely drunk. "Yes, I'm determined," he says. "I cannot resist. I have too many bad habits." "When will you go, Charlie?" Rose asks. "In a month," the youth answered.
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Charlie, having fallen off a horse, has suffered a spinal injury. He's in a very grave condition, and Rose runs to his bedside. The young man asks her humbly to forgive him for having disobeyed her. The disgrace did indeed happen because Charlie, during a goodbye lunch with his friends, had drunk a lot. (Charlie: Marino Masé; Rose: Laura Ephrikian)
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Charlie dies. A little later, Rose opens an orphanage for poor children to which she devotes her full attention. One day, searching after two little ones in the forest, she's caught in a storm. Pneumonia is the consequence. The affectionate letters from Mac, her other cousin, and the visit of Phebe, help the girl recover fast.
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To completely recover, Rose is invited to spend some time on the mountains. Mac joins her. The affectionate conversation is rekindled between the two. Rose is persuaded that her cousin has talent, and motivates him to write a book. "Your very letters were the ones that have revealed something about you to me," she says, "something that perhaps you yourself don't even know. You were born to be a writer, Mac." The young man is moved but a little disappointed. He rather expected from Rose different words. "Do you want me to?" he asked.
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Archie goes to pick Phebe up at the convent where the girl now lives. He proposes marriage to her, but Phebe cannot accept becoming part of the Campbell family if they don't want her. (Archie: Paolo Modugno; Phebe: Angela Cavo)
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Rose has restarted her activities at the orphanage. Uncle Alec is in charge of the healthcare of the children. The little ones enter three-by-three, and doctor Alec studies them attentively: "Come on, tongue out!" And turning to Rose he adds: "It will almost be disagreeable to me to give this job to my successor, Dr. Mac Campbell. It is not a very profitable one, this position, but it brings a lot of satisfaction." (Uncle Alec: Gianni Agus)
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Aunt Clara has conceded, and Archie and Phebe get engaged. During the party, Mac intervenes. He tells Rose that he has a secret to tell her, and he gives her a poetry book he wrote. "This is half of my secret." Rose is happy. "And the other half?" She asks trembling. "I will have to employ my whole life in telling it to you," Mac says. "Would you like to hear it?"
I’m not sure if this is meant to imply that Archie is Aunt Clara’s son in this version or just that she was the biggest objector to Phebe marrying in and with her acceptance, there was no one among the Campbells who was still against their marriage. 
From these screenshots and descriptions, it would seem that the adaptation covers events from both Eight Cousins and Rose in Bloom. Otherwise, there are still many things that are mysterious about it. I’m still not sure which uncle “zio Frank” is supposed to be, and I have no idea who Dottore is. Neither Scarlet or I have been able to find out if this adaptation still exists somewhere or if it’s lost media. Scarlet kindly wrote an email on my behalf (since my Italian remains nonexistent) to the company that made and distributed the adaptation to try and figure this out, but thus far she’s been passed between email addresses for different people and departments and we don’t seem to be any closer to an answer.
Still, if this is the only information we ever get about this adaptation, it still makes me happy to know that it at one point did exist. Perhaps there’s some 90-year-old Italian woman who tuned into the slot that ran Rosella, TV Dei Ragazzi (the TV of children), in 1964 and fell in love with the characters and story just as much as I did. I will never meet this Italian woman, and even if we did, we wouldn’t be able to communicate unless she had learned English at some point, but it’s cool to think how the same story can touch people all around the world. They may never know each other, but for at least one moment, their hearts are connected throughout time and space. 
And personally, I think that’s pretty cool.
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docrotten · 11 months
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THE PSYCHIC (1977, SETTE NOTE IN NERO) – Episode 201 – Decades Of Horror 1970s
“I’ve had fifty-six lovers and haven’t killed even one of them.” Good to know … for future reference. Join your faithful Grue Crew – Doc Rotten, Chad Hunt, Bill Mulligan, Jeff Mohr – as they reacquaint themselves with the Giallo version of Lucio Fulci in The Psychic (1977).
Decades of Horror 1970s Episode 201 – The Psychic (1977)
Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine
Decades of Horror 1970s is partnering with the WICKED HORROR TV CHANNEL (https://wickedhorrortv.com/) which now includes video episodes of the podcast and is available on Roku, AppleTV, Amazon FireTV, AndroidTV, and its online website across all OTT platforms, as well as mobile, tablet, and desktop.
A clairvoyant woman discovers a skeleton in a wall in her husband’s house, and seeks to find the truth about what happened to the victim.
  Directed by: Lucio Fulci
Writing Credits: Roberto Gianviti, Dardano Sacchetti, Lucio Fulci
Selected Cast:
Jennifer O’Neill as Virginia Ducci
Gabriele Ferzetti as Emilio Rospini
Marc Porel as Luca Fattori
Gianni Garko as Francesco Ducci
Ida Galli as Gloria Ducci (as Evelyn Stewart)
Jenny Tamburi as Bruna
Fabrizio Jovine as Commissioner D’Elia
Riccardo Parisio Perrotti as Melli
Loredana Savelli as Giovanna Rospini
Salvatore Puntillo as Second Cab Driver
Bruno Corazzari as Canevari
Vito Passeri as Caretaker
Franco Angrisano as First Cab Driver (as Francesco Angrisano)
Veronica Michielini as Giuliana Casati
Paolo Pacino as Inspector Russi
Fausta Avelli as Virginia as a Girl
Elizabeth Turner as Virginia’s Mother
Ugo D’Alessio as Art Gallery Owner
Luigi Diberti as Judge
Camilla Fulci as Agnese Begnardi (uncredited)
Before The Beyond (1981), before City of the Living Dead (1980), before Zombie (1979), director Lucio Fulci mastered the Giallo subgenre throughout the 1970s. The Grue-Crew tune into his comparatively subdued feature The Psychic (1977), also known as Sette note in nero, aka Murder to the Tune of the Seven Black Notes, aka Seven Notes in Black. Fulci displays only a hint of the gore and bizarre narratives he would embrace in the decade to come, opting to stick to a fairly straightforward, supernatural-infused, murder mystery where psychic Jennifer O’Neill witnesses visions of a deadly and bloody murder. Of course, twists and turns follow each new discovery as she follows the clues to the shocking conclusion. 
At the time of this writing, The Psychic is available to stream from Kanopy, Tubi, and Popcornflix. The movie is available on disc as a Blu-ray from Scorpion Releasing.
In case you’re interested, here are the other Fulci films Decades of Horror has covered:
ZOMBIE (1979) — Episode 62 — Decades of Horror 1970s
CITY OF THE LIVING DEAD (1980, THE GATES OF HELL) – Episode 145 – Decades of Horror 1980s
THE BEYOND (1981) – Episode 123 – Decades of Horror 1980s
THE HOUSE BY THE CEMETERY (1981) – Episode 209 – Decades of Horror 1980s
THE BLACK CAT (1981) – Episode 184 – Decades of Horror 1980s
ZOMBIE 3 (1988) – Episode 232 – Decades of Horror 1980s
Gruesome Magazine’s Decades of Horror 1970s is part of the Decades of Horror two-week rotation with The Classic Era and the 1980s. In two weeks, the next episode, chosen by Bill, will be The Blood Spattered Bride (1977, La novia ensangrentada). This wild version of Sheridan Le Fanu’s Gothic novella Carmilla (1872) comes by way of Spain, directed by Vicente Aranda.
We want to hear from you – the coolest, grooviest fans: comment on the site or email the Decades of Horror 1970s podcast hosts at [email protected]
Check out this episode!
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mariocki · 2 years
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Sette note in nero (The Psychic, 1977)
"What are you telling me? That I fell asleep at the wheel and saw a woman I don't even know killed and walled up by a man who limps? Oh, that's terrific!"
#sette note in nero#the psychic#Or to give it its full onscreen title#The Psychic‚ Murder to the Tune of the Seven Black Notes#italian cinema#lucio fulci#dardano sacchetti#Roberto gianviti#jennifer o'neill#Gianni garko#marc porel#gabriele ferzetti#evelyn stewart#Jenny tamburi#Fabrizio jovine#Riccardo parisio perrotti#Loredana savelli#Bruno corazzari#Paolo pacino#Veronica michielini#fabio frizzi#absolutely one of Fulci's best and yet somehow largely overlooked in his filmography; this absolutely deserves to be talked about in the#same breath as the Gates of Hell trilogy (the style is very different but the quality is comparable) but I only really knew this dimly by#title. a late stage dissection of the giallo as puzzle game: the twist ending is fairly obvious from almost the beginning but the joy here#isn't in the surprise but in the hugely satisfying way the puzzle pieces are pushed into place. giallo is a game‚ and Fulci chooses to show#his hand early but then to revel in the skill with which he plays that hand. a brilliantly satisfying and (for the director‚ for the genre‚#for the era) astonishingly restrained example of its kind. low on the usual gialli trappings (brief violence‚ no sex or nudity) but over#flowing with atmosphere and tension and artistry. a visually indulgent gem from the latter years of the giallo movement and certainly one#of Fulci's best‚ most completely developed and enjoyable films. shameless' new blu is a brilliant restoration and i only hope it affords#this film the better status within Italian genre cinema circles that it genuinely deserves
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giallofever2 · 5 years
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Sette Note in Nero aka The Psychic aka Seven Notes In Black aka Murder to the Tunes of the Seven Black Notes
Anno 1977
Regia Lucio Fulci
Musiche Franco Bixio,Fabio Frizzi,Vince Tempera
Soggetto Lucio Fulci,Roberto Gianviti Dardano Sacchetti Vieri Razzini (romanzo “Terapia mortale”)
Sceneggiatura Lucio Fulci,Roberto Gianviti,Dardano Sacchetti
Fotografia Sergio Salvati
Montaggio Ornella Micheli
Scenografia Luciano Spadoni
Costumi Massimo Lentini
Trucco Maurizio Giustini
Interpreti e personaggi
Jennifer O'Neill: Virginia Ducci
Gianni Garko: Francesco Ducci
Evelyn Stewart (Ida Galli): Gloria Ducci, sorella di Francesco
Gabriele Ferzetti: prof. Emilio Rospini
Marc Porel: Luca
Jenny Tamburi: Paola
Loredana Savelli: Giovanna Rospini, moglie di Emilio
Salvatore Puntillo: secondo tassista
Franco Angrisano: primo tassista
Veronica Michielini: sig.ra Casazza
Paolo Pacino: tenente
Fausta Avelli: Virginia bambina
Elizabeth Turner: madre di Virginia
Luigi Diberti: giudice
Fabrizio Jovine: comm. D’Elia
Riccardo Parisio Perrotti: avv. Merli, difensore di Francesco
Vito Passeri: custode
Ugo d’Alessio: custode della pinacoteca
Bruno Corazzari: stalliere Canovari
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giallofever2 · 5 years
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Sette Note in Nero aka The Psychic aka Seven Notes In Black aka Murder to the Tunes of the Seven Black Notes
Anno 1977
Regia Lucio Fulci
Musiche Franco Bixio,Fabio Frizzi,Vince Tempera
Soggetto Lucio Fulci,Roberto Gianviti Dardano Sacchetti Vieri Razzini (romanzo “Terapia mortale”)
Sceneggiatura Lucio Fulci,Roberto Gianviti,Dardano Sacchetti
Fotografia Sergio Salvati
Montaggio Ornella Micheli
Scenografia Luciano Spadoni
Costumi Massimo Lentini
Trucco Maurizio Giustini
Interpreti e personaggi
Jennifer O'Neill: Virginia Ducci
Gianni Garko: Francesco Ducci
Evelyn Stewart (Ida Galli): Gloria Ducci, sorella di Francesco
Gabriele Ferzetti: prof. Emilio Rospini
Marc Porel: Luca
Jenny Tamburi: Paola
Loredana Savelli: Giovanna Rospini, moglie di Emilio
Salvatore Puntillo: secondo tassista
Franco Angrisano: primo tassista
Veronica Michielini: sig.ra Casazza
Paolo Pacino: tenente
Fausta Avelli: Virginia bambina
Elizabeth Turner: madre di Virginia
Luigi Diberti: giudice
Fabrizio Jovine: comm. D’Elia
Riccardo Parisio Perrotti: avv. Merli, difensore di Francesco
Vito Passeri: custode
Ugo d’Alessio: custode della pinacoteca
Bruno Corazzari: stalliere Canovari
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