#Like yes it's ugh
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I don't get what's so hard to understand about "Don't talk about Nancy or Steve or NancySteve you don't have the proper clearance" like how many times must I say it!!!
#I am so sick of these bad takes#why do you have to hate on one to justify loving the other???#They're both great!!!#Season 4 did Steve so dirty I know you guys think we Steve fans were being serviced NO#NO WE WERE NOT#If I hear one more mention of the Chicken Nuggets I am going to KMS#Like yes it's ugh#but also like it's not as simple or one dimensional of a story as you guys think#but also it's soooo stupid#and I think that Steve really did let go of Nancy back in season 2#that was supposed to be it#like there was no hint of steve getting back with nancy or anything it was final the shooting the acting the script#everything sounded like it was closing the doors on that arc#and haters are saying that they brought Stancy back because they had nothing interesting going on with Steve's character#???#ARE YOU GOOD#How about deal with how he avoids all his trauma or how he got TORTURED???#You can go on more about his life in highschool post season 1 and season 2#yes Steve did become more popular over the years but that's for a reason#and fucking steve fans I have so much to say to you too#STFU#Like stop hating on other characters or bringing in steve everywhere bro stfu#like idk my community of steve fans are chill and hot and have the best takes but some of the ones I've seen#like get a hold of yourselves#I have nothing to say to Nancy haters they're just ugly#Sorry guys I was feeling hateful#Will probably post a screenshot of all this bc these tags are salacious#rem does stuff and panics#stranger things#steve harrington
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theoldkyokodied · 2 years ago
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One wedding and three funerals
Background paintings under the cut
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#tomgreg#succession#tom wambsgans#greg hirsch#shiv roy#roman roy#kendall roy#yeah no im not tagging everyone thats too much#this is me going 'how much implications themes and symbolism can i fit in one painting'#yes i gave rose shivs haircolor. if we ever find out how she looks like and its not like this im just gonna pass away i guess#but yeah i hope yall connect the dots#i put waaay too much thought and work into this. i was googling pictures of all the actors as kids just for reference (sigh)#honestly kinda wanted to make tom and greg link pinkies as like. a pinkie promise. but that was too hard to draw in this angle#at least not without obstructing the view of the ring which is important to see so ya#my fave is actually the tomshiv wedding pic i went off with that. i love them... they should have run away to become sheep farmers fr fr#anyway im so glad im done with this UGH!! finally i can draw smth else without being like oh noooo i need to finish this#i see a lot of you wondering why there is no portrait of logan but one of ewan#it's bc the placement of the painting represent their standing. logans portray would not hang next to the stairs#his present portrait hangs at the end of it. all the way up at the top. alone and withering away#basically the picture you see underneath ewan to the right? its where toms parents would be. the right side of the wall is tom and gregs#and the left one is the roy siblings theirs. since they grew up rich rich. and tom and greg didn't#but ya thats why ewan hangs here and logan does not :)
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ivoryratdoggerythethird · 8 months ago
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dazai making up a whole language with fyodor that no one else can understand is amazing but imagine him using codes that, very objectively speaking, you could crack, it's just that no normal person would ever make the insane leaps in logic that it requires. except for someone familiar with dazai's weird thinking patterns, that is.
i just love the idea of dazai's unhinged antics being dialed up to an eleven when he was in the port mafia, and oda being the only one who simply wouldn't bat an eye at it but chuuya was the only one who would actually get it.
like imagine ango at the end of the jailbreak, his boss saying he should allow himself to sigh and lean back and maybe indulge himself, pat him on the shoulder, tell him what he pulled off reading heart rates wasn't easy and he should be proud for being able to keep up with such a plan
but ango i-drank-with-teenage-dazai-and-also-had-the-records-for-every-soukoku-mission sakaguchi can only remember the time dazai was like using greek sign language through his breathing patterns to communicate from a submarine from beneath the pacific ocean or something, and chuuya could not fathom how no one else could understand him.
and that was the day mori signed off on skk being exclusive partners because every subordinate in the room was crying tears of blood by the time chuuya finished explaining which blood pressure level was warning them about a bomb, which blinking sequence was him conveying the vault password and which series of inhales was just him calling mori a bitch.
(ango also pointedly did not want to think about how smug dazai had looked after the mission when mori confirmed skk would only be each others' partners for efficiency and to maintain everyone else's sanity
or about how when he called chuuya to tell him about dazai's prison break scheme he could only get like 3 out of 276 steps into the plan before chuuya rolled his eyes, said "got it" then hung up and pulled the whole thing off without a hitch.)
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kozmicmizuu · 5 months ago
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silly sanegiyuu/giyuusane thing because the recent episode has fueled this.
also yes this is like kimetsu gakuen/modern au thingy for my sanity
- - - -
sanemi: genya, i’m going on a date, stay home and don’t do anything stupid.
genya: mom said i have to go with you!!
sanemi: what- no- YOURE NOT COMING TO MY FUCKING DATE—
*cut to them being at a restaurant with genya sitting between giyuu and sanemi.*
sanemi: ….
giyuu: what are you ordering, genya?
genya: oh- i’m ordering a burger :)
sanemi: i fucking hate my life..
- - - -
sanemi can’t have shit when he has a big family, this is probably not the first time he’s had to take his siblings to his date nights
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spirit-meets-the-b0ne · 3 months ago
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God I love Dustin Henderson so much man, I know Will is in love with Mike because only a deeply down bad homosexual would be able to say Mike “is the heart” when Dustin is alive and in the party. Dustin is the one constantly mediating in S1 between Mike and Lucas, he’s even insecure of his own newness to the group when he conciliates. Because even though the party are all HIS best friends he is able to rationalize why they might have a hierarchy based on seniority. Mike makes it clear that isn’t the case. It’s partly why Dustin is quicker to accept Eleven and partly why he’s so open to including Max “as the new kid” because that was him once. Dustin’s iconic “she’s our friend and she’s crazy!” Dustin and Lucas having parallel deviations from their code of honor in ST2 and Dustin being (so dramatic ik) literally ready to fall on the sword for his misdoings. Dustin basically involving Steve out of necessity but then cultivating that relationship to make Steve a good friend, Steve who had the shittiest friends in high school and attention for all the wrong reasons. Steve never had a true friend in his life and then some 12 year old basically gave him a crash course. In ST3 when Dustin earnestly challenges Steve’s socially conditioned need to be seen as cool only for Steve to become bffs with a band geek. A band geek who is also a lesbian that Steve would rather be seen as a rizzless hack of a womanizer than out her to anybody, even Dustin. All of Dustin and Steve. Dustin going from calling Steve a douchebag, to Eddie saying the kid worships him and thinks he’s a total badass. Dustin who in ST4 is once again demolishing social norms of high school vs middle school because FUCK, his friend is in middle school! His friend Erica, his comrade Lady Applejack, is a black girl in junior high and he dgaf what anyone thinks about it. ALL OF DUSTIN AND ERICA. Dustin teaching Erica to embrace her inner nerd, to Erica staunchly declaring “I’ve bled with him!” When asked if she knows Dustin. Dustin who is the FIRST person that Max goes to when shit hits the fan in ST4 because god damn dude Dustin is the heart. Dustin’s unwavering support of Eddie even when the evidence is stacked against him, Dustin always believed in Eddie Munson. Dustin is the only one who truly offers Wayne condolences. He is the friend of all friends. Dustin is constantly carrying the party through crisis and discomfort, he’s dedicated, he’s unabashedly caring, and he’s the character that is able to socially move across the board in every direction. I fuckin love this little curly haired drama king because these geeks would be LOST without him!!! If Dustin isn’t the heart; he’s the Central Nervous System, he’s the nucleus, he’s fucking vital to not only the party but every other tertiary character of importance. He’s constantly inspiring and providing direction. He’s a goofball, he’s wise beyond his years, he’s a lover and he’s a fighter, he always has a plan and he always has a bad idea, he’s the voice of reason and the resounding falsetto alarm of things gone wrong, he’s never done anything wrong ever in his life, one time something ate his cat but besides that. He’s my heart of the show damn it!
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kokomini9 · 7 months ago
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can't trust the words behind the fangs 🐍🎭 a doodle with my take on his mask :3c
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veinsfullofstars · 8 months ago
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👑 Sworn Partners ⚔️ 
(ID: Kirby series fanart of King Dedede and Meta Knight being cute and in love. Top panel - bust shot of DDD scooping MK up into his arms, smooshing the flustered knight against him in a great big hug as a little flurry of hearts bursts from them. Middle panel - bust shot of DDD holding MK in his arms, gazing down at him with an easy grin as the knight pushes his mask to the top of his head, a fond smile on his face as he gazes back. Bottom panel - bust shot of DDD and MK leaning in together to meet in a kiss, eyes closed and faces flushed, the king holding his knight tighter, the knight gently cupping his king’s cheek. More little hearts hover around them, the biggest just above their heads. In all panels, DDD's crown and MK's armor are - as usual - touched with white highlights and dusted with sparkles. END ID.)
Sketch started some time early 2024, render started 03/18/24, finished 04/15/24, updated for color correction 11/02/24.
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fanficmaniatic · 7 months ago
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mental health hanging by a thread and is being held by the blurry picture of jazz in the transformers one trailer.
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sasudou · 2 years ago
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the real reason fyodor wanted to go to prison with dazai is because he wanted a japanese tutor
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labotor · 3 days ago
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my bougie dwarf LoF rook Tyarva and her sugar baby silly charming professor who she adores so very much <333
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eddiebuckley-diaz · 8 months ago
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Tommy saying he has to leave after kissing Buck is something I have to talk about…
Because instead of just saying “yeah gotta go!” and leaving Buck to flounder and worry and feel used, Tommy does the opposite
Tommy wants to stick around, wants to be there, and wants to be with Buck. And he says so by the way he adjusts Buck’s shirt, by maintaining eye contact, explaining it, and Buck isn’t left to spiral right after the kiss.
And after Buck’s little “okay” that still holds a sense of awe and maybe not being super present (which can’t blame him, I mean have you seen Lou), Tommy still assures Buck of his place by asking for a date.
It’s all these things that add up to Tommy making sure Buck is a priority and Tommy will keep that as a promise.
Buck deals with abandonment and not feeling right in the world, and Tommy is there to say “hey, in this world, in my world, you can feel safe and free to be you.”
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nikki-tine · 5 months ago
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I. uh. ahem. /////
You don't see anything, shoo! /silly
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simandy · 1 month ago
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I find it fascinating how every single one of my health issues can be mistaken for laziness
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starry-bi-sky · 8 months ago
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Stuck in the middle of a forest made of
Flesh and bones and they're all scared of
A lost little boy who has lost his heart
Fear's not enough, they have to
Tear him apart —-------
There are two things Daniel Fenton knows that his family knows as well: 
He’s adopted.
He can’t remember anything else before that.  
‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 
What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 
When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.
(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 
The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.
It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 
The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 
His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.
(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 
(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 
They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  
(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)
Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 
He turned back around and went inside.
—-------
Where do we go
When the river's running slow
Where do we run
When the cats kill one by one
—------
One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  
He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 
It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 
He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 
Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 
(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)
After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 
He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.
—------
Hazel beneath our claws
While we wait for cerulean to cry
Unsettled ticks run through time
Enough for the hunt to go awry
—-----
There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 
He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 
Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 
(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 
(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  
He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 
A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 
He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 
His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.
Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   
—-------
Harpy hare
Where have you buried all your children?
Tell me so I say
—-------
When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 
Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.
He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.
Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 
(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)
(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)
(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  
—--------------
It clicks and it clatters in corners and borders
And they will never
Hear me here listen to croons and a calling
I'll tell them all the
Story, the sun, and the swallow, her sorrow
Singing me the tale of the Harpy and the Hare
—-------
More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 
Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 
His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 
They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 
It is a fast dream. 
His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.
His brother, face obscured in all but his eyes, which are green as emeralds, nods. 
The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 
The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 
His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 
(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 
—---  
She can't keep them all safe
They will die and be afraid
Mother, tell me so I say
(Mother, tell me so I say)
—-------
When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 
The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 
(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 
(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   
Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 
(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)
—------
Seeker, do you ever come to wonder
If what you're looking for is within where you hold
Will you leave a trail for them to follow a path
You'll soon forget
Home
—---------
When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 
When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.
‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 
He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.
He ends up calling himself Phantom. 
(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 
----------
Home is where we are
Home is where you are
Home is where I am
-----------------
Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#danyal al ghul au#amnesiac danyal al ghul au#songs in order of the album: the hartebeest / harpy hare / and the hound / neath the grove is a heart#musician danny has my heart and soul#yes this danyal IS an alternative danny from the other au. an au where things were a little better :) but still sucks#implied good mom talia al ghul#danyal is a momma's boy send tweet#dpxdc ficlet#dpxdc prompts#dp x dc au#dp x dc fanfic#danyal is sTILL five years older than damian in this au#no beta no edits we die like danny fenton#poc danny fentons#i didnt know where to end this :(( i was gonna go on but i blanked. i thought about going into his relationships with his rogues and so on.#but that felt too much like trying to just increase the word count rather than actually writing?? if that makes sense#ugh im gonna have forgotten to include things and im gonna be kicking myself later#morally ambiguous danny whoo! we love to see it#since this was just for fun it doesnt really go into it all that much other than like. it happens. and that danny realizes he's dangerous#phantom in a hazmat suit? nah phantom looking like an assassin >:].#danyal al ghul with damian and his mom: 🥰🌸✨#danyal al ghul with everyone else: 👹🔪#am i heavily implying that clockwork had smth to do with Danyal’s amnesia and appearance by the cabin? 👀 maybe#not enough danyal al ghul aus where him being an assassin actually. has some kind of affect on him
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wellwatersurprise · 11 days ago
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they never really acknowledged it, but i know in my heart he missed his wings.
(inspired by thunderbird by they might be giants)
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pockspocket · 2 months ago
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Butch Wolverine!!! Close ups under the cut!
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