#Lakritz Edition

[konsum]

Katjes Martin Rütter Hundies Lakritz Edition, 175g

[hyenafu]

Watched Jurassic Park the other day

[rumverliebt]

(Werbung aufgrund von Markennennung) . 🇧🇧🇧🇧🇧🇧 Plantation Rum Barbados One Time Edition 2013/2022 50,2% 0,7L 🇧🇧🇧🇧🇧🇧 . ➡️➡️➡️ Streng limitierte Auflage ⬅️⬅️⬅️ . Dieser Plantation Barbados 2013 One Time Rum wird im Column und Gregg Farm Pot Still Verfahren destilliert und anschließend für 8 Jahre in amerikanischen Bourbon Fässer auf Barbados gereift und nochmals für 4,5 Jahr in Ferrand Fässer (350L) gereift. Nach einer Reifung von insgesamt 9 Jahre wird dieser Plantation Barbados 2011 One Time Rum mit einem Alkoholgehalt von 51,1% Vol. abgefüllt. . 👃 Duft: Ein fruchtiger und zugleich würziger Beginn mit Aromen von Kokosnüssen, Orangenblüten, Pfirsichen, Bananen, Vanille, gerösteten Mandeln und Pfeffer. . 👅 Geschmack: Reichhaltig und würzig. Der Gaumen folgt der Nase, jedoch mit mehr Gebäcknoten und zudem mit Honig, Haselnüssen, Ingwerbrot und Tabak. . 🥃 Finish: lang und fruchtig mit Zitronen, Birnen, Lakritz, Pfeffer und Toffee. . Weitere Informationen zu dem Produkt und eine Bestell-Möglichkeit findet Ihr unter folgenden ℹ️ Link: . https://www.rumverliebt.de/plantation-rum-barbados-one-time-edition-2013.html . ⛔️Verkauf nur an Personen über 18 Jahren⛔️ . #plantation #plantationrum #plantationbarbadosrum #barbadosrum #doubleaging #doublecaskaged #rum #rhum #ron #tasting #rumtasting #rumlovers #rumcocktails #drinks #drinkporn #cocktails #cocktail #bar @ferranddeutschland @plantation.rum (hier: Rumverliebt) https://www.instagram.com/p/CoIrALfLOi3/?igshid=NGJjMDIxMWI=

[boernepedia]

Same @hotpapercomics

[takemetoclownchurch]

Homestuck Sprite Edits

Hey everyone, I’m Rory/Time and I do sprite and panel edits among other things! Can I get a promo? I’m fairly new to making edits, so I don’t have a whole lot to show yet, but here are a couple of things I did so far: the first two ocs belong to @black-lakritz-dragon

I can do edits of canon characters as well as ocs! I also love doing stimboards, links to some I already did are in a reblog!

Requests open!

[bookishdiplodocus]

Positive ways to talk about your story and its flaws

I saw a post that mentioned not tearing your story down before readers even got the chance to read it. (EDIT: this post by @just-the-hiddles)

I know it’s popular to say “Here’s my piece of trash, lol, I was half-asleep when I wrote this so, yeah, I probably rambled a lot and there’s a typo every other sentence… But I hope you enjoy it!”

Maybe some of you don’t know how to warn readers without putting them off completely. So here are a few sentences you can use:

“I wrote this at 3 am / half-asleep / drunk”

I was obsessed with writing this! It just kept me up, I simply couldn’t do anything else before I finished this, not even sleep.

The words just FLOWED from my hands, I completely lost track of time. I love it when that happens!

I woke up from this dream and I was SO inspired to write!! #dreamspiration fam

You know what they say: write drunk, edit sober.

“It’s a dumpster fire, but it’s my dumpster fire”

This hasn’t been edited or betaed, so please be kind!

I just write for fun, I’m not looking for constructive criticism.

It hasn’t been edited or betaed yet, which means you guys get the exclusive scoop!

“I don’t know what I’m doing with my story/characters/… ”

I love my boi [name], he’s such a smol bean!

Warning: there’s an amazing plot pwist coming up :D #spoilers

I ship [name] and [name] so hard!

(General idea: don’t say anything about whether it’s good or bad. Just gush about what you like about them/it.)

I hope this was helpful. Don’t hesitate to ask me any questions, and happy writing!

Follow me for more writing advice, or check out my other writing tips here. New topics to write advice about are also always welcome.

Tag list below the cut. If you like to be added to or removed from the list, let me know.

@therska @writingwordsanddrawingpictures @heywriters @the-words-we-never-said @writingwhithotchocolate @i-rove-rock-n-roll @maskedlady @no-time-like-write-now @timefire25 @black-lakritz-dragon @fandomrandomness-stuff @dangertoozmanykids101 @anaestheticdisaster @storytellingofravens  @purpleshadows1989 @mathematicpony @i-don-t-know-words @notquitenovelist @coffeescribles @reffaces @livingthelovelylife @katsglabella @lokitty-is-my-spirit-animal @thefallenbibliophilequote @watchmewritedumb

[timefirewrites]

I made a bingo for Of Gods and Heroes! When you fill it out, please feel free to tell me more about your wip!

Taglist (ask/comment to be added/removed) below the cut!

Edit: Added a picture description below the cut as well! (Please tell me if it needs future editing!)

@shadows-on-everkin​ @marewriteblr​ @black-lakritz-dragon​ @theswordofpens​ @glowingmooncreations​ @kit-tells-a-story​ @saxoniowrites​

First row: High fantasy, m/f friendships, multiple POVs, lgbtq+ cast, tragic backstories

Second row: found family, magic, mythical creatures, gods, lonely characters

Third row: end of the world, merfolk, free space, lost civilizations, travel

Fourth row: secrets, high expectations, different ages, biolumiscent plants/fungi/beings, learning to trust

Fifth row: unreliable narrator, growth, dragons, glowing eyes, little to no romance

[dyke-mecha]

Aaaand here's the tag thing for Voice!

1. What was the first element of your OC that you remember considering (name, appearance, backstory, etc.)?

Voice' name. At some point tiny toddler Aurora decided to name the voice in her head Voice. It's Auroras fault that his name is not more creative, not mine!

2. Did you design them with any other characters/OCs from their universe in mind?

Not really. He doesn't has any connections to other characters besides Aurora.

3. How did you choose their name?

Like I said, a small child was supposed to come up with the name, so I chose something rather simple.

4. In developing their backstory, what elements of the world they live in played the most influential parts?

The two different energies.

5. Is there any significance behind their hair colour?

Nope.

6. Is there any significance behind their eye colour?

Yes! And since I already told Lakritz what is eye color is, I might as well post it here now! His eyes are red!

7. Is there anything significance behind their height?

I get the feeling the only reason I create tall characters is to mock Aurora.

8. What (if anything) do you relate to within their character/story?

That loneliness. It doesn't matter which people are around, there's still that slightly glimmer of that stupid loneliness.

9. Are they based off of you, in some way?

Nope!

10. Did you know what the OC’s sexuality would be at the time of their creation?

I didn't really think about that, and I'm still not sure about it.

11.  What have you found to be most difficult about creating art for your OC (any form of art: Writing, drawing, edits etc.)?

I dunno. Probably the way he talks.

12. How far past the canon events that take place in their world have you extended their story, if at all?

Pretty far back and up until to the end of the first storyline.

13. If you had to narrow it down to 2 things that you MUST keep in mind while working with your OC, what would those things be?

He encourages Aurora to do stupid things, but he also stops her from doing stupid things! He seems to know whether something is dangerous or not.

14. What is something about your OC that can make you laugh smile?

His laugh. It's so pure.

15. What is something about your OC that can make you cry?

That thing that's gonna happen eventually.

16. Is there some element you regret adding to your OC or their story?

Nope, and again, I could just change it.

17. What is the most recent thing you’ve discovered about your OC?

Something small regarding his backstory.

18. What is your favourite fact about your OC?

He genuinely cares about Aurora. If anything would happen to her, he'd kill everyone on Aralon and then himself.

[atundo-shop]

Jetzt neu!!! Die neuen Haribo Maoam Kracher Toffee Lakritz sind da! Leckere Kaubonbons mit Toffee Geschmack. Limited Edition - Nur für kurze zeit erhältlich.

[hyenafu]

Slightly Damned 731: Honestly, I should have given Lakritz a cool scar after this page. I guess there's still time if I wanted to go back and edit every page he's ever been in after this lol Find this comic's place in the archive here: https://www.sdamned.com/comic/731

[cookmalda]

CookMalDa November 2020 - Vorgeplänkel

Pandemie Schmandemie. Alle drehen durch und wir machen mit unserem Kochwettbewerb weiter. Na, ob das was wird? Spoiler: Nicht alle schaffen es über die Ziellinie, yours truly eingeschlossen. What a year.

Was ist das nochmal, dieser Wettbewerb?

Kurz zusammengefasst: 15 Leute nennen jeweils geheim eine Zutat und aus dieser Einkaufsliste muss jeder ein Drei*-Gänge-Menü zaubern. Streichen wegen magichnicht darf man zwei, substituieren wegen Allergie/Ernährung/sonstiger Grund außer magichnich darf man im Grunde alle. Wir sind da nicht so dogmatisch, najagut, vielleicht ein bisschen, aber hier halt nicht. *Corona-Edition: Diesmal wurde es den Kombattant:innen freigestellt, ob zwei oder drei Gänge gekocht wurden.

Die Zutatenliste für den November 2020 war: Birne Boskoop Datteln Erbse Kaffee Kartoffeln Kresse Kreuzkümmel Lakritz Meringue Sauerkraut Sojasauce Spekulatius Whisky Wirsing

Nachlesen könnt ihr wie immer alles unter dem Häschtäg #cookmalda auf Twitter, es war wieder ein großer Spaß und ich freue mich, dass so viele schöne Ideen entstanden sind. Nächstes Mal aber WIRKLICH im Frühling. Ohne beige!

[boernepedia]

underwater

Quellen: (X), (X), (X), (X)

[phoenetix-wein]

"Hinter die Binde gekippt" mein Corona Trink-Tagebuch

Kategorie Probeflasche. 

Langeweile… Das Schlimmste was einem in so einer Zeit passieren kann ist Langeweile. Okay, das Finale von GNTM lief auf Prosieben, genau wie "Masked Singer", die Nick biss sich durch "Stars unter Palmen", "Sing meinen Song" ging in die neue Staffel, der Ersatz-ESC war in vorbereitung und auf VOX lief "Prince Charming". Wem kann da schon langweilig werden? Ist nur eine rein rethorische Frage, niemand muss darauf antworten…… Ich dachte mir: "Du könntest dich doch mal wieder etwas künstlerisch betätigen und mal wieder mit dem Malen anfangen." Gesagt getan… Gut… Was mal ich denn mal? Puhhhh… Hmmmm… Muse wo bist Du? Ah da ist sie ja. Tiefrot, dickflüssig und sehr gut alkoholisch. Die Schmelzer's EDITION aus dem Burgenland: 3 Rebsorten und 4 Jahrgänge. Was eine Cuvėe… Fett, tiefschwarz, Beerenmarmelade, Zimt, Nelken, Lakritz, Kirsche, Cassis… Scheint die österreichische Antwort auf Primitivo zu sein, nur noch ein bisschen mehr Alkohol (15,5%). Aber trotzdem, soviel Extrakt, dass er schon fast dickflüssig ist. Könnte man vielleicht sogar damit malen? Ne, das klappt nicht und wenn der Pinsel im Glas war schmeckt der Wein auch nicht mehr so doll. Okay, ich sollte solche Weine nicht mehr so schnell trinken, aber dafür hat mich die Muse geküsst. Wenn Ihr das fertige Bild sehen wollt, dann schreibt es in die Kommentare.

#hinterdiebindegekippt #phoenetix #jpsprickel #tuebingen #weingehtueberall #inderpampa #schmelzersweine #burgenland #burgenlandwein #schmelzer #österreich #foodrebellen #cabernet #cabernetsauvignon #blaufränkisch #zweigelt #fetterrotwein #somm #sommelier #wein #weinspass #coronakrise #kellerleichen #rotwein #redwine

[takemetoclownchurch]

HOMESTUCK SPRITE EDITS

Hey everyone, I’m Rory/Time and I do sprite and panel edits among other things! Can I get a promo? I’m fairly new to making edits, so I don’t have a whole lot to show yet, but here are a couple of things I did so far: the first two ocs belong to @black-lakritz-dragon

I can do edits of canon characters as well as ocs! I also love doing stimboards, links to some I already did are in a reblog!

REQUESTS OPEN

[bookishdiplodocus]

What happens after you get accepted by a publisher?

As some of you may know, I’m a professional editor who used to work as an in-house editor. I see many posts about how to query and stuff, but very little describing what happens after you sign the contract. Of course, this varies between publishing houses, but I’ve worked as an in-house editor in three publishing houses, and I will relate my experience with them.

I’m your primary contact person. I will send you the contract, signed by the publisher (my boss), and answer any questions you have before signing it and sending it back to me.

Then you probably won’t hear from me for a few weeks. I’m thoroughly reading through your manuscript, and usually simultaneously a few others as well. When I’m done, I will get back at you, to let you know if there’s any rewriting work to be done on your book. There usually is. In fact, over the years, I’ve only had one author whose book could be sent to the text editor straight away. So don’t take it as a bad sign.

Major rewritings can also happen before you sign your contract. This means we see your potential, and it’s big enough for me to invest my time in you (my salary costs money too), but you have to prove that you can rewrite it. See my other post on “What if your publisher asks for a complete rewrite” and some nuance and other nuance for more information on, well, complete rewrites.

I will never put you to work without helping you, and you can always call or email me if you’re stuck or if you don’t know what I want. In fact, I’d rather have you contact me than you trying to hide the fact that you will most probably miss your deadline.

After the rewrites have been done, what happens then? In the bigger publishing houses I worked at, a freelance editor corrects your grammar and spelling and stuff. They work on a sentence and word level. In the small publishing house, that was also done by me. That doesn’t change anything for you.

I will send you the manuscript with the corrections for you to approve. Usually, authors agree. If you don’t understand or don’t agree, just let me know and I can either explain it to you or see if you have a point.

Meanwhile, I will put the cover designer to work. I will tell them what kind of a book it is, which genre, which target audience. If I have ideas for similar covers they can use, I tell them as well, but usually I trust the designer to do their work. I think in words, they think in images. To each their strenght. If you have ideas for a cover, we will look at them. (But usually cover ideas by the author are not commercially interesting, and they end up liking the cover we designed better.)

I will send you some unfinished cover ideas, or sometimes the one cover we all agreed on. You usually have veto power, but authors rarely veto a cover (”It looks so real now!”) because our cover designers know their job ^-^ The cover needs to be approved by a lot of people: you, me, the publisher, the people from marketing, the salespeople... Negotiation about 14 conflicting opinions is part my job.

By now, you’re probably done with approving the corrections in your manuscript. I check it one last time and send it to the lay-out people.

The publisher decides on the format of your book (softcover/hardcover/fancy edition...), based on what is financially possible and commercially interesting.

The lay-out person sends me a sample, usually the first five pages. I print it to see if the font, margins, interline, readability... are okay. They usually are, and I give the lay-out person a “go!” to lay-out the entire book. A few hours later they send me your book in pdf.

I will now send it to a second freelance editor, whose job it is to check for typos and weird line breaks etc. They will send me their corrections and the lay-out person will take care of it.

I will send you your final, clean manuscript and you will beam with pride to see your book as a “real book”! ^-^ (Similar feelings as when I send you the first cover.)

I will have written a blurb, sometimes based on your query letter. Everyone who had to have an opinion on the cover will be consulted again for the blurb. I will send you the definitive version, but to be honest, in practice, you can’t change much about it, unless you have Good Reasons, because this is the version the 14-headed monster - I mean, committee of colleagues - agreed on.

The cover designer now makes a back and spine cover.

Now there is nothing else for you to approve, you’ve seen everything. I’ll send the covers and the text pdf to the printing house, confirm the publishing date and then we play the waiting game!

Next, my colleagues of the marketing devision can take over, or sometimes they take over earlier in the process, or sometimes they don’t consult you at all.

When your physical books arrive on my desk, you can be sure that I am as proud of you and your book as you are. After some happy unboxing and bothering my colleagues - “just LOOOK at this BABYYY!” - I will send you a few copies through the snail mail for you to unbox and bother people with. (At least, if this is stated in your contract. At the publishing houses I worked at, usually it said that an author gets 5 copies of each edition.)

We usually don’t organize and pay for a launch party, but if you want to have one, go ahead. For debutants, a launch party doesn’t help selling copies that wouldn’t have been sold anyway. Journalists don’t scour book launch parties, it’s usually the author’s friends and family who attend, and they were going to buy a copy anyway.

And then it’s time to keep your fingers crossed, hope for good sales, and start writing on your next book!

***

I hope this was helpful. Don’t hesitate to ask me any questions, and happy writing!

Follow me for more writing advice, or check out my other writing advice here. New topics to write advice about are also always welcome.

Tag list below the cut. If you like to be added to or removed from the list, let me know.

@writingwordsanddrawingpictures @thewordsweneversaid @writingwhithotchocolate @i-rove-rock-n-roll @maskedlady @no-time-like-write-now @timefire25  @black-lakritz-dragon @nzmayart @fandomrandomness-stuff @dangertoozmanykids101  @anaestheticdisaster @storytellingofravens @purpleshadows1989 @mathematicpony  @i-don-t-know-words

[toniologe]

Hill’s Absinth Verte ‘Vintage Edition’ | 70% abv, 35mg/kg thujone Hill's Absinth Verte 'Vintage Edition' Dies ist eine limitierte Auflage destillierten Vintage Verte Absinth aus Kleinserienproduktion. Es hat einen reichen und frischen Geschmack, leicht bitter-süße Noten, eine hocharomatische Nase, intensive Lakritze und einen weichen Nachgeschmack.