#LIKE ITS JUST JESSE FROM SIXTONES

[emeraldbabygirl]

GOUKI AND SHUNTARO ARE SO SEXY IN KAMEN TEACHER AHHHHH

[ayuuria]

Yashahime Translation: Animage January 2021 Issue (Part 2)

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I decided to split this translation into two parts as it made more sense flow wise.

Part 1: Merry Christmas from the Yashahimes Part 2: Interview with SixTONES (the group that performed the opening theme to Yashahime)

Click here to read Part 1

SixTONES, Let’s Start Running

An opening theme that livens up the start of the story with a catchy tune and lively moving cinematic. Thoroughly dissect the charm with an interview and scene cuts!

Singing the opening theme for “Hanyō no Yashahime” is the energetic idol group that has gained popularity across a wide age range, SixTONES. What is charming about their 3rd single, “New Era”, is that it is an emotional song that has a melody overflowing with a sprint like feeling and rap mixed in. With the meaning of “A new age” included in the title, it perfectly matches this work that draws the story of the new generation.

Bringing out the feel of the tune’s youthful vitality is probably the condition of its link between the video. Going along with the lyrics of “Let’s start running” at the beginning, Towa, Setsuna, and Moroha can be seen running together. At the hook of the song, matching the melody, the three of them rhythmically attack demons. In accordance with that, within the tune’s positive impression, the “likeness” of the three girls is added refreshingly. With the synergy of the song and the cinematic, it is an opening theme with an overflowing feel of righteousness that instantly draws viewers into the world of the work.

Shared Questions

Q1. From the start, what sort of impression did you have of “Inuyasha”?

Q2. What did you think when you heard that the song would be the opening theme for “Hanyō no Yashahime”?

Q3. What is your favorite part within the melody or lyrics?

Q4. What were your thoughts during the recording?

Q5. What did you think when you saw the completed opening cinematic?

Q6. If you could go to the Feudal Era, what would you take with you?

Kochi Yugo “I took a photo together with the opening screen”

A1. My impression was the characters were so cool and cute that it made me want to try on Japanese clothes when I was little. Personally, I fell for Sesshōmaru.

A2. I was genuinely happy. I never imagined that SixTONES would oversee a theme song to an anime that is popular across a large range of generations. Anime songs have a lot of impact, so I thought this was a chance for people of all different generations to hear us!

A3. I personally love Morimoto’s B melody part. It has remained in my ear ever since listening to the demo sound generator and I secretly wanted to sing that part. Please, I would like everyone to listen (to that part) consciously!

A4. Rather than focus singing well, I went into the recording wanting to focus on the sprint like feeling and emotion. It ended up having a good nuance with more emotion in it which made me happy!!

A5. Seeing the main characters move with our tune was fresh and exciting. When the credit came up, I instinctively took a picture of it!!

A6. I would take a large amount of seasonings like mayonnaise to the Feudal Era. I want to eat fish and rice deliciously! I also want to make a triumphant face!

Kyomoto Taiga “I streaked my hair as a sign of respect”

A1. I watched it every week after coming home from school, so it feels like I’m returning to my childhood when I watch “Inuyasha” even now. V6’s “CHANGE THE WORLD” (first opening theme song of “Inuyasha”) was the first CD I ever bought so I’m happy that we were entrusted with the theme song this time!

A2. Anime theme songs are something I normally appreciate and have an aspiration for, so I was truly happy. Putting in respect for the work, I streaked my hair for the shooting of the music video and (CD) jacket.

A3. There’s charm packed in the whole thing but the falling hook is especially nice so I would like everyone to enjoy the development of tune as it changes like a rollercoaster.

A4. I was entrusted with the important parts like the beginning of the A melody and the B melody right before the hook, which influences the tune’s impression and enlivenment. Hence, I completely brought out my rock side which was locked in my internal shelf when I sang. I hoped my strength and passion came through.

A5. It’s a work that inherited the world of an anime I watched when I was little, so hearing our voices resound in the theme song was deeply moving.

A6. A blanket. I have a habit of making blankets into pillows when I sleep so I’d like to take one so I can sleep well.

Tanaka Juri “The potential of the tune expanded with the added cinematic”

A1. The image I have of “Inuyasha” is that it’s recognizable to many people and has a lot of fans. I watched it myself and a lot of my friends are big fans.

A2. I heard that we would be singing the theme song first before the actual song. Frankly, I was happy and excited as to how our music would match the anime’s setting.

A3. I think you’ll get the feeling that you’re being taken to a variety of worlds from this single song due to the way the melody continuously changes. However, it really comes together as a whole, so the quality of the song is high. It would be great if people can enjoy the six of us shining in our individual parts with their ears.

A4. As much as I could, I tried not to think about the fact that it was a theme song when I sang. I’ll mess up if I think about it. The conclusion I came to after interpreting the meaning of us overseeing (the song) in my own way was that there was meaning in SixTONES delivering cool music. Hence, I focused on creating cool music without thinking about unnecessary things.

A5. We saw it for the first time during the broadcast, but I felt that it expanded the potential of the song that we alone couldn’t express.

A6. A rice cooker. I want to eat warm rice.

Matsumoto Hokuto “I was happy there was starry sky cinematic at the slow part”

A1. At the time, I thought it was a work that was a little more for adults so I thought I shouldn’t push my limit and didn’t watch. Even so, I really liked the visuals for Inuyasha.

A2. I knew it was a highly anticipated work. Thus, I was little unsure if we could create a song that could clear that hurdle.

A3. The part at the intro and coda that goes “ai ai ai…” was sung not as a chorus but by myself. It’s a hard song with a lot of vigor but there’s a delicate harmonization paired with it so I would like people to pay attention to the depth and lightness as they listen.

A4. In addition to the “ai ai ai” part at the intro and coda being one octave lower, adding a nuance to it was difficult so I had a harder time with it than expected.

A5. It was my dream to see a battle scene go along with our song, so seeing the scene where swords are being brandished made me excited from the bottom of my heart. This is me talking personally; during my slow part, the starry sky shows on screen. The name Hokuto originates from the stars, so I was strangely happy.

A6. Smartphone. Taking high resolution pictures and videos; I want to take a walk while having a modern map open, matching up where is where.

Jesse “It fits so perfectly that I laughed”

A1. When I was little, I wanted to be a demon!! I had “Inuyasha” stationary too!

A2. I was excited, wondering how the cinematic would fit and when I actually watched it, it fit so perfectly that I laughed! It really matched! I was really happy!

A3. There’s a lot of parts such as the Japonesque feel from the intro, the rap, the righteous melody line at the hook, and my part which is the drop melody. Thus, I don’t think you’ll get tired of listening to it. Also, the lyrics are really straightforward which I love. In the drop melody, in addition to the sprint like feeling and heartrending feeling, the hue changes a little so singing it made me feel a happiness I really like.

A4. I shouted more than usual in the recording! I like Shintaro’s part, so I hum it a lot.

A5. The voice of SixTONES, the melody of “NEW ERA”, and the character’s movements all fit perfectly so I’m relieved. I’m thankful!

A6. SixTONES’s sound generator and speakers!

Morimoto Shintaro “It become one at “Let’s start running””

A1. At the time, I was in either kindergarten or elementary school, so I was always excited to watch “Inuyasha”. I remember buying Tackey & Tsubasa’s “One Day, One Dream” single CD.

A2. I was very surprised! Very happy! Just like the song’s name “NEW ERA”, I thought it would be great if “Hanyō no Yashahime” and SixTONES could create a new era!

A3. The world of “Hanyō no Yashahime” and the world of SixTONES, the sound that has a lot of changing keys; there’s a lot of substance within one song to enjoy. I would like for everyone to pay attention to the sprint like feeling.

A4. There’s my slow part that starts from “I wanna~” and I would love for people to enjoy the tempo and melody as well as the hook that rises towards the “No no no no no-“ part.

A5. The scene where the characters start running when the lyrics say “Let’s start running” really tugged at my heart like the work and SixTONES had become one!

A6. Snack food. I want to bring them like “We have these delicious foods in the future!”. Even if you’re fighting, food is sure to bring about peace. That is my wish.

The Start of the Three’s Journey Opening Storyboard, Production, and Key Animation: Tobe Atsuo

— Please tell us what your thoughts were when you first listened to “NEW ERA”.

Tobe: I felt pressure as I thought it fit the image of the work.

— The cinematic was matched with the song but what sort of theme did you think of for the storyboard?

Tobe: At first, it was originally planned that Director Satou Teruo would draw the storyboard, so we composed it based on the director’s ideas. First, the number one priority was that we wanted to make the feeling of continuation from the work called “Inuyasha” straightforward. We decided we wanted to express “The three meet through the guidance of the rainbow pearls and go off on an adventure together” in a simple composition.

— It seems that you were the “One-man key animator”, is this what you wanted yourself? Also, within those 90 seconds, was there a part in particular that you enjoyed drawing?

Tobe: The one-man key animator was the director’s request. Of course, expressing the forms and impressions of the three new protagonists was fun and it was work worth doing. However, drawing the inserts of characters from “Inuyasha” was nostalgic. Especially Kirara. Also, Takechiyo’s a good character (laughs).

— Please tell us the parts you focused on or points that we should pay attention to.

Tobe: In any case, I made sure not to deviate from the image of the three leads being “youthful”. I was careful of not making it “childish” but instead “youthful”. In the opening, I didn’t concretely present the enemies that would appear going forward as I wanted to focus on the aspect of “the of start of the three’s journey”. Nothing would make me happier if viewers are able to enjoy the main story like “What’s going to happen from here on”.

Inuyasha & Sesshōmaru

While holding the key to story of “Hanyō no Yashahime”, Inuyasha and Sesshōmaru, who have not yet made a proper appearance since episode 1, are drawn in a meaningful way in the opening. Just what sort of meaning do their expressions have….

Illuminated by the Morning Sun

In the opening cinematic, it finishes off with the forms of the three girls gazing at the morning sun from atop a cliff. It is a situation where the scene closely resembles that one scene from the cinematic of the very first opening theme of “Inuyasha”, “CHANGE THE WORLD”.