#Kuniyoshi Yamada
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山田さんが始めたドラムデュオ"kiwi & ice cream"の3回目のライブに誘ってもらいました。山田さんとはこの2年間、散々一緒にやってきましたが、yurikaさんとは初めてだし、牧野さんも随分前に一度だけ演奏を聴いたことがあるだけなんで、まったく想像がつきません。楽しみです。 ※残念ながら、急遽中止となりました。 ●2024-08-02(fri) 江古田 Cafe Flying Teapot Drums duo "kiwi & ice cream" -3rd Live Experiment- act: kiwi & ice cream yurika(drums) 山田邦喜(drums) with 高橋直康(electric bass) 牧野琢磨(electric guitar) open 19:00 / start 19:30 charge 2500yen(+1d)
#Live#Improvisation#Ekoda#Cafe Flying Teapot#kiwi & ice cream#yurika#Kuniyoshi Yamada#Naoyasu Takahashi#Takuma Makino#即興演奏#江古田#フライングティーポット#山田邦喜#高橋直康#牧野琢磨
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Interesting Papers for Week 25, 2023
Effect of fasting on short‐term visual plasticity in adult humans. Animali, S., Steinwurzel, C., Dardano, A., Sancho‐Bornez, V., Del Prato, S., Morrone, M. C., … Binda, P. (2023). European Journal of Neuroscience, 57(1), 148–162.
The effects of base rate neglect on sequential belief updating and real-world beliefs. Ashinoff, B. K., Buck, J., Woodford, M., & Horga, G. (2022). PLOS Computational Biology, 18(12), e1010796.
When alternative hypotheses shape your beliefs: Context effects in probability judgments. Cai, X., & Pleskac, T. J. (2023). Cognition, 231, 105306.
Learning shapes cortical dynamics to enhance integration of relevant sensory input. Chadwick, A., Khan, A. G., Poort, J., Blot, A., Hofer, S. B., Mrsic-Flogel, T. D., & Sahani, M. (2023). Neuron, 111(1), 106-120.e10.
Population coding strategies in human tactile afferents. Corniani, G., Casal, M. A., Panzeri, S., & Saal, H. P. (2022). PLOS Computational Biology, 18(12), e1010763.
Synaptic gradients transform object location to action. Dombrovski, M., Peek, M. Y., Park, J.-Y., Vaccari, A., Sumathipala, M., Morrow, C., … Card, G. M. (2023). Nature, 613(7944), 534–542.
Are you paying attention to me? The effect of social presence on spatial attention to gaze and arrows. Ha, J., & Hayward, D. A. (2023). Attention, Perception, & Psychophysics, 85, 41–51.
Different symmetries, different mechanisms. Jennings, B. J., Tseng, T.-W. J., Ouhnana, M., & Kingdom, F. A. A. (2023). Attention, Perception, & Psychophysics, 85, 166–173.
Open-ended movements structure sensorimotor information in early human development. Kanazawa, H., Yamada, Y., Tanaka, K., Kawai, M., Niwa, F., Iwanaga, K., & Kuniyoshi, Y. (2023). Proceedings of the National Academy of Sciences, 120(1), e2209953120.
Removal of reinforcement improves instrumental performance in humans by decreasing a general action bias rather than unmasking learnt associations. Kurtenbach, H., Ort, E., Froböse, M. I., & Jocham, G. (2022). PLOS Computational Biology, 18(12), e1010201.
Stability and learning in excitatory synapses by nonlinear inhibitory plasticity. Miehl, C., & Gjorgjieva, J. (2022). PLOS Computational Biology, 18(12), e1010682.
Efficient coding theory of dynamic attentional modulation. Młynarski, W., & Tkačik, G. (2022). PLOS Biology, 20(12), e3001889.
Uncertainty alters the balance between incremental learning and episodic memory. Nicholas, J., Daw, N. D., & Shohamy, D. (2022). eLife, 11, e81679.
Mesoscopic description of hippocampal replay and metastability in spiking neural networks with short-term plasticity. Pietras, B., Schmutz, V., & Schwalger, T. (2022). PLOS Computational Biology, 18(12), e1010809.
Nonlinear cortical encoding of color predicts enhanced McCollough effects in anomalous trichromats. Robinson, A. E., Bosten, J. M., & MacLeod, D. I. A. (2023). Vision Research, 203, 108153.
Disinhibition of the orbitofrontal cortex biases decision-making in obesity. Seabrook, L. T., Naef, L., Baimel, C., Judge, A. K., Kenney, T., Ellis, M., … Borgland, S. L. (2023). Nature Neuroscience, 26, 92–106.
Minimum perturbation theory of deep perceptual learning. Shan, H., & Sompolinsky, H. (2022). Physical Review E, 106(6), 064406.
A unified theory for the computational and mechanistic origins of grid cells. Sorscher, B., Mel, G. C., Ocko, S. A., Giocomo, L. M., & Ganguli, S. (2023). Neuron, 111(1), 121-137.e13.
Integrated neural dynamics of sensorimotor decisions and actions. Thura, D., Cabana, J.-F., Feghaly, A., & Cisek, P. (2022). PLOS Biology, 20(12), e3001861.
Humans trade off search costs and accuracy in a combined visual search and perceptual task. Wagner, I., Henare, D., Tünnermann, J., Schubö, A., & Schütz, A. C. (2023). Attention, Perception, & Psychophysics, 85, 23–40.
#science#Neuroscience#computational neuroscience#Brain science#research#cognition#neurons#cognitive science#neural networks#neural computation#neurobiology#psychophysics#scientific publications
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Naoyasu Takahashi, Arata Ogawa and Kuniyoshi Yamada (April 12th, 2023)
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Naoyasu Takahashi + Kuniyoshi Yamada with Kaoru Okumura (March 19th, 202...
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6'45 26 湿诗 Mar 2022 Studio live full with Yanyan portrait from Kuniyoshi Yamada on Vimeo.
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MATANGO (ATTACK OF THE MUSHROOM PEOPLE, 1963) – Episode 135 – Decades Of Horror: The Classic Era
“I was confused. I couldn’t decide what to do. Then… I ate them!” Oh, oh. Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, and Jeff Mohr, along with guest host Dirk Rogers – as they journey to a Pacific island and attempt to resist the lure of the deadly mushrooms found in Ishirô Honda’s Matango (Attack of the Mushroom People, 1963) from Toho.
Decades of Horror: The Classic Era Episode 135 – Matango (Attack of the Mushroom People, 1959)
Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine
ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/
Synopsis: A group of pleasure-seeking young people is stranded on a mysterious island when their boat crashes. One by one they succumb to the lure of the deadly mushrooms.
Director: Ishirô Honda
Writers: Takeshi Kimura (screenplay); Shin’ichi Hoshi & Masami Fukushima (adaptation); William Hope Hodgson (story by, “The Voice in the Night,” Blue Book Magazine, November 1907); Sakyo Komatsu (uncredited)
Music by: Sadao Bekku
Cinematography by: Hajime Koizumi
Director of special effects: Eiji Tsuburaya
Chief assistant special effects director: Teruyoshi Nakano
Special effects unit production manager: Shigeru Nakamura
Special effects art director/Special effects set decorator: Akira Watanabe
Costume Design/Art Department: Shigeru Komatsuzaki
Selected Cast:
Akira Kubo as Kenji Murai – Professor
Kumi Mizuno as Mami Sekiguchi – Singer
Kenji Sahara as Senzō Koyama – Sailor
Hiroshi Tachikawa as Etsurō Yoshida – Writer
Yoshio Tsuchiya as Masafumi Kasai – Owner
Hiroshi Koizumi as Naoyuki Sakuta – Skipper
Miki Yashiro as Akiko Sōma – Student
Takuzô Kumagai as Doctor (billed as Jiro Kumagai)
Yutaka Oka as Doctor
Keisuke Yamada as Doctor
Hideyo Amamoto as Skulking Transitional Matango
Haruo Nakajima as Matango
Toku Ihara as Transitional Matango
Kuniyoshi Kashima as Transitional Matango
Masaki Shinohara as Matango
Kōji Uruki as Matango
Tokio Ōkawa as Matango
In this episode, your Classic Era Grue Crew is joined by Dirk Rogers, a special effects artist with KNB EFX Group and a long-time friend of the show. As the guest host, Dirk chose Matango for this episode’s topic and with the movie’s use of effects – miniatures, suits, prosthetics, set dressing – it’s easy to see why this is one of his favorites.
Dirk was originally drawn to Matango because it featured a lot of the same players from the Godzilla films. He loves the damp (shall we say moist?) atmosphere, the use of color reminiscent of Mario Bava, the sets, and the miniatures. He’s always loved Matango and feels the English title, Attack of the Mushroom People, doesn’t represent the depth of what you get from the film. Dirk also provides valuable insights into the effects work and the documentation of who did what during the production.
Matango is probably Chad’s first exposure to body horror and the horrors of fungus. He loves the way the story ramps up the terror and the cringeworthy fungus-filled sets. As one of Toho’s best, Matango still holds up for him. Daphne is blown away by the colors and the textures of the mushrooms and the fungi, loving it all over again. Jeff agrees that “Attack of the Mushroom People” sounds kind of hokey and doesn’t represent the depth of the story told in Matango. He loves the concept, the story progression, the creepy and downright icky creatures and fungi, and the movie’s cultural and historical relation to the horrors experienced by the Japanese from the atomic bombs of World War II.
Dirk was turned onto the writings of William Hope Hodgson by this movie as it is developed from Hodgson’s short story, “The Voice in the Night.” During the episode, the crew discusses several versions of this story, all of which are provided through the following links:
Story: https://en.wikisource.org/wiki/The_Voice_in_the_Night
Audio version: https://www.youtube.com/watch?v=ASIfPcyTAH0
Suspicion (TV series, 1957-1958), Episode 24: “The Voice in the Night” (aired 24 March 1958); from the story by William Hope Hodgson; starring James Donald, Barbara Rush, Patrick Macnee, James Coburn. This is a very poor resolution but the Classic Era Grue-Crew still enjoyed it. https://www.youtube.com/watch?v=ssi6_YWrrxc
If you have been motivated by this episode to catch Matango (and you should be), at the time of this writing, it is available to stream from Classic Horror Movie Channel, Tubi, The Criterion Channel, and various PPV sites. In terms of physical media, Matango is available on DVD.
Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule is one chosen by guest host, the one and only Dave Dreher: The Return of Dracula (1958).
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at [email protected]
To each of you from each of them, “Thank you so much for listening!”
Check out this episode!
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Teruhito Yamazawa (sax,flute) x Kuniyoshi Yamada (drums) x Ryosuke Kiyasu (drums)
Date: June 3,2022 Venue: Asagaya TEN Open 19:00 / Start 19:30 Charge 2000yen + order
Two parts: first half and second half *There will be no live streaming
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1'54" Jun 2020 spark color version / Lico with Kuniyoshi Yamada from Kuniyoshi Yamada on Vimeo.
1'54" Jun 2020 spark color version / Lico with Kuniyoshi Yamada dance 李可华 / drum Kuniyoshi Yamada 2020
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Drunkenness to Ewy in the past 3,000 years and the future 3000 years. Toms and cymbals by Kuniyoshi yamada (2017) Photo: Junku Nishimura
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3月の山田さん企画。2度ほどトリオでやった森さんに2月にも共演予定の多田さんをお迎えして、ということになりました。対バンも無事決まった模様。 ⚫︎2024-03-02(sat) 阿佐ヶ谷 天 “TEN JAM”
act: 森順治(reeds) 多田葉子(reeds) 高橋直康(electric bass) 山田邦喜(drums) アカノシバヒト(saxophone, etc) tani(guitar) 佐伯武昇(tronbone, etc) 河本隆弘(drums)
open 19:00 / start 19:30 charge 2000yen(+order)
#Live#Improvisation#Asagaya#Asagaya TEN#Junji Mori#Yoko Tada#Naoyasu Takahashi#Kuniyoshi Yamada#Shibahito Akano#tani#Takenori Saeki#Takahiro Komoto#即興演奏#阿佐ヶ谷#阿佐ヶ谷 天#森順治#多田葉子#高橋直康#山田邦喜#アカノシバヒト#佐伯武昇#河本隆弘
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11月は2週連続で阿佐ヶ谷天でやることになっていて、そのひとつめ。8月末に千邦+高橋でやったのがなかなか良い感触だったので、それだけすでに決まっていたのですが、アラタくんによる、なってるハウス的な?トリオと先日山田さんが、やはり天で対バンして誘ったn5n5に決定。なかなか良い組み合わせの企画ではないかと思います。楽しみです。 ⚫︎2023-11-14(tue) 阿佐ヶ谷 天 "TEN JAM" act: cixa(move)+高橋直康(electric bass)+山田邦喜(drums) 林哲也(guitar)+横山知輝(bass)+小川新(drums) n5n5[武士守廣(electric bass) オカダマナブ(guitar) Masa Asai(drums)] open 19:00 / start 19:30 charge 2000yen(+order)
#Live#Improvisation#Asagaya#Asagaya TEN#cixa#Naoyasu Takahashi#Kuniyoshi Yamada#Tetsuya Hayashi#Tomoki Yokoyama#Arata Ogawa#n5n5#Morihiro Takeshi#Manabu Okada#Masa Asai#即興演奏#阿佐ヶ谷#阿佐ヶ谷 天#高橋直康#山田邦喜#林哲也#横山知輝#武士守廣#オカダマナブ
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昨夜のライブの終了後、急遽、巻き込ま...決まりました。話が二転三転し、最初はソロとして→山田さんとデュオ→最終的に山田さんとcixaさんのユニット千邦に加わってトリオで、ということになりましたが、当日また変わるかもしれません。頑張ります。 ●2023-08-28(mon) 阿佐ヶ谷 天 "TEN CHAOS" act: 千邦[cixa(move) 山田邦喜(dr)] + ゴーレム佐藤(vo) 堀込美穂(g) 千邦[cixa(move) 山田邦喜(dr)] + 高橋直康(b) Ue(g)+奥住大輔(sax) open 19:00 / start 19:30 charge 2000yen(+order)
#Live#Improvisation#Asagaya#Asagaya TEN#cixa#Kuniyoshi Yamada#Golem Satoh#Miho Horigome#Naoyasu Takahashi#Ue#Daisuke Okuzumi#即興演奏#阿佐ヶ谷#阿佐ヶ谷 天#千邦#山田邦喜#ゴーレム佐藤#高橋直康#堀込美穂#奥住大輔
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昨日やったばかりですが、かなり面白かったので、またやりましょうということで。もう一人どなたか誘うか、という話もあったのですが、トリオの2回目となりました。森さん、やはりとても素晴らしくて、この1年ばかり共演してきた山田さんの気合の入り方が、今までと違っていたのが印象的でした。そんな訳で、来月も楽しみです。 ●2023-08-25(fri) 江古田 Cafe Flying Teapot “FLYING JAM”
act: 森順治(reeds) 高橋直康(b) 山田邦喜(dr)
open 19:00 / start 19:30 charge 2000yen(+1d)
#Live#Improvisation#Ekoda#Cafe Flying Teapot#Junji Mori#Naoyasu Takahashi#Kuniyoshi Yamada#即興演奏#江古田#フライングティーポット#森順治#高橋直康#山田邦喜
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6月の山田さん企画。文月さんを交えた3人は決まっていたのですが、深谷正子さんの出演してくださることになりました。何年か前に一度対バン?という形でご一緒したことはありますが、共演は初めて。楽しみです。 ●2023-06-30(fri) 江古田 Cafe Flying Teapot “FLYING JAM” act: 深谷正子(dance) 文月若(dance) 高橋直康(electric bass) 山田邦喜(drums) open 19:00 / start 19:30 charge 2000yen(+1d)
#Live#Improvisation#Dance#Ekoda#Cafe Flying Teapot#Masako Fukaya#Waka Fuduki#Naoyasu Takahashi#Kuniyoshi Yamada#即興演奏#江古田#フライングティーポット#深谷正子#文月若#高橋直康#山田邦喜
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9月の山田さん企画、その2。nacoさんより、文月さんと共演してみたいとリクエストがあったそうで、こうなりました。楽しみです。 ●2023-09-30(sat) 江古田 Cafe Flying Teapot "FLYING LIFE"
act: 文月若(dance) naco(electronics) 高橋直康(electric bass) 山田邦喜(drums)
open 19:30 / start 20:00 charge 2000yen(+1d)
#Live#Improvisation#Dance#Ekoda#Cafe Flying Teapot#Waka Fuzuki#naco#Naoyasu Takahashi#Kuniyoshi Yamada#即興演奏#江古田#フライングティーポット#文月若#高橋直康#山田邦喜
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22'26" / 1st set 27 Mar 2023 Kaoru Okumura + Naoyasu Takahashi + Kuni...
#youtube#Live#Improvisation#Dance#Butoh#Ekoda#Cafe Flying Teapot#Kaoru Okumura#Waka Fuzuki#Naoyasu Takahashi#Kuniyoshi Yamada#即興演奏#舞踏#江古田#フライングティーポット#奥村薫#文月若#高橋直康#山田邦喜
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