#Keith Goldberg

[graphicpolicy]

Charlie Day is set to star in Kill Me for XYZ Films and Dark Horse

Charlie Day is set to star in Kill Me for XYZ Films and Dark Horse #movies

Writer, director, actor Charlie Day has been set to star in the dark comedy Kill Me, directed and written by Peter Warren. The film is produced by XYZ Films, Mike Richardson and Keith Goldberg for Dark Horse Entertainment, Charlie Day and Peter Warren, and is executive produced by Paul Schwake and Kasey Adler for Dark Horse. The film is financed by XYZ Films, who will also be handling worldwide…

[tomoleary]

Walt Simonson, John Byrne, Paul Smith, Brent Anderson, Stephen Bissette, Jan Duursema, Ron Frenz, Vince Giarrano, Stan Goldberg, Mike Grell, Fred Hembeck, Bob Layton, Al Milgrom, George Pérez, Wendy Pini, Keith Pollard, Dave Sim, Dave Simons, Joe Sinnott, Joe Staton, John Totleben, Raoul Vezina, Mary Wilshire, and Tom Yeates - Jam Page Illustration Original Art (1979-1988) “Some or all of the inking was done by Karl Kesel.”

Source

[andrewisdoing]

[bob-the-movie-man-film-reviews]

Till (12): "And the Oscar goes to... Danielle Deadwyler".

Till (12): “And the Oscar goes to… Danielle Deadwyler”.

A One Mann’s Movies review of “Till” (2023). OH. MY. WORD. “Till” was an emotional ride I was really not expecting, but seldom has the success of a film rested so firmly on the back of its leading lady. Bob the Movie Man Rating(s): Plot Summary: Marnie Till-Bradley (Danielle Deadwyler) is living a good life in Chicago. She has a job, a nice house, parents living nearby and a fine boy by the…

[whileiamdying]

‘Till’ Review: He Was Someone’s Son, Too

Chinonye Chukwu’s new film reminds us that before his gruesome murder galvanized a civil rights movement, Emmett Till was a 14-year-old boy with a doting mother.

Jalyn Hall as Emmett Till and Danielle Deadwyler as his mother, Mamie, in “Till.”Credit...Lynsey Weatherspoon/Orion Pictures

By Manohla Dargis Published Oct. 13, 2022 Updated Oct. 16, 2022

Some stories can seem too difficult to tell, though that doesn’t seem to have crossed the mind of the director Chinonye Chukwu. In “Till,” her haunted and haunting movie about Emmett Till, the 14-year-old whose barbaric murder in Mississippi in 1955 by white supremacists helped galvanize the civil rights movement, Chukwu revisits the past while doing something extremely difficult. She makes this grim American history insistently of the moment — and she does so by stripping the story down to its raw, harrowing emotional core.

In brisk strokes both sweeping and detailed, Chukwu — who shares the script credit with Michael Reilly and Keith Beauchamp — revisits Till’s life, winding back the clock to Chicago in 1955. There, the cherubic-faced Emmett (a tender Jalyn Hall) lives with his widowed mother, Mamie (a superb Danielle Deadwyler), in a cozy house and is eagerly preparing to visit relatives in Mississippi, a trip that hangs over his mother like a worrying cloud. Yet Mamie dotes on Emmett (she calls him Bo) and, as a gift, buys him a wallet at a department store, where she tartly rebuffs a white salesclerk who tries to steer her toward the basement.

By the time that Emmett is riding a train to the South — midway through the trip, the Black passengers stand and move en masse to the rear — a divided world of post-World War II optimism and jarring racial segregation has opened up. These divisions widen once Emmett arrives in Mississippi, where he stays with the family of Mamie’s uncle, a sharecropper, Moses (John Douglas Thompson). Soon, Emmett is helping Moses and his children pick cotton under the relentless sun — the palette suggestively lightened — and the camera sweeps over Black bodies toiling in the field as Antebellum America comes to unsettling life.

The horrors of that world soon emerge with devastating consequences. Emmett, along with some relations, visits a small grocery store that caters to Black customers but is run by white people. Things rapidly spiral downward when Emmett walks into the store and meets the contemptuous gaze of the woman behind the counter. The Northern salesclerk who insulted Mamie earlier was just a better-mannered racist; he was also an ugly foreshadowing. Now, away from Mamie and the life he knows, Emmett amiably tries to engage the woman, Carolyn Bryant (Haley Bennett), whose hostility ends in catastrophic violence. That evening, several white men kidnap, torture and murder Emmett, throwing his mangled body in a river.

Chukwu doesn’t show Till’s torture and death, a decision that is a clear, emphatically ethical artistic choice. “Till” is the third feature-length movie that she has directed, the latest following her 2019 drama “Clemency,” about a Black prison warden in crisis, and her work here is impressive. She handles the larger-scale period backdrop of “Till” and sprawling cast with confidence, using her expanded tool kit prudently and without sacrificing the intimacy that helped distinguished “Clemency.” And, just as she did in that drama, which was at once anchored and elevated by Alfre Woodard’s powerful lead turn, Chukwu distills a story — its gravitational force and emotional depths — into the movie’s central performance.

With fixed intensity and supple quicksilver emotional changes, Deadwyler rises to the occasion as Mamie, delivering a quiet, centralizing performance that works contrapuntally with the story’s heaviness, its profundity and violence. The weight of Emmett Till’s murder, the horror of it — as well as both the history that preceded his death and that which followed it — is monumental, impossible, really, for one movie. Rather than attempt to convey that significance in its full sweep, Chukwu condenses it into meaningful details, fugitive moments, tranquil ellipses, explosive gestures and, especially, the face of one woman in joy and in agony.

Chukwu keeps focused on Mamie even as the world presses in, including after Emmett’s death when she’s swept up in a larger national drama and arranges an open-casket funeral — a bold, far-reaching decision — and then later travels from Chicago to Mississippi to attend the trial of his murderers. During the trial, a grotesque sham, reporters swarm, flashbulbs pop and highlighted figures enter and exit, including Medgar and Myrlie Evers (Tosin Cole and Jayme Lawson). The movie doesn’t go deep into the era’s policies and politics, but while the trial unfolds it sometimes slips into explanatory, near-pedagogical mode, including in some scenes that seem more for the viewer’s (perhaps white viewer’s) benefit than for the actual story.

In the decades since he died, Till’s murder and the still-shocking photographs of his body have been the subject of innumerable news stories, scholarly articles, nonfiction books, novels, poems, documentaries, podcasts, websites and exhibitions. At the 2017 Whitney Biennial, a painting of his corpse by the white artist Dana Schutz drew protests and criticism from Black artists. Historical markers installed in Mississippi that designate significant locations in his murder have been repeatedly vandalized. And, in March, Congress finally approved a bill — known as “the Emmett Till Antilynching Act’’ — making lynching a federal hate crime. Nearly 70 years after his death, his legacy and body remain contested ground.

Perhaps that’s why I keep returning to the image of Mamie with her mother, Alma (Whoopi Goldberg), who’s sitting near-immobilized with grief after his death. Alma’s limbs hang heavily, as if they had turned to lead, an image that mirrors Jesus as the Man of Sorrows and summons up visions of other grieving Black families. Here, as elsewhere, including the scene of Mamie with Emmett’s corpse that evokes innumerable pietàs, the sanctity of these bodies is as undeniable as their humanity. In the end, what makes “Till” cut deeply is Chukwu’s insistence that before Emmett was a victim of pathological racism and an emblem for change, he was a boy, a friend, a cousin, a grandson and Mamie’s son — a beautiful, loving and loved child.

Till Rated PG-13 for racist violence and language. Running time: 2 hours 10 minutes. In theaters.

[avis-writeshq]

hello 😘 aaron hotchner drabble request!

anything with jealousy and possessiveness but in a natural normal way not a joe goldberg way haha

and also - aaron sees you wearing his hoodie/shirt drabble!

thank you and your work is amazing!

pairing: aaron hotchner x bau!fem!reader genre: established relationship, aaron is a little (a lot) upset warnings: misogynistic moron >:( reader wears a skirt, if you get the reference ily a/n: i wrote it and the more i wrote the more i realised that it... really isn't the same at all :( if you want me to redo it, please send me an ask !! thank you lovely <3 wc: 631

“You would think that he would know by now,” Emily hums, her tone disapproving and mostly disappointed as she watches from a distance as Captain Pembroke attempts to chat you up. 

“He’s a captain?” Spencer asks in genuine amazement. 

“For NYPD’s major crime unit,” JJ confirms, her arms crossed over her chest. “He tried to hit on Emily a couple days ago, and on Amy from the fourth floor. I wouldn’t be surprised it he has some sort of sealed file on him.”

Emily scoffs a little, rolling her eyes. “Sounds like a charmer.”

“The bigger question is, does Hotch know?” Derek pipes up as he glances in your direction.

“Well…” JJ lets out a nervous laugh. “I kind of hope he doesn’t.”

You offer a curt smile in Pembroke’s direction, doing everything in your power to subtly signal that you really should be leaving. Fiddling with the loose threads of your shirt, averting eye contact, taking tiny steps away in hopes that he’ll somehow get the message. It isn’t surprising that he doesn’t. 

“I beat my PR yesterday, you know,” he brags, flexing his muscles. You think you’re about to throw up as he continues, “129. Impressive, right, hun?”

“The average amount of pounds an untrained man can lift is 135,” you respond dismissively in an attempt to lean into Spencer’s way of getting people to leave him alone, but Pembroke doesn’t seem to hear you. 

“You know, sweets, I don’t think you should even be in this job. You’re far too foxy,” he says with a wink, “You’d be better in a different job. I mean, women aren’t fit for these types of roles. They get too emotional.”

You refrain from punching his face as it will only prove his point. “Listen, Ken–”

“It’s Keith–”

“Kyle,” you amend with a sickly smile. “I do need to get these files to Agent Rossi, so if you’ll excuse me…”

“Aw, come on, it was only a joke,” Pembroke says with a laugh. “It’ll be fine–”

“There you are.”

You don’t think you’ve ever felt more relieved in your life. Aaron’s hand rests flat against your back, dangerously close to the waistband of your skirt and he stands behind you. Aaron is a good couple of inches taller than Pembroke, especially when he stands at his full height, his dark eyed narrowed and his jaw clenched. 

“Did you need something from my agent, Captain?” He asks lowly. 

“Just pleasant conversation,” Pembroke responds dismissively.

Aaron raises an eyebrow, his gaze shifting from your uncomfortable frown to the captain’s smug face. “We have three missing women and you are disturbing an investigation by disrupting my agents. I suggest you get your act together before I report you to your superiors for harassment.”

He doesn’t bother waiting for a response, guiding you by the small of your back towards his makeshift office in the New York Police Office. He doesn’t say a word until the door is firmly closed and the blinds are drawn. 

“Are you alright?” He asks softly, taking a step towards you and curling his fingers by your cheekbone. “I heard what he said. Do you want me to report it?”

“I’ve dealt with worse.” You don’t mean to sound so honest when you say it and his frown deepens.

“That’s not okay, honey.” Aaron presses a kiss to your forehead. “I’ll report it. You know how it is with cases like these; someone just has to put the first step forward.”

You smile at that, poking at his cheeks. “I thought you were going to hit him.”

“I thought you would’ve beat me to it,” he admits through a quiet laugh, giving you a proper kiss. “We shouldn’t make this into a habit.”

“Tell that to Kimberly.”

“That isn’t even close.”

reblogs are always appreciated!

events page

[girlactionfigure]

Edan Alexander Omer Neutra Hersh Goldberg-Polin Keith Siegel Sagui Dekel-Chen

ajedelman

[larysaint]

love is a downfall (and yet,)

love of the wolf – hélène cixous (tr. keith cohen) // the union of souls – max zabinsky // il bacio – francesco hayez // monster movie – nicola maye goldberg // the confession – frank dicksee // i set it in stone – venetta octavia // paolo e francesca – gaetano previati // it's a circus and we all paid to be here – ashe vernon // monseigneur love – thomas cooper gotch // the affliction – marie howe

[1americanconservative]

There are 5 Americans being held hostage by Hamas and you barely hear about this from the Joe Biden admin or the media.

🇺🇸 Keith Siegel

🇺🇸Hersh Goldberg-Polin

🇺🇸 Sagui Dekel-Chen

🇺🇸 Omer Neutra

🇺🇸Edan Alexander

Joe Biden may have forgotten, but Israel certainly hasn't.

[lostinsidelostoutside]

Why aren't Americans concerned about Americans hostages or demand they're release ??

Why does Israel care more about American hostages then America does ?

EDAN ALEXANDER ( NJ) 19

OMER NEUTRA ( NY ) 22

HERSH GOLDBERG -POLIN ( VA) 23

SAGUI DEKEL CHEN ( CT) 35

KEITH SAMUEL SIEGEL ( NC) 64

Shame on the United States for not caring about their own citizens.

Israel cares more about them and keeps them in Prayer 🙏🙏🙏🇮🇱🇺🇸💙❤️🙏

[the-garbanzo-annex-jr]

by Alana Goodman

CHICAGO—The longtime leader of the Anti-Defamation League, who now serves as director emeritus, expressed concern about Jews being forced to meet in "secret locations" at the Democratic National Convention due to security threats and anti-Semitism.

"I know in my heart that in the future, it will be better, for Jews in America, then [sic] it is today. But I fear it will never be the same," said Abraham Foxman in a Twitter post on Wednesday.

"After 50 years fighting anti-Semitism in America, I could not have imagined a time Jews would have to meet in secret locations in Chicago at DNC."

Foxman, a Holocaust survivor, served as director of the Jewish civil rights organization from 1987 to 2015. The ADL is now run by Jonathan Greenblatt, a former Obama aide, who has steered it in a much more partisan direction.

Foxman’s comments come as Jewish groups holding events on the sidelines of the convention have kept their meeting locations a closely guarded secret.

The Jewish Democratic Council of America held panel discussions with former U.S. ambassador to Spain Alan Solomont and Rep. Debbie Wasserman Schultz (D., Fla.), but attendees were required to register before receiving the location. Private security and metal detectors were present at both events.

The Israeli-American Council only disclosed the location for its "Hostage Square" discussion to attendees a few hours before it started, the Times of Israel reported on Wednesday.

The security concerns appeared justified. On Tuesday, pro-Hamas agitators disrupted a DNC event with hostage families hosted by Agudath Israel of America, an Orthodox Jewish group. The protesters shouted, "Zionism has got to fall" and "Shame on you" at attendees. Dozens of anti-Israel protesters were also arrested after clashing with police near the convention Tuesday night.

Jewish Democratic leaders acknowledged the concerns about anti-Semitism at the DNC but also downplayed the divisions within their party.

Wasserman Schultz, speaking at a JDCA event on Thursday, said she had "angst for over a week over what the reaction would be" when the parents of Hersh Goldberg-Polin, one of the eight Americans being held captive by Hamas, spoke at the DNC on Wednesday.

Wasserman Schultz said there was a lot of "hype about how many protesters there were going to be," and she felt relieved when there were no disruptions from the audience.

But Democratic politicians have also seemed reluctant to mention Israel’s war with Hamas and the Oct. 7 attacks on the convention stage. None of the prominent Jewish Democratic speakers—including second gentleman Doug Emhoff, Senate majority leader Chuck Schumer, and Pennsylvania Gov. Josh Shapiro—mentioned Israel or the hostage crisis in their remarks.

The only speakers to broach the subject were Rep. Alexandria Ocasio-Cortez (D., N.Y.) and Minnesota attorney general Keith Ellison, who are aligned with the left-leaning anti-Israel movement. Both politicians called for an Israeli ceasefire.

President Joe Biden briefly acknowledged the anti-Israel protests in his speech on Monday, saying the activists "have a point."

[matan4il]

What are the names of the hostages who have proof of life recently? I want to keep them in my thoughts

Hi lovely!

That's such a lovely thing, but difficult to answer your question, because a part of it, is what do we define as "recent?" Is it just that we got proof of life recently, or that the material shared included proof that it was filmed recently? And how many weeks do we count as "recent" for either scenario?

As far as I know, the only vid that was released recently, where the hostage being filmed mentioned how long he's been in captivity (and even that was released a while ago by now, so we can't know if anything happened to him since) is that of Hersh Goldberg Polin. In addition to him, there was also a vid showing Omri Miran and Keith Siegel released recently, but IIRC it didn't include a similar time stamp, you could just see that they look like they've been in captivity for a while (but that can be misleading. It doesn't take as long as we might think for captivity to leave a physical impression).

And then of course, I do think the hostages who are no longer alive deserve to be in our thoughts as well. They deserve proper burial, as all human beings do. Their families deserve closure, to know they did the last thing they could for their murdered loved ones, and that there is a grave they can go to, to mourn, to say the kaddish, to put a stone on, to feel like their loved ones are at rest...

(but to make it clear: the living hostages do have to be the first priority. Israel was negotiating for the release of 40 living hostages, who were humanitarian cases, and Hamas said it can't find that many alive, so Israel agreed to a deal where 33 living hostages would be freed, Hamas said no, then these terrorists announced they had "agreed" to a deal that Israel never offered, supposedly based on the one Israel did agree to with only "minor differences," but it turned out one of those differences was that they would release 33 hostages living "or bodies." That's unacceptable, that living people would continue to be tormented in captivity, while Hamas may potentially keep them all hostage and only release 33 bodies...)

So, with 'proof of life' being a tricky thing when dealing with lying manipulative, abusive terrorists, and all of the hostages deserving to be returned, I know it may be a lot and it's legit if you feel like it's too much, but I'd like to ask you to keep all of them in your thoughts. And if you feel like you do need a shorter, more concrete list, consider if you maybe feel comfortable to expand it a bit beyond the (very short) list of those for which we got a "recent" "proof of life." But please know it's totally understandable, if you do feel like you need to focus on just the latter. Either way, thank you for wanting to keep any of the hostages in mind at all, in a world that's willing to demonize and tear down the posters of a baby, just because he's an Israeli Jew.

Sending you much love and hugs! xoxox

(for all of my updates and ask replies regarding Israel, click here)

[tieflingkisser]

Hamas says a captive has died of wounds sustained in Israeli air strike

British-Israeli Nadav Popplewell was taken captive from Nirim kibbutz by Palestinian group Hamas on October 7.

Hamas’s armed wing, the Qassam Brigades, has said British-Israeli captive Nadav Popplewell died of wounds sustained in an Israeli air strike a month ago. The group’s announcement on Saturday came just hours after the Palestinian group released an 11-second video showing Popplewell with a bruised eye. In the video republished on social media and cited by Israeli news outlets, a man is seen wearing a white T-shirt and he introduces himself as 51-year-old Nadav Popplewell from the Nirim kibbutz in southern Israel. Superimposed text in Arabic and Hebrew reads: “Time is running out. Your government is lying.” Popplewell was taken captive in Nirim during the Hamas-led attack on October 7, according to Israel’s Ynet news site. His mother was also taken as a captive but later released during the exchange of captives and prisoners by Hamas and Israel last year. Popplewell’s brother was killed in the attack, Ynet reported. The video posted on Saturday on the Telegram channel of Hamas’s armed wing is the third time in less than a month the group has released footage of captives held in Gaza. On April 27, Hamas released a video showing two captives alive – Keith Siegel and Omri Miran. Three days earlier it also broadcast another video showing captive Hersh Goldberg-Polin alive. The videos come amid growing domestic pressure on the Israeli government to secure the release of the remaining captives. Reporting from Amman, Al Jazeera’s Stefanie Dekker, said this tactic of releasing videos of captives on a Saturday, when protests take place in Tel Aviv, is a way of pressurising the Israeli government. “This is what’s been a drip-feed if you will from Hamas. Where, by releasing videos, at times showing hostages dead, they are trying to put pressure on the Israeli government,” she said. “But this hasn’t really changed the policies of [the Israeli] government.”

[keep reading]

[dannyreviews]

Frasier (1993 and 2023)

The 1990s was probably the last great era for the American Sitcom and the majority of television viewers would probably pick "Seinfeld" as their favorite. As much as I love "Seinfeld" and its brand of famous gags, one liners and character quips, "Frasier" is in a class of its own above. For 11 seasons, Frasier maintained its Moliere/Alan Ayckbourn wit and farce without missing a beat. Nearly 20 years after the perfectly written series finale, "Frasier" has been rebooted and things have changed, some for the better and the rest for the worst. Here is the rundown about what made the original series a classic and the reboot (so far) a shadow of its former self.

TV Spinoffs are usually a hit or miss affair. The hits like "Laverne and Shirley" and "The Jeffersons" managed to remove themselves from their origin and create their own brand of humor. Others like "After MASH" and "Phyllis" were tedious affairs that forgot their roots and sailed into the sunset of mediocrity. And then you have "Frasier" which took the spinoff to brand new heights. Having already been an established supporting character in another massively successful series "Cheers", Frasier Crane was engrained in the collective consciousness of the prime time audience, so that was one notch in watching the pilot of the original "Frasier". The first thing was to reinvent Frasier as a radio psychiatrist which becomes the foundation for jokes about the human mind. But then you add supporting characters that are so multi-dimensional that they have to compete with the title character for the most laughs. That came in the form of David Hyde Pierce as Frasier's equally pompous psychiatrist brother Niles and John Mahoney as their blue collar, retired, disabled policeman father Martin. Watching the difference between tasting wine and singing Gilbert and Sullivan operettas to drinking beer and watching the ballgame on TV and you have a dynamic that is another foundation of excellent writing. At the same time, there's Peri Gilpin as Frasier's producer Roz who beds every man (single or married) in town and Jane Leeves as Daphne, Martin's in-house nurse and Niles' crush. When you have several running gags all synchronized in 11 amazing seasons that never jumped the shark, the possibilities are endless. Even recurring jokes like the rivalry between the Crane brothers, the elusive identity of Niles' wife Maris, or the random actions of Martin's dog Eddie, were add ons to an already colorful mosaic of wit and wisdom. Like the Sistine Chapel, or Bach's Goldberg Variations, Frasier is several fine tuned sequences that make up a Leviathan of a presentation. What can possibly go wrong?

The reboot of "Frasier" in hindsight should never have happened because in the series finale, the viewer wanted Frasier to have a happy ending and fine true love with his last girlfriend Charlotte. That hope goes out the window and instead what we get is another chapter in our titular character's hapless life when he becomes a lecturer in Psychiatry at Harvard. In the original pilot, we got to know each character's strengths and flaws in only 22 minutes. With the reboot, it takes 2 episodes just to establish each character's back story. Now that Martin is dead and Niles & Daphne are MIA, the majority of the new characters are generic, paint by numbers creations. Frasier's son Frederick (Jack Cutmore-Scott) is blue collar like his grandfather and the deja vu dynamic is not played up for laughs. You have a storyline written in about Frederick's roommate Eve (Jess Salguero) that gets too convoluted and ends up like a subplot in a cheesy soap opera. Most unforgivably, there's Niles and Daphne's son David (Anders Keith) who is supposed to be an amalgam of his parents, but instead of having headstrong principles and acerbic banter, he's just obnoxiously atrocious. This isn't the offspring of a fascinating couple, it's a clone of Screech from "Saved By The Bell". The only thing that somewhat works and has any relevance to the original series is Frasier's scenes with his new colleagues at Harvard which includes his old college friend Alan (Nicholas Lyndhurst) and department head Olivia (Toks Olagundoye). Alan is the new Niles in how he and Frasier exchange intellectual topics and if you can close your eyes, you'd think it was the Crane Brothers. Olivia is tolerable only when she's in the same room as Alan. Otherwise, her scenes with Frasier border on cringeworthy, which goes against the original formula of all the characters mingling with indefinite punchlines. Finally, Kelsey Grammer is at the helm of a rocky boat trying to steer it through choppy waves. He hasn't lost any of his charm but he can only do so much with what's written in the script.

Only three episodes of the reboot have aired as of now (10/22/2023), and the show has a lot to live up to its source material. Roz and Frasier's ex wife Lilith are supposed to make appearances in future episodes. What will they bring to the table and will it rival the classic episodes? I'm not holding my breath, but do hope that the show improves itself.

Original: 10/10

Reboot: 6/10

[bookoftheironfist]

Danny: "And they’re not from K’un-Lun-- too nasty and dirty-looking.” Master of Kung Fu Annual #1 by Doug Moench, Keith Pollard, Petra Goldberg, Duffy Vohland, John Tartaglione, and Jean Hipp

"You're too unhygienic for K'un-Lun" is both a fun worldbuilding detail and also an insult that I feel Danny should use more often.

[castlesrp]

Face Claim List

Below the cut, you will find our list of face claims featured on our canon list. Enjoy this sneak peak at what is coming your way when the canon lists start being released this week!

FC List:

Abigail Cowen Aishwarya Rai Bachchan Amita Suman Amy Adams Ana de Armas André De Shields Andrew Garfield Angela Bassett Anna Kendrick Anne Hathaway Anthony Anderson Anthony Mackie Anya Chalotra Anya Taylor Joy Aja Naomi King Avan Jogia Avantika Audra McDonald Austin Butler Beanie Feldstein Ben Barnes Beyoncé BD Wong Bette Midler Caleb McLaughlin Camila Mendes Catherine O'Hara Charles Melton Chiwetel Ejiofor Chloe Bennet Chloe Bailey Christina Hendricks Christina Nadin Chrissy Metz Cody Christian Constance Wu Courtney Eaton Dakota Johnson Danai Gurira Daniel Ezra Daniel Wu Danny Trejo David Harbour Deepika Padukone Denzel Washington Dev Patel Diana Silvers Diane Keaton Dianna Agron Dove Cameron Dylan O'Brien Eddie Redmayne Eiza González Emily Alyn Lind Eva Longoria Ewan McGregor Fan Bingbing Felix Mallard Florence Pugh Froy Gutierrez Gabrielle Union Gemma Chan George Takei Gillian Anderson Gina Rodriguez Gina Torres Hailee Steinfeld Halle Bailey Harrison Ford Harry Shum JR Harry Styles Henry Cavill Hero Fiennes Tiffin Hunter Schafer Hugh Jackman Idris Elba J. Cameron-Smith Jacob Artist Jacob Elordi Jameela Jamil James McAvoy Jamie Chung Jamie Lee Curtis Jasmin Savoy Brown Jason Momoa Jason Sudekis Jean Smart Jeff Goldblum Jeffrey Wright Jenna Ortega Jensen Ackles Jesse Williams Jessica Chastain JK Simmons Joe Locke John Boyega John Cho John Krasinski Jon Hamm Jonathan Bailey Jordan Connor Jordan Peele Julianne Moore Justice Smith Kate Winslet Kathryn Hahn Kathryn Newton Keanu Reeves Keith Powers Keke Palmer Kerry Washington Kit Connor [1] Kit Connor [2] KJ Apa Kristen Bell Kumail Nanjiani Lana Condor Laura Harrier Lauren Ridloff Leonardo DiCaprio Letita Wright Lili Reinhart Liv Hewson Logan Browning Logan Lerman Loretta Devine Lupita Nyong'o Mädchen Amick Madelyn Cline Madison Bailey Mahershala Ali Manny Jacinto Manny Montana Margot Robbie Mark Consuelos Mark Hamill Mario Lopez Mason Gooding Maude Apatow Megan thee Stallion Melanie Lynskey Melissa Barrera Michael Cimino Michael Evans Behling Michael Fassbender Michael Peña Michael Shannon Michelle Yeoh Morgan Freeman Naomi Scott Natalia Dyer Natasha Liu Bordizzo Nina Dobrev Noah Centineo Normani Octavia Spencer Olivia Coleman Olivia Rodrigo Oscar Isaac Paul Rudd Pedro Pascal Phoebe Deynover Phoebe Tonkin Phylicia Rashad Priyanka Chopra Rachel Weisz Rachel Zegler Rahul Kohli Reese Witherspoon Regé-Jean Page Renee Rapp [1] Renee Rapp [2] Riz Ahmed Robert Pattinson Robert Downey JR Rome Flynn Rosamund Pike Rose Byrne Rudy Pankow Ryan Gosling Ryan Guzman Ryan Reynolds Sadie Sink Sam Claflin Samantha Logan Samara Weaving Sandra Bullock Sandra Oh Sara Ramirez Sarah Jeffrey Sarah Paulson Sebastian Stan Selena Gomez Sigourney Weaver Simu Liu Shawn Mendes Skeet Ulrich Sophia Ali Sophia Bush Sophie Turner Sonam Kapoor Sophie Thatcher Sterling K. Brown Steve Martin Steven Yeun Storm Reid Sydney Sweeney [1] Sydney Sweeney [2] Taika Waititi Tati Gabrielle Taraji P. Henson Taron Egerton Taye Diggs Taylor Zakhar Perez Ted Danson Timothée Chalamet Thomas Doherty Tom Blyth Tom Ellis Tom Hardy Tom Holland Tony Goldwyn Tyler James Williams Tyler Posey Uzo Adubo Victoria Pedretti Viola Davis Whoopi Goldberg Wolfgang Novogratz Will Smith Willem Dafoe William Jackson Harper Winona Ryder Winston Duke Yasmin Finney Zayn Malik Zendaya Zoey Deutch