#Kujirakawa Fuyumi
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raichubork · 5 months ago
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GTO Review
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Great Teacher Onizuka is a beloved and iconic series and in this post I'll talk about both the things I absolutely adored about it and my frustrations.
So, right off the bat I'm gonna mention that I don't often laugh hysterically while watching anime (or anything really) but somehow GTO managed to have a buncha moments so ridiculous that my only possible reaction was pretty much set in stone...
The humour and character writing are both plain genius!! I could never for the life of me predict what Onizuka's next move would be. His recklessness and luck, as well as his gullible and kind nature added a lot to his complexity as a character.
In the artistic department, we got the banger openings and EDs, the on-point animation and variation in facial expressions. In terms of voice acting, every VA fit well and every character's lines were delivered perfectly, tho my personal faves were undeniably Urumi and Miyabi. Kotono Mitsuishi's vocal range and her accurate French pronunciation were a pleasant surprise but I also liked the bite and seriousness Miyabi's voice had, while it was also laced with uncertainty and her screams in that parking lot were simply harrowing ngl, I was 🤏 this close to crying during that scene.
And now, about my frustrations that gave me mixed feelings on the series despite how much I enjoyed every episode, except for the Yoshikawa/Anko part in those last few episodes during the Okinawa arc. It was just unpleasant to watch, honestly. I think Yoshikawa's random personality change and his attitude towards Anko felt out of place, even though it can be ruled out as his pure kindness.
And either way, Giving Mukai and Yoshikawa romantic interests in order to call them "men" as if it's manly to...chase after a girl that's come to terms with the fact that you don't like her and save the one who's made your life living hell from certain death, respectively, just to ditch the subplots altogether and create loose ends kinda sucked tbh. It made me anticipate a lot of stuff that just didn't happen. GTO being a comedy manga (mostly) doesn't really excuse that, as some other series managed pull off some sorta closure to their subplots. My main example is Danshi Koukousei no Nichijou. Unlike with Mukai and Kujirakawa, who only get 1 singular episode together and their relationship never ever sees the light of day, "Literary girl" becomes a running gag in Danshi Koukousei.
Admittedly, I wanted and expected Fuyumi and Onizuka to get together because they're 2 consenting adults which at least kinda have chemistry but I'm convinced that Tooru Fujisawa either:
intended Onizuka to have commitment issues and despite him dealing with other people's problems he never gets his resolved, presumably because he keeps running away from them
struggles to write romantic relationships or doesn't know how to.
Onizuka's struggle to commit to romantic relationships (which is evident in both his relationship with Misato and the one with Fuyutsuki) never gets any closure, from what I've gathered.
The sexism was another thing that occasionally bothered me. While at times the perverted jokes were genuinely well-timed and maybe even funny, other times they felt very awkward, out of place, uncomfortable,, well you get it.
Some things aged poorly, simply put.
especially the ganguro stuff
On another note, the anime's ending kinda left me with a mild sour aftertaste. It felt like an Onizuka thing to do, but at the same time...how and why. Like FYM he's teaching in America now. Dude can't even speak English properly.
It also felt like the ending didn't allow for anything afterwards even tho the manga continues and ngl I'm personally not willing to read it becuz of the ending, Urumi and a few more things that didn't really get resolved.
Either way! It was overall a really fun watch, it gets a 7.8/10 from me
Toodles
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hikikomoriheadphonegirl · 9 years ago
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