#Leica 35mm f2 APO Summicron ASPH
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Camera : Leica M11 / Lens : APO Summicron 35mm f2 ASPH #leicam11 #elmarit90 #leicaworld #leicafilm #leicafilmcamera #leicacamera #leicaphoto #leicaworld #leicaphotography #90mm #90mmphotography #leicamonochrome #monochrome #monochromephotography #blackandwhitephotography https://www.instagram.com/p/Cojl-N0r5D_/?igshid=NGJjMDIxMWI=
#leicam11#elmarit90#leicaworld#leicafilm#leicafilmcamera#leicacamera#leicaphoto#leicaphotography#90mm#90mmphotography#leicamonochrome#monochrome#monochromephotography#blackandwhitephotography
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3 of the Best Lenses for the Leica M11 (You'll Love These)
Drool more.
The Leica M11 answers the demands of many a photographer. It boasts image quality that looks like slide film while balancing the needs for both resolution and dynamic range. Plus, there’s a cool brass version. We reviewed the Leica M11 already and really loved working with it. So if you’re considering buying one, make sure you’ve got good lenses. Here are some of the best lenses for the Leica…
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#best lenses for the leica m11#color#dynamic range#leica#leica 28mm#leica 28mm f1.4 summilux#leica 35mm#leica 35mm f2#Leica 35mm f2 APO Summicron ASPH#leica 50mm#Leica 50mm f2 Summicron APO#leica m11#review#sensor
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L1000719 by Four_cats
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コロナ禍の定点観測吉祥寺2021年末-2022年始
ライフワークである吉祥寺のスナップ撮影
- Leica CL, Sigma 65mm F2 DG DN | Contemporary
年末にSony α7cを手放し、Leica CLを導入した。どちらもいいカメラ。どちらのマウントでも、SigmaのIシリーズが非常にいい仕事をしてくれる。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
クリスマスツリーとイルミネーション。Sigmaのレンズの良さがよく分かる。
- Leica M7, Summilux-M 1:1.4/50 ASPH., FUJICOLOR SUPERIA PREMIUM 400
フィルムで撮る吉祥寺。SUPERIA PREMIUM 400は27枚撮りがもう販売終了とのことで、段々とフィルムが手に入りにくくなっていることを感じる。
- Leica M7, Summilux-M 1:1.4/50 ASPH., Kodak PORTRA 160
河口湖で使い残したフィルムで吉祥寺スナップ。
- Leica M7, Summilux-M 1:1.4/50 ASPH., Kodak PORTRA 160
オリンピックの影響か、スケボーをやっている人が増える。
フィルムで流し撮りにチャレンジ。意外とよく撮れた。
- Leica M10-P, Apo-Summicron 1:2/90 ASPH.
中望遠を探す中でたどり着いたレンズの一つ。
アポズミだけあって、とても素直な写り。
- Leica M10-P, Super Takumar 55mm F1.8 初期型
時々持ち出すTakumar。逆光がなければスッキリシャープ。
- Leica CL, Sigma 65mm F2 DG DN | Contemporary
APS-Cなので、フルサイズ換算で約100mmの焦点距離。サイズ感、写りを考えると、吉祥寺スナップといえば一番にこのレンズが選択肢に上がる。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
フルサイズ換算で標準画角。最も気軽に持ち出せる組み合わせ。
- Leica CL, Sigma 35mm F2 DG DN | Contemporary
ちょうど一年前に比べるとかなり増えた人出。このまま収束してくれるとい��のだけれど。
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Leica APO-Summicron-M 35mm F2 ASPH lens samples
https://www.ranzware.com/39148
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Leica APO-Summicron-M 35mm F2 ASPH lens samples
Leica APO-Summicron-M 35mm F2 ASPH lens samples
We recently took delivery of Leica’s new APO-Summicron-M 35mm F2 ASPH, and in the short time between its arrival and when it had to be sent back, we prepared a preliminary sample gallery in and around sunny Seattle. The Leica APO-Summicron-M 35mm F2 ASPH is an impressive piece of glass, boasting a complex optical construction consisting of 10 elements in 5 groups, with 4 aspherical surfaces. Six…
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Leica announces APO-Summicron-M 35mm F2 ASPH https://ift.tt/3kJvw4p
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Leica announces APO-Summicron-M 35mm F2 ASPH
Leica announces APO-Summicron-M 35mm F2 ASPH
Published Mar 4, 2021 | dpreview staff Leica has announced the release of the APO-Summicron-M 35mm F2 ASPH. The compact 35mm F2 is the closest-focusing M-mount lens, with a minimum focus distance of just 30cm (11.8″). The optical formula of the 35mm F2 includes 10 elements in 5 groups, with 4 aspherical surfaces. Six elements use anomalous partial dispersion glass to help reduce chromatic…
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Анонс Leica APO-Summicron-M 35mm f/2 ASPH
Leica представила новый объектив APO-Summicron-M 35mm f/2 ASPH, особенностью которого самая короткая дистанция съемки в 30 см среди объективов M, красивое боке и светосила с максимальной диафрагмой F2.... Читать дальше »
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%^ Near Mint Leica APO-Summicron-SL 35mm f2 ASPH. Lens With Box 11184 #31939 https://ift.tt/32PUNDa
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Camera : Leica M11 / Lens : APO Summicron 35mm f2 ASPH #leicam11 #summicron35 #aposummicron35 #leicacamera #leicaphoto #leicaworld #leicaphotography #35mm #35mmphotography #leicamonochrome #monochrome #monochromephotography #blackandwhitephotography #streetphotography #zeph_lightroom_preset https://www.instagram.com/p/CohQP0rLXTn/?igshid=NGJjMDIxMWI=
#leicam11#summicron35#aposummicron35#leicacamera#leicaphoto#leicaworld#leicaphotography#35mm#35mmphotography#leicamonochrome#monochrome#monochromephotography#blackandwhitephotography#streetphotography#zeph_lightroom_preset
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5 Lenses with Gorgeous Bokeh Every Photographer Can Lust For
Fall in love with the bokeh!
You probably just got over your gear acquisition syndrome. But in truth, it never really goes away. We’d know; we review a ton of products and then have to send them back. And there are lenses with some beautiful bokeh that we’ve always adored. Bokeh isn’t everything, but sometimes you can’t help but stare in awe at the photo you’ve made. And a lot of the time, it can make your subject look even…
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#adapting#Bokeh#focusing#leica#leica 35mm#Leica 35mm f2 APO Summicron ASPH#leica 50mm f2#leica 50mm f2 summicron#leica 75mm#leica 75mm f2#leica 90mm#leica 90mm f1.5#leica 90mm f1.5 summilux#leica lenses#lenses with gorgeous bokeh#sharpness
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https://dc.watch.impress.co.jp/img/dcw/docs/1172/615/10_o.jpg
LeicaのLマウントレンズのAPO-SUMMICRON-SL F2/35mm ASPH.が発表されました。
APOを冠するレンズは特別なレンズなのですが、このLマウントAPO Summicronレンズ群の面白さは35mm、50mm、75mm、90mmが全て同じくらいの大きさという点です。
右の4本のレンズがAPO Summicronですね。
Leicaの中で『APO』を冠するレンズは特筆する描写力を持つレンズたちです。広角レンズから望遠レンズまで、SL用のSummicronのLマウントレンズは全てAPOです。これはアポクロマートの意で、すなわち三つの波長で色補正が為されている事を指します。一般的に異なる波長は異なる屈折率を持つので、全ての波長を一点に集光するのは至難の業です。アポクロマートそのうち三つの波長(青色近傍と緑色近傍と赤色近傍が一般的です)が一点に集光するレンズです。ちなみに、二つの波長が一点に集まるのをアクロマートと言い、四つ以上の波長が一点に集まるのをスーパーアクロマートと言います。
永くに渡り、APOレンズは望遠レンズが多かったのですが、最近になって標準レンズも増えて来ました。古くは1975年のAPO-TELYT-R 180 mm f/3.4、最近では遂に2012年にAPO-Summicron-M 50 mm f/2 ASPH. に標準レンズにもAPOの付くレンズが開発されました。APOの付くレンズを作るためには、単に異常分散ガラスがあればいいわけではありません。レンズの組み立てや偏芯調整も含むのです。
そしてここに準広角の35mmレンズにもAPOを冠するレンズが開発されたのは、正直驚きです。
ここからは私の想像ですが、Leicaでは単に上記の三つの波長補正をAPOと呼んでいる訳ではないと思います。APOとは軸上色収差の補正ですが、極端に言えばそれだけが補正されていればアポクロマートレンズとなる訳です。しかし、Leicaでは軸上色収差の補正だけはなく、APOの軸上色収差補正に見合��た水準のその他の収差の補正が必要なのだと思うのです。倍率色収差、色に寄らないザイデルの5収差の球面収差、コマ収差、非点収差、像面湾曲、歪曲収差が全てAPO水準で補正されていないとAPOを冠することはできないのだと思います。その中で、軸上色収差が補正しやすい広角レンズが、その他の収差までAPO水準になったのは凄いと思います。焦点距離が長くなるレンズは球面収差と軸上色収差が大きくなりやすい傾向ですが、広角レンズは倍率色収差、コマ収差、非点収差、像面湾曲、歪曲収差が大きくなりがちで収差補正しなければいけない項目が増えるためです。更に得てして異なる収差を同時に補正できないため、設計方針は極めて難しいと思います。
LマウントのAPOレンズは回折限界まで出ているのでしょうか。凄い光学設計能力とそれを実現できる光学組立能力です。
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Leica APO-Summicron-SL 35mm F2 ASPH: El nuevo miembro de la familia Summicron para la alianza de montura L https://ift.tt/2C3b89b
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Leica announces APO-Summicron-M 35mm F2 ASPH
Leica announces APO-Summicron-M 35mm F2 ASPH
Leica has announced the release of the APO-Summicron-M 35mm F2 ASPH. The compact 35mm F2 is the closest-focusing M-mount lens, with a minimum focus distance of just 30cm (11.8″). The optical formula of the 35mm F2 includes 10 elements in 5 groups, with 4 aspherical surfaces. Six elements use anomalous partial dispersion glass to help reduce chromatic aberration. The lens has 11 aperture blades. A…
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Have your say: Best prime lens of 2019
Best prime lens of 2019
2019 was a banner year for lenses, as Canon, Nikon and Panasonic grow their respective full-frame mirrorless systems and Sony continued to add optics to its E-mount lineup. In this poll, we're giving you the change to vote for your favorite prime lenses of 2019 but as always, if you think we've missed something, let us know in the comments.
Voting runs through December 15th, and once the vote has closed we'll run a second poll to find your choice for overall product of the year.
Canon
Canon is busy building out its nascent EOS R full-frame mirrorless system, but while most of the action has been in the zoom category this year, Canon also added a stellar prime lens in the form of the RF 85mm F1.2L IS USM. Also in consideration is a lens which became available just a little too late to be included in last year's poll, the EF-M 32mm F1.4 STM - a fast, compact standard prime for the APS-C M-system.
Canon EF-M 32mm F1.4 STM Canon RF 85mm F1.2L IS USM Fujifilm
Fujifilm has been expending a lot of energy on new cameras this year, from the entry-level X-A7 to the flagship medium-format GFX100. But the company also released a handful of lenses, both primes and zooms.
Among them were two fixed focal-length options that we've really enjoyed in 2019 - the GF 50mm F3.5 and the tiny XF 16mm F2.8 - both really nice, compact walk-around lenses on Fujifilm's medium-format and APS-C format cameras, respectively.
Fujifilm GF 50mm F3.5 R LM WR Fujifilm XF 16mm F2.8 R WR Leica
2019 saw Leica release the refreshed Q2 and mirrorless SL2, and to accompany the latter, Wetzlar unveiled two new lenses, a 35mm F2 and 50mm F2. We've never no much as even handled either, but both appear to be excellent performers, and we know that you'll have opinions.
Do either (or both?) make it on to your list of the best primes of 2019? Let us know.
Leica APO-Summicron-SL 35mm F2 ASPH Leica APO-Summicron-SL 50mm F2 ASPH Nikon
This year for Nikon has been all about consolidating its Z-series lens lineup, following the launch of the Z6 and Z7 in 2018. Nikon released three Z-series primes this year, and two of them (the 85mm and 58mm 'Noct') have impressed us in our initial shooting. We just got hold of the Z 24mm F1.8 S and it looks like another excellent performer. Let us know what you think by casting a vote.
Nikon Nikkor Z 58mm F0.95 S Noct Nikon Z 85mm F1.8 S Nikon Z 24mm F1.8 S Panasonic
Panasonic has been putting a lot of energy into its full-frame L-mount lineup this year, and the S Pro 50mm F1.4 is a fine 'reference' lens for that system. But the company also found time to update one of its most popular primes for Micro Four Thirds: The Leica DG Summilux 25mm F1.4 II ASPH. Did either of them make it into your lens collection?
Panasonic Leica DG Summilux 25mm F1.4 II ASPH Panasonic Lumix S Pro 50mm F1.4 Sigma
Sigma released plenty of lenses this year, although several were L-mount versions of existing designs. The company's two genuinely 'new' primes exist at opposite poles of the company's lineup - the small and lightweight 45mm F2.8 at one end, and the large and heavy (and pricey) 35mm F1.2 'Art' at the other.
Both are excellent in their own way - did either impress you in 2019? Cast your vote and let us know.
Sigma 35mm F1.2 DG DN Art Sigma 45mm F2.8 DG DN Contemporary Sony
Sony had a great year in terms of lenses, releasing three high-quality prime lenses for its full-frame a9 and a7-series cameras. The FE 35mm F1.8 is a perfect walk-around lens, whereas the 135mm F1.8 is aimed more specifically at portrait professionals. Meanwhile the FE 600mm F4 is a perfect tool for sports and wildlife shooters.
Have you been shooting with any of Sony's new prime lenses this year? Cast your vote and let us know.
Sony FE 135mm F1.8 GM Sony FE 35mm F1.8 Sony FE 600mm F4 GM OSS Tamron
Tamron launched three prime lenses this year, including a new reference prime in the 'SP' (Special Performance) range. The SP 35mm F1.4 is a large, heavy but very sharp medium wideangle for Canon and Nikon DSLRs, whereas the 24mm and 35mm F2.8 Di III are lightweight, everyday options for mirrorless photographers.
Do any of the three deserve a place in our final list of best primes of 2019? Cast your vote and let us know.
Tamron SP 35mm F1.4 Di USD Tamron 24mm F2.8 Di III OSD M1:2 Tamron 35mm F2.8 Di III OSD M1:2 Zeiss
We've never seen the Zeiss Otus in person, but if it's anything like Zeiss's previous Otus-series lenses, it's likely to be a seriously impressive piece of glass. But is it one of the best prime lenses of the year? Let us know.
Zeiss Otus 100mm F1.4 Vote now! . Have your say$(document).ready(function() Poll("pollId":"9242472685","openForVoting":true,"mainElementId":"poll1","slot":null,"isSingleChoicePoll":false,"minNumberOfChoices":1,"maxNumberOfChoices":20); )Have your say: Best prime lens of 2019Your answers1. Required2. Optional3. Optional4. Optional5. Optional6. Optional7. Optional8. Optional9. Optional10. Optional11. Optional12. Optional13. Optional14. Optional15. Optional16. Optional17. Optional18. Optional19. Optional20. OptionalYou need to login to voteCanon EF-M 32mm F1.4 STMCanon RF 85mm F1.2L USMFujifilm GF 50mm F3.5 R LM WRFujifilm XF 16mm F2.8 R WRLeica APO-Summicron-SL 35mm F2 ASPHLeica APO-Summicron-SL 50mm F2 ASPHNikon Nikkor Z 58mm F0.95 S NoctNikon Nikkor Z 24mm F1.8 SNikon Nikkor Z 85mm F1.8 SPanasonic Leica DG Summilux 25mm F1.4 II ASPHPanasonic Lumix S Pro 50mm F1.4Sigma 35mm F1.2 DG DN ArtSigma 45mm F2.8 DG DN ContemporarySony FE 135mm F1.8 GMSony FE 35mm F1.8Sony FE 600mm F4 GM OSSTamron SP 35mm F1.4 Di USDTamron 24mm F2.8 Di III OSD M1:2Tamron 35mm F2.8 Di III OSD M1:2Zeiss Otus 100mm F1.4
Voting is easy - you pick your favorite products by dragging and dropping. You can pick as many products as you like, and rank them in order of priority.
Poll Rules:
This poll is meant to be a bit of fun. It's not sponsored, promoted or paid for in any way and DPReview doesn't care how you vote. Our readers' polls are run on the basis of trust. As such, we ask that you only vote once, from a single account.
Read more about this at dpreview.com
https://bestcamaccessories.com/have-your-say-best-prime-lens-of-2019/
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