#Limey Unicorn

[the-iron-fjord]

Dr. Westminster

[moorheadthanyoucanhandle]

LOAVES STORY

Now playing:

The Baker--The Substitute. The Limey. The Accountant. The Commuter. Here's another entry in that category of action film in which a mature guy with an ineffectual-sounding moniker turns out to be a secret badass. They're profitable fantasy fulfillment for us frustrated old guys.

The badass in question this time is Ron Perlman, a PTSD sufferer who runs a bakery in a gorgeous coastal area (the movie was shot in the Cayman Islands). When his son (Joel David Moore) runs afoul of gangsters, led by conscience-tortured Elias Koteas, led in turn by not-so-tortured Harvey Keitel, The Baker ends up with custody of his beautiful, unicorn-loving 8-year-old granddaughter (Emma Ho), who is also traumatized and doesn't speak. He also finds himself, reluctantly, in possession of a valuable drug stash which the thugs want back.

With its laboriously contrived set-up, it takes a long time for this movie, directed by Jonathan Sobol from a script by Paolo Mancini and Thomas Michael, to get going, and the violent story is told so elliptically that exactly what's going on is a bit unclear at times. But at the center of it is Perlman, who started his movie career in 1981 as a caveman in Quest for Fire and whose lantern-jawed, soulful face has been enlivening movies and TV shows ever since in roles large and small. He played Hellboy, of course, but even so leading man roles in movies have been rare in Perlman's career, and it's cool to see how effectively he brings this one more gravitas, and more warmth, than it really deserves.

His gruff rapport with his granddaughter is endearing, even though the kid is glamorized almost to the point of Natalie Portman in The Professional. Indeed, the whole film has a vaguely Gallic feel, like an abandoned Luc Besson project. At one point The Baker even reminisces about taking his son mushroom hunting! Perlman underplays this short monologue simply and touchingly.

Also to the movie's credit: It prominently features Iggy Pop's "The Passenger." And, in case you were wondering: yes, at one point a rolling pin does come into play.

[rk-ocs]

Yugioh abridged ebonics ep 4

---

Yugioh abridged ebonics translated episode 4

Yo Yu-Gi-awww!: Rex an' Weevil in: Huh-huh, you said "nigga-Eater" Bug!

On da boat

JOEY: Wow, an entire island all ta ourselves! It's sorta like dat book, Lord o' da Flies. Only wif uh lot less subtext, an' uh lot mo' card games!

TRISTAN: Wasn't dat da movie wif da evil ring an' da hobbits?

TÉA: Why would any o' those things be on dis here island, you idiot?

uh screen appears wif Bakura an' an arrow pointing ta his evil ring, an' an arrow pointing ta Yugi labeling him as uh hobbit

dey leave da boat fo' da island

TRISTAN (thinkin`): ah sho hope nahh one notices we's be trespassing!

GOON: werd up, you!

TRISTAN (thinkin`): da irony!

GOON: Quit drawing attention ta yo'self, you barely qualify as uh sidekick.

JOEY: Ahh-choo!

YUGI: You wouldn't gots caught dat cold if it hadn't been fo' Weevil.

JOEY: Actually, ah wouldn't gots caught it if you hadn't been uh naïve moron an' handed him yo' most powerful cards!

YUGI: nahh, it wuz definitely Weevil. He threw muh motha fuckin grandfather's cards into da ocean, an' ah'll never be able ta forgive him.

TRISTAN: It's sort o' like da tyme Joey threw away uh piece o' yo' Millennium Puzzle!

JOEY: Yeah, except ya forgave me fo' dat. Right Yug?

YUGI: (wif uh very angry glimpse in his peeps) sho Joey, sho.

Flashback o' Joey throwing away uh piece o' da Millennium Puzzle, while Ironside theme by Quincy Jones iz played

KEMO: Attention Duelists! If you can all stop staring at muh motha fuckin fro fo' uh moment, you'll see dat Pegasus's castle iz just behind me. Please follow da unnecessarily long staircase ta meet yo' host.

TÉA: muh motha fuckin limey senses is tingling! (sees Bakura down in da forest)

YUGI: What iz it, Téa?

TÉA: ah thought ah seen Bakura ag'in!

JOEY: Maybe we's should go check. He iz our nigga, afta all.

YUGI: an' let him cut into muh motha fuckin precious screentime? nahh way! Besides, it's not like he's uh main character or anythin`.

On top o' da castle

DUELIST 1: werd up, check out all da obligatory cameos. Weevil Underwood, Rex Raptor, Mako Tsunami...

DUELIST 2: But where's da reigning champion, Seto Kaiba?

DUELIST 1: Didn't you hear? He wuz barred from da tournament cuz his name wasn't mad stupid enough.

PEGASUS: Welcome ta da Duelist Kingdom. Let me assure you dat dis here tournament iz 100% genuine an' iz not in any way an elaborate ruse thrown together at da last minute so dat ah can git muh motha fuckin hands on an Ancient Egyptian artifact. ta advance ta da finals, an' da chance at three million bones, you mus' each win ten star chips by betting dem on card games. Remember kids, gambling iz pimp-tight fo' you!

Field

JOEY: Now dat muh motha fuckin cold iz instantly cleared up, ah can't wait ta win dis here tournament an' git da prize money!

YUGI: So you can pay fo' da operation, right?

JOEY: What operation?

YUGI: da one yo' sister's getting.

JOEY: What sister?

TÉA: werd up, it's Weevil!

YUGI: Weevil! ah challenge you ta uh--

Weevil runs away

JOEY: Wait uh minute, he's running away!

YUGI: It's almost as if he don' wants ta play uh card game wif me.

WEEVIL: Actually, dumbass, ah wuz just leading you into dis here vague trap or somethin`. Heh-heh-heh.

YUGI: Super Special phat Ultra Special phat Transformation Sequence GO! (Transforms into Yami)

YAMI: ah'm back, baby!

WEEVIL: Heh, two can play at dat game, dillhole. Heh-heh-heh-heh-heh.

YAMI: Sweet motha o' Osiris, he's transforming too! But who, or what iz he becoming?

WEEVIL: ah be Cornholio! ah need T.P. fo' muh motha fuckin bunghole! Heh-heh-heh.

YAMI: It's tyme ta duel, you strange silly nigga.

WEEVIL: is you threatening me? ah summon muh motha fuckin Generic Insect. Heh-heh.

TÉA: Wow, peep at all da phallic imagery.

(Yami plays Horn o' da Unicorn on his Feral Imp.)

JOEY: What is you jivin' about, Téa? dere ain't anythin` remotely suspect 'boutdis here duel.

YAMI: Now, quiver in fear, as muh motha fuckin Knight's mighty lance penetrates yo' moist cocoon.

TÉA: Huh. ah guess you right.

Mai arrives

TRISTAN: werd up peep! titties gots arrived!

MAI: You pimpz is wasting yo' tyme. Yugi don' stand uh chance! He's not nearly experienced enough.

TÉA: Compared ta friendship an' compassion, experience iz meaningless!

MAI: Keep telling yo'self dat, hun. What is you, uh virgin or somethin`?

TÉA: beotch, ah'LL SCRATCH yo' peeps OUT!

JOEY: Could you pimpz stop jivin' 'boutsex? ah'm trying ta ogle Mai's cleavage here.

YAMI: ah activate Deus Ex Machina!

WEEVIL: werd up, heh-heh, nahh fair, heh-heh, you can't use Spell Cards during muh motha fuckin turn!

YAMI: Tell it ta da writing staff. Summoned Skull! Destroy his cheap Mothra imitation!

TRISTAN an' JOEY: Yay! we's wuz totally ineffectual!

WEEVIL: ah lost! Heh-heh... an' sheeit. Heh-heh.

YAMI: Maybe next tyme, you'll think twice 'bfoe forcing someone ta part wif they valuables. Now hand ova yo' star chips an' kiss muh motha fuckin feet!

WEEVIL: Damnit! Heh-heh... dis here card game sucks. Heh-heh-heh.

YAMI: Settle down, buttmunch.

End. da theme rap from Ironside plays ag'in

werds n shit appears on screen: [new episodes every week]

Stinger:

ODION (as Samuel L. Jackson): dat's it! ah gots had it wif deez motherf*cking snakes on dis here motherf*cking plane! , wOrd!

[stainedglassgardens]

Favourite films watched in 2020

In no particular order:

Katalin Varga (Peter Strickland, 2009) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Post Tenebras Lux (Carlos Reygadas, 2012) The Return (Возвращение, Andrey Zvyaginstev, 2003) The Grand Bizarre (Jodie Mack, 2018) Transnistra (Anna Eborn, 2019) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) The Petrified Forest (Archie Mayo, 1936) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967)

Complete list of all 323 films watched in 2020 under the cut!

January

Angus, Thongs and Perfect Snogging (Gurinder Chadha, 2008) Blade (Steven Norrington, 1998) Who Among Us! (Abhishek Prasad and Rebecca Kahn, 2019) Brotherhood (Meryam Joobeur, 2018) Disctrict 9 (Neill Blomkamp, 2009) Hair Love (Matthew A. Cherry and Karen Rupert Toliver, 2019) Kitbull (Rosana Sullivan, 2019) Sister (妹妹, Siqi Song, 2019) Nuts! (Penny Lane, 2016) The Judge (Erika Cohn, 2017) The Ghosts of Sugar Land (Bassam Tariq, 2019) Amazonia (Dominic Hicks, 2018) Dearborn Ash (Hena Ashraf, 2018) Pineal (Jenny Rinta-Kanto, 2019) Headcleaner (Nick Scott, 2019) Rattlesnake (Zak Hilditch, 2019) The Neon Demon (Nicolas Winding Refn, 2016) Skin (Audrey Rosenberg, 2018) The Banishment (Изгнание, Andrey Zvyagintsev, 2007) F is for Friendship (Shaya Mulcahy, 2016) Paradise Hills (Alice Waddington, 2019) Road House (Rowdy Herrington, 1989) Hustlers (Lorene Scafaria, 2019) I Believe in Unicorns (Leah Meyerhoff, 2014) Ghost Train (Lee Cronin, 2014) Troop Zero (Bert & Bertie, 2019) For the Love of God (Pour l'Amour de Dieu, Micheline Lanctôt, 2011)

February

Sitting Next to Zoe (Ivana Lalović, 2013) Dark Places (Gilles Paquet-Brenner, 2015) Nocturnal Animals (Tom Ford, 2016) The Limey (Steven Soderbergh, 1999) Side Effects (Steven Soderbergh, 2013) Good Sam (Kate Melville, 2019) Anima (Paul Thomas Anderson, 2019) What Did Jack Do? (David Lynch, 2017) Fleur de tonnerre (Stéphanie Pillonca, 2016) Parasite (Bong Joon-ho, 2019) The Field Guide to Evil (Peter Strickland, Veronika Franz & Severin Fiala, Katrin Gebbe, Yannis Veslemes, Ashim Ahluwalia, Agnieszka Smoczynska, Can Evrenol, Calvin Reeder, 2018) Devil (John Eric Dowdle, 2010) 37 Seconds (Hikari, 2019) The Falling (Carol Morley, 2014) Grave of the Fireflies (火垂るの墓, Hotaru no Haka, Isao Takahata, 1988) Elena (Елена, Andrey Zvyagintsev, 2011) The Lighthouse (Robert Eggers, 2019) Baskin (Can Evrenol, 2015) In Fabric (Peter Strickland, 2018) Leviathan (Левиафан, Andrey Zvyagintsev, 2014) Suffragette (Sarah Gavron, 2015)

March

The East (Zal Batmanglij, 2013) Solaris (Солярис, Andrei Tarkovsky, 1972) Mamma Mia! (Phyllida Lloyd, 2008) There Will Be Blood (Paul Thomas Anderson, 2007) Io (Jonathan Helpert, 2019) The Death and Life of Marsha P. Johnson (David France, 2017) A Bump Along the Way (Shelly Love, 2019) Color Out of Space (Richard Stanley, 2019) Divines (Houda Benyamina, 2016) Vanishing Waves (Kristina Buožytė, 2012) Mirror (Зеркало, Andrei Tarkovsky, 1975) Zama (Lucrecia Martel, 2017) Swallow (Carlo Mirabella-Davis, 2019) Joy (Sudabeh Mortezai, 2018) Good Time (Josh and Benny Safdie, 2017) Quarantine (John Eric Dowdle, 2008) The Reflecting Skin (Philip Ridley, 1990) Three Billboards Outside Ebbing, Missouri (Martin McDonagh, 2017) Leto (Лето,  Kirill Serebrennikov, 2018) The 39 Steps (Alfred Hitchcock, 1935)

April

Queen of Earth (Alex Ross Perry, 2015) Black Christmas (Sophia Takal, 2019) Dogs of Chernobyl (Léa Camilleri & Hugo Chesnel, 2020) Firecrackers (Jasmin Mozaffari, 2018) Les Misérables (Ladj Ly, 2019) The Evil Dead (Sam Raimi, 1981) The Daughters of Fire (Las hijas del fuego, Albertina Carri, 2018) The Fallen Idol (Carol Reed, 1948) The Wailing (곡성, Gokseong, Na Hong-jin, 2016) Inherent Vice (Paul Thomas Anderson, 2014) Sorrowful Shadow (Guy Maddin, 2004) Mistery Lonely (Harmony Korine, 2007) The Grand Bizarre (Jodie Mack, 2018) Zombieland: Double Tap (Ruben Fleischer, 2019) Waves '98 (Ely Dagher, 2015) Uncut Gems (Josh and Benny Safdie, 2019) The Last Séance (Laura Kulik, 2018) Too Late to Die Young (Tarde para morir joven, Dominga Sotomayor Castillo, 2018) Room (Lenny Abrahamson, 2015) Queen & Slim (Melina Matsoukas, 2019) The Holy Mountain (La montaña sagrada, Alejandro Jodorowsky, 1973) The Chaser ( 추격자, Chugyeokja, Na Hong-jin, 2008) Made in Dagenham (Nigel Cole, 2010) The Color of Pomegranates (Նռան գույնը, Nřan guynə, Sergei Parajanov, 1969) Lost Girls (Liz Garbus, 2020) Ghost Town Anthology (Répertoire des villes disparues, Denis Côté, 2019) And Then There Were None (René Clair, 1945) Doctor Sleep (Mike Flanagan, 2019) Meshes of the Afternoon (Maya Deren and Alexander Hammid, 1943) Circus of Books (Rachel Mason, 2019) Catfish (Henry Joost and Ariel Schulman, 2010) Wildling (Fritz Böhm, 2018) Delphine (Chloé Robichaud, 2019) The Strange Love of Martha Ivers (Lewis Milestone, 1946) The Red Balloon (Le Ballon rouge, Albert Lamorisse, 1956) Nona. If They Soak Me, I’ll Burn Them (Nona. Si me mojan, yo los quemo, Camila José Donoso, 2019) The Lodge (Veronika Franz & Severin Fiala, 2019) Invisible Man (Leigh Whannell, 2020) Sans Soleil (Chris Marker, 1983)

May

A Russian Youth (Мальчик русский, Alexander Zolotukhin, 2019) Sicario (Denis Villeneuve, 2015) Fedora (Billy Wilder, 1978) LoveTrue (Alma Har'el, 2016) The Platform (Galder Gaztelu-Urrutia, 2019) Water Lilies (Naissance des pieuvres, Céline Sciamma, 2007) The Assistant (Kitty Green, 2019) The Half of It (Alice Wu, 2020) Tomboy (Céline Sciamma, 2011) The Last Man on Earth (Ubaldo Ragona and Sidney Salkow, 1964) Beanpole (Дылда, Kantemir Balagov, 2019) Mommy (Xavier Dolan, 2014) The Fall (Jonathan Glazer, 2020) Girlhood (Bande de filles, Céline Sciamma, 2014) Carnival of Souls (Herk Harvey, 1962) Marguerite & Julien (Valérie Donzelli, 2015) Portrait of a Lady on Fire (Portrait de la jeune fille en feu, Céline Sciamma, 2019) This Magnificent Cake! (Ce Magnifique Gâteau!, Emma De Swaef & Marc James Roels, 2018) Romantic Comedy (Elizabeth Sankey, 2019) Transnistra (Anna Eborn, 2019) Eraserhhead (David Lynch, 1977) The Farewell (Lulu Wang, 2019) Emma. (Autumn de Wilde, 2020) Late Night (Nisha Ganatra, 2019) Charlie's Angels (Elizabeth Banks, 2019) Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) (Cathy Yan, 2020) The Ancestors Came (Cecile Emeke, 2017) Suicide by Sunlight (Nikyatu Jusu, 2019) Anthropocene: The Human Epoch (Edward Burtynsky, Jennifer Baichwal, Nicholas de Pencier, 2018) A Perfect 14 (Giovanna Morales Vargas, 2018) Westwood: Punk, Icon, Activist (Lorna Tucker, 2018) Free Radicals (Len Lye, 1958) Aniara (Pella Kågerman and Hugo Lilja, 2018) Vivarium (Lorcan Finnegan, 2019) La Pointe-Courte (Agnès Varda, 1955) Diary of a Pregnant Woman (L'Opéra-Mouffe, Agnès Varda, 1958) Salut les Cubains (Agnès Varda, 1964) Uncle Yanco (Oncle Yanco, Agnès Varda, 1967) GUO4 (Peter Strickland, 2019) Atlantiques (Mati Diop, 2009) Sitara: Let Girls Dream (Sharmeen Obaid-Chinoy, 2019) Lions Love (Lions Love... And Lies, Agnès Varda, 1969) Živan Makes a Punk Festival (Živan pravi pank festival, Ognjen Glavonić, 2014) Plastic and Glass (Tessa Joosse, 2009) The So-Called Caryatids (Les Dites Cariatides, Agnès Varda, 1984) The Octopus (La Pieuvre, Jean Painlevé, 1928) Hyas and Stenorhynchus (Hyas et sténorinques, crustacés marins, Jean Painlevé, 1929) Sea Urchins (Les Oursins, Jean Painlevé, 1929) Bernard-L'Hermite (Bernard-l'Ermite, Jean Painlevé, 1930) The Sea Horse (L'Hippocampe ou "cheval marin", Jean Painlevé, 1934) Voyage to the Sky (Voyage dans le ciel, Jean Painlevé, 1937) Le Vampire (Jean Painlevé, 1945) Freshwater Assassins (Assassins d'eau douce, Jean Painlevé, 1947) How Some Jellyfish Are Born (Comment naissent des méduses, Jean Painlevé and Geneviève Hamon, 1960) Shrimp Stories (Histoires de crevettes, Jean Painlevé and Geneviève Hamon, 1964) The Love Life of the Octopus (Les Amours de la pieuvre, Jean Painlevé and Geneviève Hamon, 1965) Acera, or The Witches' Dance (Acera, ou le Bal des Sorcières, Jean Painlevé and Geneviève Hamon, 1972) Pigeons of the Square (Les Pigeons du square, Jean Painlevé, 1982) The Slumber Party Massacre (Amy Holden Jones, 1982) Jane B. par Agnès V. (Agnès Varda, 1988) The Cranes Are Flying (Летят журавли, Mikhail Kalatozov, 1957) Crystal Swan (Хрусталь, Darya Zhuk, 2018) Take Me Somewhere Nice (Ena Sendijarević, 2019) Microhabitat ( 소공녀, Jeon Go-woon, 2017) The Unforeseen (Laura Dunn, 2007)

June

Funny Games (Michael Haneke, 1997) Louise Bourgeois: The Spider, the Mistress and the Tangerine (Marion Cajori and Amei Wallach, 2008) Wodaabe: Herdsmen of the Sun (Werner Herzog, 1989) Bells from the Deep: Faith and Superstition in Russia (Glocken aus der Tiefe - Glaube und Aberglaube in Russland, Werner Herzog, 1993) We Are the Best! (Vi är bäst!, Lukas Moodysson, 2013) Olla (Ariane Labed, 2019) Return to Reason (Le Retour à la raison, Man Ray, 1923) Ghosts Before Breakfast (Vormittagsspuk, Hans Richter, 1928) Sissy Boy Slap Party (Guy Maddin, 2004) The Republic of Enchanters (La République des enchanteurs, Fanny Liatard and Jérémy Trouilh, 2016) Sullivan's Banks (Sullivans Banken, Heinz Emigholz, 2000) Black Panthers (Agnès Varda, 1970) Asparagus (Suzan Pitt, 1979) America (Valérie Massadian, 2013) The Fall (Tarsem Singh, 2006) The Watermelon Woman (Cheryl Dunye, 1996) Douce Menace (Ludovic Habas, Yoan Sender, Margaux Vaxelaire, Mickaël Krebs, Florent Rousseau, 2011) Curling (Denis Côté, 2010) Trouble Every Day (Claire Denis, 2001) The Return (Возвращение, Andrey Zvyaginstev, 2003) Maillart's Bridges (Maillarts Brücken, Heinz Emigholz, 2000) Two Years at Sea (Ben Rivers, 2011) The Creeping Garden (Tim Grabham and Jasper Sharp, 2014) Homo Sapiens (Nikolaus Geyrhalter, 2016) A Radiant Life (Une Vie radieuse, Meryll Hardt, 2013) Shirley (Josephine Decker, 2020) Disclosure (Sam Feder, 2020) Baghead (Mark Duplass and Jay Duplass, 2008) Lahemaa (Leslie Lagier, 2010) Closeness (Теснота, Kantemir Balagov, 2017) Touki Bouki (Djibril Diop Mambéty, 1973) Daughter (Dcera, Daria Kashcheeva, 2019) Human Nature (Sverre Fredriksen, 2019) 1 Dimension (一维, Lü Yue, 2013)

July

Post Tenebras Lux (Carlos Reygadas, 2012) Something to Remember (Något Att Minnas, Niki Lindroth Von Bahr, 2019) Gegenüber (Ewa Wikiel, 2019) The Claudia Kishi Club (Sue Ding, 2020) Villa Empain (Katharina Kastner, 2019) Fata Morgana (Werner Herzog, 1971) Some Like It Hot (Billy Wilder,1959) Breakwater (Quebramar, Cris Lyra, 2019) Y a-t-il une vierge encore vivante? (Bertrand Mandico, 2015) Virus Tropical (Santiago Caicedo, 2017) The Tribe (Племя, Miroslav Slaboshpitsky, 2014) Integration Report 1 (Madeline Anderson, 1960) Tribute to Malcolm X (Madeline Anderson, 1967)

August

The Stopover (Voir du pays, Delphine and Muriel Coulin, 2016) Our Time (Nuestro Tiempo, Carlos Reygadas, 2018) Never Rarely Sometimes Always (Eliza Hittman, 2020) Land of Silence and Darkness (Land des Schweigens und der Dunkelheit, Werner Herzog, 1971) Continental, a Film Without Guns (Continental, un film sans fusil, Stéphane Lafleur, 2007) Spaceship Earth (Matt Wolf, 2020) The Go-Go's (Alison Ellwood, 2020) First Cow (Kelly Reichardt, 2019) Light of My Life (Casey Affleck, 2019) Wadjda (Haifaa al-Mansour, 2012) Spinster (Andrea Dorfman, 2020) Love and Anarchy (Film d'amore e d'anarchia, ovvero: stamattina alle 10, in via dei Fiori, nella nota casa di tolleranza..., Lina Wertmüller, 1973) Shapito Show (Шапито шоу, Sergey Loban, 2011) Charade (Stanley Donen, 1693) Cat People (Jacques Tourneur, 1942) Radioactive (Marjane Satrapi, 2019) Tabloid (Errol Morris, 2010) The Mourning Forest ( 殯の森, Mogari No Mori, Naomi Kawase, 2007) Lilya 4-ever (Lilja 4-ever, Lukas Moodysson, 2002)

September

The Nightingale (Jennifer Kent, 2018) Babyteeth (Shannon Murphy, 2019) Let the Corpses Tan (Laissez bronzer les cadavres, Hélène Cattet & Bruno Forzani, 2017) Wings of Desire (Der Himmel über Berlin, Wim Wenders, 1987) In My Room (Mati Diop, 2020) Katalin Varga (Peter Strickland, 2009) Les 3 Boutons (Agnès Varda, 2015) Somebody (Miranda July, 2014) Öndög (Wang Quan'an, 2019) Strasbourg 1518 (Jonathan Glazer, 2020) Mermaid (Русалка, Anna Melikyan, 2007) The Lighthouse (Маяк, Maria Saakyan, 2006) Phenomena (Dario Argento, 1985) That One Day (Crystal Moselle, 2016) Brigitte (Lynne Ramsay, 2019) The Wedding Singer's Daughter (Haifaa al-Mansour, 2018) Shako Mako (Hailey Gates, 2019) Carmen (Chloë Sevigny, 2017) The Summer of Sangailė (Sangailės Vasara, Alanté Kavaïté, 2015) Hello Apartment (Dakota Fanning, 2018) Seed (Naomi Kawase, 2016) Beyond the Visible: Hilma af Klint (Halina Dyrschka, 2019) Matthias & Maxime (Xavier Dolan, 2019) The Gleaners and I (Les Glaneurs et la glaneuse, Agnès Varda, 2000)

October

American Murder (Jenny Popplewell, 2020) Hereditary (Ari Aster, 2018) Ghostland (Pascal Laugier, 2018) Triangle (Christopher Smith, 2009) The Amityville Horror (Stuart Rosenberg, 1979) The Visit (M. Night Shyamalan, 2015) The House of the Devil (Ti West, 2009) Misery (Rob Reiner, 1990) The Exorcist (William Friedkin, 1973) Coherence (James Ward Byrkit, 2013) Metamorphosis (변신, Kim Hong-sun, 2019) Errementari (Paul Urkijo Alijo, 2017) I Am a Ghost (H.P. Mendoza,2012) The Changeling (Peter Medak, 1980) Witching and Bitching (Las Brujas de Zugarramurdi, Álex de la Iglesia, 2013) Thirst (박쥐, Park Chan-wook, 2009) V/H/S ( Adam Wingard, David Bruckner, Ti West, Glenn McQuaid, Joe Swanberg, Radio Silence, 2012) The Autopsy of Jane Doe (André Øvredal, 2016) Overlord (Julius Avery, 2018) Häxan (Benjamin Christensen, 1922) Viy (Вий, Georgiy Kropachyov & Konstantin Ershov, 1967) Amulet (Romola Garai, 2020) A Bucket of Blood (Roger Corman, 1959) The Wasp Woman (Roger Corman, 1959) Mother! (Darren Aronofsky, 2017) Suspiria (Dario Argento, 1977) The Open House (Matt Angel, Suzanne Coote, 2018)

November

The Damned Don't Cry (Vincent Sherman, 1950) Notorious (Alfred Hitchcock, 1946) While the City Sleeps (Fritz Lang, 1956) The Man Who Wasn't There (Joel Coen, 2001) The Naked City (Jules Dassin, 1948) The Petrified Forest (Archie Mayo, 1936) Croupier (Mike Hodges, 1998) In a Lonely Place (Nicholas Ray, 1950) Elevator to the Gallows (Ascenseur pour l'échafaud, Louis Malle, 1958) Key Largo (John Huston, 1948) Dial M for Murder (Alfred Hitchcock, 1954) The Long Farewell (Долгие проводы, Kira Muratova, 1971) The Killers (Robert Siodmak, 1946) Gun Crazy (Joseph H. Lewis, 1950) Alphaville (Jean-Luc Godard, 1965) Laura (Otto Preminger, 1944) The Third Man (Carol Reed, 1949) Dark City (Alex Proyas, 1998) Night and the City (Jules Dassin, 1950) Ace in the Hole (Billy Wilder, 1951)

December

Nimic (Yorgos Lanthimos, 2020) Elsa la rose (Agnès Varda, 1966) Le Bonheur (Agnès Varda, 1965) Little Girl (Petite Fille, Sébastien Lifshitz, 2020) Cold Meridian (Peter Strickland, 2020) The Fiancés of the Bridge Mac Donald (Les Fiancés du Pont Mac Donald ou (Méfiez-vous des Lunettes Noires)) (Agnès Varda, 1961) Along the Coast (Du côté de la côte, Agnès Varda, 1958) Vic + Flo Saw a Bear (Vic + Flo ont vu un ours, Denis Côté, 2013) Zootopia (Byron Howard, Rich Moore, 2016) It's a Wonderful Life (Frank Capra, 1946) Paddington (Paul King, 2014) Miracle on 34th Street (George Seaton, 1947) High Life (Claire Denis, 2018) Paddington 2 (Paul King, 2017)

[miamibeerscene]

Limey Unicorn, a Beer Brewed with Rock Climbing Chalk

The teams behind the climbing chalk beer did some climbing on brew day. (Photo: Dustin Hall/The Brewtography Project)

January 30, 2018

There’s a certain chalky, mineral quality that hangs on the last sips of Wynkoop Brewing‘s new British Golden Ale, but I never would have guessed that it was actually brewed with chalk. Or that so many beers, in essence, are too.

Limey Unicorn, a new beer from Denver’s original brewpub was made in collaboration with FrictionLabs and White Labs, and it was indeed brewed with rock climbing chalk.

“It all started with a joke between myself and Wynkoop brewer Jason Lima that we could use the chalk we use at the brewery to climb with if we ever ran out of normal climbing chalk,” says Wynkoop brewer Charles McManus, who keeps in shape for his brewing job with rock climbing. His team recently took first place in the Colorado Brewers Climbing League.

Brewers pour Unicorn Chalk in the beer on brew day. (Photo: Dustin Hall/The Brewtography Project)

“Brewing chalk is Calcium carbonate, and we use it and a variety of other salts and minerals to adjust the water chemistry for different styles of beer.”

(VISIT: Find a U.S. Brewery)

This joke became a reality through his brewing and climbing networks, which tend to be tightly interwoven. He told his friend, avid climber, and White Labs representative JoAnne Carrilli-Stevenson about the idea. She told Kevin Brown, founder of the FrictionLabs climbing chalk company. Soon enough McManus was writing a recipe for an English-style ale brewed with FictionLabs Unicorn Dust and British Ale yeast donated by White Labs. They named it Limey Unicorn — “limey” is slang for British person, and unicorn as a nod to the chalk’s name.

Wynkoop cuts its teeth producing English-style beers and has a long history of cask offerings, so it was only natural that this chalk beer fall into that stylistic category.

“We use chalk specifically on a lot of our British ales because these styles hail from regions with a naturally higher amount of Calcium and carbonate,” McManus explains.

“The FrictionLabs chalk is not only food grade but pharmaceutical grade as well, which makes it a superior product” McManus says. “It’s not Calcium carbonate but instead Magnesium carbonate, which is another mineral we use, so we decided to go for it. As with most of our brewing salts, we added it to the kettle at the beginning of the boil.”

(INFOGRAPHIC: How to Choose the Right Beer Glass)

On brew day, the FrictionLabs crew joined Wynkoop’s brewing team for the process — and a mash rest climbing session.  “During the hour rest we took the whole team down into our basement and had a climbing session on the natural features found on the 200-year-old stone walls,” says McManus of Wynkoop’s historic building. “It was super rad and couldn’t have been more appropriate.”

Limey Unicon is brightly hued and smells earthy like fresh rain. It’s medium-bodied with pillowy mouthfeel. “The chalk lends a distinctly crisp finish to the beer,” says McManus.

The chalk might also be a conversation-starter about a critical but often forgotten component to brewing beer: water chemistry.

“The chalk in the finish of Limey Unicorn is characteristic of the water profile of the mineral-rich region where we drew inspiration for it, and our brewery. We think that this beer will bring attention to water chemistry — and the fact that it can make or break the overall effect of a delicious brew.”

Limey Unicorn will tap at Wynkoop Brewing in February and will be served in March at Collaboration Fest in Denver.

The post Limey Unicorn, a Beer Brewed with Rock Climbing Chalk appeared first on Miami Beer Scene.

from Limey Unicorn, a Beer Brewed with Rock Climbing Chalk

[westerngirl32]

In UA au, what are the AUL Crew, Jellomaner and Western SMP hero names?

Player: Demon Devil

Veteran: Yellow whipper (SORRY-)

Greaser: Mr. Elegant (Uh don't blame me-)

Mr. Egg: Eggy boi

Mr. Cheese: Cheese Stick (I APOLOGIZE)

The Gentleman: TopHat Head (Uh-)

Gnome: Limey

Engineer: Unknown

Mother: Recovery Girl (She's the nurse- XD)

Dum: Pinky

Bro: Phantom Thief

Ninja: Just his name- Master Ninja

Jelly: Jelster

Slogo: Slugster

Crainer: Crainster

WesternGirl12: Queen Brainwasher

Ihave1IQ: Fire Killer

Lollipops: Can’t Stop Crushin’ 

Mel: Ms. Mirage

Jellyiscool: Suneater (Refer to Tamaki Amajiki-)

YX: Unknown

FillyOFish69: Wind Controller

DesperatelyInPain: Ms. Nighteye

Unicorn Girl: Proticorn (Get it? Protection and Unicorn?)

[twsted-princess]

do you know any other self insert blogs that u recommend people following? i love your blog but i want to follow more blogs

BOY DO I EVER! All the people here deserve all the love they get so please go check them out! (To say I went overboard with this list is an understatement)

@securitycopsgirlfriend

@asa-de-ouro

@ravenish-selfinsert

@edjeerebeloos

@softestcosmo

@lilchubbyhime

@obsessed-writer-things

@galaxy-selfinsert

@ask-the-lieutenant

@beespokenfor

@fishues

@its-tove

@sonofarchades

@unicorn-wishes

@odihsa

@jagerdernacht

@troll-of-hearts

@zeethenerd

@hopelessromantic-ghost

@jello-vantas

@pretendroom

@bruises-and-mobsters

@anitassillyships

@heart-stealer-hope

@amorsuiintu

@sarasanddollar

@itisinfactstine

@self-insert-fool

@selfship--seal

@doki-kat

@hamssandwich

@selfshippingloveboat

@apostleapocalypse

@detectiveanddamsel

@lilakishibe

@quickly-sketched

@gloomystrashcan

@xeensbin

@musical-selfshipper

@vvitchsword

@the-shipping-rink

@freddie-and-i-got-stayingpower

@tarushipping

@limey-blue-arty-do

@getinmypantskbcw

@cronagorgos

@alchemyst-studios

@shibabear

@salty-kira

@lombax-lombardi

@diszee

@selfshippingsylveon

@lildreamysoul

@queenieboo22

@starscloset

@sakuraxisxevil

@qdc-anna

@theheckhole

@purpleselfsona

@willsselfinserts

@indigoskies

@peachykissess

@ckselfinsert

@sakurableu

@self-indulgent-nerd

@kimblee-dear

@gamzeeismyboyfriend

@danietheself-insert

@scars-gay-nonsense

@dorkofspace

[deehollowaywrites]

#authorlifemonth 20: dream achieved

To be honest, I’m excited about Equus! (there isn’t an official buy link yet, but envision a collection of fantasy about horses, Pegasus, unicorns, centaurs, etc) Having a piece of short fiction included in a Real Anthology™ with other people’s stories, edited by a real live editor, with payment--is a first. I’ve had stories in magazines, in other anthologies, but things always feel a little more real when they pay you, right?

Furthermore, the story included is on my own terms. It’s something I’m proud of, that I feel is original, a story that is very me. I had an idea and wrote it and someone liked it enough to publish it with few tweaks: that’s how writing is supposed to go. That’s how writing does not usually go.

Here’s a little snip of ‘Eel and Bloom,’ a story about water horses and Amorphophallus titanum in rural Florida:

Ma reached out and ran her hands up the thick stem of the corpse flower. I hated to watch her fingers, pale on the purple, mottled flesh of the bloom. It seemed obscene, the corpulent stalk and its aroma, its heavy, open blossom. Carnal, suggestive where her ruined left palm was death. Even in her girlhood she’d never been a dab hand with limeys as I was. She lifted something from her lap, a handkerchief, and combed bits of dark pollen onto the white cloth. The lace edging the kerchief told me it was one of her nice ones, one of the Irish-woven hankies intended for my hope chest, before everyone had agreed there would be no need of one.

[the-iron-fjord]

>Limey pronouncing a French person and Chinese person’s names right

That's even more unbelievable than the Unicorn shit