#Let's not act like he wasn't iconic in 2019 though

[nonsensebyheather]

I would just like to congratulate Benoit Blanc on officially reaching Blorbo status. It is well deserved.

[sweepseven]

Cirque du Soleil Alegría In a New Light review

So far the kindest thing I've done for myself in 2024 was go all the way to London to see this show. What a lovely, desperately needed reset. No need to linger on the preamble because team: this show continues to be damn near perfect. It felt like a true gift to be there. There are three total changes I would make if it were to suit me perfectly. Just three. That's insane. For comparison I love Ka with all my heart but I'd make probably fifty changes if given the opportunity. The three I'd make are:

Less clown time (though I swear the reason is different from my usual clown complaints)

Replace duo adagio

Reinstate Valsajoïa, the single greatest original song Cirque has produced since probably 2016. Possibly even 2008.

So let's talk about those three, and also the other one million reasons this is Cirque's greatest show in nearly 20 years.

Preshow animation: My friend and I had a time getting to Royal Albert Hall on time so I didn't get to soak in everything to quite the extent that I prefer to before a show starts, but the moment I walked in my guess that this show in this setting was the most perfect pair imaginable was validated. I don't think I'm even being biased because it's so recent - I genuinely think the only set that could maybe suit this theatre better is Quidam. The crown of the stage disappeared into the darkness above, creating an astounding sense of immersion and scale, and even the iconic mushroom acoustic diffusers look like they belonged to the set. The rigging was a delight to see too - I'm always fascinated by how they adapt the rigging to adjust for the lack of pylons. It wasn't as cozy as a Grand Chapiteau, of course, but the audience is so dense and extends so high, and the entire setting is so elegant, that the size and scope were a perfect match.

The animation itself was Fleur messing around with the Old Birds. Pretty unremarkable. He didn't shout Alegria! like in the original show, but then again I'm not sure I remember him doing it back in 2019 either. Bring it baaaack, it's iconiiiic.

Opening: Gonna confess up front that I was in tears for the duration of Mirko. The current singer duo, Sarah Menesse and Cassía Raquel, are incredible in every way. I'll talk more about them further down but it bears stating now that I was in shambles within the first five seconds. Details I never want to forget: the silhouette of the Nymphs' wings behind the curtain; the sharp, prim, yet commanding presence of the White Singer on the right side. I was completely taken by her in four notes.

Acro poles: This was a strong act five years ago and I think it's only grown tighter with time! This show wastes no time on ceremony and dives right into the action, which is a fun contrast between the old and new versions. The original made a grand show of parading and presenting the different factions. Here it's more bam here are the Aristocrats, bam here are the Bronx real quick, now everyone out of the way, we're getting right to it. Where the original was the story of forcibly overthrowing an old order, this one respects the structure of the past while willingly - if cautiously - making way for the future. This act does a very good job of illustrating that. The Aristocrats look like a fun, if slightly catty bunch! You almost want to be one... until you meet the Bronx.

Cyr wheel: I completely forgot Rinalto Vera is back for this act. I had only just recovered from Mirko and then this fucking song starts and I'm beside myself all over again. This is the kind of thing that makes me hold onto faith that the old Cirque is still in there somewhere - this, the musical refs to La Nouba in Drawn to Life... they know how to respect their old shows! When they bother, they do it beautifully! I only wish they treated their new creations with the same respect and care they pay to their golden era.

Anyway Ghislain Ramage is the only person I want to see on a cyr wheel ever again. I saw him work magic in Kooza and that was without the deliberate weight that comes from a non-rotational act. Something about him seems impossible - like he's too tall to be that lithe and fluid, or that you couldn't possibly evoke so much emotion from a cyr wheel act. He does. Every moment of it was mesmerizing.

It's the nitpickiest thing I could possibly say, but I do think something is lost in not having this act performed by an Old Bird or Aristocrat. Though since the mirror imagery of the original wasn't brought over to IANL, I suppose it's not completely necessary. Still. That was an element that really brought an inimitable quality to the original act and I wished there was an analog in this version. It could very well have made it the best act in the entire show. Yes, the entire show, which is crazy because you already know how I feel about.......

Duo trapeze: Fuck me, people. This act. It's a wonder I can be relied upon to behave rationally because it. is. utter. perfection. The only thing that holds me in my seat is the fear that if I move or blink I'll miss a split-second. I forgot the White Singer was onstage because I was too busy watching. That is fucking unheard of. My hands were clasped over my heart. I was beaming in awe the entire time. No other artist has had the particular effect Nicolai Kuntz has on me. Fucking this?? That relaxed, cross-legged on a goddamn trapeze gazing in admiration? That is shit designed to kill me. That is fucking lethal.

Anyway the skill level in this act is exquisite from both Nicolai and Roxane - another perfect act that has somehow grown more perfect with time. And what I love most about it is that though although they're a duo, although the song is called Querer, although the entire point is that they're impossibly aligned, it still feels just shy of romantic. The love being expressed here is not specifically for one another, but for flight itself, and the joy of sharing it with someone who understands. I might be projecting, since this act feels like a live illustration of my personal love for trapeze, but they have never seemed like lovers to me. More perfectly kindred spirits, and it serves the act beautifully.

Fire knife dance: Excellent! Impossibly high energy! The crowd adored it! We had one drop, which I've never seen in a fire act, but the artist handled it with fun and grace. There is nothing negative to be said for this act, but I can't not mention how exceptional Tuione Tovo was. Holding that against this artist feels like a teacher never giving A+s because "there's always something better." But there really was something undefinable in Tuione's energy and smile that isn't quite here.

Aerial straps: How many times can I say "a perfect act has become yet more perfect"? I've seen a lot of straps acts, people. Like, too many. I have immense respect for the discipline so it's not hard to impress me, but it's quite difficult to surprise me. There is a drop to ankles in this act that surprised me. I gasped. This act looks at every other romantic straps duo act and says "ok amateurs." The little smooch had the audience in raptures. The snow is used to better effect than the world deserves. It's just exquisite.

Hoops: I know Elena Lev is the queen, but I think this artist might actually be better! And she's so young! She's got her whole career ahead of her! This is probably the best hoops act Cirque has going for it right now, and that's really saying something. She does the "spin like fifteen hoops" thing better than I think I've ever seen anyone do it. Her control over her apparatus is unmatched.

Powertrack: OOO-EE! POWERTRAAAAACK. Top five act in the show right here, and it would earn that position through energy alone. And it's got a fuck ton going on for it besides. Every trick is massive. Every one is executed with fierce, tangible joy. Fleur has an excellent highlight moment that's indicative of a character adjustment in the new version (see below) that I really loved. I wanted to see Lucie Colebeck's triple bad (the first and so far only female triple tuck in Cirque history!!) but it was performed by another artist tonight. Still amazing. Watching this act makes you feel like you can run a marathon.

Duo adagio: The one and only let down of the whole show. I just do not like these Nymphs. I don't like their wings, I never have, and I can't believe Cirque is so opposed to returning to something just a notch closer to the luxurious feathers of the original. Their wings feel like a symbol of their overall impact on the show: kinda just there and we don't really know why. This act was the same. And it's a goddamn shame because Cassía's Vai Vedrai is power made musical. Slotting this act so late in the show makes it feel like a rotational act and it's just not fair to the artists or the song, probably the second most famous in Alegria's history. Last time I got handbalancing in instead and it was a gorgeous story of an Angel supported by a Bronx that was reiterated in high bar. Any sort of connection to the broader show is unfortunately missing in this act, which seems to only exist to remind you that the Nymphs are characters. I'd prefer to see this replaced with a return to the slow, luxurious contortion style of the 90s. Or imagine Dralion's ballet on lights here!! Or ribbon manipulation from the early days. Maybe a little too similar to hoops, but don't forget this is the show that has swinging trapeze and aerials traps and...

Flying trapeze: My light, my love, my delight. The Flying Tunizianis are immaculate. This is perfect flying trapeze act construction imo: some swings to let the audience know what's happening, an easy trick or two (planches) to prime them, then flips and twists galore to show what the fuck it's really all about. And! Importantly! A pause in the middle with a few styles and splits to bring back some grace and remind you trapeze is more than just guessing what the fuck you just saw. It is so, so good. For myriad stupid reasons I haven't flown in a month, and I'm so excited and inspired to get back at it after seeing this act. iirc the biggest tricks were triples and a double double (or full out? it all happened so fast!!). Either way, difficulty level second only to Mystere and I would argue better act composition overall.

However. I felt the removal of Valsajoïa acutely. It was nice to hear a little Icare, but if we didn't need it for aerial high bar's comeback, we certainly don't need it here. I suppose they were going for a more "daring" sound, but tbh I don't think it does a lot to enhance the act further, especially with the way the Tunizianis have choreographed it. The result isn't as graceful nor as impactful, even with the (tragic! teasing!) snatches of Valsapena and Valsajoïa still left in there.

I spent the whole act praying for some kind of suicide dismount and the very last was a reverse one and lost my fucking mind. My inspiration trick, my signature, my beloved!!! I gotta learn a reverse one bad.

Finale: What is there left to say? It's brief, it's gorgeous, it's effective: just like the transition from opening to acro pole, the transition from flying trapeze to finale is quick and honest, and the whole thing is over before you know it. It feels like a real thank you for joining the cast in the journey of the show. A joyous, magical feeling.

Music: I leaned back and scrubbed my face with my hands just now. That's what it's like trying to summarize what the fuck was going on vocally and instrumentally in this show.

It. Was. Splendid. I was utterly convinced that no one could do an IANL White Singer like Irene Lombard, and then here's comes Sarah with a flavor and characterization all her own. Where Irene was an angel, Sarah was a witch. She was sharp, she annunciated, every note was a call to action that drove the plot forward. Some songs were her strength (like Mirko), and some I prefer Irene (like Querer). At all times both singers' presences were impossible to ignore, and for a show with such a reputation for well-recognized, highly awarded music, the legacy is not lost.

This is also a very mobile band, which I always love. Accordion and cello parade around at times, sometimes even to emphasize character arcs (like the accordion following one clown after he's cast out of court to highlight his sorrow to both comical and emotional effect). Drums have a fantastic, well deserved Kooza-esque highlight moment during fire knife dance. Though you don't see them every moment, there's no point in the show that you can miss the fact that the music is live. They've struck an exceptional balance between highlighted and unobtrusive.

If anyone would like a recording of this performance's audio, drop me an ask and I'll be glad to share.

Clowns: My primary critique. Listen: they are so good. But I think Cirque noticed that and responded by giving them too much time. Their every act is strong but maybe 2-3 minutes too long, and it has the effect of pulling focus from the theme of the show and settling it on their shoulders instead. The result weakens both: they are not highlighted enough to carry a show like the Luzia clown main character does, and they take up too much time for the audience to realize they are meant to be one story among many.

Taken as they are though, the clown acts really are excellent. They are not tedious in the moment, only when held up against the broader landscape of the show. Their relationship still feels a little transgressive in a beautiful, comforting, validating way. Muted though the love story is, something about that adds to the honesty as much as the bravery. It deserves a ton of praise for that. Everyone in the room was fully invested in them. Snowstorm was beautiful and the music does so much to enhance the storytelling they give us.

(I did not remember the extended gun cleaning/masturbation gag from 2019 but that was the only part where I was like okay, let's move it along, boys.)

Misc.

Fleur doesn't seem like much of a bad guy anymore, and though I miss his old ornery edge, I'm not bothered by his current phase. He helps paint a picture not of a broken kingdom, but of a confused one, which leaves room for collaboration and acceptance reinforced by acts like acro pole and powertrack. There is room for both regimes in this new future. When it comes time to hand the crystal over to the White Singer, he does so without an ounce of reluctance or apprehension. It's a gesture of "let's do this together," not "you take the lead." It's very warm and effective.

Le Bal isn't quite as fun as it was in 2019. It wasn't positioned as a joking funeral march but rather just further hijinks between Fleur and the Old Birds. Like the lack of mirrors in cyr wheel, this wasn't a detriment to the show as it exists today, but it was a simplification of something that was once a little more dynamic.

Overall: As always I am exhausted just writing this. I beg you: see Alegria. Travel as far and as long as you can to make it happen. It is worth it. I live in fear that it'll never come back to do a full and proper North American tour (NYC deserves it, god damn it, it's been over six years), but if it never does, I'll know I made every effort, and I'll know it paid off in droves.

[royalsunshinehotel]

Pegging (Preference, 18+)

requested by my beloved @lover-jpeg, and co-written by my dearest @hecuba-of-troy

Anwar Kharral (Skins UK, 2009) - Anwar worships the pussy, we know this. We appreciate this about him. But before anything he is a Hoe. And bisexual icon. - You're beautiful, badass, partner. If you ask nicely, he'll be down. - Though what threw you was the fact that he did have his own strap for you to wear. - He said that his 'ex' left it, and you get side tracked about if he means the sweet, beautiful, Italian tennis player, or that mean heidi klum-knockoff that you fought at the VMAs. - You get around to the act eventually, and it's great for both of you.

Neelamani "Neal" Sampat (The Newsroom, 2011-2014) - Dude, Neal LOVES pegging. He's been around the block and he's concluded that it's one of his favorite things. - We know he's got experienced, but he's gonna wait for you to ask, because it seems odd to spring on someone you've just started seeing officially. - The man is a retired hoe, and switch, and truly, deeply, down for whatever the hell you're gonna throw at him. - When you see him fall apart for you, you conclude that this is going to be a tri-weekly thing for you and your partner.

Sunit "Sonny' Kapoor (The Best Exotic Marigold Hotel, 2011, 2015) - Like your entire relationship with Sonny, the conversation about pegging was spur of the moment. - You hadn't seen him in a square 24 hours because both of the Hotels had three weddings booked between them. - Your man is too damn hyperactive, he needed a break. - So the moment you could get your claws into him, you drag him away from work and push him down into your bed, and ask "do you trust me?" He says yes. - You tell him bluntly, "I'm going to fuck you." and his eyes get wide. - It has to be one of your favorite things to see Sonny calm down for you, just rock back onto your strap while you pull his hair and tell him what a "good boy" he's being for you. - From that moment on, it's your secret weapon on how to get Sonny to calm down.

Deon Wilson (CHAPPIE, 2015) - Deon's not the most experienced, he's been open about this. - Paired with the fact he had some major emergency surgery in Johannesburg, you take the physical stuff at his pace. That's some serious body trauma, you're not gonna rush him. - But then, one evening, he's hanging out at your apartment, and he asks you a question. You say yes immediately. - Deon's skittish, nervous, just as you expected. But you soothe him, like you always do. - He thinks he's going to die for a moment, but being an overstimulated puddle in your partner's arms? There are worse ways to go. He would know. - You reach around to jerk him off, taking in all his small moans and whines. He falls apart. 10/10.

Sheru "Saroo" Brierly (LION, 2016) - Saroo is literally too much of a dom. Like it's hilarious. - Like he doesn't really care about pegging, it just doesn't sound like it would be particularly fun. He likes being in charge. That's it. - That's all you need for a "no", because what else is there? - Though, to be honest, the last time you brought it up, the night ended with your bedframe broken and several major bitemarks in impractical places. Not too bad.

Sanjay "Jay" Menha (The Wedding Guest, 2018) - Jay is a no. But not a hard no. - Like maybe one day, once things have settled down. - When he's got you a house, with a white picket fence, and you guys eat casseroles or whatever the hell married people do. - But for now, he can't give up control. He can't let himself let go just yet.

David Copperfield II (The Personal History of David Copperfield, 2019) - David is a certified bottom. You guys are swingers, and your more than happy to share him with a handsome man who asks. - With David's enthusiastic consent, obviously. - He bottoms for men, but he likes to have you there. The natural progression is you wanting to try it for yourself. - It wasn't intentional, but the time you spend at the club is cut almost in half. Barring Edmund. You both adore Edmund, and that's final! - Adding pegging to your shared repertoire only brings you both closer together.

Joshua Madika (Modern Love, 2019) - Joshua definitely identifies as queer. Specifically pansexual. - He's bottomed before, but it's not common for him. Joshua is a CEO, and you don't become a CEO without loving control. - But the thing is, your his baby. You want to try it, and you always get what you want. Just as it should be.

Sir Gawain (The Green Knight, 2021) - This man will get tossed around by anyone and everyone. - He definitely gets pegged he's down for it. Whoever, whenever, he's down. - During orgies at the castle, he could be in a group with mostly women all over him, but he feels someone in that area - And our favorite whore of a knight just things "okay, whatever" and enjoys the ride. - He's never been pegged in private though. - When you bring it up, he gets a bit nervous. It's a bit too real if it's just the two of you. - But you take care of what's yours.

[zombiiesque]

Seasonal Series: FALL For Nocturne Alchemy

Originally published 10/3/2019

So I've been meaning to work on this series for a while, but I keep getting distracted! I'm terrible, I know. I've had the idea to write up a series of four posts, one for each season, of scent suggestions from Nocturne Alchemy - both LC (Limited Collection) and PC (Permanent Collection). I've asked my fellow House of Nocturne Alchemy Tent members for their suggestions, too. If you are not already in the Tent on Facebook, please join us - we'd love to have you! It's a wonderful group. So, fall. It's October, and here in Florida the temperature hasn't really given us any relief, and I'm dying to wear my heavier fall scents. I am really glad not to have snow here yet, but I really would like to have some cooler days! Bring on that crisp fall air, I am ready.

Let's start with LC scents, shall we? Some of my favorites: Phantasm Kiss. Can't talk about fall without talking about this, the biggest gun of all, for me. The vanilla/smoke/wood balance is absolute perfection, and it's cozy and dark and right in my wheelhouse. To boot, it literally makes everything I have ever layered it with smell just so much more amazing. I don't think I've ever tried it with something I didn't love 1000%. This is VHTF, (very hard to find) though - if you come across one in the secondary market, you'd better act fast. Jack's Halloween Oudh is another iconic fall scent - everyone seems to love this, and it truly is fall in a bottle. It took a long time for me to be able to wear it, because for some reason I amped the dickens out of the spices, but they finally mellowed with age enough for this to truly be an experience, not just a perfume. It's a FALL fall scent, in capital letters. Just a tad on the foodie side, but balanced enough with the other notes that I wouldn't call it a gourmand. I'm not going to pick a particular pumpkin from the 31 Pumpkin Library, but I will say this: If you haven't been following along with this series, you are missing out. This is the last year for these. I was not sold on the idea of pumpkin as perfume, because I was never much of a foodie gal - I liked it well enough for room scents, and will eat the heck outta some pie, or muffins - but I just didn't really ever try any that appealed to me. Now I've accumulated a good 10 of them, and love them all. There's something for every taste, even the folks who don't like pumpkin or foodie scents. Can't wear spices? There's even several without spice in the series, too. Feeling Witchy, with a capital W? Sisters of the Moon was created by Bastet in honor of Stevie Nicks, and it's perfection. Herbal, dark, haunting, mysterious - it's everything you want in a witchy perfume. Always a favorite of mine this time of year. My absolute favorite Halloween subcollection though, is the Mummy series. So many favorites in this - Mummy Crypt, Mummy Tomb Incense, Embalmed Mummy, Mummy Amber, and currently available in the Resurgence, The Mummy Returns. Even better, these all do well layered with each other - I highly recommend experimenting with this! My absolute favorite is Mummy Crypt, but truly, I love them all. I would be remiss if I didn't mention V, also available in the Resurgence. I have to say that one really crept up on me - I really liked it, but I do have a lot of incense, and I wasn't sure it was totally unique to my collection. I wore this recently and it was like I was hit by a lightning bolt - I GOT THE FANFARE. Holy. Freaking. Bats! Don't skip out on this if incense is your jam, because this is a beauty. I am not sure whether it was hormones - mine have been in flux for quite a while - or the aforementioned warmer weather, but although I did like it, I wasn't obsessed with it. I surely am now, and it's going to get a lot of wear over the next few months. Thoth did a spectacular job with it, he truly did. Oh, I don't want to forget to mention the Patchouli Bats. If you love patch the way I do, there are some beauties here, and my two favorites right now are Scarlet Bat - available in the Resurgence section of the Limiteds, and the new Vampire Bourbon Patchouli Bat. I'm not going to say a lot on that, as I've got a review coming up at the end of the week with a more in depth look at Bourbon Bat, but it is divine, and already a fan favorite. Another Patchouli Bat I love that came out with the last Holiday LC is Vampire Cardamom Bat - I added this on as a last minute choice, and wasn't really sure about it, but it's become a quick favorite, and I wore it year round this year, but I think it's definitely more appropriate in the cooler months. Scarlet Bat is sugared patchouli red musk, and it. Is. Sexy. Seriously stunning. Okay, lest I go on too long here, I'm going to wrap this up by mentioning some of the LC favorites in the Tent. Vampire Bourbon Patchouli Bat is a fast fan favorite, and everyone is raving about it. Also

mentioned were Halloween Evening, Skeletonic, Blood Queen, Sandman, and Eternal Ankh Spice. Based on the review thread in the Tent, if you like lavender and sleep scents, Halloween Dreams is very popular. Okay, there are a ton of other really wonderful LC choices for fall, but I obviously could go on and on - let's head to the Permanent Collection!

Nocturne Alchemy has a large and wonderful PC, so if you have not explored this yet, you are truly missing out. Treasures untold, as Ariel says in The Little Mermaid. Right off the bat, I'm going to mention the brand new Halloween 2020. It was available in a special black frosted bottle in the LC section, but it's also part of the All Hallows' Eve subcollection, along with previous Halloweens, including my beloved Bastet Halloween 2016. This is a sandalwood lover's dream. I received a sample with my order, so I'll be talking about it when I post my reviews, but I LOVE it already. This is a great fall section, chock full of perfect cooler weather scents. BOO! is a fan favorite - I keep meaning to get a sample of it, because I want to give it a try and see if I can wear the spices. I do, however, have a sample of Day of the Dead, and it is the perfect Horchata. Sugary rice milk, creamy vanilla, and a touch of musk - it's so wearable, even if you're not into foodie scents. It's a snuggly white scent. I used to have a sample of Black Crow, but I gave it away many moons ago - but it's something I need to upgrade to a full bottle of, I loved it. I do however have a big bottle of Black Raven and I adore that one! The patchouli is prominent, but it's blended well with the other resins, and it's a rich and dark scent. If you love those kinds of scents, don't skip out on this one. I could really go on and on in this section, but I'll stop, and just encourage you to explore this one for yourself, especially for fall. Another section you won't want to miss is the Goblins. This one contains another big fan favorite, Spooktacular. I have the original version, without the addition of Bastet's Ice Cream Accord, but I need to pick up the new one, as well. This is simple - gooey, creamy, marshmallow goodness. If you are looking for a marshmallow scent, Spooktacular is the one you want. And it layers with absolutely everything! Demonseed Cake and Pina Ghoulata are also popular. The Immortals has another favorite - Emerson. This is a beauty for fall, a bright, rich golden resin scent. Mina is another popular one, jasmine with vanilla, musk, and pepper. I'm going to mention Ozymandias here, although I wear this year round, if I had to put it firmly into a season, I would call it a fall scent. I highly encourage you to age this one if you find it faint at first, that is common with this scent. It's a cozy, sweet resinous scent with just a light kick of pepper, and just perfect for snuggling into a jean jacket and thick sweater. It's in the Pharaohs & Queens section. There are a literal ton in the Studio Limited sections that would suit, so I'm going to briefly mention a few favorites: Ember Vanilla. Smoked out, slightly chewy vanilla, and layers well with many other perfumes. I haven't tried Bourbon Vanille solo yet, but having had it in blends, I am yearning for a bottle, and I think it, too, would be a great fall scent. There are many of the Ombres that are heavier and absolutely perfect for the fall, not the least of which are Oud Ombre and Fig Noir Ombre, a darkly sexy, date night fig and resins perfume. The newly released Musk Haven musks are great as well - I'm thinking particularly Vanilla Musk and Amber Musk, with the golden, stunning amber musk of Saphir. Ember is a rich, woody combination of frankincense and myrrh that I crave all year, but in particular during the cooler months. Kashmir - a dark, sexy red musk, and Bloodstone - a deep, spicy dragon's blood - are heavier and well suited for fall. Really, there are a plethora of choices in the Studio Limited, so I'll leave you to browse at your leisure, and just mention a few more that come to mind. Etherias is another section worth exploring, and I have several of these on my wishlist, including Etherian Ambre, which I think sounds perfect right about now. But one I really crave once the temperatures drop is Polichenelle - a gooey marshmallow with a puff of smoke and spicy clove. This to me is the perfect scent if you like clove, but it can amp up on your skin. I have that problem

myself, but not here - the marshmallow really reigns it in and it is beautifully balanced. It dries down to a lightly spiced marshmallow musk on me. The Royal Ambers have so many favorites, but I really want to mention Sky Amber, Thoth Amber, Sekhmet Amber, and especially Horus Amber. The cardamom in this is so smooth and rich, this is a gorgeous golden scent that is just wonderfully warm. Let me put the brakes on, y'all. There are a lot of great choices for fall in the PC, and some recommendations from my friends in the Tent include Burning Jack, Vanilla Pumpkin Pie, Halloween 2019, and Halloween 2017 (I too have this one and love it).

OH, another one - I would really feel bad if I didn't mention this. The Desecrated Tomb is a great little section, and the three I have all layer well with each other - Black Frankincense, Black Myrrh, and Black Vanilla Embalming Spice. But that last one is a perfect fall vanilla, it's dark and smoothly warm with the spices, and totally unique. And it's another fan favorite!

And that's it! Fall is my absolute favorite season, so I get a little verbose with the recommendations. There are so many wonderful possibilities, and not just in the Limited Collection. What are your favorite fall scents? Do you have and love any of these? Happy October, y'all.