#Lego monkie kid season 5 rewrite

[swagginmun]

[Get ready fellow Monkie Kids...]

[ryin-silverfish]

LMK S5 Fix-it: the Four Divine Beasts

My feeling on LMK S5 has stayed pretty consistent after first watching the Chinese dub: "nice character moments, but what even is this worldbuilding?"

And personally, the Four Divine Beasts/Guardians/Symbols are the biggest symptom of S5's worldbuilding problem.

Namely, they feel more like plot devices that are just there to die and cough up the Color Stones, and as a result, 4/5 of the "Find the Color Stone" plotline felt like a worse version of S3 and the Samadhi Rings, but with even less flavor.

Now, I'm aware of the 11-minute episode constraint, as well as the pressure the studio change might have created that contributed to the overall feeling of rushed-ness.

However, my criticism here is about the writing and worldbuilding, not the animation quality——things that, in my humble and uneducated opinion, could have been done a lot better even if we were sticking to the "Find the McGuffins" plotline.

Thus, this post. As always: very lengthy, very Chinese-mythos inspired.

Four Guardians & Five Phases

A brief Google Search on the Four Symbols, aka Sixiang, will tell you this: the Azure Dragon, White Tiger, Vermillion Bird and Black Tortoise are divine beasts in Chinese mythology that watch over the four directions, each associated with a color and one of the Five Phases.

(An old post of mine briefly talked about their origins as personifications of four big constellations that occupy a quadrant of the sky each, and their relations to the 28 Lunar Mansions)

And S5 certainly paid homage to their elemental associations, however brief and surface-level it is.

The Vermillion Bird's ability to use fire and its flaming temple is the most notable example, but this screenshot of the seal that appeared at the temple entrances also shows five symbols:

From middle left, going in the clockwise direction, these appear to be the characters for Wood, Water, Fire, Earth and Metal in Oracle Bone/Bronze Script.

Which begs the question...why would you spend so much effort on the tiny visual details, yet not show most of their elemental association through the narrative itself?

Like, suppose you are a foreign audience that knows nothing about Chinese culture and legends, who have just finished watching S5, and I ask you "What elemental powers do each of the Four Symbols have?"

Apart from Vermillion Bird = Fire (the obvious one) and the Black Tortoise = maybe Earth (which is not mythos-accurate, btw), can you honestly answer it, based only on what the show has given you?

Which leads me to my biggest gripe: their random-as-hell placement.

Even the Samadhi Rings have a map, however vague it is, but with the Color Stones, the gang basically just wandered all over the place in the hope of eventually running into one of the divine beasts——and they did, somehow!

Like, I'm not asking the writers for an entire mini-arc that's just them piecing the clues together. But will it be too much to let SWK or Tang make an off-hand comment like this?

"Well, legends said that the Four Symbols watch over the four directions and their respective elements. So if we wanna find them, we just gotta go real far in these directions, toward places with the most of that... elemental stuff! Right?"

And that brings me to the actual fix-it part. The Vermillion Bird can stay where she is, but the placement of the other three should also logically follow their elemental associations.

Oh, and though there's limited space for their characterization, they should at least get some individual characterization apart from "wise ancient guardians".

Xuanwu, Black Tortoise of the North

The fact that Xuanwu, or rather, it's snake half, can transform into stone at will might lead you to believe that its element is Earth.

Well...no, not traditionally; the Black Tortoise and the North correspond to Water in the Five Phases system, and I'm gonna both stick to that and build my fix-it off this foundation.

Instead of cosplaying a stone statue in the middle of nowhere, Xuanwu is gonna be residing on one of the islands in the North Sea, where dark tides and huge snow storms rage endlessly under the sunless sky.

So Sandy, being the water travel specialist, is gonna head out there on his boat. Mei would go to her great x N granduncle, Ao Guang's place, to see if he has any clues on, well, this big blue dragon that's also of the East.

Pigsy and Tang would head west, classic JTTW style, towards the mythical Mt. Kunlun where Queen Mother of the West resides (based on one of Tang's books that said the White Tiger was her emissary), while SWK performs an all-round search everywhere on his somersault cloud.

Which leaves MK: his dilemma is not about some random divergence in the road, but which of his friends to follow. Like, what if he goes with one person, and something bad happen to the others in the meantime?

In the end, even though he reluctantly goes with Sandy, he is still constantly distracted by his worries about everyone else, which segments nicely into the meditation training of S5E3.

But since they are doing it on a boat, there can be an external storm to go with the internal storm, causing further distractions for MK and also forcing them to seek shelter on the nearest island.

An island that, strangely, seems to be coated in a thin layer of ice. It isn't just the earth that's frosted over: all the plants, a few unfortunate multi-headed (???) seabirds, and a snake have also turned into ice statues...

Wait, snake? How does a reptile survive this far out in the north?

They have a bigger concern, however. The ice is slowly but steadily spreading, over the beaches and the surrounding seawater, and if they don't finish the search soon, the ice might get too thick for the boat to break.

So MK dashed off to do a grid-by grid search, then circled back to the place with all the frozen statues...and found the snake missing.

Cue, peak paranoia moment, and going on a wild-goose chase for the missing snake that might or might not be an ice-wielding demon waiting to ambush them.

In fact, the snake almost seems to be taunting them, seeing how they run into several "frozen snake statues" that turned out to be made of actual, solid ice. Sandy keeps reminding him to stop and think, while MK finds it harder and harder to put the lessons to practice.

By following the trail of ice statues, however, they eventually arrived on a little island in the middle of a frozen lake, where the real snake——the one half of Xuanwu lay coiling around the Blue Color Stone.

Just when MK is about to dash out and grab it, the snake comes to life with a hiss, and they barely dodged the ice spikes rising up from underneath their feet.

"Begone, foul spawn of Hundun! Return to thy conniving master, ilk of the Floodbringer, before I freeze every single drop of thy tainted blood!" "Um, I-I think you've mistaken me for someone else? I'm the Monkie Kid, and I'm here to collect your Color Stone so I can save the world——" "Doth thee mistake me for a fool, too?" The snake bore its fangs, rising its head high up into the air. "I can feel the flames of dear Lingguang on you, murderer, ripped straight out of its rightful owner's chest! She would not have perished without a fight, nor shalt I!" "Enough, Zhiming."

The tiny island itself begins to shake, revealing the other half of Xuanwu, the Black Tortoise itself. The snake still manages to half-encast Sandy in ice, before the Black Tortoise traps it inside a ball of flowing water.

She briefly apologized for her twin's hostility——whereas the strain of keeping the world together affects her body in the form of visible cracks, her other half has not been in his right mind ever since the Vermillion Bird's fall, living in the distant past and rarely able to perceive the present.

(The whole conversation is punctuated by the snake's psychic screeches in the background, which alternates between accusing her of betrayal and stating she must have fallen victim to the "poisonous blood of the enemy".)

Which makes the upcoming trial even more necessary. No, it's not "mercy-kill her twin". Yet. MK needs to prove his ability to control his body and mind, that his psyche will not break like her other half here under the tremendous pressure.

Thus, the trial of meditation. And he needs to act fast, for she cannot hold the snake back for long, as made evident by the slowly creeping ice inside and outside his watery prison.

"If you are truly worthy, then vanquish your fears, and stand before us in your true form. Brandish Lingguang's stone, so that we may be released from our watch in the long night."

MK succeeded, like he did in canon, with a small difference: his mastery of the monkey form is required for, and enables the limited usage of the stone's power.

So, holding the Red Color Stone, he unleashes a wave of fiery light that melts away the ice on Sandy and finally brings the snake back to his senses...somewhat.

He only managed to say the Vermillion Bird's name in a wistful voice, exclaiming "How I missed thy warm flames!" before melting into a puddle of water.

The other half of Xuanwu soon followed after giving him the stone, disintegrating into a mass of snowflakes that is swept away by the wind, but not before dropping one last bit of foreshadowing:

"Trust not the Floodbringer's Emissary."

(Sidenote: I think it'll be neat if the Four Symbols refer to each other using their IRL Daoist titles. Vermillion Bird - Lingguang, Black Tortoise & Snake - Zhiming, Azure Dragon - Mengzhang, White Tiger - Jianbing)

Azure Dragon & White Tiger

...And I thought Xuanwu's placement was random.

No, seriously, why is there a random music festival that just happens to be Azure Dragon and White Tiger themed that just happens to be near the actual place the two divine beasts are at?

To stay within the show's time constraint, I will not be giving White Tiger his individually themed placement, and instead try to come up with something that is appropriate for the pair as a whole.

Since Azure Dragon's associated element is Wood, it makes sense for him to have plant powers. Namely, whereever the divine beast resides, floras and faunas will flourish, no matter how out of place with the local geography and climate.

Once Mei learned that from Ao Guang, theoretically, it becomes quite the easy find: the mythical oasis city in western China, one that shows up multiple times in historical travel records yet has never been found by archeologists.

And the reason will soon become clear, as Tang and Pigsy make the drive from one desert city to another on their way to Mt. Kunlun (joined by Mei after she returned from the Samadhi Fire side-arc).

Namely, it's like a magical version of the famous Peach Blossom Spring of Chinese literature: an entire city that has been glamored over by the power of the divine beasts, occupied by people whose way of life hasn't changed since the Tang dynasty.

But as the guardians' powers fade, so does the illusion that veils it from the outside world, and the elemental magic that sustains this paradise.

Instead of a music festival, the gang finally discover the city that, according to the locals, has appeared out of thin air a few days ago, while it is in the middle of an archaic ritual procession.

The atmosphere is a lot more solemn, and it isn't hard to see why. Not only has the illusion vanished, exposing them to a profoundly alien world, the foliage of the oasis are growing and dying in rapid succession, clogging the streets with fallen leaves and yellowed petals.

An opera play is going on atop a nearby stage. It sings of a teal-robed immortal who rescued the refugees of a long-forgotten war, who turned desert into fertile soil with the help of a mighty divine general, concealing their existence from the greed and malice of the outside world.

The people in the procession knelt down and pleaded to the immortal for aid, to not abandon them in their hour of need. And their prayers are, indeed, answered, just not by the divine beasts in person.

The 14 Lunar Mansions that belong to the Azure Dragon and White Tiger descended from the sky, summoned by their masters, though they seemed to have been given different orders.

Namely, the Azure Dragon 7 spread out to guard all the major city gates, letting no one enter or leave, while the White Tiger 7 are ordered to round up all the residents and start setting up a teleportation formation.

Soon afterwards, Nezha arrived in the midst of the chaos. He is just as clueless as to what was going on as the Monkie Kid gang, but the moment he caught sight of SWK and friends, he's after them in hot pursuit.

Meanwhile, Li Jing is not happy about the Lunar Mansions suddenly acting without his orders, and commanded them to stand down or be arrested for insubordination.

"With all due respect, Devaraja Li——" Before the Moon Fox Star could finish her sentence, another stellar beast stepped forth, his tiger tail swishing behind him. "Who the hell do you think you are?"

Results: most of the Azure Dragon 7 get sucked into his pagoda, but while they were fighting, the White Tiger 7's formation activated, teleporting the majority of the city residents to god knows where.

While shit was hitting the fan, Tang hurriedly teleported the gang away, right into the sanctuary of the divine beasts——an underground temple.

"It's over, Mengzhang. Now that the Harbinger is on our doorsteps, and your pet mortals are safe at the cost of our loyal warriors, will you finally rest easy?" "Not...yet. There are still...stragglers, left behind." "Stragglers you have doomed yourself! Their fate is sealed the moment you cast your mirage over their ancestors and create this little utopia, frozen in time." The cracks on the tiger's body widened. A thick layer of condensation began forming on the metal reliefs, as if the very walls of the temple were weeping. "I should have never agreed to stay and help." "Yet you...still did. And I'm so glad you are here."

Yep, in this fix-it, I decide to use the Azure Dragon & White Tiger for some thematic parallels, with them basically repeating Nvwa and the Pillar of Heaven on a smaller scale.

The former created a garden city in the middle of the desert, while the latter uses his power to provide the water source that sustains the city (because Metal births Water).

As the end approaches, however, they are faced with the problem of ensuring the city residents' safety, since, upon their death, the entire oasis will revert to a desert overnight.

The White Tiger feels like there's no point in trying anything, since their death means the Harbinger will fulfill his destiny soon and give the world a reboot.

But the Azure Dragon insists on channeling his power into the land until the very last possible moment, so that the people's last memories will be a mundane, peaceful one.

Besides, they know very well that Fate and Destiny are no longer ironclad, when the very laws of reality are breaking down. How, then, can he be sure that the cycle will end and the world will be reforged as Nvwa intended, seeing that its premature beginning is already an outlier?

After a long argument, they had reached an uneasy compromise. Thus, the chaotic arrival of the Lunar Mansions and the hurried evacuation of the residents.

"You will understand, won't you, Harbinger?" The dragon looked into his eyes. "Even if you know it's selfish and futile, that you can't keep them safe forever, you are still going to give your all, just so their happy days will last a little longer..." "It is easy for Brother Jianbing to say, let go, face your end with honor. For Metal is the clashes of blades, the unforgiving axe of executioners." "I? This old fool just saw lives. Of men and women, children and elderly folks. And I cannot stand by and watch them wither."

MK nodded quietly, feeling Mei's worried, "are you not telling me something" glance on the back of his head. He reached out a hand, and the two divine beasts press their foreheads together.

The dragon faded away in a rain of falling leaves and petals, and when the Purple Color Stone hit the ground, nothing remains of the tiger but a thin layer of silvery, metallic sand on the floor.

Appendix: Inside the Pagoda

The fix-it is mostly over at this point, so the following is just me adding some additional worldbuilding and foreshadowing to MK's solution in E10, to make the whole "giving powers to everyone" thing a little less out of left field.

In the previous section, it was mentioned that a bunch of Lunar Mansions end up inside Li Jing's pagoda too. And when MK and friends run across them, they are in a pretty bad state.

Namely, the same cracks they see on the divine beasts are now appearing on the Lunar Mansions' bodies too.

"Isn't it obvious? Our masters are no more, so we now bear the brunt of the weight that was once on their shoulders..." "And are on our way of being crushed to a pancake." "Very tactful, aren't you?" The one-horned man sighed. "But yes. Lord Mengzhang is a stellar beast too——the greatest of all. He is a constellation, while we are merely the stars that make up the dragon's body, embued with a tiny fraction of his power." "And when the very sky of the East has fallen..." "How can the stars remain unscathed?"

After that, they basically exit the scene to fade away offscreen. But the information they revealed plants the seed of an idea in MK: specifically, that the Color Stones' power (and burden) can be shared between multiple individuals, like what happened at the end of E10.

Also, tiny fix: instead of MK learning the circlet spell outta nowhere, he's gonna tap into the power of the Color Stones during his fight with SWK, just like he did during Xuanwu's trial, to buy enough time to make his sacrifice.

[dluebirb]

Everyone needs therapy after that ending. Even MK, but that got established at the beginning of season 3

But holy hell if I am not on my hands and knees after that ending (；ＴДＴ)

MK is in a perpetual state of needing therapy--

GAH THAT ENDING THO

Save me lmk rewatch (it will make me worse)

[beeshoesometimesdraws]

So the drawing from the other night I mentioned:

I made the mistake of opening twitter the other night (I refuse to call it x) and now my brain is buzzing with Lego monkie kid stuff cuz everybody was freaking out over season 5 being probably close to being a thing (Lego released new sets for it so yeah)

And so combining my rekindled interest in lmk with my also rekindled interest in Danny Phantom, I redesigned an oc I haven’t touched in like…almost a year now I think?

Old Ghost design:

NEW Ghost design >:) :

Took inspo from dp with the powers + the green-blue color scheme cuz yes (let the ghost monkey be a real ghost monkey/silly)

I’ll also prolly be rewriting his lore + character a tad since again I haven’t touched it in a bit, I have a doc with everything I just need to find it-

Also lil extra doodle that I almost forgot-

[atlasifyllm]

This or That: Writer Edition!!!

open tag from @kudzucataclysm ! open tag for yall too bc i just wanted to ramble with this akjbfgksd

historical or futuristic

I tend to focus either a changed version of our era or the future, ORR just completely rewrite history with batshit insane worldbuilding. As for SUL I really like the mix between futuristic and fantasy elements, like RWBY or Lego Monkie Kid; but I don't really tend to go past the 2000s millenia for my stories lmao

2. the opening chapter or closing chapter

Whenever I have a story I feel like I have a vague plot and only the Point B. Openings are SUPER hard because you have to make sure you hook the reader with the most basic, not-developed-yet versions of the characters. Even harder in trying to study pilot episodes as an animation major @_@.

Fun fact, SUL's ending scene has been the same since 2017!

3. light & fluffy or dark & gritty

I really like exploring darker topics; it'd be a real challenge for me to make something 90% wholesome. However I always want some form of happy ending despite all the darkness. Even looking at the Winter Boys, Cobalt gets his arm cut off, Ventus loses his girlfriend and gets used by his former gang members, and Nix... Nix goes through a lot akjbgsdkgsd, but all of them still find happiness in the end

4. animal companion or found family

Found family! The struggle with animal companions is simply just, not forgetting that they exist lmao. Especially as someone who tends to just do normal dog/cat animals, none of the animal companions are sentient enough to carry themselves. My main stories (SUL, ETSS, AuAg) all have elements of found family :] bc at least I can explore the emotional range of a human more than my dog lmao

5. horror or romance

im a huge wuss ngl KBSGJKSGS all of my pure horror concepts tend to get fueled into Last Light because of how much of a wuss i am JBSKGJS. Even though I chose romance I never tend to make it the MAIN focus of a story; CoRi in SUL you see the middle point, fallout, and (hopefully) getting back together, though the main point of SUL would be exploring the trust issues between ALL Paladins and not just the ones romantically involved. Venpris is technically a side piece in AuAg's general crime plot (as tender and intimate as they are), and ofc ETSS has space-apple wars to wage in between all the LuxNex fluff

6. hard or soft magic system

I need a hard system bc Im too stupid to make a soft one JKBFGSKJGD

I guess for SUL actual "magic" tends to be pretty soft since it's implied witchcraft is something gods have gifted to mortals BUT in all fairness I'm still plotting the witchcraft elements of SUL

For actual elemental powers I'm still constantly adding rules and this or that for SUL characters simply because it feels more organized and thus more organized for me to put into a plot lol

7. standalone or series

Seriessss I grew up with MLP multiple seasons, Yugioh + Yugioh GX multiple seasons,,, heck also RWBY and Lego Monkie Kid multiple seasons. I dont tend to get SUPER attached to specific movies, especially standalones, so my brain just sorta automatically tries to write stuff as if they're multiple season projects. ETSS and SUL have the most obvious season-by-season plots, though AuAg so far I'm not super sure about BUT definitely feel like it'd span multiple episodes

8. one project at a time or always juggling two+

I always hyperfixate on one at a time JBSKDJSG in between bursts of SUL it's been ETSS, sprinkles of AuAg, then that brief period of JMON in Fall 2021.

9. one award winner or one best seller

I'm not really sure if I have a preference for either of these tbh LMAO I just wanna create and hope theyre successful enough to carry me throughout life

10. fantasy or sci-fi

Im too stupid for sci fi tbh JBSKJGS I always worry about getting this or that wrong so I tend to go pretty fantasy bc I have fun worldbuilding it knowing I can just do batshit whatever like the very first instances of SUL basically mixing YuGiOh and MLP logic akjbfskdg.

11. character or setting description

I may be an art major but I'm an art major who hasn't done proper backgrounds since high school JKBGKSJGS I think a lot of my descriptions are pretty clunky In General but characters are easier since I always have character designs first before environmental design

12. first or final draft

A lot of my work at the moment is based off of doing things quickly. The Atlasify comics, my own writing, heck my art too. I don't like spending too long on certain projects or such so technically all of my work is first drafts bc I wanna get stuff done first instead of never finishing one project

13. love triangle in everything or no romantic arcs

Technically both ETSS and SUL have somewhat love triangle moments but

a.) ETSS is more an exploration on identity than romance

b.) the SUL love triangle is literally between turqbalt's two identities and rina

BUT god I'd rather have no romantic arcs at all than actual love triangle moments. Do you know how many teleseryes have the cheesiest cliche love triangles? No thank u I wanna do all or nothing

14. constant sandstorm or rainstorm

i love the rain :] the air is fresh and the plants look greener. i dont think my asthma would love lots of sand tbh