#Kentaro MU
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Happy Halloween!
Happy Halloween from Malady Unseen! have Ken and Posleal as Francoeur and Lucille from A Monster in Paris! (go watch it if you havent seen- its a fun movie)
#a monster in paris#AMIP#malady unseen#kentaro Cole#Kentaro MU#Posleal#Posleal MU#demon#angel#Malady Unseen#halloween#oc costume#happy halloweeeeeeen#happy halloween#spooky season#spooky month#halloween costumes
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Kentaro's Lackeys found his new Lock screen... Art by the talented @glowbat
#Malady Unseen#maladyunseen#MU#OCs#Posleal#Kentaro#original character#Meme#Art#Animatic#Angel#Demon#Boyfriends#I love these little gay men#And yeah#canonical pairing#I want them to kiss#they will kiss#eventually#yeah.#mhm#the good shit#man we REALLY need to make names for his lackeys tho#they're growing on me so much design wise#Gay people#gay
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Bazı hikâyeler vardır; etkisi saatler, günler veya haftalar sürer. Konuşacağımız hikâye ise o türden değil. "Berserk, ayrı bir dünya." [Spoiler!]
"Sadece orta çağ işte. Abartılacak ne var anlamıyorum." diyerek girdiğim Berserk'e şu an çıldırıyorum. Daha bir finale sahip olmamasına rağmen o kadar tatmin edici ki... Kentaro Miura, yazdığı ve çizdiği her nokta ile saygımı kazandı. Hadi Berserk'i neden bu kadar övdüğümü anlatayım.
Okuyan herkesin anlayacağı üzere hikâye üç kişi arasında oluşturulmuş kompleks bir bağ üzerinden ilerliyor. Başta kurulan bu bağ eclipse (tutulma) sırasında sarsıntılı bir değişiklik geçiriyor. Söylemeliyim ki tutulma olayı beni benden almıştı. Çünkü güvendiğiniz bütün her şey gidiyor. Uzun bir süre geçirip empati kurduğunuz kişilerin hızlıca yok olduğunu görmek, Guts ile okuyucu arasında kurulan bağı güçlendiriyor ve kalıcı kılıyor.
Tabii ki tutulma daha yaşanmadan önce konuşulması gereken bir sürü olay var. Öncelikle Guts'ın hikâye boyunca amacının değişmesi doğallık kattığı gibi karakter gelişimi için de önemli adımlar atıyor. Guts karşımıza 3 şekilde çıkıyor: Ordu genarali, dostuna layık olmaya çalışan bir adam ve intikamcı. Bu geçişler o kadar hızlı ve şaşırtıcı ki ilk okuduğumda "Bu ne şimdi? Sadece bu olayların anlatıldığı 1000 bölümlük mangalar var ve bu olay hızlıca değişiyor mu?" demiştim.
Guts'ın bu karakteristik evrelerinin hepsini kapsayan bir evre daha var aslında: Canavar evresi. İlk bölümlerde, düşman general ile teke tek mücadele sırasında hayatını riske edip avantaj yakalaması ve galip gelmesi ile başlıyor bu evre. Özellikle yaratıklar ile olan savaşında ise bu durum iyice göze parmak oluyor.
Hikâye boyunca yaratıklar başka bir dünyadan gelse de çok insancıl istekleri oluyor. Bunlar cinsel tatmin, hayatta kalma veya otorite isteği gibi şeyler olabiliyor. Bütün bu yaratıkların aksine Guts sadece savaşıyor ve hayatını riske etme konusunda hiç çekinmiyor.
Berserk bize yaratıklara karşı olan mücadeleyi anlatıyormuş gibi gözükse de en büyük canavarı ana karakter bellemiş durumda. Guts, mangadaki bütün canavarlardan daha canavar. Yan karakterler de bu durumu dile getirmekten çekinmiyorlar.
Son olarak: Bu eser gerçekten herkese göre değil. Bunun sebebi de her şeyin gerçek olması. Fantastik bir dünyada, gerçek hisleri çok iyi ve doğru veriyor. Berserk: Gerçek ve dehşet bi' dünya.
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Train's & Sephiria's Ambiguous Relationship
Note: this is a post with little to no value for story analysis since my opinions can be bias and paranoia when it comes to this ship. This also gonna be long as hell with many parts so i that don't ram all the info in one place, and it will take a long time before I can write and post all of them.
So as I have re-read the manga to the point it became unhealthy, I can’t help but sensing something is going on between Train and Sephiria. They don’t explicitly show anything, but since the two are both the type to hide their true feelings when it comes to sentimental matters, their seemingly indifferent attitude towards one another (especially Train) just adds more to my suspicion.
Needless to say, Train is certainly a "special existence" to Sephiria. He is the first one she thinks of whenever something happens. While it is unclear if she pays more attention to his ability or him, she definitely does not mean to exploit him in a heartless way. It's true that she care for him a lot more than how it should be normally, to the point that Xiao Li can realize it. However, her organization and her Numbers always seems to worth her prioritizing more than he does, both rationally and emotionally.
It's a bit harder to tell with Train, however, since he ignores everything that has to do with Chronos. But he does trust Sephiria a lot, despite knowing how malnipulative she can be. It's important to remember that malnipulative people are the one of type he hates the most. He doesn't like controlling others or being controlled. He is outwardly doubtful of Rinslet, though not in a hostile way, because she has had some suspiscious attempts in the past. He holds Sephiria in high regards, even calling her captain after he has left. The rank addressing maybe just a slip of the tongue, but it shows how he does not object to her being the one who gives him order that much. His wish to leave mainly stems from the Elders and their rules.
There are hints across the story about how he kinda has a soft spot for her that I will elaborate below.
1. Volume 5:
This is when Sephiria was first introduced. It was shown in the picture here that Train froze on the spot for a short while when he saw her from the window. Since Sven noticed him going to see what’s going on down there and still did not hear him say anything, he had to ask Train about it himself.
While it must partly because he was not expecting her appearance, seeing that often people of her rank would not go to do business personally when it’s not a global-scale significant one, I believe Train’s reaction is still something special. Throughout the manga, Train is rarely taken aback by the presence of anyone, even from his enemies. Prior to Sephiria’s visit, Berze had also come across Train’s gang on the street, yet Train acted quite natural, despite having some secs of reflexive surprise.
In Vol.3, their meeting with Berze:
In Vol.10, their meeting with Echidna and Charden:
With Charden:
With Echidna:
He literally could not care less unless it was about the safety of his friends (Echidna’s case), and if you re-read, the way Berze turned up it’s much more dramatic than Sephiria in Vol.5. However, Train’s usual manner, even just for a short while, slipped only when he saw her. He was definitely well aware that Sephiria did not mean any harm, he knows she is better than that. And-yet-he-still-froze.
Another thing is how Sephiria addressed Eve on their first meeting. Given that she had discovered about Train’s whereabout, I suppose Sephiria would have also done some research on his partners as well, so she probably knew Eve’s name. Nevertheless, Kentaro Yabuki let her call Eve by the exact nickname Train gave her. It was weird, for someone as polite as Sephiria to act so out of courtesy, because up to that point she was a total stranger to the girl. Japanese people do heed the addressing seriously. Similar to Western culture, they will use last name, or must be name in this case (Eve doesn’t have last name), for people they aren’t as close with or superiors. Not to mention Sephiria addresses Train by Heartnet almost the entire series.
During that talk, Sephiria’s purpose for her visit was quite clear. She said that Chronos was intending to rely on the sweepers force to capture Creed and handed them the wanted poster, announcing that the bounty for his head was serious and stuff. With all that information, it is pretty obvious that she was asking Train a favor, seeking his cooperation. Yet, the fact that she was aiming to “use” him still disappointed Train somewhat, even if he could tell that her hands were tied.
The panel before this one was the one in which Sephiria confirmed that it was totally Chronos’s idea, and it is visible here that Train was a bit amazed by that news. After the realization, he smiled this ‘Oh-so-turns-out-you-only-come-because-Chronos-requires-my-ability-again.’ smile to her. But, what did he expect, like…for real? She had explained the circumstance and obviously did not mean anything else besides business. Optimizing every resource available has always been Chronos’s way, which he knew. Sephiria showing up at his door is enough to tell Chronos wants something from him.
Of course, being an experienced manipulative a** (sorry Sephie it’s true), Sephiria understood how he would feel. She noticed his unease at the offer and changed tactic, striking at his weak spot which is Saya’s death. This is the first time Sephiria tried to manipulate him in the story imo, and she always seemed to get away with it because Train did not wish to conflict with her.
Why saying she was manipulating? The fact that she came with Berze to Train’s place while it was unnecessary was proof. If it was just because she wanted to inform things and allow him time to think on the offer, etc…Berze could have done it alone. The trio met Berze before her, they had seen that he did not pursue bloodshed. It was fine to let him do the job. But being the woman whom he still holds in high regard even now, Sephiria had probably accompanied her deputy to raise the successful rate. She knows that her presence affects him in some ways. It could be said that she played it smart, but it is a kind of manipulation, or persuading strategy, for understatement.
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Fwd: Course: UFribourg.Polyploidy.Jul10-20
Begin forwarded message: > From: [email protected] > Subject: Course: UFribourg.Polyploidy.Jul10-20 > Date: 9 February 2023 at 06:58:55 GMT > To: [email protected] > > > A Summer School entitled "Polyploid evolutionary genomics: challenges and > opportunities" will take place at the University of Fribourg (Switzerland) > from 10 to 20 July 2023. > > Registration is now open for this summer school covering main hypotheses > in polyploidy research and how to address them, from field sampling to > analyses of genomic variation. Additional information can be found at: > https://ift.tt/wBDPAa9 > > Organized at the University of Fribourg from 10 to 20 July 2023 with > leading scientists from multiple international institutions, the > summer school starts with a symposium (10-11 July 2023), entitled > "Genome duplication at the intersection of biodiversity and crop > sciences". Invited lectures and contributed talks will illustrate the > current state of the field. The symposium is open to all scientists. > > The practical training of the summer school (12-20 July 2023) consists of > the three additional modules entitled "from samples to data", "polyploid > genomes" and "polyploid populations" that mix theoretical sessions > and hands-on work. Open to selected participants, it will operate main > tasks necessary in polyploid research using datasets to be provided by > lecturers. Participants have the opportunity to analyze their own data. > > Confirmed lecturers > > Christian Parisod (local organizer; University of Fribourg, Switzerland) > https://ift.tt/xZPw3fi > > Yves van de Peer (Ghent University, Belgium) https://ift.tt/LOnhjR3 > > Kirsten Bomblies (ETH-Zurich, Switzerland) > https://ift.tt/RL03KrA > > Boulos Chalhoub (Agroscope, Switzerland) > https://ift.tt/y7e5t4U > > Malika Ainouche (University of Rennes, France) > https://ift.tt/LWx0dv7 > > Andrew R. Leitch (Queen Mary University of London, UK) > https://ift.tt/8Dy2Jo1 > > Fran�ois Felber (Mus�e et Jardins > botaniques cantonaux in Lausanne, Switzerland) > https://ift.tt/S2hAna9 > > Kentaro Shimizu (University of Zurich, Switzerland) > https://ift.tt/MCI6dUb > > Martin Lascoux (Uppsala University, Sweden) > https://ift.tt/Sgz304H > > Armel Salmon (University of Rennes, France) > https://ift.tt/je47cXI > > The selection of participants will be based on their scientific background > and project via a motivation paragraph and a CV in their application. See: > https://ift.tt/H4PtegY > Registration fees for the whole Summer School (CHF 350; > half-pension). Deadline for registration: 16.04.2023 > > Further details about the venue, program and registration can be found > at: https://ift.tt/wBDPAa9 > > Prof. Christian Parisod > Department of Biology - University of Fribourg > Chemin du Mus�e 10 - 1700 Fribourg - Switzerland > Phone: +41 26 300 8852 > e-mail: [email protected] > https://ift.tt/wpZmiCW > via Email February 09, 2023 at 09:27AM
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Splurged on books at Kinokinuya when I went to pick up Berserk vol2. Ended up getting four other volumes I was missing… and found a display for Junji Ito! So, right now one of my toe tags is being used as a bookmark in the cat diary. I’m in love with Yon’s skull marking, and I want a cat like that. 😆
Pretty sure I’ll finish the cat diary tonight, and I might read the other Ito books at work.
Tomorrow, I’ll finally pick up my copy of Black Butler vol30. Austin Books & Comics got my copy in some time ago, but they failed to call or email; they’ve been having issues with their notification system lately.
#black butler#kuroshitsuji#off topic slightly#berserk#miura kentaro#smashed#remina#junji ito#junji ito’s cat diary#yon and mu#books#kinokuniya#kentaro miura#ito junji#collections#austin books & comics#vol30#me irl#me in real life#sep 2 2021
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Ugh, I just finished reading “Berserk” for the first time, and now I feel sad as hell. It’s incredibly sad that Kentaro Miura died before he was able to finish this story, and man, seemingly right at the point of it reaching it’s climax too.
I honestly had no idea that the manga was even still ongoing when I started it. Considering it was first published in 1990, I assumed it must have concluded long ago.
I really wanted to see some kind of conclusion to the situation between Guts and Griffith, specifically. I felt like the story really revolved around these two, and that, in a way, they were duel main characters. The early friendship between them was incredibly moving, I thought, and made the tragedy of what came between them all the more impactful. I know Griffith gets a lot of hate, and people like to label him as purely evil, but I felt from the start he’s a much more complex and layered character than such a definition implies. The parallels between him and Guts were abundant, and I honestly thought, as I progressed through the story, that a moment of redemption was possible for Griffith. I think, in a way, that would have been the ultimate salvation, both for him and Guts. If Guts could find a way to forgive Griffith, it would free Guts from the bonds of his own, darker struggles. I think that would have tied in wonderfully with the themes of this series, of learning to appreciate what you have and let go of your anger and bitterness and dissatisfaction, etc... Well, I could talk on and on about it.
One thing I did want to talk about though, is the theme of salvation through friendship, and specifically how we see this play out for both Guts and Griffith. I’m going to be talking spoilers here, for anyone who hasn’t read the manga, but is planning to.
Guts leaving The Band of the Hawk, and leaving Griffith, served as the catalyst for Griffith’s downfall, because Guts was always going to be Griffith’s salvation. He was Griffith’s one, true human connection, the only one to ever make him forget his dream, his way of holding on to his humanity. But when Guts leaves him, really abandons him, he takes that salvation with him, and sends Griffith down an irreparable path of self-destruction. What struck me while thinking about this is how we see this paralleled between Guts and Puck. Guts is spiraling down a path of self-destruction when he meets Puck for the first time. He’s hell bent on revenge against Griffith, and is becoming himself more and more monstrous with each passing day, less and less human, less and less compassionate. He actively spurns and tries to drive Puck away, over and over, and acts in ways so terrible and inhumane that Puck, several times, threatens to abandon Guts. But... he never does. Through it all, through all of Guts’ terrible behavior and actions, through all of Guts’ attempts to frighten Puck off, etc... Puck never actually does. He sticks doggedly with Guts, and flat out refuses to go. I think this relationship gets overlooked in its vital importance to Guts’ own salvation (this in part, probably, to how Puck, unfortunately, ended up being reduced to a comic relief character later on in the story). Without Puck’s refusal to abandon him, I think it’s unquestionable that Guts would have ended up continuing down the same path he’d been on and would have, eventually, fallen, the same way Griffith did. I think this is really important, then, in understanding Griffith’s character, and finding empathy for him. The same way Guts needed a friend to save him from self-destruction, Griffith too needed a friend, one who wouldn’t abandon him, no matter what. But whereas Puck never did abandon Guts, Guts, tragically, DID abandon Griffith. People talk about the key difference between Guts and Griffith being that Guts was able to grow and learn from his mistakes, and eventually come to accept the help and friendship of others, while Griffith was unable to do the same. But, again, I think it gets overlooked, just how much of a role Puck’s refusal to abandon Guts played in him being able to do what Griffith couldn’t. Without Puck’s insistent friendship, Guts never would have met Shierk, Farnese, Isidro, Serpico, etc... he never would have gone back for Casca. He simply would have continued down the same, revenge driven path he’d been on. I think, if Guts had done the same for Griffith, refusing to abandon him, then the Eclipse never would have happened, and the events both leading up to and after it would never have come to pass. Guts’ role in Griffith’s downfall is something I don’t see get discussed much, I think because of an accepted desire to think of Griffith as simply “evil”, but I think Guts’ role in Griffith’s downfall also can’t be denied. That duality of both being Griffith’s salvation and his destruction is really interesting, and tragic in the way it unfolded. It’s that kind of layered complexity to these characters and their motivations that made this such an interesting and in many ways moving manga. I hope they’ll find some way to continue it, even if it won’t ever be quite the same.
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Prince of Tennis (2019) Characters
This list was made based on the Chinese and Japanese Wikipedia entries for Prince of Tennis (2019), and the Dramawiki for the names of most of the actors. Please let me know if you spot any mistakes/ have any more to add!
Legend: [CHN Character name] [Name in Chinese characters] (Actor): Original JPN Name Names with readings I'm not sure of are in italics
Yu Qing 育青 / Seishun Academy
Lu Xia 路夏 (Peng Yu Chang): Echizen Ryoma
Mu Siyang 穆司陽 (Xie Bin Bin): Tezuka Kunimitsu
Qiao Chen 喬晨 (Dong Li): Momoshiro Takeshi
Chi Dayong 池大勇 (Zhu Zhi Ling): Oishi Shuichiro
Zhuo Zhi 卓治 (Zhang Yi Jie): Fuji Syusuke
Tang Jiale 唐佳樂 (Xu Ke): Kikumaru Eiji
Yan Zhiming 嚴智明 (Li He): Inui Sadaharu
He Xinglong 賀興隆 (Fan Lin Feng): Kawamura Takashi
Zhang Baiyang 張百揚 (Wu Xu Dong): Kaidoh Kaoru
Qi Ying 齐瑛 (Song Yi Ren): Ryuzaki Sakuno
Peng Shang 彭湘 (Lu Jia): Osakada Tomoka
Huang Jing 黃靖 (Yu Kai Ning): Combination of Arai, Sasabe, etal
Ma Xiuwen 馬修文 (Zhang Ke Yuan)
A Mu 阿穆 (Li Jun Zheng)
Qi Na 齐娜 (He Jia Yi): Ryuzaki Sumire
Lu Xiangqian 路向前 (Wu Qi Jiang): Echizen Nanjiroh
Hao Dahe 郝大河 (Jin Yu Bo): Yamato Yudai
Yu Hang 育航 / Gyokurin
Bu Zhongchuan 钟歩川 (Jin Hao Chen): Fukawa Kimiyoshi
Wu Quan 吴泉 (Zhang Hang [YOUNG-G]): Izumi Tomoya
Yu Feng 玉峰 / Fudoumine:
Xu Ziping 徐子��� (Chen Shang Ze): Tachibana Kippei
Yan Jiang 燕江 (Wang Yong Feng): Sakurai Masaya
Shi Tienan 旋铁男 (Yang Chen Yi): Ishida Tetsu
Sima Yiwu 司马亦武 (Kong Chui Nan): Ibu Shinji
Shen Weiming 申伟明 (Liu Cheng Lin): Kamio Akira
Chen Desen 陈德森 (Gu Yu): Mori Tatsunori
Wei Kefei 韦克飞 (Ming Peng): Uchimura Kyosuke
Xu Xingzi 徐杏子 (Sun Jia Yu): Tachibana An
Xing Yao 星耀 / Hyotei Academy
Ji Jingwu 纪景梧 (Ren Yan Kai): Atobe Keigo
Hua Chonghong 华崇宏 (Yu An): Kabaji Munehiro
Hu Liangliang 胡亮亮 (Yang Ze): Shishido Ryo
Song Ci 宋慈 (Shi Zi Xun): Akutagawa Jiroh
You Shixing 游世星 (Fan Xiao Dong): Oshitari Yuushi
Yue Yang 岳阳 (Gao Xin): Mukahi Gakuto
Ji Nuo 吉诺 (Jiang Xin Qi): Hiyoshi Wakashi
Feng Zhiyuan 冯志远 (Jin Zhong Xi): Ootori Choutaro
Coach Fu 付教錬 (Tian Jia Da): Sakaki Tarou
No. 3 (Shisan) High School 市三 / Yamabuki
Ya Jiuxin 亚久辛 (Wang Yan Yang): Akutsu Jin
Shen Qianshi 沈千石 (Lou Ming): Sengoku Kiyosumi
Nan Jianzhi 南建知 (Liu Yu Feng): Minami Kentarou
Tan Yitai 谭一泰 (Huang Xing Yuan): Dan Taichi
Fang Yadong 方亚东 (Peng Gang): Higashikata Masami
Ma Lintao 马林涛 (Zhang Yuan Kun): Muramachi Tohji
Coach Tian 田教練 (Hong Wei): Banda Mikiya
Chen Huijing 陳慧敬 (Yang Cai Ying): Akutsu Sayuri
Guo Zi 國子 / St. Rudolph
Zhuo Yu 卓宇 (Zhao Zi Qi): Fuji Yuuta
Guan Yue 关岳 (Lan Bo): Mizuki Hajime
Qiao Ze 乔泽 (Liu Ming Kai): Akazawa Yoshiro
Ling Tian 梁田 (Jerry Chang): Kaneda Ichiro
Liu Zecheng 刘泽��� (Tang Xiang En): Yanagisawa Shinya
Qin Yifei 秦一婓 (Deng Zhi Yuan): Kisarazu Atsushi
No. 6 (Di Liu) 第六 / Rokkaku
Kui Jian 奎建 (Lei Ming): Aoi Kentaro
Yu Zifeng 余子风 (Fu Yan Zhang): Kurobane Harukaze
Lin Xiyan 林希彦 (Yao Jun Zhe): Itsuki Marehiko
Tian Ye 田野 (Wang Hao Yu): Amane Hikaru
Zuo Xiaohu 左小虎 (Li Zheng Jun): Saeki Kojiro
Mu Jinliang 穆金亮 (Zhai Xu): Kisarazu Ryo
Liu Muyun/Mr. Six 劉牧雲/六爷 (Hou Tong Jiang): Oji
Hai Guang 海广 / Rikkaidai
Bai Shiting 白市廷 (Ren Yun Jie): Yukimura Seiichi
Tian Zilong 田子龙 (Xiang Yun Long): Sanada Genichiro
Ke Jie 柯杰 (Tan Xu): Jackal Kuwahara
Liu Lian 柳濂 (Wang Yi Bo): Yanagi Renji
Jin Wentai 金文太 (Cao Jun Xiang): Marui Bunta
Yuan Chi 袁驰 (Shen Qi): Kirihara Akaya
Wang Yaren 王雅人 (Xu Rui Lin): Nioh Masaharu
Lu Sheng 吕胜 (Li Shu Ren): Yagyuu Hiroshi
Ying Cai 英才 / Ginka
Xiang Jingtian 向静天 (Chen Peng Wan Li): Fukushi Michiru
Chen Dahai 陈大海 (Ma Wenchao)
Lin Ye 林叶 (An Zi Yang)
Other Characters
Sha Sha 沙莎 (Liu Yong Xi): Shiba Saori
Li Na 李娜 (Li Na) [Bookstore owner]
Jiang 姜 (Jiang Shang): Tatsugoro [Racquet repair man]
*(2020.03.11) Fixed typo on Bai Shiting's actor name. Thanks to @tsunaminh for pointing it out!
*(2020.03.16) Fixed Ji Nuo's name! Thanks to @rlkkai for pointing it out!
*(2020.04.08) Fixed typo in Lu Xiangqian's name
#prince of tennis#prince of tennis 2019#match! tennis juniors#chinapuri 2019#fen dou ba shao nian#chinese prince of tennis
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Jade Lotus: Memories from Before
((Purpose is a jewel crafted inside your heart, that blossoms like the lotus finding its way to the light)) ((Soundtrack for this is Ketsubetsu)) ((From the memories of Len T’ien-mu))
Sometimes I wish I was some normal auri girl. But...
Some time ago, I was born in another place called the “Tenryuu Estate”. My family used to serve as bushi to Lord Kentaro, head of the Tenryuu family. We served as guards, assassins, shinobi, warriors... each one of us had individual talents.
Lord Kentaro died soon after I was born.
And so were my relatives. In a fight that nobody until today could explain quite right what happened. The only ones that survived returned to Tenryuu Estate, without their lord’s body, only his sword. They would present it to Lady Kaori, his wife.
With the end of the battle, Lady Kaori dismissed all the warriors and servant families of the Tenryuu Estate. There was no need for us, no purpose. Only one family remained, the Kiryuu branch, because they were already related to the main clan.
Mother and Father were gifted with a naginata, a personal weapon, a spear that belonged to Lady Kaori. It was meant to become a memento for our times as servants. But it was also a message. And an omen somehow. It was almost like Lady Kaori would know what would come after this.
She sent a scroll with us, recommending our services to any lord that would take us. We ended being hired by a village at the margin of the One River, to act as guards against any imperial threat.
Mother trained me to become an onna-bugeisha and a shrine maiden, so I could choose a path between both and follow my heart. I learned how to play the guzheng, and also archery, fencing and the traditional kagura dance. Father said one day that I would be a great woman and marry a great man because of my dedication. It was the happiest day of my life...
and the last time I would talk to him.
Word spread as quickly as the wind, talking about a revolution. We would liberate Lord Kaien from his prison at the Doma Castle, we would take what was ours back. We sent a letter to the Tenryuu Estate, so that Lady Kaori and perhaps even the young lord Shintaro could help in the fight. But they never answered the call... and many others didn’t too.
We were short of lords and men.
To guarantee that the young lord Hien could escape, some of ours stayed behind, including Father and Mother. Their bodies arrived several days after they departed, I couldn’t believe my eyes. I wanted to die with them too... but, as one day the sword of Lord Kentaro was given to his wife, I was receiving my parents blades and bow. As a memento, to remind me that I was also trained to be a warrior, an onna-bugeisha. And something... something awoke inside me. And with 13 years old, a young girl from Yanxia set journey to find her path and her way.
(1 year ago - Doma Castle)
I have searched for the other families, not finding anyone else. Anyone but him. As almost if by a miracle, Shintaro of the Tenryuu Family was alive. I helped him to free his land and home from a great evil and now we are here to help Lord Hien taking his own. Where our parents sacrificed their lives, we would stand and fight for our country, for our love, families... and for us. We will triumph and let these memories from before succumb to their own demise.
It is true that sometimes I wish I was a normal au ri girl. But now, I have found my way, Mother, Father. So thank you for everything. I will live my life like you taught me.
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Le anteprime al Lucca Comics & Games 2018
Proiezioni, home video e albi presenti in anticipo alla fiera.
Parte domani la nuova edizione del Lucca Comics & Games e in occasione di questa cinque giorni straripante di cose da fare, vedere e comprare, abbiamo pensato di stilare, oltre alla guida agli ospiti, una lista delle anteprime presenti in fiera. Fra comunicati stampa e social, ecco cosa è venuto fuori.
DYNIT
Presso gli stand dell’editore saranno acquistabili il cofanetto home video della prima stagione di “My Hero Academia”, quello per il trentennale di “Akira”, quello del primo film di “Fate/stay night - Heaven’s Feel” e anche quello di “Mobile Suit Gundam The Origin VI: Rise of the Red Comet”, tutti in uscita ufficialmente il 7 novembre.
Per la collana Showcase della sezione manga invece sarà disponibile "Voglio Mangiare Il Tuo Pancreas!", tratto dal romanzo omonimo di Yoru Sumino (in uscita a gennaio), da cui è anche stato tratto il film anime che uscirà al cinema il il 21, 22, 23 gennaio 2019.
Venerdì 2 novembre alle ore 15:30, presso l’Auditorium San Girolamo verranno presentati i primi due episodi di “Sword Art Online Alternative Gun Gale Online”, spinoff della popolare serie tratta dall’opera di Reki Kawahara, trasmesso in simulcasst su VVVVID, che vedremo presto arrivare anche Blu-ray & DVD.
Sabato 3 novembre alle ore 11:00, presso il cinema Centrale in via del Poggio 36, potrete inoltre assistere in anteprima nazionale alla proiezione di “Penguin Highway”, il film d’animazione tratto dal romanzo di Tomihiko Morimi, che verrà distribuito da Nexo Digital il 20 e 21 novembre.
CRUNCHYROLL
Venerdì 2 novembre alle ore 11:00, presso il Cinema Astra, Crunchyroll mostrerà in anteprima l’episodio 5 di “Le bizzarre avventure di Jojo: Vento Aureo”, come regalo al pubblico italiano di Lucca Comics & Games. Gli spettatori saranno i primi al mondo a vedere l’episodio, intitolato “Alla ricerca del tesoro di Polpo!”.
Il nuovo capitolo della serie animata da David production e tratta dal celebre manga di Hirohiko Araki è attualmente in simulcast sulla piattaforma; gli episodi escono ogni venerdì alle 19:05.
YAMATO VIDEO
Allo stand troverete anche le ultime novità home video degli ultimi mesi, quali “Holly e Benji, due fuoriclasse”, “Holly e Benji Forever”, “Gun Frontier”, “General Daimos”, “Lupin III La prima serie” (per la prima volta in Blu-ray), “Devil Lady”, “Ken il guerriero - La leggenda di Hokuto” e i primi due box della serie storica di Ken il Guerriero. Troverete anche le esclusive Yamato Shop, come le edizioni deluxe di “Toriton”, “Il Prode Raideen”, “Devilman” e i due cofanetti in edizione limitata de “I Cinque Samurai”, il secondo atteso per il 6 novembre e presente in anteprima.
Anche Man-ga, canale 133 di Sky interamente dedicato all’animazione giapponese, presenterà le prossime novità della sua programmazione, come i doppiaggi di “Kyashan SINS” e “Sengoku Basara – Samurai Kings 2”, svelando le due misteriose prime tv, attese tra dicembre 2018 e gennaio 2019.
Sarà disponibile anche il cofanetto de “I Cavalieri dello Zodiaco - I Capitoli di Ade” dedicato alla serie che ha trasposto in animazione la saga finale dello storico manga di Masami Kurumada. Purtroppo però sarà presente solo la versione standard, a causa dei molto preordini (l’uscita ufficiale è prevista per il 22 novembre), l’azienda ha deciso di non portare in fiera la versione deluxe, date le scorte limitate.
Inoltre, per festeggiare i 40 anni di “UFO Robot Goldrake”, fra le varie iniziative e i gadget, sarà presente anche la nuova edizione home video in DVD e per la prima volta in Blu-ray della serie.
J-POP
Di seguito la corposa lista di volumi in anteprima che troverete presso lo stand dell’editore:
Il Poema del Vento e degli Alberi (Box) di Keiko Takemiya
Le Spaventose avventure di Kitaro di Shigeru Mizuki
Il libro delle Maledizioni di Souichi di Junji Ito
The Dragon Dentist di Outarou Maijou, Youko
Re:Zero 4 (Light Novel) di Tappei Nagatsuki, Shinichirou Ohtsuka
Killing Stalking - Seconda stagione 1 di Koogi
Super Robot Files 3 di Fabrizio Modina
Barbara di Osamu Tezuka
MW1 di Osamu Tezuka
I Tre Adolf 2 di Osamu Tezuka
Per quanto riguarda le altre serie a fumetti già in corso: Golden Kamui 13, Made in Abyss 5, Medaka Box 15, Neverland 6, Servamp 10, Truth of Zero 3, Wonderland 4, Armed Girls Machiavellism 5, Atom 6, Dagashi Kashi 11, Horimiya 4, Monster Musume 13, Oltre le Onde 4.
MANGASENPAI
In occasione delle seconda visita di Tony Valente alla fiera, in concomitanza con la trasmissione della serie animata prodotta in Giappone, troverete allo stand:
Radiant 7
Radiant 1 (Variant)
PLANET MANGA
Di seguito i volumi in anteprima che troverete presso lo stand dell’editore, che saranno poi disponibili a partire dall'8 novembre:
Boruto - Naruto Next Generations 5 (Standar/Variant) di Kodachi Ukio, Mikio Ikemoto
Boruto Welcome pack (vol.1-4) di Kodachi Ukio, Mikio Ikemoto
La promessa della rosa 1 di Kaho Miyasaka
Citrus 1 (Standard/Variant) di Saburouta
La cena di un mangaka di Yusuke Murata
Black Torch 1 di Tsuyoshi Takaki
Junji Ito's Cat Diary: Yon & Mu di Junji Ito
Shino non sa dire il suo nome di Shuzo Oshimi
Platinum End 7 di Tsugumi Ohba, Takeshi Obata
Berserk 26 (Maximum) di Kentaro Miura
Berserk Official Guide Book di Kentaro Miura
STAR COMICS
Di seguito alcune fra le novità presenti allo stand dell’editore, che quest’anno avrà un’intera piazza dedicata:
My Hero Academia Offical Character Book Ultra Archive di Kohei Horikoshi
Remina - L’astro infernale di Junji Ito
Lo Squalificato 1 di Junji Ito
Dissolving Classroom di Junji Ito
Gyo - Odore di morte di Junji Ito
Jagan 1 (Standard/Variant) di Muneyuki Kaneshiro, Kensuke Nishida
Dragon Ball Super 5 (Limited Edition) di Akira Toriyama, Toyotaro
Dr.Stone 1 (Limited/Variant/Standard) di Riichiro Inagaki, Boichi
Potete consultare l’elenco completo dei titoli in vendita in fiera passando per questo link.
KAPPALAB
Oltre ai LIBRIGHIBLI, ovvero i romanzi originali da cui sono tratti i film di Hayao Miyazaki e dello Studio Ghibli, troverete anche le novità autunnali in anteprima:
Penguin Highway di Tomihiko Morimi (il premiatissimo romanzo originale da cui è tratto l’omonimo film d’animazione in uscita a novembre nei cinema italiani)
Perfect Blue di Yoshikazu Takeuchi (il romanzo originale da cui Satoshi Kon ha tratto l’omonimo film d’animazione)
In Questo Angolo di Mondo di Fumiyo Kono (il romanzo originale da cui Sunao Katabuchi ha tratto l’omonimo film d’animazione)
Hiroshima di Fumiyo Kono
Cinestoria del Giappone di Giuliano Tani (la storia del Giappone attraverso i film animati e live action)
Godzilla di Shigeru Kayama (il romanzo originale delle prime due scorribande dell’iconico lucertolone)
Kiki Consegne a domicilio di Eiko Kadono (Premio Hans Christian Andersen 2018, il “Nobel” della letteratura per ragazzi)
Enciclopedia dei mostri giapponesi di Shigeru Mizuki
Enciclopedia degli spiriti giapponesi di Shirgeru Mizuki
Infine, presso gli stand Kappalab situati nell'area Japan e nell'area Editori potrete ottenere tutte le informazioni per la prima data italiana di Dragon Ball Symphonic Adventure, il grande concerto 'full immersion' che si terrà il 27 aprile 2019, suonato e cantato dal vivo in sincrono con le immagini dell'anime.
HOLLOW PRESS
In occasione delle nuova visita di Shintaro Kago in quel di Lucca, la casa editrice proporrà in fiera il quarto e ultimo volume della serie “Day of the Flying Head”. Sarà inoltre offerto, in anteprima e a prezzo speciale, il cofanetto che non conterrà gli albi del fumetto, bensì una tavola originale random tratta dal numero 3 o dal numero 4.
HIKARI EDIZIONI
Di seguito i volumi in anteprima che troverete presso lo stand dell’editore:
The Bird 1 e 2 di Go Nagai
Il leone nero 3 e 4 di Go Nagai
Nanairo Inko - Ara dai sette colori 1 e 2 di Osamu Tezuka
Shumari 3 e 4 di Osamu Tesuka
Gen di Hiroshima 1-3 (Ristampa) di Keiji Nakazawa
La sposa davanti alla stazione di Shintaro Kago
FLASHBOOK EDIZIONI
Mr. Nobody 1 di Gou Tanabe
Cousin 1 di Ryo Ikuemi
Ka Cho Fu Getsu 1 di Yuki Shimizu
COCONINO PRESS
Il fiume Shinano 1 di Kazuo Kamimura
Utsubora 2 di Asumiko Nakamura
MAGIC PRESS
O.B. 1 di Asumiko Nakamura
L’elenco non è da considerarsi completo al 100%, ma speriamo possa comunque tornarvi utile almeno per farvi un’idea delle sorprese che potrà riservare il festival.
SilenziO)))
#lucca comics & games#fiere#anime#manga#light novel#home video#yamato video#dynit#kappalab#crunchyroll#hikari edizioni#hollow press#j-pop manga#magic press#coconino press#planet manga#star comics#mangasenpai#lucca2018
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Selamat Malam Gamezoners !!! ^_^
Anime adaptasi dari komik karya Sataru Noda berjudul "Golden Kamuy" merupakan anime yang bercerita tentang petualangan seorang tentara vetaran bernama Saichi Sugimoto yang dijuluki si "Abadi" dan Asirpa dalam berburu emas suku ainu di Hokkaido di era pasca perang Jepang-Rusia. Golden Kamuy ini di jadwalkan akan tayang pada 9 April 2018.
Anime ini akan dikerjakan oleh Geno Studio. Jajaran Staf yang akan terlibat dalam proyek anime ini adalah:
Sutradara: Hitoshi Nanba
Asisten Sutradara: Takahiro Kawakoshi
Penulis Naskah: Noboru Takagi
Desain Karakter: Kenichi Ohnuki
Desain Senjata: Koji Watanabe
Desain Prop: Shinya Asanuma
Desain Binatang: Ryo Sumiyoshi
Art Director: Atsushi Morikawa
Desain Warna: Takahiro Mogi
Pengarah Fotografi: Yuichiro Tozawa
Penata CG: Yuuko Okumura dan Yasutaka Hamada
Editor: Go Sadamatsu
Penata Suara (Magic Capsul): Jin Aketagawa
Supervisi Bahasa Ainu: Hiroshi Nakagawa
Pengawas Bahasa Rusia: Eugenio Uzhinin
Komposer Musik: Kenichi Suehiro
MAN WITH A MISSION akan membawakan lagu pembuka berjudul “Winding Road” dan The Sixth Lie dengan lagu penutup “Hibana.”
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Dalam komik Golden Kamuy dikisahkan tentang Saichi Sugimoto, seorang tentara veteran perang antara Jepang dengan Rusia pada tahun 1904 – 1905 yang dijuluki Sugimoto si “Abadi”, yang mencari peruntungan di tanah belantara Hokkaido untuk berburu emas. Ketika ia tidak sengaja menemukan peta yang mengarah ke harta emas tersembunyi milik suku Ainu, Sugimoto langsung bertekad untuk menemukan emas tersebut. Akan tetapi tidak hanya Sugimoto yang mengincarnya, siapapun yang mengetahui keberadaan harta tersebut tidak segan-segan untuk saling membunuh untuk memilikinya. Menghadapi iklim dingin dan medan daerah utara yang keras, disertai para kriminal jahat dan ambisi tentara Jepang, Sugimoto perlu mengerahkan segala kemampuan, keberuntungan serta bantuan dari gadis suku Ainu bernama Asirpa.
Para Seiyuu yang akan hadir dalam anime ini adalah:
Chikahiro Kobayashi sebagai Saichi Sugimoto
Haruka Shiraishi sebagai Asirpa
Kentaro Itou sebagai Yoshitake Shiraishi (Raja Pelarian)
Houchu Ohtsuka sebagai Letnan Satu Tsurumi
Kenjiro Tsuda sebagai Kyakunosuke Ogata
Yashimasa Hosoyo sebagai Genjirou Tanigaki
Jouji Nakata sebagai Toshizou Hijikata
Kenji Nomura sebagai Tatsuuma Ushiyama
(Sumber: kaorinusantara.or.id)
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Come, Play, and Feel the Difference!
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The Village Without Soul, part 2
((Continues from Part 1 and I would suggest the following reading too: Cherry Girl )) ((This chapter is narrated by Len T’ien-mu))
My name is Len. I am the last of the T’ien-mu family of retainers. We used to serve under the Tenryuu family until the day Master Kentaro died. That day, many years ago, Kentaro’s widow, Lady Kaori, relieved us from our duty protecting her family, because she felt that we shouldn’t be tied to a estate without a Lord and their son was still very young to be one. My family accepted but with the condition that as soon as the child was able to become a landlord, they would come back to fulfill their promise to serve under the Tenryuu Family. Lady Kaori accepted the deal, sealing it with an object: her own personal Naginata, telling my father that they should deliver this to Shintaro to prove their identities and worth, if she was not there anymore.
My mother, an onna-bugeisha like Lady Kaori, told me this story, since I was very small to understand anything, or to remember anything. My parents passed away when the Doman Resistance tried to siege the Doma Castle five years ago and my mother, before dying. told me to look for Shintaro, of the Tenryuu Family. The first place I looked was their estate. What I found... was something else.
“Len. Pray tell me, what is this... Village without Soul, and why is it connected to my friend’s Mother?” The tall Elezen standing before me was impatient. He looked like an experienced warrior of the lance, not a pirate, if the rumors are true. But he knew Shintaro and I had to tell him, and ask where my Lord would be.
The night falls as I stare to him at the docks and I explain the happenings. Two years ago, when I felt that I was ready to become my Lord’s retainer, I started my search for him. I wandered through the hills of Yanxia, until I reached the southern parts. The Tenryuu Estate was located there, hidden and secluded from the outsiders. Only the best warriors would find them. And still.
“It was nothing. Nothing but ashes surrounding the place.”
“This part I know well. Shintaro had to escape because the garleans razed the estate. His mother was the one that secured his flee by sacrificing herself, distracting the attackers.”
“Hm. This is interesting, so that’s why he is alive now. But here’s the strangest trait: the people there.”
“People? What do you mean, there were other survivors?”
“You could say that. When I saw the first of them, I hid myself inside the old shrine and started to observe their daily lives.”
I tell the Elezen captain about how they were lifeless. They were only workers in a daily life without rest, picking wood, clay, and rebuilding slowly the village of the estate. They didn’t eat. They didn’t talk. They didn’t drink. There were no children. They didn’t share eye contact. I could feel that there was something wrong. Something devious, it was like a dark aura surrounding... I swear it was even visible by the night. I ran away, scared. But I remember... the last thing I saw was a person. Someone with noble attires, someone that could be Lady Kaori herself. I tried to talk to her, but... she didn’t look at me. She... didn’t look anywhere. She was lifeless too, like she was without a soul.
“But this was two summers ago. Why are you looking for me now?”
“It was only recently that I discovered that Lord Shintaro was one of your crewmen and that he was coming back to Doma. Since I didn’t see him there, I thought he was dead.”
“How did you know about that? Who told you that?” The elezen seemed startled by the information. I remained calm, although surprised with the reaction.
“I overheard a conversation between two men in Kugane. One of them spoke the name ‘Musume’ too, that was the name of the daughter of the other family of Tenryuu retainers, if I recall correctly. Then they said that it was surprisingly interesting that first both retainers of Lord Hien, Doma’s prince, would come and then one of the heirs of the old Doman Samurai estates would come too. The Tenryuu heir, and the old Forever Blue captain was waiting for him.”
“This means that someone knows he is here. This can be dangerous.” The man put his hand on his chin, pondering. “This information was most helpful, Len. How can I pay you?”
“I...I just need to fulfill my promise to my mother. And for that I need that you take me with you. To stay at Lord Shintaro’s side as his retainer is my family’s purpose, you see, as my parents were his father’s retainers.”
“Hm. Is that so? I can take you with me, but only Shintaro will decide if you are his retainer or not. Pack your bags. Let’s go.” He waves to me to follow his way. I grab my things and the old Naginata. I was finally able to be with my Lord and fulfill my promise, made to my mother many years ago. I couldn’t hide my enthusiasm and smile. “Come on. What are you waiting for?” He beckons again.
“Oh. HAI!” I answer, with heart as light as air, for the first time of my life.
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Halo Gamezoners !!! ^_^
Buat penggemar film horror thriller, Setelah awal tahun ini disambut dengan Misu Misou, kali ini muncul kabar bahwa serial legendaris Blood-C akan mendapatkan adaptasi Live Action baru dengan judul Blood-Club Doll yang direncanakan akan tayangpada musim gugur 2018 ini.
Blood-Club Doll ini merupakan project lanjutan dari live action Blood-C sebelumnya yang berjudul Asura Girl - The Blood-C Ibun yang tayang pada tahun 2017. Para pemeran dalam live action sebelumnya akan kembali berperan dalam film live action terbaru ini, ditambah dengan para pemeran baru.
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Berikut para aktor dan aktris yang akan tampil dalam live action Blood-Club Doll:
- Ryunosuke Matsumura - Ryo Kitazono - Yoji Tanaka - Aki Asakura - Kanon Miyahara - Maon Kurosaki - Ren Yagami - Shota Takasaki - Yuki Tomotsune - Yuya Asato - Naoya Gamoto - Judai Shitakashi - Taishi Sugie - Ryousei Tanaka - Keisuke Minami - Takuya Kawaharada - Katsumi Takahashi - Norito Yashima
Live action Blood-Club Doll ini akan kembali disutradari oleh Oku Shutaro. Junichi Fujisaku akan bertanggung jawab untuk naskah skenario, Kentaro Kishi akan menjadi sinematograferi, dan Junji Shimizu menjadi penanggung jawab koodinator adegan laga. Film live-action ini akan diproduseri oleh Sennosuke Okumura dan Seiichi Horiguchi.
Blood-C bercerita tentang seorang gadis bernama Saya Kisaragi, yang tinggal di sebuah kota kecil. Saya bertugas untuk menjaga penduduk kota dari serangan monster yang disebut elder bairn. Monster yang suka menganggu penduduk kota dengan memakan manusia. Untuk itu Saya, yang tinggal di kuil bersama ayahnya Tadayoshi, harus membunuh para elder bairn tersebut. Tadayoshi lah yang memberikan katana untuk Saya dalam aksinya. Tadayoshi tahu tugas berat Saya, untuk itu dia selalu menjaga dan mengkhawatirkan Saya.
Serial Blood-C sebelumnya telah mendapatkan adaptasi serial anime televisi pada tahun 2011, serta sekuel film anime-nya yang berjudul Blood-C – The Last Dark tayang pada tahun 2012 silam, yang mana keduanya diproduksi oleh studio Production I.G.
(Sumber: japanesestation.com)
Buat kamu yang berada di area UMM dan sekitarnya..... Gamezone Internet Cafe & Playstation Rental kini HADIR di: Jl. Raya Tlogomas No.29G Ruko Tlogomas Indah II Kav. 7 (Depan UMM Kampus 3)
Kamu bisa pilih hiburan seru yang bisa mengusir badmoood-mu dengan fasilitas..... - Fiber Optic internet - Free WiFi - Sharp 40" LED - Sofa terbaik - Mesin terbaru, dengan stick original wireless - UPS backup untuk saving games jikalau ada problem PLN - Game update terbaru & bisa tambah games by request - Minuman & makanan murah. - Berbagai pilihan paket hemat mulai IDR 5K - Akumulasi main 10 jam GRATIS 1 jam - Extra bersih - Parkir luas & aman - Buka 24 jam
Mau ngopi, nge-es, ngemil juga bisa :) Harganya? Tenang.......ramah di kantong kok ^_^ Jangan lupa mampir ya..... :)
www.GAMEZONE.co.id SALES ?SERVICE - RENTAL
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Selamat Sore Gamezoners !!! ^_^
Masih tentang anime Winter 2018 nich guys. "DARLING in the FRANXX" anime Mecha adaptasi dari komik karya Kentaro Yabuki. Anime ini adalah kolaborasi dari studio A-1 dan Trigger, dan akan mulai tayang di jepang pada 13 Januari 2018.
Sinopsis: Anime ini bercerita tentang masa depan, dimana bumi sudah mati dan umat manusia melarikan diri dengan menggunakan benteng bergerak bernama "Plantation". Sebuah fasilitas pelatihan bernama Mistilteinn, yang juga dikenal dengan nama "Birdcage", mengisolasi dan membidik para muridnya untuk bertarung dengan menggunakan mecha bernama Franxx untuk melawan berbagai monster raksasa yang dikenal dengan nama Kyouryuu.
Code:016 "Hiro" adalah pilot jenius yang karena berbagai alasan, penilaian dan harapan dari institusi terhadapnya menurun sehingga dia tidak bisa menaiki Frankxx. Hingga suatu hari dia bertemu dengan gadis bertanduk bernama Zero Two.
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Seiyuu yang akan mengisi dalam anime ini adalah:
- Yuuto Uemura sebagai Code:016 “Hiro” - Haruka Tomatsu sebagai Code:002 “Zero Two” - Kana Ichinose sebagai Code:015 “Ichigo” - Yuichiro Umehara sebagai Code:056 “Goro” - Nanami Yamashita sebagai Code:390 “Miku” - Mutsumi Tamura sebagai Code:666 “Zorome” - Saori Hayami sebagai Code:556 “Kokoro” - Hiroki Gotou sebagai Code:214 “Futoshi” - Shizuka Ishigami sebagai Code:196 “Ikuno” - Aoi Ichikawa sebagai Code:326 “Mitsuru” - Marina Inoue sebagai NANA - Katsuyuki Konishi sebagai Hachi - Kenyuu Horiuchi sebagai Dr. Franxx
DARLING in the FRANXX akan disutradarai oleh Atsushi Nishigori, dan Toshifumi Akai akan menjadi sutradara pembantu. Nishigori dan Naotaka Hayashi akan mengatur komposisi seri, Masayoshi Tanaka sebagai desain karakter dan sutradara animasi. Shigeto Koyama akan mendesain mesin, Asami Tachibana akan menjadi komposer musik, dan Hiroyuki Imaishi akan menjadi pengawas aksi.
(Sumber: jurnalotaku.com)
Buat kamu yang berada di area UMM dan sekitarnya..... Gamezone Internet Cafe & Playstation Rental kini HADIR di: Jl. Raya Tlogomas No.29G Ruko Tlogomas Indah II Kav. 7 (Depan UMM Kampus 3)
Kamu bisa pilih hiburan seru yang bisa mengusir badmoood-mu dengan fasilitas..... • Fiber Optic internet • Free WiFi • Sharp 40" LED • Sofa terbaik • Mesin terbaru, dengan stick original wireless • UPS backup untuk saving games jikalau ada problem PLN • Game update terbaru & bisa tambah games by request • Minuman & makanan murah. • Berbagai pilihan paket hemat mulai IDR 5K • Akumulasi main 10 jam GRATIS 1 jam • Extra bersih • Parkir luas & aman • Buka 24 jam
Mau ngopi, nge-es, ngemil juga bisa :) Harganya? Tenang.......ramah di kantong kok ^_^ Jangan lupa mampir ya..... :)
www.GAMEZONE.co.id SALES – SERVICE - RENTAL
INTERNET CAFE & PLAYSTATION RENTAL Jl. MT Haryono 73, Ruko Dinoyo Indah Kavling 1 Malang 65145 (200m barat laut Unibraw) HP/SMS/Whatsapp: 085604909049
Branch : LANDUNGSARI Jl. Raya Tlogomas No.29G, Ruko Tlogomas Indah II Kav. 7 65144 (Depan UMM Kampus 3 Malang) HP/SMS/Whatsapp: 085855469604
Come, Play, and Feel the Difference!
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Haii Gamezoners !!! ^_^ Kali ini mimin akan mereview movie dari seri anime "Haikara-san ga Tooru" anime yang di adaptasi dari manga "Haikara-san ga Tooru" karya Waki Yamato yang sudah tayang pada tahun 1978-1979. Waaach ... :) Movie pertama berjudul " Gekijouban Haikara-san ga Tooru Zenpen – Benio, Hana no 17-sai" akan tayang perdana pada 11 November 2017 di Jepang, dan Movie kedua berjudul "Gekijouban Haikara-san ga Tooru Kouhen – Tokyo Dai Roman" direncanakan akan tayang pada musin semi 2018 nanti.
Sinopsis: Kisah Haikara-san ga Tooru mengambil setting di Tokyo pada era Taishou (1912-1926) dan mengisahkan mengenai kehidupan Benio “Haikara-san” Hanamura, seorang gadis yang kehilangan ibunya pada usia yang masih muda dan dibesarkan oleh sang ayah yang merupakan seorang petugas berpangkat tinggi di Angkatan Bersenjata Jepang. Sebagai hasilnya, dirinya tumbuh sebagai gadis tomboi, bertolak belakang dengan adat Jepang yang mengedepankan sosok feminim. Dirinya mempelajari kendo, minum sake, dan kerap berpakaian ala Barat ketimbang mengenakan kimono. Dia tidak tertarik mengerjakan pekerjaan rumah dan lebih tertarik dengan literatur. Dia juga menolak konsep perjodohan dan percaya bahwa wanita punya hak untuk meniti karir dan menikahi orang yang ia cintai.
Seiyuu yang akan hadir beserta peran mereka adalah: - Saori Hayami sebagai Benio “Haikara-san” Hanamura - Mamoru Miyano sebagai Shinobu Ijuuin - Takahiro Sakurai sebagai Tousei Aoe - Kazuya Nakai sebagai Shingo Onijima - Yuuki Kaji sebagai Ranmaru Fujieda - Asami Seto sebagai Tamaki Kitakouji - Unshou Ishizuka sebagai Mayor Hanamura - Reiko Suzuki sebagai Pembantu - Kenta Miyake sebagai Ushigorou - Shizuka Itou sebagai Kichiji
Staf yang akan mengerjakan anime ini adalah: - Sutradara: Kazuhiro Furuhashi (film pertama), Mitsuko Kase (film kedua) - Naskah: Kazuhiro Furunashi - Desainer Karakter : Terumi Nishii - Desainer Latar Belakang & Pengarah Seni: Kentaro Akiyama - Desainer Warna: Kunio Tsujita - Pengarah Fotografi: Takeo Ogiwara - Studio Pengarah Fotografi: Graphinica - Pengarah Suara: Kazuhiro Wakabayashi - Komposer Musik: Michiru Oshima - Studio Animasi: Nippon Animation
(Sumber: jurnalotaku.com)
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