#Knell and Flick: *are there too :D*
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Month 4, day 28, made some slight adjustments to Keen's gauntlets and gave his wings more life instead of just copy/pasting the same wing three times :D
#the great artscapade of 2023#art#my art#forspoken oc#original character#character design#character sketch#I think I made the bottom wing too long but I don't care because I REALLY like the way it overlaps the skirt cape thingy :D#sometimes it's important to ignore realism/proportions for the sake of It Looks Coolâ˘#I'm not joking that is a legit lesson I was taught by one of my high school art teachers#and it got reiterated/cemented by listening to various animators and character designers talk about their craft#and then AGAIN when I took that character design course from creature art teacher last year#I need to watch more courses#I think there was one on costume design#I could use that#I want to redesign Knell already XD#first I need to do some research on different outfits for judges and justiciars in different ages and cultures#Keen and Sus have very stereotypical knight armor going on#but then I gave Flick a toga for some reason???#might have to give him a new outfit too#idk we'll see it all depends on what makes the creative brain juices go brrrr
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Yes, I Just Sat Through Sharknado 4
Look, I know these movies are supposed to be ridiculous as shit, but I firmly believe that Sharknado: The 4th Awakens is the death knell for the once watchably-schlocky series.
None of these movies are worth scholarly, comprehensive criticism, but the phenomenon of âso-bad-itâs-goodâ versus âjust plain badâ is worth examining.  See, the first film was pretty much like any other high concept SyFy film; yeah it was dumb and unapologetic, but it still basically tried to be a film.  Even though it became this massive âhit,â I think what a lot of people fail to realize is that it was made like any other P.O.S. SyFy movie.  I mean thereâs nothing wrong with liking Mega Python vs. Gatoroid or Mansquito but letâs be honest about what they are - high concept schlock made on a shoestring budget.  And thatâs all Sharknado was.  Why did it catch on?  Itâs hard to say. Â
My thought is that it was simply seen by enough people.  All it takes nowadays for something to go viral is a tweet or two from the right influential people, and boom, instant exposure.  Itâs very possible these days for a single tweet or like or share to be the difference between âjust another random piece of internet fodderâ and ânext big thing (for 15 minutes - or less).â
Popularity points aside, there are plenty of B-movies better than Sharknado.  It does have a few things going for it though.  The acting, while uneven, isnât completely awful and the most cringeworthy parts seem to be the result of an unnatural script rather than a failure of acting talent.  Another plus is that it attempts to take itself somewhat seriously.  Itâs stupid, but also shameless.  And let me be clear, when it comes to low budget film making, there is a difference between between being fun and shameless, and then being outright self-deprecating.  As the series wears on, it pokes fun at itself with reckless abandon and gets a little too comfortable with the self-referential shit.  Whatâs worse is that it never really breaks any new ground behind the âsharks falling from the skyâ concept, nor does it use its newfound fame to do something like hire a better scriptwriter or spring for some help in the FX department.
Getting back to what specifically makes The 4th Awakens such a travesty captured on celluloid, letâs take a quick look at the plethora of â-nadosâ featured.  Actually, it mightâve been sortta cool if theyâd spent more than 2 seconds on them:
SHARKNADO
SANDSHARKNADO
BOULDERNADO
OILNADO
FIRENADO
LIGHTNING-NADO
LAVANADO
HAILNADO
COWNADO
NUEKNADO
I mean...I just...fuck.
Tommy Davidson plays some kind of corporate mogul science guy in the most annoying way possible, and all the while the film vacillates between portraying him as a sketchy businessman and a courageous do-gooder.  Itâs confusing.  Plus he delivers one of the worst lines of the movie.  His advisers are telling him about how the current technology wonât work on he new â-nadosâ and he blurts out, âWe just need a solution!â  Well no shit, Sherlock.  Then someone says some goofy shit like, âwe could try adding more isotopes to the baseâ and heâs all like, âyeah, you go with thatâ in a tone that reads somewhere between facetiousness and incredulity.  The guy flits and screams in every scene heâs in like some kind of black Adam Sandler.
In the first flick, maybe even the first 2, the actors did a reasonable job of âinteractingâ with the green screen.  Maybe itâs because the âactionâ scenes were less ridiculous (hard to believe anything in Sharknado could be described as âless ridiculousâ than anything else...), or maybe itâs because they just got lazy...I donât know. Â
Tara Reid - man, how far has she fallen? - delivers another atrocious line; while using her new cyborg powers to save a kid from a car, she claims to be âIron Manâs wifeâ in order to comfort the kid and get him to run and find his mom.  First of all, what does being âIron Manâs wifeâ have to do with getting the kid to run away and find his mom?  Secondly, where the hell did this line even come from?  Itâs just goofy.  Itâd be different if a joke - or even a bad joke - followed, but no, itâs just all, âIâm Iron Manâs wife, go find your mommy.â  Itâs WEIRD.
Oh and Gilbert Gottfried ups the annoyance factor for good measure...to quote the first filmâs tagline, âânuff said.â
Iâve seen plenty of films from the Asylum (the production company responsible for this type of stuff), but never have I see one with such an inability to properly convey perspective.  We get a long shot of one of the various â-nados,â then our characters standing around with some wind blowing, and all of sudden theyâre right next to the damn thing.  It makes very little sense.  I know we can basically chalk it up to the poor FX and CGI, but they could do a better job with the establishing shots.  Also, it can take these ânados 15 minutes to move 200 feet or 5 minutes to cut through 4 states.  Iâm not even sure what the point is in switching locations every scene.
There is a lot of terrible dialog in the movie - among the worst Iâve ever heard in something proclaiming to be a feature film - but perhaps even more sickening is the filmâs heavy-handed and absolutely pointless insertion of references to other films.
Example 1:  Being a horror nut, I found this one particularly egregious.  It actually starts off somewhat subtle and tasteful.  The gang is in Texas (they just magically hop around the country, popping up hundreds of miles away in a matter of minutes) and find themselves in need of a chainsaw.  (Iâm not sure why the chainsaw became such a staple of the series; from the get-go it seemed to be directly ripping off Evil Deadâs blatant fascination with the device, and the deal was sealed when April (Reid) had her hand severed and then got some kinda mini-chainsaw robo-attachment.)  So anyway, they end up at a chainsaw shop...in Texas...run by Dog the Bounty Hunter (remember that weird-ass Hulk Hogan-Paul Hogan wannabe?) and some crazy woman.  She makes a comment about how their relative âGunnarâ uses a specific chainsaw to scare off neighborhood children.  Cut to a quick shot of Gunnar to reveal a burly, surly guy with a face etched out of granite.  Now if theyâd ended the reference there, I mightâve even gone so far as to call it âclever.â  But no.
Donât get it? Â Thatâs ok. Â References are supposed to be oblique. Â I mean it doesnât really count when they beat you over the head with it. Â And thatâs exactly what Sharknado 4 proceeds to do. Â To explain the original reference, Iâm sure most of you have heard of The Texas Chainsaw Massacre and the main villain, Leatherface. Â Although not as well-known as Robert Englund or even Kane Hodder, big horror buffs will know the actor Gunnar Hansen as the actor who played Leatherface in the original 1974 film. Â See? Â At this point it was a well structured reference. Â But...
The whole family ends up outside cutting up sharks with chainsaws while our main character goes and gets in a ditch-digger (itâs supposed to look like a giant chainsaw).  Dog (the Bounty Hunter) shouts, âthe saw is family!â in the most unconvincing manner possible, and then the crazy woman goes, âit wouldnât be Texas...without a chainsaw massacre!â  Ugh.  Infuckingcredible.
Example 2:  This is a crossover which leads into a reference.  Our crew meets up with some guy from SyFyâs Lavalantula movie who gives them a car named âChristine.â  Of course the giveaway (before the name drop) is painfully obvious as the quintessentially 50â˛s car rolls up playing quintessentially 50â˛s pop music, you know, those wistful teen tragedy songs.  The guest character makes all these comments about âshe knows where to goâ and âsheâll know how to find him later,â So what does all this business of the âliving carâ lead up to?  Nothing.  Literally nothing.  The worldâs largest ball of twine is chasing them, but since itâs âcoming too fast,â the guy stops the car, everyone gets one, and they all start running...because thatâs how you outrun a massive ball of twine propelled by a tornado.  POINTLESS.
Example 3:  Here we have 3 references to the same movie.  Team goes into a house in Kansas, gets picked up by a Sharknado, and travels all the way to Chicago without someone even so much as having a brush with a shark.  Anyway, the house lands on the bitchy major, and we then see her legs, complete with striped socks and red shoes, just before her toes curl up.  Was the major even wearing this shit?  Also, the storm picks up some âyellow bricksâ and then trops them, and Fin tells everyone to âfollow the yellow brick road.  And then his kidâs all like, âI donât think weâre in Kansas anymore...â
More Examples:  Thereâs plenty more that are just stupid and out of place too.  April rescues Fin and says, âCome with me if you want to live.â (Terminator 2)  Thereâs a stupid, stupid âhomageâ to Baywatch where some chicks run in slow-mo before getting eaten.  Fin tells someone, âDonât get cocky, kid.â  The kid pulls a mini-chainsaw out of a rock a la The Sword in the Stone.  Oh god, and then thereâs a scene where April is testing out her cyborg features; her dad tells her to âuse the force,â whereupon she produces a lightsaber blade from her wrist, and then says, âmay the force be with you.â  What in the living hell.
I guess I could keep going on about the nonsensical choices of the characters (for example, they need a large body of water, so they pick the highly-dangerous Niagra Falls instead of like, one of the Great Lakes...or a fucking spot by the goddamn ocean), or the bad acting, or the exceedingly poor CGI, but I think it all boils down to the creative forces behind the film not giving a shit.  Instead of cutting corners due to budget concerns or other practical limitations, it was like they started cutting corners because they âneededâ to make a âbadâ movie.
Bottom line: this ship has sailed.  One of the things that even the worst movies have going for them is creative envelope pushing, but not here.  The gore has worn a little thin, and thereâs only but so many times that itâs fun to watch sharks land on people or pull off these well-coordinated bites while zipping through the air.  The story is just an excuse to throw all these weird âshitnadosâ into the mix, and while they couldâve been interesting and posed some unique threats, for the most part theyâre quickly glossed over.  The ânuclear sharksâ are able to generate a few chuckles I suppose, as is Al Rokerâs deadpan delivery of stuff like, âtechnically we saw a sand-sharknado.â  But overall it was just a sloppy, jumpy film that adds nothing to the series.  Besides, the only reason sharks were initially able to survive was because they were contained in waterspouts; thereâs never any reason for how they stay alert and aggressive amid a dust devil, hailstorm, or flaming oil. But whatever.  I actually had a little fun watching the first two.  The third one was mildly irritating, but this fourth installment is just aggravating and insulting.
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Month 10 day 19
Knell becomes even shinier! :D And do you know what's great? This isn't even her final shiny form! I have more work to do on the highlights, refining them, playing with layer blend modes, trying to get a nice metal-glowing-from-within effect, maybe some subtle iridescence if I can pull it off
She's gon be even prettier
Just for gits and shiggles tonight, though, there's a Golden Knell under the cut :3 Catch her before she gets away!
You can kind of see where I'll be going with the end results here because her one wing is overlapping her skirt (might do the same with the other wing over the spear; I'm still undecided). But this set of layers is set to Color Dodge at 28% opacity to get the base highlighting effects :)
#the great artscapade of 2023#art#my art#Forspoken#Forspoken fan art#Forspoken oc#Forspoken original character#oc: knell#I'm trying to replicate what I did with the layers and effects on Keen because I love how those turned out#but I might have to throw those to the wind and Experimentâ˘#also I'm gonna have to decide if I want to redo Flick too#I love him the way he is but I've learned so much and I'm sure I could make him even better like I have with Knell#and also Plot Developments⢠happened (thanks Lys! [genuine but pretending to be cranky about it]) so he should have an updated design too#one that reflects these changes#and gives him his weapons (he has weapons now! :D he didn't before) (he gets twin shotel bc I think they look cool)
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Knell and Flick have backgrounds now! :D
I have playlists for them, too, so even though I plan to redesign Knell for sure I wanted her to have a pretty background for the playlist icon :P
Month 8, day 24
Keen's done! And he's extra special because he gets a background :D Or he gets a background because he's extra special. One of the two lol
#the great artscapade of 2023#art#my art#Forspoken fan art#Forspoken oc#Forspoken original character#oc: knell#oc: flick
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