#L.A. Louver

[jordi-gali]

David Hockney artist page, L.A. Louver gallery - https://es.pinterest.com/pin/120682465005510077/#:~:text=Guardar-,lalouver.com,-David%20Hockney

[distinktionsfetzen]

Check out Peter Alexander, Curt (1996), From L.A. Louver

[mybeingthere]

Gajin Fujita, born 1972, Los Angeles, CA

Lives and works Los Angeles.

"As a kid on summer vacation, Gajin Fujita wanted to run outside as soon as he could. Instead, his mom wanted Fujita and his two brothers to create pictorial journals and write text in Japanese to accompany their doodles. An 8-year-old Fujita drew stick figures that showed him and his friends playing football; he sketched the Japanese eggplants, peas and cucumbers growing in the family’s Boyle Heights backyard." https://www.latimes.com/.../gajin-fujita-artist-portraits...

Education:

2000 MFA, University of Nevada, Las Vegas, NV

1997 BFA, Otis College of Art & Design, Westchester, CA

1990 - 93 Attended East Los Angeles College, CA

[abwwia]

Alison Saar, Rouse, 2012, wood, bronze, paper, antler sheds, and stamped ceiling tin, dimensions variable, Smithsonian American Art Museum, Museum purchase through the American Women’s History Initiative Acquisitions Pool, administered by the Smithsonian American Women’s History Initiative, 2022.32A-C, © 2012, Alison Saar. Courtesy of L.A. Louver

[pissanddie]

Edward Kienholz, The Friendly Grey Computer—Star Gauge Model #54 (1965). Photo: © Estate of Nancy Reddin Kienholz, courtesy of L.A. Louver, Venice, California, digital image © The Museum of Modern Art/licensed by SCALA/Art Resource, NY.

[shananys]

In October 2021, painter Yvette Gellis had a beautiful exhibition at LA Louver, and I wrote about its strangeness and majesty for LA Weekly, because I loved it. Then late last year, Gellis made a terrific catalog, and kindly included my writing in the book. Marvelous! @yvettegellis @lalouver @laweekly @shananys (at L.A. Louver) https://www.instagram.com/p/Co-xhNWvovv/?igshid=NGJjMDIxMWI=

[petersheltonblog]

"squat" 1983 cast iron, baby From my 1983 exhibition "MAJORJOINTShangersandsquat." This is a detail from a 26 element installation in steel, cast iron, and cement commissioned in 1983 by Center on Contemporary Art, Seattle, WA. And here shown jointly in 1984 at 78 Market Street, Venice, CA by Malinda Wyatt and L. A. Louver Galleries. This exhibition was in Larry Bell's old storefront home at 78 Market Street across from his studio in Venice, CA https://www.petershelton.com/Installations/MAJORJOINTShangersandsquat/21/caption-thumbs @lalouver #centeroncontemporaryart #abstractsculpture #abstractart #sculpture #sculptor #contemporaryart #contemporarysculptor #contemporarysculpture #petersheltonsculptor #petersheltonsculpture @petersheltonsculptor @petershelton.com @petershelton @sheltonbigart #petershelton #bigart #sheltonbigart (at L.A. Louver) https://www.instagram.com/p/CobbYAfrIaG/?igshid=NGJjMDIxMWI=

[contemporaryartdaily]

Don Suggs at L.A. Louver

[constantinford]

Gisela Colón

L.A. LOUVER

[lalouver]

It is with great sadness that we announce the death of our dear friend, Leon Kossoff. He was 92 years of age. “Our thoughts are with his friends and family, who along with his beloved hometown of London, were the essence of his being,” says Peter Goulds, Founding Director, L.A. Louver.

One of Britain’s greatest artists, Kossoff was known for his paint-laden canvases and vigorously gestural charcoal and pastel drawings. His early cityscapes give us a potent vision of a ravaged post-war London, and over subsequent decades, his more recent depictions captured the rejuvenation and light of the city. Kossoff also drew and painted the figure and was renowned for his unsentimental portrayal of the human condition. He worked from life, and those who sat for him were family members and a small group of close friends and models. A fervent champion of figurative art, Kossoff found kinship with the School of London, a postwar generation of painters that embraced figuration and landscapes in an era of abstraction and conceptualism, and whose members included Francis Bacon, Lucian Freud, Frank Auerbach, David Hockney, R.B. Kitaj and Euan Uglow.

Kossoff relentlessly pursued painting and drawing, as well as printmaking, to comprehend his changing world. He used paint to build heavily impastoed compositions through a rigorous process of repeated application and removal. While he never considered himself a gifted draughtsman, it was the act of drawing and his love for the medium that allowed Kossoff entry into his subjects. “Drawing is a springing to life in the presence of the friend in the studio or in the sunlit summer streets of London… painting is a deepening of this process.” He studied the Old Masters with enthusiasm, and maintained a lifelong habit of frequenting London’s museums where he would spend hours contemplating and drawing from beloved works of art by Titian, Tintoretto, Veronese, Poussin, Rembrandt, Rubens, Constable and Cézanne.

Kossoff was born to Russian Jewish immigrants in East London in 1926, and was raised on the borders of Islington, not far from Shoreditch where his family owned a bakery. At the age of nine, Kossoff visited the National Gallery of Art where he saw Rembrandt van Rijn’s painting Woman Bathing in a Stream (1634), a defining moment that remained a guiding presence throughout his life.  

In 1945, he commenced military service for three years with the Royal Fusiliers (2nd Battalion Jewish Brigade), in Italy, Holland, Belgium and Germany. Thereafter, he reengaged with his youthful passion for drawing and resumed his studies at St. Martin’s School of Art in 1949 (where he had taken classes 1943-45), and attended evening classes at Borough Polytechnic with David Bomberg. From 1953-1956, he studied at the Royal College of Art, London.

Exhibiting in London since the late 1950s, Kossoff had his first solo museum show at the Whitechapel Art Gallery, London in 1972, and gained an international presence in 1981 with his inclusion in the exhibition Eight Figurative Painters: Michael Andrews. Frank Auerbach, Francis Bacon, William Coldstream, Lucian Freud, Patrick George, Leon Kossoff, Euan Uglow at Yale Center for British Art, New Haven, CT (traveled to Santa Barbara Museum of Art, CA), which presaged numerous group shows in places as far afield as Australia, Germany and India in the decade that followed.

Kossoff represented Great Britain at the 1995 Venice Biennale exhibition (traveled to Kunstverein Düsseldorf, and Stedelijk Museum Amsterdam 1995-96), and in 1996, Tate presented a major solo retrospective. A painting survey presented by the Louisiana Museum of Modern Art, Humlebæk, Denmark, traveled to Museum of Modern Art Lucerne, Switzerland in 2004/2005. Exhibitions of Kossoff’s old master–inspired works have also been staged at The J. Paul Getty Museum, Los Angeles; Los Angeles County Museum of Art; Metropolitan Museum of Art, New York; The National Gallery, London and National Gallery of Australia, Canberra.

L.A. Louver was first to present Kossoff’s work outside of the UK with This Knot of Life: Paintings and Drawings by British Artists in 1979, the same year we began our representation. Over the past 40 years, the gallery has featured Kossoff in over a dozen group shows and five solo exhibitions, including Leon Kossoff: London Landscapes in 2014 (co-organized with Annely Juda Fine Art, London; Galerie Lelong, Paris and Mitchell-Innes and Nash, New York). The exhibition centered on drawings and paintings made of his beloved London, which Kossoff has described so: “Ever since the age of twelve, I have drawn and painted London… the strange ever- changing light, the endless streets and the shuddering feel of the sprawling city linger in my mind like a faintly glimmering memory…”

While we will miss Leon greatly, we are fortunate that his pictures remain with us, imbued with his quiet, resolute, gentle, passionate spirit, and his keen intellect and sensitive eye. They will forever glimmer with memories of his London and his vision of humanity.

Leon Kossoff is survived by his wife Peggy, son David, four grandchildren and two great grandchildren.

[cybermartins]

Joni MItchell and David Hockney on February 13, 2019 at Hockney's 21st solo exhibition at L.A. Louver "Something New in Painting and Photography... Continued" .

[distinktionsfetzen]

Check out Gajin Fujita, Knockin' Boots (2003), From L.A. Louver

[bepac67]

Love Joni Mitchell and David Hockney.  

[mybeingthere]

Joni Mitchell with David Hockney, at the L.A. Louver Gallery, February 13, 2019.

[skowhegan]

Julia Haft-Candell (A ‘16), Keisha Scarville (A ‘16), Arthur Simms (A ‘85, F ‘10), Alison Saar (F ‘93) SeenUNseen L.A. Louver 45 North Venice Boulevard, Venice, CA  November 02 - January 09 

[petersheltonblog]

"femurs" 1983 cast iron From my 1983 exhibition "MAJORJOINTShangersandsquat." This is a detail from a 26 element installation in steel, cast iron, and cement commissioned in 1983 by Center on Contemporary Art, Seattle, WA. And here shown jointly in 1984 at 78 Market Street, Venice, CA by Malinda Wyatt and L. A. Louver Galleries. This exhibition was in Larry Bell's old storefront home at 78 Market Street across from his studio in Venice, CA https://www.petershelton.com/Installations/MAJORJOINTShangersandsquat/21/caption-thumbs @lalouver #centeroncontemporaryart #abstractsculpture #abstractart #sculpture #sculptor #contemporaryart #contemporarysculptor #contemporarysculpture #petersheltonsculptor #petersheltonsculpture @petersheltonsculptor @petershelton.com @petershelton @sheltonbigart #petershelton #bigart #sheltonbigart (at L.A. Louver) https://www.instagram.com/p/CobQ2eErtfa/?igshid=NGJjMDIxMWI=