#LA Ritual spoilers

[autumnblooms]

Memento Mori

As soon as I heard “ghoulettes” and “Victorian mourning gowns” I was possessed by the spirit of 13 year old me and had to get a sketch out

[delulluart]

So, that's what happened at the LA ritual, I heard?

[duckzz]

sooo ghoulettes in mourning gowns uh?

[drifting-wreckers]

Something I haven’t seen people talk about yet and need people to understand is that TINA FUCKING GUO WAS ONE OF THE CELLISTS DURING IF YOU HAVE GHOSTS????????

LIKE???? Tobias pulled out all the god damn stops just fucking AMAZING

[slippy-socks]

i’m still here 😔

[genderlessghoul]

PEOPLE ON GHOST TIKTOK ARE OFFICIALLY FUCKIN INSANE.

(Gonna be talking about unmasked Swiss and Aurora, and also the LA rituals)

I saw a video today talking about the infamous Swiss/Aurora kiss during Kiss The Go-Goat and people in the comments were getting like super mad at Jutty. Apparently his gf was devastated because they didn't discuss it with her beforehand, apparently she cried about it on Instagram live, apparently they might be breaking up because of it.

Y'ALL. JUTTY HAD TO FUCKIN TWEET THAT HE DOESN'T HAVE A GF AND HAS BEEN SINGLE SINCE MARCH.

Who tf is that supposed gf????

Also people are calling him a creep because of the age gap between him and Liv but like???? They're both very much adults playing roles on stage???? What?????

[birdhaslostit]

After the LA rituals… All I’m saying is that now we know Swiss acting insane onstage wasn’t him gearing up to kill Copia, it was him trying to get Aurora’s attention. THAT WAS A MATING DANCE BITCH LOOK AT HIM GO.

HE’S LIKE ONE OF THOSE WACK ASS BIRDS IN THE GALAPAGOS OR WHATEVER. JUST ACTING A FOOL FOR ATTENTION.

Becky u want sum fuk? I got you blue

[ghnosis]

I’m so here for written LA spoilers (that are appropriately tagged obvs) but the person who broke the phone thing the venue gave out to take photos anyway and then posted the fucking photo to IG stories and tagged the band AND the venue is like

a whole new level of asshole behavior imo

[thespillwaysofyoursoul]

I hear tell that Copia got the dogs out onstage? And for free? Hot

On a related note professionally I’m a costumer and if I had to go onstage to change a singer’s shoes (especially when they have costume changes offstage) I would throw the largest pillow I could get my hand on at them the moment we got on the bus.

[earthlessghoul]

he’s so stupid I love him sm😭

[autumnblooms]

Everything I’ve been reading about the ritual last night just sounds like a fever dream, but in the best possible way. Tobias is really living his best life right now and I am so proud of him for it.

[mrmephistopheles]

has anyone mentioned yet that for the skeleton dancers they were in full body paint? and then for dance macabre they put on sparkly pants and little suit collars

[phyyne]

as Rite Here Rite Now is in theatres and I could FINALLY SEE THE GHOULETTES i'm sharing this fanart again !!!

what did y'all thought about the movie???? i loved it so much HAAAAAAA !!! i want to draw Ghouls again so bad, finally drawing clear designs for my headcanons for all of them and the original design/oc i have in mind too........ (i'll have to do that on top of the preparation for the art fight and finishing Ace Attorney and working -anyway I won't sleep much this week lmao)

Here it is !! the finished illustration of the new Ghoulettes !! they've been on my mind for two weeks now, im happy i was able to do something that i like with them !!!

i think i'll post ref sheets of their designs in the next few days, as well as some other sketches i did !

quick explanation for their names : i really liked Eden and followed that idea, and because i feel like cellos are water/bass instrument i looked up what seas where important in the Bible and how they were called at different time periods and found that the dead sea was called Nekra in ancient greek, and the red sea Erythra. Lume was already popular, and i actually enjoy it so i just kept it like for Eden !

Voilà ! hope you'll like this fanart hehe

and it's in time for the Fanart Friday of @thebandghostofficial ! perfect !

[slippy-socks]

happy international eden ghoulette (la grand piano ghoulette) day

[namelessdumbass]

Rite Here Rite Now

It was amazing and funny. Copia girlies and boys fucking won!

I expected different outcome, tbh. Tobias managed to surprise me and also made me a tiny bit sad (reasons will be explained in the spoilers below).

The film consists of like 95% of concert footage and 5% of off stage/plot stuff. The quality of sound and editing is just 🤌 I expected the live of Twenties to be good and gosh Ghost delivered. And Mummy Dust...Tobias let Mary Goore out! But i honestly prefer Terzo's version (CaD) better. Sorry not sorry haha. Ghouls/Ghoulettes footage. Everyone who loves them will be very veeeery well fed!

Dance Macabre live...i was'nt wrong when i called it a satanic gay party 😁

The movie is worth watching and i do hope Ghost releases it as soon as possible for all those who were not able to go.

The spoiler free review ends here. Don't read further if you don't want to spoil it for yourself. And please, don't copy them and paste it everywhere for the sake of ruining other people's fun! Seriously, don't fucking do that!

If you accidently clicked here, don't worry! spoilers will be below and you still have a chance to avoid them :)

Alriiiiight:

Movie starts with Saltarian who tells fans to record for the first 2 minutes, to show how happy they are etc and posted a qr code for fans to upload those recordings. I guess it will be put up on RHRN website. We'll see. There were also photos of fans who attended LA ritual. I fucking loved the person who showed up in a giant Plushia suit. I LOLed! Then fans were asked to put down the phones and enjoy the movie. The beginning was narrated Star Wars kinda style (a little bit) with the small recap of the chapters and about Copia's worries that he might die. And yes, it literally began in space lol. The movie is basically is like what we saw in small snippets Ghost posted earlier. Plot mixed with a really good show.

And the plot: -Short footage of Copia and Ghouls arriving. ALmost the whole set was the same as any other concert from Re-Imperatour + a few awesome exceptions. -Dews does that annoying thing with guitar, Rain stops him, takes his pick and throws it into the crowd and Dew...he freaking showed him YouSuck sticker on the backside of his guitar. Peak Dew moment! -Copia asked the right question about the Clery. He also does not quite understand what it does, why and where it goes. I suppose Tobias decided to thicken the Ghost lore a bit and will have more clarity in the nearest future. -Remember when Copia jumped at the end of the Watcher in the Sky? He ended up in one of those stage boxes (for equipment or something) and is taken to the stage B. While he's carried to it by Kevin he has a chat with Nihil's ghost. Nihil says he recorded not 2, but 3 songs. That probably means that we'll hear a new one. (UPD: the new song we heard during the credits, "The Future is a Foreign Land" is Nihil's 3rd song! Confirmed by Tobias himself in a new interview). He also tells Copia to breath in deep and then farts. -On the Stage B Copia sings "If You Have Ghosts". 3 Ghoulettes played piano and violins and the 4th one did the haunting ghost-like opera vocals. It was beatiful. Copia kissed her hand. -He then wore boxing robe and went next to crowd. Almost the whole scene was shown in the trailer. -Btw, remember that silly moment when Nihil's eyes were crossing? Well, Kevin was also included in that staring contest. -Twenties live. The skeletons, the performance and one of those skeletons who crawled between Dew's legs...that's hot. -Nihil calls Copia "son". Copia calls Nihil "Dad". Cardi will insult him later, don't worry. -Nihil/Seestor cartoon during MOAC. Yes, that's when Sis hit him with the car. Basically it's what happens after "Kiss the Go Goat" mv. Sister leaves and Nihil runs after her. "I'll never let you go". They end up kissing in a coffin on a graveyard , later Nihil wakes up naked in a bed in a motel and we see Sister leave. -There was a moment in a movie when we see Ashley (stage crew) bring Copia a new pair of shoes and put the on on his feet. Tobias, goddammit what the hell was that? :D -Seestor was a in wheelchair all the time -She and Nihil encouraged Copia throughout the whole movie and gave him a piece of advice. -About the baloon from the poster. Copia flies on it after finishing the set...or he imagined that because a few moments later after Nihil/Seestor flashbacks he ends up on the floor and watches Seestor die. All of the Ghouls and Ghoulettes also stood right next to her. -Copia has a twin brother -Copia didn't die and became the head the Clergy (Father Imperator or something like this). He found out about his new position from a letter Seestor left for him. -New song during credits (credits show dictators, assassinations, wars and the use of nuclear war). Years 1984 and 2024 mentioned. The song is not heavy. -Ghouls/Ghoulettes real names mentioned in the credits -Funny post credit scene with Copia. He had no piant on and had a new cool drip (with black jacket and red and black cross). Seestor is also a Ghost now. Tobia's children cameo. They're also Ghosts. -Papa V is teased the same way Copia was teased in a chapter 1. They even used the same music (Pro Memoria). No face reveal. Either he will be revealed in new Chapters or at some point during the new tour???

-aaaand my biggest disappointment: no footage of Primo, Secondo and Terzo. Literally ZERO.

I mean, Nihil is a Ghost, Seestor also became a Ghost, even Tobias' children made a cameo as Ghosts, but nothing for previous Papas? Really?! The same could have been done for them, but i guess Tobias doesn't care about them anymore :( And it hurts. I know that's my fault that i had so many expectations and hopes, but holy shit :( As a newbie who never saw previous Papas, i'm so sad i'll never get a chance to see them and there won't be any new footage of them. Being Terzo widow is so hard. Guess that's why i'm a bit salty Copia lives (sorry, guys, i like him, but i also hate him haha)

And yes, as it turned out the twins theory from Square Hammer was true...but not for Terzo 😭

I enjoyed the movie nevertheless. It's fun and kinda gives you an opportunity to see the band "live" if you've never been to a ritual before. And yes, the movies was'nt just about Papa IV and his fate, i believe it was also Tobias' message for us to enjoy the life rite here rite now! As i said, Copia's girlies and boys truly fucking won. Congrats, lads, your Papa lives and will live! I bet that feels amazing. Thanks for reading! P.S. since you know the plot, don't spoil it for the others please.

[what-eats-owls]

It matters how you do it

I finished Dragon Age: The Veilguard and had some big feelings about it. Spoilers for basically everything under the cut, and frankly, it won't make sense unless you've finished the game anyway.

First of all: I had a blast with this game. I didn't find Act 1 slow, I did find Act 2 a bit of a whack-a-mole, and then Act 3 kicks you in the kidney (complementary) while insisting it's for your own good.

I've seen some recurring complaints: that it lacks depth/edge/darkness, that it abandons previous lore, that the previous choices don't matter. I don't entirely disagree. To me, it felt like a massive Dragon Age 4 game that pivoted to a different, tighter game after complaints about bloat in Inquisition. The key is that when editing down, there's such a thing as trying to trim the fat and taking a chunk of the roast with it.

I enjoy the concept of Lucanis's character, and the voice actor sold the hell out of him, but the storyline felt like being taken to a museum and allowed to see one (1) beautiful unfinished sculpture. Why did Spite, specifically, work? We know the spirit of Justice became Vengeance by abomination, we knew Solas was Wisdom before he became Pride, so what was Spite before, and why wasn't that tied to Lucanis's own personal arc? (Doubly so if you romance him!)

Similarly, Harding was a delight, and her greenhouse was such a lovely little haven. I would have loved to see more explanation of the connection between plants and the titans, and how Harding's own personal struggles with rage connected to that of the titans. She has every reason to be angry and scared, and the game tells us she pushed that away—but we don't actually see her toxic positivity manifest to that degree, until she abruptly has an angry clone.

On the flip side, I loved the other five character quests, and I felt they had solid, poignant arcs that delivered. I also adored their interactions with the codex—if anything, I wanted to see more of that type of interaction on the screen. You have to fill in a lot of the character work for Rook yourself; Rook has all these interesting potential backgrounds, but I think starting the game playing through those, a la Origins, would have gone miles towards establishing more personal stakes up front and made for a stronger start.

So that's all my nitpicking. But let's talk about the bigger theme: It matters how you do it.

In the first Fade conversation with Solas, he gets so mad when Rook refuses to let him DARVO them about the consequences of his botched ritual. This makes way more sense when you understand he's literally imprisoned by his own regrets, and he needs Rook to have that same kind of regret in order to take his place. His entire arc is about rationalizing binary choices and shitty actions that hurt others in the name of a hypothetical greater good that he wants.

Solas can't engineer every binary choice Rook's forced into, but he uses Varric to maximize Rook's regret. He is trying to quite literally mold Rook into him, and the game is great at presenting this both as a coldblooded manipulation and a broken plea for validation—if you let it. You don't have to give Solas a moment of consideration; you don't have to take time to view his memories, or kill his demons, or listen to those scraps of Mythal still holding onto the good in him. You don't have to do any of it.

But you can. And in the end, it matters.

It matters because for every companion, you can encourage them to either be more nurturing/compassionate or destructive/closed off versions of themselves, and that is frequently tied to continuing or breaking from a cycle. (The exception is either Neve or, presumably, Lucanis, who are forced into the Hardened version depending on which city you save.) These aren't presented as morally opposing choices, just who you want them to be. You can see how the Grey Wardens fucked up bad with griffons and decide they have a better place. You can help Emmrich face his fear by finding deeper meaning in life instead of indefinitely postponing death. You can help them do things differently.

So when you get to the final choice in the game, you may have two options: physically force Solas into saving the Veil, or trick him into it. The kind of binary choice Solas has molded you into making by pelting you with cruelty and manipulation.

Or, if you've taken the time, you can get him to understand he's wrong. You bring out the people who saw the best in him and speak to what he's had to endure, even as you're showing him there's another way. You reach him not as Pride, but as Wisdom. And he goes willingly.

Ultimately, I think DA2 and Inquisition grappled with big questions of oppression and violence, faith and authority. It makes sense for those games to delve into harder, uglier subject matter, and ask you to make binary calls.

But my read of Veilguard is that, at its core, it's about how those decisions are meant to trap you in regret at best, and numb you to rationalizing cruelty at worst. It's why the companion who loses their home city becomes colder, more isolated, in response—more like Solas.

That's why it offers you a third way at the very end, but only if you've worked for it. A better way is possible, yet it has to be more than words. You have to understand where the pain comes from, what maintains and is being maintained by the current cycle. Then, and only then, can you break it.

I can't wait to play it again.

P.S. Utterly obsessed with the Trevisan fish merchant.